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<TITLE TYPE="245">Scribner's magazine. / Volume 5, Note on Digital Production</TITLE>
<RESPSTMT>
<RESP>Creation of machine-readable edition.</RESP>
<NAME>Cornell University Library</NAME>
</RESPSTMT>
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<TITLE TYPE="MAIN">Scribner's magazine. / Volume 5, Note on Digital Production</TITLE>
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<TITLE TYPE="245">Scribner's magazine. / Volume 5, Issue 1 [an electronic edition]</TITLE>
<RESPSTMT>
<RESP>Creation of machine-readable edition.</RESP>
<NAME>Cornell University Library</NAME>
</RESPSTMT>
</TITLESTMT>
<EXTENT>874 page images in volume</EXTENT>
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<TITLE TYPE="MAIN">Scribner's magazine. / Volume 5, Issue 1</TITLE>
<TITLE TYPE="OTHER">Commentator</TITLE>
<TITLE TYPE="OTHER">Scribner's commentator</TITLE>
<PUBLISHER>Charles Scribner's Sons</PUBLISHER>
<PUBPLACE>New York </PUBPLACE>
<DATE>January, 1889</DATE>
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<BIBL>
<TITLE TYPE="MISC">Scribner's magazine. / Volume 5, Issue 1, miscellaneous front pages</TITLE>
<BIBLSCOPE TYPE="pg">i-2</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00003" SEQ="0003" RES="600dpi" FMT="TIFF5.0" FTR="TPG001" N="R001">SCRIBNERS
MAGAZINE

PUBLISHED 1IQNTHLY
WITH ILLUSTRATIONS









VOLUJIE
V
JANUARY - JUNE

















CHARLES SCBIBNERS SONS NEW YORK~
F.WARNEvC0 LONDON</PB>
<PB REF="IMG00004" SEQ="0004" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="R002">LWF~ARV i

COPYRIGHT, 1889, BY CHARLES SORIBNERS Soi~a
































PRINTING AND SOOABINOING COMPANY</PB>
<PB REF="IMG00005" SEQ="0005" RES="600dpi" FMT="TIFF5.0" FTR="VOI001" N="R003">CONTENTS
OF





SCRIBNERS MAGAZINE.


JANUARYJUNE, 1889.
AFRICA. See Slavery in Africa.

AN ANIMATED CONVERSATION             

ART INSTINCT. See French Traits.

BALLANTRAE. See ilfaster of Ballantrae.

BIG-HORN. See Photographing the Big-Horn.

BUILDING AND LOAN ASSOCIATIONS~
CASTLE LIFE IN THE MIDDLE AGES,
Illustrated by E. H. Blashfield; en~aved by Peckwell,
Butler, DelOrme, Van Ness, and Hos~n.

CASTROGIOVANNI                       
Illustrated with drawings by the author and from photo-
graphs.

COMPETITIVE ELEMENT IN MODERN LIFE, THE,

CONTORTIONIST, ANATOMY OF THE,
Illustrations from photographs of expert performers,
taken under the authors supervision.

DILEMMA OF SIR GUY THE NEUTER, THE,
ECONOMY IN INTELLECTUAL WORK,
EDINBURGIL See Second Shelf of Old Books.
ELECTRICITY IN THE SERVICE OF MAN. AN IN-
TRODUCTORY PAPER                      
With illustrations drawn by J. D. Woodward, Henry W.
Hall, and others, and from photographs made expressly
for the Magazine; engra~~by Thomas Johuso
Butler, J. Cinment, Andrew~ and Whaley.

EMERGENCY MEN, THE, . .
fliustrations by C. D. Gibson.

ETHICS OF CONTROVERSY, THE            

EXTENUATING CIRCUMSTANCES            

EYE FOR AN EYE, AN,

FAMILY TREE, A                  

FICTION AS A LITERARY FORM,
				PAGE
HENRY JAMES,	.	.	.	. 371
W. A. LINN	700
EDWIN H. BLASHFIELD and
EVANGELINE W. BLASHFIELD,


A.	F. JACASSY,



HENRY C. POTTER, D.D.,
Bishop of New York.
THOMAS DWIGHT, M.D.,


OCTAVE THANET,

WILLIAM H. BIJRNHAM,


C.	F. BRACKETT,





GEORGE H. JESSOP,


GEORGE P. FISHER,

WILLIAM MOKENDREE BANGS,
ROBERT GRANT,

	. BRANDER MATTHEWS,

	. HAMILTON WRIGHT MABIE,
3


714



251


493



586

306



643





201


113

359

815

226

620
VOLUME V.</PB>
<PB REF="IMG00006" SEQ="0006" RES="600dpi" FMT="TIFF5.0" FTR="VOI002" N="R004">CONTENTS.

FISHING. See Land of the Winanishe and Striped Bass
Fishing.

FRENCH TRAITSWOMEN                  
THE ART INSTINCT,.

FREIGHT-CAR SERVICE, THE               
fliustrations by Herbert Denman, H. C. Edwards, H.
	D.	Nichols, V. P~rard, W. C. Fitler, and others; en-
gravings by Peokwell, Heard, and Witte.

GERMAN ROME, A                        
With drawings by J. D. Woodward, H. B. Warren, A.
	F.	Leicht, and H. Hawley; engravings by Atwood,
Chadwick, Dana, Held, Latham, Leblano, Marsh,
Peckwell, Van Ness, and M. J. Whaley.

GREEK PORTRAITS, SOME                 
Illustrations from photographs of the collection of Gra3co-
Egyptian portraits recently discovered near Fayourn,
Egypt.

HOLLAND, THE PICTURESQUE QUALITY OFIN-
TERIORS AND BRIC-A-BRAC             
Illustrations from drawings by the author; engraving by
J. P. Davis, Marsh, W. Miller, J. Cinment, Witte, and
M. J. Whaley. See also Wol. Ii, 160.

INVALIDS WORLD, THETHE DOCTOR, THE
NURSE, THE VISITOR                   
Illustrated from drawings by Herbert Denman, Albert
E. Sterner, W. J. Baer, and Charles Broughton; en-
graved by Kruell, Marsh, Van Ness, and Heinemann.

IBSEN, HENRIK,
With portrait engraved by Thomas Johnson from a pho-
tograph.
INTELLECTUAL WORK. See Economy In.

JAPANESE ART SYMBOLS                  
Illustrated from drawings specially prepared for the
Magazine by Nankoku Ozawa, of Tokio, Japan; en-
graved by J. Clbment, DelOrme, Andrew. and M. J.
Whaley.

JEANNE. IN Two PARTS                    

LAND OF THE WINANISHE, THE            
With frontispiece, The Carcajou Pool, drawn by M. J.
Burns, engraved by Van Ness; and illustrations from
skef~ches and drawings by L. M. Yale, L H. OBrien,
and M. J. Burns; engravings by E. A. Clbment,
DelOrme, Evans, Fay, Fillebrown, Held, Hoskin, Miil-
ler, Peckwell, Schussler, M. J. Whaley, Van Ness.

LUCK OF THE BOGANS, THE               
Illustrated by C. D. Gibson; engraved by E. A. Clbment.
W. C. BROWNELL,
THEODORE VOORHEES,




W.	B. SCOTT,





THOMAS SERGEANT PERRY,





GEORGE HITCHCOCK,





A.	B. WARD,
GEORGE RICE CARrENTER,





WILLIAM ELLIOT GRIFFIS,





JOHN ELLIOTT CURRAN,
74
241

568




286





219





162





58




404





88





477,553
LEROY	MILTON YALE and
J. G. AYLWIN CREIGHTON,.





SARAH ORNE JEWETT,
MASTER OF BALLANTRAE, THE. Ili-VIII. (Be
	gun in November, 1888. To be continued.) .	.	. ROBERT LOUIS STEVENSON,
	Illustrations by William Hole.	49, 152, 278, 413, 624, 749
MEXICAN SUPERSTITIONS AND FOLK-LORE,

MONSIEUR NASSON                           
Illustrated by Chester Loomis; engravings by E. A.
Ctement.
THOMAS A. JANVIER,

GRACE H. PEIRCE,
MOUNT ST. ELIAS, CLIMBING	WILLIAM WILLIAMS,
fllustrations by M. J. Burns and J. D. Woodward from
the authors sketches, and from photographs. Engrav-
ings by E. H. DelOrme, C. I. Butler, T. Schussler, A.
Measom, S. Davis, J. Climent, and M. J. Whaley.

ODD STICKS, AND CERTAIN REFLECTIONS CON
	CERNING THEM	THOMAS BAILEY ALDRICH,
iv
PAGE
515






100
349

685



387
124</PB>
<PB REF="IMG00007" SEQ="0007" RES="600dpi" FMT="TIFF5.0" FTR="VOI003" N="R005">CONTENTS.

OCEAN GREYHOUND, BUILDING OF,
Illustrations from photographs in the Clyde Sap-yards;
engravings by C. I. Butler, W. R. Bodenstab, C. W.
Chadwick, E. Heinernaun, and Bartlett &#38; Co.

OLD HOMES IN AMERICA, LACK OF,
PAST, PRESENT, AND FUTURE              
PHOTOGRAPHY,
Illustrations from negatives by the author and others.
The view of lightning from a photograph by A. H.
Bindeu, Esq.; that of a burning building by D. T.
Burrell, Esq.; engravings by Butler, W. Miller, Peck-
well, and Schussler.
PHOTOGRAPHING THE BIG-HORN            
Full-page illustration from an instantaneous photograph
made by Mr. Chapin in July, 1887, on Table Mountain,
Colorado.

PHYSICAL DEVELOPMENT OF WOMEN, THE,
(Dr. Sargents third article on Physical Training.)
With charts and tables.

RAILWAY MAIL SERVICE, THE, .
With a frontispiece, At a Way StationThe Postmas-
ters Assistant, from a drawing by Herbert Denman;
engraved by E. A. Ctement. With illustrations by
Herbert Denman and W. J. Baer; en graving by Kruell,
Bodenstab, W. Miller, Hoskin, and Leblauc.

RAILWAY MANAGEMENT                   
Illustrated from drawings by Robert Blurn, M. J. Burns,
W.	C. Fitler, and V. Pirard; engraved by DelOrme,
J. Clement, and Andrew; and with diagrams by the
author.

RAILWAY FREIGHT TRANSPORTATION. See
Freight- Car Service.

RAILROAD STRIKES, THE PREVENTION OF,
SAILOR CALLED THE PARSON, A            
SCOTT, WALTER, AT WORK                 
WITH AN INTRODUCTION BY

With a frontispiece, Walter Scott, engraved by An-
drew from a print in the possession of Mrs. James T.
Fields, and illustrations from drawings of Abbotsford,
made for the Magazine by W. L. Taylor; engraved by
Peckwell, Van Ness, E. A. Cl&#38; ~ment, Marsh, Fillebrown,
and J. Naylor; and with fac-similes from the p roof-
sheets of Peveril of the Peak, with Scotts and Bal-
lantynes marginal notes, in the possession of Andrew
D. White, Esq.

SECOND SHELF OF OLD BOOKS, AEDINBURGH,
Illustrations from portraits, drawings, and fac-sinilles;
engravings by Andrew.

SHAKSPERES ENGLISH KINGS           
SLAVERY IN AFRICA                   
	With map of the slave-trade district of Africa.
STEAMSHIP. See Ocean Greyhound.

STRIPED BASS FISHING                    
Illustrated by M. J. Burns, Henry W. Hall, and others;
engravings by DelOrme, Dana, S. Davis, J. Clement,
Meason, and Van Ness.

TOLSTOY TWENTY YEARS AGO, COUNT LEO. I.
AND Ii                                
With portraits, engraved by Kruell and others, from
photographs.
VAUXHALL GARDENS, OLD             

	Illustrations from prints collected by the author.
WILLIAM H. RIDEING,




CHARLES ELIOT NORTON,
PHILIP GILBRRT HAMERTON,
JOHN TROWBRIDGE,






FREDERICK H. CHAPIN,




D.	A. SARGENT,M.D.,



THOMAS L. JAMES,
Ex-Postinaster-GeneraL




GENERAL R P. ALEXANDER,







CHARLES FRANCIS ADAMS,

JOHN R. SPEARS,

E.	H. WOODRUFF

ANDREw D. WHITE









~S.JAMEST.FIELDS,



WALTER PATER,

HENRY DRUMMOND,




A.	FOSTER HIGGINS,





EUGENE SCHUYLER,
PAGE

	431


	636
	762
	605




	215


	172


	259




	27





	424
	443
	131






	453


	506
	660


	671



537, 733
AUSTIN DOBSON,	185
V</PB>
<PB REF="IMG00008" SEQ="0008" RES="600dpi" FMT="TIFF5.0" FTR="VOI004_SPI001" N="R006">vi
CONTENTS.
		 PAGE
WAGNERS HEROES AND HEROINES, SOME OF, . WILLIAM F. APTHORP,.	.	.331
  With illustrations after photographs (several by permis-
   sion of the Freiherr von Woizogen). Drawings by S.
   L. Smith and Francis Day; engraving by Andrew,
	Fillebrown, Heinemann, W. Miller, and Henry Wolf.
WINANISHE. See Land of the Winani~he.
WOMEN. See French Traits; also Physical Development of Women.





POETRY.

AT THE FERRY               
AT THE TOMB OF A POET,
APRIL NIGHT	
BEETHOVENS THIRD SYMPHONY,
CROWNED                       
FRAGMENT FROM PLATO, A,
FOOT-NOTE TO A FAMOUS LYRIC, A,
GREATER WORLD, THE            
HEREAFTER            
HOPES SONG	
IN BOHEMIA,
ILLUSIONS                          
LYRIC OF THE DAWN, A              
LYRIC OF LYRICS, A	
NOT STRAND BUT SEA               
NUNC DIMITTISA CHANT OF THE FOUGHT FIELD,

RONDO                            
SAPPHO TO PHAON                  
SELF                                 
SNOW                                
SONG OF PLEASURE, A                  
SPRING IN WINTER                     
With illustration drawn and engraved by Frank French.
TO J. S. D                             
UNDER THE LEAVES                     
VESPERS                              
With an illustration drawn and engraved by Elbridge
Kingsley.
VESTIS ANGELICA	
YESTERDAY                           
GRAHAM R. TOMSON,

MARY A. P. STANSBURY,

A. LAMPMAN            

RICHARD HOVEY,

CELIA THAXTER,

KATE STEPHENS,

LOUISE IMOGEN GUINEY,

ROSE HAWTHORNE LATHROP,

GRAHAM R TOMSON,

ELSIE KENDALL,

LOUISE CHANDLER MOULTON,

MARY BRADLEY,

CHARLES EDWIN MARKHAM,

RICHARD HENRY STODDARD,

MRS. JAMES T. FIELDS,

EDITH M. THOMAS,

HENRY SHELTON SANFORD, JR.,

MARGARET CROSBY,

AUGUSTA LARNED,

ANNE R. ALDRICH,

MAYBURY FLEMING,

EDITH M. THOMAS,


CHRISTOPHER P. CRANCH,
WILLIAM HERBERT CARRUTH,
ELLEN BURROUGHS,



T. W. HIGGINSON, .
ZOE DANA UNDERHILL,
.760
712
442
112
476
619
423
530
305
403
123
759
601
225
635
48
73
659
761
199
151
713

152
585
684


277
314</PB>
<PB REF="IMG00009" SEQ="0009" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="1"></PB>
<PB REF="IMG00010" SEQ="0010" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="2">DRAWN BY WILLIAM HOLE.	ENGRAVED BY BODENSTAB


THE TRACK ON BOTH HANDS WAS ENCLOSED BY THE UNBROKEN WOODS.
The Master of Ballantrae, page 56.</PB></P>
</DIV1>
</FRONT>
<BODY>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-3">
<BIBL>
<AUTHOR>Edwin H. Blashfield</AUTHOR>
<AUTHORIND>Blashfield, Edwin H.</AUTHORIND>
<AUTHOR>Evangeline W. Blashfield</AUTHOR>
<AUTHORIND>Blashfield, Evangeline W.</AUTHORIND>
<TITLE TYPE="ART">Castle Life In The Middle Ages</TITLE>
<BIBLSCOPE TYPE="pg">3-27</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00011" SEQ="0011" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="3">VOL. V.
No. 1.
ScRIBNERs MAGAZINE.
JANUARY, 1889.




CASTLE LIFE IN THE MIDDLE AGES.
By E. H. and E. W. Blashfield.

enough to contemporaries) of men and
things which we find to-day in the
miniatures of old missals, or preciously
preserved in museums. The very name
of the Middle Ages suggests a thousand
pictures of narrow-streeted cities crowd-
ed with quaint gables, where armored
knights, long-gowned burgesses, and
ladies with tall head-dresses walked gro-
tesque and splendid, or of pinnacled
castles on impossible heights, where
portcullises and drawbridges were the
commonplaces of daily life, and the now
rusted swords struck each other into
brightness.
	We stand in the darkness of twist-
ing tower staircases and peer through
loopholes at the outer light. The tapers
shine again in the colored gloom of the
chapel, where the patron saint in the jew-
elled armor of the stained window looks
upon the steel-clad suppliant at the
altar; fierce eyes flash at us through
barred visors, or from black cowls of
inquisitorial monks; and in the dun-
geon underground, justice with axe and
block and scarlet executioner stands in
the shadow of the torture chamber. We
think of a time when there were plague
and famine, pageants and monster
feasts; when men drank their wine by
hogsheads and roasted oxen whole, or
starved in their harried fields; when
death walked abroad on the Roman
roads, ambushed in the forest, and
swooped down from the mountains;
and when men, unglutted by all this
slaughter, invited it to their holidays
and rode out to meet it at the tourna
As priest and knight were the typi-
cal figures, so castle and cathe-
dral were the landmarks of the
Middle Ages.
	That epoch of disintegration and re-
integration beginning with the fall of
the Roman Empire and merging itself
in the Renascence was a complicated one.
There was a confusion of struggling
states and tiny provinces, each capped
with a coronet which might swell into a
crown or lapse into nothing :a medley
vague and romantic to us (though vital
Copyright, 1888, hy Charles Scribners Sons. All rights reserved.</PB>
<PB REF="IMG00012" SEQ="0012" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="4">4	CASTLE LIFE IA! THE MIDDLE AGES.

ment. Or we turn from the more sombre ality; the tapestries come to life; the
side of the Middle Ages to a kind of carved furniture tells of growing crafts;
romantic dreamland. The king, always the castles are no longer unsubstantial
a king of clubs in those hard-hitting wonders outlined against the sky of

	troubled times, but can be examined,.
On the Tower. with their mechanics of defence and

offence, as so many posts on the road
times, wears his crown daily, and the of evolution. The master enchanters
whole pack of court cards follows him of fiction are followed by the scientific
in parti-colored splendor. The world inquirer; and upon the pages of roman-~
is topsy-turvy, queens nurse beggars, cer and historian alike, of Green and
warriors turn hermits, the robber is Freeman and Viollet-le-Duc, as well as
always generous, and the officer of justice of Scott and Reade and Kingsley, we
always gets a drubbing. We fling whole see clearly through all the bloodshed
purses of gold, never less, to our com- and chaos that the great gift of the
moner whom we call yeoman or churl, Middle Ages to the world was Individual-
as we wish him well or ill; while our itythe Sense of Personal Resportsi-
hero, who is sure to be a foundling and bility.
a kings son, with muscles of iron under A complete system of fortification cx-
armor of steel, rides down armies. The isted in antiquity, beginning in the
horn blows from the castle watch-tower, East; but the true castle builders came
and Sir Lancelot and Queen Guinevere, from the North. As far back as the
followed by a long procession, from the time when the barbarians hung up in
seven champions of Christendom of our their huts the spoils of Yarros legions
Boys Books to the grave heroes of we can find the germinal idea of the
Froissart, ride through a chaotically feudal domain in the assertion of Tacitus
picturesque dream. that the Teutons loved to dwell apart,
	But upon examination this romantic and even in villages kept wide spaces
world becomes real ; the two glittering between their houses. When the fron-
pyramids of bishops and knights, with tiers of the Roman Empire disappeared
pope and emperor at either apex, like a new Jericho before the trumpets~
separate into units of intense person- of the Barbarians, the Frank watching</PB>
<PB REF="IMG00013" SEQ="0013" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="5">Great Hall of the Castlethe Oath of Fealty to the Young Lord</PB>
<PB REF="IMG00014" SEQ="0014" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="6">6	CASTLE LIFE IN THE MIDDLE AGES.
A /
U
A
The Castle Courtyard Return from a Foray.


the sack of Soissons, or the Saxon riding counts and jaris, when they built npon
into Silehester or York, looked with Cu- their domains, set up low thatch-roofed
rious interest at the Roman villas, and manors. At abont the second half of
found them well suited to his purpose. the tenth century the true castle build-
	Thus the first feudal chateau or castle ing epoch commenced; and even while
became not a Roman castellum, but, as Charlemagne was admiring the Greek
Viollet-le-Duc says, rather a villa pro- ornaments of his Jngelheim palace, the
vided with defences; the wooden dwell- fathers of the mightiest makers of
ing of the lord arose in the centre, strongholds were pushing out their nar-
neither very high nor very large, and row boats from the Norwegian fjords
about it clustered the dependents in low and sailing up the Seine and the Loire.
out-buildings behind the general stock- Every mans hand was against these pi-
ade. The Clovises and Canutes sat upon rates, and the Normans took up sword
the marble tribunes of Roman basilicas and mattock at once to defend their po-
or palaces, and Charlemagne laid hands sitions and to keep the rivers, the natural
on the columns at Ravenna and brought inlets of France, open to their oncom-
them to his palace; but the greatest ing northern brethren.</PB>
<PB REF="IMG00015" SEQ="0015" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="7">CASTLE LIFE IN THE MIDDLE AGES.	7
	Soli-
dan ty
was their
only safe-
ty ; and un-
like the
Frankish fort-
resses, built for
individual defence and
differing greatly from each
other, their castles depend-
ed upon a general system of
fortification, where the same
kind of natural position (nota-
bly the river) was defended in
the same waya whole prov-
ince being guarded instead of a
domain.
	By the end of the tenth century the
Norman, whose mind was as acute
as his conical helmet and kite-shaped
shield, had pried with his sharp double-
edged sword into the affairs of East and
South, had served the Emperor of Constanti-
nople in his capital and beaten him in Sicily, had
learned the resson of his civilization, and become
school-master to France in matters~ of military architect-
ure. He built now with stone; and by 1040 from the
ramparts of the great castle of Arques he looked greedily
out upon the Channel toward the green island whose earls One End of Cantie of Pierrefonds.</PB>
<PB REF="IMG00016" SEQ="0016" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="8">On the Ramparts.</PB>
<PB REF="IMG00017" SEQ="0017" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="9">CASTLE LIFE IN THE MIDDLE AGES.	9

had oniy wood and earth to oppose to
his masonry. Wood and earth indeed
had been the materials of the successors
of Charlemagne and Bob and Alfred,
but by the second half of the tenth cen-
tury the Normans began to use more
solid materials.
	For a long time the keep or donjon,
the house of the Dominus, was the only
portion strongly fortified. There lived
the lord and lady, and there the garrison
retreated as soon as a serious attack had
carried the stockade or outer wall. The
keep had an interior courtyard, was
high, thick-walled, gloomy, and pro-
visioned for a siege. Throughout the
Middle Ages it was the dominant mass
of the castle, like the knight sitting on
horseback among his men; but its rela-
tive importance gradually diminished
till it was only a part of a general sys-
tem of defence, and was surrounded by a
brotherhood of towers, little less migh-
ty than itself. William the Conqueror
covered England with castles; but he
had only time to raise the donjon keeps,
with slight outworks, for in that wasps
nest of Saxons and Danes fighting for
life and liberty, he was in haste to get
his Normans and Angevins behind thick
walls and in safety from their stings, and
Restored View of the Chateau of Coucy, from ViolIet-Ie.Duc.
A, The Donjon; B, Hourds; c, the chemise du Don-
jon, or second protecting wall; TA, the Barbican; F, the
Outer Stockade; F, the chapel; G, the Lower co~t, or
Outer Ballium; H, the castle courtyard. -

VOL. V.2
the weapons of the natives were but
little else against his masonry. So
Newcastle frowned upon Tyne, Roches-
ter upon Medway, the White Tower
on Thames; and scores of others
rose, each one a visible seal of slavery,
a great shackle-bolt in the chain of
the Norman.* By the time of Williams
grandsons, the keep was but the prin-
cipal member of a group of towers.
How fair she is, my year-old daughter,
said Richard Plantagenet, looking upon
his famous Cktteau-Gaillard, whose ruins
are still reflected in the Seine near
Bonen, and which, though built almost
by ruse and in mortal haste against his
rival, Philip Augustus, proves the King
to have been much more than the knight
errant of the Talisman ; showing him
rather a far-seeing strategist and great
military architect, perhaps the first to
subordinate mere thickness of wall to
the importance of flanking towers.
	But to picture the niediteval castle
fully, one or two typical structures must
be chosen. Coucy in France, near Noy-
on, and Pierrefonds near CompiZ~gne are
admirable examples, the latter restored
from moat to watch-tower summit, and
the former carefully studied by that
greatest of authorities Viollet-le-Duc.
	* William worked upon seventeen castles almost con-
temporaneously.
hJ\
(	A</PB>
<PB REF="IMG00018" SEQ="0018" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="10">10	CASTLE LIFE IN THE MIDDLE AGES.

About 1225, when Louis IX., called the
Saint, reigned in France, Enguerrand
III., Lord of Coucy, and most powerful
vassal of the crown, built him a castle so
great that it has remained the typical
feudal dwelling.* Let us consider broad-
ly what necessities it had to meet.
First it should contain the apartments
of the lord and his family, for daily life
went on, and one could not always be at
war even in those troubled times; next
it should hold a garrison and provision
for the same ; lastly the enemy was to be
kept out and if possible at a distance.
This enemy, in the thirteenth century,
had cross-bolts and long arrows for mis-
siles, catapults, mangonels, and trebu-
chets to throw stones and beams and fire-
barrels, mattock and spade to under-
mine the walls, and battering rams to
breach them. To oppose them there
stood four sturdy towers a
hundred feet high, while from
the platform of the donjon,
nearly two hundred feet above
the moat, fragments of stone
from the engines could be sent
crashing into the distant coun-
try wherever outworks of at-
tack might appear.
Joining tower to
tower, and flanked
and raked by
the same,
were the curtains or walls of stone af-
fording a patrol walk, a means of com-
munication between the towers and
lined with battlements ; t piercing each
	* The towers at coucy are 35 metres high and iSin diam-
eter; the donjon is 65 metres high from moat to summit,
and 31 metres in diameter.
	t Rockiugham castle has its alures, or patrol walks on
battlement was a loop-hole, narrow on
the outside, splaying widely within;
and behind each loop-hole stood an
archer watching for the glint of ar-
mor among the trees, or waiting for the
enemy to step for a moment from behind
the mantelet. Soon it was found that
the patrol walk was needed for mano3u-
vres, that the platforms of the towers
were crowded by the engines and the
heaps of missiles; beams were therefore
set in the walls outside the battlements,
and roofed wooden pent-houses, called
hourds, were constructed; the archer
stepping out between the crenelations
fonnd himself quite covered and could
fire with more ease, and the patrol walk
was left free.
So much for keeping the enemy at a
the walls (from old French alleiors) battlemented even
upon the inner side. Most early English donjons are
square, as Norwich, Rising, etc. Arundel, Windsor, Lin-
coln, Durham, and some others are round.
if</PB>
<PB REF="IMG00019" SEQ="0019" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="11">CASTLE LIFE IN THE MIDDLE AGES.	11

distance; at closer quarters the gates
were the main point of attack. At the
first approach of danger, the draw-bridge
swung up * and the portcullis of grating
slid down in its grooves, so that the
enemy if they got so far found before
them a wide water-filled moat, a blank
wall, and but one opening grinning at
them with iron teeth. If they were des-
perate and fortunate enough to force
moat and portcullis, they found a second
grating, and heavy doors shod with iron;
if axe and fire destroyed these, the as-
sailants rushed into a long narrow vault-
ed passage, to be overwhelmed with
stones dropped through machicolations
or open spaces in the roof, by soldiers
stationed in the room above. Mean-
while if the cat approached the walls,
and under its roof of thatch and hides
the battering ram struck the masonry,
shaking it and opening wide cracks, men
kneeling above at similar machicolations
or openings between the battlements
dropped stones, shot fire arrows, poured
boiling oil, and the castle spat its venom
from a hundred mouths. It was almost
impossible to take such a building by
assault, and a years provisions, with a
spring of fresh water inside the walls, en-
abled it to defy any but a long siege.
	If the postern or sally-port (a small
gate at a level with the moat) was attack-
ed, gratings and doors again had to be
forced, and the assailants at last emerg-
ing upon a kind of blind alley, between
the donjon and a second inner wall that
protected it, were crushed by missiles
from one hundred and eighty feet above
or destroyed by the guard of the inner
wall. Did the enemy attempt to mine,
the castle pioneers posted in a subter-
ranean gallery at the foot of the walls
listened for the sound of the pick and
countermined. No wonder that the
possessors Qf these inexpugnable cas-
tles built even at the very steps of the
throne~~ felt themselves secure, and
whether provocation had been given
through petulance or malice, were tolera-
bly sure to obtain at least a compromise.

	*	Sometimes in case of surprise and pursuit there was
quick work, as when in the fifteenth century Julius the
Second with his train rattled over the drawbridge at civita
Castellana, and springingfrom their mules, purple pope and
red cardinals pulled at the ropes like so many hell-fingers,
raising the planks just as Colonnas horsemen rode up.
	1 The general use of machicolations somewhat postdates
the building of Coucy.
	From the eleventh century to the mid-
dle of the thirteenth Europe rang as
loudly with the masons trowel as with
the sword. This simultaneous growth
of castles is an historical phenomenon.
Everywhere they were a menace to king
jill.
and people. The Normans planted them
upon each English river, in France they
towered over plain and forest, in Swabia
they crowned every hill-top, and in the
north they began their perpetual watch
on the Rhine. But from 1240 to 1360,
comparatively few French chateaux were
built; gentlemen by hundreds had
mortgaged their territories for the arms
and horses of their followers, and had
swept eastward upon the great wave of
the crusades, to leave armor and life
under the walls of Ascalon or in the
Delta of the Nile, while the grand vassals
who afterward absorbed their domains
were broken by St. Louis.
	On the other side of the Channel the
barons were powerful, but under Ed-</PB>
<PB REF="IMG00020" SEQ="0020" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="12">12	CASTLE LIFE IN THE MIDDLE AGES.

ward I. the England from which we
spring was beginning to form, and in
France the king and people grew yearly.
Art, which for centuries had worn the
monks frock, now stepping forth from
the convent doorway, put off cowl and
scapulary, and slipping on the masons
tunic walked straight to the gates of the
city, where the rising cathedral spires
soon pointed upward toward a freer at-
mosphere. Between the king whom be
longed to defy and the people whom he
despised, the lord sat at home, made his
chapel more splendid, painted his walls
withlegend and story, listened to the jon-
gleurs, and watched the ladies embroid-
er, but, for all that, gnawed his fingers in
despite at the peace which turned esca-
lader and thief, since the quiet times
robbed him of half his revenues, and
ennui mounted his walls in defiance of
crossbolt or catapult. The hundred
years war with England gave the French
chivalry a new lease of life, and Pierre-
fonds is the type of the later chateau:
built at the end of the fourteenth cen-
tury, blown up under Louis XIII. in 1617,
and restored in every detail by Viollet-
le-iDuc, it is one of the most remarkable
objects in Europe.
	Coucy was a fortress with habitable
rooms; Pierrefonds, outcome of a more
luxurious nobility, was a fortress palace,
what Leland called in his itinerary a
castel with loggyns. Every castle was
a labyrintha labyrinth to the armored
minotaur who, as suzerain, devoured vil-
lages and towns. The mediawal tactics
of defence necessi-
tated this complica-
tion, but in the thir-
teenth century the
garrison was some-
times caught in its
own toils. The net-
work of passages and
	staircases prevented
U free movement, and
	it was captured be
~ fore there was time
to utilize its re-
sources. Duguesclin
with his ruses and
escalades pointed
out the weak spot,
and a dozen burning
castles were so many
warning beacons to
the barons. The
mercenaries were un-
sure troops; treason might occur; it was
therefore desirable that each post should
be isolated and yet capable of communi-
cating with all the others. Pierrefonds
fills every condition: an entering enemy
might lose himself hopelessly even if no
one opposed him, so many are the blind
alleys, boftomless staircases, gaps in
floors, and unexpected doors; and yet the
officers who knew their way couild lead
the defenders rapidly from point to
t~ vjt
Fa~ade of the Groat Hall, fronting on the Courtyard. Pierrefonds.</PB>
<PB REF="IMG00021" SEQ="0021" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="13">CASTLE LIFE IN THE MIDDLE AGES.	13
Return from the Baptism. The Tower Stair.

point.* Though the castle held its head
no higher in 1395 than in 1225, it had
grown to be a high-shouldered affair.
The engines had become more powerful,
and to better avoid their projectiles, as
	*	Three hundred men could defend Pierrefonde: eixty
to each grand front, forty to each leeser front. Three
thousand besiegers could eacily be reeieted by three hun-
dred defendere.

VoL. V.3
well as to shelter the tall buildings in the
courtyard, the curtains of Pierrefonds
rose almost to the level of the towers,
eight mighty Promachi, bearing the
names of warriors historic or legendary,
Catsar and Charlemagne, Alexander and
Hector, Godfrey and Arthur, Joshua
and Judas Maccab~eus, each having up-</PB>
<PB REF="IMG00022" SEQ="0022" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="14">14	CASTLE LIFE IN THE MIL~DLE AGES.

on its front the statue of its eponymous
hero. Instead of the single line of de-
fences at Coucy, the curtains of Pierre-
fonds have a double row, battlements
and loop-holes at the upper line, the
same with the addition of machicola-
tions at the low-
er, while the
towers wear
about their
shoulders a
triple neck-
lace of para-
pets. Such is
Pierrefond s,
massive and
	portentous,
so individual that it
seems almost a think-
(
ing organism, hydra-
headed with its eight
towers, belted with moat and battlement,
calling defiance from its bells, ready to
strike from its thousand loop-holes, over-
awing a whole province in its day.
	The modern visitor may not hope to
find upon its newly quarried white
stone the time-stained, ivy-covered love-
liness of many an English or iRhenish cas-
tle. But the latter are ruined or changed
by habitation, since no one could now
endure the gloom of a feudal dwelling,
while Pierrefonds is just as it was when
Louis of Orleans, in 1395, thought that
the would-be regent of France, in manag-
ing the affairs of his insane king and bro-
ther, needed strong castles for himself.
	As the huge mass rises above the
trees our first impression is of in-
accessibility. How could one get
either into or out of such a pile?
Below is a blank, forbidding mass of
masonry; above is the dominance of
	threatening embattled summits,
A;
	behind which
the skyline is
fantastic with
	a host of point-
ed tower tops, vanes, weather-cocks, and
statues. At the foot of the walls is
a castle in miniature, with curtains
and turrets, looking a toy beside the
other, yet this is the first entrance, the
chatelet or barbican, the tiny throat of
the whale. Behind the barbican and
defended by it is the drawbridge, heavy
enough to give passage to a squadron,
light enough to be raised by a single
soldier; under it flowed the moat, now
dry, while between the foot of the walls
and a stockade lining the inner edge of the
moat were the lists, a patrol walk sur-
rounding the castle. After the draw-
bridge comes the gate, and in another
part of the walls the postern, narrow
and low, mere mouse holes in the mas-
onry and behind which descended the
iron cats claw of the portcullis. High
above is the first line of defences, the
crenelations or openings between the
merlons of the battlements resembling
the ports of a man-of-war. Over them ap
/4.






k.-- ( ~</PB>
<PB REF="IMG00023" SEQ="0023" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="15">15
CASTLE LIFE IN THE MIDDLE AGES.

pears their sloping slated roof, for in the slender watch-towers shoot far into the
fourteenth century the inflammable air. From their tops men look like flies,
wooden hourds were replaced by cor- and indeed the besiegers seem to have
belled parapets of stone, well covered been flies to walk up walls, fish to swim
and forming an integral part of the the moat, moles to mine, and tortoises





































structure. At intervals rise the demi-
cylindrical masses of Arthur and Judas
and their six companions, while from the
sides of Charlemagne and C~esar two

	*	Instead of being knighted by bishop, prieet, or lord,
the yonth sometimes received the accolade from the hands
of a yonng girl.
unmindful of missiles, when we read the
story of such a siege as the taking of
Chhteau-Gaillard in 1204 by Philip
Augustus; the wildest romance is not
stranger than the drily told chronicle.
	Once the door and its corridor are
passed and the interior of the castle is
	The Knighting of Jourdain by Oriabsl.*
(From the poem of Joordain de Blaivies.)</PB>
<PB REF="IMG00024" SEQ="0024" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="16">16	CASTLE LIFE IN THE MIDDLE AGES.

c~zzz~zZ














gained, all changes: a wide
courtyard opens; there are col-
F-
umns, traceried windows, stately stair-
cases, a chapel larger than many churches, whose

great rose looks across to the arcades of the grand
hail which, with its three stories, open balconies, and
general lightness, might be the town-hall fa9ade of
	some northern city. On the side toward the donjon a
handsome octagonal tower covered with mouldings, statues,
	and shield-bearing lions contains the staircase of honor,
~ ~it I lighted by many windows and leading to the private apart-
ments. In a castle important posts such as the towers, and
above all the gates, could if necessary be isolated, having each
its garrison well, mills, magazine, and cellars. To provide all
these, every chateau had connected with it, by entrances, yet
separated by moat and walls, a second enclosure, fortified, but
less strongly, a real fortress-farmyard, where the
lowing of the cattle and the baying from the
kennel mingled with the rattle of the weapons,
and where the cackle of the geese may
	i~	more than once have startled
/













N


V)f/</PB>
<PB REF="IMG00025" SEQ="0025" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="17">News from the Holy Land.</PB>
<PB REF="IMG00026" SEQ="0026" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="18">18	CASTLE LIFE IN THE MIDDLE AGES.










































some medieval Manlius upon his post
and saved th~e garrison from surprise.
Beyond the walls of the second court-
yard lay the orchard.
	When spring came, the season so be-
praised and besung by poet and minstrel,
so ardently desired by all the castle folk,
the lute and the psaltery, the embroidery
frame and the chess-board, even the
missal and the chair of state were carried
into the orchard. What the garden was
to the people of the Renascence the
orchard was to those of the Middle Ages.
It was not geometrically laid out with
bowers, statues, trim plots, and pleached
walks, like the gardens of the Italian
A Minstrel Singing to the Gate-watchInterior of the Main Gate.</PB>
<PB REF="IMG00027" SEQ="0027" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="19">CASTLE LIFE IN THE MIDDLE AGES.	19

poets; in it reigned a sweet disorder;
pear-trees and rose-trees grew side by
side, and the forest encroached on its
borders. Well without the castle walls it
lay, a still, green place, dappled with sun
and shade, full of leves and the odoure
of floures and the fresh sight, the cool
sound of running water, the rustle of
breeze-stirred branches, where smale
fowles maken melodic, with fruit
glowing in the sun and violets em-
purpling the shade. It was small
wonder that to the castle dwell-
ers, tired of the long
dark days and the
interminable even-
ings of winter, pin-
ing for fresh air and
sunshine, the or-
chard became bow-
er, dining-hall, and
council chamber
during the fine
weather. A veray
Paradise it seemed
to them with its
great arched roof of
branches so thickly
interwoven that twi-
light reigned under
them at noon and
the trunks of the
century-old trees
rose in the dim light like columns of
porphyry, its brave tapestry of living
green which May had peinted with his
softe showres, its thick carpet of velvet
sward starred with flowers; on one
side lay a meadow, on the other a row of
fruit trees all afoam with pale blossoms;
in the shade were beds of tall white
lilies; where the young trees let the sun
through their frail branches, the roses
flamed ; beyond the espaliers the meadow
dipped toward the lake, and in the pur-
ple distance the hills rose faiut and
dream-like. When our Baron sat under
the old trees hearing complaints and
dealing out rough justice to his depend-
ents, he was but following the example
of Charlemagne and St. Louis and the
fair sovereigns of the Proven9al courts of
love; there, too, the story-tellers of the
Decameron assembled in the cool dark-
ness. Old carved ivory caskets and
mirror-covers may show us our lady
with her bower maidens gathering
flowers, crowning themselves with gar-
lands, whispering secrets, or dancing
hand in hand to the sound of viol and
cithern. The orchard was the home of
the mediawal idyl; there the lute
throbbed,
there the
poets out-
sung the
nightingales, there lovers met and part..
ed, and the loveliest forms of media~val
poetry, the Serena and the Alba, the even-
ing song of ardent longing, the morning
song of reluctant farewell, were sung by
lips tremulous with passion. But if the
poets loved the gloom of the grove, the
soldiers preferred the meadow which
lay beside it, where the level sward was
all cut and trampled by the horse hoofs,
for there every day bachelors, squires,
and even the children of the castle
practised horsemanship and rode at the
quintain; a merry, bustling place it was,
where the neighing of the horses, the
dull thud of the lances on the shields,
the laughter and shouts of the young-
sters, and the commands of the old
knight who was training them mingled
in a joyous uproar. The last act in the
ceremony of knighting took place here,
when the newly made knight in full armor,
surrounded by parents, sponsors, and a
host of friends, leaped on to his horse</PB>
<PB REF="IMG00028" SEQ="0028" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="20">The Vigil at Arms.</PB>
<PB REF="IMG00029" SEQ="0029" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="21">CASTLE LIFE IN THE MIDDLE AGES.	21

without touching the stirrup, took lance
and shield, put the animal through its
paces, and after a trial gallop rode
straight at the quintain. This was the
crucial test, and every youth must have
felt that the decisive moment of his life
had come, as he tightened his hold on
his lance and leaned forward in his sad-
dle to strike. In earlier and ruder
times a mans whole future depended on
a good stroke. I make thee Seneschal
of my whole empire, cried Charlemagne
to Renaud of iViontauban when the split
shields and the pierced hauberks fell be-
fore his lance. The wooden mannikin
was often so arranged that if struck un-
skilfully it turned quickly and hit the
awkward knight on the back with a bag
of sanda sad mishap, that brought
upon him the laughter of the whole
field. Few parents would have said
with the terrible father of Eli of St. Giles,
An thou dost not hit the quintain I
disinherit thee, but the act was felt to
be a turning-point in a mans life, and no
time nor pains were spared that he
might acquit himself honorably. So
every day, in fair weather or foul, the
meadow resounded with heavy lance
blows, and the supply of shields and
hauberks for the quintain was no unim-
portant detail in the long list of castle
expenses.
	But it is time to re-enter the courtyard
and pass into the hall.
	The great hall of the castle was the
theatre of indoor ceremoniaL There
were banquets, trial, and allocution; there
liegemen and vassals came to put their
hands between those of their overlord
and swore to be his men; there delin-
quents were summoned, from the knight
who slipped into his sleeve the silver
spoons of his prince, to the fiery lord
who, unclasping his mantle, threw it
upon the floor in token of defiance to
his adversary. The hall is rectan-
gular, with high stained windows and
wainscoting of oak; armors, scutcheons,
and banners decorate it, and at the end,
above the huge chimney place, the nine
female champions, Semiramis, Tomyris,
Penthesilea, and the rest, having ex-
changed their Assyrian jewels and Scy-
thian furs for the triangular shields and
straight swords of the fourteenth century
stand in Amazonian guard above the
VOL. V.4
banqueters. Even more important than
the hall was the platform in front of
the donjon door: there the ceremonial
of knighting took place; the families
of the young candidates thronged the
courtyard, and the damoiseaux, all in
white after their night of vigil in the
chapel, bent to the accolade and arose
licensed heroes and full fledged warriors.
About them stood a group of the oldest
and bravest knights, sponsors in this
strange bridal, where the youth wed-
ded battle and toil, and the richest mar-
riage gift was the gaudium certaminis.
An old lord stooped, and with fin-
gers tremulous but still strong fastened
on the spurs of the aspirant; others with
hands that had cloven many a casque
gave the undinted shield and helmet,
and the suzerain himAelf buckled on the
sword and belt. Then the father ap-
proached; the youth bowed his head; a
heavy blow upon the nape of the neck
conferred the accolade, and the boy who
the day before had groomed in the sta-
bles and stood behind his lords chair at
the banquet arose a knight, the brother
in arms of Roland and of Arthur, the
beloved and protected of the warrior
angels. Within the walls of Pierrefonds
the nineteenth century cannot penetrate,
and it is easy to imagine the young
knight at his most earnest work, the de-
fence of his beloved castle. The pave-
ment clangs again with armored heels;
the walls echo the orders of captains;
windlasses groan and pulleys strain, as
baskets of missiles rise slowly from story
to story of the towers; the bow-strings
twang behind the loop-holes; chips fly
from the masonry as the cross-bolts
strike it; battlements tumble inward
under the blows of the mangonel stones;
the walls thud dnlly as the ram batters
them, and the smoke from the hourds
fired by the tar barrels penetrates even
the stone entrails of C~esar and Charle-
magne, where the women and children
are sheltered from all but the noise;
or if the garrison is hard pressed we may
see the chdtelaine and her ladies, like
the women before Jerusalem, carrying
stones in their long sleeves to the walls.
But it was not always siege time, and
the courtyard of a castle has echoed tl4e
procession of the whole Middle Ages;
and as we see the people of the earlier</PB>
<PB REF="IMG00030" SEQ="0030" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="22">CASTLE LIFE IN THE MIQDLE AGES.

times we wonder at fighting men gowned
to the ground like women, forgetting
that the mightiest warriors were cen-
taurs. In the years when Britain was a
vast anvil upon which sword and axe
welded Saxon and Norman into English-
man, and when in the ears of Frank and
German every trumpet sounded to Je-
rasalem, the Saxon white horse of Hen-
gist and the destrier of the Norman
baron were equally beloved.
	Ogier the Dane, sole survivor in his
beleaguered castle, * fed fresh oats to
Broiefort and told him all his sorrows.
Renaud of Montauban, besieged like
Ogier, bled his horse Bayard to give
food to his starving children, but when
a secret passage offered them freedom,
it was Bayard first of all who was led
into the underground gallery. Cavalier,
chivalrythe names t themselves tell a
story, and upon the chess board so dear
to the castle dweller, the horse-head
	*	Ogier the Dane in the legend set up wooden dummy
knights upon hie walls to deceive charlemagne, and at
Chepstuw and caernarvon similar figures were carved in
stone to cheat the besiegers.
	t Most of the English words applied to chivalry, armor,
or fortification came from the French. See even the de-
lightful doggerel Latin of Sir W. Hastings: Licentiam ad
crenellandi, tourellandi, embattellandi, et machiccolandi,
in his permission to fortify at Ashby-de-la-Zouch.
represents the knight. Strike at the
horses, said Charles of Anjon at Bene-
vent, winning the fight and the con-
tempt of the nobles, for the horse was
the knights other self, the saddle his bat-
tlefield, and he dismounted from it a
victor or fell from it a corpse.
When Pierrefonds was built the long-
robed cavaliers had passed away, and
mercenary troopers in tights and doub-
lets clanked into the courtyard return-
ing from raid or skirmish, while the
women and lads poured out to meet
them, to count the booty, and to tend
the wounded. Or may be the horsemen
came in stately visit or in princely
progress from point to point, escort-
ing a friendly lord or some fighting
bishop like him of Winchester, who
threatened if the Pope takes my mitre,
let him look to it, I will clap a helmet
on my head. More often, daily indeed,
it was the hunt that clattered out over
the drawbridge, lords and ladies, chil-
dren and all, joyously galloping, with
their mediteval epitome of brute crea-
tion, their beloved triad of horse,
hound, and hawk. For come good or
ill, the mediaBival man must hunt, and
in peace or war he would fly his fal-
con. Edward the Prince might in-
vade France with bacinet on
head, his father, Edward the
King, would follow
him with bird on
fist, the crows hardly
settling upon the bat-
tlefield before the
,4A  falcon rose into the
air.
~	But the longest days
hunt had its end, and
before dark lord and
lady passed up the wind-
ing staircase of the don-
jon where lay their own apartments.
We can enter my ladies chamber
without touching the bronze door-
knocker, or disturbing the page in
waiting, for this room is at once ora-
tory, sitting-room, dining-room, bou-
doir, and bed-chamber, where privacy is
neither expected nor desired. Here the
bower maidens, girls of noble birth who
have left their homes to attend their
feudal superior, embroider, gossip, and
tell their beads, under the strict surveil
22
Corner of a Bed-chamber. Architecture from Racinet.</PB>
<PB REF="IMG00031" SEQ="0031" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="23">CASTLE LIFE IN THE MIDDLE AGES.	23

lance of Dame Mien~r, a severe duenna.
Here the chdtelaine with her children
about her sits by the fire-side in winter,
in the deep embrasured window-seats in
summer. Here, in a well-lighted corner,
the chaplain, not one of those easy-going
priests who could gallop through a hunt-
ing mass in a small quarter of an hour
while my lord, only half awake, pulled on
his boots and buckled his belt, but a
learned clerk, has his lectern, and bends
over the tomes. Near him and well out
of the range of Dame Alienors sharp
glances, two young people play chess,
she with her little dog curled up on her
lap, he with his pet hawk hooded and
belled on his fist. His great hound lies
on the hearth, while its fellow, with fore-
paws on the window-seat, is amusing
himself after the fashion of most castle
folk by watching the passers by. The
room is very lofty and lighted by two
long windows; the ceiling is of wood,
carved, painted, and gilded, with beams
resting upon angel-headed brackets.
The double-sashed windows, behind
their carved shutters, are filled with
painted glass; and their deep embra-
sures in the thick wall, benched and
cushioned, were a favorite seat through-
out the Middle Ages. Here, half con-
cealed behind the curtains, lovers whis-
per together, for looking out of the win-
dow was one of the fifteen joys of the
castle, paying court to the damsels an-
other, and from some scenes in the old
romances we may believe that both
could be enjoyed at once.
	Sometimes a knight or a squire rid-
ing by to chase or tourney saw a lovely
fair head framed in a gray, ivy-wreathed
casement, and returned by the same road
for all bachelors were not as insensible
as Gerbert of Metz, who, when his cousin
Gain cried, Look, Gerbert, by our
Lady, what a lovely face! did not even
glance up at the window where Rosa-
mond sat, white as the flower de luce,
but answered, What a fine beast my
horse is. Gerbert would have looked
more readily at the painted frieze upon
the chamber wall where in contempor-
ary costume Arthur and the knights and
ladies of the round table ride in long
procession against a deep-blue back-
ground. Below hang tapestries, worked
by the chatelaine and her women, re
presenting months of labor, and setting
forth in rich frames of flowers, shields,
and devices the loves of Tristan and
Isolde, for the Baroness is sentimental
and romantic, and like all the learned
and polite of her time has wept and
dreamed over Gottfried von Strassburgs
wonderful tale of lawless love.
	This tapestry, masking the doors and
tempering the draughts and the chill of
the stone walls, was also a convenient
hiding-place, carefully examined before
a secret was told or confidences were
exchanged, for the dying Queen Eliza-
beth was not the only one who thrust at
the arras with a sword, nor Hamlet the
first who found a human rat there.
	The tiled floor, enamelled in red and
blue, is covered with rugs, Persian or
Saracenic, the skins of wild beasts, and
piles of cushions, laced and embroidered
with curious deviceshere lies a childs
toy, a soldier doll, there a ladys ivory reel
and everywhere rushes are strewn,fresh
cut from the lake. Ranged along the
N</PB>
<PB REF="IMG00032" SEQ="0032" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="24">24	CASTLE LIFE IN THE MIDDLE AGES.

wall are huge carved dower-chests serv-
ing as seats, and clothes-presses filled
with fine Holland linen, rich clothing,
and the splendid hangings of silk and
gold brocade which decorate the rooms
on gala days. Between two doors
stands the dresser, with its prescribed
allowance of shelves, two if our hostess
be a baroness, three if a countess, five if
she wears upon her surcoat the blazon
of a queenshelves splendid with gob-
lets, beakers, and flagons, vases for corn-
fits and spices and plate of gold and
enamelall of which were carried to the
great hail when the feast was spread
there. Opposite the dresser is a long
low cabinet, panelled withlittle pictures
and exquisite with wrought steel hinges
and locksthis is the Barons treasure-
house; its keys hang at his ladys girdle
and never quit her side. Bertrand du
Guescin would have found it harder to
force than his mothers chest when he
paid his men at arms with the old ladys
savings and she son argent regreta.
Within are family papers, the great seal,
whereon the knight gallops fully armed,
jewel caskets, a little ready money, best
and most precious of all a gold reliquary
shaped like a miniature cathedral, where-
in are piously preserved a tooth of St.
Elizabeth, some hairs from the beard of
St. George, and a bit of the identical
mantle with which St. Martin clothed
the beggar. This is the palladium of
the castle; has it not already on one
momentous occasion so heartened up
the soldiers that after seeing and kiss-
ing it, they made the famous sally which
raised the siege ; and has it not also, when
placed upon his pillow, cured the Baron
of the tertian ague that he brought back
from the dikes of Flanderssuch facts
convince the most skeptical, and skepti-
cism was not common in those days of
faith, when nevertheless certain balms
prepared by the ladies after the pre-
scriptions of Master Peter of Pavia and
other learned leeches were not disdained.
Just beyond the treasure cabinet, so that
her protection may perhaps extend to its
contents, is a fair ivory image of Our
Blessed Lady gleaming whitely from the
gorgeous and dusky color below it; be-
fore it burns a silver lamp, and a jar of
lilies is set beside the hassock and the
Hours. Raised upon a dais, curtained,
canopied, covered with fine linen, heaped
with pillows, furs, and brocaded cover-
lets, its four posts, where the evangelists
watch amid a medley of birds, beasts,
and flowers, reaching to the beamed
ceiling, the bed of our Baron. is a for-
midable piece of furniture and would
dwarf a room less noble in its propor-
tions.
	In the fifteenth century it even became
bigger, and after some high ceremonial
often held a dozen gentlemen all arow
and honored by the special distinction
of sleeping with their host and peer.
There, after tilting and feasting all day,
they lay story-telling,boasting, and, to use
their expressive medkeval word, gabbing
(gabants) till daylight, not at all crowd-
ed in a bed so big that a special officer
beat it nightly with his wand before the
prince retired, lest an assassin should
hide within its covers.
	Between the windows is the huge fire-
place, its heavy chimney piece a stone
bower of leaves, flowers, and birds, among
which two strange heraldic beasts ramp
upon either side of the Barons painted
scutcheon. Below in the fire-place a
man could stand upright, a whole tree
be burned at once upon the tall fire-
irons. Willow screens of all sizes pro-
tect the face or body from the heat, and
there are baskets, too, of willow in which
the feet may be warmed without scorch-
ing the silken hose.
	The fire on the hearth was the beloved
companion of castle folk during the
long evenings of the cold season. Hearth
and altar were concrete realities to the
mediavval baron, and one was not more
sacred than the other, so many associa-
tions, so many tender and sacred memor-
ies gathered about the fireside. There
the first born, the heir, was bathed,
wrapped in his swaddling clothes, and
swathed in stiff bands by the good wives
there the child leaning on his mothers
knee heard the story of Roland, sobbed
with rage at Ganelons treason, breathed
fast at the story of Roncesvaux, as its
details of neighing horses, of sword-
strokes dinning upon the armor, of
mailed bodies falling with ringing thud
to the earth, was told with mediawal
minuteness by those who described
what they had seen and heard in actual
fight. More than once, clenching his liP</PB>
<PB REF="IMG00033" SEQ="0033" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="25">CASTLE LIFE IN THE MIDDLE AGES.	25

tie fist, he cried as did Clovis at the story
of the crucifixion: Oh, why was I not
there with my men at arms ! There, too,
the mother talked to him as she plied
her distaff, of Ca~sar, Hector, Alexander,
and the nine championsuseful informa-
tion, as he found on the next feast day
when the town was hung with tapestries
and he recognized his heroes, every one of
them, Alexander his favorite, on account
of Bucephalus, first of all.
	There, too, on a little stool beside
the mass priests desk he learned his les-
sons ; and the strong young fingers found
the pen harder to wield than the lance.
As a youth,with all the assembled house-
hold, he had sat around the red mass of
gloi~ing coals, late into the night, listen-
ing to the tales of the Jongleurs, envoys
from fairyland to a credulous and im-
aginative race of warriors, who declared
a perpetual truce of God with these wan-
dering minstrels.
	Oh, those wonderful evenings when at
the touch of the enchanter th~ golden
gates of fiction swung open and revealed
a new world to his spell-bound auditors,
a world where it was always spring-time,
where every woman was a princess and
had golden hair, where dragons were
provided for the especial glory of young
knights, and a man might have a battle
every day in the weekthe glittering,
unrealworld from whence a strange com-
pany passed into the firelight. There
rode the sons of Aymon, featureless, vis-
ored, and all four on one horse. Lance-
lot and Guinevere, Tristan and Isolde,
golden locked and flower crowned, with
trailing sleeves and gorgeous clinging
vestments, strolled by. Guillaume Fier-
abras galloped past, bleeding from his
fifteen wounds, to tell his sovereign that
Heathenesse had triumphed at Aliscans.
Godfrey of Bouillon led his crusaders to
the assault, crying, Do not fear death
nay, seek it. And with the heroes of
legend and history rode a train from
fairyland, Morgan the fay, Oberon the
dwarf, the sorceress of the Yenusberg,
the fairy wife of Thomas of Ercildoune,
the Melusina of the Rhine legends, and a
crowd of Kobolds, Brownies, Nixies, En-
dines, Sylphs, and Yampyres, all those
shapes fair or foul that danced in the
moonlight, sang in the rivers, flew
through the forest, darted among the
blazing logs, haunted the church-yards,
and lurked in the mines, daunting the
dauntless mind of infancy and putting
even the knights courage to the proof.
By the fireside, too, was heard the gos-
sip of the traveller, the adventures of holy
Palmers, Pilgrims, and Crusaders, who
could have said, with the Count of
Soissons to the Sire de Joinville at the
battle of Mansourah, Senneschal, les-
sons crier et braire cette quenailleEt
par la Creffe Then, encore parlerons nous,
vous et moi, de cette journ~e en chambre
devant dames.
	It is a long way from the bed-chamber
to the chapelthrough half-a-dozen
smaller chambers, down the great stair-
case and across the courtso that a
yawning page has time to tie more than
one point on his way thither to early
mass.
	The chapel is our ladys especial care.
Here every morning mass is said, with
chalice and pyx graven with quaint By-
zantine figures, brought back by some
crusading ancestor from the sack of
Constantinople. The daylight struggles
through panes of painted glass, and a
galaxy of gold and silver lamps shines
before the altar. The largest was vowed
to our Blessed Lady by the Barons
mother, if her son should return alive
from the English wars, and when he
came home after Poitiers with only a
cloth-yard shaft in his shoulder, the
dames first care, in spite of harried lands
and diminished revenue, was to pay her
debt to the mother in heaven who had
remembered the mother on earth. Al-
though on feast days the family go in
gay procession to the parish church,
sometimes a baptism or a churching
or a high mass is celebrated in the
chapel, and only last year the Barons
oldest son kept his vigil at arms there,
and passed the night kneeling before
the altar, keeping guard over his armor,
the armor he was to wear on the mor-
row for the first time.

