01277cam  22002531  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127245009100144260005000235300001900285520036600304530012500670650001900795650004500814856009000859906002400949955002800973985002201001   05029203 //r98DLC19980618145306.6cr||||790302s1879    ilu           000 0 eng    a   05029203 //r98  aDLCcDLCdDLC00aGV1757b.G3704aThe german.bHow to give it. How to lead it. How to dance it.cBy two amateur leaders.  aChicago,bJansen, McClurg and company,c1879.  a132 p.c20 cm.  aThis manual, which is devoted entirely to performance of the popular parlor game, describes the duties of the hostess ("remove all unnecessary furniture"), appropriate music, refreshments, and choosing a leader.  Also included is a section on etiquette for guests participating in the German (also known as the cotillon).  More than forty figures are described.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aGerman (Dance) 4aDance Instruction and Technical Manuals.7 dmusdif003gurn:hdl:loc.music/musdi.003uhttp://hdl.loc.gov/loc.music/musdi.0032http  k l mxn7o7pPqM  aNEW INPUT th16 05-20-98  asmcd/musdieammem02499cam  22003971  4500001002100000003000400021005001700025007000700042008004100049010002500090040001800115043001200133050002100145130002000166245021300186260006500399300002800464500006400492500008200556520091000638530008601548650004101634650002001675650001801695650004501713650002401758650002101782700003201803700003101835730002801866740004301894856009001937906002402027955002802051985002202079   11030463 /MN/r989DLC19941114102708.4cr||||790302r16981651enk           000 0 eng    a   11030463 /MN/r989  aDLCcDLCdDLC  ae-uk-en00aMT950b.P68 16980 aDancing master.04aThe dancing master; or, Directions for dancing country dances,bwith the tunes to each dance, for the treble-violin. The 10th ed. corrected; with addition of several new dances and tunes never before printed.  a[London]bPrinted by J. Heptinstall, for H. Playford,c1698.  a2 v. in 1.c11 x 20 cm.  aVol. 2, 2d ed., has imprint: Printed for H. Playford, 1698.  aFirst ed. published 1651 [i.e. 1650] under title: The English dancing-master.  aOriginally published in 1650 under the title of The English dancing master, this work went through numerous editions from 1652 to 1728.  Compiled by John Playford (1623-1687), a publisher of music books, the treatise is considered an important work on English country dances, a form of dance where couples perform a series of set patterns.  In this tenth edition, Henry Playford notes that he has made corrections and added several new dances and tunes.  The work utilizes a rudimentary dance notation and page one of the treatise is devoted to an explanation of the symbols.  Part one contains 215 dances; part two has 46 dances and additional music for "A new spanish entry and saraband," as danced by Monsieur L'Abbe.  Appropriate music, in the form of a treble line, is provided for each dance.  Most of the dances are designated for longways sets of three couples, four couples, or "as many as will."  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancezEnglandxEarly works to 1800. 0aCountry-dances. 0aViolin music. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPlayford, john,d1623-1686?1 aPlayford, Henry,db. 1651.01aEnglish dancing master.01aDirections for dancing country dances.7 dmusdif004gurn:hdl:loc.music/musdi.004uhttp://hdl.loc.gov/loc.music/musdi.0042http  k l mxn7o7pPqM  aNEW INPUT th16 05-20-98  asmcd/musdieammem01610cam  22003131  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127245002400143246003300167250001500200260004600215300004100261500004700302500018300349520038800532530012500920650001901045650004501064700002301109856009001132906002401222955002801246985002201274   43030217 //r98DLC19980618152413.5cr||||781018q18901900fr af         000 0 fre    a   43030217 //r98  aDLCcDLCdDLC00aGV1757b.M300aManuel du cotillon.14aCotillon, manuel de la danse  aNouv. âed.  aParis,bOuachâeec[between 1890 and 1900]  a122 p.billus., col. plates.c18 cm.  aOn cover: Le cotillon, manuel de la danse.  aFolded broadside mounted on back cover: Polka, mazurke, schotisch et valse. Thâeories râeunies et publiâees par Eugâene Clâement ... Paris, L'auteur [n.d.] illus. 44 1/2 x 40 cm.  aThis late nineteenth-century manual is devoted to description of the popular parlor game, the German (also known as the cotillon).  Every page of the manual has an advertisement for Au Paradis des Enfants in Paris, a shop that sold party accessories for the cotillon, including tambourines for the leader, ball cards, hair ornaments, decorations, roulette wheels, and paper lanterns.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aGerman (Dance) 4aDance Instruction and Technical Manuals.1 aClâement, Eugáene.7 dmusdif005gurn:hdl:loc.music/musdi.005uhttp://hdl.loc.gov/loc.music/musdi.0052http  k l mxn7o7pPqM  aNEW INPUT th16 05-20-98  asmcd/musdieammem02061cam  2200361 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099043001200123050001100135050002500146100001600171245013300187260005500320300004800375500004300423500012200466520063400588530008601222650006101308650005201369650004501421650002401466650002101490700003401511856009001545906002401635955001801659985002201677   98160753 DLC19980616103901.7cr||||980615s1710    enkag         00010 eng    a   98160753   aDLCcDLCdDLCedcrb  ae-uk-en10aGV158900aMT950.P2bP6u<Case>1 aIsaac,cMr.14aThe princess :bMr. Isaac's new dance made for Her Majestys birth day ; engraven in characters & figures for the use of masters.  a[London :bPrinted for I. Walsh & I. Hare,c1710?]  a[10] leaves :bill., music ;c29 cm. (fol.)  a"The princess by Mr. Isack"--Leaf [2].  aLC copy imperfect: t.p. wanting.  Title supplied from Catalogue of printed music in the British Library to 1980.5DLC  aThis ballroom dance for one couple, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c. 1640-c.1720) to music composed by James Paisible (died 1721).  A triple meter dance of nine couplets, the meter changes to 6/4 at the commencement of the fifth couplet.  The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance.  Additionally, bar lines in the dance score correspond to bar lines in the music score.  Signs written on the right or left hand side of the tract indicate the steps.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexStudy and teachingzEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif006gurn:hdl:loc.music/musdi.006uhttp://hdl.loc.gov/loc.music/musdi.0062http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem01990cam  2200373 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099043001200123050001100135050002500146100001600171245007700187246001000264260005500274300004800329530008600377520062400463500012201087650006101209650005201270650004501322650002401367650002101391700003401412700001601446856009001462906002401552955001801576985002201594   98160759 DLC19980616104032.6cr||||980615s1711    enkag         00010 eng    a   98160759   aDLCcDLCdDLCedcrb  ae-uk-en10aGV158900aMT950.P2bR5u<Case>1 aIsaac,cMr.14aThe royall :bMr. Isaac's new dance made for Her Majesty's birth day ...3 aRoyal  a[London :bPrinted for I. Walsh & I. Hare,c1711?]  a[12] leaves :bill., music ;c29 cm. (fol.)  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis ballroom dance for one couple, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c. 1640-c.1720) to music composed by James Paisible (died 1721).  The eleven couplet dance begins in triple meter and changes to a hornpipe on the fifth couplet.  The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance.  Additionally, bar lines in the dance score correspond to bar lines in the music score.  Signs written on the right or left hand side of the tract indicate the steps.  aLC copy imperfect: t.p. wanting.  Title supplied from Catalogue of printed music in the British Library to 1980.5DLC 0aDancexStudy and teachingzEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.0 aIsaac,cMr.7 dmusdif007gurn:hdl:loc.music/musdi.007uhttp://hdl.loc.gov/loc.music/musdi.0072http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem01918cam  2200349 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099043001200123050001100135050002500146100001600171245013900187260005500326300004700381500012100428520054200549530008601091650006101177650005201238650004501290650002401335650002101359700003401380856009001414906002401504955001801528985002201546   98160715 DLC19980616104149.5cr||||980615s1713    enkag         00010 eng    a   98160715   aDLCcDLCdDLCedcrb  ae-uk-en10aGV158900aMT950.P2bN5u<Case>1 aIsaac,cMr.14aThe Northumberland :bMr. Isaac's new dance made for Her Majestys birth day ; engraven in characters & figures for the use of masters.  a[London :bPrinted for I. Walsh & I. Hare,c1713?]  a[9] leaves :bill., music ;c29 cm. (fol.)  aLC copy imperfect: t.p. wanting.  Title supplied from the British Museum Catalogue of printed music, 1487-1800.5DLC  aThis ballroom dance for one couple in eight couplets, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c. 1640-1720) to music composed by James Paisible (died 1721).  The dance notation system, firt published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance.  Additionally, bar lines in the dance score correspond to bar lines in the music score.  Signs written on the right or left hand side of the tract indicate the steps.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexStudy and teachingzEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif008gurn:hdl:loc.music/musdi.008uhttp://hdl.loc.gov/loc.music/musdi.0082http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem01282cam  22002531  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127245004800144260003500192300001800227520042700245530012500672650002200797650004500819856009000864906002400954955002800978985002201006ca 05001944 //r98DLC19980618153622.1cr||||781018s1874    nyu           000 0 eng    aca 05001944 //r98  aDLCcDLCdDLC00aGV1751b.D1704aThe dancer's guide and ball-room companion.  aNew York,bF. M. Reedc[c1874]  a27 p.c15 cm.  aThis manual is a compilation of previously published materials.  The guide begins with a brief description of the necessary arrangements for a ball, appropriate dress for men and women, and ballroom etiquette.  The work continues with dances such as the quadrille, waltz, varsoviana, polka, schottisch, "Cellarius Waltz," and dances for larger groups of dancers--"Spanish Dance," "La Tempete," and "Sir Roger de Coverley."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.7 dmusdif009gurn:hdl:loc.music/musdi.009uhttp://hdl.loc.gov/loc.music/musdi.0092http  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem01332cam  22003131  4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099050001700117100002600134245007100160246009200231260004500323300003900368500001700407520024100424530008600665650002400751650004400775650002200819856009000841906002400931955002800955985002200983985001301005   98156040 DLC19980618153723.5cr||||980601s1894    orua          000 0aeng    a   98156040   aDLCcDLCdDLC00aGV1753b.F711 aForeman, H. A.,cMrs.10aIllustrated portfolio of artistic dancing /cby Mrs. H.A. Foreman.15aFew sketches of the interior and work done at Foreman Hall, Portland, Oregon, 1894-1895  aPortland, Ore. :bPeaslee Bros.,cc1894.  a[22] leaves :bill. ;c24 x 30 cm.  aCover title.  aThis is a book of twelve photographs showing Mrs. Foreman's dance students in a variety of dance poses including "The Persian Vestal Dance," "The Minuet," "Society Skirt Dance," "Butterfly Skirt Dance," "The Cacucha," and "Scarf Dance."  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexPhotographs. 4aDance Instruction and Physical Culture. 4aTheatrical Dance.7 dmusdif010gurn:hdl:loc.music/musdi.010uhttp://hdl.loc.gov/loc.music/musdi.0102http  k l m n7o7pPqM  aNEW INPUT th16 05-20-98  asmcd/musdieammem  aAPIF/MIG01542cam  22003131  4500001001900000003000400019005001700023007000600040008004100046010002300087040001800110050001600128245011100144250002000255260007100275300002900346500003400375530011500409520037000524650001100894650001900905650003200924650004500956700005201001700003901053856009001092906002401182985002201206ca 05001785 //r943DLC19941104091228.8cr|||781018s1863    meu           000 0 eng    aca 05001785 //r943  aDLCcDLCdDLC00aGV1767b.B304aThe ball-room manual of contra dances and social cotillons,bwith remarks on quadrilles and Spanish dance.  aVest pocket ed.0 aBelfast, Me.,bH. G. O. Washburn;aBoston,bG. W. Cottrell,c1863.  aiv, [5]-30, ii p.c8 cm.  aIntroduction signed: W. H. Q.  aAvailable on the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aThe publisher of this tiny manual (called a "vest pocket edition") notes that of the many books available to the dancing public, few contain "the good old contra dances of our ancestors." To remedy the situation, the manual gives figures for fifty-six English country dances, group dances consisting of figures performed by a column of men facing a column of women. 0aDance. 0aCountry-dance. 0aMiniature booksxSpecimens. 4aDance Instruction and Technical Manuals.10aWashburn, Harrison Gray Otis,d1811-1866,epub.10aQuimby, William Henry,d1831-1857.7 dmusdif011gurn:hdl:loc.music/musdi.011uhttp://hdl.loc.gov/loc.music/musdi.0112http  k l mxn7o7pPqM  asmcd/musdieammem01398cam  22002651  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050002200127100002200149245004000171260004700211300002700258530012500285520050200410650001100912650004500923856009000968906002401058955002801082985002201110   45033825 //r94DLC19980618153904.5cr||||781018s1873    nyua          000 0 eng    a   45033825 //r94  aDLCcDLCdDLC00aGV1751b.D61 18731 a[Dodworth, Allen]10aAssistant for A. Dodworth's pupils.  aNew-York,bNesbitt & co., printers,c1873.  a48 p.bdiagrs.c10 cm.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aThis small, pocketsize manual was intended for the students of well-known New York dancing master and composer Allen Dodworth.  The manual states the rules for classes, gives Dodworth's qualifications as a teacher, and describes appropriate manners and etiquette.  Dances include the quadrille and the popular parlor game known as the German as well as a section on how to dance the "Boston," a waltz variation.  As is common in all of Dodworth's works, the author gives ample advice to musicians. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif012gurn:hdl:loc.music/musdi.012uhttp://hdl.loc.gov/loc.music/musdi.0122http  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdidammem01519cam  22002771  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100004500143245004300188260004400231300001800275500001700293520060500310530012500915650001101040650002601051856009001077906002401167955002801191985002201219   21015563 //r98DLC19980618154128.5cr||||781018s1921    ksu           00010 eng    a   21015563 //r98  aDLCcDLCdDLC00aGV1741b.A31 aAdams, R. A.q(Revels Alcorn),db. 1869.14aThe social dance,cby Dr. R. A. Adams.  aKansas City, Kan.,bThe author,cc1921.  a32 p.c20 cm.  aCover title.  aThis antidance treatise is divided into four parts.  The first part discusses the physical effects of the dance and the author concludes that habitual dancers are sick more often and women are more prone to "female weaknesses."  The second section focuses on the dangers of dance on the mind and concludes that many girls fail in school because they dance too much.  In the Third section, the author argues that dance is immoral and "fires the passions of young women."  The concluding section is devoted to detailing passages in the Scriptures that the author interprets as supporting his arguments.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aAntidance Literature.7 dmusdif017gurn:hdl:loc.music/musdi.017uhttp://hdl.loc.gov/loc.music/musdi.0172http  k l mxn7o7pPqM  aNEW INPUT th16 05-21-98  asmcd/musdieammem01440cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100004500145245031600190260004800506300001900554530008600573520027200659650003200931650002600963856009000989906002401079952000901103955002801112985002201140   11020024 //r983DLC19980618154422.1cr||||790302s1750    gw            00010 ger    a   11020024 //r983  aDLCcDLCdDLC00aGV1590b.B71 aBogatzky, Carl Heinrich von,d1690-1774.00aSchriftsmèassige beantwortung der frage: Was von dem weltèublichen tanzen und spielen zu halten sey und ob es nicht mit zur christlichen freyheit gehèore?cals ein anhang zu den betrachtungen von der freyheit der glèaubigen vom gesetz auf verlangen entworfen und in druck gegeben von Carl Heinrich von Bogatzky.  aHalle,bIn verlag des Wèaysenhauses,c1750.  a192 p.c18 cm.  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis manual is an early German example of the literature against the practice of dancing.  In this case, Bogatzky (1690-1774) compares gambling with dancing, and asks the reader to consider these practices in the context of Scripture, especially the Ten Commandments. 0aDancexEarly works to 1800. 4aAntidance Literature.7 dmusdif022gurn:hdl:loc.music/musdi.022uhttp://hdl.loc.gov/loc.music/musdi.0222http  k l mxn7o7pPqM  aFLIP  aNEW INPUT th16 05-18-98  asmcd/musdieammem01628cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100001900145245005100164260006000215300001800275500002800293520068400321530012501005650003001130650002601160856009001186906002401276955002801300985002201328   10004416 //r983DLC19980618154452.9cr||||781018s1606    fr            000 0 fre    a   10004416 //r983  aDLCcDLCdDLC00aGV1740b.B71 aBoiseul, Jean.00aTraittâe contre les danses.cPar Jean Boiseul.  aLa Rochelle,bLes heritiers de Hierosme Havltin,c1606.  a50 p.c16 cm.  aPrinter's mark on t.-p.  aAn early example of an antidance treatise, this manual provides a foundation for arguments that continued to the end of the nineteenth century--that dancing is a sin against God.  Much of Boiseul's argument is based on biblical examples (chapters and verses are noted in the margins of each page).  While acknowledging that dance is mentioned in the Bible, the author is quick to point out that the dances were "joyous and spontaneous" and very different from the seventeenth-century social dances of his day.  The courante, branle, and galliard come under specific attack.  Additionally, Boiseul makes particularly strong arguments against the dances of non-Christian "savages."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspects. 4aAntidance Literature.7 dmusdif023gurn:hdl:loc.music/musdi.023uhttp://hdl.loc.gov/loc.music/musdi.0232http  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem01693cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129082001000146100002500156245035700181260005500538300003600593520037000629530012500999650003201124650003801156650004501194856009001239906002401329955002801353985002201381   34022338 //r982DLC19980618154524.5cr||||781018s1767    bl            00010 por    a   34022338 //r982  aDLCcDLCdDLC00aGV1590b.B7300a763.31 aBonem, Natal Jacome.10aTratado dos principaes fundamentos da danðca,bobra muito util, naäo sâomente para esta mocidade, que quer aprender a danðcar bem, mais ainda para as pessoas honestas, e polidas, as quaes ensina as regras para bem andar, saudar, e fazer todas as cortezias, que convem em as assembleas adonde o uzo do mundo a todos chama ...cPor Natal Jacome Bonem ...  aCoimbra,bNa Officina dos irmaäos Ginhoens,c1767.  a6 p. l., 3-138 p., 3 l.c16 cm.  aPortuguese dancing master Bonem's manual borrows from the work of contemporary French sources, including dancing masters Guillaume-Louis Pecour and Pierre Rameau.  The manual's fourteen chapters focus on dance in the court of Louis XIV and include discussion on feet positions, bows appropriate for various occasions, and the steps and arm positions for the minuet.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 0aSalutationsxEarly works to 1800. 4aDance Instruction and Technical Manuals.7 dmusdif024gurn:hdl:loc.music/musdi.024uhttp://hdl.loc.gov/loc.music/musdi.0242http  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem01648nam  22003131  4500001001300000003000400013005001700017007000700034008004100041010001700082040001300099043001200112050001600124100002700140245003900167246002700206250004500233260007000278300001800348520055200366530012500918650003001043650007101073650002601144856009001170906002401260955002801284985002201312   17025260 DLC00000000000000.0cr||||980603s1917    ilu           000 0 eng    a   17025260   aDLCcDLC  an-us-il00aGV1623b.B71 aBowen, Louise W. de K.04aThe public dance halls of Chicago.30aDance halls of Chicago  aRev. ed.bText by Louise de Koven Bowen.  a[Chicago]bThe Juvenile Protective Association of Chicago,c1917.  a13 p.c23 cm.  aThis is a revised edition of a work based on an investigation done in 1910 regarding the conditions of public dance halls in Chicago.  Bowen's complaints included the late hours, too much liquor, and the general behavior of men noting, "... men wear their hats; they all smoke and expectorate freely."  She also suggests the waiters and other employees provide information on the location of "disreputable lodging houses," and delivers condemnation against masquerade and fancy dress balls because many women were found "attending in male attire."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancezIllinoiszChicago. 0aMusic-halls (Variety-theaters, cabarets, etc.)zIllinoiszChicago. 4aAntidance Literature.7 dmusdif025gurn:hdl:loc.music/musdi.025uhttp://hdl.loc.gov/loc.music/musdi.0252http  k l m n7o7pPqM  aNEW INPUT th16 05-20-98  asmcd/musdieammem01349cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111043001200129050002200141100003900163245007900202250001200281260003100293300001700324520038400341530012500725650001900850650002600869856009000895906002400985955002801009985002201037   45027827 //r982DLC19941107163152.7cr||||781018s1863    fr            00010 fre    a   45027827 //r982  aDLCcDLCdDLC  ae-fr---00aGV1649b.B75 18630 aBrieux Saint-Laurent,cvicomte de.00aQuelques mots sur les danses modernes,cpar le vte de B. Saint-Laurent ...  a4. âed.  aParis,bC. Douniol,c1863.  a6 p.c16 cm.  aThis is a fourth edition of a book that acknowledges other antidance tracts including Boullay's Râeforme de las danse des salons; Gustave Louis's Physiologie de l'opinion, and La Chrâetienne de nos jours by l'Abbâe Bautain.  The author notes, with some disdain, that the waltz was introduced into France "par les impures du Directoire" (p. 8).  The polka also receives criticism.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancezFrance. 4aAntidance Literature.7 dmusdif026gurn:hdl:loc.music/musdi.026uhttp://hdl.loc.gov/loc.music/musdi.0262http  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem01388cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100004900145245004700194260003900241300001900280520047800299530012500777650003000902650002600932856009000958906002401048955002801072985002201100   22004142 //r983DLC19980618154639.7cr||||781018s1869    mou           000 0 eng    a   22004142 //r983  aDLCcDLCdDLC00aGV1741b.B81 aBrookes, James H.q(James Hall),d1830-1897.10aMay Christians dance?cBy Jas. H. Brookes.  aSt. Louis,bJ. W. McIntyre,c1869.  a143 p.c16 cm.  aThis is a typical example of the antidance literature that was published during the nineteenth century.  Although Brookes provides a weak defense of dancing, his final conclusion is that the large assemblies, indelicate dressing, "unwarrantable freedom of intercourse between the sexes," as well as uncontrolled excitement, leads to a thorough worldliness and, ultimately, to the forgetfulness of God.  The manual was reissued in the 1890s under the title The modern dance.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspects. 4aAntidance Literature.7 dmusdif028gurn:hdl:loc.music/musdi.028uhttp://hdl.loc.gov/loc.music/musdi.0282http  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem01744cam  22003851  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111043001200129050001400141050001600155110001900171240007000190245016700260246006000427260002100487300002200508500001700530520022000547530012500767650005900892650010000951650003801051710003701089710004201126856009001168906002401258952000901282955002801291985001701319985002201336   27013078 //r987DLC19980618155145.3cr||||781018s1914    nyu           00010 eng    a   27013078 //r987  aDLCcDLCdDLC  an-us-ny10aKFX1196.100aGV1623b.B81 aBuffalo (N.Y.)10aOrdinances governing the conduct of public dances and dance halls10aDance halls.bOrdinances governing the conduct of public dances and dance halls, city of Buffalo.cIssued by the Common Council. Daniel J. Sweeney, city clerk ...1 iTitle on p. 1:aDance ordinances of the city of Buffalo  a[Buffalo,c1914]  a12 p.c14 x 8 cm.  aCover title.  aIssued from the Buffalo, New York, City Clerk's office on 14 December 1914, the ordinance defines requirements for a public dance hall, including license fees, security, alcohol prohibitions, and hours of operation.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexLaw and legislationzNew York (State)zBuffalo. 0aMusic-halls (Variety-theaters, cabarets, etc.)xLaw and legislationzNew York (State)zBuffalo. 4aDance Ordinances and Regulations.10aBuffalo (N.Y.).bCommon Council.10aBuffalo (N.Y.).bCity Clerk's Office.7 dmusdif031gurn:hdl:loc.music/musdi.031uhttp://hdl.loc.gov/loc.music/musdi.0312http  k l mxn7o7pPqM  aFLIP  aNEW INPUT th16 05-21-98  ana22 4-11-90  asmcd/musdieammem01695cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100004500145245011200190260002000302300004200322500002000364500019900384520046700583530008601050650004101136650003001177650002201207856009001229906002401319955002801343985002201371   09013370 //r983DLC19980623135008.2cr||||781018r17461736it            000 0 ita    a   09013370 //r983  aDLCcDLCdDLC00aGV1607b.B81 aBurette,cM.q(Pierre Jean),d1665-1747.00aPrima, e seconda memoria per servire alla istoria del ballo degli antichi,cdel signor Burette. np0s. II.  aVenezia,c1746.  a1 p. l., 33-44, 33-42 p.c25 x 19 cm.  aTitle vignette.  aPreviously published in the Acadâemie royale des inscriptions et belles-lettres. Histoire, avec les Mâemoires de littâerature tirez des registres de cette Acadâemie. Paris, 1736. t.I, p. 93-135.  aIn this history of dance, Burette (1665-1747) presents an extensive discussion on Greek and Roman dance, basing his information on literary references such as the Iliad and authors such as Lucian. Included in the discussion are tragic and serious ballet, satire, and pantomime. While this text illuminates the importance of Greek and Roman influence on the arts of the mid-eighteenth century, modern dance scholars will find many interpretive and factual errors.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexHistoryxEarly works to 1800. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif032gurn:hdl:loc.music/musdi.032uhttp://hdl.loc.gov/loc.music/musdi.0322http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01534cam  22003251  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129110003400146245004100180260007200221300003700293500001700330520042600347530012500773650002000898650001400918650002100932650004500953650002200998650002401020856009001044906002401134955002801158985002201186   06010517 //r982DLC19980623135030.2cr||||781018s1906    nyuaf         000 0 eng    a   06010517 //r982  aDLCcDLCdDLC00aGV1737b.B962 aButterick Publishing Company.00aMasquerades, tableaux and drills ...  aNew York [etc.]bThe Butterick publishing company, limited,cc1906.  a144 p. incl. illus., pl.c24 cm.  aCover-title.  aThis manual provides step-by-step instructions, augmented by numerous illustrations, for giving masquerades, conducting tableaux, and creating "fancy drills." Costumes, hair styles, and accessories are included for Calico and Martha Washington balls, Joan of Arc, a football player, Beau Brummel, and a shepherdess. Additionally, the manual provides suggestions for tableaux scenes and living pictures ("pose plastique").  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBalls (Parties) 0aTableaux. 0aMarching drills. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance. 4aNotation for Dance.7 dmusdif033gurn:hdl:loc.music/musdi.033uhttp://hdl.loc.gov/loc.music/musdi.0332http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01771cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129100003500161245009300196260005200289300001700341520075300358530012501111650004101236650003001277650002201307856009001329906002401419955002801443985002201471   08012053 //r982DLC19980623135059.5cr||||781018s1754    fr            000 0 fre    a   08012053 //r982  aDLCcDLCdDLC00aGV1600b.C2u<Rare Bk Coll>1 aCahusac, Louis de,d1706-1759.03aLa danse ancienne et moderne,bou Traitâe historique de la danse.cPar m. de Cahusac ...  aA La Haye [i.e. Paris]bchez J. Neaulme,c1754.  a3 v.c14 cm.  aThis three-volume work on dance history describes dance from its origins through the court fãetes of Louis XIV. Volume one stresses the importance of studying the theories of all the arts and covers the dance history of numerous ancient civilizations including Greek, Roman, Turkish, and Egyptian. Volume two describes the renaissance of the arts and the origins of ballet to 1610. Volume three focuses on dance in the court of Henri IV and the establishment of French opera. Cahusac borrows heavily from other writers, especially Philippe Quinault. Although by twentieth-century scholastic standards, Cahusac's interpretations may be problematic, the work formed the foundation for much of the writing on dance history until the twentieth century.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexHistoryxEarly works to 1800. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif034gurn:hdl:loc.music/musdi.034uhttp://hdl.loc.gov/loc.music/musdi.0342http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01771cam  2200301 a 4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050002300127082001400150100002500164245037700189246002500566260004600591300002900637530008600666520049600752650001101248650001701259650004501276856009001321906002401411985002201435985001201457   82175214 //r94DLC19980623135201.1cr||||821223s1882    paua          000 0 eng    a   82175214 //r94  aDLCcDLCdDLC00aGV1751b.C29 1882b00a793.32191 aCarpenter, Lucien O.10aJ.W. Pepper's universal dancing master, prompter's call book and violinist's guide :bcontaining a description of all the figures and full explanation of the different steps used in dancing, together with the music of all the principal dances, arranged for violin, with the prompter's calls printed on each dance just where they occur in dancing /cby Lucien O. Carpenter.30aPrompter's call book  aPhiladelphia, Pa. :bJ.W. Pepper,cc1882.  a110 p. :bill. ;c27 cm.  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis manual is a compilation of previously published materials and its contents are typical of similar books published during the 1880s.  The standard etiquette for balls has been reduced to simple rules; for example, "A lady should not attend a public ball without an escort."  The manual continues with a discussion of the quadrille and round dances, including the waltz, Boston dip, Berlin, and polka.  This edition is an excellent source; over seventy pages of violin music are included. 0aDance. 0aDance music. 4aDance Instruction and Technical Manuals.7 dmusdif035gurn:hdl:loc.music/musdi.035uhttp://hdl.loc.gov/loc.music/musdi.0352http  k l3mxn7o7pPqM  asmcd/musdieammem  aKEY/EKI01605cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100002200145245015700167260004100324300004700365530012500412520056500537650001101102650002001113650003001133856009001163906002401253955002801277985002201305   42051324 //r982DLC19980327163313.5cr||||781018s1810    ie f          000 0 eng    a   42051324 //r982  aDLCcDLCdDLC00aGV1590b.C31 aCassidy, James P.12aA treatise on the theory and practice of dancing,bwith an appropriate poem, in two cantos, and plates illustrative of the art.cBy James P. Cassidy ...  aDublin,bPrinted by W. Folds,c1810.  a6 p. l., 88 p.bfront., 3 col. pl.c18 cm.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aThe first section of this manual is devoted to a history of dance with emphasis on Greek and Roman practices.  However, much of this section is borrowed liberally from the writings of late eighteenth-century authors, and, while it illuminates the importance of Greek and Roman influence on the arts of the era, modern dance scholars will find many interpretive and factual errors.  Book two is a discourse on what Cassidy considers the practical aspects of dance: steps, music, and deportment.  There is also discussion on the minuet, reel, and country dances. 0aDance. 0aDancexHistory. 4aDance History and Theory.7 dmusdif036gurn:hdl:loc.music/musdi.036uhttp://hdl.loc.gov/loc.music/musdi.0362http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem02194cam  22003371  4500001001900000003000400019005001700023008004100040010002300081040001800104050001600122100002300138245018200161260003600343300005900379530012500438520081700563530012401380650002001504650003001524650002201554650002401576650002101600700002001621700003101641700002001672856009001692906002401782955002801806985002201834   10030390 //r984DLC19980623135346.2781018s1899    fr af         000 0 fre    a   10030390 //r984  aDLCcDLCdDLC00aGV1601b.C61 aCharbonnel, Raoul.13aLa danse.bComment on dansait, comment on danse.cTechnique de Mme Berthe Bernay ... notation musicale de MM. Francis Casadesus et Jules Mauguâe. Illustrations de M. Valvâerane.  