	By the beginning of the sixteenth cen-
tury it was time to bid good-bye at once
to our krdght and his castle, donjon-
towers, chapel and alL The feudal
fortress had become an anachronism
the gunners linstock was an enchanters
wand, before which the castle vanished;</PB>
<PB REF="IMG00034" SEQ="0034" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="26">26	CASTLE LIFE IN THE MIDDLE AGES.

for a half century more the huge tow-
ers panted under the blows of artillery;
then opened wide window lungs to the
air. From eaves to base of the donjon
a segment of masonry was cut away
and stained casements stood one
above another in their framework of
late Gothic. Warwick and Kenilworth
and a hundred English castles set per-
pendicular tracery in their frowning
Norman walls. Francis I. threw down
the tower of the Louvre. The nobles
followed his example. The springtime
which the feudal lord had sought in
orchard and forest invaded the castle,
and the Renascence, the Reawakening,
stood triumphant over the dead Middle
Ages:
	There has been no room in this paper
to consider the ideas and ideals of the
Middle Agesthe strange mixture of
ignorance, superstition, shrewdness,
valor, and poetical fancy that buzzed
under the helmet of the feudal noble,
and found vent in conquest and pe-
nance, tournament and amulet, fabu-
lous history and fantastical legends
for the romance of mediawalism would
fill volumes. We have only had time to
pay a short visit to the castle, and as we
bid it farewell and look back upon its
inmatestanding among his horses and
dogs, with falcon on wrist and sword on
thigh, we see in him a being of a very
chequered complexion of character
not to be regarded as an extinct phe-
nomenon but as a natural and a useful
instrument. An autocrat by necessity,
a tyrant often byindinationsomething
of a robber and much of a brute, he
was also often a fine gentleman and
at times a true hero, like his own
sword, hard and. sharp, but tempered
to the hilt. In the fifteenth and sixteenth
centuries the knight was merged in the
courtier and the diplomat. Sidney and
Bayard were exceptions reverenced by
all Europe; for the real preux chevaliers
we turn to the twelfth and thirteenth
centuries. Through four hundred years
the abbey had sheltered civilization
from the Barbarian, but the celibate
monk could not spread it. The knight
graved upon his sword-blade the
Christian virtues, mercy to the weak,
and defence of the helpless together with
the more secular virtues of fortitude and
courage, and he enforced them with its
edge. In an age when all men were
violent, his code of honor was an un-
mixed good. In both England and
France, between king and priest, the
patriot noble often, like a new Brennus,
threw his heavy sword into the scale
upon the side of the public weal; and
in England it was not until when, in the
wars of the Roses, the sword of the
baron was broken at Tewksbury and
Barnet Field, that the Tudor kings built
upon a submissive church a despotism
which necessitated the great rebellion.
Thus we may look back with gratitude
at the splendid pomp of media~val days,
faded now and unsubstantial as the
worm-eaten tapestries that pictured it;
and at the life that once filled the
castles which on Rhine and Thames
and Seine still rise in their armor of ivy
and mist like the ghosts of the old
Paladins.</PB>
<PB REF="IMG00035" SEQ="0035" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="27">


By E. P. Alexander.

	the world had
once opened its eyes
to some of the im-
mense powers and
possibilities with
which the railway
had endowed it, it
speedily began to
develop energies
and activities, which have already com-
pletely changed its aspect. Every en-
ergysocial, industrial, and political
has acted upon the railroad; and, as ac-
tion and reaction must always remain
equal, the railroad has responded; un-
til now we find it an integral and es-
sential factor in almost every human ac-
tivity, and partaking pan passu in every
development. Hence, in the practical
management of railroad affairs, problems
are of constant occurrence which touch
almost every pursuit to which men give
themselves, whether of finance, agricult-
ure, commerce, manufactures, science, or
politics; and the form into which the
railroad management of the day has
gradually been developed is the result of
the necessities imposed by these prob-
lems, acting within the constraints of
corporate existence.
	For while the life of a corporation is
perpetual its powers are limited, and its
individuality is constantly changing. It
is but an artificial individual existing for
certain purposes only, and, as it lacks
some human qualities, all its methods of
doing business are influenced thereby.
For instance, having no natural memory,
its every and most minute transaction or
intent must be officially recorded in its
archives by a systematized organization,
which must apprehend every event as do
the senses of an individual.
	Under such conditions railroad organ-
ization and management has grown and is
still growing. Its principal duties may
be classified as follows: 1. The physical
care of the property. 2. The handling
of the trains. 3. The making rates and
soliciting business. 4. The collection
of revenue and keeping statistics. 5.
The custody and disbursement of rev-
enue. The organization and the num-
bers of officers among whom these du-
ties are divided will of course vary
greatly with the extent of the road and
the character and amount of its busi-
ness; but the general scheme of the
practice of the day is as follows:
	The president is of course the execu-
tive head of the company, but acting in
important matters only with the consent
and approval of the board of directors.
One or more vice-presidents assist him
where necessary in special duties, but
have no essential part in the general
scheme of authority. Of the five sub-
divisions of duties indicated above, the
first four are usually confided to a gen-
eral manager, who may also be a vice-
president, and the fifth is in charge of a
treasurer, reporting directly to the presi-
dent.
	The special departments under charge
of the general manager are each oft-
cered by trained experts.
	A superintendent of roadway has
charge of the maintenance of the track,
bridges, and buildings.
	A superintendent of machinery has
RAILWAY MANAGEMENT.</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-4">
<BIBL>
<AUTHOR>General E. P. Alexander</AUTHOR>
<AUTHORIND>Alexander, E. P., General</AUTHORIND>
<TITLE TYPE="ART">Railway Management</TITLE>
<BIBLSCOPE TYPE="pg">27-48</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00035" SEQ="0035" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="27">


By E. P. Alexander.

	the world had
once opened its eyes
to some of the im-
mense powers and
possibilities with
which the railway
had endowed it, it
speedily began to
develop energies
and activities, which have already com-
pletely changed its aspect. Every en-
ergysocial, industrial, and political
has acted upon the railroad; and, as ac-
tion and reaction must always remain
equal, the railroad has responded; un-
til now we find it an integral and es-
sential factor in almost every human ac-
tivity, and partaking pan passu in every
development. Hence, in the practical
management of railroad affairs, problems
are of constant occurrence which touch
almost every pursuit to which men give
themselves, whether of finance, agricult-
ure, commerce, manufactures, science, or
politics; and the form into which the
railroad management of the day has
gradually been developed is the result of
the necessities imposed by these prob-
lems, acting within the constraints of
corporate existence.
	For while the life of a corporation is
perpetual its powers are limited, and its
individuality is constantly changing. It
is but an artificial individual existing for
certain purposes only, and, as it lacks
some human qualities, all its methods of
doing business are influenced thereby.
For instance, having no natural memory,
its every and most minute transaction or
intent must be officially recorded in its
archives by a systematized organization,
which must apprehend every event as do
the senses of an individual.
	Under such conditions railroad organ-
ization and management has grown and is
still growing. Its principal duties may
be classified as follows: 1. The physical
care of the property. 2. The handling
of the trains. 3. The making rates and
soliciting business. 4. The collection
of revenue and keeping statistics. 5.
The custody and disbursement of rev-
enue. The organization and the num-
bers of officers among whom these du-
ties are divided will of course vary
greatly with the extent of the road and
the character and amount of its busi-
ness; but the general scheme of the
practice of the day is as follows:
	The president is of course the execu-
tive head of the company, but acting in
important matters only with the consent
and approval of the board of directors.
One or more vice-presidents assist him
where necessary in special duties, but
have no essential part in the general
scheme of authority. Of the five sub-
divisions of duties indicated above, the
first four are usually confided to a gen-
eral manager, who may also be a vice-
president, and the fifth is in charge of a
treasurer, reporting directly to the presi-
dent.
	The special departments under charge
of the general manager are each oft-
cered by trained experts.
	A superintendent of roadway has
charge of the maintenance of the track,
bridges, and buildings.
	A superintendent of machinery has
RAILWAY MANAGEMENT.</PB>
<PB REF="IMG00036" SEQ="0036" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="28">	28	RAILWAY MANAGEMENT.

charge of the construction and mainten-
ance of all rolling-stock.
	A superintendent of transportation
makes all schedules, and has charge of
all movements of trains.
	A car accountant keeps record of the
location, whereabouts, and movements
of all cars.
	A traffic manager has charge of pas-
senger and freight rates, and all adver-
tising and soliciting for business.
	A comptroller has charge of all the
book-keeping by which the revenue of
the company is collected and accounted
for. All statistics are generally pre-
pared in his office.
	A paymaster receives money from the
treasurer and disburses, under the direc-
tion of the comptroller, for all expenses
of operation.
	All dividend and interest payments
are made by the treasurer, under direc-
tion of the president and board.
	There are, besides the above, two gen-
eral departments with which all the rest
have to do, to a greater or less extent
the legal department and the purchas-
ing department. The quantity and va-
riety of articles used and consumed in
the operation of a railroad are so great
that it is a measure of much economy
to concentrate all purchases into the
hands of a single purchas-
ing agent, rather than to
allow each department to
purchase for itself. This
agent has nothing to do but
to study prices and mar-
kets. His pride is enlisted
in getting the lowest figures
for his road, and the large
amount of his purchases en-
ables him to secure the best
rates. And last, but not
least, in matters where dis-
honesty would find so great
opportunities, it is safer to
concentrate responsibility
than to diffuse it.
	As I shall not again refer
to this department, what re-
mains of interest to be said
about it will be said here.
As an adjunct to it, store-
houses are established at
central points, in which
stocks of articles in ordi-
nary use are kept on hand.
Whenever supplies are
wanted in any other de-
partmentas, for instance,
a bell-cord and lantern by
a conductor, he presents a
requisition for the articles, approved
by a designated superior. This re-
quisition states whether the articles
are to be charged to legitimate wear
and tear, and if so, whether to the
passenger or the freight service, and
of which subdivision of the road, or
whether they are to be charged to the
conductor for other articles not proper-
ly accounted for. Without going into
further detail, it can be readily seen how
the comptrollers office can, at the end
of each month, from these requisitions,
have a complete check upon all persons
responsible for the care of property.
The purchasing agent, too, from his fa-
miliarity with prices, is usually charged
with the sale of all condemned and worn-
out material.
	Before returning to a more detailed
Railway-crossing Gate.</PB>
<PB REF="IMG00037" SEQ="0037" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="29">	RAILWAY MANAGEMENT.	29

review of the operating departments of
a railroad, its legal department requires
a few words. Not only is a railroad cor-
poration, being itself a creation of the
law, peculiarly bound to conform all its
actions to legal forms and tenets, but it is
also a favorite target for litigation. The
popular prejudice against corporations,
it may be said in passing, is utterly illog-
ical. The corporation is the poor mans
opportunity. Without it he could never
share in the gains and advantages open
to capital in large sums. With it a
thousand men, contributing a thousand
dollars each, compete on equal terms
with the millionaire. But for all that,
instead of possessing the unbounded
power usually ascribed to it, no creat-
ure of God or man is so helpless as a
corporation before the so-called great
tribunal of justice, the American jury.
It may not be literally true that a Texas
jury gave damages to a tramp against
a certain railroad because a section-
masters wife gave him a meal which
disagreed with him, but the story can
be nearly paralleled from the experience
of many railroads. Hence settlements
outside of the law are always preferred
where they are at all possible, and an
essential part of an efficient legal organ-
ization is a suitable man always ready
to repair promptly to the scene of any
loss or accident, to examine the circum-
stances, and, if liability exists, to make
a prompt settlement.
	But the management of claims and of
loss and damage suits, though a large
part, is by no means all of the legal busi-
ness connected with a railroad. Every
contract or agreement should pass under
scrutiny of counsel, and in the prepara-
tion of the various forms of bonds, mort-
gages, debentures, preferred stocks, etc.,
which the wants of the day have brought
forth, the highest legal talent finds em-
ployment. For, as development has
multiplied the types of cars and en-
gines to meet special wants, so have a
great variety of securities been devel-
oped to meet the taste and prejudices
of investors of all nations. There is,
in fact, a certain fashion in the forms
of bonds and the conditions incorpor-
ated in mortgages, which has to be
observed to adapt any bond to its pro-
posed market.
	We will now return to the operating
departments under their respective
heads, and glance briefly at the meth-
ods and detail pursued in each. On
roads of large mileage the general man-
ager is assisted by division superin-
tendents in charge of roadway, motive
power, and trains of separate divisions;
but for our purposes we may consider
the different departments without refer-
ence to division superintendents.
	The superintendent of roadway comes
first, having charge of track, bridges, and
buildings. In his office are collected
maps of all important stations and junc-
tion points, kept up to date with changes
and additions; scale drawings of all
bridges and trestles, of all standard de-
pots, tanks, switches, rails, fastenings,
signals, and everything necessary to se-
cure uniformity of patterns and practice
over the entire road. llJnder him are
supervisors of bridges and supervisors
of road, each assigned to a certain terri-
tory. The supervisors of bridges make
frequent and minute examinations of
every piece or member of every bridge
and trestle, report in advance all the re-
pairs that become necessary, and make
requisition for the material needed.
	Under the bridge supervisor are or-
ganized bridge gangs, each consisting
of a competent foreman with carpenters
and laborers skilled in bridge work and
living in house or boarding cars,
and provided with pile-drivers, derricks,
and all appliances for handling heavy
timbers and erecting, tearing down, and
repairing bridges. These cars form a
movable camp, going from place to
place as needed, and being side-tracked
as near as possible to the work of the
gang. Long experience begets great
skill in their special duties, and the
feats which these gangs will perform
are often more wonderful than many of
the more showy performances of railroad
engineering. It is an everyday thing
with such gangs to take down an old
wooden structure, and erect in its place
an iron one, perhaps with track raised
several feet above the level of the origi-
nal, while fifty trains pass every day,
not one of which will be delayed for a
moment.
	Each of the supervisors of road has
his assigned territory divided into sec</PB>
<PB REF="IMG00038" SEQ="0038" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="30">RAILWAY MANAGEMENT.

tions, usually about eight miles in
length. At a suitable place on each
section are erected houses for a resident
section master and from six to twelve
hands. These are provided with hand
and push cars, and spend their whole
time in keeping their sections in good
condition. Upon many roads annual
inspections are made, and prizes offered
for the best sections. At least twice a
day track - walkers from the section
gangs pass over the entire line of road.
To simplify reports and instructions,
frequently every bridge or opening in
the track is numbered, and the number
displayed upon it; and every curve is
also posted with its degree of curvature
and the proper elevation to be given to
the outer rail.
	The work of the section men is all
done under regular system. In the
spring construction trains deliver and
distribute ties and rails on each section,
upon requisitions from supervisors.
Then the section force goes over its line
from end to end, putting in first the
new ties and then the new rails needed.
Next the track is gone over with minute
care and re-lined, re-surfaced, and re-
ballasted, to repair the damages of frost
and wet, the great enemies of a road-
bed. Then ditches, grass, and the
right-of-way have attention. These pro-
cesses are continually repeated, and es-
pecially in the fall in preparation for
winter. During the winter as little dis-
turbance of track is made as possible,
but ditches are kept clean, and low
joints are raised by shims on top of
joint ties. Essential parts of the equip-
ment of any large road are snow-ploughs
[pp. 33, 34, 35] and wrecking cars, with
powerful derricks and Qther appliances
for clearing obstructions. When wrecks
or blockades occur these cars with extra
engines, section hands, bridge gangs,
and construction trains, are rushed to
the spot, and everything yields to the
work of getting the road clear.
	We come next to the superintendent
of machinery, whose duty it is to pro-
vide and maintain locomotives and cars
of all kinds to handle the companys
traffic. His department is subdivided
between a master mechanic in charge of
locomotives and machine shops, and a
master car builder in charge of car shops.
eniSu~Ft Jo ZIqOIIJJ
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11001 .Aodoo 00009 1-01-1-
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30</PB>
<PB REF="IMG00039" SEQ="0039" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="31">	RAILWAY MANAGEMENT.	31

	The master mechanic selects and im-
mediately controls all engine-runners
and firemen, and keeps performance
sheets of all locomotives, showing miles
run, cars hauled, wages paid, coal and
oil consumed, and other details giving
results accomplished by different run-
ners and firemen, and by different types
of engine, or on different divisions or
roads. [See table on opposite page.]
Premiums are often paid the runners and
firemen accomplishing the best results.
	The master car builder has charge of
the shops where cars are built and re-
paired, and of the car inspectors who
are stationed at central and junction
points to prevent defective cars being
put into the trains.
	Formerly each railroad used its own
cars exclusively, and through freights
were transferred at every junction point.
This involved such delay and expense
that railroads now generally permit all
loaded cars to go through to destina-
tion without transfer, and allow each
other a certain sum for the use of cars.
Usually this is about three-quarters of a
cent for each mile which the car travels
on aforeign road. This involves a great
scattering of cars and an extensive
organization to keep record of their
whereabouts and of the accounts between
the companies for mileage. This organ-
ization will be referred to more fully in
connection with the department of trans-
portation. But the joint use of each
others cars makes it necessary that
there should be at least enough similarity
in their construction and their coupling
appliances to permit their indiscriminate
use upon all roads. And conventions
of master car builders have recommend-
ed certain forms and dimensions as
standards, which are now in general use.
	There is much convenience in this,
but one disadvantage. It requires al-
most unanimous action to introduce
any change of form or of construction,
however advantageous it may be. And
to secure unanimous action in such mat-
ters is almost as hard as it would be to
secure unanimity in a change in spelling
of English words. Still there is prog-
ress, though slow, toward several de-
sirable reforms, the most important of
which is the adoption of a standard au-
tomatic coupler.
	Having shown how the property of
all kinds is kept in efficient condition,
we next come to its operation. This is
called conducting transportation, and
the officer in charge is usually called the
superintendent of transportation. Ml
train despatchers, conductors, train men,
and telegraph operators, are under his
immediate controL He makes all sched-
ules and provides all extra and irregular
service that the traffic department makes
requisition for, himself calling upon the
superintendent of machinery for the
necessary locomotives, switching en-
gines, and cars. It is his especial prov-
ince to handle all trains as swiftly as
possible, and to see that there are no
collisions. It is impossible to detail the
safeguards and precautions used to this
end, but the general principles observed
are as follows:
	First a general schedule is carefully
made out for all regular trains upon
each division, showing on one sheet the
time of each train at each station.
	This schedule is all that is needed as
long as all trains are able to keep on
time, and there are no extras. Trouble
begins when regular trains cannot keep
on schedule, or when extra trains have
to be sent out, not provided for on the
schedule. A diagram, or graphic rep-
resentation of this schedule, upon a
board or large sheet of paper, is an im-
portant feature of the office regulating
train movements. Twenty-four vertical
lines divide the board into equal spaces
representing the twenty-four hours of
the day, numbered from midnight to
midnight. Horizontal lines at propor-
tionate distances from the top represent
the stations in their order between the
termini, represented by the top and bot-
tom lines of the diagram. The course of
every train can now be plotted on this
diagram in an oblique line joining the
points on each station line correspond-
ing to the time the train arrives at and
leaves that station. The cut on page
32 will illustrate. It represents a road
130 miles long from A to N with inter-
mediate stations B, C, D, etc., at differ-
ent distances from each other, and six
trains are shown as follows:
	A passenger train, No. 1, leaving A
at 12 P.M., and arriving at N at 4.05 A.M.
A fast express, No. 2, leaving N at</PB>
<PB REF="IMG00040" SEQ="0040" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="32">	32	RAILWAY MANAGEMENT.



	C~ CO	c~ 4a~~a
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STATiONS





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<PB REF="IMG00041" SEQ="0041" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="33">	RAILWAY MANAGEMENT.	33

12.45 and arriving at A at 3.30. A
local passenger train, No. 4, which
leaves N at 1.15, runs to E by 4 A.M.,
stops there until 4.10, and returns to N.
by 7 A.1VL; being called No. 3 on
the return, as the direction is
always indicated by the train-numbers
being odd or even. No. 5 is a way
freight, leaving A at 12.05 and making
long stops at each station. No. 6 is an
opposing train of the same character.
	The diagram shows at a glance how,
when, and where all these trains meet and
pass each other, and where every train
is at every moment. Should it be de-
sired to send an extra train at any time,
a line drawn on the board will indicate
what opposing trains must be guarded
against. For instance, to send an extra
through in three hours leaving A be-
tween 1 and ~ A.M., a trial line will show
that Nos. 5, 2, 4, and 6 must all be met or
passed, and as (on a single-track road)
this can only be done at stations, the
extra must leave at 1.35 A.M., pass No. 5
atE; meet No.2 atF, No.4 atl, and
No. 6 at J. A dotted line on the dia-
gram indicates its run, and that No. 2 is
held at F for 5 minutes to let it pass. If
the road is double-tracked, only trains
VOL. V.5
going in the same direction need be re-
garded.
But the more usual way of handling
extra trains when circumstances will per-
mit is to let them precede or follow
a regular train upon the same
schedule. The train is then said to be
run in sections, and a ten minutes inter-
val is allowed between them. That op-
posing trains may be informed, the lead-
ing section (and when there are more
than two all but the last) wears on its lo-
comotive two green flags by day and two
green lights by night, indicating that a
train follows which is to be considered
as a part of the train leading, and having
the same rights.
	So far the rules are very simple, and
they would be all that is necessary if all
trains could always be kept exactly on
time. But as that cannot be, provision
must be made for all the complications
which will result. The first and mo
important rule is that no train must
ever under any circumstances run ahead
of time. The next is that any train
making any stop not on its schedule
must immediately send out flagmen with
red flags, lights, and torpedoes to pro-
tect it. This rule is a very difficult one
A Rotary Steam Snow-ahovel in Operation.

(From an inatantaneonne photograph.)</PB>
<PB REF="IMG00042" SEQ="0042" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="34">	34	RAILWAY MANAGEMENT.

to enforce without rigid discipline, and same class will wait for it a specified
its neglect is the cause of a large per- time, usually ten minutes, and five mm-
centage of the accidents that will hap- utes more for possible variation of
pen. The flagman
who must go to
the rear, often a
half mile, at night,
across trestles and
in storms, must
frequently be left
behind to take his
chances of getting
home by being
picked up by a fol-
lowing train. There
is no one to watch




him, and he will often take chances, and
not go as far back or as fast as he should;
and if all goes well no one is ever the
wiser.
	Now when a train is prevented from
arriving on time at its meeting point,
we must have some rules by which the
opposing train may proceed, or all busi-
ness on the road would be suspended,
by the delay of a single train. Only the
general principles of these rules can be
stated within limits. They are as fol-
lows:
	First. All freight trains must wait in-
definitely for all passenger trains.
	Second. When one train only is be-
hind time, the opposing train of the
watches, then go ahead, keeping fifteen
minutes behind its schedule.
	Third. But should such a train, run-
ning on delayed time, lose more time,
or in any other way should both trains
get behind time, then the one which is
bound in a certain directionfor in-
stance northhas the right to the
track, and the other must lie by in-
definitely.
	These principles duly observed will
prevent collisions, but they will often
cause trains to lose a great deal of time.
The train despatcher, therefore, has
authority to handle extra and delayed
trains by direct telegraphic order.
Every possible precaution is taken to
insure that such orders are received
and correctly understood. As there are
great advantages following uniformity
of usages and rules among connecting
roads, after years of conference in con-
ventions and by committees, approved
forms of all running rules and signals
have recently been adopted and are now
in very general use over the United
States. Yet in spite of all possible pre-
cautions, accidents will sometimes hap-
pen. Richard Grant White has given a
name to a mental habit which, in train
despatchers, has caused many fatal acci-
dents. It is heterophemy, or think-
ing one thing while saying, hearing, or
reading another. A case within my
knowledge, which cost a dozen lives,
was as follows: Two opposing trains</PB>
<PB REF="IMG00043" SEQ="0043" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="35">	RAILWAY MANAGEMENT.	35

were out of time, and the train de- By one of those strange impulses
spatcher wished to have them meet and which seem to come from some uncon-
pass at a certain station we will call I, scions cerebration, the train despatcher
as Nos. 1 and 2 are represented as doing meanwhile had a feeling that some-
on the diagram. [See diagram of sched- thing was wrong, and looked again at
ule board, p. 32.] So he telegraphed the the message received from H and
following message to be delivered to No. discovered his mistake. But the trains
1 at H and to No. 2 at J  Nos. 1 were then out of reach. He still hoped

A Type of Snow-plough.



and 2 will meet at I.,,, This message that No. 2 might arrive at I, first, or
was correctly received at J and delivered that they might meet upon a straight
to No. 2. But at H the operator had portion of road, and as the time passed
just sold a passenger a ticket to K, he waited at the instrument in a state
and, getting this name in his head, he of suspense which may be imagined.
wrote out the message: Nos. 1 and When the news came he left the office
2 will meet at K. But the mistake and never returned.
was not yet past correction. The oper- Double tracks make accidents of this
ator had to repeat the message back to character impossible, but introduce a
the despatcher, that the latter might be new possibility that a derailment from
sure it was correctly understood. He any cause upon one track may obstruct
repeated it as he had written it K. the other track so closely ahead of an
But the despatcher was also heterophe- opposing train that no warning can be
mous. He saw K, but he thought given.
I, and replied to the operator that the Where trains become very numerous
message was right. additional safeguards are added by mul-
So it was delivered to No. 1, and that tiplying telegraph stations at short inter-
train left H at full speed, expecting vals, and giving them conspicuous signals
to run 35 miles to K before :meeting of semaphore arms and lanterns, until
No. 2. There was no telegr~phoffice finally the road is divided into a uum-
at I, and there were no passengers to ber of so called blocks of a few miles
get off or on, and it passed there with- each; and no train is permitted to enter
out stopping, and three miles below ran any block until the train preceding has
into No. 2 on a curve. passed out. And in the approaches to</PB>
<PB REF="IMG00044" SEQ="0044" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="36">	36	RAILWAY MANAGEMENT.
some of our great depots, where
trains and tracks are multiplied
and confused with cross-overs and
switching service, and all switches
are set and all movements con-
trolled by signals from a single
central tower. Sometimes by very
expensive and complicated ap-
paratus, it is made mechanically
impossible to open a track for the move-
inent of a train without previously lock-
ing all openings by which another train
might interfere. The illustrations on
pages 36, 37, and 42 will serve to give
some general idea of these appliances.
	There remains one other branch of
the duties of the master of transporta-
tionthe proper daily distribution of
cars to every station according to its
needs, and the keeping record of their
whereabouts. And now that the gauges
of all roads are similar, and competition
enforces through shipments, roads are
practically making common property of
each others cars, and the detail and
trouble of keeping record of them be-
come enormo us.
	The records are made up from daily
reports, by every conductor, of every car,
home or foreign, handled in his train,
and from every station-agent of all cars
in his yard at a certain honr. From
these returns the car accountant reports
to their respective owners all move-
ments of foreign cars and gives the trans-
portation department information where
cars are lying. The honesty of each
others reports concerning car move-
ments is generally relied upon by rail-
roads, but lost car agents are kept
travelling to hunt up estrays, and to
watch how the cars of their oads are
being handled.
	It has been suggested that a great
step in advance would be to have all the
roads in the IJuited States unite and put
all cars into a common stock and let
them be distributed, record being kept of
movements, and mileage paid through
a general clearing house. This would
practically form a single rolling-stock
7/
Central Switch and Signal Tnwer.</PB>
<PB REF="IMG00045" SEQ="0045" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="37">Mantsa Junction West Philadelphia. Showing a Complex System of Interlacing Tracks.
I
I</PB>
<PB REF="IMG00046" SEQ="0046" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="38">	38	RAILWAY MANAGEMENT.

company, owned by the roads contribut-
ing their cars to it. It could gradually
introduce uniform patterns of construc-
tion, improved couplers, and air-brakes,
and could concentrate cars in different
sections of the country in large numbers
as different crops required movement,
thus avoiding the blockades which of-
ten occur in one section while cars are
superabundant in another. Consolida-
tions usually render more efficient and
cheaper service than separate organiza-
tions can do, and this may come about
in the course of time.

	We have now seen how the road is
maintained and its trains safely handled.
The next step in order is to see how
business is secured and the rates to be
charged are fixed. This department
is generally controlled by a traffic man-
ager with two assistantsthe general
freight agent and the general passenger
agent. But it would be a more accu-
rate expression to say, not that these
officers fix the rates, for if they did
few railroads would ever fail, but that
they accept and announce the rates that
are fixed by conditions of competition
between markets and products and
other railroads and water lines. Among
these complex forces a railroad freight
agent is nearly as powerless to regulate
rates as a professor of grammar is to
regulate the irregularities of English
verbs. He can accept them and use
them, or he may let them alone, but the
irregularities will remain all the same.
There is no eccentricity, for example,
more idiotic or indefensible to the ordi-
nary citizen than a habit railroads have
of sometimes charging less money for a
long haul than they charge for a shorter
haul. Yet I believe there is not a rail-
road line in the United States which
will not be found guilty of this crime of
less for the long haul if its rates are
followed far enough. For if followed
far enough we shall come to the ocean
and find the railroad accepting business
between two seaports. For instance,
every railroad running westward from
New York through some of its connec-
tions finally reaches San Francisco, and
competes for freight between these ports.
But the rates they are able to obtain
are limited by steamers using the ocean
for a highway, and sailing vessels using

A lamp raised and lowered verticalry is the signal to move
ahead
A lamp swung across the track is the signal to stop.</PB>
<PB REF="IMG00047" SEQ="0047" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="39">KAILWA Y MANAGEMENT.	39
the wind for motive power, and able to
carry heavy freights at one-tenth the
average cost to railroads across moun-
tains and deserts. This average cost
must fix the average rates charged by
the railroads to intermediate points,
such as to Ogden, in Utah. So the rail-
road must either charge less for the long
haul to San Francisco, or leave that
business to be done solely by water. Yet
it may be profitable to the railroad to
accept the business at such rates as it
can obtain ; for, as in all business vent-
ures, manufacturing or mercantile, new
business can always be added at less
than the average cost. And if profitable
to the railroad its tendency is beneficial,
even to the intermediate points which
pay higher rates, as promoting better
service, besides being advantageous to
the whole Pacific Coast in tending to
keep down the rates by water.
	But it would lead too far from our
subject to follow this and several other
questions which are suggested by it.
Only it may be said briefly that the
original Interstate Commerce Bill, in-
troduced by Mr. Reagan, absolutely pro-
hibited less for the long haul. The
Senate amended by adding under sim-
ilar circumstances and conditions, and
the Interstate Commerce Commission
has held that water competition
makes dissimilar circumstances a~id
thus legalizes it.
	And in this connection it may be
added that the other Senate amendment
to the Reagan bill, creating an Interstate
Commerce Commission, was, next to the
above, the wisest measure of the bill. It
will form a body of experts whose opin-
ions and decisions must gradually edu-
cate the public, on the one hand, to a
better understanding of transportation
problems, and restrain the railroads, on
the other, from many of the abuses in-
cident to unchecked competition among
them. For, however theorists may dif-
fer as to the advantages or disadvan-
tages of competition in manufactures
and commerce, whether absolutely un-
checked or checked only by high or low
tariffs, I think all will agree that un-
checked railroad competition is a great
evil, because it results in fluctuating
rates and private rebates to large ship-
A	lamp swung vertically in a circle at arms length across
the track, when the train is running, is the signal that
the train has parted.
A lamp swung vertically in a circle across the track, when
the train is standing, is the signal to move back.</PB>
<PB REF="IMG00048" SEQ="0048" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="40">The General Despatcher.</PB>
<PB REF="IMG00049" SEQ="0049" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="41">	RAILWAY MANAGEMENT.	41

pers. The rebates, to be sure, are for-
bidden by law, but they can be dis-
guised past recognition. I have known
a case, for instance, where a receipt was
given for 75 barrels of whiskey, when
only 73 were shipped. The shipper was
to make claim for two barrels lost and
be paid an agreed value as a rebate on
his freight bill. In another case, a road
agreed with a certain shipper to pay his
telegraph bills for a certain period in
order to control his shipments. Under-
stating the weight or class of the ship-
ment is another common device for ma-
dercharging or rebating.
	In nearly every foreign country there
is either a railroad pool or a division of
territory, to prevent this sort of com-
petition, which is only pernicious. A
merchant needs to feel certain that rates
are stable and uniform to all, and not
that he must go shopping for secret rates,
to be on an equality with his competi-
tor. In the United States the railroads
had largely resorted to pools before the
Interstate Commerce Law forbade them.
The result of the law has generally been
very advantageous to the best lines,
which, under the pool, really paid a sort
of blackmail to the poorer lines to main-
tain rates. If the penalties of the law
can restrain such lines from rebating and
under-billing, to be rid of the pool will be
a great blessing to the well-located roads.
If not, then the roads will be driven
into consolidation, for the end of fight-
ing will be bankruptcy and sale. Fortu-
nately consolidation has already gone so
far in many sections of the country that
the difficulties of abolishing rebates have
been greatly reduced. And as far as it
has gone it has proved of much advan-
tage both to the public and to the stock-
holders.
	Fortunately, too, the other results at-
tendant upon consolidation have been
sufficiently demonstrated to remove any
intelligent fear of extortion in rates or
deterioration of service. Who would to-
day desire to undo the consolidations
which have built up the Pennsylvania
Railroad or the New York Central, and
call back to life the numberless small
companies which preceded them? The
country has outgrown such service as
they could render, and the local growth
and development along the lines of these
VOL. V.6
consolidated compani~s certainly indi-
cates improved conditions. In this con-
nection, too, the improvement in cost and
character of service is instructive. In
1865 the average rate per ton per mile
on the principal Eastern lines was about
2.900 cents; in 1887 it was 0.718 for a
service twice as speedy and efficient.
	There are many other live issues of
great interest and importance in trans-
portation suggested by this subject, such
as re-billing, or milling in transit,
and differentials, but space forbids
more than an explanation of the meaning
of these two specially prominent ones.
A
B
C
	Let A B and B C be two railroads
connecting at B. Let the local rates A
to B be 10 cents per 100 lbs. on grain,
and B to C also 10 cents. Let the
through rate A to C be 18, since long-
est hauls are always cheapest per mile.
Let A be a large grain market such as
Chicago. Now a merchant at C can save
2 cents per 100 lbs. by buying direct
from A instead of buying from a mer-
chant at B. For the grain will pay less
for the single long haul, than for the two
short hauls. But perhaps the town of
B has for many years enjoyed the trade
of C, and there are large mills and ware-
houses erected there. B will then say
it is discriminated against, and will
demand the privilege of re-billing or
milling in transit. That is to say,
when a merchant or miller at B ships to
C grain, or flour made of grain, which he
received from A, the two roads consent
to make a new way-bill and treat the
shipment as a through shipment from A
to C. The road B C charges but 8
cents, and the road A B gives B C one
cent from the 10 it originally collected.
This involves much trouble and a loss of
revenue to the roads, and is, apparently,
a discrimination against the home prod-
ucts of B, but roads frequently do it
where there is competition at C by rival
lines. As yet the Interstate Commerce
Commission has not passed upon this
practice.
	The question of differentials is this:
Suppose there are three lines, B, D, and
E, between the cities A and C. [Dia-
gram, page 42.] B, being the shortest,</PB>
<PB REF="IMG00050" SEQ="0050" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="42">	42	RAILWAY MANAGEMENT.

will get most of the business when rates of markets and of products and of new
are the same (10 cents for instance) by methods which threaten property in-
each line. But D and E insist upon par- vested in old methods, as the dressed
ticipating, so they demand t~hat B allow beef traffic from the West, for instance,

\~ N

Interior of a Switch-tower, showing the Operation of interlocking Switches.



them differentials that is, B must threatens the investments in slaughter-
maintain his rate at 10 while allowing D	houses and stock-yards in the East.
to charge only 8 and E 6 cents, on ac-	 As the roads have found it necessary
	to act together in establishing running
             D	rules and schedules, so, in spite of all
A c	rivalries, there must also be joint agree-
            B	ments reached concerning rates in some
	way. Usually the roads serving a cer-
	tain territory form an association,
             E	and their freight agents form rate
	committees, which fix and publish
count of their disadvantages. So that	joint rates. A tariff published by one
a differential is practically a premium	of the trunk lines from the Eastern cit-
offered for business by an inferior line.	ies forms a good example. As the re-
 The foregoing will illustrate how the	sult of many long and bitter wars and
rivalry of railroads with each other com-	many compromises, it has been agreed
plicates the making of rates. But even	among these roads that the rates from
more difficult to manage is the rivalry	New York to Chicago shall form a basis</PB>
<PB REF="IMG00051" SEQ="0051" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="43">	RAILWAY MANAGEMJ~NT.	43

for all other rates, and a scale has been
fixed showing the percentage of the Chi-
cago rate to be used as the rate to each
important point in the West. Thus
Pittsburg, Pa., is 60 per cent. of Chicago
rate; Indianapolis is 93; Yandalia 116.
The tariff above referred to gives an
alphabetical list of some 5,000 towns
reached over these roads, and opposite
each town the figure showing its per-
centage of the Chicago rate. The list
begins with Abanaka, 0., 90, and ends
with Zoar, 0., 74. The present Chi-
cago rates for the six classes and two
specials are given in cents per 100 lbs.:
75, 65, 50, 35, 30, 25, 26, 21. When
these rates are changed, all the other
rates; of course, change proportionally.
	The tariff also contains a classifica-
tion or list of all articles known to
commerce in different conditions, pack-
ages, and quantities, and the agreed class
opposite each. The list begins with
Acetate of Lime, in car loads 5th class,
in less quantities 4th, and ends with
Zinc in various forms from 1st to 6th
comprising in all nearly 6,000 articles.
From these tables any desired rate
readily appears. Thus, 500 pounds of
acetate of lime would cost from N~w
York to Zoar, 0., 74 per cent. of Chi-
cagos 4th class rate, or 74 per cent. of
30say 22 cents per 100 lbs., or $1.10.
	There is also given in the tariff pam-
phlet a list of some 300 manufacturing
towns in New England, from each of
which the same rates apply as from New
York. So, on the whole, the pamphlet
gives rates on about 6,000 articles from
300 points of origin to 5,000 destina-
tions.
	These rates are the battle-ground for
all the innumerable rivalries of trade
and commerce. Every city is here at
war with every other city, every rail-
road with every other road, every in-
dustry with those which rival it, and
every individual shipper is a skirmisher
for a little special rate, or advantage,
all to himself. State legislatures and
commissions, Congress, and the Inter-
state Commerce Commission are the
heavy artillery which different comba-
tants manage to bring into the contest.
On these rates probably a million dol-
lars are collected every day, yet it is very
rarely that the positive rates are fought
over or complained of. Their average
is considerably below that of the average
rates of any other country in the world,
even though other nations have cheaper
labor and denser populations. Fifty
cents for carrying a barrel of flour a thou-
sand miles cannot be called exorbitant,
and indeed the retailprices paid for bread
and clothing would probably not be re-
duced in the slightest were all transpor-
tation of all such articles absolutely free.
But the battle is over the comparative
rates to different points, over different
routes, and for different commodities.

	Passenger rates are established in
much the same manner as freight rates.
There are passenger agents associations
and conventions, and they fight as do
the freight men over comparative rates,
and differentials, and commissions to
agents. The last within a few years
has been a fearful abuse, and is not yet
entirely abolished. This will illustrate:

C
	A	B
	D	E


	The road A B has two connections, C
and D, to reach E. It sells tickets over
each at the same rate, and stands neu-
tral between them. But C agrees with
As ticket seller that he will give him a
dollar for every ticket he can sell over
Cs line. D finds that he is losing
travel, and offers, privately, a larger
commission. Neither knows what the
other is doing. The ticket seller gets
his regular salary from A, and from C
and D often enormous sums as com-
missions, and is interested, not in send-
ing ignorant travellers over the line
which might suit them best, but over the
one paying him the largest secret com-
mission. This should be held as against
public policy because it tends to pre-
vent reductions in rates to the public,
by robbing the roads of much of their
revenue, and it also demoralizes the
officers who handle a business which is
practically but the giving away of large
sums of money as bribes.
	There is another practice in the pas-
senger business which is unfair at the
best and is the source of many abuses.
It is charging the same to the man with</PB>
<PB REF="IMG00052" SEQ="0052" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="44">	44	RAILWAY MANAGEMENT.

no baggage as to the man with a Sara-
toga trunk. If the baggage service
were specially organized as a trunk
express, it could be more efficiently
handled and without any baggage
smashing, while the total cost of trav-
elling to persons with baggage would be
no more than at present, and to those
without, much less.
	As an illustration of the sort of abuses
to which it is now liable, I may cite a
single case. I have known a merchant
to buy a lot of twenty trunks for
his trade, to pack them all full of dry
goods, check them to a city 1,000 miles
away by giving a few dollars to bag-
gage men, and himself buy a single
ticket and go by a different route. The
roads which handled that baggage im-
agined that it belonged to their passen-
gers, and were never the wiser. While
the baggage service is free, no efficient
checks can be provided against such
frauds.
	Essential parts of both freight and
passenger departments are the soliciting
agents. They are like the cavalry pick-
ets and scouts of an army, scattered
far and wide over the country and look-
ing after the interests of their lines,
making personal acquaintances of all
shippers and travellers, advertising in
every possible manner, and reporting
constantly all that the enemythe rival
linesare doing, and often a great deal
that they are not. For the great rail-
road wars usually begin in local skir-
mishes brought on by the zeal of these
pickets when the officers in command
would greatly prefer to live in peace.
	Besides their receipts from freight
a~d passenger traffic railroads derive
revenue also from the transportation of
mails and express freight on passenger
trains, from the sleeping-car companies,
and from news companies for the privi-
lege of selling upon trains. Of the total
revenue about 70 per cent is usually de-
rived from freight, 25 per cent from pas-
sengers, and 5 per cent from mail, ex-
press, sleeping cars, and privileges.
When it is considered that high speed
involves great risks and necessitates a
far more perfect roadway, more costly
machinery and appliances, and a higher
grade and greater number of employees
the fast passenger, mail, and express
traffic hardly seems at present to yield
its due proportion of income.

	We have now followed the line of or-
ganization and management through
the physical maintenance of the road
and rolling-stock, the safe handling of
the trains, the establishment of rates,
and solicitation of business. It only
remains to show how the revenue is col-
lected, how the expenses of operation are
paid, and all statistics of the business
prepared. These duties are usually
united under charge of an officer called
the comptroller. His principal subor-
dinates, whose duties are indicated by
their titles, are the auditor of receipts,
auditor of disbursements, local treas-
urer, paymaster, and clerk of statis-
tics.
	The record of a single shipment of
freight will illustrate methods so far
as limits will permit. A shipper send-
ing freight for shipment sends with
each dray-load a dray tickets in
duplicate, showing the articles, weight,
marks, and destination. If he has pre-
paid the freight, or advanced any
charges which are to be paid at desti-
nation, it is also noted on the dray
ticket. When the drayman reaches
the outbound freight depot with his
load, he is directed to a certain spot
where all freight for the same destina-
tion is being collected for loading. A
receiving clerk checks off his load
against the duplicate dray tickets,
keeps one and files it, and gives the
drayman the other, receipted. In case
of any loss arising afterward, the origi-
nal dray ticket, made by the shipper
himself, with his marks and instruc-
tions, becomes a valuable record. When
the entire shipment has been delivered
at the loading point, the shipper takes
the dray tickets representing it to the
proper desk, and receives a bill of
lading. This bill of lading is made in
triplicate. The original and a duplicate
are given to the shipper. He keeps the
last and sends the former to the con-
signee. It represents the obligation of
the railroad to transport and deliver
the articles named on it to the person
named, or his assignee. It is negotia-
ble, and banks advance money upon it.
But the shipper may still, by a legal</PB>
<PB REF="IMG00053" SEQ="0053" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="45">	RAILWAY MANAGEMENT.	45

process, have the goods stopped en
route should occasion arise, as, for in-
stance, by the bankruptcy of the con-
signee. The goods are also liable for
garnishments in certain cases, and there
is much railroad and commercial law
which it behoves the officials interested
to be well posted in. When the goods
arrive at destination the possession of
the bill of lading is the evidence of the
consignees right to receive them.
	Now we will return to the shipment
itself and see how it is taken care of. The
whole structure of the system of collect-
ing freight revenue, holding accountable
all agents who assess it and collect it,
dividing it in the agreed proportions
between all the railroads, boats, bridges,
wharves, and transfer companies who
may handle it in its journeys, even across
the continent, and the tabulating of the
immense mass of statistics which are
kept to show, separately, the quantities
of freight of every possible class and
variety, by every possible route, and to
and from every possible point of desti-
nation and departure,all this system,
neither the magnitude nor the minute
elaboration of which can be adequately
described within limits, is founded upon
a paper called the way-bill.
	The theory of the way-bill is that no
car must move without one accom-
panying it, describing it by its num-
ber and the initials of road owning it,
and showing its points of departure and
destination, its entire contents, with
marks and weights of each package, con-
signors and consignees, freight and
charges prepaid or to be collected at
destination, and the proportion of the
same due to each carrier or transfer in
the line. And not only must a way-
bill accompany the car, but a duplicate
of it must be sent immediately and di-
rectly, by the office making the original,
to the office of the auditor of freight
receipts. If the railroad is a member
of any association, as the Trunk Line
Associtition in New York, another du-
plicate is sent to its office, that it may
supervise all rates, and see what each
road is doing. The sum of all the way-
bills is the total of a roads freight busi-
ness. To facilitate taking copies they
are printed with an ink which will give
several impressions on strong, thin tis
sue-paper, forming soft copies, while
the hard copy, or original, goes with
the freight to be checked against it when
the car is unloaded.
	And while the original way-bill ful-
fils its important function of conducting
the freight to destination and delivery,
the duplicate which was forwarded di-
rectly to the auditor of freight receipts
has no less important purposes. It is
the initial record that freight has been
earned, and it shows which agent of the
company has been charged with its col-
lection. Before making any entries
from it its absolute correctness must be
assured. For this purpose all its fig-
ures are first checked by a rate clerk,
who is kept constantly supplied by the
traffic department with all current
rates, classifications, and percentage
tables by which through freights are
divided. These way-bills, coming in
daily by hundreds and thousands, are
then the grist upon which the office of
the auditor of receipts grinds, and from
which come forth the accounts with
every agent, showing his debits for
freight received, and the consolidations
showing the freight earnings of the
road. Agents remit the moneys they
collect direct to the treasurer, who
makes daily reports of the credits due
to each one. A travelling auditor vis-
its every station at irregular intervals
and checks the agents accounts, re-
quiring him to justify any difference
between his debits and credits by an
exhibit of undelivered freight.
	The passenger earnings are obtained
from daily reports by all ticket sellers
of tickets sold and tickets remaining in
stock. These reports are also checked
by a passenger rate clerk, and the travel-
ling auditor frequently examines and
verifies the tickets reported as on hand
unsold.
	After the auditor of receipts has
finished with the way-bills and ticket
reports, they go to the statistical de-
partment, where are prepared the great
mass and variety of statistics required
by different officers to keep themselves
thoroughly posted on the growth or de-
crease of business of every variety, and
from and to every market reached by
the road. Finally the way-bills are
filed away for reference in case of claims</PB>
<PB REF="IMG00054" SEQ="0054" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="46">	46	RAILWAY MANAGEMENT.

for overcharges or lost or damaged
goods.
	The auditor of disbursements has su-
pervision of all expenditures of money,
which is only paid out by the paymas-
ter or treasurer upon vouchers and pay-
rolls approved by proper authority
usually the head of the department for
which the expenditure is made. The
vouchers and pay-rolls then go to the
auditor of disbursements and form the
grist upon which his office works, and
from which are produced the credits to
be given all officers and agents who dis-
burse money, and the classified records
of expenses, and comparisons of the
same with previous months and years
and between different divisions.

	I have thus outlined the skeleton of
a railroad organization, and suggested
briefly the relations between its parts,
and some of the principles upon which
its work is conducted. The scheme of
authority is outlined in the diagram op-
posite. But space is utterly lacking to
clothe the skeleton with flesh and go
into the innumerable details and adjust-
ments involved in the economical and
efficient discharge of all of its functions.
	It seems a very simple matter for a
railroad to place a barrel of flour in a
car, to carry it to its destination, and to
collect fifty cents for the service. It is
done apparently so spontaneously that
even the fifty cents may seem exorbi-
tant, and I have actually heard appeals
for free transportation on the ground
that the cars were going anyhow. So it
also seems a very simple matter for a
man to pick up a stone and place it on
a walL But this simple act involves in
the first place the existence of a bony
frame, with joints, sinews, and muscles,
sustained by a heart, lungs, and diges-
tive system, with eyes to see, a brain to
direct, nerves to give effect to the will-
power, and .a thousand delicate adjust-
ments of organs and functions without
which all physical exertion would soon
cease. Similarly a railroad organized to
respond efficiently to all the varied de-
mands upon it, as a common carrier by
the public, and as an investment by its
owners, becomes almost a living organ-
ism. That the barrel of flour may be
safely delivered and the fifty cents reach
the companys treasury, and a part of it
the stockholders pocket, the whole or-
ganization outlined in the diagram must
thrill with life and every officer and em-
ployee, from president to car greaser
must discharge his special functions.
All must be co-ordinated, and the or-
ganization must have and use its eyes and
its ears, its muscle, its nerves, and its
brain. It must immediately feel and
respond to every demand of our rapidly
advancing civilization.
	It usually has its own individuality
and methods, and its employees are ani-
mated with an esprit de corps, as are the
soldiers in an army. There is much
about the service that is attractive, and
on the whole the wages it pays its em-
ployees are probably in excess of the
rates for similar talent in any other in-
dustry, although labor in every other
industry in the United States is protect-
ed by high tariffs, while in this it is un-
der the incubus of legislation as oppres-
sive as constitutional limits will permit.
	In Europe the service is much more
stable than in the United States, and in
many instances there are pensions, and
insurances, and disability funds, and
regular rules for promotion and retire-
ment, and provision for the children of
employees being brought into service in
preference to outsiders. Such relations
between a company and its employees
as must result from arrangements of
this character, are surely of great bene-
fit to both. They are the natural out-
growth of stability of business. Their
most advanced form is found in France,
where each road is practically protected
from dangerous competition, by means
of a division of territory. In the United
States we are still in the midst of a fierce
competition for territory and business,
and as pooling is forbidden, the railroad
companies will be in unstable equilib-
rium until consolidation takes place. As
that goes on, and large and rich corpora-
tions are formed with prospects of sta-
bility in management and in business,
we may hope to see similar relations
established between our companies and
their employees.. Already there is a
beginning upon some of the largest
roads, such as the Baltimore and Ohio
and the Pennsylvania Central But the
ground still needs preparation also on</PB>
<PB REF="IMG00055" SEQ="0055" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="47">47
RAILWAY MANAGEMENT.
Auditor of Receipts

Auditor of Disbursements

 Travelling Auditor
Comptroller
 Local Treasurers

Local Paymasters

Clerk of Statistics

Purchasing Agent










	Superintendent of
Transportation f










Division Superintendents
Superintendent of _
	Machinery














Superintendent of __
	Roadway
Car Accountant	~	Car
Local Storekeepers


Receiving Clerks and Laborers

Loading Clerks and Laborers

Billing Clerks
	  Discharging Clerks and Laborers
--Station Agents	
	  Delivery Clerks
-Collectors	Yard Engines
Yard Master	Switchmen
	Brakemen


Train Despatchers
	Operators
Train Master
Conductors
Trainmen	Engine Runners

	Firemen
	Foreman Ma-	Ho
	chine Shop   stiers and Cleaners

Mechanics
	Laborers

Master Mechanic

	Car Inspectors
Foreman Car Greasers
	shop	 Mechanics
	Laborers


	Bridge Foremen
Supervisors of ___ Watchmen
	Bridges	Carpenter Gangs
		Mason Gangs
Road Master		Section Foremen

Gangs and Track Walkers

Supervisors of Road Wood and Water Tenders

Floating Gangs

Construction Trains

	Travelling Agents
		   General Passen- iLocal Agents
		    ger Agent
		                   Rate and Division Clerks
	Traffic Manager	Claim Agent
		                   Tsevtlling Agents
 (
General Freight  Local Agents
~	Agent I

	Rate and Division Clerks
Diagram showing the Skeleton of a Railroad Organization, and Lines of Responsibility.
a

a
5-

a








5-

a
a
a


5-

a
z


p4</PB>
<PB REF="IMG00056" SEQ="0056" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="48">	48	NUNC DIMITTIS.

the employees side, for our American
spirit is aggressive and is sometimes
rather disposed to resent as interfering
with its independence any paternal re-
lations with a corporation. And as we
have before found railroad management
in intimate contact with every problem
of finance and commerce, it is here con-
fronted with the social and industrial
questions involved in labor unions and
problems of co-operation. As to the
results, we can only say that, as war is
destructive, no state of warfare, even be-
tween capital and labor, can be perma-
nent. Peaceful solutions must prevail
in the end, and progress toward sta-
bility, peace, and prosperity in railroad
operation and ownership will be prog-
ress toward the happy solution of many
vexed social questions.
















As one, who under evening skies
Upon a fought field stricken lies
(Unknown for stains of blood and grime),
Is fain the mortal shaft to draw
And let life issue through the flaw,
Even so am I, and even so
Unhand me, Time, and let me go
Unhand me, Time!


Upon his clogged and languid sense
Vague cries are bornehe heeds not
Nor if they utter cheer sublime, [whence,
Or fill the air with craven moan;
His spirits fire is all unblown
Even so is mineso faint, so low;
Unhand me, Time, and let me go
Unhand me, Time!
For heaven-truth my sword I drew,
With anger keen I did pursue
Not the frail worker but the crime
He framed in glooming ignorance.
Now let who may lift sword and lance,
Or let the rust upon them grow!
Unhand me, Time, and let me go..
Unhand me, Time.


Or well or ill if I have wrought,
My deed was mated with my thought
As bell with bell in tuneful chime.
All things that fall to mans dear lot
I did receive, and faltered not;
Qnick come the last! and even so
Unhand me, Time, and let me go
Unhand me, Time!

A dream it was! All that hath been
Now lapseth like some passioned scene
Played by a well-deceiving mime,
Who most of all himself deceives,
And, waking up, regretless leaves.
I reach for substance past the show
Unhand me, Time, and let me go
Unhand me, Time!
NUNC DIMITTIS.
A CHANT OF THE FOUGHT FIELD.


By Edith M. Thomas.</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-5">
<BIBL>
<AUTHOR>Edith M. Thomas</AUTHOR>
<AUTHORIND>Thomas, Edith M.</AUTHORIND>
<TITLE TYPE="ART">Nunc Dimittis - A Chant Of The Fought Field</TITLE>
<BIBLSCOPE TYPE="pg">48-49</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00056" SEQ="0056" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="48">	48	NUNC DIMITTIS.

the employees side, for our American
spirit is aggressive and is sometimes
rather disposed to resent as interfering
with its independence any paternal re-
lations with a corporation. And as we
have before found railroad management
in intimate contact with every problem
of finance and commerce, it is here con-
fronted with the social and industrial
questions involved in labor unions and
problems of co-operation. As to the
results, we can only say that, as war is
destructive, no state of warfare, even be-
tween capital and labor, can be perma-
nent. Peaceful solutions must prevail
in the end, and progress toward sta-
bility, peace, and prosperity in railroad
operation and ownership will be prog-
ress toward the happy solution of many
vexed social questions.
















As one, who under evening skies
Upon a fought field stricken lies
(Unknown for stains of blood and grime),
Is fain the mortal shaft to draw
And let life issue through the flaw,
Even so am I, and even so
Unhand me, Time, and let me go
Unhand me, Time!


Upon his clogged and languid sense
Vague cries are bornehe heeds not
Nor if they utter cheer sublime, [whence,
Or fill the air with craven moan;
His spirits fire is all unblown
Even so is mineso faint, so low;
Unhand me, Time, and let me go
Unhand me, Time!
For heaven-truth my sword I drew,
With anger keen I did pursue
Not the frail worker but the crime
He framed in glooming ignorance.
Now let who may lift sword and lance,
Or let the rust upon them grow!
Unhand me, Time, and let me go..
Unhand me, Time.


Or well or ill if I have wrought,
My deed was mated with my thought
As bell with bell in tuneful chime.
All things that fall to mans dear lot
I did receive, and faltered not;
Qnick come the last! and even so
Unhand me, Time, and let me go
Unhand me, Time!

A dream it was! All that hath been
Now lapseth like some passioned scene
Played by a well-deceiving mime,
Who most of all himself deceives,
And, waking up, regretless leaves.
I reach for substance past the show
Unhand me, Time, and let me go
Unhand me, Time!
NUNC DIMITTIS.
A CHANT OF THE FOUGHT FIELD.


By Edith M. Thomas.</PB>
<PB REF="IMG00057" SEQ="0057" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="49">THE MASTER OF BALLANTRAE.
By Robert Louis Stevenson.

111

E were nine days mak-
ing our port, so light
were the airs we had
to sail on, so foul the
ships bottom; but
early on the tenth, be-
fore dawn, and in a
light, lifting haze, we
passed the head. A little after, the
haze lifted, and fell again, showing us
a cruiser very close. This was a sore
blow, happening so near our refuge.
There was a great debate of whether
she had seen us, and if so whether
it was likely they had recognized the
Sarah. We were very careful, by de-
stroying every member of those crews
we overhauled, to leave no evidence
as to our own persons; but the ap-
pearance of the Sarah herself we could
not keep so private; and above all of
late, since she had been foul and we had
pursued many ships without success, it
was plain that her description had been
often published. I supposed this alert
would have made us separate upon the
instant. But here again that original
genius of Ballantraes had a surprise in
store for me. He and Teach (and it was
the most remarkable step of his success)
had gone hand in hand since the first
day of his appointment. I often ques-
tioned him upon the fact and never got
an answer but once, when he told me
he and Teach had an understanding
which would very much surprise the
crew if they should hear of it, and would
surprise himself a good deal if it was
carried out. Well, here again, he
and Teach were of a mind; and by their
joint procurement, the anchor was no
sooner down, than the whole crew went
off upon a scene of drunkenness inde-
scribable. By afternoon, we were a
mere shipful of lunatical persons, throw-
ing of things overboard, howling of
different songs at the same time, quar-
relling and falling together and then
forgetting their quarrel to embrace.
Ballantrac had bidden me drink noth-
ing and feign drunkenness as I valued
my life; and I have never passed a day
so wearisomely, lying the best part of
the time upon the forecastle and watch-
ing the swamps and thickets by which
our little basin was entirely surrounded
for the eye. A little after dusk, Ballan-
trae stumbled up to my side, feigned to
fall, with a drunken laugh, and before
he got his feet again, whispered me to
reel down into the cabin and seem to
fall asleep upon a locker, for there would
be need of me soon. I did as I was
told, and coming into the cabin, where
it was quite dark, let myself fall on the
first locker. There was a man there al-
ready; by the way he stirred and threw
me off, I could not think he was much
in liquor; and yet when I had found
another place he seemed to continue to
sleep on. My heart now beat very hard,
for I saw some desperate matter was in
act. Presently down came Ballantrae,
lit the lamp, looked about the cabin,
nodded as if pleased, and on deck again
without a word. I peered out from be-
tween my fingers, and saw there were
three of us slumbering, or feigning to
slumber, on the lockers: myself, one
Dutton and one Grady, both resolute
men. On deck, the rest were got to a
pitch of revelry quite beyond the bounds
of what is human; so that no reasonable
name can describe the sounds they were
now making. I have heard many a
drunken bout in my time, many on board
that very Sarah, but never anything the
least like this, which made me early sup-
pose the liquor had been tampered with.
It was a long while before these yells
and howls died out into a sort of miser-
able moaning, and then to silence; and
it seemed a long while after that, before
Ballantrae came down again, this time
with Teach upon his heels. The latter
cursed at the sight of us three upon the
lockers.
	Tut, says Ballantrae, you might
fire a pistol at their ears. You know
what stuff they have been swallowing.</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-6">
<BIBL>
<AUTHOR>Robert Louis Stevenson</AUTHOR>
<AUTHORIND>Stevenson, Robert Louis</AUTHORIND>
<TITLE TYPE="ART">The Master Of The Ballantrae III</TITLE>
<BIBLSCOPE TYPE="pg">49-58</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00057" SEQ="0057" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="49">THE MASTER OF BALLANTRAE.
By Robert Louis Stevenson.

111

E were nine days mak-
ing our port, so light
were the airs we had
to sail on, so foul the
ships bottom; but
early on the tenth, be-
fore dawn, and in a
light, lifting haze, we
passed the head. A little after, the
haze lifted, and fell again, showing us
a cruiser very close. This was a sore
blow, happening so near our refuge.
There was a great debate of whether
she had seen us, and if so whether
it was likely they had recognized the
Sarah. We were very careful, by de-
stroying every member of those crews
we overhauled, to leave no evidence
as to our own persons; but the ap-
pearance of the Sarah herself we could
not keep so private; and above all of
late, since she had been foul and we had
pursued many ships without success, it
was plain that her description had been
often published. I supposed this alert
would have made us separate upon the
instant. But here again that original
genius of Ballantraes had a surprise in
store for me. He and Teach (and it was
the most remarkable step of his success)
had gone hand in hand since the first
day of his appointment. I often ques-
tioned him upon the fact and never got
an answer but once, when he told me
he and Teach had an understanding
which would very much surprise the
crew if they should hear of it, and would
surprise himself a good deal if it was
carried out. Well, here again, he
and Teach were of a mind; and by their
joint procurement, the anchor was no
sooner down, than the whole crew went
off upon a scene of drunkenness inde-
scribable. By afternoon, we were a
mere shipful of lunatical persons, throw-
ing of things overboard, howling of
different songs at the same time, quar-
relling and falling together and then
forgetting their quarrel to embrace.
Ballantrac had bidden me drink noth-
ing and feign drunkenness as I valued
my life; and I have never passed a day
so wearisomely, lying the best part of
the time upon the forecastle and watch-
ing the swamps and thickets by which
our little basin was entirely surrounded
for the eye. A little after dusk, Ballan-
trae stumbled up to my side, feigned to
fall, with a drunken laugh, and before
he got his feet again, whispered me to
reel down into the cabin and seem to
fall asleep upon a locker, for there would
be need of me soon. I did as I was
told, and coming into the cabin, where
it was quite dark, let myself fall on the
first locker. There was a man there al-
ready; by the way he stirred and threw
me off, I could not think he was much
in liquor; and yet when I had found
another place he seemed to continue to
sleep on. My heart now beat very hard,
for I saw some desperate matter was in
act. Presently down came Ballantrae,
lit the lamp, looked about the cabin,
nodded as if pleased, and on deck again
without a word. I peered out from be-
tween my fingers, and saw there were
three of us slumbering, or feigning to
slumber, on the lockers: myself, one
Dutton and one Grady, both resolute
men. On deck, the rest were got to a
pitch of revelry quite beyond the bounds
of what is human; so that no reasonable
name can describe the sounds they were
now making. I have heard many a
drunken bout in my time, many on board
that very Sarah, but never anything the
least like this, which made me early sup-
pose the liquor had been tampered with.
It was a long while before these yells
and howls died out into a sort of miser-
able moaning, and then to silence; and
it seemed a long while after that, before
Ballantrae came down again, this time
with Teach upon his heels. The latter
cursed at the sight of us three upon the
lockers.
	Tut, says Ballantrae, you might
fire a pistol at their ears. You know
what stuff they have been swallowing.</PB>
<PB REF="IMG00058" SEQ="0058" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="50">	50	THE MASTER OF BALLANTRAE.

	There was a hatch in the cabin floor,
and under that the richest part of the
booty was stored against the day of di-
vision. It fastened with a ring and
three padlocks, the keys (for greater se-
curity) being divided; one to Teach,
one to Ballantrae, and one to - the mate,
a man, called Hammond. Yet I was
amazed to see they were now all in the
one hand; and yet more amazed (still
looking through my fingers) to observe
Ballantrae and Teach bring up several
packets, four of them in all, very care-
fully made up and with a loop for car-
riage.
	And now, says Teach, let us be
going.
	One word, says Ballantrae. I
have discovered there is another man
besides yourself who knows a private
path across the swamp.,, And it seems
it is shorter than yours.
	Teach cried out, in that case, they
were undone.
	I do not know for that, says Ballan-
trae. For there are several other cir-
cumstances with which I must acquaint
you. First of all, there is no bullet in
your pistols which (if you remember) I
was kind enough to load for both of us
this morning. Secondly, as there is
some one else who knows a passage,
you must think it highly improbable I
should saddle myself with a lunatic like
you. Thirdly, these gentlemen (who
need no longer pretend to be asleep) are
those of my party, and will now proceed
to gag and bind you to the mast; and
when your men awaken (if they ever do
awake after the drugs we have mingled
in their liquor) I am sure they will be
so obliging as to deliver you, and you
will have no difficulty, I daresay, to ex-
plain the business of the keys.
	Not a word said Teach, but looked at
us like a frightened baby, as we gagged
and bound him.
	Now you see, you moon-calf, says
Ballantrae, why we made four packets.
Heretofore you have been called Captain
Teach, but I think you are now rather
Captain Learn.~~
	That was our last word on board the
Sarah; we four with our four packets
lowered ourselves softly into a skiff, and
left that ship behind us as silent as the
grave, only for the moaning of some of
the drunkards. There was a fog about
breast-high on the waters; so that Dut-
ton, who knew the passage, must stand
on his feet to direct our rowing; and
this, as it forced us to row gently, was
the means of our deliverance. We were
yet but a little way from the ship, when
it began to come gray, and the birds to
fly abroad upon the water. All of a
sudden, Dutton clapped down upon his
hams, and whispered us to be silent for
our lives, and hearken. Sure enough,
we heard a little faint creak of oars upon
one hand, and then again, and further
off, a creak of oars upon the other. It
was clear, we had been sighted yester-
day in the morning; here were the cruis-
ers boats to cut us out; here were we
defenceless in their very midst. Sure,
never were poor souls more perilously
placed; and as we lay there on our oars,
praying God the mist might hold, the
sweat poured from my brow. Presently
we heard one of the boats, where we
might have thrown a biscuit in her.
Softly, men, we heard an officer
whisper; and I marvelled they could
not hear the drumming of my heart.
	Never mind the path, says Ballan-
trae, we must get shelter anyhow; let
us pull straight ahead for the sides of
the basin.
	This we did with the most anxious
precaution, rowing, as best we could,
upon our hands, and steering at a vent-
ure in the fog which was (for all that)
our only safety. But heaven guided us;
we touched ground at a thicket; scram-
bled ashore with our treasure; and hav-
ing no other way of concealment, and
the mist beginning already to lighten,
hove down the skiff and let her sink.
We were still but new under cover when
the sun rose; and at the same time,
from the midst of the basin, a great
shouting of seamen sprang up, and we
knew the Sarah was being boarded. I
heard afterwards the officer that took
her got great honor; and its true the
approach was creditably managed, but I
think he had an easy capture when he
came to board.*

	*	Note by Air. Mackeller. This Teach of the Sarah
must not be confused with the celebrated Blackbeard.
The dates and facts by no means tally. It is possible the
second Teach may have at once borrowed the name and
imitated the more excessive part of his manners from the
first. Even the Master of Ballantrae could make admirers.</PB>
<PB REF="IMG00059" SEQ="0059" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="51">	THE MASTER OF BALLANTRAE.	51

	I was still blessing the saints for my
escape, when I became aware we were
in trouble of another kind. We were
here landed at random in a vast and
dangerous swamp; and how to come at
a path was a concern of doubt, fatigue,
and peril. Dutton, indeed, was of opin-
ion we should wait until the ship was
gone, and fish up the skiff; for any de-
lay would be more wise than to go
blindly ahead in that morass. One went
back accordingly to the basin-side and
(peering through the thicket) saw the
fog already quite drunk up and English
colors flying on the Sarah, but no move-
ment made to get her under way. Our
situation was now very doubtful. The
swamp was an unhealthful place to lin-
ger in; we had been so greedy to bring
treasures, that we had brought butt little
feod; it was highly desirable, besides,
that we should get clear of the neigh-
borhood and into the settlements, before
the news of the capture went abroad;
and against all these considerations,
there was only the peril of the passage
on the other side. I think it not won-
derful we decided on the active part.
	It was already blistering hot, when
we set forth to pass the marsh, or rather
to strike the path, by compass. Dutton
took the compass, and one or other of
us three carried his proportion of the
treasure: I promise you he kept a sharp
eye to his rear, for it was like the man~s
soul that he must trust us with. The
thicket was as close as a bush; the
ground very treacherous, so that we
often sank in the most terrifying man-
ne4 and must go round about; the heat,
besides, was stifling, the air singularly
heavy, and the stinging insects abounded
in such myriads that each of us walked
under his own cloud. It has often been
commented on, how much better gen-
tlemen of birth endure fatigue than
persons of the rabble; so that walking
officers, who must tramp in the dirt be-
side their men, shame them by their
constancy. This was well to be observed
in the present instance; for here were
Ballantrae and I, two gentlemen of the
highest breeding, on the one hand;
and on the other, Grady, a common
mariner, and a man nearly a giant in
physical strength. The ease of Dutton
is not in point, for I confess he did as
well as any of us.* But as for Grady
he began early to lament his case, tailed
in the rear, refused to carry Duttons
packet when it came his turn, clamored
continually for rum (of which we had
too little) and at last even threc*ened us
from behind with a cocked pistol, unless
we should allow him rest. Ballantrae
would have fought it out, I believe ; but
I prevailed with him the other way ; and
we made a stop and ate a meal. It
seemed to benefit Grady little; he was
in the rear again at once, growling and
bemoaning his lot; and at last, by some
carelessness, not having followed prop-
erly in our tracks, stumbled into a deep
part of the slough where it was mostly
water, gave some very dreadful screams,
and before we could come to his aid,
had sunk along with his booty. His
fate and above all these screams of his
appalled us to the soul; yet it was on
the whole a fortunate circumstance and
the means of our deliverance. For it
moved Dutton to mount into a tree,
whence he was able to perceive and to
show me, who had climbed after him, a
high piece of the wood which was a
landmark for the path. He went for-
ward the more carelessly, I must sup-
pose ; for presently we saw him sink a
little down, draw up his feet and sink
again, and so twice. Then he turned
his face to us, pretty white.
	Lend a hand, said he, I am in a
bad place.
	I dont know about that, says Bal-
lantrae, standing still.
	Dutton broke out into the most violent
oaths, sinking a little lower as he did, so
that the mud was nearly to his waist;
and plucking a pistol from his belt,
Help me, he cries, or die and be
damned to you!
	Nay, says Ballantrae, I did but
jest. I am coming. And he set down
his own packet and Duttons, which he
was then carrying. Do not venture
near till we see if you are needed, said
he to me, and went forward alone to
where the man was bogged. He was
quiet now, though he still held the pis-
tol; and the marks of terror in his
countenance were very moving to behold.

	*	Note by Mr. Mackellar: And is not this the whole
explanation? since this Dutton, exactly like the officers,
enjoyed the stimnins of some responsibility.</PB>
<PB REF="IMG00060" SEQ="0060" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="52">	52	THE MASTER OF BALL 4NTRAE.

	For the Lords sake, says he, look
sharp.
	Ballantrae was now got close up.
Keep still, says he and seemed to
considej; and then Reach out both
your hffnds!
	Dutton laid down his pistol, and so
watery was the top surface, that it went
clear out of sight; with an oath, he
stooped to snatch it; and as he did so,
Ballantrae leaned forth and stabbed him
between the shoulders. Up went his
hands over his head, I know not whether
with the pain or to ward himself; and
the next moment he doubled forward
in the mud.
	Ballantrae was already over the ankles,
but he plucked himself out and came
back to me, where I stood with my knees
smiting one another. The devil take
you, Francis! says he. I believe you
are a half-hearted fellow after alL I
have only done justice on a pirate. And
here we are quite clear of the Sarah!
Who shall now say that we have dipped
our hands in any irregularities?
	I assured him he did me injustice;
but my sense of humanity was so much
affected by the horridness of the fact
that I could scarce find breath to an-
swer with.
	Come, said he, you must be more
resolved. The need for this fellow
ceased when he had shown you where
the path ran; and you cannot deny I
would have been daft to let slip so fair
an opportunity.
	I could not deny but he was right in
principle; nor yet could I refrain from
shedding tears, of which I think no man
of valor need have been ashamed; and
it was not until I had a share of the rum
that I was able to proceed. I repeat I
am far from ashamed of my generous
emotion; mercy is honorable in the
warrior; and yet I cannot altogether
censure Ballantrae, whose step was
really fortunate, as we struck the path
without further misadventure, and the
same night, about sundown, came to
the edge of the morass.
	We were too weary to seek far; on
some dry sands still warm with the days
sun, and close under a wood of pines, we
lay down and were instantly plunged in
sleep.
	I awaked the next morning very early,
to find Ballantrae already up and tam-
pering with the packets; not that at
the moment I suspected his good faith;
though I observ6d the man to be con-
fused, on my awaking, and to begin
with a sullen spirit ~ conversation that
came very near to end in blows. We
were now cast on shore in the southern
provinces, thousands of miles from any
French settlement; a dreadful journey
and a thousand perils lay in front of
us; and sure, if there was ever need for
amity, it was in such an hour. I must
suppose that Ballantrae had suffered in
his sense of what is truly polite ; in-
deed, and there is nothing strange in the
idea, after the sea-wolves we had consort-
ed with so long; and as for myself he
fubbed me off unhandsomely, and any
gentleman would have resented his be-
havior. Had I found him openly claim
a greater share, I might have let that
pass; for an Irishman is always gener-
ous. But he gulled me, made a parade
of generosity, gave me the more part
of the gold; and it was at last only by
an accident and some boggling in his
sleight of hand, that I discovered he
had kept for himself some valuable
jewels, worth upwards of a thousand
pounds.
	I told him in what light I saw his
conduct; he walked a little off, I fol-
lowing to upbraid him; and at last he
stopped me with his hand.
	Frank, says he, you know what
we swore; and yet there is no oath in-
vented would induce me to swallow such
expressions, if I did not regard you with
sincere affection. It is impossible you
should doubt me there: I have given
proofs. Dutton I had to take, because
he knew the pass, and Grady because
Dutton would not move without him;
but what call was there to carry you
along? You are a perpetual danger
to me with your cursed Irish tongue.
By rights you should now be in irons
in the cruiser. And you quarrel with
me like a baby for some trinkets!
	I considered this one of the most un-
handsome speeches ever made; and in-
deed to this day I can scarce reconcile
it to my notion of a gentleman that was
my friend. I retorted upon him with
his Scotch accent, of which he had not
so much as some, but enough to be very</PB>
<PB REF="IMG00061" SEQ="0061" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="53">	THE MASTER OF BALLANTRAF.	53

barbarous and disgusting, as I told him
plainly; and the affair would have gone
to a great length, but for an alarming
intervention.
	We had got some way off upon the
sand. The place where we had slept,
with the packets lying undone and the
money scattered openly, was now be-
tween us and the pines; and it was out
of these the stranger must have come.
There he was at least, a great hulking
fellow of the country, with a broad axe
on his shoulder, looking open-mouthed,
now at the treasure which was just at
his feet, and now at our disputation, in
which we had gone far enough to have
weapons in our hands. We had no
sooner observed him than he found his
legs and made off again among the pines.
	This was no scene to put our minds
at rest: a couple of armed men in sea-
clothes found quarrelling over a treas-
ure, not many miles from where a pirate
had been capturedhere was enough to
bring the whole country about our ears.
The quarrel was not even made up; it
was blotted from our minds; and we
got our packets together in the twink-
ling of an eye and made off, running
with the best will in the world. But
the trouble was, we did not know in
what direction, and must continually
return upon our steps. Ballantrae had
indeed collected what he could from
Button; but its hard to travel upon
hearsay; and the estuary, which spreads
into a vast irregular harbor, turned us
off upon every side with a new stretch
of water.
	We were near beside ourselves and
already quite spent with running, when
coming to the top of a dune, we saw we
were again cut off by another ramifica-
tion of the bay. This was a creek, how-
ever, very different from those that had
arrested us before; being set in rocks,
and so precipitously deep, that a small
vessel was able to lie alongside, made
fast with a hawser, and her crew had
laid a plank to the shore. Here they
had lighted a fire and were sitting at
their meaL As for the vessel herself,
she was one of those they build in the
Bermudas.
	The love of gold and the great
hatred that everybody has, to pirates
were motives of the most influential,
and would certainly raise the country in
our pursuit. Besides it was now plain
we were on some sort of straggling
peninsula like the fingers of a hand;
and the wrist, or passage to the main-
land, which we should have taken at
the first, was by this time not improb-
ably secured. These considerations put
us on a bolder counseL For as long as
we dared, looking every moment to hear
sounds of the chase, we lay among some
bushes on the top of the dune; and
having by this means secured a little
breath and recomposed our appearance,
we strolled down at last, with a great
affectation of carelessness, to the party
by the fire.
	It was a trader and his negroes, be-
longing to Albany in the province of
New York, and now on the way home
from the Indies with a cargo; his name
I cannot recall. We were amazed to
learn he had put in here from terror of
the Sarah; for we had no thought our
exploits had been so notorious. As
soon as the Albanian heard she had
been taken the day before, he jumped
to his feet, gave us a cup of spirits for
our good news, and sent his negroes to
get sail on the Bermudan. On our side,
we profited by the dram to become more
confidential, and at last offered ourselves
as passengers. He looked askance at
our tarry clothes and pistols, and re-
plied civilly enough that he had scarce
accommodation for himself; nor could
either our prayers or our offers of
money, in which we advanced pretty
far, avail to shake him.
	I see you think ill of us, says Bal-
lantrae, but I will show you how well
we think of you by telling you the truth.
We are Jacobite fugitives, and there is a
price upon our heads.
	At this, the Albanian was plainly
moved a little. He asked us many ques-
tions as to the Scotch war, which Bal-
lantrae very patiently answered. And
then, with a wink, in a vulgar manner,
I guess you and your Prince Charlie
got more than you cared about, said
he.
	Bedad, and that we did, said L
And my dear man, I wish you would
set a new example and give us just that
much.
	This I said in the Irish way, about</PB>
<PB REF="IMG00062" SEQ="0062" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="54">	54	THE MASTER OF BALLANTRAE.

which there is allowed to be something
very engaging. Its a remarkable thing,
and a testimony to the love with which
our nation is regarded, that this address
scarce ever fails in a handsome fellow. I
cannot tell how often I have seen a pri-
vate soldier escape the horse, or a beg-
gar wheedle out a good alms, by a touch
of the brogue. And indeed, as soon as
the Albanian had laughed at me I was
pretty much at rest. Even then, how-
ever, he made many conditions and (for
one thing) took away our arms, before
he suffered us aboard; which was the
signal to cast off; so that in a moment
after, we were gliding down the bay with
a good breeze and blessing the name of
God.for our deliverance. Almost in the
mouth of the estuary, we passed the
cruiser, and a little after, the poor Sarah
with her prize crew; and these were
both sights to make us tremble. The
Bermudan seemed a very safe place to
be in, and our bold stroke to have been
fortunately played, when we were thus
reminded of the case of our companions.
For all that, we had only exchanged
traps, jumped out of the frying-pan into
the fire, run from the yard-axm to the
block, and escaped the open hostility of
the man of war to lie at the mercy of
the doubtful faith of our Albanian mer-
chant.
	From many circumstances, it chanced
we were safer than we could have dared
to hope. The town of Albany was at
that time much concerned in contraband
trade across the desert with the Indians
and the French. This, as it was highly
illegal, relaxed their loyalty, and as it
brought them in relation with the po-
litest people on the earth, divided even
their sympathies. In short they were
like all the smugglers in the world, spies
and agents ready-made for either party.
Our Albanian besides was a very honest
man indeed, and very greedy; and to
crown our luck, he conceived a great
delight in our society. Before we had
reached the town of New York, we had
come to a full agreement that he
should carry us as far as Albany upon
his ship, and thence put us on a way to
pass the boundaries and join the French.
For all this we were to pay at a high
rate ; but beggars cannot be choosers,
nor outlaws bargainers.
	We sailed, then, up the Hudson River,
which, I protest, is a very fine stream,
and put up at the Kings Arms in Al-
bany. The town was full of the militia
of the province, breathing slaughter
against the French. Governor Clinton
was there himself, a verybusy man, and
by what I could learn, one very nearly
distracted by the factiousness of his As-
sembly. The Indians on both sides
were on the war-path; we saw parties
of them bringing in prisoners and (what
was much worse) scalps, both male and
female, for which they were paid at a
fixed rate; and I assure you the sight
was not encouraging. Altogether we
could scarce have come at a period more
unsuitable for our designs; our posi-
tion in the chief inn was dreadfully con-
spicuous: our Albanian fubbed us off
with a thousand delays and seemed upon
the point of a retreat from his engage-
ments; nothing but peril appeared to
environ the poor fugitives; and for
some time we drowned our concern in
a very irregular course of living.
	This too proved to be fortunate; and
its one of the remarks that fall to be
made upon our escape, how providen-
tially our steps were conducted to the
very end. What a humiliation to the
dignity of man! My philosophy, the
extraordinary genius of Ballantrae, our
valor, in which I grant that we were
equalall these might have proved in-
sufficient without the Divine Blessing on
our efforts. And how true it is, as the
Church tells us, that the Truths of Re-
ligion are after all quite applicable even
to daily affairs! At least it was in the
course of our revelry that we made the
acquaintance of a spirited youth, by the
name of Chew. He was one of the most
daring of the Indian traders, very well
acquainted with the secret paths of the
wilderness, needy, dissolut~ and by a
last good fortune, in some disgrace with
his family. Him we p&#38; rsuaded to come
to our relief; he privately provided what
was needful for our flight; and\ne day
we slipped out of Albany, without a
word to our former friend, and em-
barked, a little above, in a canoe.
	To the toils and perils of this journey,
it would require a pen more elegant than
mine to do full justice. The reader must
conceive for himself the dreadful wil</PB>
<PB REF="IMG00063" SEQ="0063" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="55">	THE MASTER OF BALLANTRAE.	55

derness which we had now to thread; its
thickets, swamps, precipitous rocks, im-
petuous rivers, and amazing waterfalls.
Among these barbarous scenes we must
toil all day, now paddling, now carrying
our canoe upon our shoulders; and at
night we slept about a fire, surrounded
by the howling of wolves and other sav-
age animals. It was our design to mount
the headwaters of the Hudson, to the
neighborhood of Crown Point; where
the French had a strong place in the
woods, upon Lake Champlain. But to
have done this directly were too peril-
ous; and it was accordingly gone upon
by such a labyrinth of rivers, lakes, and
portages as makes my head giddy to re-
member. These paths were in ordinary
times entirely desert; but the country
was now up, the tribes on the war-path,
the woods full of Indian scouts. Again
and again we came upon these parties,
when we least expected them; and one
day, in particular, I shall never forget;
how, as dawn was coming in, we were
suddenly surrounded by five or six of
these painted devils, uttering a very
dreary sort of cry and brandishing their
hatchets. It passed off harmlessly, in-
deed, as did the rest of our encounters;
for Chew was well known and highly
valued among the different tribes. In-
deed he was a very gallant, respectable
young man. But even with the advan-
tage of his companionship, you must not
think these meetings were without sen-
sible peril. To prove friendship on our
part it was needful to draw upon our
stock of rumindeed, under whatever
disguise, that is the true business of the
Indian trader, to keep a travelling pub-
lic house in the forest; and when once
the braves had got their bottle of scaura
(as they call this beastly liquor) it be-
hooved us to set forth and paddle for
our scalps. Once they were a little
drunk, good-by to any sense or decency;
they had but the one thought, to get
more scaura; they might easily take it
in their heads to give us chase; and had
we been overtaken, I had never written
these memoirs.
	We were come to the most critical
portion of our course, where we might
equally expect to fail into the hands of
French or English, when a terrible Ca-
lamity befell us. Chew was taken sud
denly sick with symptoms like those of
poison, and in the course of a few hours
expired in the bottom of the canoe. We
thus lost at once our guide, our inter-
preter, our boatman, and our passporte,
for he was all these in one; and found
ourselves reduced, at a blow, to the most
desperate and irremediable distress.
Chew, who took a great pride in his
knowledge, had indeed often lectured
us on the geography; and Ballantrae, I
believe, would listen. But for my part
I have always found such information
highly tedious; and beyond the fact that
we were now in the country of the Adi-
rondack Indians, and not so distant from
our destinatiQn, could we but have found
the way, I was entirely ignorant. The
wisdom of my course was soon the more
apparent; for with all his pains, Ballan-
trae was no further advanced than my-
self. He knew we must continue to go
up one stream; then, by way of a port-
age, down another; and then up a third.
But you are to consider, in a mountain
country, how many streams come rolling
in from every hand. And how is a gen-
tleman, who is a perfect stranger in that
part of the world, to tell any one of them
from any other? Nor was this our only
trouble. We were great novices, besides,
in handling a canoe; the portages were
almost beyond our strength, so that I
have seen us sit down in despair for half
an hour at a time without one word;
and the appearance of a single Indian,
since we had now no means of speaking
to them, would have been in all prob-
ability the means of our destruction.
There is altogether some excuse if Bal-
lantrae showed something of a glooming
disposition; his habit of imputing blame
to others, quite as capable as himself,
was less tolerable, and his language it
was not always easy to accept. Indeed
he had contracted on board the pirate
ship a mauner of address which was in
a high degree unusual between gentle-
men; and now, when you might say he
was in a fever, it increased upon him
hugely.
	The third day of these wanderings, aa
we were carrying the canoe upon a rocky
portage, she fell and was entirely bilged.
The portage was between two lakes, both
pretty extensive; the track, such as it
was, opened at both ends upon the watery</PB>
<PB REF="IMG00064" SEQ="0064" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="56">	56	THE MASTER OP BALLANTRAE.

and on both hands was enclosed by the
unbroken woods; and the sides of the
lakes were quite impassable with bog;
so that we beheld ourselves not only con-
demned to go without our boat and the
greater part of our provisions, but to
plunge at once into impenetrable thick-
ets and to desert what little guidance
we still hadthe course of the river.
Each stuck his pistols in his belt, shoul-
dered an axe, made a pack of his ti~easure
and as much food as he could stagger
under; and deserting the rest of our
possessions, even to our swords, which
would have much embarrassed us among
the woods, set forth on this deplorable
adventure. The labors of Hercules, so
finely described by Homer, were a trifle
to what we now underwent. Some parts
of the forest were perfectly dense down
to the ground, so that we must cut our
way like mites in a cheese. In some
the bottom was full of deep swamp, and
the whole wood entirely rotten. I have
leaped on a great fallen log and sunk to
the knees in touchwood; I have sought
to stay myself, in fa3ling, against what
looked to be a solid trunk, and the whole
thing has whiffed away at my touch like
a sheet of paper. Stumbling, falling,
bogging to the knees, hewing our way,
our eyes almost put out with twigs and
branches, our clothes plucked from our
bodies, we labored all day, and it is
doubtful if we made two miles. What
was worse, as we could rarely get a view
of the country and were perpetually
jostled from our path by obstacles, it was
impossible even to have a guess in what
direction we were moving.
	A little before sundown, in an open
place with a stream and set about with
barbarous mountains, Ballantrae threw
down his pack. I will go no further,
said he, and bade me light the fire,
damning my blood in terms not proper
for a chairman.
	I told him to try to forget he had ever
been a pirate, and to remember he had
been a gentleman.
	Are you mad? he cried. Dont
cross me here! And then, shaking his
fist at the hills, To think, cries he,
that I must leave my bones in this mis-
erable wilderness! Would God I had
died upon the scaffold like a gentle-
man! This he said ranting like an
actor; and then sat biting his fingers
and staring on the ground, a most un-
christian object.
	I took a certain horror of the man, for
I thought a soldier and a gentleman
should confront his end with more phi-
losophy. I made him no reply, there-
fore, in words; and presently the even-
ing fell so chill that I was glad, for my
own sake, to kindle a fire. And yet God
knows, in such an open spot, and the
country alive with savages, the act was
little short of lunacy. Ballantrae seemed
never to observe me; but at last, as I
was about parching a little corn, he
looked up.
	Have you ever a brother? said he.
	By the blessing of heaven, said I,
not less than five.
	I have the one, said he, with a
strange voice; and then presently, He
shall pay me for all this, he added.
And when I asked him what was his
brothers part in our distress, What !
he cried, he sits in my place, he bears
my name, he courts my wife; and I am
here alone with a damned Irishman in
this tooth-chattering desert! 0, I have
been a common gull! he cried.
	The explosion was in all ways so for-
eign to my friends nature, that I was
daunted out of all my just susceptibility.
Sure, an offensive expression, however
vivacious, appears a wonderfully small
affair in circumstances so extreme! But
here there is a strange thing to be noted.
He had only once before referred to the
lady with whom he was contracted. That
was when we came in view of the town
of New York, when he had told me, if all
had their rights, he was now in sight of
his own property, for Miss Graeme en-
joyed a large estate in the province.
And this was certainly a natural occa-
sion; but now here she was named a
second time; and what is surely fit to
be observed, in this very month, which
was November, 47, and I believe upon
that very day as we sat among those bar-
barous mountains, his brother and Miss
Graem~ were married. I am the least
superstitious of men; but the hand of
Providence is here displayed too openly
not to beremarked.*
e
	*	Note by Mr. Macicellar: A complete blunder: there
was at this date no word of marriage: see above in my own
narration.</PB>
<PB REF="IMG00065" SEQ="0065" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="57">	THE MASTER OF BALLANTRAE.	57

	The next day, and the next, were
passed in similar labors ; Ballantrae often
deciding on our course by the spinning
of a coin; and once, when I expostulated
on this childishness, he had an odd re-
mark that I have never forgotten. I
know no better way, said he, to express
my scorn of human reason. I think it
was the third day, that we found the
body of a Christian, scalped and most
abominably mangled, and lying in a pud-
dle of his blood; the birds of the desert
screaming over him, as thick as flies. I
cannot describe how dreadfully this sight
affected us; but it robbed me of all
strength and all hope for this world.
The same day, and only a little after, we
were scrambling over a part of the forest
thathad been burned, when Ballantrac,
who was a little ahead, ducked suddenly
behind a fallen trunk. I joined him in
this shelter, whence we could look abroad
without being seen ourselves; and in the
bottom of the next vale beheld a large war
party of savages going by across our line.
There might be the value of a weak battal-
ion present; all naked to the waist, blacked
with grease and soot, and painted with
white lead and vermilion, according to
their beastly habits. They went one
behind another like a string of geese,
and at a quickish trot; so that they took
but a little while to rattle by and dis-
appear again among the woods. Yet I
suppose we endured a greater agony of
hesitation and suspense in these few
minutes than goes usually to a mans
whole life. Whether they were French
or English Indians, whether they de-
sired scalps or prisoners, whether we
should declare ourselves upon the chance
or lie quiet and continue the heart-break-
ing business of our journey: sure, I
think, these were questions to have puz-
zled the brains of Aristotle himself. Bal-
lantrac turned to me with a face all
wrinkled up and his teeth showing in
his mouth, like what I have read of peo-
ple starving; he said no word, but his
whole appearance was a kind of dreadful
question:
	They may be of the English side, I
whispered; and think, the best we could
then hope, is to begin this over again.
	I know, I know, he said. Yet it
must come to a plunge at last. And
he suddenly plucked out his coin, shook
it in his closed hands, looked at it, and
then lay down with his face in the dust.

	Addition by Mr. IJilacicellar. I drop
the Chevaliers narration at this point
because the couple quarrelled and sepa-
rated the same day; and the Chevaliers
account of the quarrel seems to me (I
must confess) quite incompatible with
the nature of either of the men. Hence-
forth, they wandered alone, undergoing
extraordinary sufferings; until first one
and then the other was picked up by a
party from Fort St. Frederick. Only
two things are to be noted. And first
(as most important for my purpose) that
the Master, in the course of his miseries
buried his treasure, at a point never since
discovered, but of which he took a draw-
ing in his own blood on the lining of his
hat. And second, that on his coming
thus penniless to the Fort, he was wel-
comed like a brother by the Chevalier,
who thence paid his way to France. The
simplicity of Mr. Burkes character leads
him at this point to praise the Master
exceedingly; to an eye more worldly
wise, it would seem it was the Cheva-
lier alone that was to be commended.
I have the more pleasure in pointing
to this really very noble trait of my
esteemed correspondent, as I fear I may
have wounded him immediately before.
I have refrained from comments on any
of his extraordinary and (in my eyes)
immoral opinions, for I know him to be
jealous of respect. But his version of
the quarrel is really more than I can re-
produce ; for I knew the Master myself,
and a man more insusceptible of fear is
not conceivable. I regret this oversight
of the Chevaliers, and all the more be-
cause the tenor of his narrative (set
aside a few flourishes) strikes me as
highly ingenuous.
- (To be continued.)
VOL. V.7</PB>
<PB REF="IMG00066" SEQ="0066" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="58">

THE INVALIDS WORLD.~
By A. B. Ward.~
I.	with disease and death; I think that he
	should be an industrious and thoughtful,
THE DOCTOR. a brave and noble gentleman. To the in-
valid he is more. He is the master-me-
HEN I consid- chanic of what may be a very trouble-
er what the some machine. He is the autocrat of
VT education of a the table and of the lodging, of raiment
doctor entails, what and exercise. His advent is the event
endless study and of the day. His utterances are oracu-
investigation, what lar, his nod Olympian. His learning is
patient labor; when boundless, his wit irresistible, his good-
I reflect upon the ness not to be disputed.. He takes the
continual risks that responsibility of living off shoulders
he must take, the which tremble beneath it, assumes the
continual self-con- battle with pain, and fights the sick
trol that he must mans duel for him. He condones the
have, balanced by cowardice of shrinking nerves and puts
continual compas- them to sleep. He encourages and
sion; when I re- stimulates and bolsters the sufferer into
member how he is ever contending in a shape again.
face-to-face and hand-to-hand encounter There is no relationship on earth like
this between doctor and patient. He
* Author of Hospital Life, in ScRiaNEns MAGAZINE
for June, 1888.	owns me, owns at least this arm he set</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-7">
<BIBL>
<AUTHOR>A. B. Ward</AUTHOR>
<AUTHORIND>Ward, A. B.</AUTHORIND>
<TITLE TYPE="ART">The Invalid's World - The Doctor, The Nurse, The Visitor</TITLE>
<BIBLSCOPE TYPE="pg">58-73</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00066" SEQ="0066" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="58">

THE INVALIDS WORLD.~
By A. B. Ward.~
I.	with disease and death; I think that he
	should be an industrious and thoughtful,
THE DOCTOR. a brave and noble gentleman. To the in-
valid he is more. He is the master-me-
HEN I consid- chanic of what may be a very trouble-
er what the some machine. He is the autocrat of
VT education of a the table and of the lodging, of raiment
doctor entails, what and exercise. His advent is the event
endless study and of the day. His utterances are oracu-
investigation, what lar, his nod Olympian. His learning is
patient labor; when boundless, his wit irresistible, his good-
I reflect upon the ness not to be disputed.. He takes the
continual risks that responsibility of living off shoulders
he must take, the which tremble beneath it, assumes the
continual self-con- battle with pain, and fights the sick
trol that he must mans duel for him. He condones the
have, balanced by cowardice of shrinking nerves and puts
continual compas- them to sleep. He encourages and
sion; when I re- stimulates and bolsters the sufferer into
member how he is ever contending in a shape again.
face-to-face and hand-to-hand encounter There is no relationship on earth like
this between doctor and patient. He
* Author of Hospital Life, in ScRiaNEns MAGAZINE
for June, 1888.	owns me, owns at least this arm he set</PB>
<PB REF="IMG00067" SEQ="0067" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="59">	THE INVALID S WORLD.	59

when I was a boy, and these lungs whose
every wheeze and sputter he recognizes
as I do the voice of a familiar acquaint-
ance. The mother who bore me has not
so intimate a knowledge of my peculiari-
ties, my penchants and antipathies; no
friend, however faithful, is so tolerant of
my faults or has such an easy way of
curing them. He reconciles me to my-
self by a quieting powder, and starts
me fair with the world once more. He?
They, I should say. There are a score of
them, at least, each with a distinct per-
sonality of his own but all bearing the
stamp of their genial, wide-awake pro-
fession. There is G. Can I not see
him now, smiling down into his beard!
I used to wonder if the smile lingered
and lurked in that long grizzled beard
of his after it left his lips. Dear old G.,
whimsical, kindly, lenient toward sin-
ners and cynical toward saints, perform-
ing more than he promised, out of sight
before gratitude reached him, doing
good by stealth and half ashamed when
found out! His slow comments, his dry
humor, his quaint suggestions were bet-
ter than his pills, and those were good
enough. I can see him sitting among
his house-patients, at a table spread
with Universal Food, cream toast, Pre-
pared Wheat, soft eggs, barley coffee,
and I cannot say what other limited
and qualified article of diet; yet his
smile betokens imperturbable benevo-
lence, and his appetite for his own roast
beef is undisturbed. I can see him, lis-
tening with the same amused, impene-
trable smile to complaints which would
nag another to madness. They did me.
I sprang up from the table when the
Liquid Food bottle began to circulate,
but not soon enough to escape the long
arm of an Ancient Mariner who asked
solemnly, Did you ever try prepared sea
salt for bathing?
The children hail him es a playfellow.</PB>
<PB REF="IMG00068" SEQ="0068" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="60">	60	THE INVALID S WORLD.

	I glanced over my shoulder at G. He
was as much amused by my actions as
by those of the rest of the company. To
him we were, alike, specimens of the hu-
man problem.
	H.	would have been ready to slay the
humbugs in a weekkeen, swift, sensi-
tive R., the surgeon. He is as impatient
as a thoroughbred that sniffs and paws
at delay, striding up and down, uttering
quick ejaculations, off like a dart as soon
as the chance comes. Clean-cut and
fine is he in his skill, brilliant and sure
of stroke as the lightning, as impatient
of blunders and transgressed commands
as he is of delays, but always full of
Keen, swift sensitive R., the surgeon.</PB>
<PB REF="IMG00069" SEQ="0069" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="61">	THE IN VALID S WORLD.	61

tact, full of refinement, full of tender
delicacy, especially toward little chil-
dren. They tell a pretty story of him at
the Childrens HospitaL Playing Doctor
was the game and impersonating the
house-staff its leading feature. Ill be
Doctor B., one urchin was overheard say-
ing, and he was followed by an indignant
chorus, Thats just like you, Johnny
Smith! You always take the best!
	Alive to the opinion of his patients is
B. and giving them an absorbed interest
in return for their trust in him, lying
awake night after night in worry over a
bad case, carrying it about with him
under all the wealth of nonsense and
sparkling fun which make him a tonic,
under all the hopefulness and animation
which challenge his patients to show fight
and quit themselves like men. I would
rather have B.. to lead me to a charge in
the battle for health than anyone I know.
	For a sturdy comrade, working shoul-
der to shoulder, day in and day out, give
me wiry, plucky, generous, steadfast little
S., making enthusiasm and mother-wit
serve for his lack of years, deeming no
trouble too great to be taken, no trifling
ache small enough to be disregarded, head
and heart and willing hand in his work.
The children hail him as a playfellow.
We old chronics welcome him as we do
daylight after a night of pain. We can
unbosom ourselves completely, be as
long and as prosy as we please. His ap-
petite for information on our case seems
insatiable, and that particular case the
most important in his book.
	And what more shall I say? For
the time would fail me to tell of Gideon
and Barak, of Samson and Jephtha~, of
David also and Samuel, of the sanguine
doctor whose prescriptions are going
to fix you all right in no time, of the
brusque doctor who takes delight in
making savage remarks, the courtly
doctor whose elegance and suavity fairly
divert the patient from his own wretched
condition, the entertaining doctor who
achieves a like miracle by means of his
newsy yarns; of the facetious doctor
who tosses his hat on the bed and insists
that you are shamming, the boisterous
doctor who fills the house with an im-
portant noise, and the good-natured,
broad-backed old fellow who is always
saying, Thats it! thats it!
VOL. V.8
	This one tones up the system wit~h
iron or quinine, that one quiets it
with massage, and still another feeds
it with malt and cod-liver oil. Here you
find one with such transcendent faith in
Nature that he is willing to let her take
her course; there, another, with corre-
sponding trust in a change of scene,
who sends you from Dan to Beersheba,
from the mountains to the seashore and
back again.
	But, in spite of their hobbies, theyre
all hearty, whole-souled gentlemen; and
it is a comfort even to have them take
your pulse and temperature, they do it
so cheerily and as if they were deter-
mined to work their best in helping you
out of your troubles. Quacks there
may be, going to and fro in the earth
and walking up and down in it, but it
has never been my fortune or misfort-
une to meet them. There I cannot tes-
tify.
	As for Hoinceopathy and Allopathy I
must confess to a mature, masculine
preference for sound, smacking doses.
I like to feel that I am using big guns
and plenty of powder. If I were young
and tender perhaps bird-shot would
have more effect on me. However, I
drink to both sides, impartially, and
wish them a long life and a busy one!
Thatll be a-keeping the rest of us
down, sighs my friend ORourke. I
never knew but one sick man who is
well, now. He was too poor to have
more than one doctor and he gave him
up. So he got well. I dont want
your opinion, OBourke. You are not
an invalid, and that rules you out of this
court. You belong with the Hogarths
who nail the doctors on the wall as
Undertakers Arms; or with the
newspaper wits who whet their tongues
now on a mother-in-law, now on a dude,
but oftenest on a medical man. We
will wait until indigestion or a sprain
humbles you cavillers before we allow
you to cast a vote. It is only during
the period of invalidism that doctors
are appreciated, not before or after.
This fact was noted by the old M.D.
counselling his younger brother: Ac-
cipe durn dolet,look out for your fee
while he aches. As soon as he is well
his understanding is darkened and the
importance of the doctor, along with</PB>
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that of the empty medicine bottles, is
written in the past tense. Dont I
think they are grasping? I think they
want their money when they have
earned it, but that is a failing common
to so many of the human family that
one ceases to remark it, even in doctors.
The parsimony of the three professions,
Law, Theology, and Medicine, in selling
justice, heaven, and health, is something
to be regretted, and is often resented.
But until the State takes sufficient in-
terest in her children to endow these
professions, I ~fear we shall have to
strike a bargain for the care of our
souls and of our bodies. It may be that
living about in hospitals has given me
an ~opportunity to see another side from
that which you see, you who paid some
hundreds of dollars for a consultation
and sank half your fortune in an apothe-
carys shop; but so much generosity
has come to my knowledge, unostenta-
tious giving of skill, time, and money,
on the part of these grasping gentle-
men, thatI cannot agree with you.
	And they are so materialistic
Granted; but so far as my experience
of them goes, blood and bones and
flesh are decidedly materialistic sub-
stances, and I dont care to have mine
treated spiritually. If I had, I should
have gone in for the Faith Cure, or
summoned the ghost of my great-grand-
fatheran eminently respectable phy-
sician in his dayto write one of his
yard-long prescriptions for me. How
it would puzzle the phisicians cooke
as a liste of that time terms the apothe-
cary!
	Just ask your doctor to give you a
scientific diagnosis of your case. The
high-sounding, mouth-filling titles will
increase immeasurably your respect for
your own viscera, notably if there is
nothing but a rascally little Biliousness
to blame and he calls it His Excellency,
Gastro-duodenal Catarrh. So far from
corporeal substance being degraded, it
is dignified by proper nomenclature and
plain explanations. Ignorance, super-
stition, distorted ideas ran more risk of
materialism than Science can.
	As to the tax of irreverence, bless
your heart! you must be a transient!
no chronic would pass so superficial a
judgment. The absurdities and the
nonsense with which acute sufferers and
those continually in the presence of
acute suffering fortify themselves and
each other is well-known to the expe-
rienced. It is a sort of harmless heat-
lightning, a letting-off of the accumula-
tion of nervous excitement. The flip-
pant, frivolous talk between surgeon
and assistants over an etherized patient
would startle and shock the sympathetic
friends, to whom the scene is full of
solemnity and pathos. But these brave
fellows are feeling their way over im-
measurable dangers, by slender paths
where none but Science can walk, with
the infinite pains which Science is will-
ing to take, buoying up each others
spirits with fun and jest. MI. came to
me the other day vowing vengeance on
Dr. N. He shall wait one while for
his pay, he said angrily. Wasnt the
operation performed all right? Yes,
but   Was the bill exorbitant?
No, but, hang it! he whistled all
through it, and the expression on his
face showed that someone would have
to perform an operation upon lacerated
sensibilities before M. would consider
himself a whole man. Little Grand-
ma, the hospital child, measured N.
differently. She took a good look at
him, turning her wee, wizened face over
her crooked shoulder, and crying Go
easy, mister, go easy! but she was
hushed and reassured the instant she
saw how tender and pitiful was the
glance that met hers. She trusted him,
always, from that time,even when he
whistled.
	The doctor who could not laugh and
make me laugh I should put down for
a half-educated man. It is one of the
duties of the profession to hunt for the
material of a joke on every corner.
Most of them have so esteemed it.
Garth, Rabelais, Abernethy, and a hun-
dred or so more too near to be named,
what genial, liver-shaking, heart-quick-
ening, wit-waking worthies they were
and are! To the son who loves her
best, Nature reveals most her tricks of
workmanship. He knows there is a
prize in every package of commonplace
and sadness, and he can find itnot
only the bit of fun shining to the eye of
a connoisseur like an unset jewel, but
the eccentricity, the resemblance, the</PB>
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revelation, countless signs and tokens
of the evanescent, amusing, pathetic
creature we call the human. Heartless,
grasping, irreverent? The deepest
compassion for human ails, the broad-
est generosity to human needs, the
highest respect for all that is strong
and pure and holy in human lives, I
have seen in the men who come closest
to the mystery of Life and the mystery
of Death, who read the naked heart
when it is too weak or too sorrowful to
hide its nakedness, who know our best
and our worst, and are most of them
wise enough to strike the balance. If
they are cynics it is we who have made
them so. We are the books out of
which they learn their lessons. We
point the argument and furnish circum-
stantial evidence for or against human
frailty and the worth of existence. If
they lie to us, or withhold the truth, it
is we who force them to it, with our
appetite for placebos, our demand for
large promises and taking titlesSym-
pathetic Powders, Magic Cure-alls, The
Elixir of Life and of Perpetual Youth.
They are gradually educating us out of
the desire for these toys, and gradually,
in consequence, growing more honest
with us. We are willing to pay more
for skill and less for a quart bottle of
strong stuff. The stomach-brushs
would never flourish in our day. The
old-time cathartic is no longer reckoned
part of the household equipment, with
the pepper-box and salt-cellar. Physic
is relegated to its proper place, serving
the physician and no longer served by
him. The practice of medicine is less,
but the doctor is more, much more.
What medi~nval miracle eclipses the
wonders wrought by surgery? What
pretence of ancient quackery is not
more than fulfilled by the cunning craft
which detects and deals with the sub-
tilest disease?
	They are never satisfied, these zealots.
They never limit themselves by what has
been, but are ever striving for the yet
unattained. Eager workmen that they
are, they must be continually planning
new tools, new machines, new devices
for the comfort and cure of their pa-
tients. As fast as experience finds the
need, ingenuity plans the instrument.
It puts a cushioned rest under every
wou.nded part, props and sustains and
strengthens every weakened part, min-
isters without delay and in every con-
ceivable fashion. More full of meaning
now than when they were written are
the words of Jesus, Son of Sirach:
Honor a physician with the honor
due unto him, for the uses which ye
may have of him. . . . The skill of
the physician shall lift up his head, and
in the sight of great men he shall be in
admiration.
	You dont think so, you outsiders who
take a man for all in all,but ten to
one drop the best part of him. You
call this the rhapsody of an invalid, a
bit of idealizationthough idealization,
as everyone knows, like all alehemies,
depends upon the presence, in the dross,
of the metal it seems to create. I doubt
if the picture of these men, as they ap-
pear to you, bearded or smooth of chin,
well-dressed or careless, republican or
democrat, with an open purse or dodg-
ing the subscription paper, pewholders
or displaying no outward and visible
sign of religion, is any truer than their
picture as they appear to us, presiding
over the Eleusinia of the operating-room,
following disease into the very ribs and
lungs of a man and cutting out its foot-
prints, by the magic of hidden stitches
sewing death out and life in, or turning
a criminal into a Christian. There is an
idea of Dr. Jackson and Dr. Morton
cherished by legal records which repre-
sents them wrangling over the fame of
inventing etherization. It sets one of
them before us in an attitude of indo-
lent self-seeking, and shows the other
conspicuous for self-seeking of a more
energetic sort. The sole thought of
these two, for the invalid, is that they
gave to agony the priceless gift of uncon-
sciousness. The lips whose quivering
ceased before the draught they brought
will never open in aught but blessing of
themwhatever figure they cut in the
courts.
	Another chapter might be written
upon the ultra-professional offices of the
doctorif it were safe to tell of the ugly
sights his courteous eyes never see, the
ugly sounds to which he turns a deaf
ear; of dangerous confidences poured
forth in the loquacity of illness and
which drop into his attentive soul, like</PB>
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a stone into a pooi, and leave no sign;
of his friendly counsels and encourage-
ments, and of his management of of-
ficious and meddlesome and trouble-
making relatives; of his shielding the
innocent from the guilty and saving the
guilty from getting more than their due;
of a thousand nameless deeds whose re-
view brings smiles and sighs of grateful
remembrance. By these and by the
deeds we can more definitely name, let
the invalid demand his right to judge
the doctors life at its focus, where en-
ergy and ambition are centralized.
	No one cried toadyism when the cour-
tier spread his cloak b&#38; ore the queen,
or when the poet had so much to say
about the divinity that hedges a king.
No one would attempt to argue out of
the peasant his reverence for the priest,
by which the cloth of the latter is a
surer protection to him than even chain-
armor might be. Something of the al-
legiance of courtier and poet recogniz-
ing the sway and charm of the power
which protects them, something of the
devotees appreciation of a life given to
good works prompts the applause of the
invalid offered to the physician.


IL

THE NURSE.