aParis,bGarnier fráeresc[1899]  aix, 418 p.bfront., illus., plates (part col.)c28 cm.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aThis manual is an extensive history of dance that incorporates many countries, cultures, and periods including Chinese, Hindu, Egyptian, Greek, ancient Gaul, European Renaissance, and Baroque.  The manual also covers popular culture, peasant dance, and "foreign dance." The perspective of this manual is clearly nineteenth century, with little emphasis on historical fact. The point of view is clearly western, and this is evident in the music examples that accompany almost every country or culture's entry--all have been subjected to western notation and are arranged in late nineteenth-century grand musical style. Additionally, the text includes numerous illustrations and, no matter the country or culture, the figures are physically shaped to look like late nineteenth-century western ladies and gentlemen.  aAvailable also through the Library of Congress Web site in two forms: as facsmile page images and as full text in SGML. 0aDancexHistory. 4aDance History and Theory. 4aTheatrical Dance. 4aNotation for Dance. 4aMusic for Dance.1 aBernay, Berthe.1 aCasadesus, Francis,d1870-1 aMauguâe, Jules.7 dmusdif041gurn:hdl:loc.music/musdi.041uhttp://hdl.loc.gov/loc.music/musdi.0412http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01656cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111043001200129050001700141100005000158245030800208260003500516300002900551530008600580520038500666561006701051650003901118650004501157856009001202906002401292955002801316985002201344   54055192 /L/r98DLC19980623135421.0cr||||980606s1893    rura          000 0 ruso   a   54055192 /L/r98  aDLCcDLCdDLC  ae-ur---00aGV1751b.C431 aChistëiìakov, A. D.q(Aleksandr Dmitråievich)10aMetodicheskoe rukovodstvo k obuchenåiëiìu tanëtìsam v sredne-uchebnykh zavedenåiëiìakh :bs prilozhenåiem rukovodstva dlëiìa dirizherov s 157-ëiìu figurami dlëiìa kadrilëiìa, mazurki, val§sa, pol§ki i kotil§ona : posobåie dlëiìa uchiteleæi tanëtìsev v kadetskikh korpusakh /csostavil A.D. Chistëiìakov.  aS.-Peterburg :b[s.n.],c1893.  a189 p. :bill. ;c23 cm.  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis is an important Russian manual describing social dance practices including descriptions of the basic movements and positions used in ballroom dance and various dance types including the polka, waltz, and mazurka. The book incorporates a discussion of the dance instruction in athletic programs and for young men in military academies. Numerous photographs enhance the manual.  aLC copy purchased from Gennadiæi Vasil§evich Yudin, 1906.5DLC 0aDancexStudy and teachingzRussia. 4aDance Instruction and Technical Manuals.7 dmusdif042gurn:hdl:loc.music/musdi.042uhttp://hdl.loc.gov/loc.music/musdi.0422http  k l m n7o7pPqM  aNEW INPUT ta05 06-06-98  asmcd/musdieammem02686ccm  2200565 a 4500001001900000003000400019005001700023007000700040008004100047010002300088028001600111028001600127028001600143028001600159028001600175028001600191028001600207028001600223028001600239028001600255040001800271041000800289043001200297050003200309051020300341100004100544245008300585246004000668246007600708260004200784300003300826500003100859510002500890500007900915500006600994530009701060500015701157500002101314500033101335650004001666650002001706650002701726650003501753856010201788906002401890908003501914952011601949955003302065985002202098   50044987 /M/r98DLC19980609144704.9cr||||980313m179u1815fr dfa   z     n           a   50044987 /M/r9820a12 JbFrere20a13 JbFrere20a15 JbFrere20a16 JbFrere20a17 JbFrere20a20 JbFrere20a23 JbFrere20a25 JbFrere20a26 JbFrere20a28 JbFrere  aDLCcDLCdDLC0 gfre  ae-fr---00aM286.C53bA13 1790zu<Case>  aM1450.J6bR4u<Case>cCopy 2. Recueil 15 only. With: 6. recueil de quatre quadrilles de nouvelles contre-danses / par J.C. Joly. A Paris : Chez Frere, 179-? Bound together subsequent to publication.1 aClarchies, Louis Julien,d1769-1814.10a15e.[-30e.] recueil des contre-danses et walzes /cpar Louis Julien Clarchies.30aRecueil des contre-danses et walzes0 iTitle on t.p. of recueil 28:a28e. recueil des contre-danses et waltzes  aA Paris :bChez Frere,c[179-?-1815?]  a1 score (30[?] v.) ;c19 cm.  aPrincipally for 2 violins.4 aRISM A/I/2,cC 2557.  aTitle from t.p. of recueil 15 (the number is in ms. on the engraved t.p.).  aRecueil 28 has variant publisher statement: Chez Frere páere.  aRecueil 28 available also through the Library of Congress Web site as facsimile page images.  aEach vol. of 45 p. contains several contre-danses, each accompanied by dance instructions, followed by several waltzes and (in most vols.) other dances.  aPl. no.: 1/30 J.  aLC set consists of recueils 12-13, 16-17, 20, 23, 25-26, and 28 bound together in reverse numerical order; only recueil 28 has retained its t.p. Between recueils 23 and 20 is bound a similar unidentified vol. (without pl. no.) containing contre-danses by Julien (Clarchies) and 4 other composers and unattributed waltzes.5DLC 0aViolin music (Violins (2))xScores. 0aCountry-dances. 0aCountry-dancezFrance. 0aWaltzes (Violins (2))xScores.7 3Recueil 28dmusdif043gurn:hdl:loc.music/musdi.043uhttp://hdl.loc.gov/loc.music/musdi.0432http  k l2m n7o7pmqu  a     m   e                      aIntended to be complete in 30 v.; note on t.p. of recueil 28 states it is the 1st of 3 planned posthumous vols.  avk07 03-11-98; vk05 03-17-98  asmcd/musdieammem01617cam  22002771  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100005200143245009300195260005600288300005200344520057700396530012500973650001101098650004401109650002201153856009001175906002401265955002801289985002201317   03012510 //r98DLC19980623135456.3cr||||781018s1903    iauac         000 0 eng    a   03012510 //r98  aDLCcDLCdDLC00aGV1781b.C51 aClendenen, F. Leslieq(Frank Leslie),db. 1864.10aClendenen's treatise on elementary and classical dancing ...cBy F. Leslie Clendenen ...  aDavenport, Iowa,bInstructor publishing co.,c1903.  a174, [2] p.bfront. (port.) illus., pl.c21 cm.  aDancing master Clendenen's book is meant for teachers of dance and he covers the basic building blocks of teaching beginning with the positions of the feet and body. Technical terms (with correct pronunciation), preparatory exercises, bows and curtseys are included as well as sections of attitudes and poses, correct and incorrect positions. The manual concludes with instructions on how to teach ten fancy dances that include "Highland Fling," "Sailor's Hornpipe," "Twentieth-Century Skirt Dance," and "La Manola." The manual is illustrated with photographs of students.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Physical Culture. 4aTheatrical Dance.7 dmusdif044gurn:hdl:loc.music/musdi.044uhttp://hdl.loc.gov/loc.music/musdi.0442http  k l m n7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01828cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100005200145245016600197260005400363300005600417520071100473530012501184650001101309650004401320650002201364856009001386906002401476955002801500985002201528   19009859 //r982DLC19980623135533.3cr||||781018s1919    mouacf        000 0 eng    a   19009859 //r982  aDLCcDLCdDLC00aGV1751b.C61 aClendenen, F. Leslieq(Frank Leslie),db. 1864.14aThe art of dancing;bits theory and practice,cby F. Leslie Clendenen. Drawings by Mrs. Clendenen. Intended for amateurs as well as for professional teachers ...  a[St. Louis,bPrinted by Arcade print shop,c1919]  a149, [7] p.bfront. (port.) illus., plates.c20 cm.  aThis manual is a good example of the emphasis placed on physical fitness during the early twentieth century and, dancing master Clendenen notes "we have just won the greatest war known in history ... by efficiency, and physical excellence." The manual encourages teachers to instruct children "correct dancing and health movements." Clendenen describes a wide panorama of movement including pantomime and dramatic posture dances, Greek dancing, Hawaiian arm and Italian body exercises, rhythmic dancing, toe dancing, as well as nature and health exercises. The book also includes steps and choreographies for novelty dances such as "Russian Slavic Dance," "Dance of the Soul," and "Egyptian Posture Dance."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Physical Culture. 4aTheatrical Dance.7 dmusdif045gurn:hdl:loc.music/musdi.045uhttp://hdl.loc.gov/loc.music/musdi.0452http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01546cam  22002891  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100002700144245005700171260008300228300001900311520054100330530012500871650002200996650001101018650001901029650004401048856009001092906002401182955002801206985002201234ca 05001946 //r98DLC19781026000000.0cr||||781018s1878    mau           000 0 eng    aca 05001946 //r98  aDLCcDLCdDLC00aGV1751b.C631 aCleveland, C. H.,cJr.00aDancing at home and abroad.cBy C. H. Cleveland, jr.  aBoston,bO. Ditson & co.;aNew York,bC. H. Ditson & co.; [etc., etc.]cc1878.  a104 p.c20 cm.  aCleveland's manual opens with an interesting account of the building blocks required for setting up a successful private dancing academy. He includes discussion on the architectural requirements, music, progress of students, hours and division of classes, dealing with children, and how to manage balls. The second part of the manual covers "fashionable dances," and the author describes quadrilles, the "Boston Waltz," and twenty-nine figures for the German (also known as cotillon), a group dance comprised of a series of party games.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 0aDance. 0aDance schools. 4aDance Instruction and Physical Culture.7 dmusdif046gurn:hdl:loc.music/musdi.046uhttp://hdl.loc.gov/loc.music/musdi.0462http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01573cam  22003011  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050002200127100002100149245006600170250002100236260003600257300006300293490002100356520049900377530012500876650002201001650004501023700003901068856009001107906002401197955002801221985002201249   22015822 //r98DLC19790119000000.0cr||||781018s1922    nyuac         000 0 eng    a   22015822 //r98  aDLCcDLCdDLC00aGV1751b.C65 19221 aColl, Charles J.00aDancing made easy,cby Charles J. Coll and Gabrielle Rosiere.  aNew and rev. ed.  aNew York,bE. J. Clodec[c1922]  a3 p. l., 11-277 p.bfront. (port.) illus., diagrs.c19 cm.0 aMade easy series  aThis is an expanded version of Coll's book that was originally published c. 1919. Beginning with an account of dance history ranging from the ancient Greeks to late nineteenth-century dance, Coll declares that some of "most up to the minute dances" include the Carter Waltz and the Schottisch Espagnole. The author also discusses foxtrot variations, the Virginia Reel, and provides some cotillon figures (also known as the German). The dances described by Coll were long out of fashion by 1922.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.1 aRosiere, Gabrielle,ejoint author.7 dmusdif048gurn:hdl:loc.music/musdi.048uhttp://hdl.loc.gov/loc.music/musdi.0482http  k l m n7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01497cam  2200277   4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100002600144245014600170260006200316300003600378520042500414530012500839650002200964650004500986650002401031856009001055906002401145955002801169985002201197   20016862 //r98DLC19790111000000.0cr||||781018s1920    enka          000 0 eng    a   20016862 //r98  aDLCcDLCdDLC00aGV1751b.C891 aCree, Aubrey McMahon.00aHandbook of ball-room dancing,cby Paymaster-Commander A. M. Cree, R.N., with an introduction by George Grossmith; illustrated with diagrams.  aLondon,bJohn Lane;aNew York,bJohn Lane company,c1920.  a2 p. l., 88 p.bdiagrs.c20 cm.  aThis manual is designed as a self-teacher for those who cannot or, according to the author, are unwilling to attend dance classes. Additionally, Cree declares the most popular dances to be the Lame Duck Valse, valse, one step, foxtrot, and lancers. Although he includes instructions for a Three Step or Straight Jazz, and a Tango Valse, the manual does not reflect dances that were being performed during the late teens.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals. 4aNotation for Dance.7 dmusdif051gurn:hdl:loc.music/musdi.051uhttp://hdl.loc.gov/loc.music/musdi.0512http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01634cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100002400145245020700169260003400376300003300410520055200443530012500995650002001120650003001140650002201170856009001192906002401282955002801306985002201334   10017954 //r982DLC19980623135615.7cr||||790302s1862    ge a          000 0 ger    a   10017954 //r982  aDLCcDLCdDLC00aGV1601b.C81 aCzerwinski, Albert.00aGeschichte der tanzkunst bei den cultivirten vèolkern von den ersten anfèangen bis auf die gegenwèartige zeit.cVon Albert Czerwinski. Mit 34 in den text gedruckten abbildungen und 9 alten tanzmelodien.  aLeipzig,bJ. J. Weber,c1862.  aviii, 264 p.billus.c18 cm.  aIn this vast history of dance, Czerwinski discusses the origins of dance with Greek and Roman examples and continues with a description of the dances in many countries including Spain, France, Germany, England, Scotland, Sweden, Holland, Poland, Japan and Turkey. Specific dances include the galliard, galop, menuet, quadrille, waltz, and tarantella. Although the scholarship is flawed by contemporary standards, the work is part of a large body of literature that influenced the writing of dance history through the end of the nineteenth century.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexHistory. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif052gurn:hdl:loc.music/musdi.052uhttp://hdl.loc.gov/loc.music/musdi.0522http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01492nam  22002651  4500001001800000003000400018005001700022007000700039008004100046010002200087040001300109050001700122100002500139245004500164260005400209300001900263520059900282530012500881650003001006650002601036856009001062906002401152955002801176985002201204   27003342 //r98DLC00000000000000.0cr||||980606s1899    nyu           000 0 eng    a   27003342 //r98  aDLCcDLC00aGV1741b.D261 aDavis, George,cRev.03aAn account of the trial of social dance.  aRondout, N.Y.,bK. Freeman printing house,c1899.  a46 pp.c23 cm.  aThe author of this work claims to be pastor of the Reformed Churches of Marbletown and North Marbletown as well as a lawyer. In this manual, Davis takes a novel approach in preaching his antidance position, which he calls "The Trial of Social Dance ... The only King and Potentate, Jesus Christ vs. Social Dance." The jury for this "trial" is composed of "The Public Conscience." "Witnesses" include Mr. Worldly Fun, Mr. Roman Catholic Bishop, Mr. Round Dancing Master, and Miss Chicago Barmaid. The trial proceeds and, in Davis's summary, the jury declares the defendant, social dance, guilty.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspects. 4aAntidance Literature.7 dmusdif053gurn:hdl:loc.music/musdi.053uhttp://hdl.loc.gov/loc.music/musdi.0532http  k l mxn7o7pPqM  aNEW INPUT ta05 06-05-98  asmcd/musdieammem01665cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100001500145245019900160250001500359260003900374300003500413520056200448530012501010650001101135650002001146650004501166856009001211906002401301955002801325985002201353   10030389 //r982DLC19980623135642.2cr||||781018q19001909fr a          000 0 fre    a   10030389 //r982  aDLCcDLCdDLC00aGV1593b.D51 aDesrat, G.00aTraitâe de la danse,bcontenant la thâeorie et l'histoire des danses anciennes et modernes, avec toutes les figures les plus nouvelles du cotillon,cpar Desrat. Illustrâe de nombreuses gravures.  aNouv. âed.  aParis,bH. Delarue et ciec[190-?]  a1 p. l., 206 p. illus.c16 cm.  aDesrat begins his work with a description of dances that were still in vogue at the turn of the century: Boston waltz, cake walk, Berlin, pas de patineurs, and Washington-Post (a two step). A history of ancient dance follows and the discussion begins with Greek and Roman origins; this is followed by a discussion of "modern dances," which Desrat describes as pavane, gavotte, branle, and the minuet. Much of Desrat's historical text is borrowed heavily from previously published sources including âElise Voirat's 1823 Essai sur la danse antique et moderne.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 0aDancexHistory. 