	THE Survival of the Fittest means
more than length of days; it involves
the mastery of the feeble by the forceful
while life endures, the absorbing of little
personalities by great ones, the suprem-
acy of strength in love and in war. A
poor lookout for sick folk were there
not an obverse sidethe parasitical
dependence of weakness upon might.
Strength has the right of way. He
strikes out bravely with his brawny
legs. But cunning Weakness sits astride
the neck of the conqueror and rides
more safely than he could walk. Rare
is the invalid who goes unattended.
With blandishments and carefully com-
posed witticisms, with grateful compli-
ments and coaxing good-humor, many
nurses are hired, especially if they are
relatives and above regular wages or
liberal donations of half-worn coats and
dresses. The professional important for
knowledge of her art, Cousin Jane solic-
itous about foot-warmers and the flavor
of the broth, and Mrs. OFlaherty from
a neighboring attic, tidying up and
setting things handy, before she goes
to her days workeach has her price in
corn of the realm or of the heart. It is
always possible to pay in one or the
other; and in consequence one nurse,
at least, to every invalid is ordinarily the
proportion.
	The advent of the professional is usu-
ally attended with mystery. The patient
opens his eyes, after the confusion of
delirium or the blank of stupor, and she
is there by his bedside, offering a cool-
ing drink or a dose of medicine. Whence
she came or how he cannot tell. It seems
to him in the first waverings of con-
sciousness that she has always been
there, that he is the late arrival. He
watches her, gliding about the room,
moving chair or table into place, shad-
ing the lamp, and smoothing the tossed
and tumbled counterpane. Who are
you? he asks faintly. I am only the
nurse, she answers, with a reassuring
smile. You mustnt talk. Its all right.
A vague belief that if it isnt she will
make it so possesses him. He feels pro-
tected and cared for, and drops trust-
fully off to sleep. When he wakes she
is still on guard, but with nothing of the
sentinel in her appearance; she is like a
gracious hostess. Never questioning her
claims, as he might under different con-
ditions, he is content to be a pensioner
on his own estates. More and more ac-
quiescent does he become, subdued by
the unaggressive personality which rules
the apartment without crowding its in-
mate. There is no clashing of wills.
Before he has named it to himself she
has read de~ire or revulsion on his face
and the object is advanced or removed.
With a regularity as smooth and even
as the swing of a pendulum, she airs the
room, clears it of dust and disorder,
feeds her charge, doses and diverts him.
	Nights and days come and go, he can-
not tell how many of them. They stand
in his memory as so many alternate
black and white lines, uneventful but
rather soothing to think of. Suddenly,
as suddenly as she came, the nurse takes
her leave. The patient feels deserted,
indignant. He i6 just beginning to</PB>
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realize how very ill he is. It is inhuman
to leave him in the lurch. There can be
no one who needs her more. He is
ready to shoot the doctor for suggesting
such a thing. He is convinced that he
will have a relapse and is somewhat
chagrined when he finds such a back-
somersault impossible.
	A man who can do whatever is nec-
essary takes the vacant place. Enter
stolid Carl, rich in vitality and imper-
viousness to scolding, mesmeric from
superabundance of nerve and muscle.
The very grasp of his huge paw is in-
vigorating. To be near him is like
breathing the wholesome odor of kine
or putting ones head on the neck of a
fine, well-groomed horse. In seasons
of greater debility the tonic would be
too powerful. But nowthe doctor
was right; the time for scientific skill
and methodical regularity is past.
Flesh and blood stimuli added to ordi-
nary attendance are all that is required.
The invalid wants to pull himself up on
his feet. Brute strength must be at
hand to help him.
	The instinct of self-preservationone
may as well call it by a high-sounding
namemakes a perfect vampire of a
sick man. It is not altogether watching,
or care, or constant service, or the keen
sense of responsibility which exhausts a
nurse, nor all of them combined. It is
the presence of the patients famished
body, taking in at every pore the ner-
vous energy of whoever is near. The
weakling pants for life. Life he must
have. Give me your hand, Carl. Send
the full charge of your human battery
along my veins. That is better than
wine, better than the broad, impersonal
warmth of the sun. It is the quicken-
ing of pulse by pulse, the kindling of
life by life. Strange and unaccountable
are physical influences, but more potent
in this world than men are willing to
own. They are unheeded in the hurry-
ing crowd, where electricity passes con-
stantly with the jostling of elbows. But
the sensibilities of the insulated invalid
quiver like pith-balls when brought into
contact with positive and negative forces.
Certain persons give and others take
from him the strength which is his
carefully-hoarded treasure. He rebels
against proximity with one, and clings
like a frightened child to another. To
say that the well and strong are the
attractive, is not enough. Often they
repel by those very characteristics.
Goodness and virtue have little to do
with it, and sympathy is but a moderate
factor. The feeling is almost wholly
unreasonable, and, when examined
proves as incapable of analysis as the
womans I think him so because I
think him so. I liked Carl and de-
tested Charlie, although the service of
the latter was absolutely flawless and
the former occasionally slept through
an entire night undisturbed by a shower
of pillows and the contents of the medi-
cine glass. If I were well, either man
would be judged a good fellow and
passed with indifference. Invalidism
has readjusted the scales so that mere
fancy decides for the one and against
the other. When well I could not en-
dure Sambo. Ill, I look upon him as
an inexhaustible fund of amusement.
The manner in which he says, Yes,
sah, with a sanctimonious roll of his
eyes and a minstrel grin, is delightful.
It is a toy with a string which I pull as
often as I please. The unfailing good
humor of these dusky brethren is enor-
mously in their favor as nurses. If ever
The manner in which he says Yes, ash, is delightful.</PB>
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a man detests the lean, hungry Gas-
siuses, it is when they come to wait by
his bedside. You can forgive blunder-
ing and fibbing and petty larceny, but
you cannot forgive the bringing of
fogs and damps into your presence.
What if Sambo was flourishing around
in my best claw-hammer after I was
asleep. Awake, I was entertained by
the cheeriest companion in the invalid
world. Entertained? This is not down
on the list of the nurses obligations.
It enters largely into the nurses habit,
however. Is it not so, my brothers?
Have you forgotten Mrs. F.s quiet
joke or Uncle T.s amusing yarns?
Dont you remember Mother 0. ?
jolly, bright-cheeked Mother C., the
quondam farmers wife, carrying her
wholesome, homespun nature and
quaint country phrases into her skilful
trained work? It always seei ed
when she came in as if she came
straight from the orchard or the dairy,
and not merely because she would have
half-a-dozen apples in her apron or a
glass of milk in her hand. She used to
act as if your illness was a joke between
you and her, an excuse for gaining extra
goodies and special attention, a chance
to laugh and be lazy when awake and
to sleep prodigally when so disposed.
She half persuaded you into believing
it.	Ah, you remember. I see your
bandaged heads nod and your drawn
lips shorten into a smile, as across the
dark background of painful recollections
glide the figures of those who bright-
ened an invalids sorry lot, the various
types of that potentate, the nurse.
Potentate, indeed! She acts as if she
owned the establishment, sulks the
head of the house. She neednt come
into my kitchen with her airs, wags the
tail of the house. And all the inter-
mediate members look askance at the
temporary queen who dares and con-
tinues to dare, with the utmost serenity,
assured of a strong position flanked by
His Highness, the Doctor. One of these
masterful spirits I knew who had charge
of a farmers wife dying from over-work
and need of nutrition. Four small chil-
dren hung around the house-door, gaunt,
hollow-eyed little wretches, following
their mother as fast as youth and a nat-
urally vigorous constitution permitted.
The father, a grim old whiskerando, had
always kept the desires of his family
under his will and the key to the store-
room in his overalls pocket, doling out
scanty rations and scantier pleasures as
his whim decreed.
	The nurses keen eyes and ready wits
comprehended the situation. She plan-
ned an attack. Go you to bed, she
said sweetly to the despot. I am accus-
tomed to watch alone with my patients.
And he climbed the attic stairs. As
soon as all was still, a ghostly figure
traversed the farm-house and the adja-
cent buildings. It peered into closets
and corners, hunted from kitchen to
shed, from shed to barn and out-house.
Finally, it seemed to find what it sought,
a padlocked door. A few dexterous
turns of a hatchet and the door sagged
open, disclosing row upon row of barrels
and boxes. Humph, sniffed the nurse,
well see about this. Back to the
kitchen she trudged, and returned with
a bucket in either hand. Flour, eggs,
butter, and the like comestibles she
rapidly transferred from their hiding-
place to the long board-table by the
kitchen stove, while the farmer still
snored peacefully above stairs unconsci-
ous that the enemy was in his magazine
and all the next quarters supplies were
out at once. Softly but swiftly until
dawn put an end to her opportunity,
the nurse mixed and rolled out and put
into the oven, until the pantry shelves
were full and so was the long board-
table.The mother died, and so did
most of the children, but they smacked
their thin lips over one generous meal in
a life-time of prevalent hunger.
	The invading nurse is no exception.
Hers is the crusaders zeaL She tilts
against disease and death, as do the
doctors, but herlance is often a pudding-
stick, her armor the kettle and sauce-
pan. How can she leave her juicy meats
to be tampered with by an unregenerate
cook whose mission is not the healthful
but the palatable? How can she intrnst
her delicate custard, her savory beef-tea
to an unappreciative being in whose
category they rank as messes? More-
over, if anobstacle intervene between her
prowess and any dietetic material, she
must break down, overthrow, trample
upon the obstacle. The doctor does</PB>
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not say give your patient chicken-broth
if you can get a chicken. The condition
is omitted. A chicken she must have,
though the hen-roosts in the neighbor-
hood suffer in consequence; and broth
it must make if all the regiment of the
kitchen are to be bound and removed
from the path to the stove, as a prelimi-
nary to the boiling. So much for the
region below stairs. Above stairs it is
the duty of the nurse to banish every
cause of annoyance. She must be a police-
man driving away from her charge the
noisy, the exciting, the disagreeable, even
if she separate husband and wife, parent
and child.
	Hard lines! sighs the patient,
hearing a low utterance of the fiat which
excludes some petitioner at the door.
But in his inmost soul he is grateful for
the shield as he nestles behind it. H.s
wife is a treasure in this respect. The
doctor has only to say, Keep him
quiet, and the angel Gabriel would be
wheedled out of his trumpet if he put it
to his lips when she was on duty. Once
when H. was down with nervous pros-
tration, someone actually died in the
room opposite his, without his knowl-
edge. It was an old aunt who stopped
on her way to seek medical advice in a
neighboring city. She had had one fit
and lived in hourly expectation of an-
other. Of course a paroxysm seized
her in H.s. house: there is a fatality
about such things. Her companion was
nearly as helpless as herself, what with
fright and the strangeness of the
place; but H.s plucky wife was, as
usual, mistress of the situation. She
dragged a mattress before her husbands
door, muffling the sound of the sick
womans groans. Then, with the doc-
tors commands constantly before her,
she watched both patients and guarded
this one from that, as only a woman can
guard the being she loves.
	Doctors came in numbers. The wo-
man died horribly. The undertakers
prepared her body for burial. It was
placed in a coffin and borne from the
house. And the nervous, watchful inva-
lid, suspicious of every sound, knew
naught of the guest save that she came
and went. Now in one room, now in the
other, appeared the wife, answering H.s
questions, telling him stories, supplying
his needs, and again in the midst of the
trying death-scene governing and guid-
ing the necessary arrangements. Six
weeks afterward,when H. was riding out,
she told him how it was. He didnt
quite relish the bit of finesse, although
he appreciated the tenderness which
prompted it. No man enjoys being
duped, whatever the object. He said
nothing, but the next day, when Bridget
fell down the back-stairs with a lamp in
each hand, he was at the foot almost as
soon as she landed. If anyone else
dies in this house, Im going to know
it, he said, resolutely.
	It may be that no professional will
thus guard a patient. To affirm this is
more complimentary to wedlock; and
indeed it must be true that loyal affec-
tion will find ways and means unknown
to common service.
	But the invalids have seen how pa-
tience and fidelity can dignify and en-
noble common serviceuntil it becomes
a graceful and gracious performance, if
not a grand one.
	The hub of the invalids wheel of fort-
une is plainly the doctor. All things
centre in and revolve about his counsel.
But the felloe is the all-embracing, all-
sustaining influence of the nurse. By
her interference the wheel runs smooth-
ly, the outside world keeps its place, and
every need of the small inner world is
met and covered.


III

THE vIsITOR.

	IT is often a source of amusement to
the owners of dogs or other pets to note
the shallow subterfuges they employ in
order to gain sympathy. Illnesses mag-
nified to win soft words and caresses, a
lame leg handled as cleverly as ever the
begging impostor in the street handles
histhese are common enough among
the creatures to whom we stand as
patrons and benefactors. We laugh at
the trick; and yet, in that corner of
our hearts where lie the tops and
and whirligigs of childhood, the rattles
and straws once puissant and ador-
able, rests the machinery for similar
mannuvres. The plaintive whimper of</PB>
<PB REF="IMG00076" SEQ="0076" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="68">	68	THE IN VALID S WORLD.

the baby whose fictitious aches were a
passport to mothers bed, the paraded
bruise calling for the salve of kisses, the
exaggerated cough that appealed for
anxious fondling along with the drops
administeredsuch were the screws
and pulleys which the Infantine Inquisi-
tion brought to bear upon tender hearts.
They fell into disuse when nursery
despotism was exchanged for the equal
rights of the playground, and remained
hidden, almost forgotten, until sickness
brought them to light. Out they came
somewhere about the time we wished
Dr. was not so determined to look
upon us as a case, and that Nurse
 would not consider broken legs an
ordinary affair and sound ones the
fortuity. An uncontrollable desire for
the punch of human sympathy possessed
our soul, a revolt from the matter-of-
fact diet of the sick room, an impulse to
throw all the old furniture out of the
window and call for new. That was
about the time we had our first visitor.
And how we did enjoy it! How we
posed as One who has been through a
great deal, rehearsing our ails and
their remedies in glib phrases which
would have brought a smile to the lips of
the M.D. from whom we borrowed them,
but which were to these appalled listen-
ers a perfect Bugaboo, a Raw-Head-
and-Bloody-Bones frightful in the ex-
treme. We slept soundly that night
and were ready for more visitors the
next day. It was announced that we
were ready to see people, and the
announcement was followed by the
prophecy that we would go right along
now. We did. It was inevitable.
	To say that the visitor ever takes the
place of doctor or nurse is absurd, but
there always comes a time when his
aid is indispensable. There have been
patients, superhuman or subhuman, who
took to mother Nature at the crisis of
convalescence, but they were pretty cer-
tain to have a relapse. Alas, we fall at
her feet as Heinrich Heine did at the
feet of the Venus de Mb, in an agony
of longing for sympathy; but our
goddess answers as did his, See, I have
no arms, I cannot help you. She has
only her beautiful body and divine
countenance. She cannot so much as
lift a finger for the suppliant. It is
worth something to gain the inspiration
which comes from gazing upon her, from
breathing the atmosphere of her goddess
presence, strong and serene as she is;
but she is utterly self-contained and de-
void of the fellow-feeling for which
we all, at one time or another, hunger
and thirst.
	That other divinity who masquerades
as a sort of modern Judith Holofernes,
ready to off with your head at any
moment, but who i8 in reality a soft-
hearted dame, filled with the kindliest
emotions as soon as she sees the doctors
gig aV your doorI mean that fussy,
good-natured old lady, Mrs. Grundy, is
sure to give you a lift if you will take it.
She has arms though she is not classic.
She may do her best to make you un-
comfortable while you are well, but
once take to your bed and she is your
devoted friend; She will tempt your
appetite, strengthen your heart, be win-
some and chatty and helpfuluntil she
can set you up, like a ten-pin, for
another knock-over. Possibly. But her
goodness is genuine as long as it lasts.
Ladies to whom you are merely a name
will send delicious dishes in to you.
Men who shook their fists in your face at
the last election will leave kindly mes-
sages at your door. Curly-headed chil-
dren who resented all your advances
when you met them in the street are all
agog with eagerness to come and see
von. If it is true that all mankind love
a lover, it is equally indisputable that
all mankind feel in duty bound to nurse
an invalid.
	His desire to obtain sympathy is no
stronger than their desire to offer it;
and sympathy is not the only boon ob-
tained from the visitor. There is a
horrible resemblance between the in-
habitants of a beleaguered city and the
thoughts and feelings of a man who has
been shut up to feed upon himself for
days and weeks and months of unavoid-
able imprisonment. Let the new-coiner
send a fresh breeze blowing through the
fever-filled apartment! Let him bring
a feast and the appetite for it! Let him
raise the cruel siege! It is an insuffi-
cient proverb which names variety lifes
spice. Science defends the definition
which makes it no less than the life it-
self. In weakness, more than in strength,</PB>
<PB REF="IMG00077" SEQ="0077" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="69">	THE IN VALID S WORLD.	69

the change must come from without. with those to whom it belongs; diversity
Inertia holds the sick iuan like a clod to of entertainment is a talent educated;
his place. Monotony flaunts before him but to lift a fellow-being out of the
her grinding repetitions. It was an in- slough of self and to set him upon the
valid, of course, who longed to die be- fin1 ground of	common interests and
cause he was tired of having his shoes endeavors is a	stroke of genius, Who-
put off and on. Yet another invalid, and ever can do this	should be a professional
of the same sensitive French nation, de- visitor. He should	follow in the wake
lighted in being	of doctor and
dressed to the	nurse, an equal
end of his days	member of the
and lived merrily	triad, licensed by
among his friends.	the royal law of
 More than sym-	expediency to take
pathy and more	his place and fill it
than variety must	as no one else can.
my visitor yield.	Nature? She is
He must unite me	as much at fault
with the world	here as in the be-
a0ain. If there is	stowal of sym-
only one of me I	pathy. She can
am a feeble, insig-	soothe,but she can-
nificant thing. If	not electrify. In
there are some	order to get hope
twenty millions of	and courage and
creatures of whom	good advice out of
I am one, I am part	her, one has first
of a powerful body	to read them into
which rules, con-	her, as with music.
quers, invents, phi-	But these indepen-
losophizes, and de-	dent creatures
ports itself as the	walking past us
flower of creation	and over us if we
should. My visitor	get in the way
is to remind me	have something
that I belong to	about them which
this soul-satisfying	we did not put in,
majority and not	something which
to the sad, weak	is not ourselves,
minority I h a 4	I am only the nurse she snswers.~	and is therefore
fancied as I sat	much more re
alone in my easy-chair and forgot my
fellows.
	For my solitary, sanitary lines of
thought he substitutes the political
lookout, the question of Home-rule, or
Eastern affairs. We discuss an im-
prove engine or a torpedo boat. And
he tells a neat epigram which J. got off
the other day. I become proud of my
connection with such a bright and for-
ward race.
	Opinions of my own sprout and grow.
The strain which threatened to snap my
self-possession relaxes. Emotions and
ideas throw off the dust which clogged
them. To sympathize is an instinct
freshing than the increase of an already
abnormally developed ego. When they
offer hope and courage and good advice,
there is an actual plus and no differenti-
ation.
	But there are visitors and ~visitors,
not alone the diverting, amusing allies,
but those who add their burdens or the
weight of a non-giving, absorbing vi-
tality to the sick mans load. These
talk in high, excited voices of what in-
terests them solely, or tell of ails a
great deal worse than yours, and give
elaborate descriptions of the case of X.
or Y.a provoking instance of carrying
coals to Newcastle. They ask ten thou-
VOL. V.9</PB>
<PB REF="IMG00078" SEQ="0078" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="70">	70	THE INVALIDS WORLD.



sand questions about your condition and
follow you as giosely as if you were a
sworn witness for the defence and they
the prosecuting attorney. They insist
with forceful argument and friendly zeal
on cramming some diabolical patent
medicine down your throat, will you,
nill you. These are the sympathizers
whose offering is a knife and halter to
the victimized patient. But anyone of
them is preferable to the mournful visi-
tor who advances with a subdued air
and looks into the face of the recumbent
with the same expression which he, poor
fellow, has seen her wear when she was
performing her social duties at a funeral
and looking into an open coffin. When-
ever I see a certain one of these visitors
coming, I know that I am considered a
pitiable object, for she makes it her
business to visit the afflicted, and her
self-appointed mission is no secret. She
has a smooth, placid face, and her voice
is modulated by nature to utter words
of condolence. But when she turns her
eyes piously upward, thanking her
Heavenly Father for what he has be-
stowed upon her, there is an unpleasant
suggestion of the complacent old party
in the New Testament who did the same,
and, sinner that I am, I prefer to remain
afar off. No, no, fellow-creatures,
give me what you can of spontaneous
good-will, but rid me of this barrel-or-
gan of perfunctory pity! John, if that
woman calls again, Im out-Im dead
I never was born! But the condoler has
one virtue, quietness; and this is lacking
in the pugnacious visitor, who informs
you, briskly, that your doctor is a fool
and your nurse what she shouldnt be,
that youll never get well in this world
if you dont turn them both out of doors
and get a new outfit. An argument is
useless. You might as well attempt to
out-talk a March tempest. Even if you
say nothing you are left in a sore and
disheartened state, feeling very much as
if you had had a round with a profes-
sional pugilist.
	Satisfactory as any visitors are the
children. They are apt entertainers, and
they can be sent home or told not to
handle things. The ministers little
girls, Martha and Mary, aged four and
three, come in to see me once a week,
and they always say a good thing or two
before they leave. Martha, true to her
name, is troubled about many things,
and especially about Mary, whom she
takes every opportunity to educate and
discipline. That, she said to her
Another visitor who never misoes a welcome is the bringer of eatables</PB>
<PB REF="IMG00079" SEQ="0079" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="71">	THE IN VALID S WORLD.	71



charge, to-day, pointing to the Orphan-
age opposite my window, and her nnen
would adorn the Lady Principal of a Fe-
male Seminary, that is where the little
Orphans live. Mr. and Mrs. Orphan
are dead.
	Yes, she replies to my inquiry if
Mary is not a great care, she has my
crib, now, with me. But where do
you sleep? I pursue, with a glance at
Marys ample little figure. 0, with a
sigh which speaks volumes, I sleep
where Mary dont.
	More lively are the interviews with
young Angustus Caesar from over-the-
way, sent in by his mother to talk to
poor Mr. Ward, who hasnt any little
boys and is all sick. Full of his errand
he takes his stand directly in front of
me, assuming an oratorical attitude, his
legs far apart. Then he begins in a loud
voice. Weve got leven little roosters
over to onr honse. That so? M-
in-in the prolonged aspirate serving
for an affirmative and theyre all
crowin. My farver sat twelve eggs and
leven hatched and theyre nuff growed
up to crow. Its awful funny. Here
the gravity of the occasion is powerless
to longer rein in the dimples of the ora-
tor. The audience laughs, too, in hearty
appreciation. There are occasions when
Church and State may flourish or fall
without exciting a throb of interest in
the palsied heart of the invalid, when
the efforts of our brightest and best be-
loved are but a sorry defence against the
blues; but the pictnre of leven little
roosters, crowin, is irresistibly pictur-
esque and exhilarating. It is like the
sniff of a vinaigrette. I am no longer
bored or indifferent.
	Another visitor who never misses a
welcome is the bringer of eatables. The
article may be inferior to something
scorned by the invalid appetite when
prepared at home, but home talent
never was appreciated in prophecies or
puddings. The delicacy gets eaten, and
a value is put npon it as a commodity by
Satisfactory as any visitors are the children.</PB>
<PB REF="IMG00080" SEQ="0080" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="72">	72	THE INVALID S WORLD.

those who dislike to go to a sick-room shoes? He has your cloak, he may as
empty-handed. Nowhere is the practice well take your coat also. And he will.
of carrying something to the invalid Are you a new arrival, diligent search is
more general than in the country. But made for all available facts bearing upon
your condition, spiritual and secular,
the utmost pains being taken until you
are sorted and arranged. If some move-
ment of your own or Fates shake you
out of position, with the same eagerness

	the busy folk will rearrange you. It
is not an ill-natured per-
formance. It is gone
through with as one
goes through an avo-
cation, a duty. Gos-
sip is dragged before
the eyes of men, not
from diseased de-
light in it, but as
sun and wind uncover
and light upon carri-
on, simply audnaYve-
ly and as a matter of
course. It is need-
less to state there is
no demand for de-
tectives in a region

of this sort. To ask
and to answer is the
habit of all. A railing ac-
cusation, brought against
one young lady by an elder
of the same sex was that in
what was deemed an im-
portant affair she never told

Aunt Susan.	what she knew. If one can
recover from a slight tingling

sensation when being examined by the
neighbors there is something pleasant
and patriarchal in living near to each
others joys and sorrows. I do not
know how it is now, but when I was a
boy less than half a century ago, it was
as to that, nowhere does visiting arrive deemed a breach of etiquette not to
at such perfection as in the one-streeted wait upon the infant in its earliest stage
villan,es where the list of inhabitants is of blush and wrinkle, to wish it luck or
not too long nor their duties too varied note its resemblance to its parents.
to admit of frequent dropping in  and The contrary extreme of life was equally
running over, particularly if there is well attended. When any one went
a sufferer to be set Tith. through the ceremony of dying, the
	The visitor enters easily by the un- neighbors were invited in and stood
locked front door, maki ig a way, with about the bed while the last breaths
occasional raps, into the family arcana. were drawn; very much as they would
There is no resisting the lever of a ques- see some one off on a journey.
tion then. Can you refuse any piece of This bestowal of interest and benevo-
information to one who has learned your lence has its correlate in the ingenious
morning habits or your fondness for old demand for them. Ask a drink of a</PB>
<PB REF="IMG00081" SEQ="0081" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="73">	RO~WDO.	73

rustic and he will give you his family
history while he is letting down the
bucket. To withhold sympathy and to
neglect to ask for it are equal social sins.
Not to have a story to tell is to fail in
an important particular. To tell it with
all the mysteriousness attendant upon
tragic recital is to shine as a visitor.
I knew shed never get well, says Aunt
Susan in a husky whisper and bending
forward to shake a lean fore-finger in
the face of the patient whom she is en-
tertaining. She was better on the Sab-
bath. Neednt tell me o Sunday better-
ments. Cold tremors run up and down
the spine of the sick woman who listens,
but she would never think of refusing
to hear the old-wife tales. They are
part of the visiting programme..
	Under the auspices of Science, where
visits are weighed and measured as
carefully as medicines, as sparingly as
smelts, Aunt Susan would have small
chance to distinguish herself. And when
the patient is able to make his own
choice it may be that he will have nei
ther Aaron nor Hur to hold up his fee-
ble arms; will shut the door on the lo-
quacious and noisy, the exciting and
curious, as well a~ on their betters, and
will invite the visitors who come silently,
in forms which never startle, uttering no
platitudes, but ever cheering, changing,
inspiriting, amusingI mean the books.
Therein the wisest and the wittiest, the
traveller, the man of the world, and the
scholar come and go as we will, utter as
much or as little as we decree, and of
their best.
	But these are for the advanced con-
valescent. Until he can reach out~ his
hand to take them there is ever to be
found the visitor-in-the-flesh, often a
better though a humbler aid than the
distilling of heart and brain sealed in
written words. The native fruit found
on its woody stem, words warm from
the lips, the hand with the hearts blood
pulsing to its finger-tips; these are bet-
ter digesters of discomfort and ennui than
sage sayings a hundred years old or a
tale told in cold bkod to a writing-desk.
RONDO.
VOL. V.1O
By Henry Shelton Sanford, Jr.

WHAT care I! tho my life is sad
And dark my day that should be glad;
Tho storms make winter in my May
	And skies that should be blue are gray,
And rotten all the joy I had.

But what know I of good or bad I
Good sooth, kind sir, Im but a lad
Who changes heart with every day.
So what care I!

Yet, brother fool, in paint and pad
With consciences in motley clad
In this huge farce, the world, we play
A fools part for his sordid pay:
Wed be so vile were we not mad.
But what care I!</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-8">
<BIBL>
<AUTHOR>Henry Shelton Sanford</AUTHOR>
<AUTHORIND>Sanford, Henry Shelton</AUTHORIND>
<TITLE TYPE="ART">Rondo</TITLE>
<BIBLSCOPE TYPE="pg">73-74</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00081" SEQ="0081" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="73">	RO~WDO.	73

rustic and he will give you his family
history while he is letting down the
bucket. To withhold sympathy and to
neglect to ask for it are equal social sins.
Not to have a story to tell is to fail in
an important particular. To tell it with
all the mysteriousness attendant upon
tragic recital is to shine as a visitor.
I knew shed never get well, says Aunt
Susan in a husky whisper and bending
forward to shake a lean fore-finger in
the face of the patient whom she is en-
tertaining. She was better on the Sab-
bath. Neednt tell me o Sunday better-
ments. Cold tremors run up and down
the spine of the sick woman who listens,
but she would never think of refusing
to hear the old-wife tales. They are
part of the visiting programme..
	Under the auspices of Science, where
visits are weighed and measured as
carefully as medicines, as sparingly as
smelts, Aunt Susan would have small
chance to distinguish herself. And when
the patient is able to make his own
choice it may be that he will have nei
ther Aaron nor Hur to hold up his fee-
ble arms; will shut the door on the lo-
quacious and noisy, the exciting and
curious, as well a~ on their betters, and
will invite the visitors who come silently,
in forms which never startle, uttering no
platitudes, but ever cheering, changing,
inspiriting, amusingI mean the books.
Therein the wisest and the wittiest, the
traveller, the man of the world, and the
scholar come and go as we will, utter as
much or as little as we decree, and of
their best.
	But these are for the advanced con-
valescent. Until he can reach out~ his
hand to take them there is ever to be
found the visitor-in-the-flesh, often a
better though a humbler aid than the
distilling of heart and brain sealed in
written words. The native fruit found
on its woody stem, words warm from
the lips, the hand with the hearts blood
pulsing to its finger-tips; these are bet-
ter digesters of discomfort and ennui than
sage sayings a hundred years old or a
tale told in cold bkod to a writing-desk.
RONDO.
VOL. V.1O
By Henry Shelton Sanford, Jr.

WHAT care I! tho my life is sad
And dark my day that should be glad;
Tho storms make winter in my May
	And skies that should be blue are gray,
And rotten all the joy I had.

But what know I of good or bad I
Good sooth, kind sir, Im but a lad
Who changes heart with every day.
So what care I!

Yet, brother fool, in paint and pad
With consciences in motley clad
In this huge farce, the world, we play
A fools part for his sordid pay:
Wed be so vile were we not mad.
But what care I!</PB>
<PB REF="IMG00082" SEQ="0082" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="74">FRENCH TRAITSWOMEN.
By W. C. Brownell.

RITING over a hun-
1 tien Mercier, whose
	dre d years ago, S~bas-
was once a very pop-
______ j Tableau de Paris
I	 ular work, says of
	~ his countrywomen:
	  Frencliwomen are
remarkable for piercing, mischievous
eyes, elegant figures, and sprightly
countenances, but fine heads are very
rare amongst them. The type has not
varied greatly since then and it may
be safely asserted that at present large
eyes and beautiful faces are as rare
among Frenchwomen as are poor fig-
ures. They are admired, too, in France
with an intensity not untinctured with
envy. For large eyes especially this
admiration is universally unmeasured
no womans eyes seem too large to
be beautiful; from the lay-figures of
fashion plates to the goddesses of the
Salon, Gr6vins beauties, the wax-fig-
ures of shop-windowsevery ideal type
whether vulgar or refined is sure to
possess large eyes. American girls have
not this peculiarity, it is well known, as
frequently ~s those of several other
races, but in Paris they are nearly as
noted for it as for any other feature of
their pretty faces. An American return-
ing home after a long sojourn in France
is himself strnck by the number of ox-
eyed Junos in which his country may
glory and which he had not before sus-
pected. Pretty faces are not, perhaps,
more abundant in France than large
eyes. They are rarer among women of
a certain age than among young girls
so much rarer indeed than is the case
with us that one naturally infers the de-
teriorating effect of French life and
manners upon the fresher and more del-
icate beauties of feature and color. Of
this Frenchwomen seem themselves con-
vinced, and they begin early the endeav-
or to circumvent the ungallant influ-
ences of passing years. It is a bold
thing to say, they are themselves such
excellent judges in these matters, but it
is probable that in this they commit a
grave error, and, by meeting them half-
way, really aid in the ungracious work
of these influences. Balzac cynically
divides Parisians into the two classes of
the young and the old who attempt to
appear young. As to women alone he
does not seem, to a foreign observer,
very far out of the way. There are
doubtless large numbers of men who do
not attempt to regain the youthful as-
pect they could not retain, but almost
no women.
	It is not by any means exclusively
vanity that furnishes the motive for this
unequal struggle with nature. Partly,
to be sure, it is a poignant repugnance
to loss of consideration which, in a
society where the great prize of life
is the esteem of others, is of great im-
portance. But in the main it proceeds
from a passionate desire to preserve
even the semblance of the period when
one feels at ones best, when one can
enjoy most thoroughly, and when one
wastes ones life the least. Some day
perhaps gray hair will become as fash-
ionable in Paris as it is in New York.
Hitherto there are no signs of its favor.
The number of women one sees who
have dyed hair is very large, and, till
one remarks a corresponding rarity
of gray hair, very odd. At first ones
respect for Parisian taste receives a se-
vere shock. The dye used, however
apparently the same all over Parisis
far superior to the hideous russets we
are accustomed to note in the beard and
hair of an occasional under-bred old
man, and when fresh is, except for its
evident artificiality, a not at ali bad look-
ing dark-chestnut. After a few days it
becomes easily less beautiful, and it is
certainly not renewed often enough.
The ennui of the process and economy,
the sense for both of which is quite as
keen as that of coquetry in France, are
against its frequent renewaL Before
long one becomes used to the general
phenomenon and is in two minds about
agreeing with the Parisians as to its</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-9">
<BIBL>
<AUTHOR>W. C. Brownell</AUTHOR>
<AUTHORIND>Brownell, W. C.</AUTHORIND>
<TITLE TYPE="ART">French Traits - Women</TITLE>
<BIBLSCOPE TYPE="pg">74-88</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00082" SEQ="0082" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="74">FRENCH TRAITSWOMEN.
By W. C. Brownell.

RITING over a hun-
1 tien Mercier, whose
	dre d years ago, S~bas-
was once a very pop-
______ j Tableau de Paris
I	 ular work, says of
	~ his countrywomen:
	  Frencliwomen are
remarkable for piercing, mischievous
eyes, elegant figures, and sprightly
countenances, but fine heads are very
rare amongst them. The type has not
varied greatly since then and it may
be safely asserted that at present large
eyes and beautiful faces are as rare
among Frenchwomen as are poor fig-
ures. They are admired, too, in France
with an intensity not untinctured with
envy. For large eyes especially this
admiration is universally unmeasured
no womans eyes seem too large to
be beautiful; from the lay-figures of
fashion plates to the goddesses of the
Salon, Gr6vins beauties, the wax-fig-
ures of shop-windowsevery ideal type
whether vulgar or refined is sure to
possess large eyes. American girls have
not this peculiarity, it is well known, as
frequently ~s those of several other
races, but in Paris they are nearly as
noted for it as for any other feature of
their pretty faces. An American return-
ing home after a long sojourn in France
is himself strnck by the number of ox-
eyed Junos in which his country may
glory and which he had not before sus-
pected. Pretty faces are not, perhaps,
more abundant in France than large
eyes. They are rarer among women of
a certain age than among young girls
so much rarer indeed than is the case
with us that one naturally infers the de-
teriorating effect of French life and
manners upon the fresher and more del-
icate beauties of feature and color. Of
this Frenchwomen seem themselves con-
vinced, and they begin early the endeav-
or to circumvent the ungallant influ-
ences of passing years. It is a bold
thing to say, they are themselves such
excellent judges in these matters, but it
is probable that in this they commit a
grave error, and, by meeting them half-
way, really aid in the ungracious work
of these influences. Balzac cynically
divides Parisians into the two classes of
the young and the old who attempt to
appear young. As to women alone he
does not seem, to a foreign observer,
very far out of the way. There are
doubtless large numbers of men who do
not attempt to regain the youthful as-
pect they could not retain, but almost
no women.
	It is not by any means exclusively
vanity that furnishes the motive for this
unequal struggle with nature. Partly,
to be sure, it is a poignant repugnance
to loss of consideration which, in a
society where the great prize of life
is the esteem of others, is of great im-
portance. But in the main it proceeds
from a passionate desire to preserve
even the semblance of the period when
one feels at ones best, when one can
enjoy most thoroughly, and when one
wastes ones life the least. Some day
perhaps gray hair will become as fash-
ionable in Paris as it is in New York.
Hitherto there are no signs of its favor.
The number of women one sees who
have dyed hair is very large, and, till
one remarks a corresponding rarity
of gray hair, very odd. At first ones
respect for Parisian taste receives a se-
vere shock. The dye used, however
apparently the same all over Parisis
far superior to the hideous russets we
are accustomed to note in the beard and
hair of an occasional under-bred old
man, and when fresh is, except for its
evident artificiality, a not at ali bad look-
ing dark-chestnut. After a few days it
becomes easily less beautiful, and it is
certainly not renewed often enough.
The ennui of the process and economy,
the sense for both of which is quite as
keen as that of coquetry in France, are
against its frequent renewaL Before
long one becomes used to the general
phenomenon and is in two minds about
agreeing with the Parisians as to its</PB>
<PB REF="IMG00083" SEQ="0083" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="75">	FRENCH TRAITSWOMEN.	75

preferability to gray hair, which cer-
tainly does not suit all complexions and
makes the person not naturally distin-
guished appear insignificant; and ex-
cept in rare cases it ages rather than
renders piquant the youthfulness it
sometimes accompanies. As for the
mauvaise honte of resorting to artificial
aids to beauty, one inclines to get over
that in breathing the Parisian atmos-
phere where such a feeling is wholly un-
known and would probably be incom-
prehensible. Ladies with us certainly
resort to wigs in case of baldness and to
rice powder in the event of any grave
defect in complexion. The line between
the palliation of natural blemishes and
the adornment of natural features is dif-
ficult to draw. A society which has a
great deal of regard for form will insist
on the latter while a society perpetually
on its guard against permitting form to
out-weigh substance will hardly excuse
the former.
	The truth is that coquetry, which is a
defect in our eyes, is a quality of the
Frenchwoman. It is a virtue which
consecrates as it were the possession of
natural attractions. In France always
le charine prime la beaut~, and coquetry
there is the science of charm in women.
Charm in this special sense our women
do not greatly study; and its crude ex-
hibitions oftener than not occur in con-
junction with an absence of those nat-
ural attractions so much better and so
universally appreciated by the opposite
sex that there is no atoning for the lack
of them nor any need of enhancing them.
But in France to paint the lily is not
regarded as a paradox. The result is
not without a certain specious felicity,
it must be confessed; as indeed many
American men who have been honored
in any degree with French feminine so-
ciety could probably testify. On the
other hand it is not to be inferred that
from our point of view the French lily
needs to be painted. Her natural
charms are many and great, and they
would be potent in a milieu which would
distinctly frown upon her mobilization
and manoeuvring of them, so to speak.
Her complexion is, in generalbefore it
has submitted to the inexorable necessi-
ties arising from competition with the
heightened and accentuated tints that
best sustain the gaslight (or rather can-
dle-light) splendor of opera, balls, and
soir6esvery nearly perfection. Less
florid than the red and white freshness
so greatly admired as witnessing quite
as much as decorating the superb health
of English women, it is nevertheless full
of color, readily changeable, and of a
purity unaffected either by its occasion-
al leaning toward olive or by its more
frequent shading into pink. Muddy or
sallow it never is. The Parisienne is per-
haps often &#38; iol~ethere is much croak-
ing in the journals about the effect of
the vie fi#~vreuse et excitante of Paris;
but anemia as a chronic condition is in-
frequent. She has a disgust for inval-
idism rare among American women, who
would find her on this score terribly un-
sympathetic cold and hardy in fact.
Unlike so many American women, who
esteem her blas~e in consequence, etle
nestpas n6e dhier, in French phrase, and
she perfectly appreciates the intimate
connection between invalidism and hys-
teria. To be pitied forms no part of
her programme, and to be pitied on such
~rounds would be unendurable to her.
The rest cure is probably unknown
in France.
	But quite as much as such commiser-
ation she undoubtedly dreads the loss
of physical attractiveness which inval-
idism involves. She devotes indeed a
share of attention to the conservation of
her beauty in every respect which the
American woman would esteem exces-
sive. Her hand, oftener expressive per-
haps than mignonne, but in general shape-
ly and well-attached, shows the advan-
tages of this attention. Her foot on the
other hand shows its disadvantages; it
is as a rule if larger than the correspond-
ing American foot (which is not to be
denied) smaller by a greater discrep-
ancy still than that of the Englishwo-
man, and there seems really no excuse
for compressing it, as is so universally
done, into the fashionable but trans-
parent deception known as the Louis
Quinze boot. Under this treatment,
little different in kind from that which is
de rigueur in China, it assumes an aspect
totally devoid of graceful contour, to be
characterized only by what Carlyle would
describe as mere hoofiness. Still for
a momentthe moment during which
9</PB>
<PB REF="IMG00084" SEQ="0084" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="76">	76	FRENCH TRAITSWOMEN.

alone perhaps the feminine foot should
be remarkedthe effect is possibly to
diminish apparent size; and here again,
as in the instances of paint and powder
and dyes, one should hesitate before
proffering advice to so excellent a judge
as the Frenchwoman. The point re-
mains, in Candides words, une grande
question. Coquetry itself, however, can
offer nothing to enhance what is beyond
all question the Frenchwomans most
admirable physical endowment, namely
her incomparable figure. Embonpoint,
it is true, is a danger to be contemplat-
ed as one approaches middle age. Be-
yond this period of life France undoubt-
edly possesses her full share of ample
and matronly femininity. The opposite
tendency may safely be scouted. Mine.
Bernhardt herself is well-known to be
what is called afausse maigre. In any
assemblage of Frenchwomen from a ball
in the Faubourg St. Germain to a bal de
lOpe~ra the number of admirable figures
is very striking; the face may be posi-
tively common, but the figure is nearly
sure to be superb. The wasp-waist so
much affected across the Channel is ap-
parently confined to fashion-plates de-
signed for exportation. The unwisdom
of tight-lacing is evidently not more
perfectly appreciated than its unsightil-
ness, though the relations of hygiene
to beauty are thoroughly understood.
With this excellence of figure generally
goes a corresponding excellence of car-
riage; in this respect the skill with
which the Louis Quinze heel is circum-
vented is beyond praise. And with re-
gard to the tact and taste displayed in
the garb which decorates this figure and
carriage the world is, I suppose, as well
agreed now as in the time when the
Empress set its fashions for it in a more
inexorable way than the women of the
present republic can pretend to. France
is still, if not the only country in the
world where dress is an art, at least the
only one where the dressmaker and the
milliner are artists.
	It is as unquestionably the country in
which women think most of dress. The
fact is often enough made a reproach to
the Frenchwoman, and nothing is com-
moner than to hear Englishmen, Ger-
mans, Spaniards, and Italians, as well as
Americans, in Paris referring to it as in-
 dicating her character and defining the
limit of her activities. Her toilet occu-
pies the Parisienne too exclusively, is
nearly the universal foreign opinion
even among those foreigners who are
themselves most attracted by the graces
and felicities of the toilet in question as
well as least serious themselves. The
difficulty of transmuting such a trait in-
to that domesticity which the Southern
Latin ready to se ranger prizes as highly
as the Teuton or Anglo-Saxon who
makes it a part of his feminine ideal, is
a frequent theme of purely disinterested
speculation among these social philoso-
phers. It is a difficulty nevertheless
which does not puzzle the Frenchman.
The conditions of French life are such
that domesticity is either not understood
in precisely the sense in which it is ac-
cepted elsewhere, or is not given the
same overmastering importance as an
absolute quality. The domesticity aimed
at by the Spanish convent and cultivated
by the Germanic hearth and chimney-
corner is in no sense the object of the
Frenchmans ambition for the French-
woman. Here as elsewhere his social
instinct triumphs over every other, and
he regards the family circle as altogether
too narrow a sphere for the activities of
a being who occupies so much of his
mind and heart, and in whose considera-
tion he is as much concerned as she in
his. To be the mother of his children
and the nurse of his declining years is a
destiny which, unrelieved by the gratifi-
cation of her own instincts of expansion,
he would as little wish for her as she
would for herself. To be the ornament
of a society, to awake perpetual interest,
to be perpetually and universally charm-
ing, to contribute powerfully to the gen-
eral aims of her environment, never to
lose her character as woman in any of
the phases or functions of womanly ex-
istence, even in wifehood or maternity
this central motive of the French-
womans existence is cordially approved
by the Frenchman. In fact it is because
he approves and insists upon it that she
is what she is. It is for this reason that
she devotes so much attention to dress,
which in her thus, spite of those sur-
face indications that mislead the foreign-
er, is almost never due to the passion for
dress in itself to which siruilarpreoccupa</PB>
<PB REF="IMG00085" SEQ="0085" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="77">	FRENCH TRAITSWOMEN.	77

tion infallibly testifies in the women of
other societies. A New York belle dresses
for her rivalswhen she does not, like
the aborigines of her species, dress for
herself alone. Mr. Henry James acutely
represents the Mrs. Westgate of his In-
ternational Episode as sighing to
think the Duchess would never know
how well she was dressed. To induce
analogous regret in a Frenchwoman a
corresponding masculine obtuseness
would be absolutely indispensable. And
this among her own countrymen she
would never encounter. Her dress, then,
is a part of her coquetryone of the
most important weapons in a tolerably
well-stocked arsenal; but it is nothing
more, and it in no degree betokens
frivolity. Like her figure and her carri-
age it is a continual ocular demonstra-
tion and a strong ally of her instinct,
her genius, for style. In these three
regards she is unapproachable, and in
every other attribute of style she is
certainly unsurpassed. In elegance, in
intelligence, in self-possession, in poise,
it would be difficult to find exceptions
in other countries to rival the average
Parisienne. And her coquetry, which
endues her style with the element of
charm (of which it is, as I said, the
science), is neither more nor less than
the instinct to please highly developed.
It is not, as certainly coquetry elsewhere
may sometimes be called, the instinct to
please deeply perverted. The French
coquette does not flirt. Her frivolity,
her superficiality, may be great in many
directionsin religion, in moral stead-
fastness, in renunciation, in constancy,
even in sensibilitybut in coquetry she
is never superficial; the dimly veiled,
half-acknowledged insincerity of what is
known as flirtation would seem to her
frivolous to a degree unsuspected by her
American contemporary. To her as to
her countrymen the relations of men and
women are too important and too in-
teresting not to be at bottom entirely
serious.
	In fine to estimate the Frenchwom-
ans moral nature with any approach to
adequacy it is necessary entirely to avoid
viewing her from an Anglo-Saxon stand-
point. Apart from her milieu she is not
to be understood at all. The ideals of
woman in general held by this milieu are
wholly different from our ideals. To
see how and wherein let us inquire of -
some frank French friend. We shall
never agree about women, he will be
sure to admit at the outset; and he may
be imagined to continue very much in
this strain: We Frenchmen have a re-
pugnance, both instinctive and explicit,
to your propensity to make companion-
ability the essential quality of the ideal
woman. Consciously or unconsciously
this is precisely what you do. It is in vir-
tue of their being more companionable,
and in an essentially masculine sense,
that the best of your women, the serious
ones, shine superior in your eyes to their
frivolous or pedantic rivals. You seem
to us, in fact, to approach far more nearly
than your English cousins to the ideal
in this respect of your common Gothic
ancestors. Your ideal is pretty closely
the Alruna womanan august creature
spiritually endowed with inflexible puri-
ty and lofty, respect-compelling virtues,
performing the office of a guiding-
star amid the perplexities of life, whose
approval or censure is important in a
thousand moral exigencies, and ones
feeling for whom is always strongly
tincturedeven in the days of courtship
with something akin to filial feeling.
In your daily life this ideal becomes, of
course, familiarizedyou do not need to
be reminded that familiarized is, in-
deed, an extenuating term to describe
the effect upon many of your ideals
when they are brought into the atmos-
phere of your daily life, that the con-
trast between American ideals and Amer-
ican practice frequently strikes us as
grotesque. In the atmosphere of your
daily life the Alruna woman becomes a
good fellow. She despises girls who
flirt, as you yourselves despise our dan-
dies and our petits jeunes gens. She
despises with equal vigor the lackadai-
sical, the hysterical, the affected in any
way. She plays a good game of tennis;
it is one of her ambitions to cast a fly
adroitly, to handle an oar well. She is
by no means a Di Vernon. She has a
thoroughly masculine antipathy to the
romantic, and is embarrassed in its pres-
ence. She reads the journals; she has
opinions, which, unlike her inferior sis-
ters, she rarely obtrudes. She is tre-
mendously efficient and never poses.</PB>
<PB REF="IMG00086" SEQ="0086" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="78">	78	FRENCH TRAITSWOMEN.

She is saved from masculinity by great
tact, great delicacy in essentials, by her
beauty which is markedly feminine, by
her immensely narrower sphere, and by
Divine Providence. She is thus thor-
oughly companionable, and she is after
all a woman. This makes her im-
mensely attractive to you. But noth-
ing could be less seductive to us than
this predominance of companionableness
over the feminine element, the element
of sex. Of our women, ideal and real
(which you know in France, the country
of equality, of homogeneity, of averages,
is nearly the same thing) we could bet-
ter say that they are thoroughly femi-
nine and that they are, after all, com-
panionable. Indeed, if what I under-
stand by companionable~ be correct,
i.e., rien que sentendre, they are quite
as much so as their American sisters,
though in a very different way, it is true.
	Let me explain. The strictness of
your social code effectually shuts off the
American woman from interest in, and
the American girl from knowledge of,
what is really the essential part of nearly
half of life; I mean from any mental
occupation except in their more super-
ficial aspects with the innumerable phe-
nomena attending one of the two great
instincts from which modern science has
taught us to derive all the moral percep-
tions and habits of human life. This is
explainable no doubt by the unwritten
but puissant law which informs every
article of your social constitution that
relates to women, namely the law that
insures the precedence of the young girl
over the married woman. With you, in-
deed, the young girl has le haut du pa~
in what seems to us a very terrible de-
gree. Your literature, for example, is
held by her in a bondage which to us
seems abject, and makes us esteem it
superficial. Since the author of Tom
Jones~~ no one has been permitted to
depict a man as he really is, complains
Thackeray. With you it is even worse
because the young girl exercises an even
greater tyranny than in England. Noth-
ing so forcibly illustrates her position
at the head of your society, however
not even her overwhelming predomi-
nance in all your social reunions with-
in and without doors, winter and sum-
mer, at luncheons, dinners, lawn-parties,
balls, receptions, lectures, and church
as the circumstance that you endeavor
successfully to keep her a girl after she
has become a woman. You desire and
contrive that your wives shall be virgins
in word, thought, and aspiration. That
this should be the case before marriage
everyone comprehends. That is the end
of our endeavor equally with yours. In
every civilized society men wish to be
themselves the introducers and instruc-
tors of their wives in a realm of such real
and vital interest as that of which mar-
riage, everywhere but in your country,
opens the door. But with us the young
girl is constantly looking forward to be-
coming, and envying the condition of, a
woman. That is the source of our re-
strictions, of our conventual regulations,
which seem to you so absurd, even so
dishonoring. You are saved from hav-
ing such, however, by the fact that with
you the young girl is the rounded and
complete ideal, the type of womanhood,
and that it is her condition, spiritually
speaking, that the wife and even the
mother emulates. And you desire ar-
dently that she should. You do not
see any necessity, as you say in your
utilitarian phraseology, of a womans
losing anything of the fresh and clear
charm which perfumes the existence of
the young girl. You have a short way of
disposing of our notion that a woman is
the flower and fulfilment of that of which
the young girl is the bud and the prom-
ise. You esteem this notion a piece of
sophistry designed to conceal our really
immoral desire to rob our women of the
innocence and na~vet~ which we insist
upon in the young girl, in order that
our social life may be more highly
spiced. Your view is wholly different
from that of your race at the epoch of
its most considerable achievements in
the criticism of life and antecedent
to the Anglo-Saxon invention of prudery
as a bulwark of virtue. It is a view
which seems to spring directly from the
Puritan system of each individual man-
aging independently his own spiritual
affairs without any of the reciprocal aids
and the division of labor provided for in
the more elaborate scheme of Catholi-
cism, in consequence of which each in-
dividual left in this way wholly to him-
self is forced into a timid and distrustful</PB>
<PB REF="IMG00087" SEQ="0087" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="79">	FRENCH TRAITSWOMEN.	79

attitude toward temptation. Nothing
is more noticeable in your women, thus,
than a certain suspicious and timorous
exclusion from the field of contempla-
tion of anything unsuited to the atten-
tion of the young girL It is as if they
feared contamination for virtue if the
attitude and habit of mind belonging to
innocence were once abandoned. They
probably do fear vaguely that you fear
it for them, that your feminine ideal ex-
cludes it.
	Now, it is very evident that however
admirable in its results this position
may be, and however sound in itself, it
involves an important limitation of that
very companionableness which you so
much insist on in your women. In this
sense, the average Frenchwomau is an
equal, a companion, to a degree almost
never witnessed with you. After an
hour of feminine society we do not re-
pair to the club for a relaxation of mind
and spirit, for a respiration of expan-
sion, and to find in unrestrained free-
dom an enjoyment that has the addition-
al sense of being a relief. Our clubs are
in fact mere excuses for gambling, not
refuges for bored husbands and home-
less bachelors. Conversation among
men is perhaps grosser in quality, the
equivoque is perhaps not so delicate,
so spirituelte, but they do not differ in
kind from the conversational tissue in
mixed company, as with you they do so
widely. With you this difference in
kind is notoriously an abyss. In virtue
of our invention of treating delicate
topics with innuendo, our mixed society
gains immensely in interest and attrac-
tiveness, and our women are more in-
timately companionable than yours.
You Americans take easily to iunuendo
from your habit of mind, which is sensi-
tive and subtile. You are unaccount-
ably unlike the English in this respect.
As a rule, one of you who should know
French, and understand French charac-
ter as well as Thackeray, would not like
him be depressed by what he was
pleased to call all that dreary double-
entendre. Still, when you attempt the
application of it to delicate topics, I
can myself recall instances of your
leaving, as we say, something to be de-
sired. In such an instance it is natural
that a feeling of ill-success should pro-
duce a conviction that the topic is too
delicate to be handled at all; seeing
another person handle it with trium-
phant gingerliness does not unsettle
such a conviction  the double-entendre
becomes irretrievably dreary. But,
in point of fact, it is only a contrivance
of ours to extend the range of conversa-
tion in mixed company; you can do
without it because you limit any conver-
sation with a wide range to one sex, to
your clubs and business officeswhere,
apparently, it is not needed. It seems
to many of you, doubtless, a device for
confluing the talk in mixed company to
what are called delicate topics. But
that side of our talk really appears
magnified to you because of its absolute
novelty. In strictness there is in mixed
company quite as much conversation
upon politics, letters, art, and affairs in
Paris as even in Boston. Our equivoque
simply takes the place of your silences.
The point is that from the circum-
stance that we do not exclude it, the
conversational tissue in mixed company
is with us immensely varied, and that
when a Frenchman finds himself in the
presence of a womanin ladies so-
ciety as you express itwhether d
deux or in a general gathering, he ex-
periences no more restraint  except
that which polishes his periods and re-
fines his expression  than an American
does at his club or office. His in-
stinct for expansion suffers no repres-
sion. Society becomes a very different
thing from ladies society. It is not
a medium for the exploitation of the
young girl and the woman who emulates
and follows her haud passi bus cequis; nor
is it a realm presided over by the
fair sex; it is an association of men
and women for the interchange of ideas
on all topics, and the texture out of
which the drama of life is woven. In
saying that your ideal of companion-
ableness in woman was defective this
was what I had in mind. Even in com-
panionableness we find our women
much more to our mind.
	But this is, after all, a detail. Even
if your women were intimately compan-
ionable they would none the less radi-
cally differ from our own; we should
still reproach them with a certain mascu-
line quality in the elevated, and a certain</PB>
<PB REF="IMG00088" SEQ="0088" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="80">	80	FRENCH TRAITSWOMEN.

prosaic note in the familiar types. By
masculine, I certainly do not here in-
tend the signification you give to your
derisive epithet strong-minded. In
affirming that there is a generous am-
pleness in the feminine quality of our
women unobservable in yours, I do not
mean to charge them with inferiority in
what you call pure mentality; in in-
telligence and capacities we believe
them unequalled the world over. But
they are essentially less masculine in
avoiding strictly all competition with
men, in conserving all their individu-
ality of sex and following their own
bent. Nothing is more common than
to hear American women lament their
lack of opportunity, envy the oppor-
tunity of men. Nothing is rarer with
us. It never occurs to a Frenchwoman
to regret her sex. It is probable that
almost every American woman with any
pretensions to pure mentality, feels,
on the contrary, that her sex is a lim-
itation and wishes, with that varying
ardor and intermittent energy which
characterize her, that she were a man
and had a mans opportunity. In a
thousand ways she is the mans rival,
which with us she never is. Hence the
popularity with you of the agitation for
woman-suffrage, practically unknown in
France. Your society probably wholly
undervalues this movement, and frowns
upon it with a forcible-feebleness that is
often ludicrously unjust. You do not
perceive that it furnishes almost the
only outlet for the ambition and the
energy of such of your women as are
persistently and not spasmodically ener-
getic and ambitious, and that its worst
foe with you is the great mass of wo-
men themselves, which is governed by
timorousness, by intellectual indolence,
and by the habit born of long-continued
subordination in all serious matters.
To a disinterested observer of the com-
placence with which your society con-
templates Folly set in place exalted,
in this matter, it is impossible not to
remark the secret sympathy with the
movement entertained by serious women
and concealed in deference to the opin-
ion of the mass whose fiat in all matters
related to good taste is necessarily
final. They probably fear that the
mass of their countrywomen, spite of
the indefinite multiplication of female
colleges, will never become really and
responsibly intelligent without the suf-
frage; and in effect with you this must
become the great practical argument
for it. Animated as the most serious of
American women unquestionably are by
a sense of rivalry with men, they instinc-
tively feel this handicap, and instinc-
tively desire for their sex the dignity
and seriousness conferred by power and
the sense of responsibility power in-
volves. But I wish I could make it clear
to you how differently the Frenchwoman
feels, how radically different the French-
woman is. Being in no sense, and never
feeling herself to be the rival of man
and the emulator of his opportunities,
to her seriousness and dignity the suf-
rage could add nothing whatever. Her
power and responsibility lie in quite
another direction, and that they do is
quite clear to her. It has in fact been
so clear to her in the past, that we have
hitherto made the mistake of giving her
in general an extremely superficial edu-
cation. Madame Dubarry got along
very well without any at alL This is an
error we are just now systematically re-
pairing. And we have our croakers
who oppose the reform, entitle their
gloomy vaticinations Plus de femmes,
and predict that our women will become
Americanized. They are needlessly
alarmed; for this Americanization in-
volves the quality of masculinity which
does not exist at all, either in the nat-
ure or in the ideal of our women. It
is neither their disposition nor their as-
piration to enter that condition of friend-
ly rivalry with men, to become members
of that mutual protective ~
which plays so large a part in the exist-
ence and imagination of your more seri-
ous women.
	The difference is nowhere so lumi-
nously illustrated as in the respective
attitudes of French and American
woman toward the institution of mar-
riage. With us from the hour when
she begins first to think at all of her
futurean epoch which arrives prob-
ably much earlier than with youmar-
riage is the end and aim of a womans
existence. And it is so consciously and
deliberately. A large part of her con-
duct is influenced by this particular</PB>
<PB REF="IMG00089" SEQ="0089" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="81">	FRENCH TRAITSWOMEN.	81

prospect. It is the conscious and de-
liberate aim also of her parents or
guardians for her. They constantly re-
mind her of it. Failure to attain it is
considered by her and by them as the
one great failure to avoid which every
effort should tend, every aspiration be
directed. In its excess this becomes
either ludicrous or repulsive as one
looks at it. Si tu veux te marier, ne
fais jamais ~  Cela temp~chera de
te marier who has not been fatigued
with such maternal admonitions which
resound in interiors by no means al-
ways of the basse classe. But the result
is that marriage occupies a share of the
young girls mind and meditation which
to your young girls would undoubtedly
seem disproportionate, and indeed in-
volve a sense of shame. There is no
more provision in the French social con-
stitution than in the order of nature it-
self for the old maid. Her fate is eter-
nal eccentricity, and is correspondingly
dreaded among us who dread nothing
more than exclusion from the sympa-
thies of society and a share in its or-
ganized activities. Marriage once at-
tained, the young girl, though become
by it a woman, is not of course essentially
changed but only more highly organized
in her ohginal direction. You may be
surprised to hear that sometimes it
suffices heras it suffices English, and
used to American womenthough it
must be admitted that our society does
not make of even marriage an excuse
for exacting the sum of a womans ac-
tivities which it is the Anglo-Saxon ten-
dency to do, and that thus her merit is
less conspicuous. If marriage do not
suffice her, it is not in Sorosis or Dorcas
or Browning societies, or art or books
that she seeks distraction, but in the con-
solation strictly coguate to that of mar-
riage which society offers her. Accord-
ingly, whatever goes to make up the dis-
tinctively feminine side of womans
nature tends with us to become highly
developed. It acquires a refinement,
a subtlety, of organization quite un-
known to societies whose ideal wom-
en inspire filial feeling. We have as a
rule very few Cornelias. Our mothers
themselves are far from being Spartan.
The Gothic goddess is practically un-
known in France. Womans sphere,
as you call it, is totally distinct from
mans. The action and reaction of
the two which produce the occupa-
tion, the amusement, the life of society
are far more intimate than with you, but
they are the exact reverse of homogen-
eous.
	It is an inevitable corollary from
this that that sentimental side which
you seem to us to be endeavoring to sub-
ordinate in your more serious wom-
en, receives in the Frenchwoman that
greatest of all benefits, a harmonious
and natural development. Before and
after marriage, and however marriage
may turn for her, it is her disposi-
tion to love and her capacity for loving
which are stimulated constantly by her
surroundings, and which are really the
measure of the esteem in which she is
held. To love intensely and passion-
ately is her ideal. It is so much her
ideal that if marriage does not enable
her to attain it, it is a virtue rather
than a demerit in her eyes to seek it
elsewhere. Not to die before having
attained in its fulness this end of the
law of her being is often the source
of the Frenchwomans tragic disasters.
But even when indubitable disaster ar-
rives to her it is at least tragic, arid a
tragedy of this kind is in itself glorious.
To remain spiritually an ~tre incomplet
is to her nearly as dreadful a fate as
to become a monstrosity. Both are
equally hostile to nature, and we have
a national passion for being in harmony
with nature. It is probably impossible
to make you eomprehend how far this is
carried by us. Take the life of George
Sand as an instance. It was incontest-
ably the inspiration of her works, and
to us it is the reverse of reprehensible,
for she loved much; it is not her
elopement with Musset but her deser-
tion of him that indicates to our mind
her weak side. In this way the attitude
of the Frenchwoman toward love is one
of perfect frankness. So far from dis-
sembling its natureeither transcen-
dentally or pietistically, after the fashion
of your maidens, or mystically, after the
fashion in the pays de Gretchenshe
appreciates it directly and simply as a
passion, and for her the most potent of
the passions, the passion whose praise
has been the burden of all the poets</PB>
<PB REF="IMG00090" SEQ="0090" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="82">	82	FRENCH TRAITSWOMEN.

since the morning stars first sang to-
gether, and whose possession shares
equally with the possession of superior
intelligence the honor of distinguishing
man from the lower animals. That is
why to our women, as much as to our
men, your literature, your criticism of
life, seems pale, as we saypale and
superficial. This is why we had such
an engouement for your Byron and
never heard of your Wordsworth. This
is why we occupy ourselves so much
with cognate subjects as you have re-
marked.
	And the sentimental side being thus
naturally and harmoniously developed
becomes thus naturally and spontane-
ously the instrument of womans power
and the source of her dignity. Through
it she seeks her triumphs and attains
her ends. To it is due not her influence
over men  as with your inveterate
habit of either divorcing the sexes into
a friendly rivalry or associating them
upon the old-fashioned, English, harem-
like basis, you would inevitably ex-
press itbut her influence upon society.
This results in a great gain to women
themselvesincreases indefinitely their
dignity and power. It is axiomatic that
anytjiing inevitable and not in itself an
evil it is far better to utilize than to re-
sist. Everyone acknowledges the emi-
nence of the sentimental side in womans
nature, the great part which it plays in
her conduct, the great influence it has
upon her motives. And since it has,
therefore, inevitably to be reckoned
with, its development accomplishes for
women results which could not be hoped
for if sentiment were merely treated as
an inevitable handicap to be modified
and mitigated. Your own logic seems
to us exceedingly singular. You argue
that men and women should be equal,
that the present regrettable inequality
with you is due to the greater influence
of sentiment on womens minds m view-
ing purely intellectual matters (you are
constantly throwing this up to your
woman-suifragists) and that therefore
the way in which women are to be im-
proved and elevated (as you curiously
express it) is clearly by the repression
of their sentiment. It is the old story:
you are constantly teaching your women
te envy the opportunities of men, to re
gret their inferiority hitherto and to
endeavor to emulate masculine virtues
by mastering their emotions and sup-
pressing their sentiment; that is to say,
you are constantly doing this by indirec-
tion and unconsciously, at least, and by
betraying the fact that such is your
ideal for them. You never seem to think
they can be treated as a fundamentally
different order of capacity and dispo-
sition. I remember listening for two
hours to one of your cleverest women
lecturing on Joan of Arc, and the thesis
of her lecture was that there was no
mystery at all about the Maid and her
accomplishments, except the eternal
mystery of conspicuous military genius,
that she was in fact a female Napoleon
and that it was the accident of sex
simply that had prevented her from
being so esteemed by the purblind
masculine prejudice which had thereto-
fore dominated peoples minds. Think-
ing of what Jeanne dArc stands for to
us Frenchmen, of her place in our im-
aginations, of the way in which she
illustrates for us the puissance of the
essentially feminine element in human-
ity, I said to myself No, the Ameri-
cans and we will never agree about
women.

	The Frenchman is apt to become elo-
quent in allusions to Joan of Arc, and
French eloquence, like any other, is
sometimes misleading. One may be
permitted to object to our French
friends implication here, that the resem-
blance between Joan of Arc however
conceived and the average Parisienne is
at least not a superficial one. However,
making every allowance for the difference
between things as they really are and
as they seem to the persons irreparably
committed to support of them, it is un-
doubtedly true that if not love at least
interest in the other sex plays a consid-
erably larger part in the life of the
French than in that of the American
woman. It is certain that she never, as
so frequently happens with us, considers
herself independently, that she has no
occupations or projects from which men
are excluded, that she never contem-
plates a single-life for example, except
as a fate hardly to be borne with philos-
ophy and likely to prove too much for</PB>
<PB REF="IMG00091" SEQ="0091" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="83">	FRENCH TRAITSWOMEN.	83

her .sagesse. Society makes no provision
for the viejile file, in the first place; in
the second, society occupies almost the
whole of life, absorbs almost every effort
two enormous differences from our-
selves. The attractiveness of the spin-
ster with us and the position she occu-
pies in our society are well known. Of
how many homes is she not the de-
light, of how many firesides is she not
the decorously decorative adornment!
She may or may not have had her ro-
mance; she may, that is to say, have
courted or have drifted into her position
of dignified singleness; it is in either
case equally sure that she has not con-
sidered her estate so incomplete~~ in
itself; or so disengaged from the struc-
ture of society, as to furnish in itself
reason and motive of exchange for an-
other distinguished quite as much by
another kind of duties as by another
order of opportunities. And not only
is the Frenchwoman prevented from
taking such a view as this by the
society which surrounds her and of
which it is a prime necessity of her
nature that she should form an in-
tegral part, but she is constitutionally
incapable of contentedly fulfilling such
a destiny. All her instincts of expan-
sionand she possesses these in great-
er intensity than we are apt to fancy
is natural to womenare hostile to it.
The genius for renunciation so conspicu-
ous in many of our New England women
is, in her composition, quite lacking.
Such concentration as she possesses is,
to speak paradoxically, expended upon
the exploitation of her expansiveness. If
by chance she becomes vieille file she has
a clear sense of failure. This certainly
happens, comparatively rare as it seems
to us. And the French spinster is apt
to be an enjoyable personas for that
matter who in France is not? But it
caunot have failed to strike any Anglo-
Saxon observer that she is a wholly dif-
ferent kind of a person from her Anglo-
Saxon analogue. Almost invariably she
is either devote or gauloise. Most peo-
ples experience probably is that she
is generally gauloise, and one may even
be permitted to note that in that event
she is apt to be exaggeratedly gauloise.
Prudishness is hardly ever exhibited by
her except in conjunction with religious
devotion. The d~votes apart, almost every
viejile file after a certain age is reached
the age when marriage is no longer to
be contemplatedfeeling the formal cx-
centricity of 4ier position in society,
makes a distinct break with her r6le of
jeune file and tacitly suffers her already
cynically disposed milieu to infer that
she does not really merit the ridicule
she would inevitably receive upon the
supposition of her total unfamiliarity,
even by reputation, with the fruit of the
tree of the knowledge of good and evil.
	Single women, however, are, after all,
exceptions in France, and it is only the
great contrast which France presents in
this respect to those portions of America
which are socially most highly developed
that makes a consideration of the char-
acter and position of the viejile file in-
teresting or significant. Its significance
really consists in what it suggests and
implies as to the fundamental differences
which separate French and Anglo-Saxon
societies. Married women, of course,
constitute the great bulk of the feminine
portion of French society. But when it
is remembered that the interest in the
other sex just referred to is as charac-
teristic of them as of their unmarried
sisters it will be immediately perceived
that French society contrasts positively
as well as negatively with our own.
With us, it is well known, feminine inter-
est in the other sex ceases at marriage.
It is frequently active enough before
that event, but its cessation with the
wedding ceremony is nearly universal.
To many men this change comes with a
suddenness that is appalling. Each
season witnesses shoals of our society
beaux left stranded by it. They seem
never to be able to prepare for it in ad-
vance, inevitable as they must know it
to be; to them the disappearance from
the social circle (the arena, it might be
called) of a young girl, who seems to
have made her selection and thence for-
ward to forget that there was ever any
competition, comes always with the force
of a shock. Furthermore with us fem-
inine interest in men ceases at marriage
as absolutely, with as complete remorse-
lessness, when the marriage is of the
former beau as when it is of the former
belle. To this our young men will
probably never be able to habituate</PB>
<PB REF="IMG00092" SEQ="0092" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="84">	84	FRENCH TRAITSWOMEN.

themselves with philosophy. However
it may be with American women, Amer-
ican men are very much like other men,
like Frenchmen even in some respects,
and the average society mans sense
of sudden loss, of a support withdrawn,
an activityparalyzed, immediately conse-
quent upon his marriage must be of a
nature calculated to effect, in the long
run, substantial changes in the exist-
ing social constitution. To many young
men with us marriage involves not per-
haps a loss of caste, but indubitably a
loss of that constant consideration direct
and indirect which makes the posses-
sion of caste desirable; and this circum-
stance is perhaps the most serious men-
ace by which the view of society as a
device for bringing marriageable young
people together is at present threatened.
Our young men have noihing approach-
ing the genius for renunciation of our
young women, and though they may
long tolerate the retirement at marriage
of women from societybeing largely
reconciled thereto by the thought of
thus attaining superior domesticity in
their own wivesto continue to submit
throughout the course of our social evo-
lution to instant personal effacement at
marriage, to drop~ at once in universal
feminine consideration from the position
of Adonis to that of Vulcan, would un-
doubtedly be too much to expect of
them.
	In neither of these ways, it need
hardly be said, does marriage affect
French society. Marriage is, on the
contrary, the cardinal condition of
society in France. It might almost be
called the young girls coming-out
party. It is, if anything, to a womans
sense an added attraction in a man; he
is range certainly, but certainly none
the less a man, association with whom is
ceteris paribus as much more agreeable
than association with a woman as the
elective affinity of nature has contrived
it.	Womens general interest in men,
that is to say, is so far from being re-
pressed or even restricted by marriage
that it is quickened by it, and thus
society in general receives the stimulus
of a powerful force which with us is
well known to be almost altogether lack-
ing. The entire French conception of
marriage differs so fundamentally from
our own that it is really difficult for
us to appreciate it. Probably most
Americans who have been attracted
toward the French have, at some period
of their study of French mauners, said
to themselves: There must be some
error in our understanding of French
marriages. According to all accounts
they are invariably and exclusively de
convenance. They must therefore be
loveless marriages. No healthful social
life such as must exist in France can be
based upon strict conformity to such a
system. It must be therefore that the
accounts exaggerate. In this detail, as
in others, we must have been misled by
English prejudices. But the fact is
literally as it is understood to be. Ex-
ceptions to the rule of manages de con-
vertance are so rare as really not to count
at all To comprehend, however, that
this does not inevitably lead to social
stoppage and disaster, it is necessary
to perceive that the same thing which
might result very badly for us does not
necessarily result badly for people who
are so very different from us as the
French are. And this is an extremely
difficult matter; it is always difficult to
realize that maxims which we have con-
quered for ourselves have not a univer-
sal validity. The conception of manage
de convenance by no means excludes the
idea of love. Neither does the practice.
No young girl in France looks forward
to not loving her husband. She simply
expects to learn to love him after mar-
riage as our young girls are expected to
do before as well. As a matter of fact,
in the vast majority of cases this expec-
tation is justified. Parents and society
see to it that it shall be justifiable, and
the resultalways of course a lottery
is made dependent on old heads instead
of on young hearts. To our criticism
of the working of their system, the
French retort in kind with unconvinced
obstinacy. They assert that certain
lamentable and undeniable phenomena
are direct results of our system and ob-
serve, truly enough, that from these at
least theirs is free. To our rejoinder
that this may be so, but that their con-
ception of marriage, however salutary, is
terribly unromantic, their answer would
undoubtedly be that we are altogether
too romantic. And this is really our</PB>
<PB REF="IMG00093" SEQ="0093" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="85">	FRENCH TRAITSWOMEN.	85

difference from the French in this mat-
terthat we conceive marriage senti-
mentally, namely, and they as an affair
of reason; and from reason to conve-
nance is always an incredibly short step
in France. Individualism is a force so
nearly unknown in France, collective
and corporate authority is such a con-
stant and intimate one, the entire social
structure is so elaborately organized for
the general rather than the particular
good, that to leave even so particular a
matter as marriage wholly to the whim
of the persons directly interested would
be foreign to the national proclivities.
No sentiment is too sacred, no feeling
too intimate, to be thus centrally ad-
ministered, as it were, by society. If
they are sacred and intimate enough
and for any reasonoften for a reason
which might to us appear frivolousin-
tensely enough recalcitrant to the code,
their violation of it will be tolerated and
even applauded. But the notion that
the code should not deal with the sub-
ject at all would be esteemed as absurd
as we should esteem it to disparage mar-
riage though permitting divorce.
	The French marriage being thus dis-
tinctly not the affair of sentiment which
it is with us, the ideal formed for a
womans deportment within its bonds
differs proportionally from that to which
we hold our married women. Of the
strictness of the latter one hardly needs
to be reminded. The husband himself
insists upon it with virtuous sufficiency.
The wife herself admires this attitude in
him. He becomes in a way her spiritual
director, and she in some sense his peni-
tent. Following his idea of making a
companion of her, he arranges her read-
ing, counsels the disposition of her leis-
ure, modifies the list of her acquaintance
in proportion as he attaches value to
these things. If her family have been of
a different political or religious faith from
his own, he devotes no small labor to the
subtle undermining of her prejudices.
She is his wife, presiding over his house-
hold, entertaining his friends. She sees
the world through his spectaclessuch
of it as he permits. Her amusements
are such as he approves, her study such
as he directs. Her destiny and glory
are to be the mother of his children, the
ornament of his fireside, his help-meet.
This at least the Teutonism underlying
our American chivalry makes our ideal in
many instances, and in these instances it
is realized by our women with a grace and
dignity which ought, perhaps, to do more
than they do to keep our men up to the
mark of realizing its counterpart. There
are with us of course very few average
men who do not expect their wives to
take them at their own valuationvery
few average women who do not thus
take their husbands, at least until they
become grandmothers. Indeed the
mental acuteness and moral indepen-
dence of our women are in many cases
pitched to a considerably lower key than
even this; they are expected to and do
take their husbands not merely at the
self-valuation of these latter, but at the
valuation fixed by marital diplomacy as
well as by marital conceit. There is in-
deed to some extent with us an uneon-
fessed but perfectly recognized free-
masonry of husbands having for its ob-
ject the preservation in the fairer sex
of illusions as to the sterner. Treach-
ery to this is extremely uncommon, and
is regarded as almost base by the oc-
casional traitor himself. It is painful
to the American husband to witness
the absence of similar illusions in the
French woman. The discovery of her
opinion of the opposite sex and her
complacent acquiescence therein comes
to him with a certain shock; it is some
time before he recovers from it and
again permits himself to be attracted by
what to him seems the uncomfortable
paradox of blas~e femininity. It is im-
portant to distingnish, however, that the
absence of illusions in the French woman
as to masculine qualities by no means
implies, as a similar absence might be
taken to imply with us, a more or less
brutal disillusionating process as having
taken place and left its scar and stain
upon feminine freshness. The French
woman is simply almost never naive, in
great things any more than in small.
The French ideal excludes na~ve1~, and
from a French point of view she is never
more femme than when she is least
naive; to be na~f is the next thing to
being insignificant, and to be insignifi-
cant is ignominy.
	One effect of this attitude is to make
the French woman much more serious in</PB>
<PB REF="IMG00094" SEQ="0094" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="86">	86	FRENCI-J TRAITSWOMBAT.

an intellectual sense than is possible to
women whose cherishing of illusions is
systematic. They are far more nearly
at the centre of the situation; their
comprehension of motives is far wider,
their acquaintance with sociological data
and causes far more intimate. They are
far less dependent upon their emotions
in the exercise of their judgment; and
thus a perfect acquaintance with the
facts and their bearings in any given
case, and with the great mass of material
to which secondarily and indirectly any
given case is to be referred, and by which
in large measure it is to be judged, re-
lieves them of this one great reproach
which among us is constantly addressed
to -women who make any attempt to dis-
cuss serious topics. They are in no wise
driven to the makeshift of making up
by the intensity of emotion for imper-
fect comprehension. In fine, whereas we
seek the artificial stimulus for certain
virtues in what may be fancifully called
a protective policy as applied to wom-
en, the French are believers in social
free trade, with individual competition
and survival of the socially fittest the
only winnowing principle recognized.
	And the characteristic effect of each
theory is by no means confined to women
alone, or to women and what passes for
society in general. It is very marked
upon the men considered apartas with
us they have to be considered in so many
relations. It is of course impossible to
make of an entire sex a class by itself
which, unconsidered in any but the do-
mestic and decorative functions of life,
shall have no influence upon the habits
of thought and the courses of conduct
of the other sex in even those matters
with which the latter exclusively charges
itself. In a general and vague way we
are so far from denying this that we make
a merit of sustaining the contrary. It is
indeed because we value so much what is
called the purifying influence of wo-
man that we like to keep her so far re-
moved from the dust and stain of street
or forum discussion. But now and then
this remoteness not only acts upon them-
selves in the way just indicatedthrows
them back upon pure feeling in matters
of pure judgment, that is to say; it
gives a decided twist, a divergence of
marked eccentricity to the movement
of exclusively masculine thought and
discussion. Men who are very much
with women and very little in the world
betray this influence upon their philoso-
phy quite as much, often, as they illus-
trate in their conduct the general puri-
fying influence. Instances are within
the recalling of every reflecting observer.
They illustrate a state of mind and tem-
per analogous to that of the dweller in
the country, as compared with the met-
ropolitan, or if one chooses, the cock-
ney temper and mind; or that of the
Middle Ages philosopher compared with
the modern sociologist. IDAlembert,
says Mr. John Morley, adopted instead
of the old monastic vow of poverty,
chastity, obedience, the manlier sub-
stitute of poverty, truth, liberty. The
substitute may be more manly; un-
doubtedly the modern world breaking
more and more completely with Middle
Age ideals tends more and more so to be-
lieve. But it is certainly not more wom-
anly as we understand the term, and in
our society, owing to the influence afore-
said, many men feel that there is some-
thing radically defective in any social
philosophy to which womenand women
as we make themdo not subscribe.
	Very slight analogy of this influence
is to be encountered in France. And
the reason, many persons will say, is be-
cause women as such have no influence
in France, because France is socially or-
ganized entirely with a view to the in-
terest and pleasure of man. One hears
that constantly from Americans in Paris.
Women are not admitted to the orches-
tra chairs of some of the theatres. In
omnibuses and tramways place aux
dames is a satirical phrase denoting a
civility far from the heart of the ordina-
ry French male. The cabs charge upon
both sexes alike. The divorce law, so
long withheld in the interest of men,
with its proposition odiously unjust to
women so nearly adopted, the arguments
on either side during the debate were ex-
cellent illustrations of the general feel-
ing. The vice most inimical to women
is licensed and regulated for the bene-
fit of men. Womens fate in the high-
est as well as in the lowest social cir-
cle is to be pursued by manpursued,
too, sometimes, brutally and prosaic-
ally. In marriage it is the men who are</PB>
<PB REF="IMG00095" SEQ="0095" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="87">	FRENCH TRAITSWOMEN.	87

mercenary. What American in France,
I say, has not heard a great deal of
this from his travelling countrywomen?
The Frenchmans answer to it all is
that it is superficial and unintelligent,
and he attributes such criticism to what
he deems our habit of separating the
sexes in thought and in fact, which in
its turn he thinks attributable to our not
having fully emerged from the pioneer
stage of civilization wherein men and
women have markedly distinct functions
to perform and demand markedly dis-
tinct treatment and consideration. In
an old society such careful and conscious
distinctions are not needed; like the
marching of regulars the adjustment
takes care of itself. At all events what
we refer to as womens influence upon
man is in such a society less formal, less
immediately recognizable. Co-opera-
tion between the sexes is so complete in
France that their reciprocal influences
are, so far as they are obviously trace-
able, mere matters of detail. The posi-
tion of woman in France at the present
time is certaiuly one of the results of
modem civilization working upon, so-
cially speaking, the most highly devel-
oped people of a race which invented
the muses and chivalry and the Ma-
donna and of that race the people
which has produced by far the greatest
number of eminent women. And if it
seem to us and especially to our travel-
ling countrywomen an unworthy, posi-
tion, and inferior to that which women
hold with us, the reason is not to be
sought in the absence of a marked and
rigid distinction between the sexes, in
which we ourselves would have to yield
the palm to the Semitic and polygamous
peoples, who have carried the idea to a
perfection of logical development un-
dreamed of by us. However, the real
answer to this is that French women
themselves are perfectly satisfied with
this position. They do not find it hu-
miliating, as it is hardly likely they
would fail to do, being tolerably suscept-
ible, if there were not some error about
its being really humiliating. Their in-
fluence upon men is perhaps not the less
real for being less marked. If it is not
what we mean by purifying it is as-
suredly refining. It is as hostile to
grossness as womens influence with us
is to immorality. Indeed it is to this
influence that is to be distinctly ascribed
the losing by vice of half its evil, to re-
call Burkes phrase. His wife, I find,
is acquainted with the whole affair.
This is the womans country! exclaims
Gouverneur Morris in his Paris diary in
1789; and it is only a Frenchman, I
fancy, who would agree with M. Jules
Lemaitre who said the other day that if
he could be just what he chose he would
be first of all a beautiful woman. The
conditions of the active operation of
feminine influence in France are nearly
the opposite of those with us. They
consist in the co-operation between the
sexes before alluded to, in the posses-
sion of the same social philosophy by
men and women, the same opportunities,
the same knowledge of motives and data,
of facts and general principles. Just as
with us these conditions consist in a sep-
aration and exaltation of womans sphere
far above contact with the rude strife of
natural passions and complex interests,
the intricate and absorbing conflict of
business, politics, amusement, and ennui
of which the real drama of human life is
composed.</PB>
<PB REF="IMG00096" SEQ="0096" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="88">





-~
















































JAPANESE ART SYMBOLS.
By William Elliot Griffis.

THE speech of the far-eastern people
is characterized by intellectual pov-
erty and the absence of imagina-
tion. The Asiatic of the extreme East is
a materialist by nature, whose words can
only rarely be, as European words so
often are, in themselves poems. The
Chinaman is born an old man, with the
wrinkles of uncounted centuries of mat-
ter-of-fact experience already lined upon
his forehead. The westerner is born an
infant of days, to whom the young world
is fairy-land.
	As if to make some amends for the
poverty of imagination and the ab-
sence of impersonation in language, the
richness of symbolism in art is notice-
able. As men sought expression of
thought not only in words, but in mate-
rial images, the set of symbols in the r&#38; -
pertoire of the ultra-oriental artist dif-
fered from those of his western confrere
as their faces varied in tint and feature.
Even in art, however, the spark of di-
vine genius which outfiames in ideals of
great sweetness, and beauty that accords
with eternal law is absent in the pas.
sion of the far East which displays itself
in decoration instead of creation.

	Did the far-easterner as a pre-Ad-
amite and older man encounter types of
animal life unknown to our fathers, and
to us existent only in the dreams which
geology has taught us to dream? Who
can study the dragon on which the sons
of Sinim lavish such wealth of manipu-
lative skill and not inquire whether
his original was a winged saurian, ptero-
dactyl, or some other colossal monster of
the primeval world that swinged the
scaly horror of his folded tail before
ever species were differentiated? Did
the ancestors of the Chinese and Tartar
races have to fight and conquer mon-
sters resembling these chimeras, before
they won the golden fleece of the Flow-
ery Middle Kingdom, and the Land of
A Story-teller in Willow Street, Tokio.

[This and the illustrations following from drawings hy Nankoko Ozawa.]</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-10">
<BIBL>
<AUTHOR>William Elliot Griffis</AUTHOR>
<AUTHORIND>Griffis, William Elliot</AUTHORIND>
<TITLE TYPE="ART">Japanese Art Symbols</TITLE>
<BIBLSCOPE TYPE="pg">88-100</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00096" SEQ="0096" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="88">





-~
















































JAPANESE ART SYMBOLS.
By William Elliot Griffis.

THE speech of the far-eastern people
is characterized by intellectual pov-
erty and the absence of imagina-
tion. The Asiatic of the extreme East is
a materialist by nature, whose words can
only rarely be, as European words so
often are, in themselves poems. The
Chinaman is born an old man, with the
wrinkles of uncounted centuries of mat-
ter-of-fact experience already lined upon
his forehead. The westerner is born an
infant of days, to whom the young world
is fairy-land.
	As if to make some amends for the
poverty of imagination and the ab-
sence of impersonation in language, the
richness of symbolism in art is notice-
able. As men sought expression of
thought not only in words, but in mate-
rial images, the set of symbols in the r&#38; -
pertoire of the ultra-oriental artist dif-
fered from those of his western confrere
as their faces varied in tint and feature.
Even in art, however, the spark of di-
vine genius which outfiames in ideals of
great sweetness, and beauty that accords
with eternal law is absent in the pas.
sion of the far East which displays itself
in decoration instead of creation.

	Did the far-easterner as a pre-Ad-
amite and older man encounter types of
animal life unknown to our fathers, and
to us existent only in the dreams which
geology has taught us to dream? Who
can study the dragon on which the sons
of Sinim lavish such wealth of manipu-
lative skill and not inquire whether
his original was a winged saurian, ptero-
dactyl, or some other colossal monster of
the primeval world that swinged the
scaly horror of his folded tail before
ever species were differentiated? Did
the ancestors of the Chinese and Tartar
races have to fight and conquer mon-
sters resembling these chimeras, before
they won the golden fleece of the Flow-
ery Middle Kingdom, and the Land of
A Story-teller in Willow Street, Tokio.

[This and the illustrations following from drawings hy Nankoko Ozawa.]</PB>
<PB REF="IMG00097" SEQ="0097" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="89">	JAPANESE ART SYMBOLS.	89








































Great Peace? Or is the dragon but the
ideal assemblage of all the destructive
forces in nature? Do we behold in him
the culmination of all species, and in one
incarnation the encyclopa~dia of all vital
forces? In his head are all the powers
of tooth, fang, beak, tusk, horn. With
eyesight as of a demon, and breath as of
fire, he can bite, shrivel up, poison, or de-
vour. In his limbs are all the potencies
VOL. Vil
of claw, hoof, fin, spine, talon, and fire.~
emitting joint. Study the dynamics of
that tail, with its armor plates and its en-
ginery of coil, torsion, and trip-hammer
blow. What variety of motions! The
flight of birds, the glide of serpents, the
dart of eagles, the spring of tigers, the
movement of fishes are his. Able to rise,
to sink, to go forwards, backwards, side-
ways, to live, move, and have being in any
A Happy Family in Mythical Zo6logy.</PB>
<PB REF="IMG00098" SEQ="0098" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="90">	90	JAPANESE ART SYMBOLS.

element, the dragon can cover the sun, historic Stanleys who made a dark con-
swallow the moon, rock the earth, send tinent the flowery land. The Japanese
destruction by fire, malaria, poison, or Kojiki, or Records of Ancient Things, is
darkness. Who or what can resist the also a volume of achievements of the first
dragon in his strength? explorers and conquerors of The Coun-
try between Heaven and
Earth, told in true Al-
taic style. If written in
these days of telegrams,
and quinine, and edi-
tors blue pencil, its
poetry would be sadly
marred. How, in the
face of everyday mira-
cles, to tell properly the
story of beauteous maid-
ens rescued from eight-
headed dragons, of
mountain gods overcom-
ing intruders with theii
breath, and of beasts,
unknown to Cuvier and
Agassiz, assisting heroes
or marring their plans,
would puzzle the orig-
inal narrators as much
as our so-called scientific
statements would con-
found them. In a coun-
try like China, in which
the Yellow River is a
perpetual sorrow,~~
drowning millions of
human beings periodi-
cally, as kittens are
drowned; in a country
like Japan in which As-
ama and Bandai San
	The Rival Lovers.	with tolerable regularity
blow out their rocky
	Have we here the animated picture, in brains and overwhelm villages in mud
miniature, of all the enemies man has and ashes, the belief in a host of malig-
been called to encounter in subduingthe nant intelligences in sea, earth, and air
land now most populous of all on earth? becomes, to the ignorant, a necessity.
It may be that when the dried up seas Their mythical zoology is not only the
of the mid-Asian desertsonce gar- delirium tremens of paganism, but
dens and watered landsgive up their serves as a rough and handy system of
dead, the buried cities and civiliza- natural philosophy. Hence the dragon,
tions cast out their slain, and the ge- the creature of ceaseless motion, is in
ology of the most ancient continent is one sense an embodiment of the mod-
fully known, we shall read more clearly em doctrine of the indestructibility of
their story, and see the prototypes energy and of the correlation of forces.
of the dreams of our older earth- Fortunately for the artist, the tatsi~, as
brethren. Certain it is that Chinese the Japanese call the dragon, is a typical
traditions of the first settlers of the Yel- organism having many varieties and end-
low River valley teem with marvellous less accomplishments. All crafts, arts,
stories of the plodding heroes and pre- and pleasures look to him for patronage.</PB>
<PB REF="IMG00099" SEQ="0099" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="91">I he Japanese Childs Dream World.
ZN
V	V 
1</PB>
<PB REF="IMG00100" SEQ="0100" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="92">

IN















































Games and Sports of Japanese Children.</PB>
<PB REF="IMG00101" SEQ="0101" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="93">	JAPANESE ART SYMBOLS.	93

Foolish is that westerner who imagines
that in many representations the beast
is the same. No. the colors, habitat,
gifts, and powers of each species, variety,
age, and sex vary. The first-born of the
brood of nine sings and is a lover of
sweet sound; hence, its figure is always
cast on the ear of a bell. The blood-
thirsty and war-making man-eater has
his appropriate place on sword-hilt or
blade. The dlimbin~ and restless fel-
low writhes, protrudes, or twists him-
self on gable ends and pillars of tem-
ples, gates, and houses. The insatiable
creature of bibulous propensities is
carved on drinking-cups. The brood of
the female dragon numbers nine, and
each of her progeny differs from the
others in disposition and talents: music,
architecture, conviviality, war, litera-
ture, supernatural powers of hearing,
enjoyment of harmony, a passion for
sedentary life, and delight in the exhi-
bition of strength are among the varied
characteristics of this happy family.
Hence, the dragon on the title-page
of a book, on the coign of a pagoda,
on the arm of an easy-chair, on the
foot of a table, or on the yoke of a
bell differs in detail under the hand of
carver, painter, or scribe. In number
of claws, items of horse-power possessed
by limb or tail, defensive armor or of-
fensive equipment, in possibilities of
flight, fire, wind, and chemical nature
of breath and spittle the differences are
as radical, as minute, as important to the
orthodox as are the dogmas of the sects.
Further, in artistic treatment, when pic-
torially represented, the dragon of the
master Kano, or even Hokusai, differs
from that of the average painter as the
lions head of Landseer growls in dis-
dain at that of the tyro, or the sheep
of Yerboeckhoven baa at his copyists.
Rarely, if ever, is the entire economy of
the tatsi~i painted, carvea, or cast. The
artist interposes cloud, water, fire, or
solid object, in order to stimulate im-
agination and increase the effect. Since,
also, the despotic rulers of Asia claim
ali powers, functions, and attributes of
government, it is no surprise to us that
these petty years of God, sons of Hea-
ven, and divinely descended emperors
are called dragons. In the ancient
and constantly repeated elements of
VOL. V.12
oriental rhetoric, the dragons robe,
countenance, chariot, and other ap-
purtenances are, in reality, those pos-
sessed by the chief executive. With
this fixed ammunition, a constant fusil-
ade of most exalted tom-foolery is still
kept up in Chinese state papers, as was
formerly the case in Japanese politics.
The ruffling of the dragons scales,
is the emperors displeasure, and the
dragons wrath is the anger of the
same individuaL
	The tats~ is but the leader of a host in
the menagerie of mythology, a part of
which the artist Ozawa* has grouped in
a sort of happy family. [P. 89.] With
the weasel of actual zo~ilogy, every resi-
dent in town or country in Japan, not
excepting great T~ki3, is familiar, at least
by the hearing of the ears. On account
of earthquakes, plaster is not used for
ceilings, thin boards set on lacquered
black bands of wood, or covered with pa-
per, being used instead. Over these, and
down through the house partitions, the
rats scamper in nightly and uproarious
glee. Occasionally the racket is varied
by piercing screams. An unwelcome
visitor is out foraging, and the rats and
mice stand little chance against the pow-
erful claws, and superior fighting powers
in the teeth of the hitachi. What the
weasel of cold science is to the domes-
tic rodent, the kama-hitachi or sickle
weasel is to the imagination of bucolic
humanity in Japan. This phantasm
flies through the air, and with his mimic
scythes, in lieu of claws, cuts and gashes
the faces of people.
	The kappa is a submarine creature,
half monkey, half tortoise, in which the
Japanese country urchin devoutly be-
lieves. He has a propensity to feed on
small boys, and is useful to parents who
wish their offspring to  hang their
clothes on a hickory limb, and go no
nearer the water than rivulet or puddle;
for the kappa lives only in rivers and
deep water. More than once was I
warned against the kappa, when about
to go in to swim in the Ashiwa (Foot-
wing) river. A fresh cucumber thrown
near his lurking place may, however,
neutralize his appetite and thus pro-
	* Nankoko Ozawa, or in English, Mr. south-country
Great-Marsh is an artist of the modern school of Japanese
art who has for some years lived in Tokio. His style fol.
lows the best models of Hokusai.</PB>
<PB REF="IMG00102" SEQ="0102" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="94">	94	JAPANESE ART SYMBOLS.

tect a swimmer of the doubtful age be- translate Heaven Pillar, and Country
tween that of boy and man. Until late Pillar. The early Japanese conception
years, in most popular treatises on ani- was that the wind was the substance
mated nature, the kappa was gravely fig- which alone supported the sky from





















ured as a real animal, along with tor-
toises, fish, and other creatures of shell
and gills.
	Futen, or the wind-imp, is evidently
the Japanese version of Mark Twain~s
centennial collector who was looking in
Philadelphia for specimens of all sorts of
weather, and whom Mark advised to
come to Connecticut and find one hun-
dred and thirty-three kinds in twenty-
four hours. Futen is a hairy wretch who
lives aloft, and according as he loosens
or opens his ever-plethoric bag, he sets
in motion zephyrs, breezes, cyclones,
or tornadoes. Always blowing, yet never
out of breath, this fellow, like Cowpers
post-boy, whistles as he goes, light-
hearted wretch. He enjoys dispens-
ing influenza, and that truly Japanese
scourge, catarrh. A native of the Land
of the Gods never takes cold, he
catches wind, or rather Futen catches
him. In primitive Shint?3 worship, two
gods, male and female, created by Iza-
nagi, the primal deity in its pantheon,
were long worshipped as gods of wind,
and their shrines were famous. They
had long uncouth names, which we may
falling flat on the earth; hence the pil-
lars to sustain it and the people from im-
pending catastrophe.
	iRaiden, the thunder-god, sits on the
clouds and pounds lustily the skin-
heads which he has ranged in a sort of
diatonic scale. From growl to peal,
from rattle to boom, he is skilful with
his drums, though especially hilarious
among the mountains. Of course, a
great many people have seen himthat
is, sections of him or his orchestra. He
is always partially hidden in the clouds
so as never to be, fully exposed to view.
One of the Mikados iron-dads is named
iRaiden, or The Thunderer, while a cer-
tain sort of cracknel sold to street-ur-
chins is sublimely named Thunder Cake.
	The speciality of the ten-ga, or sky-
imp, is his proboscis. One small face
carries all his nose. He is a sort of
cock-horse, or human chicken, that
lives in wild woods or mountains sky-
high. Kintarui, the favorite hero of the
nursery, bestrode the tengus, or set
them fighting for his amusement. The
snout or nose of the male is of amaz-
ing length, while that of the female
Daikoku the God of Wealth Driving off the Imp of Poverty.</PB>
<PB REF="IMG00103" SEQ="0103" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="95">	JAPANESE ART SYMBOLS.	95

is short and beak-shaped. Their chief
use is to serve the god of the moun-
tains, and to kidnap naughty children,
or to scare them into good behavior.
They have great wisdom in the secrets
of nature which are known in part
to birds and beasts, and which the
king of the tertgus taught to Yoshi-
tsun6, the Japanese lads ideal. A ten-
gu fan is made of hawks feathers, and
is exactly like the old-fashioned pulpit
air-wibrators once seen only in clergy-
mens hands in American churches.
	The jishin-uwo, or earthquake-fish, is
an enormous cat-fish or bull-head, whose
form lies prone hundreds of leagues
along all subterranean Japan. Its head
rests~ under Ki6to, and its tail beneath
Awomori. Its moustaches are a notable
part of its physiognomy, and twirl for
miles around. Government officers and
smart young men who sport upper-lip
hair of a thin and stringy sort are pop-
ularly called cat-fish. When this co-
lossal uwo flaps its tail, wriggles its
body, or acts as if being skinned while
refusing to get used to it, there are
earth tremors of varying potency. Who
but an ingenious Japanese would have
thought of representing to the eye, in a
map of twisted wire, the antics and gam-
bols of the earthquake-fish? Yet this to
the common eye an accomplished seis-
mologist in the T~3ki~5 University has
done. Resembling a wild confusion of
feelers, flukes, fins, and tails in a snarl,
it is yet a remarkably successful repre-
sentation to the eye of the actual lines of
earth-movement. In popular mythology,
only one deity, Kashima, can hold the
monster quiet, and this special duty
the Kami does with amazing prompti-
tude by pinning it down with the Kana-
mi-ishi, or rivet-rock of the world.
As every Japanese body knows, this
stone is in the province of Hitachi, and
no one can lift it but Kashima. The
Japanese fish holding the world (that is,
Japan) upon his back seems to take the
place of the tortoise of Indian and Chi-
nese idea, as best suiting the conditions
of unstable equilibrium prevailing in the
rocker-shaped island of Rondo, which in
unrevised atlases is incorrectly called
Niphon.
	There are other members of Ozawa s
happy family, and these of Chinese on-
gin, composite creatures of marvellous
qualities and accomplishments, which
combine the beauties of many animal
forms. The icirin and h&#38; w6, or Pho3nix
and Unicorn, appear on the earth only
at the birth of a sage or paragon, as
harbingers of peace and blessings. The
supernatural horse with a soft horn in
his forehead and a marvellously gurled
tail seems, with the Pheenix bird, to be
the opposite of the dragon. Both in-
carnate all the elements of gentle life
and inoffensiveness. The first of all 1~i-
un (as the r-eschewing Chinese pro-
nounce the word for their i-dropping
Japanese neighbors) rose out of the Ho-
aug-Ho waters, having on its back the
mystic diagrams out of which the mul-
tiform systems of Chinese ideography
have been developed.
	Space does not permit us to tell of all
the creatures in the mythical zo6logy of
Japan. In many instances they are the
epitome in graphic symbol of past
myths, or of real struggles and con-
quests, the memory of which survives in
imagination but not in chronology.
	The symbolism of the native folk-lore
and fairy-tales offers to the artist a fas-
cinating repertoire. The Japanese excel
in telling stories to the eye, as well as
to the ear. Whether tattoed on the
back of a foot-runner, pounded out by
punch or hammer in metal, enamelled in
cloisonn6 or niello, embroidered, inlaid,
or painted, according to the manifold
processes of decorative art, the familiar
eye delights to read the fancy-tickling
lore. In physical life the Japanese sub-
mits to the hard grind of fact, but in
unsubstantial realms he roams free and
wild, taking his revenge for the limita-
tions of life. He shakes off rule and
code, and traverses the universe in sport.
His whole art is a protest against the
monotonous uniformity of law, and the
certainty of nature. In the fairy world,
time and space are not; so he covers his
hero with the hat edged with shell-
nacre, which wraps the owner in invisi-
bility, or throws over him the cloak
which becomes wings to the wearer.
As every man wants money, there are
the symbols of stored or invested wealth,
of ready change, and of that which comes
only from toil and hard knocks. These
respectively we see in the key (to the</PB>
<PB REF="IMG00104" SEQ="0104" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="96">	96	JAPANESE ART SYMBOLS.

fireproof clay and plaster safe-house), the
piles of gold o-bans and ico-bans and the
mallet of Dai-koku, the god of wealth.
[P. 94.] The symbols of marital felicity
and fertility, of offspring and the joys
of home, are the clove, or powder-
horn-shaped affair, beaded at the ends,
and the small crossed scrolls with
dots. Accomplishment in art is pre-
figured by the tessaron or cloisonn6
mark, and in literature by roll-books or
brocade-edged scrolls. The symbols of
office are bundles of silk and figured
satin from which robes of state are
made. Last and greatest of all is the
fan, or winged wand, one touch of which
confers immortality, or at least oblivion
of time. The Queen of the World
under the Sea holds this in her hand,
and the heroes of fairy-land are armed,
equipped, or rewarded with one or
more of these symbols. Collectively
they are called shipp 3, or the seven pre-
cious things. Cloisonn6 work is also
called shippJ, because it was originally
an imitation of jewel work in which the
precious symbols figured largely. The
freight of the ta1car~-bun~ or treasure-
ship which every Japanese hopes will
come in on New Years day, or at
least mirror itself in his dreams the eve
before, consists chiefly of shipp&#38; ; or,
with more personification, of the seven
patron deities of happiness, Benten,
iDai-koku, Ebisii, etc. The wealth of cap-
tured oni, or demons, and of their cas-
tles, the contents of dragon-guarded
cave and deep-sea shrine, the tribute
paid to conquerors and mighty men of
valor by subjugated savages, the goods
set before Prince Peachling, leader of
the army of dog, monkey, and pheasant,
and of Watanab6, slayer of the maiden-
enslaving ogre, and the indemnity set
by the Coreans before the Amazonian
Japanese queen Jingu, are always repre-
sented as shipp(3. As in a kind of artis-
tic shorthand, the artist by means of
this group of symbols tells in brief many
a long story and varying inventory.
	The symbolism of household festivals
and domestic celebrations, though not-
ably visible on marriage and birthday
occasions, flowers out in full on New
Years day. While the shipp3 seems to
point in its origin to India and the
Buddhist altar, the decorations of New
Years have their root in the native
mythology. [P. 97.] When the From-
Heaven-Far-Shining-One, the sun-god-
dess, angry at her mischievous moon-
brother, hid herself in a cave, and there
was darkness in heaven and earth, the
earth-gods-assembled in a congress, and
devised all manner of cunning inventions
to excite her curiosity and entice her
out. We see first of all the festoons and
ropes of rice-straw twisted with three,
five, or seven pendants. These sepaiate
the clean from the unclean, and keep off
the unruly spirits, and were first made
and hung in front of the cave. The piles
of rice pastry made in the form of disks
and found in every household, as are
mince-pies in ours, represent the round
mirror by which the heavenly lady was
tempted by curiosity to come out and
look at her own lovely face, thus putting
an end to eclipse and darkness.
	The lobster expresses the wish of your
friends that you may live to be so old
that your back will be bent. The dried
persimmon, which looks like a fig, and
is hardly inferior to one in taste, means,
May you keep your sweetness in old
age; and the charcoal, May your memo-
ry be imperishable. In the orange and
fern, also, the people read easily the
charade or rebus in art language which
desires for you ten thousand years and
joys.
	If at a time of mating, greeting, birth-
day, or New Year, one should be so
happy as to discover a flower, rarer and
more siguificant than edelweiss or four-
leaved clover, his happiness would be
complete. The udong~ sometimes blos-
soms on the cross timbers of the tori-i
or shrine-gate, and is always hailed with
rapture, as the harbinger of rare good
fortune. Although it is supposed to
bloom but once in a thousand years,
there are natives of Japan who claim to
have seen this millennial plant, the vulgar
or scientific name of which is not found
in the text-books. A famous Chinese
dictionary calls the ch~ a divine plant,
the seeds of which are the food of the
genii. The ch~, symbolical of all that is
bright and good, and the udong~ of
Mikado-land, though not written with
the same characters, are probably the
same.
	The shrine-portals or tori-i, referred</PB>
<PB REF="IMG00105" SEQ="0105" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="97">	JAPANESE ART SYMBOLS.	97

to, stand in front of Shinto holy places. with white paper, lest their breath
Shinti~, the way or doctrine of the gods, should pollute the offerings. Some of
is the indigenous religion, having little the ancient native liturgies, transmitted
that raises it above a
shadowy cult, deficient
as it is both in for-
mulated doctrines or
codes of morals. In ~	I I
essence, it consists of ~		I~l~
reverence to the dead,	I



tion. Its symbols are
and in glorification of
ancestors. Its foun-
dation-idea is purifica-
the mirror, and notch-
ed strips of white pap-
er hung upon a wand,
resting in austere
simplicity in shrines
whereon no painters
brush or lacquerers
devices have been laid.
Amazing plainness is
the attribute of a
ShinP3 tabernacle of
wood left in natural
and uncovered grain.
No idols are seen, but
prayers, lustrations,
andofferings are many.
Persons of vivid im-
agination, and travel-
lers of that type of
mind and power of de-
scription and pictur-
ing which we recognize
as especially French,
see in the name of the Symbols of New Year Household snd Wedding Festival.

paper, icami, a symbol
of deity (kami); in the whiteness of from a time far anterior to the intro-
the paper purity; in its zig-zag shape duction of Buddhism, in 550 A.D., enu-
lightning, fire, triplicity, or even the merate these gifts of the devout in a lit-
Trinity. Books have been written to erary style that is very beautiful.
prove that the Japan islanders are the In the old faith, when both church and
lost tribes of IsraeL Whatever be the state were comprised in Shint6, the
fancies of the brain, it is certain that lVlikado was the vicar of the gods, and
Shinto is a religion of cleauliness, and the son of Heaven. His person was
that nicety in person, house, and utensil, sacred, and his dwelling place was a
and refinement of taste and carriage are miya or temple. All Shintc shrines
marked traits of the Japanese. Such are miya; that is, sacred houses. It
powerful object-lessons in cleanliness was by summoning theology to the aid
are not taught by Shinto in vain. In of their swords and arrows that the
making offerings to the gods, the fruits conquerors from the Asian mainland
of earth, sea, and air are tastefully laid were able to subdue the hunters and
on unpainted wooden trays, and thence fishermen who were the aborigines of
conveyed to the altars. In olden times the Japan archipelago. The conquerors
the shrine-keepers bound their mouths were agriculturists with superior gen</PB>
<PB REF="IMG00106" SEQ="0106" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="98">	98	JAPANESE ART SYMBOLS.

ius, discipline, weapons, tools, and ideas.
Brains won the day, and forever. Iron
overcame stone, industry beat back sav-
agery, and the over-awed serfs, vastly
greater in numbers, were kept from suc-
cessful rebellion by being well indoc-
trinated in the dogmatics of Shinto.
Filled with awe at the heavenly ancestry
of the Mikado, and at his divinity and
power with gods and men, not many
generations passed before the people
became politically one with their con-
querors. The modern Japanese, like
the Englishman, is a composite of diverse
ancestry. Mr. Ernest Satow has shown
that the ceremonial law of Shinto is
based on a social system in which
elect agriculturists live side by side
with heathen~~ hunters and fishermen
the old story of civilization against
barbarism. When finally all under
Heaven and  within the four seas
was at peacea thought so often happily
treated in native artevery soul acknowl-
edged the Mikado as their lord, spiritual
and temporal, whose person, dwelling,
clothes, and belongings were holy.
	The ceremonial of coronation, or of
induction into office, differs markedly in
the West from the same event in the
East. The kings of Europe are crowned;
the Israelitish sovereign, like the Sultan
of Turkey, was girded with a sword, as is
sung in the forty-fifth Psalm. In Japan
the regalia of sovereignty consist of the
three precious things, the possession
of which constitutes sovereignty. The
only civil war between rival dynasties
known in Japan, the fifty years struggle
between the adherents of the north-
ern~ and southern emperors during
the fourteenth century, was settled by
declaring the possessor of the three sa-
cred emblems to be the rightful Mika-
do. The three holy symbols are a mir-
ror, a crystal ball, and a sword.
	Besides the august ghosts which in the
Shint6 system are deified and more or
less worshipped, the people very gener-
ally believe in apparitions which have
local habitations and names. Many a well,
in which some love-loin lass long ago
leaped, with sleeves loaded with stones
to secure gravity, nightly exhales its
phantom, though covered and padlocked.
Most Japanese ghosts have a damp and
bedraggled look, with frowsy and un
kempt hair; though I knew a corner of
the princes castle in Fukui in which the
alleged ghost, a quondam lady of the
court, was kind enough to wear her
best clothes and appear always dry and
neat. It is probably the popularity of
the well as a resort for female suicides
that makes the conventional ghost in
Japanese art so generally a woman, and
always in need of dry clothes. A varie-
ty in representation of this hair-lifting
theme is a male ghost, the conception
of which arose from cremation intro-
duced by Buddhism, rather than from
the long grass of the dank and mossy
graveyard. However our theory may
approach or recede from fact, the rival
lovers of the Maiden of Unahi continue
yet their feud, and straggle for su-
premacy amid very hot instead of very
chilly surroundings. The tale is a touch-
ing one among the native classics. The
two suitors for the one maiden were
tested as to marksmanship, when one
arrow struck the head and the other
the tail of the bird swimming on the
stream; and when the despairing maiden
leaped into the river, both lovers
plunged in after her, one seizing her
by the hand, the other by the foot, and
all perishing miserably together. Long
afterward, a traveller spending a night
near the spot was visited in a dream by
one of the lovers, who told his story
and asked for the loan of the travellers
Emblems of the Mikados Sovereignty.</PB>
<PB REF="IMG00107" SEQ="0107" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="99">	JAPANESE ART SYMBOLS.	99

sword. On awakening, the traveller un-
sheathed his weapon, and found it stained
from resent use. He then visited the
tomb, and found issuing from the mound
a nil of blood. [Illustration on p. 90.]
	To one familiar with this background
of legend, poetry, and fancy, travelling
in Japan is a constant charm, and the
study of her art a delight. Not only in
the architecture, painting, and brie-a-
brac of her people, among all classes of
whom the artistic sense is strong, but
in the very toys, games, and sports of the
children, do we behold the mirror of the
legendary and historic past. [P. 92.] In
the six-century-old game of polo, in the
street plays of the boys, we see the old
wars of the Genji and H6ik6, the reds and
whites, which once convulsed all Japan.
Look at either the games of picture-
cards or the great paper kites, and on
their cartoons you read the story of
Kintar3 and the old Nurse of the Moun-
tain, Yoshitsun6, the mirror of chivalry,
Benk6i, the good-natured factotum, the
Net of Destiny over the sleeping and
the vigilant, the jewels of the ebbing
and the flowing tide, Princes Fire-flash
and Fire-fade, the loin fisher-maid who
dives into the dragons under-world
shrine and brings her noble lover the
crystal gem under her ribs and within
her opened flesh. You do not find Noahs
ark, or the personages of Mother Goose,
but instead, the famous figures of his-
tory, mythology, poem, and story of old
Japan or still older China. Our ancients
and theirs are not the same. Their
traditional early world is not ours.
	On what a different warp must be
woven the texture of the dreams of the
Japanese from that of the American
child. I used to amuse myself and give
my students in Fulini practice in Eng-
lish by asking them to rehearse their
dreams. I found a vast difference in the
scenery and back-ground of their noc-
turnal fancies from those of my own.
In one respect the dreams of the for-
eigner and native were alikein their
desire to get to America. The con-
stantly recurring element in the pict-
ures beneath the home-sick teachers
eyelids was that he had visited friends,
spent Sunday, and was in a hurry to
catch the train back to Japan and to
work. Sudden awakening often came
because I had failed to reach the depot
by a half minute, and the cars had gone.
The Japanese lads, to whom going to
America was a darling hope and even a
crazing furore, frequently dreamed of
crossing the great calm sea, but al-
ways over the top of Fuji Yama, on the
back of a dragon, with an occasional
tumble which woke them up. The basis
of their dreams was all Japanese, with
America as a terminus; the foundation
of mine was New York, with Fukui at
the end of the road.
	Ozawa has given us a picture of the
Japanese dream world, by summoning
from shadow the procession of the phan-
toms that are very real to the child. [P.
91.] Kinjoji, after a supper of rather too
many rice cakes, has kicked off his silk
coverlets, and is travelling as far away as
his soul-tether will allow his spirit to
stray. In the native belief, the soul is
held to the body by a very slight and
highly attenuated thread, and floats off
in space like a bubble. If a child is
rudely awakened, the soul caunot get
back in time, the thread is snapped, and
death ensues. Hence the native ser-
vants are usually very careful in disturb-
ing the slumbers of the little ones.
	The Japanese fairy world is very pop-
ulous. Helmet, armor, and fan recall
the name of many a doughty warrior,
archer, and horseman. The monkey cap
suggests the antics of the trained per-
formers of most delightful nonsense; the
imp-masks tell of a score or more of
comedies and dances illustrative of the
national mythology. Benk6i, who car-
ries the tools of many trades on his
back, figures with Yoshitsun6 in two
places; once, where the boy is learning
the occult secrets of nature from the
long-nosed king of the tengus, and
again where with Benk~i he is warning
off tresspassers from Arashi Yama, pub-
lishing the forfeit of an amputated fin-
ger for each blossom plucked. Momo-
tar~, with his allies of pheasant, dog, and
monkey, setting out to the treasure-
island of the demons to capture their
.shipp&#38; , Raik3 at the palace gate cutting
off the arm of the imp who, armed with an
iron club, had crawled down unawares
and seized the sentinels helmet, Young
Thunder and the magic frog on whose
back he crossed rivers, the marriage pro-</PB>
<PB REF="IMG00108" SEQ="0108" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="100">	100	THE LUCK OF THE BOGANS.

cession of the foxes moving across a
landscape on which the sun is shining
during a shower, the long-legged fellows
who carry the long-armed louts on their
shoulders, the little elves that dance the
tight-rope on the cord spread by the
farmers to keep the crows off their rice-
fields, the tongue-cut sparrows of nur-
sery story, the web of fate, and the giant
of destiny watching to catch RaikO, who
foils himall are set forth in Ozawas
picture and Kinjojis dream. Fortun-
ately the same national fancy that has
summoned forth from unreality such a
host of fantastic images of the brain has
provided that which can devour them
all, as Kronos was fabled to do with his
children. In the Japanese mythical
zoology there is a beast shaped more
like a tapir than any other quadruped,
and his voracious appetite is for dreams.
When the omen of the dreams dis-
pleases, or the abundance of them is too
great for comfort, the dreamer has but
to cry out, Tapir, come eat! Tapir,
come eat ! and the beast being obedient
the unsubstantial fabric is swallowed up
and disappears even from memory.
