4aDance Instruction and Technical Manuals.7 dmusdif056gurn:hdl:loc.music/musdi.056uhttp://hdl.loc.gov/loc.music/musdi.0562http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01781cam  2200325 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099041001300117050001600130130004200146245008600188260004200274300002800316530012500344520068500469650002001154650003001174650002201204700004501226856009001271906002401361922000701385955002801392985002201420985001301442   98158630 DLC19980615190412.6cr||||980609s1900    paua          000 0 eng    a   98158630   aDLCcDLCdDLC0 aenghfre00aGV1603b.D20 aDanse áa travers les ãages.lEnglish.14aThe dance, ancient and modern /ctranslated from the French by Arabella E. Moore.  aPhiladelphia, Pa. :bA. Moore,c1900.  a32 p. :bill. ;c23 cm.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aTranslated from French by Arabella E. Moore, this is an example of the growing body of historiographical texts that began to appear in the late 1890s into the turn of the twentieth century. The work borrows heavily from previously published materials for sections on primitive and ancient dances. As with other authors of this era, "modern dances" are considered to be pavane, gavot, rigodon, and minuet. In keeping with a renewed interest in the reconstruction of Renaissance and Baroque dances, the manual includes a chapter, "Revival of Popular Old Dances." A chapter on "contemporary dances" includes polka quadrilles, Boston, mazurka, and cotillon (also known as the German). 0aDancexHistory. 4aDance History and Theory. 4aTheatrical Dance.1 aMoore, Arabella E.q(Arabella Elizabeth)7 dmusdif058gurn:hdl:loc.music/musdi.058uhttp://hdl.loc.gov/loc.music/musdi.0582http  k l m n7o7pPqM  aco  aNEW INPUT vj01 06-09-98  asmcd/musdieammem  aAPIF/MIG01557cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002100146245005200167250005400219260006400273300003400337500001700371520052000388530012500908650004401033650002601077856009001103906002401193955002801217985002201245   22011682 //r983DLC19941114141140.0cr||||781018s1921    pauac         000 0 eng    a   22011682 //r983  aDLCcDLCdDLC00aGV1741b.D751 aDrumm, Melvin C.14aThe modern dance and what shall take its place.  aRev. and enl. 2d ed.bBy Rev. Melvin C. Drumm ...  a[Center Hall, Pa.,bCenter Reporter printing office,c1921]  a15 p.billus. (port.)c23 cm.  aCover title.  aThis manual consists of a sermon presented at Saint Luke's Lutheran Church, on 13 February 1921 in Centre Hall, Pennsylvania. This antidance work argues that dance is injurious to the health, is usually accompanied by drinking alcohol, and forces young men to stray from serious reflection and prayer. Typical of this genre of literature, the book contains testimonials from numerous denominations including the Roman Catholic Church, Episcopal Church, Baptist Church, Presbyterian Church, and the Methodist Church.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspectsxChristianity. 4aAntidance Literature.7 dmusdif059gurn:hdl:loc.music/musdi.059uhttp://hdl.loc.gov/loc.music/musdi.0592http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01687cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129100003100161245013800192260004900330300003800379520056800417530012500985650003201110650004501142650002201187650002401209856009001233906002401323955002801347985002201375   09001083 //r982DLC19941114141904.0cr||||781018s1728    it a          000 0aita    a   09001083 //r982  aDLCcDLCdDLC00aGV1590b.D8u<Rare Bk Coll>1 aDufort, Giovanni Battista.10aTrattato del ballo nobilecdi Giambatista Dufort, indirizzato all' eccellenza delle signore dame, e de' signori cavalieri napoletani.  aNapoli,bNella stamperia di F. Mosca,c1728.  a12 p. l., 160 p.bdiagrs.c18 cm.  aPart one of this text consists of thirty-four chapters devoted to instructions for steps required in Italian Baroque dance including pirola (pirouette), sfuggito (echappâe), passo unite (assemblâe), and cadente (tombâe). Each step is fully described and notated in Feuillet notation, the dance notation system first published by French choreographer Raoul-Auger Feuillet in 1700. The second part of the manual contains six chapters devoted to performance of the minuetto (minuet) and concludes with a section on the contradanza (contredanse) and riverenze (bows).  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance. 4aNotation for Dance.7 dmusdif060gurn:hdl:loc.music/musdi.060uhttp://hdl.loc.gov/loc.music/musdi.0602http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01291cam  2200277   4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100003300145245014100178260004400319300002900363520026100392530012500653650001100778650001600789650004400805856009000849906002400939955002800963985002200991   20001561 //r983DLC19980623135739.1cr||||790320s1914    fr            000 0 fre    a   20001561 //r983  aDLCcDLCdDLC00aGV1798b.D81 aDuncan, Raymond,d1874-1966.13aLa danse et la gymnastique,cpar Raymond Duncan; confâerence faite le 4 mai 1914, áa l'Universitâe hellâenique, Salle de gâeographie ...  aParis,bAkademia Raymond Duncan,c1914.  a1 p. l., [18] p.c22 cm.  aOriginally an address, given by the brother of famed dancer, Isadora Duncan, at a conference in May 1914 at the Universitâe Hellenique, Duncan discusses the renaissance and importance of gymnastics and the systems of physical culture based on Greek models.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 0aGymnastics. 4aDance Instruction and Physical Culture.7 dmusdif062gurn:hdl:loc.music/musdi.062uhttp://hdl.loc.gov/loc.music/musdi.0622http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01339cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002400146245005000170260004700220300002700267520045300294530012500747650001100872650002600883856009000909906002400999955002801023985002201051   16023227 //r985DLC19941115095943.1cr||||781018s1916    caua          000 0 eng    a   16023227 //r985  aDLCcDLCdDLC00aGV1741b.F271 aFaulkner, Thomas A.14aThe lure of the dance,cby T. A. Faulkner ...  aLos Angeles, Cal.,bT.A. Faulknerc[c1916]  a148 p.billus.c18 cm.  aThis is the second antidance treatise published by ex-dancing master Faulkner, which he suggests was needed "because the dance craze has developed with such incredible rapidity."  This book consists of large sections taken from his earlier book, From the ballroom to hell.  Much of Faulkner's diatribe consists of testimonials against women, whom he feels need to be protected from dancing, "one of the most irresistible and dangerous attractions."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aAntidance Literature.7 dmusdif065gurn:hdl:loc.music/musdi.065uhttp://hdl.loc.gov/loc.music/musdi.0652http  k l mxn7o7pPqM  aNEW INPUT th12 05/13/98  asmcd/musdieammem01666cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100002900145245032700174260002500501300005400526520043800580530008601018650001801104650004501122650002401167650002101191856009001212906002401302955002801326985002201354   07021142 //r982DLC19800701000000.0cr||||781018s1772    gw fg         000 0 ger    a   07021142 //r982  aDLCcDLCdDLC00aGV1601b.F31 aFeldtenstein, C. J. von.00aErweiterung der kunst nach der chorographie zu tanzen, tèanze zu erfinden, und aufzusetzen;bwie auch anweisung zu verschiedenen national-tèanzen; als zu englischen, deutschen, schwèabischen, pohlnischen, hannak- masur-kosak- und hungarischen; mit kupfern; nebst einer anzahl englischer tèanze.cVon C. J. v. Feldtenstein.  aBraunschweig,c1772.  a109, [1] p.bviii fold. pl. (incl. music)c17 cm.  aOriginally published in 1767 under the title Die Kunst nach der Choregraphie zu Tèanze, Feldtenstein's manual utilizes text and tables to describe basic steps.  The work includes figures for country dances and quadrilles, and a variety of national dances as well as figures and music for four contredanses.  This manual is especially important for its description of the minuet as a duet and its subsequent change into a group dance.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aFolk dancing. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.7 dmusdif066gurn:hdl:loc.music/musdi.066uhttp://hdl.loc.gov/loc.music/musdi.0662http  k l mxn7o7pPqM  aNEW INPUT th12 05/13/98  asmcd/musdieammem01725cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100004400146245011500190260002900305300001900334530012500353520073300478650002001211650003001231650002201261856009001283906002401373955002801397985002201425   05035049 //r985DLC19980623140344.2cr||||790302s1854    fr            000 0 fre    a   05035049 //r985  aDLCcDLCdDLC00aGV1601b.F431 aFertiault, F.q(Franðcois),d1814-1915.00aHistoire anecdotique et pittoresque de la danse chez les peuples anciens et modernes ...cPar F. Fertiault ...  aParis,bA. Aubry,c1854.  a128 p.c16 cm.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aLarge portions of this manual on the history of dance are borrowed from other sources including Mme âElise Voiart's Essai sur la danse.  The author begins with an examination of Greek and Roman dance and continues through the court dances of Louis XII and Catherine de Mâedicis.  The discussion on French theatrical dance includes mention of two well-known ballerinas, Fanny Elssler and Fanny Cerrito.  A wide range of Renaissance and Baroque dances is discussed including the gavotte, pavane, sarabande, chaconne, and gailliard.  This manual is typical of other similar publications in that substantial discussion is given to dance practices in foreign lands including China, Switzerland, England, Ireland, Hungary, and Russia. 0aDancexHistory. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif068gurn:hdl:loc.music/musdi.068uhttp://hdl.loc.gov/loc.music/musdi.0682http  k l mxn7o7pPqM  aNEW INPUT th12 05/13/98  asmcd/musdieammem02699cam  22003971a 4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111041001100129050003500140082001600175100004500191240006100236245049300297260010000790300005000890500002500940500006800965500011801033520070401151530008601855650001901941650002001960650004501980650002402025650002102049700001702070740002802087856009002115906002402205952005002229985002202279   81480220 //r983DLC19980623140421.2cr||||810824s1710    enkg          000 0 eng    a   81480220 //r983  aDLCcDLCdDLC1 aengfre00aGV1763b.F413 1710u<Mus Case>00a793.3/12191 aFeuillet, Raoul-Auger,d1659 or 60-1710.10aRecueil de contredances mises en chorâegraphie.lEnglish10aFor the furthur improvement of dancing, A treatis of chorography, or, Ye art of dancing country dances after a new character :bin which the figures, steps & manner of performing are describ'd & ye rules demonstrated in an easie method adapted to the meanest capacity /ctranslated from the French of Monsr Feuillet, and improv'd wth. many additions, all fairly engrav'd on copperplates, and a new collection of country dances describ'd in ye same character by Iohn Essex, dancing master.0 aLondon :bSold by I. Walsh & P. Randall ... I. Hare ... I. Culen ... & by ye author ...,c1710.  a[4], 88 p. :bdiagrams, music ;c15 cm. (8vo)  aEngraved throughout.  aTranslation of: Recueil de contredances mises en chorâegraphie.  aDances written in  notation: p. 25-88. Those by John Essex are listed in: Forrester, F.S. Ballet in England, 554.  aThis is a translation of Raoul-Auger Feuillet's treatise Recueil de contredances mises ... (Paris, 1706), by English dance, dancing master, and writer John Essex.  Through the use of diagrams, the manual gives descriptions of floor patterns and motions for the feet and arms, indicates how the dance corresponds to the music, and provides rules for performance of English country dances, known in France as the contredanse (also spelled contredance).  Diagrams and music for ten dances are given.  Performed as a series of figures by a column of men facing a column of women, the English country dance was one of the most popular ballroom dances during the eighteenth and early nineteenth centuries.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aCountry-dance. 0aDance notation. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aEssex, John.01aTreatis of chorography.7 dmusdif069gurn:hdl:loc.music/musdi.069uhttp://hdl.loc.gov/loc.music/musdi.0692http  k l2mxn7o7pPqM  aTo be placed in the custody of the Music Div.  asmcd/musdieammem01904cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100004500146245025200191260002900443300003800472500002500510500002000535520071500555530008601270650002001356650004501376650002401421650002101445856009001466906002401556985002201580   24027846 //r983DLC19980623140442.1cr||||790321s1706    fr a          000 0afre    a   24027846 //r983  aDLCcDLCdDLC00aMT950b.F48510aFeuillet, Raoul-Auger,d1659 or 60-1710.00aRecueil de contredances mises en chorâegraphie,bd'une maniâere si aisâee, que toutes personnes peuvent facilement les apprendre, sans le secours d'aucun maãitre et mãeme sans avoir en aucune connoissance de la chorâegraphie.cPar M.r Feuillet ...0 aParis,bL'auteur,c1706.  a16 p. l., 192 p.bdiagrs.c15 cm.  aEngraved throughout.  aContains music.  aThis is the first manual to be published in France that describes English country dances.  Called contredanses (also spelled contredance) in France, the manual describes motions for the feet and arms, how the dance corresponds to the music, and rules for performance.  Additionally, floor plans and music for ten dances are given.  Feuillet also suggests appropriate steps.  Performed as a series of figures by a column of men facing a column of women, The English country dance was a popular ballroom dance during the eighteenth and early nineteenth centuries.  In 1710, this manual was translated into English as For the further improvement of dancing by English dancer, dancing master and writer John Essex.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aCountry-dances. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.7 dmusdif070gurn:hdl:loc.music/musdi.070uhttp://hdl.loc.gov/loc.music/musdi.0702http  k l mxn3o7pPqM  asmcd/musdieammem02127cam  22003611  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111041001100129050003700140100004500177245065800222260016100880300003601041500002501077500016601102500005501268530008601323650003201409650004501441650002401486650002101510700003001531700001601561740002001577856009001597906002401687955003201711985002201743   22022367 //r985DLC19941115100628.2cr||||781018s1715    enka          000 0 eng    a   22022367 //r985  aDLCcDLCdDLC1 aengfre00aGV1590b.F6 1715u<Rare Bk Coll>1 aFeuillet, Raoul-Auger,d1659 or 60-1710.10aOrchesography;bor, The art of dancing by characters and demonstrative figures. Wherein the whole art is explain'd; with compleat tables of all steps us'd in dancing, and rules for the motions of the arms, &c. Whereby any person (who understands dancing) may of himself learn all manner of dances. Being an exact and just translation from the French of Monsieur Feuillet.cBy John Weaver, dancing master. The 2d ed. N.B. To this edition is added, the Rigadoon, the Louver, & the Brittagne, in characters, with the contents, or index: the whole engraven: and likewise may be had where these are sold, 20 dances in characters, by Mr Isaac, in one vollume.  aLondon,bPrinted for, & sold by Inp0s. Walsh, musick printer & instrument maker to His Majesty, at the Harp in Catherine street in the strandc[ca. 1715?]  a3 p.l., 120 p.bdiagrs.c27 cm.  aEngraved throughout.  aThe Rigadoon, the Louver, & the Brittagne, by Mr. Isaac (p. 101-120) consist of diagrams of dance figures, with tune for figure represented at head of each page.  aBound in mottled calf, paneled, with gold tooling.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aWeaver, John,d1673-1760.1 aIsaac,cMr. 1aArt of dancing.7 dmusdif074gurn:hdl:loc.music/musdi.074uhttp://hdl.loc.gov/loc.music/musdi.0742http  k l mxn7o7pPqM  aNEW INPUT [TH12] [05/14/98]  asmcd/musdieammem01556cam  22003131  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129051004800161100002300209245011400232260008900346300001800435500002800453500009500481520030200576530012500878650001101003650001901014650004501033856009001078906002401168955002801192985002201220   03008851 //r985DLC19980623141303.3cr||||781018s1796    mau           000 0 eng    a   03008851 //r985  aDLCcDLCdDLC00aGV1763b.F7u<Rare Bk Coll>  aMicrofilm 82/5855 (GV)u<MicRR>cMicrofilm.1 aFraisier, M. J. C.14aThe scholars companion,bcontaining a choice collection of cotillons & country-dances.cBy M. J. C. Fraisier.  aBoston:bPrinted by D. Bowen, at the Columbian museum press, for the authorc[1796?]  a16 p.c16 cm.  aSignatures: [A]-Bp4s.  aThe foot of the title-page is torn off, and the date as given above is supplied in pencil.  aAlthough the title of this manual would indicate a collection of cotillions (figure dances usually performed by four couples), the dances are, in fact, English country dances, performed by a column of men facing a column of women.  