THE LUCK OF THE BOGANS.
By Sarah Orne Jewett.

	old beggar women of the
Bantry streets had seldom
showered t h e i r blessings
upon a departing group of
emigrants with such hearty
good will as they did upon Mike Bogan
and his little household one May morn-
ing.
	Peggy Muldoon, she of the game
leg and green-patched eye and limber
tongue, steadied herself well back
against the battered wall at the street-
corner and gave her whole energy to a
torrent of speech unusual for even her
noble powers. She would not let Mike
Bogan go to America unsaluted and un-
blessed; she meant to do full honor to
this second cousin, once removed, on the
mothers side.
	Yirra, Mike Bogan, is it yerself thin,
goyn away beyant the says? she be-
gan with true dramatic fervor. Let
poor owld Peg take her last look on your
laughing face me darlin. Shell be dape
under the ground this time next year,
God give her grace, and you far away
lavin to strange spades the worruk of
hapin the sods of her grave. Give me
one last look at me darlin lad wid his
swate Biddy an the shild. Oh that I
live to see this day!
	Pegs companions, old Marget Dunn
and Biddy OHern and no-legged Tom
Whinn, the fragment of a once active
sailor who propelled himself by a low
truckle cart and two short sticks; these
interesting members of society heard
the shrill note of their leaders eloquence</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-11">
<BIBL>
<AUTHOR>Sarah Orne Jewett</AUTHOR>
<AUTHORIND>Jewett, Sarah Orne</AUTHORIND>
<TITLE TYPE="ART">The Luck Of The Bogans</TITLE>
<BIBLSCOPE TYPE="pg">100-112</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00108" SEQ="0108" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="100">	100	THE LUCK OF THE BOGANS.

cession of the foxes moving across a
landscape on which the sun is shining
during a shower, the long-legged fellows
who carry the long-armed louts on their
shoulders, the little elves that dance the
tight-rope on the cord spread by the
farmers to keep the crows off their rice-
fields, the tongue-cut sparrows of nur-
sery story, the web of fate, and the giant
of destiny watching to catch RaikO, who
foils himall are set forth in Ozawas
picture and Kinjojis dream. Fortun-
ately the same national fancy that has
summoned forth from unreality such a
host of fantastic images of the brain has
provided that which can devour them
all, as Kronos was fabled to do with his
children. In the Japanese mythical
zoology there is a beast shaped more
like a tapir than any other quadruped,
and his voracious appetite is for dreams.
When the omen of the dreams dis-
pleases, or the abundance of them is too
great for comfort, the dreamer has but
to cry out, Tapir, come eat! Tapir,
come eat ! and the beast being obedient
the unsubstantial fabric is swallowed up
and disappears even from memory.
















THE LUCK OF THE BOGANS.
By Sarah Orne Jewett.

	old beggar women of the
Bantry streets had seldom
showered t h e i r blessings
upon a departing group of
emigrants with such hearty
good will as they did upon Mike Bogan
and his little household one May morn-
ing.
	Peggy Muldoon, she of the game
leg and green-patched eye and limber
tongue, steadied herself well back
against the battered wall at the street-
corner and gave her whole energy to a
torrent of speech unusual for even her
noble powers. She would not let Mike
Bogan go to America unsaluted and un-
blessed; she meant to do full honor to
this second cousin, once removed, on the
mothers side.
	Yirra, Mike Bogan, is it yerself thin,
goyn away beyant the says? she be-
gan with true dramatic fervor. Let
poor owld Peg take her last look on your
laughing face me darlin. Shell be dape
under the ground this time next year,
God give her grace, and you far away
lavin to strange spades the worruk of
hapin the sods of her grave. Give me
one last look at me darlin lad wid his
swate Biddy an the shild. Oh that I
live to see this day!
	Pegs companions, old Marget Dunn
and Biddy OHern and no-legged Tom
Whinn, the fragment of a once active
sailor who propelled himself by a low
truckle cart and two short sticks; these
interesting members of society heard
the shrill note of their leaders eloquence</PB>
<PB REF="IMG00109" SEQ="0109" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="101">	THE LUCK OF THE BOGANS.	101

and appeared like beetles out of unsus-
pected crevices near by. The side car,
upon which Mike Bogan and his wife
and child were riding from their little
farm outside the town to the place of
departure, was stopped at the side of
the narrow street. A lank yellow-
haired lad, with his eyes red from weep-
ing sat swinging his long legs from the
car side; another car followed heav-
ily laden with Mikes sisters family,
and a mourning yet envious group of
acquaintances footed it in the rear. It
was an excited, picturesque little pro-
cession; the town was quickly aware of
its presLnce, and windows went up from
house to house, and heads came out in
the second and third stories, and even in
the top attics all along the street. The
air was thick with blessings, the quiet
of Bantry was permanently broken.
	Lard bliss us and save us! cried
Peggy, her shrill voice piercing the
chatter and triumphantly lifting itself
in audible relief above the din Lard
bliss us an save us for the fiowcr o
Bantry is lavin us this day. Break my
heart wid yer goyn will ye Micky Bo-
gan and make it black night to the one
eye thats left in me gray head this fine
mornin o spring. I that hushed, the
mother of you and the father of you
babies in me arms, and that was a wake
old woman followin and crapin to see
yerself christened. Oh may the saints
be good to you Micky Bogan and Biddy
Flaherty the wife, and forgive you the
sin an shame of turning yer proud
backs on ould Ireland. Aint there pigs
and praties enough fer ye in poor Ban-
try town that her crabbedest childer
must lave her. Oh wisha wisha, Ill see
your face no more, may the luck o the
Bogans follow you, that failed none o
the Bogans yet. May the sun shine
upon you and grow two heads of cab-
bage in the same sprout, may the little
by live long and get him a good wife,
and if she aint good to him may she die
from him. May every hair on both
your heads turn into a blessed candle to
light your ways to heaven, but not yit
me darlinsnot yit!
	The jaunting car had been sur-
rounded by this time and Mike and his
wife were shaking hands and trying to
respond impartially to the friendly fare-
wells and blessings of their friends.
There never had been such a leavetak-
ing in Bantry. Peggy Muldoon felt
that her eloquence was in danger of be-
ing ignored and made a final shrill ap-
peal Wholl bury me now? she
screamed with a long wail which silenced
the whole group; wholl lay me in me
grave, Micky bein gone from me that
always gave me the kind word and the
pinny or trippence ivery market day,
and the wife of him Biddy Flaherty the
rose of Glengariff, manys the fine meal
shes put before old Peggy Muldoon
that is old and blind.
	Awh, give the ould sowl a pinny
now, said a sympathetic voice, twill
bring you luck, more power to you.
And Mike Bogan, the tears streaming
down his honest cheeks, plunged deep
into his pocket and threw the old beg-
gar a broad five-shilling piece. It was
a monstrous fortune to Peggy. Her
one eye glared with joy, the jaunting
car moved away while she fell fiat on the
ground in apparent excess of emotion.
The farewells were louder for a minute
then they were stopped; the excitable
neighborhood returned to its business
or idleness and the street was again
still. Peggy rose rubbing an elbow,
and said with the air of a queen to her
retinue, Coom away now poor cra-
thurs, so well drink long life to him.
And Marget Dunn and Biddy OHern
and no-legged Tom Whinn with his
truckle cart disappeared into an alley.
	Whats all this whillalu? asked a
sober-looking clerical gentleman who
came riding by.
	Tis the Bogans going to Ameriky,
yer reverence, responded Jim Kalehan,
the shoemaker, from his low window.
The folks gived them their wake whilst
they were here to enjoy it, and them
was the keeners that was goin hippety
with lame legs and fine joy down the
convanient alley for beer, God bless
em poor souls.
	Mike Bogan and Biddy his wife looked
behind them again and again. Mike
blessed himself fervently as he caught a
last glimpse of the old church on the
hill where he was christened and mar-
ried, where his father and his grand-
father had been christened and married
and buried. He remembered the day</PB>
<PB REF="IMG00110" SEQ="0110" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="102">	102	THE LUCK OF THE BOGANS.

when he had first seen his wife, who
was there from Glengariff to stay with
hQr old aunt, and coming to early mass,
had seemed to him like a strange sweet
flower abloom on the gray stone pave-
ment where she knelt. The old church
had long stood on the steep height at
the head of Bantry street and watched
and waited for her children. He would
never again come in from his little farm
in the early morninghe never again
would be one of the Bantry men. The
golden stories of life in America turned
all at once to paltry tinsel, and a love
and uride of the old country, never for-
gotten by her sons and daughters,
burned with fierce flame on the inmost
altar of his heart. It had all been very
easy to plan and dream fine dreams of
wealth and landownership, but in that
moment the least of the pink daisies
that were just opening on the roadside
was dearer to the simple-hearted emi-
grant than all the world beside.
	Lave me down for a bit of sod, he
commanded the wondering young driver
who would have liked above all things to
sail for the new world. The square turf
from the hedge foot, sparkling yet with
dew and green with shamrock and gay
with tiny flowers, was carefully wrapped
in Mikes best Sunday handkerchief as
they went their way. Biddy had covered
her head with her shawlit was she
who had made the plan of going to
America, it was she who was eager to
join some successful members of her
family who complained at home of their
unjust rent and the difficulties of the
crops. Everybody said that the times
were going to be harder than ever that
summer, and she was quick to catch at
the inflammable speeches of some law-
less townsfolk who were never satisfied
with anything. As for Mike, the times
never seemed very differentit was
sometimes rainy but usually pleasant
weather. His nature was not resentful,
he only laughed when Biddy assured
him that the gorse would soon grow in
the thatch of his head as it did on their
cabin chimney. It was only when she
said that, in America they could make
a gentleman of baby Dan, that the fath-
ers blue eyes glistened and a look of de-
termination came into his face.
	God grant well come back to it
some day, said Mike softly. I didnt
know, faix indeed, how sorry Id be for
lavin the owld place. Awh Biddy
girl tis many the weary day well think
of the home weve left, and Biddy re-
moved the shawl one instant from her
face only to cover it again and burst in-
to a new shower of tears. The next day
but one they were sailing away out of
Q ucenstown harbor to the high seas.
Old Ireland was blurring its green and
purple coasts moment by moment; Kin-
sale looked low, and they had lost sight
of the white cabins on the hillsides and
the pastures golden with furze. Hours
before the old women on the wharves
had turned away from them shaking
their great cap borders. Hours before
their own feet had trod the soil of Ire-
land for the last time. Mike Bogan
and Biddy had left home, they were
well on their way to America. Luckily
nobody had been with them at last to
say good-bythey had taken a more or
less active part in the piteous general
leave-taking at Qucenstown, but those
were not the faces of their own mothers
or brothers to which they looked back
as the ship slid away through the green
water.
	Well, sure, were gone now, said.
Mike setting his face westward and
tramping the steerage deck a little
later. I like the say too, I belave, me
own grandfather was a sailor, an tis a
foine life for a man. Heres little Dan
goin to Ameriky and niver mistrustin.
Well be sindin the gossoon back again.
rich and foine, to the owld place by and.
by, tis thrue for us, ]~iddy.
	But Biddy, like many another woman,
had set great changes in motion and
then longed to escape from their conse-
quences. She was much discomposed
by the ships unsteadiness. She accused
patient Mike of having dragged her
away from home and friends. She
grew very white in the face, and was
helped to her hard steerage berth where
she had plenty of time for reflection
upon the vicissitudes of seafaring. As
for Mike, he grew more and more en-
thusiastic day by day about their pros-
pects as he sat in the shelter of the
bulkhead and tended little Dan and
talked with his companions as they
sailed westward.</PB>
<PB REF="IMG00111" SEQ="0111" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="103">	THE LUCK OF THE BOGANS.	103

	Who of us have made enough kindly
allowance for the homesick quick-witted
ambitious Irishmen and women, who
have landed every year with such high
hopes on our shores. There are some
of a worse sort, of whom their native
country might think itself well ridbut
what thrifty New England housekeeper
who takes into her home one of the
pleasant-faced little captive maids, from
Southern Ireland, has half understood
the change of surroundings. That was
a life in the open air under falling show-
ers and warm sunshine, a life of wit and
humor, of lavishness and lack of pro-
vision for more than the passing day
of constant companionship with ones
neighbors, and a cheerful serenity and
lack of nervous anticipation born of the
vicinity of the Gulf stream. The climate
makes the characteristics of Cork and
Kerry; the fierce energy of the Celtic
race in America is forced and stimulated
by our own keen air. The beauty of
Ireland is little hinted at by an average
orderly New England townmany a
young girl and many a blundering sturdy
fellow is heartsick with the homesick-
ness and restraint of his first year in
this golden country of hard work. To
so many of them a house has been but
a shelter for the nighta sleeping-
place: if you remember that, you do not
wonder at fumbling fingers or the impa-
tience with our houses full of trinkets.
Our needless tangle of furnishings be-
wilders those who still think the flow-
ers that grow of themselves in the Irish
thatch more beautiful than anything un-
der the cover of our prosaic shingled
roofs.

	Faix, a fellow on deck was telling
me a nate story the day, said Mike to
Biddy Bogan, by way of kindly amuse-
ment. Says he to me, Mike, says he,
did ye ever hear of wan Pathrick
OBrien that heard some blaguard tell
how in Ameriky you picked up money
in the strates? No, says I. He
wint ashore in a place, says he, and he
walked along and he come to a sign on
a wall. Silver street was on it. I ont
stap here, says he, it aint wort my
while at all, at all. Ill go on to Gold
Btreet, says he, but he walked ever since
and he aint got there yet.
	Biddy opened her eyes and laughed
feebly. Mike looked so bronzed and
ruddy and above all so happy that she
took heart. Were sound and young,
thanks be to God, and well earn an hon-
est living, said Mike, proudly. Tis
the childher Im thinkin of all the time,
an how theyll get a chance the best of us
niver had at home. God bless old Ban-
try forever in spite of it. An theres a
smart rid-headed man that has every
bother to me why ont I go with him
and kape a nate bar. Hes been in the
same business this four year gone since
he come out, and twinty pince in his
pocket when he landed, and this year
he took a month off and went over to
see the ould folks and build em a dacint
house intirely, and hire a man to farm
wid em now the old ones is old. He
says will I put in my money wid him,
and hell give me a great start I wouldnt
have in three years else.
	Did you have the fools head on you
then and let out to him what manes you
had? whispered Biddy, fiercely and
lifting herself to look at him.
	I did then; twas no harm, answered
the unsuspecting Mike.
	Twas a black-hearted rascal won the
truth from you! and Biddy roused her
waning forces and that very afternoon
appeared on deck. The red-headed man
knew that he had lost the day when he
caught her first scornful glance.
	God pity the old folks of him an~
their house, muttered the sharp-witted
wife to Mike, as she looked at the low-
lived scheming fellow whom she sus-
pected of treachery.
	He said thim was old clothes he was
using on the sea, apologized Mike for
his friend, looking somewhat conscious-
ly down at his own comfortable cordu-
roys. He and Biddy had been well to
do on their little farm, and on good
terms with their landlord the old squire.
Poor old gentleman, it had been a sor-
row to him to let the young people go.
He was a generous, kindly old man, but
he suffered from the evil repute of some
short-sighted neighbors. If I gave up
all I had in the world and went to the
almshouse myself they would still damn
me for a landlord, he said, desperately
one day. But I never thought Mike
Bogan would throw up his good chances.</PB>
<PB REF="IMG00112" SEQ="0112" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="104">	104	THE LUCK OF THE BOGANS.

I suppose some worthless fellow called
him stick-in-the-mud and off he must
~

	There was some unhappiness at first
for the young people in America. They
went about the streets of their chosen
town for a day or two, heavy-hearted
with disappointment. Their old neigh-
bors were not housed in palaces after
all, as the letters home had suggested,
and after a few evenings of visiting and
giving of messages, and a few days of
aimless straying about, Mike and Biddy
hired two rooms at a large rent up three
flights of stairs, and went to housekeep-
ing. Little Dau rolled down one flight
the first day; no tumbling on the green
turf among the daisies for him, poor
baby boy. His father got work at the
forge of a carriage shop, having served a
few months with a smith at home, and
so taking rank almost as a skilled labor-
er. He was a great favorite speedily,
his pay was good, at least it would have
been good if he had lived on the old
place among the fields, but he and Biddy
did not know how to make the most of
it here, and Dan had a baby sister pres-
ently to keep him company, and then
another and another, and there they lived
up-stairs in the heat, in the cold, in daisy
time and snow time, and Dan was put
to school and came home with a knowl-
edge of sums in arithmetic which set his
fathers eyes dancing with delight, but
with a knowledge besides of foul lan-
guage and a brutal way of treating his
little sisters when nobody was looking
on.
	Mike Bogan was young and strong
when he came to America, and his good
red blood lasted well, but it was against
his nature to work in a hot hall-lighted
shop, and in a very few years he began
to look pale about the mouth and shaky
in the shoulders, and then the enthu-
siastic promises of the red-headed man
on the ship, borne out, we must allow, by
Mikes own observation, inclined him
and his hard earned capital to the pur-
chase of a tidy looking drinking shop
on a side street of the town. The owner
had died and his widow wished to go
West to live with her son. She knew
the Bogans and was a respectable soul
in her way. She and her husband had
kept a quiet place, every body acknowl-
edged, and every body was thankful that
since drinking shops must be kept, so
decent a man as Mike Bogan was taking
up the business.


II.

	THE luck of the Bogans seemed to be
holding true in this generation. Their
proverbial good fortune seemed to come
from rather an absence of bad fortune
than any special distinction granted the
generation or two before Mikes time.
The good fellow reminded himself grate-
fully sometimes of PeggyMuldoons bless-
ing, and once sent her a pound to keep
Christmas upon. If he had only known
it, that unworthy woman bestowed curses
enough upon him because he did not re-
peat it the next year, to cancel any
favors that might have been anticipated.
Good news flew back to Bantry of his
prosperity, and his comfortable home
above the store was a place of reception
and generous assistance to all the west-
ward straying children of Bantry. There
was a bit of a garden that belonged to
the estate, the fences were trig and neat,
and neither Mike nor Biddy were per-
sons to let things look shabby while
they had plenty of money to keep them
clean and whole. It was Mike who
walked behind the priest on Sundays
when the collection was taken. It was
Mike whom good Father Miles trusted
more than any other member of his flock,
whom he confided in and consulted, whom
perhaps his reverence loved best of all
the parish because they were both Ban-
try men, born and bred. And nobody
but Father Miles and Biddy and Mike
Bogan knew the full extent of the fath-
ers and mothers pride and hope in the
cleverness and beauty of their only son.
Nothing was too great, and no success
seemed impossible when they tried to
picture the glorious career of little Dan.
	Mike was a kind father to his little
daughters, but all his hope was for Dan.
It was for Dan that he was pleased when
people called him Mr. Bogan in re-
spectful tones, and when he was given a
minor place of trust at town elections, he
thought with humble gladness that Dan
would have less cause to be ashamed of</PB>
<PB REF="IMG00113" SEQ="0113" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="105">	THE LUCK OF THE BOGANS.	105

him by and by when he took his own
place as gentleman and scholar. For
there was something different about
Dan from the rest of them, plain Irish
folk that they were. Dan was his fathers
idea of a young lord, he would have
liked to show the boy to the old squire,
and see his look of surprise. Money
came in at the shop door in a steady
stream, there was plenty of it put away
in the bank and Dan must wear well-
made clothes and look like the best fel-
lows at the schooL He was handsomer
than any of them, he was the best and
quickest scholar of his class. The presi-
dent of the great carriage company had
said that he was a very promising boy
more than once, and had put his hand
on Mikes shoulder as he spoke. Mike
and Biddy, dressed in their best, went
to the school examinations year after
year and heard their son do better than
the rest, and saw him noticed and ad-
mired. For Dans sake no noisy men
were allowed to stay about the shop, Dan
himself was forbidden to linger there,
and so far the boy had clear honest eyes,
and an affectionate way with his father
that almost broke that honest heart with
joy. They talked together when they
went to walk on Sundays and there was
a plan, increasingly interesting to both,
of going to old Bantry some summer
just for a treat. Oh happy days! They
must end as summer days do, in
shadow.

	There was an outside stair to the two
upper stories where the Bogans lived
above their place of business, and late
one evening, when the shop shutters were
being clasped together below, Biddy Bo-
gan heard a familiar heavy step and
hastened to hold her brightest lamp in
the doorway.
	God save you, said his reverence
Father Miles who was coming up slowly,
and Biddy dropped adecentcourtesy and
devout blessing in return. His rever-
ence looked pale and tired, and seated
himself wearily in a chair by the win-
dowwhile Biddy coasted round by a
bedroom door to whisht at two wake-
ful daughters who were teasing each
other and chattering in bed.
	Tis long since we saw you here,
sir, she said, respectfully. Tis warm
weather indade for you to be about the
town, and folks sick an dyin and need-
ing your help, sir. Mikell be up now,
your reverence. I hear him below.
	Biddy had grown into a stout mother
of a family, red-faced and bustling, there
was little likeness left to the flower of
Glengariff with whom Mike had fallen in
love at early mass in Bantry church.
But the change had been so gradual
that Mike himself had never become
conscious of any damaging difference.
She took a fresh loaf of bread and cut
some generous slices and put a piece of
cheese and a knife on the table within
reach of Father Miless hand. I sup-
pose tis waste of breath to give you
more, so it is, she said to him. Bread
an cheese and no better will you ate I
suppose, sir, and she folded her arms
across her breast and stood looking at
him.
	How is the luck of the Bogans to-
day? asked the kind old man. The
head of the school I make no doubt?
and at this moment Mike came up the
stairs and greeted his priest with rever-
ent affection.
	Youre looking faint, sorr,he urged.
Biddy get a glass now, were quite by
ourselves sorrand Ive some for sick-
ness thats very soft and fine entirely.
	Well, well, this once then, answered
Father Miles, doubtfully. Ive had a
hard day.
	He held the glass in his hand for a
moment and then pushed it away from
him on the table. Indeed its not
wrong in itself, said the good priest
looking up presently, as if he had made
something clear to his mind. The
wrong is in ourselves to make beasts of
ourselves with taking too much of it. I
dont shame me with this glass of the
best that youve poured for me. My
own sin is in the coffee pot. It wilds
my head when Ive got most use for it,
and Im sure of an aching pateGod for-
give me for indulgence ; but I must have
it for my breakfast now and then. Give
me a bit of bread and cheese; yes, thats
what I want, Bridget, and he pushed
the glass still farther away.
	Ive been at a sorry place this
night, he went on a moment later, the
smell of the stuff cant but remind me.
Tis a comfort to come here and find</PB>
<PB REF="IMG00114" SEQ="0114" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="106">	106	THE LUCK OF THE BOGANS.

your house so clean and decent, and
both of you looking me in the face.
God save all poor sinners! and Mike
and his wife murmured assent.
	1 wish to God you were out of this
business and every honest man withyon,
said the priest, suddenly dropping his fa-
therly, Bantry good fellowship and mak-
ing his host conscious of the solemnity
of the church altar and the vestments.
Tis a decent shop you keep, Mike, my
lad, I know. I know no harm of it, but
there are weak souls that cant master
themselves, and the drink drags them
down. Theres little use in doing away
with the shops though. Weve got to
make young men strong enough to let
drink alone. The drink will always be
in the world. Heres your bright young
son; what are they teaching him at his
school, do ye know? Has his characther
got grown, do ye think Mike. Bogan,
and is he going to be a man for good,
and to help decent things get a start
and bad things to keep their place? I
dont care how he does his sums, so I
dont, if he has no characther, and they
may fight about beer and fight about
temperance and carry their Father Ma-
thew flags flying about, so they may, and
its all no good, lessen we can raise the
young folks up above the place where
drink and shame can touch them. God
grant us help, he whispered, dropping
his head on his breast. Im getting
to be an old man myself, and Ive never
known the temptation thats like a devil
to many men. I can let drink alone, I
pity those who cant. Kape the young
lads out from it Mike. Youre a good
fellow, youre careful, but poor human
souls are weak, God knows!
	Tis thrue fer you indade sir! re-
sponded Biddy. Her eyes were full of
tears at Father Miless tone and earnest-
ness, but she could not have made clear
to herself what he had said.
	Will I put a dhrap more of wather in
it, your riverence? she suggested, but
the priest shook his head gently and
taking a handful of parish papers out of
his pocket proceeded to hold conference
with the master of the house. Biddy
waited awhile and at last ventured to
clear away the good priests frugal sup-
per. She left the glass, but he went
away without touching it, and in the
very glow of his parting blessing she
announced that she had the makings of
a pain within, and took the cordial with
apparent approval.
	Mike did not make any comment, he
was tired and it was late, and long past
their bedtime.
	Biddy was wide awake and talkative
from her tonic, and soon pursued the
subject of conversation.
	What set the father out wid talking
I do know? she inquired a little ill-
humoredly. Twas thrue for him that
we kape a dacint shop anyhow, an
how will it be in the way of poor Danny
when its finding the manes to put him
where he is?
	Twant that he mint at all, an-
swered Mike from his pillow. Didnt
ye hear what he said? after endeavor-
ing fruitlessly to repeat it in his own
words Hes right, sure, about a bys
getting thim books and having no char-
acther. He thinks well of Danny, and he
knows no harm of him. Wisha! whatll
we do wid that by, Biddy, I do know!
Fadther, says he to me to-day, why
couldnt ye wait an bring me into the
wnrruld on American soil, says he, and
maybe Id been prisident, says he, and
twas the thruth for him.
	Id rather for him to be a praste
meself, replied the mother.
	Thats what Father Miles said him-
self the other day, announced Mike
wide awake now.  I wish hed the
makings of a good praste, said he.
Therell soon be need of good men
and hard picking for em too, said he,
and he let a great sigh. Tis money
they want and place they want, most o
them blaguard bys in the siminary.
Tis the old fashioned mm like mesilf
that think however will they get souls
through this life and through heavens
gate at last, wid dane names and God-
fearin, dacint names left after them.
Thim was his own words indade.
	Idication was his cry always, said
Bridget, blessing herself in the dark.
Twas only last confission he took no
note of me own sins while he redded
himself in the face with why dont I
kape Mary Ellen to the schule, and me
not an hour in the day to rest me poor
bones. I have to kape her in, to mind
the shmall childer, says I, an twas</PB>
<PB REF="IMG00115" SEQ="0115" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="107">	THE LUCK OF THE BOGANS.	107

thrue for me, so it was. She gave a jerk
under the blankets, which represented
the courtesy of the occasion. She had a
great respect and some awe for Father
Miles, but she considered herself to have
held her ground in that discussion.
	Well do our best by them all!., sure,~~
answered Mike. Tis tribbling me
money I am ivery day, he added, gay-
ly. The lord-liftinant himsilf is no
surer of a good buryin than you an
me. What if we made a praste of Dan
intirely? with a great outburst of
proper pride. A son of your own at
the alther saying mass for you, Biddy
Flaherty from Glengariff!
	Hes no mind fer it, mores the
grief, answered the mother, unexpect-
edly, shaking her head gloomily on the
pillow, but marruk me wuds now, hell
ride in his carriage when Im under the
sods, give me grace and you too Mike
Bogan! Look at the airs of him and
the toss of his head. Mother, says he
to me, Im goin to be a big man!
says he, whin I grow up. Dye think
anybodyll take me fer an Irishman?
	Bad cess to the blaguard fer that
then! said Mike. Its spoiin him
you are. Tis me own pride of heart to
come from old Bantry, and he lied to
me thin yesterday gone, saying would I
take him to see the old place. Wisha!
hes got too much tongue, and hes
spindin me money for me.
	But Biddy pretended to be falling
asleep. This was not the first time
that the honest pair had felt an anxiety
creeping into their pride about Dan.
He frightened them sometimes ; he
was cleverer than they, and the mother
had already stormed at the boy for his
misdemeanors, in her garrulous fashion,
but covered them from his father not-
withstanding. She felt an assurance of
the merely temporary damage of wild
oats; she believed that it was just as
well for a boy to have his freedom and
his fling. She even treated his known
lies as if they were truth. An easy-
going comfortable soul was Biddy, who
with much shrewdness and only a trace
of shrewishness, got through this evil
world as best she might.

	The months flew by. Mike Bogan
was a middle-aged man and he and his
wife looked somewhat elderly as they
went to their pew in the broad aisle on
Sunday morning. Danny usually came
too, and the girls, but Dan looked con-
temptuous as he sat next his father and
said his prayers perfunctorily. Some-
times he was not there at all, and Mike
had a heavy heart under his stiff best
coat. He was richer than any other
member of Father Miless parish, and he
was known and respected everywhere
as a good citizen. Even the most ar-
dent believers in the temperance cause
were known to say that little mischief
would be done if all the rumsellers were
such men as Mr. Bogan. He was gen-
erous and in his limited way public
spirited. He did his duty to his neigh-
bor as he saw it. Everyone used liquor
more or less, somebody must sell it, but
a low groggery was as much a thing of
shame to him as to any man. He never
sold to boys, or to men who had had too
much already. His shop was clean and
wholesome, and in the evening when a
dozen or more of his respectable ac-
quaintances gathered after work for a
social hour or two and a glass of whis-
key to rest and cheer them after expo-
sure, there was not a little good talk
about affairs from their point of view,
and plenty of honest fun. In their own
houses very likely the rooms were close
and hot, and the chairs hard and unrest-
ful. The wife had taken her bit of re-
creation by daylight and visited her
friends. This was their comfortable club-
house, Mike Bogans shop, and Mike
himself the leader of the assembly.
There was a sober-mindedness in the
man; his companions were contented
though he only looked on tolerantly at
their fun, for the most part, without tak-
ing any active share himself.
	One cool October evening the com-
pany was well gathered in, there was
even a glow of wood fire in the stove,
and two of the old men were sitting
close beside it. Corny Sullivan had
been a soldier in the British army for
many years, he had been wounded at last
at Sebastopol, and yet here he was, full of
military lore and glory, and propped by
a wooden leg. Corny was usually ad-
dressed as Timber-toes by his familiars,
he was an irascible old fellow to deal
with, but as clean as a whistle from 1on~</PB>
<PB REF="IMG00116" SEQ="0116" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="108">	108	THE LUCK OF THE BOGANS.

habit and even stately to look at in his
arm-chair. He had a nephew with
whom he made his home, who would
give him an arm presently and get him
home to bed. His mate was an old
sailor much bent in the back by rheu-
matism, Jerry Bogan; who, though no
relation, was tenderly treated by Mike,
being old and poor. His score was
never kept, but he seldom wanted for
his evening grog. Jerry Bogan was a
cheerful soul, the wit of the Celts and
their pathetic wistfulness were delight-
ful in him. The priest liked him, the
doctor half loved him, this old-fash-
ioned Irishman who had a graceful com-
pliment or a thrust of wit for whoever
came in his way. What a treasury of
old Irish lore and legend was this old
sailor! What broadness and good cheer
and charity had been fostered in his
sailor heart! The delight of little chil-
dren with his clever tales and mysteri-
ous performances with bits of soft pine
and a sharp jackknife, a very Baron
Munchausen of adventure, and here he
sat, round backed and head pushed for-
ward like an old turtle, by the fire. The
other men sat or stood about the low-
walled room. Mike was serving his
friends, there was a clink of glass and
a stirring and shaking, a pungent odor
of tobacco, and much laughter.
	Soombody, whoiver it was, thrun a
cat down in Tom Auleys well lass
night, announced Corny Sullivan with
more than usual gravity.
	Theyll have no luck thin, says
Jerry. Anybody that meddles wid
wather, ill have no luck while they live,
faix they out thin.
	Tom Auleys been up this three
nights now, confides the other old gos-
sip. Thim dirty bys troublin his
pegs in the sthy, and having every stra-
mash about the place, all fer revinge
upon him fer gettin the police afther
thim when they sthole his hins. Twas
as well fer him too, theyre dirty bli-
gards, the whole box and dice of them.
	Whisper now! and Jerry pokes his
great head closer to his friend. The
divil of em all is young Dan Bogan,
Mikes son. Sorra a bit o good is all
his schoolin, and Mikes heartll be soon
broke from him. I see him goin about
wid his nose in the air. Hes a pritty
boy, but the divil is in him an tis he
ought to have been a praste wid his
chances and Father Miles himself tarkin
and tarkin wid him tryin to make him
a glory of pride to his people after all
they did for him. There was niver a
spade in his hand to touch the ground
yet. Look at his poor father now!
Look at Mike, thats grown old and gray
since winther time. And they turned
their eyes to the bar to refresh their
memories with the sight of the disap-
pointed face behind it.
	There was a rattling at the door-latch
just then and loud voices outside, and as
the old men looked, young Dan Bogan
came stumbling into the shop. Behind
him were two low fellows, the worst in
the town, they had all been drinking
more than was good for them, and for
the first time Mike Bogan saw his only
sons boyish face reddened and stupid
with whiskey. It had been an unbroken
law that Dan should keep out of the shop
with his comrades; now he strode for-
ward with an absurd travesty of manli-
ness and demanded liquor for himself
and his friends at his fathers hands.
	Mike staggered, his eyes glared with
anger. His fatherly pride made him
long to uphold the poor boy before so
many witnesses. He reached for a glass
then he pushed it awayand with quick
step reached Dans side, caught him by
the collar and held him. One or two
of the spectators chuckled with weak
excitement, but the rest pitied Mike
Bogan as he would have pi~ied them.
	The angry man pointed his sons com-
panions to the door, and after a mo-
ments hesitation they went skulking
out, and father and son disappeared up
the stairway.. Dan was a coward, he was
glad to be thrust into his own bedroom
upstairs, his head was stupid, and he
muttered only a feeble revenge. Sev-
eral of Mike Bogans customers had
kindly disappeared when he returned
trying to look the same as ever, but one
after another the great tears rolled
down his cheeks. He never had faced
despair till now, he turned his back to
the men, and fumbled aimlessly among
the bottles on the shelf. Someone came
in unconscious of the pitiful scene and
impatiently repeated his order to the
shopkeeper.</PB>
<PB REF="IMG00117" SEQ="0117" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="109">I wish to God you were out of this business and every honest man, said the priest.
0</PB>
<PB REF="IMG00118" SEQ="0118" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="110">	110	THE LUCK OF THE BOGANS.

	God help me boys, I cant sell more
this night! he said brokenly.  Go
home now will ye and lave me to myself.
	They were glad to go, though it cut
the evening short. Jerry Bogan bun-
gled his way last with his two canes.
Sind the by to say, he advised in a
gruff whisper. Sind him out wid a
good captain now, Mike, twill make a
man of him yet.
	A man of him yet! alas, alasfor the
hopes that had been growing so many
years. Alas for the pride of a simple
heart, alas for the day Mike Bogan came
away from sunshiny old Bantry with his
baby son in his arms for the sake of
making that son a gentleman.


HI.

	WINTER had fairly set in, but the snow
had not come, and the street was bleak
and cold. The wind was stinging mens
faces and piercing the wooden houses.
A hard night for sailors coming on the
coasta bitter night for poor people
everywhere.
	From one house and another the lights
went out, in the street where the Bo-
gans lived, at last there was no other
lamp than theirs, in a window that light-
ed the outer stairs. Sometimes a
womans shadow passed across the cur-
tain and waited there, drawing it away
from the panes a moment as if to listen
the better for a footstep that did not
come. Poor Biddy had waited many a
night besides this. Her husband was far
from well, the doctor said that his heart
was not working right, and that he must
be very careful, but the truth was that
Mikes heart was almost broken by grief.
Dan was going the downhill road, he
had been drinking harder and harder,
and spending a great deal of money.
He had smashed more than one carriage
and lamed more than one horse from the
livery stables, and he had kept the low-
est company in vilest dens. Now he
threatened to go to New York, and it
had come at last to being the only pos-
sible joy that he should come home at
any time of night rather than disappear
no one knew where. He had laughed in
Father Miless face when the good old
man after pleading with him had tried
to threaten him.
	Biddy was in an agony of suspense
as the night wore on. She dozed a
little to wake with a start, and listen for
some welcome aound out in the cold
night. Was her only boy freezing to
death somewhere? Other mothers only
scolded if their sons were wild, but this
was killing her and Mike, they had set
their hopes so high. Mike was groan-
ing dreadfully in his sleep to-night
the lire was burning low, and she did
not dare to stir it. She took her worn
rosary again and tried to tell its beads.
Mother of Pity, pray for us! she said,
wearily dropping the beads in her lap.

	There was a sound in the street at
last but it was not of one mans stum-
bling feet but of many. She was stiff
with cold, she had slept long, and it was
almost day. She rushed with strange
apprehension to the doorway and stood
with the flaring lamp in her hand at the
top of the stairs. The voices were sud-
denly hushed. Go for Father Miles!
said somebody in a hoarse voice, and
she heard the words. They were car-
rying a burden, they brought it up to
the mother who waited. In their arms
lay her son stone dead; he had been
stabbed in a light, he had struck a man
down who had sprung back at him like
a tiger. Dan, little Dan was dead, the
luck of the Bogans, the end was here,
and a wail that pierced the night and
chilled the hearts that heard it, was the
first message of sorrow to the poor father
in his uneasy sleep.
	The group of men stood bysome of
them had been drinking, but they were
all awed and shocked. You would have
believed every one of them on the side
of law and order. Mike Bogan knew
that the worst had happened. Biddy
had rushed to him and fallen across the
bed; for the minute her aggravating
shrieks had stopped; he began to dress
himself, but he was shaking too much;
he stepped out to the kitchen and faced
the frightened crowd.
	Is my son dead then? asked Mike
Bogan, of Bantry, with a piteous quiver
of the lip, and nobody spoke. There
was something glistening and awful
about his pleasant Irish face. He tot-
tered where he stood, he caught at a
chair to steady himself. The luck o</PB>
<PB REF="IMG00119" SEQ="0119" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="111">/




As the old men looked young Dan Bogan came stumbling into the shop.</PB>
<PB REF="IMG00120" SEQ="0120" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="112">112	BEETHOVENS THIRD SYMPHONY.

the Bogans, was it? and he smiled on his bed of Bantry Bay and the road
strangely, then a fierce hardness came to Glengariff-the hedge roses were in
across his face and changed it utterly, bloom, and he was trudging along the
Come down come down he shouted, road to see Biddy. He was troubled
and snatching the key of the shop went on the old farm at home and he could
down the stairs himself with great sure- not put the seed potatoes in their trench,
footed leaps. What was in Mike? was for little Dan kept falling in and getting
he crazy with grief? They stood out of in his way. Dans not going to be
his way and saw him fling bottle after plagued with the bad craps, he muttered
bottle and shatter them against the wall. to Father Miles who sat beside the lad.
They saw him roll one cask after another Dan will be a fine squire in Ameriky,
to the doorway, and out into the street but the priest only stroked his hand as
in the gray light of morning, and break it twitched and lifted on the coverlet.
through the staves with a heavy axe. There was a blaze of light before his
Nobody dared to restrain his furythere eyes. Why, it must be the yellow gorse
was a devil in him, they were afraid of all in bloom. What was Biddy doing,
the man in his blinded rage. The odor crying and putting the candles about
of his carefully chosen stock of whiskey him? Then his poor brain grew steady.
and gin filled the cold airsome of Oh, my God, if we were back in Ban-
them would have stolen the wasted liquor try! I saw the gorse bloomin in the
if they could, but no man there dared to tatch dye know. Oh wisha wisha the
step forward, and it was not until the poor ould cabin an the green praties that
tall figure of Father Miles came along the day we come from itwith our luck
street, and the patient eyes that seemed smilin us in the face.
always keeping vigil, and the calm voice Whisht darlin: kape aisy darlin!
with its flavor of Bantry brogue, came to mourned Biddy, with a great sob. Fa-
Mike Bogans help, that he let himself ther Milca sat straight and stern in his
be taken out of the wrecked shop and chair by the pillowhe had read the
aw y from the spilt liquors to the shelter prayers for the dying, and the holy oil
of his home. was already shining on Mike Bogans
forehead. The keeners were swaying
	A week later he was only a shadow of themselves to and fro, there where they
his sturdy self, he was lying dreaming waited in the next room.






BEETHOVENS THIRD SYMPHONY.
By Richard Hovey.

PAssIoN and pain, the outcry of despair,
The pang of unattainable desire,
And youths delight in pleasures that expire,
And sweet high dreamings of the good and fair
Clashing in swift soul-storm, through which no praje
Uplifted stays the destined death-stroke dire.
Then through a mighty sorrowing, as through fir,
The soul Vurnt pure yearns forth into the air
Of the dear earth and, with the scent of flowers
And song of birds assuaged, takes heart again,
Made cheerier with this drinking of Gods wine,
And turns with healing to the world of men,
And high above a sweet strong angel towers
And Love makes life triumphant and divine.</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-12">
<BIBL>
<AUTHOR>Richard Hovey</AUTHOR>
<AUTHORIND>Hovey, Richard</AUTHORIND>
<TITLE TYPE="ART">Beethoven's Third Symphony</TITLE>
<BIBLSCOPE TYPE="pg">112-113</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00120" SEQ="0120" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="112">112	BEETHOVENS THIRD SYMPHONY.

the Bogans, was it? and he smiled on his bed of Bantry Bay and the road
strangely, then a fierce hardness came to Glengariff-the hedge roses were in
across his face and changed it utterly, bloom, and he was trudging along the
Come down come down he shouted, road to see Biddy. He was troubled
and snatching the key of the shop went on the old farm at home and he could
down the stairs himself with great sure- not put the seed potatoes in their trench,
footed leaps. What was in Mike? was for little Dan kept falling in and getting
he crazy with grief? They stood out of in his way. Dans not going to be
his way and saw him fling bottle after plagued with the bad craps, he muttered
bottle and shatter them against the wall. to Father Miles who sat beside the lad.
They saw him roll one cask after another Dan will be a fine squire in Ameriky,
to the doorway, and out into the street but the priest only stroked his hand as
in the gray light of morning, and break it twitched and lifted on the coverlet.
through the staves with a heavy axe. There was a blaze of light before his
Nobody dared to restrain his furythere eyes. Why, it must be the yellow gorse
was a devil in him, they were afraid of all in bloom. What was Biddy doing,
the man in his blinded rage. The odor crying and putting the candles about
of his carefully chosen stock of whiskey him? Then his poor brain grew steady.
and gin filled the cold airsome of Oh, my God, if we were back in Ban-
them would have stolen the wasted liquor try! I saw the gorse bloomin in the
if they could, but no man there dared to tatch dye know. Oh wisha wisha the
step forward, and it was not until the poor ould cabin an the green praties that
tall figure of Father Miles came along the day we come from itwith our luck
street, and the patient eyes that seemed smilin us in the face.
always keeping vigil, and the calm voice Whisht darlin: kape aisy darlin!
with its flavor of Bantry brogue, came to mourned Biddy, with a great sob. Fa-
Mike Bogans help, that he let himself ther Milca sat straight and stern in his
be taken out of the wrecked shop and chair by the pillowhe had read the
aw y from the spilt liquors to the shelter prayers for the dying, and the holy oil
of his home. was already shining on Mike Bogans
forehead. The keeners were swaying
	A week later he was only a shadow of themselves to and fro, there where they
his sturdy self, he was lying dreaming waited in the next room.






BEETHOVENS THIRD SYMPHONY.
By Richard Hovey.

PAssIoN and pain, the outcry of despair,
The pang of unattainable desire,
And youths delight in pleasures that expire,
And sweet high dreamings of the good and fair
Clashing in swift soul-storm, through which no praje
Uplifted stays the destined death-stroke dire.
Then through a mighty sorrowing, as through fir,
The soul Vurnt pure yearns forth into the air
Of the dear earth and, with the scent of flowers
And song of birds assuaged, takes heart again,
Made cheerier with this drinking of Gods wine,
And turns with healing to the world of men,
And high above a sweet strong angel towers
And Love makes life triumphant and divine.</PB>
<PB REF="IMG00121" SEQ="0121" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="113">THE ETHICS OF CONTROVERSY.
By George P. Fisher.

[ERE are laws of
war. These do not
continue unaltered.
Even in the distant
past, the person of
a herald was sacred,
and treaties con-
firmed with an oath
could not be broken without provok-
ing the wrath of gods and men.
With the progress of civilization, one
savage custom after another has been
discarded from warfare. To drop poi-
son into the wells about an enemys
camp, to shoot arrows tipped with
venom, would shock the moral sense of
all warriors advanced above the grade
of barbarism. Luckily, hostilities are
not now carried forward as in the days
when the god-like Achilles dragged
the corpse of the noble Hector at the
tail of his chariot around the walls of
windy Troy, nor as when that con-
summate general and typical filibus-
ter, Alexander of Macedon, with the
exaggeration of a copyist, pierced the
ankles of Batis, and with leathern
thongs tied his body, while he was yet
alive, to the axle of his car, and then
drove it at full speed before the eyes
of his applauding troops. Prisoners
taken in battle are no more slaughtered,
nor are they consigned to hopeless
slavery. The international code has
been improved so far that the lives of
non-combatants, and their propertyif
only it be on the land !are protected.
In how many particulars has the brutal-
ity that formerly prevailed in war dis-
appeared through the progress of hu-
mane sentiment!
	It is worth while to take a glance at
another species of warfare, where the
encounter is bloodless, but which has
often kindled not less passion than con-
tests in which the field resounds with
the thunder of artillery. What shall be
said of the spirit in which intellectual
conflicts are waged? Has there been a
like ethical progress here? What more
remains to be done in order to get rid
VOL. V.14
of the displays of injustice and ferocity
that still characterize them? About
matters concerning which opinions vary,
there has been, as all know, a strife of
tongues since the world began. Since
the invention of the art of writing, the
pen has served as a new instrument of
combat. Now that the printers art
scatters broadcast copies of whatever is
written; now that, besides books, we
have an enormous multiplying of maga-
zines and newspapers; now that the
arena of debate spreads over all the
provinces of science and aesthetic art,
of politics, theology, and letters, the ag-
gregate amount of intellectual conten-
tion has immeasurably increased. It is
not probable, as it was once believed by
some, that the devil invented movable
types; but it is only too apparent that
the devil mingles his influence in the use
of them. The importance of finding
out the rules of civilized and Chris
tian conduct in the struggles of word-
warriors,to borrow a phrase of Rich~-
ard Baxterof adhering to these rules,,
and of trying to realize a higher ideal
in this occupation than the fashion of
the day exhibits, will not be denied.
It may be that some good will be done
by calling attention to the subject.
Certainly it is one sphere where right-
eousness and decency still have fields to
conquer. Even though little that is
novel in the way of ethical suggestion
be brought forward, it can do no harm
to insist on familiar obligations. The
theme is the proper temper, and the
proper method and means, of contro-
versial discussion.
	We may stop to say that there are
many people who deprecate controversy
altogether. Especially when the truths.
of religion are the subject, there is a,
strong aversion in many minds to every-
thing of the sort. But where there is
much intellectual activity on any sub-
ject, controversies are sure to arise, for
the simple reason that men will not
think alike. Most of the Apostle Pauls
writings are controversiaL They were</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-13">
<BIBL>
<AUTHOR>George P. Fisher</AUTHOR>
<AUTHORIND>Fisher, George P.</AUTHORIND>
<TITLE TYPE="ART">The Ethics Of Controversy</TITLE>
<BIBLSCOPE TYPE="pg">113-123</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00121" SEQ="0121" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="113">THE ETHICS OF CONTROVERSY.
By George P. Fisher.