The collection includes directions for 50 English country dances.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 0aCountry-dance. 4aDance Instruction and Technical Manuals.7 dmusdif075gurn:hdl:loc.music/musdi.075uhttp://hdl.loc.gov/loc.music/musdi.0752http  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem01368cam  2200301   4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100004600145245011100191260005100302300002700353505006300380520029200443530008600735650001100821650001100832650001400843650004500857856009000902906002400992955002801016985002201044ca 23000009 //r984DLC19941115104053.5cr||||781018s1922    paua          000 0 eng    aca 23000009 //r984  aDLCcDLCdDLC00aGV1751b.F71 aFrank, Charles J.q(Charles Julius),eed.14aThe latest method, home instruction by mail, dancing courses ...carranged and ed. by Charles J. Frank ...  aPhiladelphia, Pa.,bThe Beacon Academy,c1922.  a3 v. :bill. ;c20 cm.0 av. 1. The waltz.--v. 2. The fox trot.--v. 3. The one step.  aThis is a series of three pamphlets, each from sixteen to twenty-four pages, that describes the waltz, foxtrot, and the one step.  Designed for those who "know nothing at all about Modern Dances," each pamphlet provides preliminary exercises and basic lessons for execution of the steps.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDance. 0aWaltz. 0aFox trot. 4aDance Instruction and Technical Manuals.7 dmusdif076gurn:hdl:loc.music/musdi.076uhttp://hdl.loc.gov/loc.music/musdi.0762http  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem02017cam  22003251  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002200129100004200151245018600193250002000379260005200399300006300451500012300514500011300637500002500750520055500775530012501330650002001455650003001475650002201505856009001527906002401617955002801641985002201669   14020238 //r983DLC19941115105612.3cr||||781018r19071895enkafg        000 0 eng    a   14020238 //r983  aDLCcDLCdDLC00aGV1601b.F84 19071 aFrazer, Lilly Grove,clady,dd. 1941.00aDancing,cby Mrs. Lilly Grove, F.R.G.S., and other writers, with musical examples. Illustrated by Percy Macquoid and by numerous reproductions of engravings, prints and photographs.  aNew impression.  aLondon [etc.]bLongmans, Green. and co.,c1907.  axvii, 454 p.bfront., illus. (incl. music) plates.c19 cm.  aHalf title: The Badminton library of sports and pastimes, ed. by the Duke of Beaufort ... assisted by A. E. T. Watson.  aShort contributions by Mrs. Wordsworth, Miss Middleton, the Hon. Mrs. Armytage and the Countess of Ancaster.  aFirst edition, 1895.  aOriginally published in 1895, Mrs Grove's account of dance history was considered one of the most important books on dance during the late nineteenth century.  Although based on previously published materials, the book maintained popularity for several decades.  Using a formula employed by many writers, Mrs. Grove writes about the dances of antiquity, ritual dances, and the dances of "savages."  The remainder of the book is devoted to the dance of many lands and cultures indcluding Scotland, Wales, Hungary, Russia, Lapland, Spain, and Portugal.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexHistory. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif077gurn:hdl:loc.music/musdi.077uhttp://hdl.loc.gov/loc.music/musdi.0772http  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem01700cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129051003300146100004200179245006700221260007300288300005700361520056600418530012500984650003201109650004101141650003001182650002201212856009001234906002401324955002801348985002201376   02013080 //r985DLC19980623141830.1cr||||781018s1772    enk           000 0 eng    a   02013080 //r985  aDLCcDLCdDLC00aGV1601b.G17  aGV1601b.G17 Copy 2cCopy 2.1 aGallini, Giovanni-Andrea,d1728-1805.02aA treatise on the art of dancing.cBy Giovanni Andrea Gallini.  aLondon,bPrinted for the author and sold by R. Dodsley [etc.]c1772.  a2 p. l., [ix]-xvi, [17]-292 p.bfold. front.c20 cm.  aOriginally published in 1762 and reissued in 1765, this work borrows heavily from previously published materials, including the works of Locke, Goldini, and especially John Weaver's 1712 An Essay towards a history of dancing.  Gallini (1728-1805) presents a history of dance, arguments for learning the art of dance, and a discourse on the minuet.  Especialy interesting are Gallini's comments on European and non-European dance and discussion includes practices in Britain, Spain, Naples, the peasants of Tirol, Russia, Turkey, China, Africa, and the Americas.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 0aDancexHistoryxEarly works to 1800. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif080gurn:hdl:loc.music/musdi.080uhttp://hdl.loc.gov/loc.music/musdi.0802http  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem01361cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002600146245008500172250002100257260005100278300002400329520037100353530012500724650004400849650002600893856009000919906002401009955002801033985002201061   05039486 //r985DLC19941114113952.9cr||||781018s1893    kyu           000 0 eng    a   05039486 //r985  aDLCcDLCdDLC00aGV1741b.G221 aGardner, W[illiam] W.00aModern dancing: in the light of Scripture and facts.cBy W. W. Gardner, D.D. ...  a1st thousand ...  aLouisville, Ky.,bBaptist book concern,c1893.  av, 7-104 p.c19 cm.  aThis antidance tract was originally a sermon presented by the author in Maysville, Kentucky in 1849 and repeated in 1866.  It was published as a circular in 1874 and revised in 1887.  The arguments are typical of this genre of literature.  The author concludes that, based on his interpretation of the Scriptures, dance is dangerous to health, piety, and usefulness.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspectsxChristianity. 4aAntidance Literature.7 dmusdif081gurn:hdl:loc.music/musdi.081uhttp://hdl.loc.gov/loc.music/musdi.0812http  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem01139cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100001700146245013600163260002800299300001900327500001700346520015300363530012500516650001100641650004500652856009000697906002400787955002800811985002200839   05029721 //r984DLC19941114114219.3cr||||790302s1876    alu           000 0 eng    a   05029721 //r984  aDLCcDLCdDLC00aGV1761b.G251 aGass, Henry.14aThe waltz C.bA combination of curved steps and movements, so as to represent or describe the letter C.cComposed by Henry Gass ...  a[Mobile, Ala.?]cc1876.  a[7] p.c15 cm.  aCover title.  aThis small aide de memoire for the waltz provides separate instruction for the woman's part, the man's part, and three versions of the pursuit step.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif082gurn:hdl:loc.music/musdi.082uhttp://hdl.loc.gov/loc.music/musdi.0822http  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem01204cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001800129100002200147245007700169260004900246300002300295520022500318530012500543650002700668650004500695650002200740856009000762906002400852955002800876985002200904ca 05001764 //r983DLC19800710000000.0cr||||790517s1892    nyu           000 0 eng    aca 05001764 //r983  aDLCcDLCdDLC00aGV1795b.G7351 aGrant, Horatio N.04aThe Highland fling and how to teach it,cby Prof. Grant ... [Book no. 2]  aBuffalo, N.Y.,bElectric city pressc[c1892]  a39, [1] p.c16 cm.  aThis short pamphlet is devoted to the Highland Fling, described as a popular fancy dance, especially appropriate for children.  The author gives four exercises and descriptions for eleven steps, many with multiple parts.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aHighland fling (Dance) 4aDance Instruction and Technical Manuals. 4aTheatrical Dance.7 dmusdif086gurn:hdl:loc.music/musdi.086uhttp://hdl.loc.gov/loc.music/musdi.0862http  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem01048cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002200146245008300168260002800251300003000279500002700309520007800336530012500414650004500539650002200584856009000606906002400696955002800720985002200748ca 05001765 //r983DLC19830816000000.0cr||||790517s1895    nyu           000 0 eng    aca 05001765 //r983  aDLCcDLCdDLC00aGV1795b.G741 aGrant, Horatio N.10aIrine skipping rope dance,coriginated and described by Prof. H. N. Grant. ...  a[Buffalo? N.Y.]cc1895.  a[1], [154]-164 p.c19 cm.  aTitle vignette (port.)  aGrant describes ten steps of a solo dance that requires a rope as a prop.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance.7 dmusdif087gurn:hdl:loc.music/musdi.087uhttp://hdl.loc.gov/loc.music/musdi.0872http  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem01241cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001800129100002400147245009700171260002800268300003900296500001900335520025300354530012500607650004500732650002200777856009000799906002400889955002800913985002200941ca 05001763 //r983DLC19790223000000.0cr||||781018s1895    nyua          000 0 eng    aca 05001763 //r983  aDLCcDLCdDLC00aGV1795b.G7251 aGrant, H[oratio] N.04aThe double sword dance.bDescribed and copyrighted November, 1895,cby Prof. H. N. Grant ...  a[Buffalo? N.Y.]cc1895.  a1 p. l., 83-100 p.billus.c19 cm.  aCaption title.  aPart of a series of pamphlets published by Grant, this work provides preparatory exercises and instructions for steps including the pas de basque, waltz turn, and shuffle.  Grant notes that the double sword dance can be performed as a solo or duet.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance.7 dmusdif088gurn:hdl:loc.music/musdi.088uhttp://hdl.loc.gov/loc.music/musdi.0882http  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem01442cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002300146245005700169260006100226300001700287520055700304530012500861650001100986650001500997856009001012906002401102955002801126985002201154ca 05001941 //r983DLC19941114145459.7cr||||781018s1889    riu           000 0 eng    aca 05001941 //r983  aDLCcDLCdDLC00aGV1751b.G791 aGreene, William E.04aThe terpsichorean monitor.cBy William E. Greene ...  aProvidence, R.I.,bE. A. Johnson & co., printers,c1889.  a39 p.c9 cm.  aThis manual, a compilation of previously published materials, includes a brief discussion on dancing and deportment, bows (which the author considers the "criteria of good breeding"), and a section on introductons with instructions on how to shake hands.  The book also covers information on the duties of an escort, how to ask a lady to dance, and responsibilities of guests.  General information is provided on quadrilles and the cotillon (also known as the German).  However, the only dances described in detail are the figures for three quadrilles.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aEtiquette.7 dmusdif090gurn:hdl:loc.music/musdi.090uhttp://hdl.loc.gov/loc.music/musdi.0902http  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem01300cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100003600146245007700182260006100259300001800320520033800338530012400676650004400800650002600844856009000870906002400960955002800984985002201012   05039485 //r984DLC19980416121201.4cr||||781018s1879    pau           000 0 eng    a   05039485 //r984  aDLCcDLCdDLC00aGV1741b.H441 aHeckman, George C.,d1825-1902.00aDancing as a Christian amusement.cBy the Rev. George C. Heckmann[!] ...  aPhiladelphia,bPresbyterian board of publicationc[1879]  a36 p.c16 cm.  aThis antidance treatise presents three of the central arguments for this genre of literature.  First, dance is injurious to the health; second, dance is a waste of time and money.  The third argument recognizes that dance is mentioned in the Bible; however, the author claims that only women danced and solely for religious purposes.  aAvailable also through the Library of Congress Web site in two forms: as facsimilepage images and as full text in SGML. 0aDancexReligious aspectsxChristianity. 4aAntidance Literature.7 dmusdif092gurn:hdl:loc.music/musdi.092uhttp://hdl.loc.gov/loc.music/musdi.0922http  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem08722cac  22004337a 4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099043001200117050002400129245006200153246002800215246002200243260001900265300003700284505133300321505133601654505156202990505125004552505127405802530008607076520059807162500010407760500005407864650002007918650002707938700003207965700003107997700003508028700003308063856009008096906002408186955004308210985002208253985001308275   98160932 DLC19980618170725.8cr||||980616s17uu    fr ag         000 0 fre    a   98160932   aDLCcDLCdDLC  ae-fr---00aMT950b.C77u<Case>00a[Contredanses; description des figures, plan des figures]18aPlaisirs de l'Arquebuse18aRecueil de danses  aParis,c[17--]  a5 v. :bill., music ;c21-22 cm.0 av. 1. Les plaisirs de l'Arquebuse / par Mr Dusuel -- La jasuel / la musique de Mr Jalodin ; la figure de Mr Dusuel -- Les quartres nieces / musique de Mr Feret ; par Mr Roger -- Les graces allemandes / par Mr Roger -- La nouvelle yorck / par Mr Roger (2 copies) --  La brandebourg / la musique de monsieur Jalodin ; par Mr Roger -- La Lucille / par Mr. Amateur (2 copies) -- L'âetoile/ par Mr Battu (2 copies) -- La chasse de Diane / la musique de Mr Feret ; les figures de Mr Roger (2 copies) -- Le petite battu / par le sieur Battu fils -- La petite eclusel / par Courtat -- Les plaisirs de la chasse / par Mr Roger -- La nouvelle de Lille / par Mr Battu -- La Zelmire / par Mr Allard (2 copies) -- Tambourin allemand / par Battu (2 copies) -- La petite laitiere / par Mr Battu (2 copies) -- La petulante / par Mr Roger -- Les amusements du Wauxhall / par M. Roger -- Les soirâees amusantes / par Battu -- La nouvelle ferret / par Mr Battu -- Le dâeserteur / par Mr Roger -- L'ouverture des fãetes de Torrâe / par M. Roger -- La Robert / par Mr. Verdier -- La nouvelle Sâeguin / par Mr Verdier -- L'ouverture de fãetes de Belleville / par M. Battu -- La nouvelle brunswick / par Mr Dusuel -- La nouvelle corbeil / par M. Battu -- La troyenne / par M. Roger -- La chasse / par M. Battu -- Les plaisirs de Tanlay / par M. *** --8 aLes moissonneurs / par Mr. Roger -- Les plaisirs de la jeunesse / par Mr PE*** -- La mont-au-ciel / par M PE*** -- La belle pinture de Lucy / Mr Branche de Beauvais -- L'esprit folet / par M. Roger -- Le wauxhall de Londres / par Mr Dusuel -- La barbella / par Mr Landrin -- La mignonnette -- Le ballet des Guirlandes / par Mr. Roger -- Les amusements de Chevalier / par Mr. Chevalier -- La rejouissante / par Mr. Mendouze -- La nouvelle d'Auphine / par M. Battu -- La nouvelle Lise / par M. Roger -- Les batteurs en grange / par M Battu -- La colisee / par M. Battu -- Le chevalier oblique / par M. Chevalier -- Les plaisirs de Chevalier / par M. Chevalier -- La nouvelle Terpsicore / par Mr Roger -- Le balet du colisee / par M. Battu -- Le retour franðcais / par Mr. Morand -- Limpromptu de Rossignol / par M. Rossignol -- Le caprice de Gaudrot / par M. Gaudrot -- Les fãetes villageoises / par M. Roger -- Les amusements de Dusuel / par M. Dusuel -- Les quatre berceaux / l'air de Mr. Ferret ; la figure de Mr. Gaudrot --enis ; la figure par Mr. Chevalier -- Les dâelices franðcais / la musique par Mr. Denis ; la figure par Mr. Chevalier -- La joute / par Mr. Verdier ; la musique par Mr. Ferret -- Le rendâes-vous de la jeunesse / la musique par Mr. Denis ; la figure par Mr. Gaudrot -- Les petites etrennes / par M. Roger --8 aLe palais de l'amour / par Mr. Lequin -- La bizarre -- Les plaisirs champestres de la vallâee de M. / par Mr. Roger -- La nouvelle Aimâee / par Mr Verdier -- La Dauberval -- La petite javotte / l'air de M. Ferret ; la figure par M. Gaudrot -- L'alexandrine / par M. Roger -- Le parfait cotentement / par M. Guillaume -- La fricassâee ; Carabo -- La nouvelle Guillet / par M. Guillet -- La rose / la musique de Mr. Ferret ; la figure par M. Gaudrot -- La nouvelle Dailly / par M. Guillet -- La petite Angelique / l'air de M. Vincent ; la figure de M. Adnet -- La soissonnoise / la musique par M Vincent ; la figure par M. Verdier -- La boullongne / par M. Gaudrot -- La Violette / par M. Gaudrot -- L'amoureux de quinze ans / la figure par M. Adenet -- La nouvelle victoire / l'air de M. Vincent ; la figure par M. Verdier -- La rosiere / l'air de M. Vincent ; la figure par M. Verdier -- La Provence / par M. Roger -- Les tems perdu / par M. Gaudrot -- La sâeduisante / par M. Roger -- La pensâee de Vallette / l'air de M. Vincent ; la figure de M. Vallette -- La societâe de Battu / par M. Battu -- La chasse de Desnoyers / par