[ERE are laws of
war. These do not
continue unaltered.
Even in the distant
past, the person of
a herald was sacred,
and treaties con-
firmed with an oath
could not be broken without provok-
ing the wrath of gods and men.
With the progress of civilization, one
savage custom after another has been
discarded from warfare. To drop poi-
son into the wells about an enemys
camp, to shoot arrows tipped with
venom, would shock the moral sense of
all warriors advanced above the grade
of barbarism. Luckily, hostilities are
not now carried forward as in the days
when the god-like Achilles dragged
the corpse of the noble Hector at the
tail of his chariot around the walls of
windy Troy, nor as when that con-
summate general and typical filibus-
ter, Alexander of Macedon, with the
exaggeration of a copyist, pierced the
ankles of Batis, and with leathern
thongs tied his body, while he was yet
alive, to the axle of his car, and then
drove it at full speed before the eyes
of his applauding troops. Prisoners
taken in battle are no more slaughtered,
nor are they consigned to hopeless
slavery. The international code has
been improved so far that the lives of
non-combatants, and their propertyif
only it be on the land !are protected.
In how many particulars has the brutal-
ity that formerly prevailed in war dis-
appeared through the progress of hu-
mane sentiment!
	It is worth while to take a glance at
another species of warfare, where the
encounter is bloodless, but which has
often kindled not less passion than con-
tests in which the field resounds with
the thunder of artillery. What shall be
said of the spirit in which intellectual
conflicts are waged? Has there been a
like ethical progress here? What more
remains to be done in order to get rid
VOL. V.14
of the displays of injustice and ferocity
that still characterize them? About
matters concerning which opinions vary,
there has been, as all know, a strife of
tongues since the world began. Since
the invention of the art of writing, the
pen has served as a new instrument of
combat. Now that the printers art
scatters broadcast copies of whatever is
written; now that, besides books, we
have an enormous multiplying of maga-
zines and newspapers; now that the
arena of debate spreads over all the
provinces of science and aesthetic art,
of politics, theology, and letters, the ag-
gregate amount of intellectual conten-
tion has immeasurably increased. It is
not probable, as it was once believed by
some, that the devil invented movable
types; but it is only too apparent that
the devil mingles his influence in the use
of them. The importance of finding
out the rules of civilized and Chris
tian conduct in the struggles of word-
warriors,to borrow a phrase of Rich~-
ard Baxterof adhering to these rules,,
and of trying to realize a higher ideal
in this occupation than the fashion of
the day exhibits, will not be denied.
It may be that some good will be done
by calling attention to the subject.
Certainly it is one sphere where right-
eousness and decency still have fields to
conquer. Even though little that is
novel in the way of ethical suggestion
be brought forward, it can do no harm
to insist on familiar obligations. The
theme is the proper temper, and the
proper method and means, of contro-
versial discussion.
	We may stop to say that there are
many people who deprecate controversy
altogether. Especially when the truths.
of religion are the subject, there is a,
strong aversion in many minds to every-
thing of the sort. But where there is
much intellectual activity on any sub-
ject, controversies are sure to arise, for
the simple reason that men will not
think alike. Most of the Apostle Pauls
writings are controversiaL They were</PB>
<PB REF="IMG00122" SEQ="0122" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="114">	114	THE ETHICS OF CONTROVERSY.

called out by errors which it was neces-
sary for him to oppose. There has
never been any great religious revival
which has not been connected with ac-
tive controversy. If evils attend it, at
least it furnishes a sign of life; and al-
most anything is better than stagnation.
The period of religious earnestness in the
ancient Church, the Protestant IRefor-
mation, the religious revivals of the last
century, were fruitful in theological de-
bates. The thing to be desired is not
the complete avoidance of controversy,
which is not to be expected, but the
regulation of it according to Christian
principles.
	We will begin with one plain rule of
the pioral code, yet one that is very
often violated. The controversialist is
bound to state with entire fairness the
position and the arguments of his op-
ponent. This rule is broken in other
ways than by a wilful distortion of an
adversarys doctrine or a mis-statement
of his proofs. When these gross of-
fences are not committed, there may
still be a choice of phraseology with an
intent, more or less conscious, by the
very manner of stating the opinion to
be controverted, to stir up a prejudice
against it. There is a large opportun-
ity for a want of candor in the way of
putting things, in cases where no dis-
tinct error is expressed. Many writers,
not reckoned among the polemics, are
guilty in this particular. One principal
fault of Gibbon, in the famous xivth and
xvth chapters on the Christian religion,
lies just here. Language is adroitly chos-
en to suggest something beyond what is
actually said. This remark applies to
other passages in Gibbon besides those
evidently meant to be ironicaL It takes
very slight touches of the pencil to turn
a portrait into a caricature. Nothing is
more common than to incorporate a
sneer into the description of views
which one intends to confute. Words
or phrases are worked in that involve
disparagement. It is like the raising
of the eyebrows, or a curl of the lip, in
speaking. It is equivalent in its im-
pression to interrupting an opponent,
who is seeking to explain himself, by
ejaculations of disapproval or contempt.
He receives a stab while he is in the act
of telling what he wishes to establish.
Mr. A. asserts with a confident air;
Mr. A. does not scruple to affirm,
etc.; Mr. A. superficially argues, or
flippantly claims, or with plausible
sophistry would fain persuade us, etc.
but there is no end to the possible
turns of expression, to the offensive in-
sinuations, the store of wounding adjec-
tives and adverbs, at the command of
an expert disputant, whereby a dislike
is awakened at the start for the cause
which he is anxious to overthrow. Not
that it is wrong to call a spade a
spade. Not that no occasions are con-
ceivable when such forms of deprecia-
tion, even at the threshold, are justifi-
able. But in all ordinary cases they
are indefensible, because they preclude
that candid hearing of the other side
which is requisite for an intelligent and
sound verdict. Sometimes a controver-
sialist will contrive by the use of a single
word, not fairly applicable, to create an
impression unfavorable to the doctrine
which he is undertaking to state. Hume
defines a miracle as a transgression
of a law of nature. There may have been
no sinister purpose in the choice of this
term. Perhaps there was not. From
the point of view of etymology, it is a
correct use. But transgression prop-
erly denotes a departure from a moral
law. The word has this evil association
cleaving to it. Apply it to a deviation
from the ordinary course of nature, and
you at once awaken in the hearers mind
a certain feeling of objection to its oc-
currencea certain presumption against
it. Respecting the general rule on which
we are commenting, the best idea of its
import, and, at the same time, of its
worth, may be gained by looking at ex-
amples of its honorable observance.
They excite always an involuntary ad-
miration. They impress us in the way
that instances of magnanimity, when
there is a temptation in the opposite di-
rection, naturally strike the mind. One
such illustration is afforded, I think, in
the controversial writings of John
Stuart Mill. I do not forget that Dean
Mansel complained of Mill that he had
misinterpreted Hamiltons and Man-
sds own doctrines, in important par-
ticulars; but I feel sure that if this was
the fact it was the result of an honest
mistake. Mill wrote much controver</PB>
<PB REF="IMG00123" SEQ="0123" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="115">	THE ETHICS OF CONTROVERSY.	115

sially, and no one can fail to mark his
custom of fully and fairly stating the
propositions or arguments which he is
about to examine and to confute. His
statement is often made more strongly
in the interest of his opponent than the
latter could make it for himself. I am
not among those who adopt the theory
of the associational school (of which
Hume was the founder), and I find oc-
casion to dissent from Mill as often as
to agree with him. But I thankfully
recognize the benefit derived from no-
ticing the manly and even generous
spirit in which he sets forth antagonis-
tic opinions. There is no insidious be-
littling of the doctrines to be opposed
no slurs artfuJly introduced with the
description of them. The spokesman
on the other side is attentively, even re-
spectfully, heard. It hardly need be
said that there is a great advantage in
this procedure ; for here, as elsewhere,
honesty is the best policy. When a
polemical writer takes this course, he
shows, at the outset, that he has no mis-
givings as to the strength of his cause.
He has full confidence in his ability to
cope with his opponent. He is not try-
ing to trip him up before they have had
time to grapple. A client of Mr. Lincoln
relates that, in a suit of much conse-
quence, he spoke to the jury for several
hours in such a strain that he seemed to
be giving away the caseso clearly and
forcibly did he describe the grounds
which the adverse party might adduce
in behalf of his cause. But then the
sagacious lawyer turned, and with com-
plete success proceeded to pull down
the structure which he had built up.
He had left no room for charges of mis-
representation; he had gained the ad-
vantage of acquainting the jury before-
hand with what could be said on the
other side that was likely to be effect-
ive.
	Honesty in quotation is another law
binding on disputants. To present false
or mangled extracts is an offence akin
to forgery. Few men are bad enough to
invent outright what they pretend to
quote, and if they were, the detection
of the crime would be too easy. Yet the
records of controversy show how seduc-
tive the temptation is to present garbled,
or otherwise misleading, citations. Cite
a fragment of a sentence, a portion of a
paragraph, and leave out the other por-
tion which qualifies the import of it.
Tear a passage from its connection, and
place it in a different setting, when the
impression caught by it will be mate-
rially changed. These are familiar de-
vices; often they are not so much the
product of conscious, deliberate knav-
ery as they are the well-nigh uncon-
scious offspring of partisan heat. There
have been few theological polemics who
have struck harder blows than Bossuet.
An old mystical writer says of him that
if he had happened to be born in Eng-
land, he would have been as zealous a
champion of the Anglican church as he
was of the church of Rome; and this
because he was by nature belligerent.
His genius was that of a warrior; he
was predestined to take up arms for
that body, whatever its name, in which
his lot should be cast. lJnfortunately,
Bossuet was an offender against the
canon which we are now considering.
In his celebrated book on the Variations
of Protestantism, he fortifies his asser-
tions by garbled quotations from the
writings of the Reformers. Sir Will-
iam Hamilton, whose information was
generally derived at first hand, unwarily
copied Bossuets citations from Luther,
and was convicted of the mistake by
Archdeacon Hare. Luthers unguarded
style makes him an easy prey to dexter-
ous polemics, and great is the number
who have paraded isolated expressions
torn from his writings, and made to
bear a sense not intended by their au-
thor. Not that they are worse offenders
than sundry Protestant divines in their
conflicts with Rome and in their dis-
putes with one another. Old Dr. Routh,
of Magdalen College, said to a student
who asked for some precept to guide
him through life: Always verify your
references. If he had extended the
precept and enjoined on him to verify
the references of other people, the pupil
would have had occasion to discover an
amount of moral obliquity which he
probably did not imagine to exist. Let
it not be supposed that the sin of mis-
quotation lies at the door of theologians
exclusively. It is just as frequent
among party writers on topics literary,
political, or scientific. In general, it</PB>
<PB REF="IMG00124" SEQ="0124" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="116">	116	THE ETHICS OF CONTROVERSY.

must be remembered that the besetting
sins of the controversialist are such as
spring from human nature when it is
under the influence of strong personal
or partisan feeling. No contests have
been more venomous than those be-
tween philologians. Grammar is ac-
counted a dry subject, but the conten-
tion that it has caused would seem to
justify a different opinion. We need go
no farther back than the days of Bent-
ley, and the battles in which he took
part, to see what an amount of bitter-
ness can be infused into the warfare of
linguists. An account, though imper-
fect, of the combat of Boyle and Bent-
ley, is given by the elder DJsraeli, in
his rambling book on the Quarrels of
Authors. In truth, it matters not what
the particular question in controversy
may be, it ia always possible for wrath
to be kindled, and for the contest to
degenerate into a mere strife for victory.
Then the inducement to resort to un-
lawful weapons is apt to smother scru-
ples of conscience. If the odium theo-
logicum, as some have said, contains
ingredients of peculiar malignityde-
rived, one might fancy, from infra-mun-
dane abodesit cannot be said to sur-
pass in intensity the hatred which has
been kindled among disputants in other
departments.
	A chronic and seemingly incurable
vice among controversialists is one that
will be recognized as familiar, as soon
as it is mentioned. It is the imputation
to another of opinions which it is as-
sumed, whether truly or falsely, are log-
ically inferred from those which he pro-
fesses. He must believe so and so,
because it is implied in the assertion 
and so forth. He virtually teaches ~
it is a mercy if undoubtedly holds is
not added the noxious error, etc. In
some way, the unhappy opponent is sad-
dled with the burden of whatever infer-
ences may be drawn by wit or malice
from his utterances. What is worse, it
is not unusual for his disavowal of these
consequences either to pass unnoticed,
or, in case the controversial temper
burns fiercely, to be received with open
or implied distrust. Theological de-
bates, from the most ancient to the most
recent times, have abounded in this sort
of injustice. Now as there are not
many persons into the circle of whose
opinions there has not crept, unper-
ceived, some erroneous idea which,
if followed out in its ramifications,
would be fatal to all sound doctrine, it
is quite easy for logical fanaticism or
malignant partisanship to convict any-
one of damnable heresies. Speaking of
logical fanaticism, it is worth while for
us distinctly to call attention to this par-
ticular maladypartly intellectual, what-
ever share moral infirmities may have
in it. There are those who are afflicted
with this peculiar form of narrowness.
With the logical instinct overgrown, de-
ficient in sympathy, and incapable of
any width of view, they appear incom-
petent to dissociate from an opinion pro-
fessed by another anything that can be
linked with it in a chain of syllogisms.
It will be a great gain to the cause of
morality if the day shall come when to
attribute to another doctrines disavowed
or not professed by him, but forced into
his creed by a process of argument,
shall be universally seen to bewhat it
really isuntruthful and unchristian.
	Another controversial sin is quibbling.
This consists in avoiding the essential
issue, and in shifting the debate to some
incidental, subordinate point on which
its decision does not at all depend.
This is the resort of that class of dis-
putants who approach an opponent in
the hope to catch him in his talk.
He has used inexact phraseology, it may
be. He has plainly meant to say one
thing, but can be interpreted, without a
violation of grammatical rules, as saying
another. An honorable debater, con-
scious of the validity of his cause, will
scorn to avail himself of such a resource.
A chivalrous debater will state the case
for him better than he has stated it for
himself. He will, moreover, abstain
from pointing his guns to a statement
that is merely incidental or subordinate.
He will choose rather to march up bold-
ly in the face of the adversary. Here
aga4 the captious habit does not ap-
pear to be always deliberate and con-
scious. There is a class of minds that
cavil because it is their nature to. They
have no just perspective. Small things
and large things are in their eyes of the
same size. They do not address them-
selves to the main point, because to</PB>
<PB REF="IMG00125" SEQ="0125" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="117">	THE ETHICS OF CONTROVERSY.	117

their vision there is no main point.
Some there are to whom a verbal slip is
treated as a mortal sin. But all that
quibbling which is voluntary is culpa-
ble. To raise a dust over an insignifi-
cant error, and thereby to hinder by-
standers from seeing the real thing con-
tended for, is one of the common tricks
of controversy. It is an old artifice for
wasting time and drawing off attention
from the merits of the question.
	All fallacious modes of arguing, or of
evading arguments, if these modes are
discerned to be sophistical, are morally
unworthy. It is impertinent to object
to a reasoners style, as if the validity of
his proofs depended on that. It is no
answer, for example, to say of another
that his arguments are abstract or
metaphysicaL In a debate in the
Senate of the United States, by way of
objection to propositions of Calhoun,
Benton said that they were abstrac-
tions. To this the South Carolina
statesman rejoined, with much spirit,
that right is an abstraction, and that to
say of a doctrine or of a course of rea-
soning that it is abstract, is to say
nothing pertinent against it. That sort
of objection was irrelevant to the issue.
Jonathan Edwards, in his day, had to
encounter the objection that his argu-
ments were metaphysicaL He pro-
nounces the objection to be vague and
impertinent. The question is not,
he remarks, whether what is said be
metaphysics, physics, logic, or mathe-
matics, Latin, English, French or Mo-
hawk, but whether the reasoning be
good and the arguments truly conclu-
sive. His idea is that one might as
rationally object to the validity of a
course of reasoning that it is presented
in one language rather than another, as
to object that it is metaphysicaL
	It would seem to be an ethical axiom
that one ought never to use arguments
that are not, in his own judgment, valid.
A man is convinced of the truth of a
proposition for certain definite rei~sons.
Other grounds are frequently alleged,
and they may be adapted to impress
many other minds. There is a tempta-
tion, especially when one is bent on
carrying a point against opposers, to
lay hold of such considerations, even al-
though ones own conviction does not
rest upon them, and they are really per-
ceived to be invalid. They answer a
temporary purpose, and the end is
practically held to sanctify the means.
The Church of iRome has produced no
more astute and formidable apologist
than the great Cardinal and Jesuit,
Bellarmine. In his work against here-
sies, he provides an arsenal of weapons
to be used in defence of the creed
against Protestant and other impugn-
ers of it. He states the objection to
be met, or the difficulty to be solved.
Then he presents in numerical array the
various answers, or ways in which it
may be disposed of. These are often
incompatible with one another. His
own preference, his own opinion, is fre-
quently indicated; yet there stand in a
row all the different modes of rebuttal
to which one may resort. One is left to
choose out of the catalogue whichever
accords with ones individual taste, or is
suited to the exigency. In this place,
too, we may find an illustration of the
general truth that the path of honesty
is also that of expediency. Ordinarily
a man will succeed best in convincing
others by bringing forward the reasons
which have convinced himself, and on
which his own faith reposes. When he
fetches arguments from afar, which take
no hold upon his own mind and heart,
even if he do not, in some way, betray
the fact, he is incapable of urging them
with the living power that springs from
sincerity.
	Some controversialists are prone to
express  grief that those who differ
from them should think as they do. Ex-
pressions of this kind are especially
common in religious debates. One has
a right to be sorry that a dissenter from
his opinions professes what seems to
him hurtful error. But this intrusion
of personal feeling has no proper place
in an argument. The party opposed
can balance it by a corresponding ex-
pression of mental pain on account of
the opinions of his antagonist. Or he
can meet it with a more cutting re-
sponse. Dr. Emmons, of Franklin, was
one of the sturdiest of the old ministers
of New England. Professor Park, in his
Reminiscences of him, states that on
sending out from his rural parish a
printed sermon on the Atonem?nt, he</PB>
<PB REF="IMG00126" SEQ="0126" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="118">	118	THE ETHICS OF CONTROVERSY.

received from a magisterial metropolitan
divine the following note: May 1st.
My dear brother, I have read your ser-
mon on the Atonement, and have wept
over it; to which the following answer,
equally laconic, was immediately re-
turned: May 3d. Dear sir, I have read
your letter, and laughed at it. Yours,
Nathl Emmons.
	It is generally admitted that person-
alities are forbidden in debate. But
who can present a scientific classification
of the myriad forms of personal dispar-
agement by which controversialists at-
tempt to weaken the influence of their
foes? The motive, to be sure, may not
be to blunt the edge of an argument.
Conflict breeds irritation, offensive words
provoke retaliation. The assailant is
paid in his own coin and with usurious
interest. There is no more eloquent
prose writer in English than John Mil-
ton. There are parts of the Speech for the
Liberty of Unlicensed Printing which
in elevation and spirit surpass the
splendor of Burke in his finest passages.
In other essays of Milton, the lofty, sus-
tained fervor of the diction is well
matched to the nobleness of the thought.
Yet there is intermingled not only a
grandeur of invective, but almost divert-
ing interludes of fierce and even coarse
abuse, which strikingly illustrate the con-
troversial style of that age. In the
Second Defence of the People of Eng-
land, there occur the magnificent para-
graphs in which, in response to the rail-
ing of Salmasius, the Poet describes his
own person, how he lost his eyesight in
libertys defence, his manner of life in
his youth, and his travels abroad, from
which he hurried home to take part in
the contest of Parliament for freedom
in England. Salmasius had taunted him
with being blind, comparing him to the
one-eyed monster of heathen fable. I
certainly never supposed, remarks Mil-
ton, with a kind of pathetic humor,
that I should have been obliged to
enter into a competition for beauty with
Cyclops. Salmasius had qualified the
comparison by adding of Miltons per-
son that there could not be a more
spare, shrivelled, and bloodless form.
In dignified and touching sentences, Mil-
ton is thus led to speak of his own looks,
saying of his eyes: So little do they be-
tray any external appearance of injury,
that they are as unclouded and bright
as the eyes of those who most distinctly
see. In this instance alone I am a dis-
sembler against my will. Shortly after,
he refers to the poets, heroes, and sages
of old who, like himself, have been af-
flicted with blindness, and to the con-
sciousness of divine favor, and of a light
within, which had attended him. It was
the overshadowing of heavenly wings
that had darkened his vision. Yet he
turns from these pathetic, glowing, and
beautiful observations, called out by ri-
bald remarks respecting his appearance,
to say to Salmasius: Respecting yours,
though I have been informed that it is
most insignificant and contemptible, a
perfect mirror of the worthlessness of
your character and the malevolence of
your heart, etc. Of one who had ap-
plauded Salmasius in verse, Milton says
that he must have been a miserable
judge, and without any feeling of pro-
priety, to lavish such a prodigality of
praise on a grammarian; a race of men
who have been always thought to act a
sort of subordinate and menial part to the
bard. A few pages before, he had styled
Salmasius a a grammatical louse, whose
only treasure of merit, and hope of fame,
consisted in a glossary. With sneers at
the occupation of his adversary, Milton
connects an apostrophe to the unfortun-
ate verse-maker who had praised him:
Take away, 0 ass! those panniers of
airy nothingness; and speak, if you can,
three words that have an affinity to com-
mon sense; if it be possible for the
tumid pumpkin of your skull to discover
anything like the reality of intellect.
In the meantime, I abandon the peda-
gogue to the rods of his scholars.
These extracts indicate what an adept
Milton was in the rhetoric of abuse.
They are interesting chiefly as occurring,
like coarse weeds in a bed of roses, in
the midst of passages inspired by tender
and lofty sentiment.
	It is not simply the looks and occupa-
tions of their opponents on which angry
polemics have delighted to dwell. Even
their names have furnished many an oc-
casion for malicious puns and other sorts
of disrespect and contempt. Their rela-
tives have not been spared, when there
was anything in their family or national</PB>
<PB REF="IMG00127" SEQ="0127" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="119">	THE ETHICS OF CONTROVERSY.	119

pedigree to be laid hold of and con-
verted into a missile. It awakens encour-
agement for the future that the farther
back we go the more rough and merci-
less are the diatribes of authors. Luther
has few rivals in the line of unsparing
personal denunciation. But the Ital-
ian literati of the Renaissance age are
excelled by none in the fierce virulence
which they carry into quarrels that re-
late to nothing higher than literary
themes. The merciless, filthy tirades of
Poggio and his enemies, Filelfo and
Valla, are probably unmatched in the
voluminous record of literary squabbles.
Yet Poggio was an ardent student and
explorer for lost manuscriptsso ar-
dent that he bribed monks to steal
them.
	What course shall be adopted respect-
ing the imputation of unworthy motives
in controversial discussion? There is
no other rule than that of the Sermon
on the Mount; but, as in other relations,
it must be interpreted and applied
aright. The most pithy comment on the
precept, Judge not, is that of the fine
old critic, Bengel: Sine scientia, amore,
necessitate. That is to say, do not
judge another unfavorably except from
knowledge, good-will, and a call of duty.
Nevertheless, he adds (with a refer-
ence to the precept that follows: give
not that which is holy unto dogs, neither
cast ye your pearls before swine ), ca-
nis pro cane, et porcus pro porco est ha-
bendus. That is, a dog is to be held to
be a dog, and a swine a swine. He might
have referred also, against a sweeping
literalism of interpretation, to the declar-
ation, By their fruits, ye shall know
them. Still there remains as a great
law of conduct, applicable in all human
intercourse, the rule to abstain from ac-
cusations not supported by evidence,
and not required by some paramount
obligation.
	It need not be said to any reader of
the public journalsnot to speak of
other vehicles of thought and speech
to what extent controversies are de-
graded by the imputation, on insuf-
ficient grounds or occasions, of sinister
designs and selfish motives. To just-
ify charges or insinuations of this nat-
ure, something more is requisite than
suspicion. It is not enough to show
that an opinion of an opponent coin-
cides with his interests. That may be,
and yet his opinion may be an honest
one. It may be that he would hold it if
his interests were on the other side.
There must be other proofs, circum-
stances of a more convincing nature,
that point to one conclusion, before he
can fairly be charged with insincerity.
Take, for example, the political debate
between Protection and Free-trade.
The bare fact that an advocate of Pro-
tection is a manufacturer who is per-
sonally profited by the tariff, does not
excuse the accusation of hypocrisy, or
even of unconscious self-deception from
the bias of self-interest. He might,
perhaps, be a Protectionist if his purse
did not plead on that side. An advo-
cate of Free-trade is not to be accused
of feeling a stronger sympathy with
Great Britain than with his own coun-
try, or with not caring for the condition
of the laboring class. For it is quite
conceivable that his economical theory
is held in connection with a cordial
patriotism, and that he believes that the
laborers would not be harmed if it were
framed into a law. Not forgetting, as
Bengel says, that canis pro cane, et
porcus pro porco est habendus, we can
still affirm that if offensive allegations of
a personal sort were eliminated from
our current political debates, and atten-
tion were concentrated on the argu-
ments pro and con, we should not only
be much nearer a solution of vexed
questions, but there would, also, be at
the same time an immense gain for good
manners and for morality.
	To limit denunciation to corrupt char-
acter or to the actions that spring from
it, would be a restriction without war-
rant. No doubt the habit of looking on
an intellectual error as a moral offence
is one of the principal sources of acri-
mony in discussions. Some men speak
and write as if they considered any dis-
sent from their views, which ventures
to express itself, as a personal affront,
to be visited with signs of resentment.
Strong, however, as the temptation is
unlawfully. to substitute invective for
reasoning, in battle with obnoxious doc-
trine, it must be allowed that abstract
principles may be immoral. Their de-
structive tendency may be manifestly</PB>
<PB REF="IMG00128" SEQ="0128" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="120">	120	THE ETHICS OF CONTROVERSY.

connected with their immoral quality.
In such cases, wholesome severity may
be a duty. The combatant must take a
scourge in his hand. There is plenty of
scriptural authority for the infliction of
this sort of merited chastisement. Here
we have a case where no definite lines
can be drawn. Circumstances must de-
cide whether justice calls for, and char-
ity permits, the use of caustic speech.
	Burke was alarmed at the spread of
political doctrine in England which he
believed to be false in its foundations
and fatal in the consequences which it
threatened. Hence he published (in
1790) his Reflections on the Revolu-
tion in France. His attack on the ser-
mon of Dr. Price before the Revolution
Society may have been sharpened a little
by prior political differences. There
can be no question, however, of the sin-
cere abhorrence with which the English
orator regarded the doctrines and ten-
dencies of the discourse, which he de-
scribed as containing some good moral
and religious sentiments, and not ill-
expressed, mixed up in a sort of por-
ridge of various political opinions and
reflections. Prices comparison of the
benefits and the evils of the occurrences
in France struck him as inhuman, so
acute was his sense of the atrocity of the
transactions in Paris. No theatric
audience in Athens, he exclaims, would
bear to see a principal actor, as it were,
weighing in scales hung in a shop of
horrors, so much actual crime against
so much contingent advantage, and after
putting in and out weights, declaring
that the balance was on the side of the
advantages. Burkes disdain of the
persons against whom he writes could
not be more emphatically set forth than
in the following passage:
	The vanity, restlessness, petulance,
and spirit of intrigue of several petty
cabals, who attempt to hide their total
want of consequence in bustle and noise,
and puffing, and mutual quotation of
each other, makes you imagine that our
contemptuous neglect of their abilities
is a mark of general acquiescence in
their opinions. No such thing, I assure
you. Because half a dozen grasshop-
pers under a fern make the field ring
with their importunate chink, while
thousands of great cattle, reposed be-
neath the shadow of the British oak,
chew the cud and are silent, pray do not
imagine that those who make the noise
are the only inhabitants of the field;
that, of course, they are many in num-
ber; or that, after all, they are other
than the little shrivelled, meagre, hop-
ping, though loud and troublesome in-
sects of the hour. One who approves
of Burkes estimate of the revolutionary
doctrines will regard with sympathy the
condemnation that is heaped on them
and the propagators of them. Whoever
dissents from this verdict will think his
invectives and sarcasms unrighteous.
One thing to be remembered is that a
philippic, especially if it is overdone, is
liable to awaken sympathy with the per-
son against whom it is levelled. It may
even serve to advertise writings and to
give them an importance not before pos-
sessed. Hume, in his autobiography,
after speaking of the neglect with which
his books were long treated, found at last
that they were attracting notice. An-
swers he humorously remarks by
reverends and right reverends came out
two or three in a year; and I found, by
Warburtons railing, that the books were
beginning to be esteemed in good com-
pany. Of Hurds attack upon his book
on Natural Religion, which had, he tells
us, all the bad traits of the Warbur-.
tonian school of fierce polemics, Hume
says: This pamphlet gave me some
consolation for the otherwise indifferent
reception of my performance. Hume
was a writer who always reasoned, and
never railed, whatever may be thought
of the soundness of his arguments.
The only proper way to meet him was
with the weapons of logic, handled in a
cool, dispassionate spirit.
	It is not wandering too far from our
subject to enter a protest against the
disposition of zealous people to set up
an outcry of anger and displeasure
when ideas at variance, in a marked de-
gree, with their traditional opinions are
broached for the first timeopinions
brought forward in a sober way, by
men engaged in scientific investigation.
The effect of such passionate demonstra-
tions, if they have any effect, is to place
temporary barriers in the way of the
progress of science, and to alienate some
minds from religion. It is not pleasing</PB>
<PB REF="IMG00129" SEQ="0129" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="121">	THE ETHICS OF CONTROVERSY	121

to remember the general screech that
was raised by the publications of Darwin,
followed as it has been by the public
declaration of such orthodox divines as
Canon Liddon, that his theory of evolu-
tion is not incompatible with the essen-
tial principles of.the Christian system.
	As to the right to use ridicule in con-
troversy, there was a curious discussion
in which the affirmative was maintained
by Shaftesbury and his school, Akenside
and Lord Kaimes being on the same
side, and Warburton, the most furious
critic of his time, taking the opposite.
Warburton, who, to be sure, was more
at home in coarse defamation than in
any exercise of genuine wit or humor,
nevertheless tries to make fun of his
antagonists while arguing at the same
time against the propriety of ridicule.
One of the arguments used in this de-
bate on the negative side was the bale-
ful result of the comedies of Aristoph-
anes in tending to procure the death
of Socrates. If the question is to be
gravely considered, the decision will have
to be that no law can be laid down upon
the use of satire, burlesque, and other
forms of witty or humorous writing,
provided they are really directed against
something intrinsically absurd, and most
effectively shown to be absurd by such
methods of exposure. The occasions
when ridicule is appropriate, and the
bounds within which it ought to be
confined, admit of no exact definition.
He who is possessed of the capacity to
forge and wield a weapon of this char-
acter is responsible for the righteous
and temperate use of it, as he is for the
exercise of other talents. Certainly, to
banish it altogether would be to strike
out from literature productions that
could ill be spared. He must be a rig-
orous moralist indeed who would com-
mit to the flames the Provincial Let-
ters~ of Pascal, that exquisite satire
upon a finical, demoralizing casuistry.
In the field of oratory, the strongest ef-
fects have been produced, and legiti-
mately produced, by the apposite use of
ridicule. In Websters famous reply to
Hayne, the picture of that statesman,
marching at the head of the local mil-
itia, to levy war against the IJuited
States, was one of the most telling pas-
sages in the speech. The spectacle
there depicted, to be sure, does not
seem so ridiculous in the light of more
recent events; but at that day it seemed
ludicrous, and answered its end. It had
the merit, moreover, of including in it-
self a sound argument against an un-
tenable theory of State Rights. While
a place rightfully belongs to ridicule in
the exposure and overthrow of absurd
or sophistical doctrine, it must be, at
the same time, remembered that in cur-
rent debates of all sorts, perhaps no in-
strument of warfare is more abused by
being employed on every occasion, and
to excess.
	Angry people, like people who are in
love, often afford diversion to spectators
who do not share in their emotions.
Their violent or dulcet tones, as the case
may be, draw a smile from the indiffer-
ent bystander. One can hardly avoid
mingling with regret an amused feeling
in witnessing the displays of overheated
disputants, from whom we are too far
removed to be affected with any pro-
founder sentiment. In the last cen-
tury, a violent debate sprung up be-
tween the Rev. Augustus Toplady, and
the renowned Methodist leader, John
Wesley. Both were in orders in the
Church of England. Toplady wrote
the hymn which is sung in all the
churches:

Rock of ages, cleft for me,
Let me hide myself in thee.


His diary, not to speak of other evi-
dences, shows that he was sincerely re-
ligious, and believed himself, even in his
theological combats, to be doing God
service. He was a much younger man
than Wesley. Wesley, to do him jus-
tice, was far less intemperate in his
expressions than his opponent. The
rancor was chiefly on the side of Top-
lady. The subject of their long, inter-
mittent conflict was the tenet of predes-
tination, which Toplady loved as much
as Wesley hateda subject which is of
universal interest to ingenious minds,
and which, if we may credit Milton, was
the question discussed in a debating-
club of fallen angels in Pandemonium.
Toplady printed a Calvinistic treatise of
Zanchius in favor of this tenet. Wes-
ley printed an abridgment of it, in</PB>
<PB REF="IMG00130" SEQ="0130" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="122">	122	THE ETHICS OF CONTROVERSY.

which the most obnoxious features were
made to stand out, and which ended
thus:

	The sum of all is this: one in
twenty (suppose) of mankind are
elected; nineteen in twenty are repro-
bated. The elect shall be saved, do
what they will; the reprobate shall be
damned, do what they can. Reader,
believe this, or be damned. Witness
my hand.
	A.	T

	Wesley had said nothing directly of
Toplady more severe than to style him
a bold young man. Of course,
neither party would absolve the other
from the consequences which were con-
ceived to flow from his system. The
holy rage of Toplady found a vent in a
printed Letter to the Rev. Mr. John
Wesley. Blush, he says, Mr. Wes-
ley, if you are capable of blushing. For
once, publicly acknowledge yourself to
have acted criminally; unless, to use
your own words on another occasion,
shame and you have shook hands and
parted. Alluding to Wesleys closing
paragraph, the irate author remarks:
In almost any other case, a similar
forgery would transmit the criminal to
Virginia or Maryland, if not to Tyburn.
If such an opponent can be deemed an
honest man, where shall we find a
knave? It is curious to find Toplady,
in close connection with his red-hot
anathemas, dilating at some length on
the evils of bigotry! Wesleys Reply
was met with a Rejoinder: More Work
for Mr. John Wesley, etc. In the Pre-
face, Toplady tells us that he does not
bear the least illwill to his person,
and that he has kept the following
sheets for some weeks merely with a
view of striking out, from time to time,
whatever might savor of undue asperity
and intemperate warmth. How far he
succeeded in this laudable effort at self-
restraint may be judged from what he
says of the impudent cavil that pre-
destination makes God the author of
sin, and that he (Toplady) ascribes the
sin of Judas to God. Without the
least heat or emotion, I plainly say, Mr.
Wesley lies. Wesley gave to his old
antagonist an occasion for an attack on
a different matter. When Dr. Johnson
published his tract against the Ameri-
can colonies, Taxation no Tyranny,
Wesley, who had now come to favor the
home government, published a brief
pamphlet which, though nothing but an
abstract of Johnsons, contained no refer-
ence to it. It was a strange proceeding,
but may have been the result of an un-
derstanding with Johnson, who liked
Wesley, and found, it would appear, no
fault with what he had done. Toplady
now appeared with a pamphlet entitled,
An Old Fox Tarred and Feathered,
occasioned by what is called Mr. John
Wesleys Calm Address to our American
Colonies. Toplady, opening with the
motto,

Another Face of Things was seen,
And I became a Tory,

adopts the style of Scripture:
	Whereunto shall I liken Mr. John
Wesley? and with what shall I compare
him?
	I will liken him to a low and puny
tadpole in divinity, which proudly
seeks to disembowel an high and mighty
whale in politics.
	For it came to pass, some months
since, that Dr. Samuel Johnson set forth
an eighteen-penny pamphlet, entitled,
Taxation no Tyranny.
	And, some days ago, a Methodist
weathercock saluted the public with a
two-penny paper (extracted by whole
paragraphs together from the aforesaid
doctor), ycleped, A calm Address to
our American Colonies. The occasion
whereof was this:
	There dwelleth, about 99 miles, one
furlong, and thfrteen inches, from a place
called the Foundery  [this was the
place where Wesley preached]in Moor-
fields (next door to a noted mad-house)
a priest, named Vulposo, etc., etc.
	For an example of violent controversy,
outside of the province of theology, we
might recall the, protracted war of
Hobbes with the scientific professors at
Oxford. Hobbes, in his old age, vent-
ured into the field of mathematical dis-
cussion. ]I~IIe indulged the belief that
he could square the circle. He roused
against him Waffis and Ward, the Ox-
ford authorities in this branch, who,
besides their hostility to Hobbess the-</PB>
<PB REF="IMG00131" SEQ="0131" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="123">	IN BOHEMIA.	123

ology and ethics, snatched the oppor-
tunity to avenge an attack which he had
made on the system of study pursued in
the universities. The contest went on,
with several long vacations, for a score
of years. The adversaries of Hobbes
carried too many guns for the old phil-
osopher, and he was worsted in the com-
bat. The titles of some of the publica-
tions indicate its character. Hobbes
published, in 1656, his Six Lessons to
the Professors of Mathematics, one of
Geometry, the other of Astronomy, in
the University of Oxford. The reply
bore the title: Due Correction for Mr.
Hobbes, or School Discipline for not
saying his Lessons right. A wrangle be-
tween them about the sense of a Greek
word dictated the title of another book
by Hobbes. This title, or the closing
part of it was: Marks of the Absurd
Geometry, Rural Language, Scottish
Church Politics, and Barbarisms of
John Warns, Professor of Geometry
and Doctor of Divinity. A dispute on
abstruse questions in mathematics flowed
out into torrents of mutual accusations
relating to the part which each had
taken in the political changes of the
agea matter where Wallis was more
vulnerable than on topics of pure
science. Tis no argument of your
contempt, wrote Hobbes, referring to
himself, to spend upon him so many
angry lines as would have furnished you
with a dozen of sermons. Hobbes, able
man as he was, had waded beyond his
depth. At a later day, Warns humor-
ously wrote: I am now employed upon
another work, as hard almost as to make
Mr. Hobbes understand mathematics.
It is, to teach a person dumb and deaf
to speak and to understand a lan-
guage.
	These two controversies, one of them
theologic and the other scientific, in
one of which Wesley, and in the other
Hobbes was the conspicuous figure, are
presented as specimens from an her-
barium, the volumes of which would
make a vast library. The way in which,
at the present day, we regard such
manifestations of polemical spite, may
indicate the impression which many
current debates will be apt to make in
future times, in case the record of them
should survive, and curious readers
should be found to peruse it.






IN BOHEMIA.
By Louise Chandler Moulton.

I CAME between the glad green hills,
Whereon the summer sunshine lay,
And all the world was young that day,
As when the Springs soft laughter thrills
The pulses of the waking May:
You were alive ; yet scarce I knew
The world was glad, because of you.

I came between the sad green hills,
Whereon the summer twilight lay,
And all the world was old that day,
And hoary age forgets the thrills
That woke the pulses of the May:
And you were deadhow well I knew
The world was sad because of you.</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-14">
<BIBL>
<AUTHOR>Louise Chandler Moulton</AUTHOR>
<AUTHORIND>Moulton, Louise Chandler</AUTHORIND>
<TITLE TYPE="ART">In Bohemia</TITLE>
<BIBLSCOPE TYPE="pg">123-124</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00131" SEQ="0131" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="123">	IN BOHEMIA.	123

ology and ethics, snatched the oppor-
tunity to avenge an attack which he had
made on the system of study pursued in
the universities. The contest went on,
with several long vacations, for a score
of years. The adversaries of Hobbes
carried too many guns for the old phil-
osopher, and he was worsted in the com-
bat. The titles of some of the publica-
tions indicate its character. Hobbes
published, in 1656, his Six Lessons to
the Professors of Mathematics, one of
Geometry, the other of Astronomy, in
the University of Oxford. The reply
bore the title: Due Correction for Mr.
Hobbes, or School Discipline for not
saying his Lessons right. A wrangle be-
tween them about the sense of a Greek
word dictated the title of another book
by Hobbes. This title, or the closing
part of it was: Marks of the Absurd
Geometry, Rural Language, Scottish
Church Politics, and Barbarisms of
John Warns, Professor of Geometry
and Doctor of Divinity. A dispute on
abstruse questions in mathematics flowed
out into torrents of mutual accusations
relating to the part which each had
taken in the political changes of the
agea matter where Wallis was more
vulnerable than on topics of pure
science. Tis no argument of your
contempt, wrote Hobbes, referring to
himself, to spend upon him so many
angry lines as would have furnished you
with a dozen of sermons. Hobbes, able
man as he was, had waded beyond his
depth. At a later day, Warns humor-
ously wrote: I am now employed upon
another work, as hard almost as to make
Mr. Hobbes understand mathematics.
It is, to teach a person dumb and deaf
to speak and to understand a lan-
guage.
	These two controversies, one of them
theologic and the other scientific, in
one of which Wesley, and in the other
Hobbes was the conspicuous figure, are
presented as specimens from an her-
barium, the volumes of which would
make a vast library. The way in which,
at the present day, we regard such
manifestations of polemical spite, may
indicate the impression which many
current debates will be apt to make in
future times, in case the record of them
should survive, and curious readers
should be found to peruse it.






IN BOHEMIA.
By Louise Chandler Moulton.

I CAME between the glad green hills,
Whereon the summer sunshine lay,
And all the world was young that day,
As when the Springs soft laughter thrills
The pulses of the waking May:
You were alive ; yet scarce I knew
The world was glad, because of you.

I came between the sad green hills,
Whereon the summer twilight lay,
And all the world was old that day,
And hoary age forgets the thrills
That woke the pulses of the May:
And you were deadhow well I knew
The world was sad because of you.</PB>
<PB REF="IMG00132" SEQ="0132" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="124">

ODD STICKS, AND CERTAIN REFLECTIONS CONCERN
ING THEM.
By Thomas Bailey Aldrich.

Sir, said Dr. Johnson, he was an odd stick.

	running of the first
train over the Eastern
Road from Boston to
Portsmouthit took place
somewhat more than forty
years agowas attended by a serious
accident. The accident occurred in the
crowded station at the Portsmouth ter-
minus, and was unobserved at the time.
The catastrophe was followed, though
not immediately, by death, and that
also, curiously enough, was unobserved.
Nevertheless, this initial train, freighted
with so many hopes and the Directors
of the Road, ran over and killedLocAl
CHARACTER.

	Up to that day Portsmouth had been
a very secluded little community, and
had had the courage of its seclusion.
From time to time it had calmly pro-
duced an individual built on plans and
specifications of its own, without regard
to the prejudices and conventionalities
of outlying districts. This individual
was purely indigenous. He was boru
in the town, he lived to a good old age
iu the town, and never went out of the
town, until he was finally laid under it.
To him, Boston, though only fifty-six
miles away, was virtually an unknown
quantityonly fifty-six miles by brutal
geographical measurement, but thou-
sands of miles distant in effect. In those
days, in order to reach Boston you were
obliged to take a great yellow clumsy
stage-coach, resembling a three-story
mud-turtleif the zo~Aogist will, for
the sake of the simile, tolerate so daring
an invention; you were obliged to tale
it very early in the morning, you dined
at noon at Ipswich, and clattered into
the great city with the golden dome
just as the twilight was falling, pro-
vided always the coach had not shed a
wheel by the roadside or one of the
leaders had not gone lame. To many
worthy and well-to-do persons in Ports-
mouth this journey was an event which
occurred only twice or thrice during
life. To the typical individual with
whom I am for the moment dealing, it
never occurred at all. The town was
his entire world; he was as parochial as
a Parisian; Market Street was his
Boulevard des Italiens, and the North
End his Bois de Boulogne.
	Of course there were varieties of local
characters without his limitations: ven-
erable merchants retired from the East
India Trade; elderly gentlewomen, with
family jewels and personal peculiarities;
one or two scholarly recluses in by-gone
cut of coat, haunting the Atheneum
reading-room; ex-sea captains, with rings
on their fingers, like Simon Danzs visit-
ors in Longfellows poemmen who
had played busy parts in the bustling
world, and had drifted back to Old
Strawberry Bank in the tranquil sunset
of their careers. I may say, in passing,
that these ancient mariners, after bat-
tling with terrific hurricanes and ty-
phoons on every known sea, not infre-
quently drowned themselves in pleasant
weather in small sail-boats on the Pis-
cataqua River. Old sea-dogs who had</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-15">
<BIBL>
<AUTHOR>Thomas Bailey Aldrich</AUTHOR>
<AUTHORIND>Aldrich, Thomas Bailey</AUTHORIND>
<TITLE TYPE="ART">Odd Sticks, And Certain Reflections Concerning Them</TITLE>
<BIBLSCOPE TYPE="pg">124-130</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00132" SEQ="0132" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="124">

ODD STICKS, AND CERTAIN REFLECTIONS CONCERN
ING THEM.
By Thomas Bailey Aldrich.

Sir, said Dr. Johnson, he was an odd stick.

	running of the first
train over the Eastern
Road from Boston to
Portsmouthit took place
somewhat more than forty
years agowas attended by a serious
accident. The accident occurred in the
crowded station at the Portsmouth ter-
minus, and was unobserved at the time.
The catastrophe was followed, though
not immediately, by death, and that
also, curiously enough, was unobserved.
Nevertheless, this initial train, freighted
with so many hopes and the Directors
of the Road, ran over and killedLocAl
CHARACTER.

	Up to that day Portsmouth had been
a very secluded little community, and
had had the courage of its seclusion.
From time to time it had calmly pro-
duced an individual built on plans and
specifications of its own, without regard
to the prejudices and conventionalities
of outlying districts. This individual
was purely indigenous. He was boru
in the town, he lived to a good old age
iu the town, and never went out of the
town, until he was finally laid under it.
To him, Boston, though only fifty-six
miles away, was virtually an unknown
quantityonly fifty-six miles by brutal
geographical measurement, but thou-
sands of miles distant in effect. In those
days, in order to reach Boston you were
obliged to take a great yellow clumsy
stage-coach, resembling a three-story
mud-turtleif the zo~Aogist will, for
the sake of the simile, tolerate so daring
an invention; you were obliged to tale
it very early in the morning, you dined
at noon at Ipswich, and clattered into
the great city with the golden dome
just as the twilight was falling, pro-
vided always the coach had not shed a
wheel by the roadside or one of the
leaders had not gone lame. To many
worthy and well-to-do persons in Ports-
mouth this journey was an event which
occurred only twice or thrice during
life. To the typical individual with
whom I am for the moment dealing, it
never occurred at all. The town was
his entire world; he was as parochial as
a Parisian; Market Street was his
Boulevard des Italiens, and the North
End his Bois de Boulogne.
	Of course there were varieties of local
characters without his limitations: ven-
erable merchants retired from the East
India Trade; elderly gentlewomen, with
family jewels and personal peculiarities;
one or two scholarly recluses in by-gone
cut of coat, haunting the Atheneum
reading-room; ex-sea captains, with rings
on their fingers, like Simon Danzs visit-
ors in Longfellows poemmen who
had played busy parts in the bustling
world, and had drifted back to Old
Strawberry Bank in the tranquil sunset
of their careers. I may say, in passing,
that these ancient mariners, after bat-
tling with terrific hurricanes and ty-
phoons on every known sea, not infre-
quently drowned themselves in pleasant
weather in small sail-boats on the Pis-
cataqua River. Old sea-dogs who had</PB>
<PB REF="IMG00133" SEQ="0133" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="125">	ODD STICKS.	125

commanded three-thousand-ton ships
had naturally slight respect for the po-
tentialities of sail-boats twelve feet long.
But there was to be no further increase
of these Odd Sticksif I may call
them so, in no irreverent moodafter
those innocent looking parallel bars in-
dissolubly linked Portsmouth with the
capital of the Commonwealth of Mas-
sachusetts. All the conditions were to
be changed, the old angles to be pared
oft; new horizons to be regarded. The
individual, as an eccentric individual,
was to undergo great modifications. If
he were not to become extincta thing
little likelyhe was at least to lose his
prominence.
	However, as I have said, local charac-
ter, in the sense in which the term is here
used, was not instantly killed; it died
a lingering death, and passed away so
peacefully and silently as not to attract
general, or perhaps any, notice. This
period of gradual dissolution fell dur-
ing my boyhood. The last of the cocked-
hats had gone out, and the railway had
come in, long before my time; but cer-
tain bits of color, certain half obsolete
customs and scraps of the past were
still left over. I was not too late, for
example, to catch the last Town Crier
one Nicholas Newman, whom I used to
contemplate with awe, and now recall
with a sort of affection.
	Nicholas Newmana name for a
novel !was a most estimable person,
very short, somewhat bow-legged, and
with a bell out of all proportion to his
stature. I have never since seen a bell
of that size disconnected with a church-
steeple. The only thing about him that
matched the instrument of his office was
his voice. His Hear All!~ still deaf-
ens memorys ear. Mr. Newmans du-
ties were to cry auctions, funerals, mis-
laid children, travelling theatricals, pub-
lic meetings, and articles lost or found.
He was especially strong in announcing
the loss of reticules, usually the property
of elderly maiden ladies. The unction
with which he detailed the several con-
tents, when fully confided to him, would
have seemed satirical in another person,
but on his part was pure conscientious-
ness. He would not let so much as a
thimble or a piece of wax, or a portable
tooth, or any amiable vanity in the way
of tonsorial device, escape him. I have
heard Mr. Newman spoken of as that
horrid man. He was a picturesque
figure. Peace to. his manes!
	Possibly it is because of his bell that
I connect the Town Crier with those
dolorous sounds which I used to hear
rolling out of the steeple of the Old
North every night at nine oclockthe
vocal remains of the Colonial curfew.
Nicholas Newman has passed on, per-
haps crying his losses elsewhere, but
this nightly tolling is, I believe, still a
custom. I can more satisfactorily ex-
plain why I associate with it a vastly
different personality, that of Sol Holmes,
the barber, for every night at nine
oclock his little shop on Congress Street
was in full blast. Many a time at that
hour I have flattened my nose on his
window-glass. It was a gay little shop
(he called it an Emporium ) as barber-
shops generally are, decorated with cir-
cus-bills, tinted prints, and gaudy fly-
catchers of tissue and gold paper. Sol
Holmeswhose antecedents to us boys
were wrapped in thrilling mystery, we.
imagined him to have been a prince in
his native landwas a colored man, not
too dark for human natures daily
food, and enjoyed marked distinction
as one of the few exotics in town. For
in those days the foreign element was
at its minimum, and we had Home
Rule. Holmes was a handsome man,
six feet or more in height, and as
straight as a pine. He possessed his
races sweet temper, simplicity, and van-
ity. His martial bearing was a positive
factor in the effectiveness of the Ports-
mouth Greys, whenever those blood-
less warriors paraded. As he brought
up the rear of the last platoon, with his
infantry cap stuck jauntily on the left
side of his head and a bright silver cup
slung on a belt at his hip, he seemed to
youthful eyes one of the most imposing
things in the display. To himself he
was pretty much all the company.
He used to say, with a drollness which
did not strike me until years afterwards,
Boys, I and Capn Towle is goin to
trot out the Greys to-morroh. Sol
Holmess tragic end was in singular con-
trast with his sunny temperament. One
night, long ago, he threw himself from the
deck of a Sound steamer, somewhere be-
S</PB>
<PB REF="IMG00134" SEQ="0134" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="126">	126	ODD STICKS.

tween Stonington and New York. What
led or drove him to the act never trans-
pired.
	There are few men who were boys in
Portsmouth at the period of which I
write but will remember Wibird Pen-
hallow and his blue wheelbarrow. I find
it difficult to describe him other than
vaguely, possibly because Wibird had
no expression whatever in his counte-
nance. With his vacant white face
lifted to the clouds, seemingly oblivious
of everything, yet going with a sort of
heaven-given instinct straight to his des-
tination, he trundled that rattling wheel-
barrow for many a year over Portsmouth
cobble-stones. He was so unconscious
of his environment that sometimes a
small boy would pop into the empty
wheelbarrow and secure a ride without
Wibird arriving at any very clear knowl-
edge of the fact. His employment in
life was to deliver groceries and other
merchandise to purchasers. One day he
appeared at a kitchen door with a two-
gallon molasses jug, the top part of
which was wanting. It was no longer
a jug, but a tureen. When the recipi-
ent of the damaged article remonstrated
with, Good gracious, Wibird! you
have broken the jug, his features
lighted up and he seemed immensely
relieved. I thought, he remarked,
I heerd somethink crack!
	Wibird Penhallows heaviest patron
was the keeper of a variety-store, and
the first specimen of a pessimist I ever
encountered. He was an excellent spec-
imen. He took exception to everything.
He objected to the telegraph, to the rail-
way, to steam in all its applications.
Some of his arguments, I recollect, made
a deep impression on my mind. Now-
a-days, he once observed to me, if
your son or your grandfather drops
dead at the other end of creation, you
know of it in ten minutes. Whats the
use? Unless you are anxious to know
hes dead, youve got just two or three
weeks more to be miserable in. He
scorned the whole business, and was
faithful to his scorn. When he received
a telegram, which was rarely, he made
a point of keeping it a while un-
opened. Through the exercise of this
whim he once missed an opportunity
of buying certain goods to great ad-
vantage. There! he exclaimed, if
the telegraph hadnt been invented the
idiot would have written to me, and Id
have sent a letter by return coach, and
got the goods before he found out prices
had gone up in Chicago. If that boy
brings me another of those tape-worm
telegraphs Ill throw an axe-handle at
him. His pessimism extended up, or
down, to generally recognized canons of
orthography. They were all iniquitous.
If k-n-i-f-e spelled knife, then, he con-
tended, k-n-i-f-e-s was the plural Di-
verting tags, written by his own hand
in conformity with this theory, were
always attached to articles in his shop-
window. He is long since ded, as he
himself would have put it, but his
phonetic theory appears to have sur-
vived him in cranldsh brains here and
there. As my discouraging old friend
was not exactly a public character, like
the Town Crier or Wibird Penhallow, I
have intentionally thrown a thin veil
over his identity. I have, so to speak,
dropped into his pouch a grain of that
magical fern~seed* which was supposed
by our English ancestors, in Elizabeths
reign, to possess the quality of rendering
a man indistinct.
	Another person who singularly inter-
ested me at this epoch was a person
with whom I had never exchanged a
word, whose voice I had never heard,
but whose face was as familiar to me
as every day could make it. For each
morning as I went to school and each
afternoon as I returned, I saw this face
peering out of a window in the second
story of a shambling yellow house sit-
uated in Washington Street, not far from
the corner of State. Whether some ma-
lign disease had fixed him to the chair
he sat on, or whether he had lost the use
of his legs, or, possibly, had none (the
upper part of him was that of a man in
admirable health), presented a problem
which, with that curious insouciance of
youth, I made no attempt to solve. It
was an established fact, however, that
he never went out of that house. I can-
not vouch so confidently for the cob-
webby legend which wove itself about
him. It was to this effect: He had for-
merly been the master of a large mer
	*	We have the receipt of fern-seed, says Gadshill, in
the rirst Part of Henry IV., we walk invisible.</PB>
<PB REF="IMG00135" SEQ="0135" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="127">	ODD STICKS.	127

chautman running between New York
and Calcutta; while still in his prime he
had abruptly retired from the sea, and
seated himself at that windowwhere
the outlook must have been the reverse
of exhilarating, for not ten persons
passed in the course of the day, and
the jingle of the hurried bells on Parrys
bakery-cart was the only sound that
ever shattered the silence. Whether it
was an amatory or a financial disappoint-
ment that turned him into a hermit was
left to ingenious conjecture. But there
he sat, year in and year out, with his
cheek so close to the window that the
nearest pane became permanently
blurred; for after his demise the blur
remained.
	In this Arcadian era it was possible,
in provincial places, for an undertaker
to assume the dimensions of a person-
age. There was a sexton in Portsmouth,
his name escapes me, but his attributes
do not, whose impressiveness made him
own brother to the massive architecture
of the Stone Church. On every solemn
occasion he was the striking figure, even
to the eclipsing of the involuntary object
of the ceremony. His occasions, hap-
pily, were not exclusively solemn: he
added to his other public services that of
furnishing ice-cream for evening-par-
ties. I always thought, perhaps it was
the working of an unchastened imagi-
nation, that he managed to throw into
his ice-creams a peculiar chill not at-
tained by either Dunyon or Peduzzi
arcades ambothe rival confectioners.
	Perhaps I should not say rival, for Mr.
Dunyon kept a species of restaurant,
and Mr. Peduzzi limited himself to pre-
paring confections to be discussed else-
where than on his premises. Both gen-
tlemen achieved great popularity in their
respective lines, but neither offered to
the juvenile population quite the charm
of those prim, white-capped old ladies
who presided over certain snuffy little
shops, occurring unexpectedly in silent
side-streets where the footfall of com-
merce seemed an incongruous thing.
These shops were never intended in
nature. They had an impromptu and
abnormal air about them. I do not re-
call one that was not located in a pri-
vate residence and was not evidently the
despairing expedient of some pathetic
financial crisis, similar to that which
overtook Miss Hepzibah Pyncheon in
The House of the Seven Gables. The
horizontally divided street doorthe
upper section left open in summer
ushered you, with a sudden jangle of
bell that turned your heart over, into
a strictly private hall haunted by the
delayed aroma of thousands of family
dinners. Thence, through another door,
you passed into what had formerly been
the front-parlor, but was now a shop,
with a narrow brown wooden counter,
and several rows of little drawers built
up against the picture-papered wall be-
hind it. Through much use the paint
on these drawers was worn off in circles
round the polished brass knobs. Here
was stored almost every small article
required by humanity, from an inflamed
emery cushion to a peppermint Gibraltar
the latter a kind of adamantine con-
fectionery which, when I reflect upon it,
raises in me the wonder that any Ports-
mouth boy or girl ever reached the age
of fifteen with a single tooth left un-
broken. The proprietors of these little
nick-nack establishments were the nicest
creatures, somehow suggesting venerable
doves. They were always aged ladies,
sometimes spinsters, sometimes relicts of
daring mariners, beached long before.
They always wore crisp muslin caps and
steel-rimmed spectacles; they were not
always amiable, and no wonder, for even
doves may have their rheumatism; but
such as they were, they were cherished
in young hearts, and are, I take it, im-
possible to-day.
	When I look back to Portsmouth as I
knew it, it occurs to me that it must
have been in some respects unique
among New England towns. There
were, for instance, no really poor people
in the place; everyone had some suffi-
cient calling or an income to render it
unnecessary; vagrants and paupers were
instantly snapped up and provided for
at the Farm. There was, however,
in a gambrel-roofed house here and
there, a decayed old gentlewoman, oc-
cupying a scrupulously neat room with
just a suspicion of maccoboy snuff in
the air, who had her meals sent in to her
by the neighborhoodas a matter of
course, and involving no sense of de-
pendency on her side. It is wonderful</PB>
<PB REF="IMG00136" SEQ="0136" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="128">	128	ODD STICKS.

what an extension of life is given to an
old gentlewoman in this condition!
	I would like to write about several of
those ancient Dames, as they were affec-
tionately called, and to materialize others
of the shadows that stir in my recollec-
tion. But the two or three I have
limned, inadequately, but I trust not
ungently, must serve. The temptation
to deal with some of the queer charac-
ters that flourished in this seaport just
previous to the IRevojution, is very
strong. I could set in motion an almost
endless procession; but this would be
to go outside the lines of my purpose,
which is simply to indicate one of the
various sorts of changes that have come
over the vie intime of formerly secluded
places like Portsmouththe oblitera-
tion of odd personalities, or, if not
the obliteration, the disregard of them.
Everywhere in New England the im-
press of the past is fading out. The
few old-fashioned men and women
quaint, shrewd, and racy of the soil
who linger in pleasant mouse-colored
old homesteads strung along the New
f
England roads and by-ways, will shortly
cease to exist as a class, except in
the record of some such charming
chronicler as Sarah Jewett, on whose
sympathetic page they have already
taken to themselves a remote air, an at-
mosphere of long-kept lavender and
pennyroyal.
	Peculiarity in any kind requires en-
couragement in order to reach flower.
The increased facilities of communica-
tion between points once isolated, the
interchange of customs and modes of
thought make this encouragement more
and more difficult each decade. The
naturally inclined eccentric finds his
sharp outlines rubbed off by unavoidable
contact with a larger world than owns
him. Insensibly he lends himself to the
shaping hand of new ideas. He gets his
reversible cuffs and paper-collars from
Cambridge, the scarahieus in his scarf-
pin from Mexico, and his ulster from
everywhere. He has passed out of the
chrysalis state of Odd Stick; he has
ceased to be parochial; he is no longer
distinct; he is simply the Average Man.</PB>
<PB REF="IMG00137" SEQ="0137" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="129">it</PB>
<PB REF="IMG00138" SEQ="0138" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="130">

WALTER SCOTT.

ENGRAVED BY AND W, FROM A Pill ~T TN THE POSSESSION OF MRS. JAMES F. FIELDS.</PB></P>
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<TITLE TYPE="MAIN">Scribner's magazine. / Volume 5, Issue 2</TITLE>
<TITLE TYPE="OTHER">Commentator</TITLE>
<TITLE TYPE="OTHER">Scribner's commentator</TITLE>
<PUBLISHER>Charles Scribner's Sons</PUBLISHER>
<PUBPLACE>New York </PUBPLACE>
<DATE>February, 1889</DATE>
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<BIBL>
<AUTHOR>E. H. Woodruff</AUTHOR>
<AUTHORIND>Woodruff, E. H.</AUTHORIND>
<AUTHOR>Andrew D. White</AUTHOR>
<AUTHORIND>White, Andrew D.</AUTHORIND>
<TITLE TYPE="ART">Walter Scott At Work</TITLE>
<BIBLSCOPE TYPE="pg">131-151</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00139" SEQ="0139" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="131">SCRIBNERS MAGAZINE.
FEBRUARY, 1889.
WALTER SCOTT AT WORK.
INTRODUCTION.

By Andrew D. White.

TWENTY years ago, while in Lon-
don to secure men and material
for the organization of Cornell
University, I found on sale a mass of
manuscripts and proof-sheets of Sir
Walter Scotts novels. Of these two
classes of remains, the proof - sheets
seemed to me the more interesting,
for they revealed the process in Scotts
mind intermediate between his first
draft and his work as finally publish-
ed, and I secured those of Peveril of
the Peak. They were a curious jum-
ble of print and manuscript. There
were various readings in texts, additions,
suppressions, explanations, discussions
between Scott and Ballantynesome of
Copyright, 1889, by Charles Scribners Sons. All ri~hts reserved.
them sharp, all of them pithyand there
were mottoes, after Scotts well-known
fashion, pasted in or pinned in, forming
a mass which would have gone to pieces
long before but for the fact that some
one had been thoughtful enough to se-
cure the whole by a good, strong, hon-
est binding.
	The interesting and valuable thing in
such a collection is, of course, that it
throws light on the evolution of a Wa-
verley novel, showing how the creations
of Scotts genius were developed into
that final form which so enthralled the
world.
	For many years I have hoped to write
an article to aid in throwing light into
VOL. V.
No. 2.
2
~	jzT~~et,(q.</PB>
<PB REF="IMG00140" SEQ="0140" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="132">	132	WALTER SCOTT AT WORK.

that evolutionary process which these
proof-sheets show, but various duties
have forbidden it, and I now gladly en-
trust the matter to the competent hands
of Mr. Edwin H. Woodruff.
	My hope is that even with such slight
material as this he may arouse in the
minds of some of the myriads of readers
of ScRIBNERs MAGAZINE the wish to know
more of The Wizard of the North.
Never was there a more healthful and
health-ministering literature than that
which he gave to the world. To go
back to it from Flaubert and Daudet
and Tolstoy is like listening to the song
of the lark after the shrieking passion
of the midnight pianoforte ;nay, it is
like coming out of the glare and heat
and reeking vapor of a palace ball into
a grove in the first light and music and
breezes of the morning.
	It is not for nothing that so many
thousands have felt toward Scott a deep
personal gratitude, which few, if any
other writers of English fiction have
ever awakened. My own case is doubt-
less typical of thousands. In his novels
I first caine under the spell of genius in
fiction, and in my reading of them the
first happened to be what is usually
called the least inspired The Monas-
tery. But no matter, I gave it three
readings, end over end, and followed
it with other novels from the same
source as rapidly as my dear family
Puritan authorities would permit, or as
often as they could be evaded.
	So far from stimulating an unhealthy
taste, the enjoyment of this fiction
created distinctly a taste for what is
usually called solid reading, and es-
pecially a love for that historical reading
and study which has been a leading in-
spiration and solace of a busy life.
Quentin Durward first showed to me
a boy of twelve yearssomething of
the real significance of history. Scotts
pictures of Louis the Eleventh, Charles
the Bold, William de la Marck, the
scene with the astrologer in the Castle
of Peronne, the assassination of the
Bishop of Li6ge, unhistorical though
they sometimes are, introduced natural-
ly into the mind of a thinking boy an
idea of that great transition from Feu-
dalism to Absolute Monarchy which is
one of the most important and sugges-
tive facts in the development of modern
civilization. After Scott, too, such a
boy is very likely to take up Philippe de
Comines, and no better entrance than
that into modern history can be con-
ceived.
	What a joy and inspiration Scott gave
to thoughtful young men of my time!
What a world he gave them to live in!
How there comes back to me from the old
days at Yale the remembrance of the
most delightful of young scholars, the
best of fellows, the sturdiest of Chris-
tians, who, while carrying all before
him in Greek and Latin, and wielding a
stout cudgel in defence of Dr. Pusey,
made the paths under those old elms
resound with laughter by some apt quo-
tation from Scotts droller heroes.
	I cannot but think that anything
which shall recall to the readers of
Madame Bovary, and the Nabab,
and Anna Kar6nina the existence of
Ivanhoe ~ and St. Ronans Well, and
Guy Mannering, and The Fortunes
of Nigel, or even of The Talisman
and Count Robert of Paris, will be of
use to them; and if it shall lead them
to go further into the great fields which
Scott opened, passing through Victor
Hugos Notre Dame, and finally reach-
ing Manzonis Promessi Sposi, the
most beautiful romance ever written, it
seems to me that there may come a
blessing not merely to their minds, but
also to their hearts and souls.
ANDREW D. WHITE.

LONDON, NOVENBEN 21, 1S88.</PB>
<PB REF="IMG00141" SEQ="0141" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="133">



WALTER SCOTT AT WORK.

By E. H. Woodruff.

FANCY allows itself to be added to
or subtracted from numbers with
as much ease and effect as if it
were itself merely a subject for math-
ematical computation. A statistician
playing with the census may transform
even that unadorned tabulation into a
vivid narrative and lend to numerical
figures all the animation of rhetorical
figures.
	Sir Walter Scott has not escaped the
statistical juggler, and we are given a
lively idea of the former immense popu-
larity of the great Scotchmans romances.
Down to 1856, there had been printed
of his Life and Works 7,967,369 vol-
umes, requiring 99,592 reams of paper,
~which weighed 1,245 tons. The Peo-
ples Edition required 227,831 reams,
or 2,848 tons of paper. The number of
sheets used was 106,542,438, which, laid
side by side, would cover 3,363 square
miles. During the period when Scott
was editing the Complete Edition of his
novels no less than a thousand persons,
one hundredth part of the population of
Edinburgh, were occupied in the manu-
facture of the books. In other words,
imagine a townor Western cityof
three or four thousand inhabitants find-
ing their sole support in the mechanical
production of the romances of one liter-
ary man.
	Not less marvellous was the fecun-
dity of Scotts own labors. In the
year 1814 alone, he wrote nearly the
whole of the Life of Swift, the second
and third volumes of Waverley, The
Lord of the Isles, two essays for the
Supplement to the Encyclopa~dia Bri-
tannica, the introduction and notes to
the Memorie of the Somervilles, anno-
tations to a reprint of Rowlands Let-
ting Off the Rumours of Blood in the
Head Vein, 1611, and kept up an un-
stinted correspondence with his friends;
and all this literary activity was inter-
rupted by a two months voyage to the
Hebrides, and by constant attention to
the financial perplexities of the Ballan
~ Isess r~</PB>
<PB REF="IMG00142" SEQ="0142" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="134">	134	WALTER SCOTT AT WORK.

tyne press and publishing house, in
which his pecuniary interests were in-
volved. He seemed to feel after this
stress of work that, as he expressed it, he
needed to refresh the machine, so he
set out for Abbotsford and refreshed
the machine by writing the three vol-
unies of Guy Mannering in six weeks,
at Christmas time. In the three years
from 1827 to 1830, while he was under
the pressure of a load of debt so large
that it seemed as if nothing less than
some bold and speculative venture in
trade could remove the burden within
the few years left to him, he wrote about
thirty original volumessomething like
ten for each of these years.
	The greatest literary genius must live
and move, in part at least, by the mo-
mentum of bulk. Shakespeare, Balzac,
Thackeray, Hugo, Goethe, and Brown-
ing impress men deeply by the body of
work that warrants and defends any sin-
gle effort or selected beauty chosen from
their works for particular admiration.
Scott, too, remains in literature with all
the advantage of such a momentum.
Within five years after the fame of
Waverley had gone abroad, he was
read by all Europe and America; he
counted among his friends most of his
illustrious contemporaries in literature,
science, and politics; and the annual
profits of his novels were as much as
10,000. Goethe and Balzac, German
and Frenchman, devoured Scotts ro-
mances with all the eagerness and ab-
sorption of a school-girl over a love
story. School-girls read Scott with the
fixed spell of a Goethe meditating upon
Soul-development, or with a sense of
aid.  ~
the reality of Jeanie Deans and Dalgett~
equal to that which Balzac felt in the
actual existence of his own characters
Yet the wonderful appreciation of the
Waverley novels might indicate in Scott
nothing more than the gift of entertain-
ment or the gift of instruction, or per-
haps both. If that were so then his
fame must fade as modes of entertain-
ment and instruction change. Do all
these novels of Scott convey what De
Quincey calls the knowledge of power?
Was this great bulk of composition the
careless richness of a Shakespeare,
or was it merely the abundant milled
product of a Dumas the Elder?
	Goethe and Balzac tell us that the
novels of Scott are great works of art,
and they both held art as a word not to
be lightly used. To Goethe indeed it
was now a shibboleth to rally the elect,
and now an incantation which could
banish remorse from super-sensualism
and atone for the behavior of the mal-
odorous menagerie of tame animals,
as Niebuhr calls the characters in Wil-
helm Meister. To Balzac art was some-
The Garden Wall at Abbotsford,</PB>
<PB REF="IMG00143" SEQ="0143" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="135">	WALTER SCOTT AT WORK.	135

receive an indelible impression of human
virtue and weakness from the carnival
of clients and witnesses that dance at-
tendance upon the courts year after
year, and if he be at all imaginative he
will have his powers of invention and
aptitude for finesse stimulated to such a
degree that, for the general welfare, the
safest outlet for his activity is through
the indirections of literary art.
	Scott had an aversion to the mechani-
cal effort of writing, and how effectually
he was helped to overcome it by his ap-
prenticeship may be understood when
he tells us that he remembers having
written during that period upward of
one hundred and twenty folio pages
without interval for food or rest. He
had, too, an out-of-doors temperament
and an echo of the shout of the barbaric
clansman in him, which was humanizedi
into articulate utterance by his captivity
in the law. In the invention and narra-
tion of oral romances, while a student,
he had relief from the tediousness of
his office work, just as in later life he
found his power of composition stirred
by the perusal of a dull or idle book.
	But there were other sources whence
he drew the vast store of material
which he accumulated against the day
of his literary productiveness. Con-
vivial pleasures down to the time of his
marriage; the fortunate friendships of
his youth and later years; the romances,
thing sacred, and he willingly gave to it
days and nights of unparalleled literary
labor. Remembering, then, the great
productivity of Scotts pen and the re-
markable tributes to the artistic value
of the product, it is justifiable to ask
under what conditions the Waverley
novels were composed, what literary
habits distinguished their author, and
what economies enabled him to make
such a vast contribution, both in quan-
tity and quality, to the permanent fund
of English literature.
	And there is another reason why
Scotts literary habits have a special in-
terest. He may be said to be the father
of a ~ew race of literary workmento
be the prototype of the authors of to-
day, with their regular habits, methodi-
cal industry, proper remuneration, and
general sanity. Scott did not wait for
inspiration nor while away the inter-
vals between inspirations in irre-
sponsible Bohemianism. He had no
fantastic notions about genius, but he
did have a literary gift which he used
in an eminently rational way.
	Like so many men who have attained
fame in literature, he was early dropped
into a legal apprenticeship, that hopper
which catches nearly every youth into
whose immature dispositions parents
or friends have spelled the signs of fut-
ure greatness. Nor is such an occupa-
tion altogether the most unprofitable
one for a boy who may
afterward drift into litera-
ture. The drudgery of -
copying, the dreary itera-
tion and drowsy reitera-
tion of declaration and
plea. replication and re-	$

joinder, surrejQinder, re- _ K
butter and surrebutter, cul	~
tivate patience and a me-
chanical facility in the use
of the pen; both of which
habits are important fac-
tors in literary production;
the former giving artistic
value to the werk and the
latter contributing to its		                ~
bulk by avoiding the loss
of energy incident to laborious	effort in	oral and wiitten of his own and other
expression.		languages we cannot say literatures,
	In addition to these habits, a youth for many of those shapeless romances
of ordinary perception will necessarily were not to become literature until they</PB>
<PB REF="IMG00144" SEQ="0144" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="136">	136	WALTER SCOTT AT WORK.

had been composed by Scott himself
his quest of curious knowledge and the
minuteness of his research; those joy-
ous pedestrian tours, impregnating him
with the spirit of Scotch scenery and
tradition ; a marvellous memory retain-
/1 ~ / ~
1!
Stairway in the Library.


ing all acquisitions and quick to honor
every demand upon it; the ringing
moral tone of his own native chivalry,
disciplined by perfect familiarity with
the Bible ; these were the things that,
being energized together in Walter
Scott, were transformed into gold and
fame.
	Perhaps of chief value to him were the
excursions in which he sought old
romances and found both the romances
and health. For seven successive years
he explored Lid~esdale with a com-
panion, who tells us that Scott was
makin himsel a the time, but he didna
ken maybe what he was about till years
had passed; at first he thought o little,
I dare say, but
the queerness
and the fun,~~
and it is small
wonder that
these jaunts
were profita-
ble to him, for
	wherever he stop-
ped how brawlie he
suited himsel to ev-
erybody! He aye did
as the lave did, nev-
er made himscl the
great man or took
ony airs i the com-
pany.
Scenery was to him
	chiefly interesting when it was
connected with a folk-tale or with
some bit of more authentic history.
Although, unlike Wordsworth, he
held no high spiritual communion
with Nature, he did nevertheless
	feel the throb of her pulse even in
the gray monotone of his own hills
and in the fringeless Tweed. One who
lacks susceptibility to nature could
hardly say with Scott, If I did not see
the heather at least once a year I thin/c
I should die.
	It has been suggested that his connec-
tion with the law helped him; but in
one important respect it did not help
himexcept as it impelled him toward
a literary career. The total amount he
realized from the first ten years of his
practice was, as his fee-books show,
about 1,100, the annual receipts being
from 24 to 200; and this total amount
of his first ten years of law practice was
equal to about one-eighth of the cash
sum for which he sold Woodstock, a
novel that cost him less than three
months work. However, with his char-
acteristic good sense he did not give up
the law until he had secured a safe place
in literature.
	In 1806 he was appointed Clerk of
the Session, an office that demanded his
attendance in court four to six hours
  ~~	7



















V..  .. -.</PB>
<PB REF="IMG00145" SEQ="0145" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="137">	WALTER SCOTT AT WORK.	137

daily during half of the year, and also re-
quired much time in the study of legal
authorities and papers at home; for his
duties were not merely mechanical, and
that part of his work which called upon
him to reduce to writing the oral de-
cisions of the Court could be done in-
telligently only by one who had a good
knowledge of the law. While in town,
therefore, he had to crowd his literary
work into the time before breakfast and
into such evening hours as his legal and
social duties might leave to him. So-
cial duties spoke to him with as stern a
voice as did the strict routine of his of-
fice, and he graciously obeyed, although,
if his own choice had been consulted, he
would have loved being a bear and
sucking his paws in solitude better than
being a lion and ramping for the amuse-
inent of others. In Edinburgh he was
a writer producing as much as if his
sole occupation were authorship; a
Clerk of the Session engaged in appar-
ently enough official work to preclude
any other demand upon his time; a so-
cial being unwearied as an ambassador
in his attention to the conventionalities
and a public-spirited citizen actively
interesting himself in charitable and
educational work. Scott is an example
of those men, formerly to be found only
in the ranks of statesmen, but now com-
mon in professional and industrial pur-
suits, who, paradoxical as it may seem,
are capable of assuming unlimited ad-
ditional burdens simply because they
already have so many to carry. The
secret of his literary economy consisted
in his method, his swift generalization,
his patience and accuracy in details, and
most of all in never permitting himself
to be doing nothing.
	His work was not affected by his sur-
roundings, and he labored as faithfully
in his little den in town as in the much
sight-seen library at Abbotsford, al-
though the former room seemed es-
pecially adapted for a literary workman.
As a rule it is undoubtedly true that,
Alcove in the Library.</PB>
<PB REF="IMG00146" SEQ="0146" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="138">	138	WALTER SCOTT AT WORK.

while the country is the place for med-
itation and preparation, the city is bet-
ter suited to stimulate the productive
powers. Most ornamental plants get
their strength of stem and spread of
leafage from plenty of garden room, but
they flower more freely when their roots
are crowded into narrow jars of earth.
The den in Castle Street was a small
room with a single window and a single
picture, the window looking out upon a
patch of turf, just large enough to pro-
voke the imagination of one who loved
the country. The walls were entirely
hidden by books arranged systematically
in classes, the cases and shelves of each
class being plainly lettered. Each book
In the Armory.


had its proper place, and if one were
loaned, a wooden block bearing a card
with the name of the borrower and date
of the loan stood substitute on the shelf.
The books were all richly bound and
never misused; indeed Scott confessed
himself a great coxcomb about them
and hated to see them specked or spot-
ted. A few reference books were at hand
near the massive table where he worked;
and within reach were his Session
papers, literary manuscripts, sheafs of
letters and proof-sheetsall neatly tied
up. There was no picturesque disorder,
no posing. All his writing apparatus
was in perfect order. The rest of the
furniture consisted of two chairs, and a
step-ladder upon which a big tom-cat
usually lay dozing. Hard work, a dinner
engagement, an evening at the theatre,
or a ride with a friend, made up Scotts
life in Edinburgh.
	In the country at Ashestiel, before he
had drawn upon himself the cares of
the Abbotsford estate, his days were at
first busy with the affairs of his small
farm, his hunting, and the care of his
relatives woods. The long solitary
evenings were given up to writ-
ing. But he afterward found that
working at night was likely to
bring on his nervous headaches
and that he was only half a man
unless he had seven hours of utter un-
consciousness ; thenceforth his habits
in the country were those described with
delight by the many who enjoyed the
hospitality of Abbotsford.
	He arose at five oclock, lit his fire,
shaved and dressed himself with par-
ticular care, for he disliked any sort of
slovenliness, and by six oclock he was
busy at his desk, his papers and books
of reference where he could find any one
of them without the loss of a moment.
He worked until eleven or twelve oclock,
save for his breakfast hour between nine
and ten, and by one oclock he was on
horseback. A visitor at Abbotsford says
it was a pleasant sight to see the gal-
lant old gentleman in his sealskin cap
and short green jacket lounging along a
field-side on his mare and pausing now
and then to joke with a laboring man or
woman. The dinner hour was early,
and the host and his family with their
guests passed a short evening in con-
versation and music. This plan was
modified somewhat by a rainy day or an
early start on a longer ride than usual
However, as he said, he broke the neck
of the days work before breakfast.
Guests at Abbotsford wondered when
Scott found time to write the anony-
mous romances that were following each
other so rapidly from the press, and
marvelled how it was physically possi
17</PB>
<PB REF="IMG00147" SEQ="0147" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="139">	WALTER SCOTT AT WORK.	139

ble for him to be the author of them
to say nothing of the literary work be-
ing published under his own name.
His guests rode, hunted, and walked
with their host, who, never grudging
Study Window from the Garden.


the time thus given, showed them land-
scapes and filled every scene with action
of feuds or illumined it with some an-
cient ballad or curious story.
	The shouts of children at play, the
hammering carpenters and masons, the
dogs leaping in and out of the open
window, these noises never disturbed
him at his work. The children had free
access to his study, and as he was ever
ready to stop work and tell them a story
the little ones must have elicited from
him the fragments of many an unwritten
Waverley.
	Though Scott devoted few hours to
the mere putting of his thoughts on pa-
per, yet the creative process was going
on at other times. The lusty children
of Nature may not be, as Edmund says,

Got tween asleep and wake,

still the most virile children of a novelists
imagination may be conceived at just
that time when, according to Schopen-
hauer, consciousness turned inward in a
half-dream attains to actual clairvoyance.
And Scott himself bears witness to this
condition when he tells us, I lie sim
mering over things for an hour or so be-
fore I get upand there is the time Im
dressing to overhaul my half-sleeping,
half-waking projet de chapitre, and when
I get the paper before me it commonly
runs off pretty easily.
	A peep at Sir Walter busy with his
work shows a man who must be more
than six feet high, with a chest deep
and broad enough to assure
	great recuperative powers,
a head of the remarkable
height of Shakespeares in
the Stratford bust, and
small lightish-gray eyes
deeply set under pro-
jecting eyebrows
which are hedged
witl~ coarse, red-
dish - gray hair.
Balzac, with one of
his confident half-
truths (bigger than
some persons whole
truths), remarks that
	the face of a genius resembles that of
a horse; and certainly both the face of
Shakespeare and that of Sir Walter seem,
even to what might be called the long
neighing upper-lip, to warrant at least
the suggestion of such a resemblance.
Scotts complexion is coarse, without
bloom, and dappled with freckles; but
his face is open, sagacious, and benevo-
lent. In one hand his pen, held firmly
at a distance, moves at a dashing trot
over the paper, while his other hand is
left free to pat the favorite dog standing
at his side.
	Scott, behind all his will and energy,
required some constant stimulus com-
pelling him to work; now it was the
founding of a family and estate, now
the payment of a crushing debt. Ml
his life lie hated task-work, although he
did a great deal of it, and the mere fact
that he felt the execution of any par-
ticular work imposed upon him drove
him almost irresistibly toward another.
He thought, too, that his best work
was usually done under necessity, when
he could hear the printing press thump-
ing and clattering behind him. I can-
not pull well in long traces, when the
draft is too far behind me.
	Early in 1810, before the days of
Waverley and its fame, he was Secre</PB>
<PB REF="IMG00148" SEQ="0148" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="140">	140	WALTER SCOTT AT WORK.

r

Entrance Gate to Abbotaford.

tary to the Judicature Commission, which
sat daily during all the Christmas vaca-
tion; he was editing Swift at the rate
of six, and Somers at the rate of four
sheets each week ; he was writing re-
views and songs, making selections, su-
perintending rehearsals; he was writing
The Lady of the Lake ; and in addi-
tion to all this he attended to his duties
as Clerk of the Session, four hours every
day except Monday, and did not neglect
his social engagements. On every side
publishers solicited him with proposals,
and in later years he says of all this
activity: Ay, it was enough to tear
me to pieces, but there was a wonderful
exhilaration about it all; my blood was
kept at fever-pitchI felt as if I could
have grappled with anything and every-
thing; then there was hardly one of all
my schemes that did not afford me the
means of serving some poor devil of a
brother author.
	The year 1816, during which Scott
produced nine volumes, affords another
instance of his tremendous capacity for
work. This unconquerable industry
did not flag even when he was travel-
ling, and in the morning he rarely ever
resumed his journey, whether from
noblemans seat or country inn, without
forwarding a package directed to the
printer at Edinburgh. He found dog-
ged persistency at composition was an
unfailing remedy for discouragement,
and that adversity drew out the best
that was in him.
	Scotts researches were more than
cursory, and in his letters to Ellis the
close and minute discussion of antiqua-
rian matters at times strongly suggests
the shrivelling focus of the spectacles
worn by our contemporary German
professors who devote a course of half
a dozen lectures to the date of the birth
of Bishop Ulfilas. In preparing notes
to the political poems in his edition of
Pryden he waded through hundreds of
pamphlets of the time, and spent several
weeks in London poring over pamphlets
and manuscripts in the British Museum
Library; his edition of Swift shows fa-
miliar acquaintance with the obscurest
details of the history of the time of
Queen Anne; when he was writing
Quentin Durward he was many times
seen studying over maps and books in
the Advocates Library: and in prepara</PB>
<PB REF="IMG00149" SEQ="0149" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="141">	WALTER SCOTT AT WORK.	141

tion for the Life of Napoleon one
wagon-load of a hundred bulky volumes
of the Moniteur was dumped at his door,
while he was almost buried in a drift of
other material gathered at home and
abroad.
	fllness and intense bodily pain could
no more deter him from writing than
could travel or pleasure. The greater
part both of Ivanhoe and The Bride
of Lammermoor was dictated, and in
its composition was punctuated by the
groans of the suffering author. When
the amanuensis, Laidlaw, besought him
to spare himself, Scott replied, Nay,
Willie, only see that the doors are fast.
I would fain keep all the cry as well as
all the wool to ourselves; but as to
giving over work, that can only be done
when I am in woollen. Here, too, is
again displayed that tender considera-
tion for the comfort of others which
built the little stairway at Abbotsford
so that he might not disturb the rest of
any of the household when he should
happen to linger late at night over his
work. These excruciating pains which,
as he said one time, set him roaring
like a bull-calf, had a curious effect;
for when The Bride of Lammermoor
was put into his hands in its complete
shape, the only recollection he had of its
contents was of the incidents in the origi-
nal story with which he had been famil-
iar from childhood. And when he now
read his own creation it was with no
more knowledge of what he had written
than if the novel had been the work of
someone else ; indeed while reading it
he was in constant fear that every leaf
he turned might reveal some inconsis-
tency or absurdity.
	Sir Walter was never a believer in
vacations for absolute rest. He did not
allow his literary fields to go untilled;
for he believed that the soil could be
replenished by proper rotation of crops
better than by mere idlenessthat some
growths could bring back to the soil the
strength that other growths had taken
away. The dulness of editorial work,
of annotation and antiquarian research,
brought food to him for his imagina-
tion. When one work was finished he
immediately took up another: Anne of
Geierstein was completed one morning
before breakfast, and after breakfast he
began his compendium of Scottish his-
tory.
	Just after this compendium appeared
Lockhart called upon Dr. Lardner, who
had published it, and pointing out Scot-
ticisms and solecisms, angrily asked how
they had been allowed to pass. Why
what could I do ? said Lardner. Do!
Lockhart replied; alter them, to be
sure. Lardner was surprised: Alter
Scotts writing! I should never have
thought of taking such a liberty. We
always do it, said Lockhart; Scott is
the most careless fellow in the world,
and we look at all his proofs. It must
be confessed that Scott was careless,
partly on principle and partly because
he could save time by allowing his prin-
ter, James Ballantyne, and Lockhart to
correct the errors and inconsistencies
incident to rapid composition. Sir
Walter thought it better to be slatternly
than tedious; and he was strengthened
in this belief by his study of Dryden
while he was editing that poets works.
Scott believed that one should write
with spontaneity and buoyancy; that
the words should bound along and not
lag to quarrel with each other over their
places or relative rank; in brief, as he
put it, in Drydens own words, language
should never be cursedly confined.
His carelessness may alsd be attributed
in part to the influence of his vast fund
of formless popular stories and ballads.
	He makes the sun set in the German
Ocean, and his sacred topography is as
daring as Shakespeares geography in
the Winters Tale. In The Legend
of Montrose, he uses in one place west-
ward for eastward; in Kenilworth
the common text has In the employ-
ment both of Burleigh and Cecil, but
Burleigh and Cecil are the same person,
and it should probably read Walsingham
instead of Cecil; in The Fortunes of
Nigel Septuagint should be Vulgate;
and in Anne of Geierstein there are
two instances where Nancy should be
Aix. In Guy Mannering it is said
that the Bishop, at his death, bequeathed
his blessing, his manuscript sermons,
and a curious portfolio containing the
heads of the eminent divines of the
Church of England; but, a few chap-
ters farther on, Dominic Sampson is
found occupied in the arrangement of</PB>
<PB REF="IMG00150" SEQ="0150" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="142">	142	WALTER SCOTT AT WORK.

the late Bishops library which had been
conveyed thither in thirty or forty carts.
After these great works had been cast
in his mould Scott was content to leave
to other hands the filing of the rough
John Gibson Lockhart.


edges. In this way alone could he ac-
complish so nrnch work and at the same
time insure himself against finical criti-
cism. The second and third volumes of
Waverley were written between June
4th and July 1st. One volume of Wood-
stock was written in fifteen days, and
Scott said that it might have been writ-
ten in much less time had he not taken
exercise nor been obliged to attend the
Court of Session from two to four hours
daily ten days out of the fifteen. Still,
as the volume was worth 1,000 at the
cheapest, it cannot be considered an un-
profitable fortnights work. There is,
however, in the history of literary fertili-
ty another fifteen-day record equal to this
of Scotts; for within the same length of
time Lope de Vega is known to have
written five full-length dramas.
	The manuscript page of one of the
Waverley novels is of quarto size, evenly
written in a free and open hand, with-
out a dotted i or a crossed t. A
short dash alone indicates the place for a
punctuation mark, but the mark itself is
left for the printer to insert. The writ-
ing is so uniform as to suggest that it
might almost have been projected
against the paper by a single effort
rather than penned line byline. Indeed
the handwriting was so regular that
Scott could froni the amount of copy
calculate exactly to a page the length of
a volume: this he has done on the mar-
gin of a proof-sheet of Peveril of the
Peak.
	Each of these pages of copy contained
about 800 words. At the time of the corn-
position of Ivanhoe three such pages,
equal to fifteen or sixteen of the original
impression, were considered a days
work, although later he often exceeded
that number. He records the result of
one days work as six manuscript pages
or about twenty-four pages of print;
another day he wrote copy enough for
thirty pages of print; and one day of
hard work on The Fair Maid of Perth
supplied the printer with manuscript
for forty pages of print. Occasionally
the bottom of a manuscript page shows
the flourish used by lawyers to prevent
the insertion of forged additions,cer-
tainly an unnecessary scroll for a Wa-
verley novel.
	In order to preserve the anonymity of
the author the manuscript of the novels
was given to Mr. George Huntley Gor-
don, who copied it for the printer, lest
in the original the compositor might
recognize Scotts handwriting. Two
copies of the proof were struck off; one
copy was corrected first by James Bal-
lantyne, the printer; then sent to Scott,
who made additional corrections and
considered the many suggestions offered
by Ballantyne; and then returned in
order that these corrections might be
copied for the compositor by another
hand upon the second proof-sheet, which
had been left clean for this purpose.
Thus the compositor did not see Scotts
autograph manuscript nor touch the
original corrected proofs, which, un-
soiled as a new book, reveal upon their
margin the true picture of Sir Walter at
work.
	Since the death of Scott and James
Ballantyne, their pecuniary relations
have been made the subject of an ill-
natured pamphlet controversy which
only resulted in showing that, which-
ever one may have been the cause of
their financial disaster, they remained
the best of friends. These proof-sheets</PB>
<PB REF="IMG00151" SEQ="0151" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="143">	WALTER SCOTT AT WORK.	143

leave no doubt of that, and further
prove that Ballantyne, with his courage-
ous and unprejudiced criticism, covered
many a small error through which the
slashing reviewers of the first half of
the present century might have pierced
a vital part. Ballantyne was one of
several, Lockhart included, who are
chiefly valued for their nearness to Scott,
just as the value of lesser dwellings is
increased by proximity to some magnifi-
cent architectural pile. Ballantynes atti-
tude toward Scott was deeply respectful,
often reverential.
	The following suggestions and dia-
logues taken from the proof-sheets of
Peveril of the Peak show Ballan-
tyne.s helpfulness and Scotts extreme
good-nature:
	f.	B. Should not some explanation be
given, how a bullet fired at a mans head,
and hitting him at a yards distance, did
not kill him?
	Proof-text. I would thou wouldst
give me some item of all this mys-
terv.
	J B. Allow me to say that 99 out of
100 novel-readers will be apt to make
the same request. The historical allu-
sions in all the preceding works were
generally, almost universally, under-
stood. But I think all this needs a de-
gree of knowledge which many will
want. il/ic ipso teste, if that were any-
thing to the matter.

	Proof-text. Summer-teeming lux-
ury.
	J. B. Do not understand.
	W. S. Am surprised, it being Shake-
spearean.

	Proof-text. He was never visited by
any doubt.
	J. B. See p. 127, where this very
doubt is strongly expressed by him.

When they were mounted, and as they rode slowly
towards the outer-gate of the court-yard, Bridge-
north said to him, It is not every one who would
thu~, unreservedly, commit his safety by travel-
Ii ag at night, and unaided with the hot-brained
A youth who so lately attempted hi8 life.
		~44	~	~









Facsimile of a Passage from the Proof-sheets of Peveril of the Peak, with Scotts and Ballantynes Marginal Notes.
(This and the following passages photographed from the originals in the possession of Andrew D. White, Esq.)


	W.	S. Yea, quoth the Earl, but not Scott thereupon changes it to any
today. permanent doubt.
	This seems to have been something of
a favorite quotation with Scott, for in a
letter to the Duke of Buecleuch several
years earlier he says of Scott of Harden:
He is exactly Priors Earl of oxford,
Let that be done which Mat doth say.
Yea, quoth the Earl, but not to-day.
Proof-text. The cutler agreed.
	J. B. He had gone down stairs in the
last sentence.
	Sir Walter hurries him back and the
line is changed to The cutler returned
at this summons and agreed.</PB>
<PB REF="IMG00152" SEQ="0152" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="144">	144	WALTER SCOTT AT WORK.
	Proof-text. Tell me what you know so as to have the full advantage of its
of Christians familiar, as he calls her. symmetry.
	PEVERIL OF THE. PEAK.	29


	The home-brewed was produced; and in lieu
of more vulgar food, a few shces of venison pre~
sently hissed iii the frying-pan, giving strong ~
room for inference that Lance Outram, in his Ca- ,
pacity of keeper,Z~tw z~m~. c;f tho:z v~-il ~ ~ho
rannct lick tLzU zwn fingors~ A modL~ sip of C~kr,~A~~A2
the excellent Derbyshire ale, and a tasting of the ~
	highly seasoned~	~

	Having put all necessary questions, and recci-
ved all sutable answers, respecting the state of ~

the neighbourhood, and such of her own friends ~ ~
as continued to reside there, the conversation be- ~-~- C,~4x((A
gan rather to flag, until Deb~i&#38; h found the art of

again renewing it~intcrest, by communicating to
her friends the dismal ~ that they mustsoon
look for deadI~ bad news from the Castle; for
that her present master, Major l3ridgenorth, had
been summoned, by some great people from Lon..
don, to assist in taking her old masters Sir Geof..
frey; and that all Master Bridgenorths ser-
vants, and seyeral other persons whom she na..
med, friends and adherents of the same interest,
had assembled a force to surprise the Castle;
and that as Sir Geoffrey was now so old, and
	~	LW t~4 41k- ~44~k~4~ ~ ~XAA~ ~f
 J. B. Had not Christian better be	 J. B. May I be guilty of a piece
sent out of hearing first?	of gross impudence? But, as it is,
 W S. Have they not driven on?	there is not ONE, out of all these mar-
	vellous works, in which some one per-
 Proof-text. I believe it, said Zarah,	son, or other, has not drawn him~ or
drawing up her slight but elegant figure,	herself, up to the full advantage of</PB>
<PB REF="IMG00153" SEQ="0153" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="145">	WALTER SCOTT AT WORK.	145

his or her height. Nay, twice or
thrice.
	Scott modifies the text accordingly.

	J. B. This motto is repeated in the
next chapter. [Facsimile on p. 146.]
Sir G. P. was drawn as a very sunken
man at the beginning of the bookpoor,
compared to Bridgenortli, and he is
even now indebted to him.
	W. S. Only embarrassed, and that
perhaps not known to Julian.

	A thousand, Zarah ! answered Christian;
~ ay, a hundred thousand, and a million to boot;
the creature is not, on earth, being mere mortal
woman, that would have undergone the thirtieth
part of thy self-denial.

~	believe it, said Zarah, drawing up het
s).ght but eleg~tnt figure, ci i~ to hi~-~  thc full




*~4


7~A~t~, 4 /~ (i/h b~4 J~444~ ~i~4~47~



	W.	S. My native land, good night.
Byron. You will or should have re-
ceived a letter noticing this blunder.

	Proof-text. But, Julian Peveril
	J.	B. Is there any occasion for giving
both names? You called another hero
Edward, or Waverley; but never Ed-
ward Waverley, as if there were two of
them. Miss Edgeworth I recollect called
one of hers always Clarence Harvey;
rarely Clarence or Harvey, and I disliked
it much.
	W.	S. People always called me Walter
Scott. [Facsimile on p. 147.]

	J.	B. Is no more of this motto to be
taken?
	W.	S. The whole passage, but I have
no Shakespeare. [Facsimile on p. 148.]

Proof-text. We have fortune.
J.	B. Not fortune, I think; at least
VOL. V.16
	The following marginal note is from
the proof-sheets of Woodstock now
in the British Museum Library:
	J.	B. Completing wants a nomina-
tive.
	W.	S. You certainly have had the
toothache. Why, it puts me in mind of
the epigram, when Pitt and Dundas
came drunk into the House of Com-
mons

I cannot see the Speaker, Hal, can you?
Not see the Speaker? dn me, I see two.

	In Lockharts Life of Scott, some
transcripts from the proofs of the Field
of Waterloo show much bandying of
this sort:
Proof-text.

The deadly tug of war at length
Must limits find in human strength,
And cease when these are passed.
Vain hope!</PB>
<PB REF="IMG00154" SEQ="0154" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="146">	146	WALTER SCOTT AT WORK.

	J.	B. I must needs repeat that the
deadly tug did cease in the case sup-
posed. It lasted longvery long; but,
when the limits
of resistance, of
human strength,
were passed 
that is, after they
had fought for ten
hours, then the
deadly tug did
cease. Therefore
the hope was not
vain
	W.	S. I answer, that
it did not,because the
observation relates to
the strength of those
actually engaged, and
when their strength was
exhausted, other squad-
rons were brought up.
Suppose you saw two
lawyers scolding at
the bar, you
might say.
this must I4~ M ~
have an
endhuman
lungs cannot hold
out,but, if the
debate were con-
tinued by the sen-
ior counsel, your north.
well-grounded ex-
pectations would
be disappointed
Cousin, thou wert
not wont to be so
dull!
	He always watched for Ballantynes
comments on the margin of the proofs
as if it were a graduated scale indicat-
CHAPTER VIII,
	Bessus. lt~achaljenge, sir; ist not?
	Gcntlc-man.1Tisal inviting to the field.
	Beirut. A nhinvitir~! A man now, to my thinking, had as weU
~give inc poisof with such a compliment.

-4
	LADY PEVElUL remained in no small anxiety
for several hours after her husband and the
CounLess had departed from Martindale Castle;
more especially when she learned that Major
Bridgenorth, concerning whose motions she made
private inquiry, had taken ~horse with a party,
and was gone to the westward in the same clirec-
tion with Sir Geoffrey.
	At length her immediate uneasiness a~
co~Ii~4.oE the safety of her husband and the Count-
ess was removed, by the arrival.~of Whitaker, with
her husbands commendations, ~nd an account of
the scuffle betwixt himself and Major Bridge-

A7

~t
	At the time when
Scott was worry-
ing over his money
troubles one of the
proof-sheets came
to him,pointing out
that he had repeat-
ed a whole passage
of history that he
had given before,
and he thereupon
writes in his diary these words from	ing fluctuations in the work; and in the
Chaucer:	last days of his failing strength the
	novelist looked eagerly and most often
	in vain for some exclamation of the
	printers delight. Here are some of Bal
There is na workeinan
That can both worken well and hastilie.
This mnst be done at leasure parfaitly.</PB>
<PB REF="IMG00155" SEQ="0155" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="147">	WALTER SCOTT AT WORK.	147

lantynes suggestions running alongside
the text on the proof-sheets of Pey-
eril of the Peak: Incomplete, ~~Iixi~
perfect, Incorrect, This is inimi-
table in all respects, Something not
clear in this, Capital! there is some-
thing new under the sun, There seems
as being a selection from one of the
hymns of Dr. Watts, whom she greatly
admired.
	What DeQuincey says of the invent-
ive faculty in Burke applies equally
well to Sir Walter: The mere act of
movement became the principle or cause
to be some want
of distinct-
ness here

most mag-
nificent, liJn-
intelligible and
probably incom-
plete, Repe-
tition. Scotts
own corrections
on the proofs are
chiefly confined
to matters of dic- ~
tion. When he
touches a word
he does so in or-
der to put in ad-
ditional color.
	The mottoes
at the beginning
of each chapter
were often not
inserted untilthe
proof was being
read by the au~ ~	~ 4,r ~
thor. They were	        U
generally com-
posed by S~ott
himself and cred-
ited to an Old
Song  or Old
Play, though
sometimes they
were actual quo-
tations taken ei-
ther from imme-
diate reference
or from memory.
Finding it too
troublesome to
hunt up suitable passages, he supplied by
invention any defect of his memory, and
he admits that sometimes, even when
actual names are affixed, it would be use-
less to seek the selections in the works
of the authors to whom he has credited
the quotation. To Scotts great amuse-
ment, one of these mottoes of his own
invention was recited to him by a lady
j e4~y ;i ~4
	of movement. Motion propagated mo-
tion and life threw off life. The very
violence of a projectile, as thrown by
him, caused it to rebound in fresh forms,
fresh angles, splintering, coruscating,
which gave out thoughts as new (and
that would at the beginning have been
as startling) to himself as to his reader.
Scott says he never could lay down a
thing seemed to announce as impending. But
....~ien Peveril, his youth considered, was strict
in judging his duty, and severely resolved in
executing it. He trusted not his imagination to
pursue the vision which presente.d itself; but
resolutely seizing ~ his pen, wrote to Alice the
following letter, explaining his situation, as far
as justice to the Countess permitted him to do


	I leave you, dearest Alice, thus ~ran the
letter,  1 leave you; and though, in doing so, t
but obeythe command. you have laid on me,
yet I can claim little merits for my compliance,
since, without additional and most forcible reaT.
6)
LA)	G~ ;64:Yv- ~~r ~ 4~TA~14.
~?A~ (*i~~&#38; e I ~,44444/1~ 4iA~ ~~LJv 4hm</PB>
<PB REF="IMG00156" SEQ="0156" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="148">	148	WALTER SCOTT AT WORK.
plan, or, having laid it down, could not
follow it. The action of composition al-
ways extended one passage and abridged
or omitted another, and the characters
were rendered important or insignifi-
cant by the strength they manifested in
asserting a place for themselves during
	It was not only in his habits of com-
position that Sir Walter was the pro-
genitor of our contemporary writers,
but also in the external relations of
professional authorship he seems to
have anticipated their generally self-
respecting attitude toward publishers,
CHAPTER XII.

The course of true love never did run smooth, &#38; c.


	THE celebrated passage which we have pre..
ftA~4-i fixed to this chapter, has, like ~4+ observations of
	the same author, its foundation in real expe-
	rience. The period at which love is felt most
	strongly, is seldom that at wbich there is much
	prospect of its being brought to a happy issue.
	The state of artificial society ~poses many corn.
	plicated obstructions to early~marriages; and the
	chance is very great, that tisey prove insurmount..
6~ I	ab1eLmow~, ~n fine, there are few j..WTI men who
	do not look back in secret to some period of their
	youth, at which a sincere and early affection was
	repulsed, or betrayed, or became abortivef from
	opposing circumstances. It is these little pas..
the composition of the story. They
might be given a good place at the start,
but if they retained that place, they
must do so because they were fit to sur-
vive. His ideas came to him as he
wrote, and a character had to adapt it-
self to them as the condition of its ex-
istence. When the author strains his
mind for ideas in purely imaginative
composition they dissipate as the per-
fume of a flower in the hand of a botan-
ist. Scott, while writing Woodstock,
more than once says that he has tied
the thread of the story so tight that he
scarcely knows how to loosen the knot;
and nearing the end of Anne of Geier-
stein he exclaims: But how to get
my catastrophe packed into the compass
allotted for it? . . . Theres no
help for it, I must make a tour de force
and annihilate both time and space.
jA~4~~-





4;
critics, and bores. He sold his work to
those publishers who would employ the
Ballantyne press, in which he was inter-
ested, and he said that, very much like
farmers, publishers thrive best at a high
rent and in general take the most pains
to sell the book that costs them the
most money.
	His anonymity was purely a matter
of business; it would not do for a
Clerk of the Session to write stories;
and, besides, had it been known at first
that Scott the poet was the author of
Waverley, the critics might have tried
to bar his way to the field of fiction.
Later the anonymity was preserved per-
haps for a purpose not wholly uncon-
nected with advertising; at least in
these days a suspicion of such a purpose
woi4d be excited.
	Sir Walters feeling about critics was</PB>
<PB REF="IMG00157" SEQ="0157" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="149">	WALTER SCOTT AT WORK.	149

sensible enough. When he had decided
to make literature his profession, he
resolved to write on serenely for the
public that paid for his books and not
to be provoked by the reviewers who
were paid to write about his books. He
knew that if he allowed himself to feel
annoyed by critical notices he would be
laying in a plentiful stock of unhappi-
ness for the rest of his life. As for per-
sonal attacks, he said: If my writings
and tenor of life did not confute such
attacks, my words never should.
Of course, Scott has been charged
with plagiarism. But what great au-
thor does not assert his right in some
degree to act upon Molieres principle,
Je prends mom bien o~ je le trouve.
Shakespeare took his material wherever
he found it had been appropriated by
an earlier writer,for there is such a
thing as pre-plagiarism. Sheridan con-
fessedly adopted Moli~res plan. Scott
did take a scene in  Kenilworth
from Goethes Egmont. But Goethe
said of it in a conversation with Ecker-
mann, Walter Scott used a scene from
my Egmont, and he had a right to do
so, and 1~ecause he did it well he de-
80
written by Scott alone. This Mr. Fitz-
Patrick told us that it was Scotts
brother in Canada who was deprived of
hard-earned fame by the ungrateful
brother at Abbotsford. Mr. Fitz-Pat-
rick did not prove it by a cipher, he
was above such foolery. He pointed
out the evidence given by Sir Walters
own words,words not always closely
connected, to be sure, but still Sir Wal-
ters own words. Fortunately, how-
ever, there were persons then living
who could truthfully have contradicted
Scotts denial of his own authorship had
he ever chosen to make one: they had
seen him write the novels and had read
them in his own handwriting. Had Mr.
Fitz-Patrick been born two hundred
years later he might have been the
author of a Great Scott Cryptogram !
Sir Walter suffered from all the spe-
cies of bores known at present, and his
treatment of them was altogether ad-
mirable. He was never testy to them,
and however much he may have been
annoyed by them he never let them
know it. There was the American
young lady who sent him the tragedy
of the  Cherokee Lovers, asking him to


P~VEUTL OF THE PEAIC


~t~l

ey3Ia~ wh~b ~ ~~ualJy nptig -vii m~h~1 s.
Now this rii~ -
nv~u
the subject.
brothcr.,.-.but I
A.
dare say you know all about it.

	Not I, on my honour, said Peveril; ~ you
know the Countess seldom or never alludes to
~1 Yes, replied the Count, I believe in her
4t4A~V heart she is something ashamed of that gallant

act of royalty and supreme jurisdiction, the con..

serves praise. And who would com-
plain because Scott took the facts for
the picture of old German manners in
one chapter of Anne of Geierstein
from Erasmuss dialogue Diversoria?
	Then, too, of course, the man arose
who clearly proved to his own satisfac-
tion that the Waverley novels were not
insert it between a prologue and epi-
logue of his own, secure its production
at Drury Lane, and have it published
by Murray or Constable. Scott had to
pay 5 postage on that package. Two
or three weeks later, he received from
the same young lady a duplicate of the
tragedy with a letter stating that she
12i~4~</PB>
<PB REF="IMG00158" SEQ="0158" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="150">	150	WALTER SCOTT AT WORK.

was afraid the first copy might have
been lost on the voyage; and on this
package, too, he was obliged to pay a
similar amount of postage. Then there
was the ancient gentleman full of hoary
jokes and frayed quotations, whom Scott
took for a walk. The visitor in an un-
suspecting moment mentioned the new
railway, and Scott, who had a minute fa-
miliarity with every cut, every elevation,
and the entire route of the proposed
road, seized the opportunity and talked
railway so fast, so furious, and so long,
never allowing the man to say a word,
that the bore fled, declining to stay to
dinner as he had previously been asked
to do. Oxford and Cambridge students
who had overran their allowance wrote
to Abbotsford for loans ranging from
20 to 100. A Danish naval officer
wrote to him stating that he had dream-
ed that Scott had advanced him a sum
of money and asked for the fulfilment
of his dream. One enterprising patent-
medicine dealer offered a share of the
profits from the sales of the nostrum if
Scott would give the medicine a recom-
mendation. And one woman was espe-
cially persistent: she first asked for a
contribution of money and received a
guinea; then she sent the manuscript
of a novel she had written and offered
Scott half the profits of the work if he
would publish it under his name; finally
she asked him to enter into partnership
with her for the sale of some Soothing
Syrup or other that she had invented.
	Only four months after the death of
Lady Scott, a woman of wealth and
high rank proposed marriage to him,
the offer coming through a privy coun-
cillor. Later a letter from a young
man announced that his sister supposed
that Sir Walter was only deterred by
modesty from proposing, etc., etc. But
after Scott had become old and ill, we
find this entry in his diary: God send
me more leisure, and fewer friends to
peck it away by tea-spoonfuls. Another
fool sends to entreat an autograph,
which he should be ashamed in civility
to ask as I am to deny.
	In Scott there was a remarkable asso-
ciation of literary genius and superb
common-sense. When he found that
The Lord of the Isles had disappoint-
ed the public he simply said, Since one
line has failed we must just strike into
something else. He understood the
fact that fashions in literature change,
and, as he was tied to no theory, he
gave the publicwhat it wanted. Lock-
hart thinks that Scott considered litera-
ture as something of far inferior impor-
tance to the concerns of practical life,
and that for this reason the novelist
preferred the society of men of affairs
to that of literary men. Concerning
Scotts wonderful good humor and
reasonableness Emerson said on one
occasion: His strong good sense saved
him from the faults and foibles incident
to poets,from nervous egotism, sham
modesty, or jealousy. He had no in-
sanity or vice or blemish. What an
oruament and safeguard is humor! far
better than wit for a poet or writer. It
is a genius itself and so defends from
the insanities.
	Yet with all his practical notions, Sir
Walter did think that there was in
imaginative writing such an agency as
inspiration. He says that at times such
composition seems to depend upon
something besides the volition of the au-
thor; and that more than once his fin-
gers appeared to set up independent of
his head. But he did not believe that
literary men should plead genius as a
defence for their weaknesses. Scott had
no liking for the bed-gown and slip-
per tricks of authors, and he had no
patience at all with Bohemianism, with
the foolish fastidiousness formerly
supposed to be essential to the poetical
temperament and which has induced
some men of real talents to become cox-
combs, some to become sots, some to
plunge themselves into want, others into
the equal miseries of dependence, mere-
ly because forsooth they were men of
genius and wise above the ordinary and,
I say, the manly duties of human life.
He liked even less the literary man who
looks upon men and women as so many
subjects for art treatment. The high
moral value of Scotts work comes from
his not regarding men and women
merely as specimens. He strove to
educate his heart by sympathetic inter-
course with his fellow-creatures. That
is the reason why the characters in the
Waverley novels are something more
than anatomical cross-sections.</PB>
<PB REF="IMG00159" SEQ="0159" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="151">	A SONG OF PLEASURE.	151

	Journeys, illness, misfortune had not
been able to stay the mighty pen, but
the time came when approaching death
reached out and wrung the wand from
his hand. Lockhart describes that scene,
and there is nothing in imaginative
literature, not even the death of Colonel
Neweome, more pathetic than Sir Wal-
ters last and futile effort to command
his powers. On Monday he remained
in bed, and seemed extremely feeble;
but after breakfast on Tuesday the 17th,
he appeared revived somewhat and was
again wheeled about on the turf. Pres-
ently he fell asleep in his chair, and
after dozing for perhaps half an hour,
started awake, and shaking the plaids
we had put about him from off his
shoulders, said This is sad idleness. I
shall forget what I have been thinking
of if I dont set it down now. Take me
into my own room, and fetch the keys
of my desk? He repeated this so
earnestly that we could not refuse; his
daughters went into his study, opened
his writing-desk, and laid paper and
pens in the usual order, and I then
moved him through the hall and into the
spot where he had always been accus-
tomed to work. When the chair was
placed at the desk and he fouid himself
in the old position he smiled and thank-
ed us and said Now give me my pen
and leave me for a little to myself.
Sophia put the pen into his hand, and he
endeavored to hold his fingers upon it,
but they refused their officeit dropped
on the paper. He sank back among his
pillows, silent tears rolling down his
cheeks; but composing himself by and
by, motioned for me to wheel him out
of doors again. Laidlaw met us at the
porch and took his turn of the chair.
Sir Walter after a little while again
dropped into slumber. When he was
awaking, Laidlaw said to me Sir Wal-
ter has had a little repose. No, Willie,
said he no repose for Sir Walter but
in the grave. The tears again rnshed
from his eyes. Friends, said he, dont
let me expose myself,get me to bed
thats the only place.
	Good sense and good cheer, great
heart and great mind, these made the
literary man who, looking back over his
life-work, could say: I have been per-
haps the most voluminous author of the
day, and it is a comfort to me to think
that I have tried to unsettle no mans
faith,to corrupt no mans principle.



A SONG OF PLEASURE.
By Maybury Fleming.

Au, me! for the snows of winter;
And oh! for the winds of March,
The crocus in the garden,
And the whorl upon the larch.

There has been no time for mourning,
There is all time now for mirth,
In the sweet fair face of heaven
And the dear close face of earth.

There is laughter in the snowflake,
The wind sings a roundelay,
And the green green grass is luscious
In the life of a summer day.

Then ah! for the snows of winter,
And oh! for the winds of March,
The crocus in the garden,
And the whorl upon the larch.</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0005/" ID="AFR7379-0005-17">
<BIBL>
<AUTHOR>Maybury Fleming</AUTHOR>
<AUTHORIND>Fleming, Maybury</AUTHORIND>
<TITLE TYPE="ART">A Song Of Pleasure</TITLE>
<BIBLSCOPE TYPE="pg">151-152</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00159" SEQ="0159" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="151">	A SONG OF PLEASURE.	151

	Journeys, illness, misfortune had not
been able to stay the mighty pen, but
the time came when approaching death
reached out and wrung the wand from
his hand. Lockhart describes that scene,
and there is nothing in imaginative
literature, not even the death of Colonel
Neweome, more pathetic than Sir Wal-
ters last and futile effort to command
his powers. On Monday he remained
in bed, and seemed extremely feeble;
but after breakfast on Tuesday the 17th,
he appeared revived somewhat and was
again wheeled about on the turf. Pres-
ently he fell asleep in his chair, and
after dozing for perhaps half an hour,
started awake, and shaking the plaids
we had put about him from off his
shoulders, said This is sad idleness. I
shall forget what I have been thinking
of if I dont set it down now. Take me
into my own room, and fetch the keys
of my desk? He repeated this so
earnestly that we could not refuse; his
daughters went into his study, opened
his writing-desk, and laid paper and
pens in the usual order, and I then
moved him through the hall and into the
spot where he had always been accus-
tomed to work. When the chair was
placed at the desk and he fouid himself
in the old position he smiled and thank-
ed us and said Now give me my pen
and leave me for a little to myself.
Sophia put the pen into his hand, and he
endeavored to hold his fingers upon it,
but they refused their officeit dropped
on the paper. He sank back among his
pillows, silent tears rolling down his
cheeks; but composing himself by and
by, motioned for me to wheel him out
of doors again. Laidlaw met us at the
porch and took his turn of the chair.
Sir Walter after a little while again
dropped into slumber. When he was
awaking, Laidlaw said to me Sir Wal-
ter has had a little repose. No, Willie,
said he no repose for Sir Walter but
in the grave. The tears again rnshed
from his eyes. Friends, said he, dont
let me expose myself,get me to bed
thats the only place.
	Good sense and good cheer, great
heart and great mind, these made the
literary man who, looking back over his
life-work, could say: I have been per-
haps the most voluminous author of the
day, and it is a comfort to me to think
that I have tried to unsettle no mans
faith,to corrupt no mans principle.



A SONG OF PLEASURE.
By Maybury Fleming.

Au, me! for the snows of winter;
And oh! for the winds of March,
The crocus in the garden,
And the whorl upon the larch.

There has been no time for mourning,
There is all time now for mirth,
In the sweet fair face of heaven
And the dear close face of earth.

There is laughter in the snowflake,
The wind sings a roundelay,
And the green green grass is luscious
In the life of a summer day.

Then ah! for the snows of winter,
And oh! for the winds of March,
The crocus in the garden,
And the whorl upon the larch.</PB>
<PB REF="IMG00160" SEQ="0160" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="152">



By Christopher P. Cranch.

WE love notyou and Ithese winters drear.
Beneath a star that might have been a flower
Of music and of verse, some balmy hour,
We both were born in Spring, the sell-same year.
Yet now the winter of our lives is near;
And while its dull gray clouds around us lower,
Though we must bow beneath their chilling power,
We wait with patient faith, and feel no fear.
Nor shall we grieve if the faint sunshine brings
The freezing 