M. Desnoyers -- La blondelle / par Mr. Vincent -- La tonnelliere / par M. Roger -- Les traits galants / la figure par M. Adnet ; la musique par M. Granget -- Les quatre commeres / par M. Gaudrot -- La simonnette -- La bertrand / par M. Chevalier -- Les plaisirs de L'isle Adam / par M. Denis -- Les sorees de Passy / par M. Roger -- La voisine / par M. Verdier -- La glorieuse / par M. Poirier -- La lison -- La clef des coeurs.8 av. 2. La belle-poule et la L'arguza / figures par Mr. Clerget -- Les deux jaloux et Les troqueurs -- L'automne et La camille / par Mr. Guillaume -- Potpourrie / par Mr Sicard -- L'insurgente et L'anglaise americaine / par Mr. Guillaume -- La chasse de Silvie / la [sic] figures de Mr. Lany -- La Voltaire & La Franklein -- La d'orvillier / par Mr. Lechard -- Le lundy & Le jeudy / par Mr. Ferret -- La petite charmante / par Mr. Feret -- La cleophille / la musique par Mr. Vincent -- Les bonnes amie / par Mr. Lâechard -- La Louise / par Mr. Vincent -- La dubreuil / par M. Verdier ; la musique de M. Vincent -- La bagatelle / par Mr. Verdier -- La rose nouvelle -- Potpoury franðcais -- Les plaisirs de crâeteille / par Mr. Lâechard -- La promenade du Colisee / de Mr. Joly -- Le cadrille de la puce / par Mr. Nivelon -- La puce / par Mr. Lequin -- L'âetâe / par Mr. Julien -- Les plaisir de Chenonceaux / Vincent -- La babiolle / par Mr. Vincent -- La chasse d'amour / l'air par Mr. Pertrand ; la figures par Mr. Magnetet -- La rejouissanse dartois / Mr. Dâenis -- Lajax -- L'amour quãeteur / arrangâee par Mr. Ferret et La Gabrielle de Vergy -- La Pracontalle / Lechard -- Les pois ramâe / par Desnoyer -- Le bataillon carrâe / M. Deshayes --8 aPotpourrie / par Mr. Lany -- La perrier / par Mr. Vincent -- Le herisson et la pie / par Mr. Le Quin -- L'alcimadure et La villageoise -- Les plaisirs de Montreuille / par Mr. Lâechard --La piere dâesmant et La villetier / Monsieur Gricourt. -- v. 3. Les plaisirs de Flore / Bacquoy-Guâedon -- La vertu / Bacquoy-Guâedon -- L'aimable jeunesse / Bacquoy-Guâedon -- La cour de Paphos / Bacquoy-Guâedon -- L'Adonis / Bacquoy-Guâedon -- La mignonette / par Guillaume. --   -- v. 5. La perreau / par M. Perreau -- Les quatre comtesses / par Mr. Perreau -- Quadrille anglais / par Mr. Perreau -- Quadrille allemand / par Mr. Perreau (imperfect: all but p. 1-2 wanting) -- Les quatre princes / par Mr. Perreau -- La promenade de mesdames / par Mr. Perreau (imperfect: all but p. 1-2 wanting) -- La nouvelle Therese / par Mr. Papillon -- Le nouveau quadrille anglais / par Mr. Mãendouze -- L'ouverture des assemblâees / Mr. Mãendouze -- Les amusemens de Mãendouze /par Mr. Mãendouze -- La Danemark, ou, La n[ouvel]le Trawandal / par Mr. Mãendouze -- La suze -- La gaãitâe / par Mr. Mãendouze -- La voluptueuse -- Les plaisirs de Carel / Carel -- L'impromptu / Mr. Mãendouze -- La Esther / par M. Perreau -- Les grace allemandes / par M. Roger -- La Flore -- Le ballet allemand.  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis is a bound collection of over eighty-five late eighteenth-century contredanses and contredanse variants such as contredanse francaise; contredanse allemande; and contredanse anglaise, each choreographed by well-known dancing masters and dancers including Philip Desnoyers, Marie Allard, Landrin, and Denis. Each contredanse consists of a title page, a page for description of the figures, another for the floor plan, and a fourth page for the music. Although most contredanses were designed for four couples facing in a square, this collection contains dances for up to twelve performers.  aLC v. 1 has spine title: Les plaisirs de l'Arquebuse; v. 2 has spine title: Recueil de danses.5DLC  aLC v. 4 not available at time of cataloging.5DLC 0aCountry-dances. 0aCountry-dancezFrance.1 aVincent,cmaãitre de danse.1 aAllard, Marie,d1738-1802.1 aDenis, Pierre,dfl. 1760-1779.1 aLandrin,dfl. ca. 1760-1785.7 dmusdif096gurn:hdl:loc.music/musdi.096uhttp://hdl.loc.gov/loc.music/musdi.0962http  k l m n7o7pPqM  aNEW INPUT th14 05-18-98; vj01 06-16-96  asmcd/musdieammem  aAPIF/MIG01506cam  22002891  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050004200127100002900169245003800198260003800236300002200274520048300296530012500779650001100904650004500915710005700960856009001017906002401107955002801131985003501159985002201194ca 05001741 //r98DLC19941116102350.4cr||||781018s1886    mau           000 0 eng    aca 05001741 //r98  aDLCcDLCdDLC00aGV1767b.H84u<Min Case Rare Bk Coll>1 aHowe, Elias,d1819-1867.04aThe pocket ball-room prompter ...  aBoston,bO. Ditson & Co.,cc1886.  a47 [1] p.c10 cm.  aThis small, pocketsiz manual is attributed to American in-ventor Elias Howe; however, a publisher assembled it. Even though the manual itself is small in size, it manages to pack in a thorough discussion of etiquette of  the ballroom and supper room, a discussion on the differences betwn public balls an  private parties, and how to call quadrilles or cotillons. Descriptions are included for numerous dances including the polka, waltz, schottisch, quadrille, and contra dance.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals.21aMiniature Book Collection (Library of Congress)5DLC7 dmusdif099gurn:hdl:loc.music/musdi.099uhttp://hdl.loc.gov/loc.music/musdi.0992http  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  ararebk/minerbcfqr05 11-09-93  asmcd/musdieammem01486cam  22002771  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100003500144245010500179260007300284300004300357520042400400530012500824650003000949650003800979650002601017856009101043906002401134955002801158985002201186   01005931 //r98DLC19980625184558.6cr||||781018s1901    tnuc          000 0 eng    a   01005931 //r98  aDLCcDLCdDLC00aGV1741b.H871 aHubbert, J. M.q(James Monroe)10aDancers and dancing;ba calm and rational view of the dancing question,cby Pastor J. M. Hubbert ...  aNashville, Tenn.,bCumberland Presbyterian publishing housec[c1901]  a3 p. l., 5-44 p. front.bport.c19 cm.  aAt first glance, Hubbert appears to be presenting both pro and con agruments regarding the suitability of dancing.  However, the discussion is weighted toward the common discourse found in this genre of antidance literature.  Hubbert argues that although dance was practiced in biblical times, it was performed by and for women. Additionally, he concludes that dance is bad for the health and a waste of time and money.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspects. 0aDancexMoral and ethical aspects. 4aAntidance Literature.7 dmusdif104gurn:hdl:loc.music/musdi.104uhttp://hdl.loc.gov/loc.music/musdi.1042http.  k l mxn7o7pPqM  aNEW INPUT th14 05-18-98  asmcd/musdieammem01711nam  2200313 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040001300099050002100112100002800133245018200161260004900343300002000392510002800412530012500440520049000565650003001055650005301085650005801138650002301196856009101219906002401310955002801334985002201362985001301384   98161187 DLC19980616163959.1cr||||980616s1819    mau           000 0 eng    a   98161187   aDLCcDLC00aGV1741b.I2 18181 aIde, Jacob,d1785-1880.14aThe nature and tendency of balls :bseriously and candidly considered, in two sermons, preached in Medway, the first, December 21: the second, December 28, 1818 /cby Jacob Ide.  aDedham :bPrinted by M. & W.H. Mann,c[1819]  a50 p. ;c21 cm.4 aShaw & Shoemakerc48319  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aThis book consists of two sermons delivered by Jacob Ide (1785-1880), pastor of the Second Church in Medway during December 1818. In these sermons, the pastor declares that balls are too expensive, "excite very ardent feeling," and lead to an "inordinate love of company" resulting in idleness.  The second sermon is devoted to a common theme in nineteenth-century antidance literature, that dancing and attending balls are contrary to Scripture.  Ide's sermons were reprinted in 1859. 0aBalls (Parties)xSermons. 0aDancexReligious aspectsxChristianityxSermons. 0aAmusementsxReligious aspectsxChristianityxSermons. 0aSermons, American.7 dmusdif105gurn:hdl:loc.music/musdi.105uhttp://hdl.loc.gov/loc.music/musdi.1052http.  k l m n7o7pPqM  aNEW INPUT vj01 06-16-98  asmcd/musdieammem  aAPIF/MIG01639cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129051003200161100004900193245015800242260004100400300002600441520053500467530012501002650004401127650002601171856009001197906002401287955002801311985002201339   22004143 //r982DLC19980618162408.7cr||||781018s1867    mou           000 0 eng    a   22004143 //r982  aDLCcDLCdDLC00aGV1741b.J6u<Rare Bk Coll>  aGV1741b.J6 Copy 2cCopy 2.1 aJones, John G.q(John Griffing),d1804-1888.13aAn appeal to all Christians, especially the members of the Methodist Episcopal Church, against the practice of social dancing.cBy Rev. John G. Jones ...  aSaint Louis,bP. M. Pinckard,c1867.  aiv, [5]-66 p.c15 cm.  aThis tract against the practice of social dancing is based on a series of articles written by Jones in 1852. Jones notes alarm because dance is gaining favor with the public. Two of his arguments are common in this genre of literature.  First, he claims that dance is an unhealthy exercise. Second, he claims that dance in the Bible is exempted from criticism because it was interpreted as being performed only by women.  Jones argues that dance is the natural result of "fervent piety, and of a heart overflowing with gratitude."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspectsxChristianity. 4aAntidance Literature.7 dmusdif107gurn:hdl:loc.music/musdi.107uhttp://hdl.loc.gov/loc.music/musdi.1072http  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem01336cam  22002771  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100002100143245004200164260003300206300002700239500010400266520035700370530012500727650001900852650002200871856009100893906002400984955002801008985002201036   43035740 //r98DLC19980625184629.4cr||||781018s1788    enkf          000 0 eng    a   43035740 //r98  aDLCcDLCdDLC00aGV1757b.K51 aKingsbury, W. H.02aA cotilion [!]c[By] W. H. Kingsbury.  aLondon,bS. W. Fores,c1788.  afold. pl.c28 x 23 cm.  aA continuous strip mounted on linen (26 1/2 x 208 cm) folded, accordion fashion, to form 10 leaves.  aThis is a charming example of late-eighteenth-century caricature. Although the specific personalities and dances cannot be pinpointed, this collection of ten couples, dressed in ball dress and displaying exaggerated dance poses, is an excellent sample of an art form that flourished in England during the late eighteenth and early nineteenth centuries.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aGerman (Dance) 4aDance Caricature.7 dmusdif108gurn:hdl:loc.music/musdi.108uhttp://hdl.loc.gov/loc.music/musdi.1082http.  k l mxn7o7pPqM  aNEW INPUT th14 05-20-98  asmcd/musdieammem02425cam  22004691a 4500001001800000003000400018005001700022007000700039008004100046010002200087020004000109040001800149041001400167050003700181082001400218100002300232245032100255260006600576300002500642490005300667440002800720546007400748500010100822520038900923530010401312504004101416650004501457650002401502650002101526650003501547700001901582700002101601740004901622830005201671856011001723906002401833922000701857955004801864985000801912985001301920985002201933   90172102 //r98DLC19941024153140.2cr||||900703s1988    au       b    000 0 fre    a   90172102 //r98  a3201013838 (facsimile & commentary)  aDLCcDLCdDLC0 afreengger00aGV1796.B28bB27 1988u<Mus Case>00a792.82201 aLemaire, Claudine.14aLes basses danses de Marguerite d'Autriche =bDas Tanzbèuchlein der Margarete von èOsterreich : vollstèandige Faksimile-Ausgabe im Originalformat der Handschrift MS 9085 aus dem Besitz der Bibliotháeque royale Albert Ier, Bruxelles. Kommentarband /cmit Beitrèagen von Claudine Lemaire, Claude Thiry, Victor Gavenda.  aGraz, Austria :bAkademische Druck- u. Verlagsanstalt,c1988.  a76 p. ;c13 x 21 cm.1 aCodices selecti phototypice impressi ;vvol. 87. 0aMusica manuscripta ;v5  aForeword in German, the first 2 essays in French, the 3rd in English.  aIssued in a solander case with the full-color facsimile of the manuscript (LC record 90-172142).  aThis is a facsimile reproduction with additional commentary of a rare fifteenth-century source for the bassedanse, a Burgundian court dance. Known as Brussels manuscript 9085, it consists of twenty-five parchment leaves on black paper with gold rules and calligraphic initials in silver. Seventeen folios contain specific music and choreographies in the earliest known dance notation.  aFacsimile portion available also through the Library of Congress Web site as facsimile page images.  aIncludes bibliographical references. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance. 0aBasse dansexHistoryxSources.10aThiry, Claude.10aGavenda, Victor.01aTanzbèuchlein der Margarete von èOsterreich. 0aCodices selecti phototypice impressi ;vv. 87*.7 3Facsimile portiondmusdif112gurn:hdl:loc.music/musdi.112uhttp://hdl.loc.gov/loc.music/musdi.1122http.  k l2mxn7o7pPqM  aap  avj03 07-03-90; he12 08-10-90; fp29 12-07-90  eRBC  aAPIF/MIG  asmcd/musdieammem01173cam  22003011  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100001900144245003300163260003900196300002400235500001700259500003200276520019200308530012500500650001100625650004500636650002500681856009100706906002400797955002800821985002200849ca 05001755 //r98DLC19980625185237.2cr||||941121s1893    nyu           000 0 eng    aca 05001755 //r98  aDLCcDLCdDLC00aGV1767b.L751 aLink, Charles.00aUnique dancing call book ...  aRochester, N.Y.,bC. Link,cc1893.  a[82] p.c9 x 16 cm.  aCover title.  aPrinted parallel with back.  aThis unique document contains the prompter's calls for twenty-eight dances. The calls themselves are printed in large type, making them easier to read. No dance instructions are provided.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals. 4aPrompting Quadrills.7 dmusdif113gurn:hdl:loc.music/musdi.113uhttp://hdl.loc.gov/loc.music/musdi.1132http.  k l mxn7o7pPqM  aNEW INPUT th14 05-18-98  asmcd/musdieammem01668cam  22002651  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127245018900143260004500332300001800377520062100395530012501016650003201141650001901173650004501192856009101237906002401328955002801352985002201380   24020027 //r98DLC19980619171827.3cr||||781018s1798    enk           000 0 eng    a   24020027 //r98  aDLCcDLCdDLC00aGV1590b.G404aThe gentleman & lady's companion;bcontaining, the newest cotillions and country dances; to which is added, instances of ill manners, to be carefully avoided by youth of both sexes ...  aNorwich,bPrinted by J. Trumbull,c1798.  a24 p.c13 cm.  aThe etiquette section of this manual anticipates many nineteenth-century concerns regarding decorum and bodily control and some of the ill manners described include "swinging the arms, and all other awkward gestures" and "leaning on the shoulder, or chair of another person." The manual provides nine figures for the cotillon, a precursor to the quadrille consisting of a series of figures known as changes that were performed alternately with the cotillon figure. The manual also gives the figures for seventy-nine English country dances, a popular group dance performed by a column of men facing a column of women.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 0aCountry-dance. 4aDance Instruction and Technical Manuals.7 dmusdif114gurn:hdl:loc.music/musdi.114uhttp://hdl.loc.gov/loc.music/musdi.1142http.  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem02055cam  22003131  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100003100143245006100174260003100235300004400266500006400310520089000374530012501264650003201389650004901421650004501470650002201515650004001537856009001577906002401667955002801691985002201719   12012085 //r98DLC19980619171943.3cr||||781018s1779    it            000 0aita    a   12012085 //r98  aDLCcDLCdDLC00aGV1590b.M31 aMagri, Gennaro,dfl. 1779.00aTrattato teorico-prattico di ballocdi Gennaro Magri ...  aNapoli,bV. Orsino,c1779.  a2 v. in 1.b22 pl. (part fol.d)c22 cm.  aTitle of v. 2 reads: Trattato di ballo teorico-prattico ...  aThis manual represents one of the most important sources on dance technique for the second half of the eighteenth century and is a critical link between Baroque dance and early romantic ballet. Part one is divided into sixty sections describing various aspects of dance beginning with a statement on the utility of dance, and feet positions. The manual continus with descriptions of many steps, for example, four of battemens, nine types of pas de bourrâee; ballotâe; and twenty-three types of cabriole. Also includd is extensive information on late eighteenth-century grotesque style, especially important for the study of Italian pantomime. Part two discusses the responsibilities of a dancing master and manner of performing the minuet. The manual concludes with instructions for thirty-nine contradanze (contredanses) including one dance that is arranged for thirty-two performers.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 0aDance musicyTo 1800xHistory and criticism. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance. 4aNotation for Dance Music for Dance.7 dmusdif115gurn:hdl:loc.music/musdi.115uhttp://hdl.loc.gov/loc.music/musdi.1152http  k l mxn7o7pPqM  aNEW INPUT th14 05-18-98  asmcd/musdieammem01285cam  22002891  4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099050001700117245008400134260003300218300002600251500001700277520031000294530012500604650001600729650001800745650004500763650002200808856009100830906002400921955002800945985002200973ca 05001769 DLC19980619172041.7cr||||790320s1873    nyua          000 0 eng    aca 05001769   aDLCcDLCdDLC00aGV1793b.J6100aJig, clog, and breakdown dancing made easy, with sketches of noted jig dancers.  aNew York,bE. James,cc1873.  a12 p.billus.c19 cm.  aCover title.  aThis book begins with a brief history of jig dancing and provides a chronology of jig and clog dancers from famed African-American dance Master Juba to Johnny Diamond and Dick Pelham. The manual also describes twenty steps including "heel and toe step," "shuffle,""clog break," and "plantation breakdown."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aJig (Dance) 0aClog dancing. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance.7 dmusdif117gurn:hdl:loc.music/musdi.117uhttp://hdl.loc.gov/loc.music/musdi.1172http.  k l m n7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem02141cam  22003011  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100003800143245048200181260004600663300004400709500002000753520065500773530012501428650003201553650004501585650002401630650002101654856009001675906002401765955002801789985002201817   13019257 //r98DLC19941121141732.6cr||||790302s1737    sp a          000 0 spa    a   13019257 //r98  aDLCcDLCdDLC00aGV1590b.M62 aMinguet âe Irol, Pablo,dd. 1801?00aArte de danzar a la francesa, adornado con quarenta figuras,bque enseänan el modo de hacer todos los diferentes passos de la danza del minuete, con todas sus reglas, y de conducir los brazos en cada passo: y en quatro figuras, el modo de danzar los tres passapies. Tambien estáan escritos en solfa, para que qualquier musico los sepa taäner.cSu autor Pablo Minguet e Irol ... Aänadido en esta tercera impression todos los passos, âo movimientos del danzar áa la espaänola ...  a[Madrid,bP. Minguet, en su casa,c1737?]  a4 p. l., 72 p.billus., diagrs.c14 cm.  aContains music.  aPublished in 1758 by engraver, writer, and translator Minguet âe Irol, this manual incorporates sections of Raoul-Feuillet's Choreographie (Paris, 1700) and Pierre Rameau's Le Maãitre de danser (Paris, 1725), although neither author is credited. Part one describes feet positions, the manner of managing one's hat, and provides a large vocabulary of steps used in eighteenth-century dance technique. Part two includes dances by Feuillet and French dancer and choreographer, Guillaume-Louis Pecour. The third section discusses contredances. The last and most interesting part, dated 1764, gives descriptions for forty-five steps used in Spanish dance.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.7 dmusdif118gurn:hdl:loc.music/musdi.118uhttp://hdl.loc.gov/loc.music/musdi.1182http  k l mxn7o7pPqM  aNEW INPUT th14 05-18-98  asmcd/musdieammem01294cam  22002771  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100001600144245004800160260004200208300002700250520037100277530012500648650001100773650004500784650002200829856009100851906002400942955002800966985002200994   05029180 //r98DLC19980625185405.6cr||||781018s1896    ohua          000 0 eng    a   05029180 //r98  aDLCcDLCdDLC00aGV1781b.N851 aNott, F. C.00aStage and fancy dancing.cBy F. C. Nott ...  aCincinnati, O.,bJ. M. Wright,c1896.  a55 p.bdiagrs.c19 cm.  aAlthough the manual begins with a description of the "five ballet positions," the book is intended for amateurs. Nott presents directions for thirty steps such as leap, boure [sic]-quick, hop, dash, slide, and paddle step. Included also are choreographies for over twenty dances such a "Skip Rope Dance," "Skirt Dance,""Cloak Dance," "Witches Dance," and "Cachucha."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance.7 dmusdif123gurn:hdl:loc.music/musdi.123uhttp://hdl.loc.gov/loc.music/musdi.1232http.  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem01901cam  2200337 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099043001200123050001100135050002500146100001600171245017400187260006300361300004700424520060500471530008601076650006101162650005201223650004501275650002401320650002101344700003401365856009001399906002401489955002801513985002201541   98160650 DLC19980618101954.5cr||||980615s1715    enkag         00010 eng    a   98160650   aDLCcDLCdDLCedcrb  ae-uk-en10aGV158900aMT950.P2bF6u<Case>1 aIsaac,cMr.14aThe friendship :bMr. Isaac's new dance for the year 1715 /cthe tune by Mr. Paisible ; engraven in characters & figures for the use of masters writ by Mr. Pemberton ...  a[London] :bPrinted for I. Walsh ... and I. Hare,c[1715?]  a[8] leaves :bill., music ;c29 cm. (fol.)  aThis ballroom duet for one couple, preserved in feuillet notations, was choreographed by English dancing master Mr. Isaac (c.1640-c 1720) to music composed by James Paisible (died 1721). The eight-couplet dance is in duple meter. The dance notation system, first published by dancing master Raould-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to the bar lines in the music score.  Signs written on the right or left hand side of the tract indicate the steps.  E. Pemberton notated the dance.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexStudy and teachingzEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif124gurn:hdl:loc.music/musdi.124uhttp://hdl.loc.gov/loc.music/musdi.1242http  k l m n7o7pPqM  aNEW INPUT vj01 06-15-98  asmcd/musdieammem02191cam  2200349 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099043001200117050001100129050002500140100001600165245019400181246001300375260006300388300004400451520086800495530008601363650006101449650005201510650004501562650002401607650002101631700003401652856009101686906002401777955001801801985002201819   98160741 DLC19980618102340.8cr||||980615s1713    enkag         00010 eng    a   98160741   aDLCcDLCdDLC  ae-uk-en10aGV158900aMT950.P2bP3u<Case>1 aIsaac,cMr.14aThe Pastorall :bMr. Issac's new dance made for Her Majestys birth day 1713 /cthe tune by Mr. Paisible ; engraven in characters and figures for the use of masters writ by Mr. Pemberton ...3 aPastoral  a[London] :bPrinted for I. Walsh ... and I. Hare,c[1713?]  a[12] p. :bill., music ;c29 cm. (fol.)  aThis ballroom dance for one couple, preserved in Feuillet natation, was choreographed by English dancing master Mr. Isaac (c.1640-c1720) to music composted by James Paisible (died 1721). The fourteen couplet dance begins in 6/4 and changes to a hornpipe on the ninth couplet. The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score.  Signs written on the right or left hand side of the tract indicate the steps. The dance was notated by dancing master E. Pemberton who urged all dancing masters who had not learned the "characters of dancing" (Feuillet notation) either through "prejudice or mistaken notions" should do so as "it is necessary as the notes of music."  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexStudy and teachingzEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif125gurn:hdl:loc.music/musdi.125uhttp://hdl.loc.gov/loc.music/musdi.1252http.  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem01872cam  2200349 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099043001200123050001100135050002600146100001600172245018800188260006100376300004800437520056300485530008601048650004101134650005201175650001701227650004501244650002401289650002101313700003401334856009001368906002401458955001801482985002201500   98160754 DLC19980623143330.0cr||||980615s1711    enkag         000 0 eng    a   98160754   aDLCcDLCdDLCedcrb  ae-uk-en10aGV158900aMT950.P2bR33u<Case>1 aIsaac,cMr.14aThe rigadoon royal :bMr. Isaac's new dance made for Her Majestys birth day 1711 /cengraven in characters & figures for the use of masters writ by Mr. de la Garde, dancing master ...  a[London] :bPrinted for I. Walsh ... & I. Hare,c[1711?]  a[9] leaves :bill., music. ;c29 cm. (fol.)  aThis ballroom dance for one couple, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c.1640-1720) to music composed by James Paisible (died 1721). The eight couplet dance is in duple meter. The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tact drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancezEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 0aDance music. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif126gurn:hdl:loc.music/musdi.126uhttp://hdl.loc.gov/loc.music/musdi.1262http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem01895cam  2200361 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099043001200117050001100129050002500140100001600165245011200181246001500293260006100308300004700369520064300416530008601059650004101145650005201186650001701238650004501255650002401300650002101324700003401345856009001379906002401469955001801493985002201511   98160755 DLC19980623143357.5cr||||980615s1712    enkag         000 0 eng    a   98160755   aDLCcDLCdDLC  ae-uk-en10aGV158900aMT950.P2bR4u<Case>1 aIsaac,cMr.14aThe royal Ann :bMr. Isaac's new dance made for Her Majestys birth day 1712 /cthe tune by Mr. Paisible ...15aRoyall Ann  a[London] :bPrinted for I. Walsh ... & I. Hare,c[1712?]  a[8] leaves :bill., music ;c29 cm. (fol.)  aThis ballroom dance for one couple, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c. 1640-1720) to music composed by James Paisible (died 1721). The eight couplet dance is in triple meter. The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps. English dancing master, E. Pemberton (fl. 1711), probably notated the dance.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancezEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 0aDance music. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif127gurn:hdl:loc.music/musdi.127uhttp://hdl.loc.gov/loc.music/musdi.1272http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem02067cam  2200361 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099050001100123050002600134100001600160245023300176246002100409260007200430300004800502530008600550520062400636500005701260650004101317650005201358650001701410650004501427650002401472650002101496700003401517856009001551906002401641955001801665985002201683   98160756 DLC19980623143433.0cr||||980615s1709    enkag         000 0 eng    a   98160756   aDLCcDLCdDLCedcrb10aGV158900aMT950.P2bR45u<Case>1 aIsaac,cMr.14aThe royal Portuguez :bMr. Isaac's new dance made for Her Majesty's birth day 1709 /cthe tune by Mr. Paisible ; engraven in characters & figurs [sic] for the use of masters writ by Mr. de la Garde ... and revis'd by the author.10aRoyal Portuguese  aLondon :bPrinted for I. Walsh & P. Randall ... & I. Hare,c[1709?]  a[14] leaves :bill., music ;c29 cm. (fol.)  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis ballroom dance for one couple, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c. 1640-c.1720) to music composed by James Paisible (died 1721). The fifteen couplet dance begins in 6/4 but changes to "brisk minuet time" on the eleventh couplet. The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps.  aLC copy imperfect: 12th couplet supplied in ms.5DLC 0aDancezEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 0aDance music. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif128gurn:hdl:loc.music/musdi.128uhttp://hdl.loc.gov/loc.music/musdi.1282http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem02064cam  2200361 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099043001200123050001100135050002600146100001600172245021200188246001900400260007200419300004800491530008600539520068900625650004101314650005201355650001701407650004501424650002401469650002101493700003401514856009001548906002401638955001801662985002201680   98160760 DLC19980623143640.8cr||||980615s1710    enkag         000 0 eng    a   98160760   aDLCcDLCdDLCedcrb  ae-uk-en10aGV158900aMT950.P2bR55u<Case>1 aIsaac,cMr.14aThe royall gailliarde :bMr. Isaac's new dance made for Her Majesty's birth day 1710 /cthe tune by Mr. Paisible ; engraven in characters & figures for the use of ma[ste]rs writt [sic] by Mr. de la Garde ...3 aRoyal galliard  aLondon :bPrinted for J. Walsh & P. Randall ... & J. Hare,c[1710?]  a[14] leaves :bill., music ;c29 cm. (fol.)  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis ballroom dance for one couple, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c.1640-c. 1720) to music composed by James Paisible (died 1721). The fifteen couplet dance begins in duple meter, changes to a triple meter sarabande at the tenth couplet, and changes once more to a canary on the twelfth couplet. The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps. 0aDancezEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 0aDance music. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif129gurn:hdl:loc.music/musdi.129uhttp://hdl.loc.gov/loc.music/musdi.1292http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem01755cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100005000145245018000195260006900375300001800444520059400462530012501056650005301181650002301234650002601257856009001283906002401373955002801397985001801425985002201443   47037037 //r983DLC19980623143745.5cr||||781018s1849    scu           000 0 eng    a   47037037 //r983  aDLCcDLCdDLC00aGV1741b.P31 aPalmer, B. M.q(Benjamin Morgan),d1818-1902.10aSocial dancing inconsistent with a Christian profession and baptismal vows:ba sermon, preached in the Presbyterian church, Columbia, S.C., June 17, 1849,cby B. M. Palmer ...  aColumbia,bPrinted at the office of the South Carolinian,c1849.  a23 p.c19 cm.  aTaken from a sermon delivered 17 June 1849, Palmer®s book is typical of midnineteenth-century antidance literature. He declares that the seventeen references to dance in the Bible are all performed by one sex, in open fields, and in broad daylight. This, Palmer (1818-1902) concludes, is not the case with balls, in which the sexes dance together, in closed quarters, and at night. The author declares that human nature is "fallen and depraved, and subject to the domination of wicked passions," therefore, attending balls is promiscuous, demoralizing and inconsistent with baptismal vows.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspectsxChristianityxSermons. 0aSermons, American. 4aAntidance Literature.7 dmusdif130gurn:hdl:loc.music/musdi.130uhttp://hdl.loc.gov/loc.music/musdi.1302http  k l mxn7o7pPqM  aNEW INPUT tp02 06-19-98  fna20 02/10/87  asmcd/musdieammem02013cam  2200349 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099043001200123050001100135050002500146100001600171245019200187260006300379300004700442520070000489530008601189650004101275650005201316650001701368650004501385650002401430650002101454700003401475856009001509906002401599955001801623985002201641   98160707 DLC19980623143850.5cr||||980615s1714    enkag         000 0 eng    a   98160707   aDLCcDLCdDLCedcrb  ae-uk-en10aGV158900aMT950.P2bG5u<Case>1 aIsaac,cMr.14aThe Godolphin :bMr. Isaac's new dance made for Her Majestys birth day 1714 /cthe tune by Mr. Paisible ; engraven in characters & figures for the use of masters writ by Mr. Pemberton ...  a[London] :bPrinted for I. Walsh ... and I. Hare,c[1714?]  a[7] leaves :bill., music ;c29 cm. (fol.)  aThis ballroom dance for one couple, preserved in Feuillet  notation, was choreographed by English dancing master Mr. Isaac (c.1640-c.1720) to music composed by James Paisible (died 1721). The five couplet dance is in duple meter and is dedicated to the Lady Harriot Godolphin, considered to be a "particular good dancer," by E. Pemberton, the notator of the dance. The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the patter of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancezEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 0aDance music. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif131gurn:hdl:loc.music/musdi.131uhttp://hdl.loc.gov/loc.music/musdi.1312http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem01240cam  22002771  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001800127100001800145245036300163260003600526300004900562530008600611650001100697650004500708650002400753650002100777856009000798906002400888955002800912985002200940   11027714 //r94DLC19980623144544.5cr||||790302s1711    enkf          000 0 eng    a   11027714 //r94  aDLCcDLCdDLC00aMT950.A2bP451 aPemberton, E.03aAn essay for the further improvement of dancing;bbeing a collection of figure dances, of several numbers, compos'd by the most eminent masters; describ'd in characters after the newest manner of Monsieur Feuillet.cBy E. Pemberton. To which is added, three single dances, viz. a chacone by Mr. Isaac, a passacaille by Mr. L'Abbe, and a jig by Mr. Pecour ...  aLondon,bJ. Walsh [etc.]c1711.  a5 p. l.,b54 pl. (partly fold.)c26 x 19 cm.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDance. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.7 dmusdif134gurn:hdl:loc.music/musdi.134uhttp://hdl.loc.gov/loc.music/musdi.1342http  k l mxn3o7pPqM  aNEW INPUT tp02 06-19-98  asmcd/musdieammem01658cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100001600145245010400161260004100265300001800306500005100324520061900375530012500994650003801119650002601157700002101183856009001204906002401294955002801318985002201346ca 07006255 //r984DLC19941122113343.9cr||||781018s1884    mou           000 0 eng    aca 07006255 //r984  aDLCcDLCdDLC00aGV1741b.P41 aPenn, W. E.10aThere is no harm in dancing,cby W. E. Penn, with an introduction by Rev. J. H. Stribling, D.D. ...  aSt. Louis, Mo.,bL. E. Kline,c1884.  a58 p.c15 cm.  aPublished later under title: The upas tree ...  aThe basic premise in this antidance treatise is typical of this genre of dance literature; namely, dance is bad for the health and is a waste of money. The author utilizes a novel approach and uses trees as metaphors to support his arguments. Some trees are "not comely to look upon, but the fruit very good." Other trees have dangerous fruit and the author concludes that samples of the fruit found on the tree of dancing include "pride, lasciviousness, lying, drunkenness, embezzlement, fornication, cruelty, idolatry, prostitution, abortion, and assassination." The manual was reissued in 1886 as The Upas Tree.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexMoral and ethical aspects. 4aAntidance Literature.10aStribling, J. H.7 dmusdif136gurn:hdl:loc.music/musdi.136uhttp://hdl.loc.gov/loc.music/musdi.1362http  k l mxn7o7pPqM  aNEW INPUT th08 05-20-98  asmcd/musdieammem01318cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002700146245005000173260003500223300002700258520041200285530008600697650003000783650003800813650002600851856009000877906002400967955002700991985002201018   01030806 //r984DLC19941122114258.1cr||||781018s1901    wiu      a    000 0 ger    a   01030806 //r984  aDLCcDLCdDLC00aGV1741b.P521 aPfefferkorn, George J.00aIst tanzen sèunde?cVon G. J. Pfefferkorn ...  a[Chippewa Falls, Wis.]cc1901.  a2 p. l., 66 p.c19 cm.  aThis antidance treatise was directed at the large German-speaking population that settled in the mid-western section of the United States. Pfefferkorn®s two main arguments are common in this genre of literature: dance is a waste of time and money and, additionally, is bad for the health. The author concludes that dance is sinful and dangerous, leading to carnal appetites and immoral thoughts and actions.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexReligious aspects. 0aDancexMoral and ethical aspects. 4aAntidance Literature.7 dmusdif137gurn:hdl:loc.music/musdi.137uhttp://hdl.loc.gov/loc.music/musdi.1372http  k l mxn7o7pPqM  aNEW INPUT th08 5-20-98  asmcd/musdieammem01345cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100001500146245007400161246002200235260006400257300003000321520032500351530012400676650002200800650004500822650002400867856009000891906002400981955002801005985002201033   05029191 //r982DLC19790430000000.0cr||||790302s1848    kyuf          000 0 eng    a   05029191 //r982  aDLCcDLCdDLC00aGV1751b.P881 aPowell, R.00aPowell's art of dancing;bor, Dancing made easy ...cBy R. Powell ...30aDancing made easy  aLouisville, Ky.,bHarney, Hughes & Hughes, printers,c1848.  a38 p. incl. 2 pl.c18 cm.  aIn an attempt to inspire his readers who were located far from the United States® urban, eastern cultural centers, Powell notes that dance "has not improved, except in the larger cities." Of primary interest is the author®s dance notation, a type of shorthand that he utilized to describe bows, curtsies, and quadrilles.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML 0aBallroom dancing. 4aDance Instruction and Technical Manuals. 4aNotation for Dance.7 dmusdif139gurn:hdl:loc.music/musdi.139uhttp://hdl.loc.gov/loc.music/musdi.1392http  k l m n7o7pPqM  aNEW INPUT th08 05-20-98  asmcd/musdieammem02675cam  22003611  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003800129051037200167100002000539245034300559260006200902300008000964500005701044500002601101500005301127500005001180500026101230520044901491530008601940650001102026650004502037650002402082700004302106856009002149906002402239955002802263985002202291   12010694 //r984DLC19980623182935.1cr||||781018s1725    fr a          000 0 fre    a   12010694 //r984  aDLCcDLCdDLC00aGV1590b.R28 1725u<Rare Bk Coll>  aGV1590b.R28 1725au<Rosenwald Coll>cAnother issue.  21 cm.  Imprint: Paris, Chez l'auteur, faubourg Mont Marthe [etc.].  Diagrs. vary slightly and appear to be an earlier impression.  Imperfect: t. p. of pt. 2 (1 l. between 2 set of numbered pages) wanting.  Contemporary red morocco binding, with superexlibris of Mlle de Beaujolais, to whom the book is dedicated.1 aRameau, Pierre.00aAbbregâe de la nouvelle methode, dans l'art d'âecrire ou de traðcer toutes sortes, de danses de ville ...cmise au jour par le sr. Rameau ... Ouvrage tráes utile pour toutes personnes qui ont sðcu ou qui apprennent áa danser, puis que par le secour de ce livre, on peut se remettre facilement dans toutes les danses que l'on áa appris ...  aParis,bChez l'auteur, faubourg St Germain [etc.,c1725?]  a5 p. l., 111 (i.e. 110), [2] p., 1 l., 83 p. incl. diagrs.bdiagrs.c20 cm.  aL.C. copy imperfect: p. 29-30 of pt. 1 wanting.5DLC  aPrivilege dated 1725.  aRunning title: Abregâe de la nouv. choregraphie.  aNo. 73 apparently omitted in paging of pt. 1.  aPart 2, engraved throughout, has title: Seconde partie contenant douze des plus belles danses de monsieur Pecour ... et remis en choregraphie suivant la nouvelle correction et augmentation du sr. Rameau ... (The air for each dance is given at top of page).  aThe first part of this manual discusses performance of various steps including demi coupâe, bourâee, chassâe, and pirouette. Through the use of text and tables, Rameau also provides discussion on an improved and simplified version of Feuillet notation, the eighteenth-century system of recording dances. The second part of the text consists of notations for twelve duets choreographed by French dancer and choreographer, Guillaume-Louis Pecour.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDance. 4aDance Instruction and Technical Manuals. 4aNotation for Dance.1 aPâecourt, Guillaume Louis,d1653-1729.7 dmusdif141gurn:hdl:loc.music/musdi.141uhttp://hdl.loc.gov/loc.music/musdi.1412http  k l mxn7o7pPqM  aNEW INPUT th08 05-20-98  asmcd/musdieammem01547cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100004500145245010200190260007500292300001800367520053700385530012500922650004401047650002601091856009001117906002401207955002801231985002201259   43039942 //r985DLC19941123112912.5cr||||781018s1847    ohu           000 0 eng    a   43039942 //r985  aDLCcDLCdDLC00aGV1741b.R51 aRice, N. L.q(Nathan Lewis),d1807-1877.12aA discourse on dancing, delivered in the Central Presbyterian church, Cincinnati.cBy N. L. Rice.  aCincinnati,bThe Presbyterian book depository, and W. H. Moore,c1847.  a24 p.c22 cm.  aThis book is typical of mid-nineteenth century antidance works.  While many writers noted that the Bible contains numerous references to dance, Rice (1807-1877) points out that, in a biblical context, dance was utilized as a part of worship, performed exclusively by women dancing with each other.  (The dangers of contact between the sexes while dancing were a common theme in antidance literature.)  The second point, also common in antidance books, centered on the notion that dancing was bad for the health, especially in women.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspectsxChristianity. 4aAntidance Literature.7 dmusdif145gurn:hdl:loc.music/musdi.145uhttp://hdl.loc.gov/loc.music/musdi.1452http  k l mxn7o7pPqM  aNEW INPUT th08 05-21-98  asmcd/musdieammem01591cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002100146245014900167260003700316300004800353500003700401520048700438530012500925650002201050650004501072700002001117856009001137906002401227955002801251985002201279   05029193 //r982DLC19790116000000.0cr||||781018s1875    at f          000 0 eng    a   05029193 //r982  aDLCcDLCdDLC00aGV1751b.R651 aRoberts, [Henry]00aRoberts' manual of fashionable dancing and vade mecum for the ball-room;bcontaining a review and full description of all the modern dances, &c.  aMelbourne,bG. Robertson,c1875.  a3 p. l., [v]-viii, 136 p. incl. pl.c14 cm.  aHalf-title: Fashionable dancing.  aLike many European and North American manuals of the nineteenth century, this Australian version is acknowledged by the publisher to be a compilation of other writer®s work. To enhance the book®s marketability, the author states that many "who have left the colonies for London, Paris, and other continental cities" have admirably acquitted and distinguished themselves. The book describes quadrilles and waltzes as well as dances popular in the 1840s such as the "Cellarius Waltz."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.10aRoberts,cMiss.7 dmusdif147gurn:hdl:loc.music/musdi.147uhttp://hdl.loc.gov/loc.music/musdi.1472http  k l mxn7o7pPqM  aNEW INPUT th08 05-21-98  asmcd/musdieammem01410cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002000146245014300166246003500309260003300344300001900377500001700396520032800413530012500741650001100866650002200877650004500899856009000944906002401034955002801058985002201086ca 05001753 //r983DLC19941123133430.9cr||||781018s1878    mau           000 0 eng    aca 05001753 //r983  aDLCcDLCdDLC00aGV1767b.R871 aRowe, George H.04aThe prompter's own book;bor, Rowe's calls for the ball room.cContains all the latest and best calls necessary for an all night party ...30aRowe's calls for the ball room  aBoston,bG. H. Rowe,cc1878.  a[9] p.c18 cm.  aCover-title.  aForeshadowing the growing trend of late nineteenth-century dance manuals to reduce discussion on etiquette, Rowe®s treatise contains absolutely no information on the subject but begins directly with information on the quadrille. This book advertised for 25 cents, is far less extensive than most published during the 1870s.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 0aQuadrille (Dance) 4aDance Instruction and Technical Manuals.7 dmusdif148gurn:hdl:loc.music/musdi.148uhttp://hdl.loc.gov/loc.music/musdi.1482http  k l mxn7o7pPqM  aNEW INPUT th08 05-21-98  asmcd/musdieammem01561cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129245006600145260005300211300005600264520057800320530012500898650004401023650003801067650002601105856009001131906002401221955002801245985002201273   04014356 //r984DLC19980623193357.6cr||||781018s1904    nyuf          000 0 eng    a   04014356 //r984  aDLCcDLCdDLC00aGV1741b.I300aImmorality of modern dances,ced. by Beryl and associates ...  aNew York,bEveritt and Francis co. [etc.]c1904.  a2 p. l., 11-13 p., 1 l., 15-114 p.bplates.c18 cm.  aThis antidance work is typical of the genre of dance writing that has its roots in published works reaching far back into the Renaissance. Three arguments are raised: (1) although dance is acknowledged to have been practiced during biblical times, it was always performed by and for women solely; (2) dancing is considered bad for the health and, (3) dance is a waste of time.  The editors of this manual single out round dances, specifically waltzes, as immoral.  To fortify the argument, the book contains testimonials from Catholic and Protestant church representatives.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspectsxChristianity. 0aDancexMoral and ethical aspects. 4aAntidance Literature.7 dmusdif149gurn:hdl:loc.music/musdi.149uhttp://hdl.loc.gov/loc.music/musdi.1492http  k l mxn7o7pPqM  aNEW INPUT th08 05-20-98  asmcd/musdieammem01312cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100001900146245009900165260002600264300002800290520040600318530012500724650001100849650002200860856009000882906002400972955002800996985002201024ca 05001759 //r983DLC19941115135523.8cr||||941115s1889    njua          000 0 eng    aca 05001759 //r983  aDLCcDLCdDLC00aGV1753b.S451 aSegadlo, L. F.10aCourse of instruction in dancing and aesthetic development of the bodyc[by] L. F. Segadlo ...  aNewark, N.J.,cc1889.  a[11] p.billus.c20 cm.  aThis is a translation by Segadlo of an article, by an unknown author, found in the Universal Gazette, published in Vienna, Austria. It is a strong defense of dance and exercise, a subject that was often discussed during the late nineteenth century. The manual concludes with three sets of quadrilles as taught by the author, "Princeton University Lancers," "Saratoga Lancers," and the plain quadrille.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 0aQuadrille (Dance)7 dmusdif151gurn:hdl:loc.music/musdi.151uhttp://hdl.loc.gov/loc.music/musdi.1512http  k l mxn7o7pPqM  aNEW INPUT th08 05-21-98  asmcd/musdieammem01261cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001800129100002300147245026800170260004200438300002300480520017400503530012500677650001100802650001800813856009000831906002400921955002800945985002200973   14006818 //r983DLC19941116115602.9cr||||781018s1914    bcc           000 0 eng    a   14006818 //r983  aDLCcDLCdDLC00aGV1796.T3bS81 aSwepstone, Eileen.14aThe tango,bas standardized and taught by the representative dancing masters of the North American continent; tango two-step, hesitation waltz, Boston glide, one-step,cdescribed by Miss Eileen Swepstone ... illustrated by Miss Swepstone and Mr. Bernard Tweedale.  aVancouver, B.C.,bJ. H. Welchc[1914]  a15, [1] p.c19 cm.  aThis pamphlet on the tango, claimed by its author to have been "shorn of crudities which caused it to be criticized," describes a variety of steps and step combinations.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 0aTango (Dance)7 dmusdif155gurn:hdl:loc.music/musdi.155uhttp://hdl.loc.gov/loc.music/musdi.1552http  k l mxn7o7pPqM  aNEW INPUT th08 05-21-98  asmcd/musdieammem01699cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002000146245021700166250001100383260002800394300005000422500004600472520056900518530012501087650001101212650002201223856009001245906002401335955002801359985002201387   05029181 //r983DLC19941116132055.2cr||||781018s1832    enkef         000 0 eng    a   05029181 //r983  aDLCcDLCdDLC00aGV1787b.T371 aThâeleur, E. A.00aLetters on dancing, reducing this elegant and healthful exercise to easy scientific principles ...cBy E. A. Thâeleur ... Illustrated by twenty-four copper-plate engravings, by Stewart, Halpin, Hicks and Read ...  a2d ed.  aLondon,bAuthor,c1832.  a4 p. l., viii, 104 p.bplates, plans.c27 cm.  a4 leaves of music not included in paging.  aThis manual is considered one of the most important discussions regarding the style and steps of early Romantic ballet. A dancer and dancing master, Thâeleur (nâee Taylor; fl. c. 1817-c.1844), wrote his manual in the form of a series of thirteen letters that includes a brief history of dance as well as a section devoted to social dance. The book is enhanced by full-page prints, including illustrations of dancers on full pointe. Thâeleur®s dance notation system, the first in the nineteenth century, also helps illuminate theatrical dance practices of the time.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aTheatrical Dance.7 dmusdif156gurn:hdl:loc.music/musdi.156uhttp://hdl.loc.gov/loc.music/musdi.1562http  k l mxn7o7pPqM  aNEW INPUT th08 05-21-98  asmcd/musdieammem01550cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100003800145245006100183260001900244300003300263520063400296530008600930650001101016650004501027856009001072906002401162955002801186985001101214985002201225985001301247   42047944 //r982DLC19980617093531.0cr||||980617s1901    rura          000 0 ruso   a   42047944 //r982  aDLCcDLCdDLC00aGV1753b.T51 aTikhomirov, Alekseæi Dmitrievich.00aSamouchitel§ modnykh bal§nykh i kharakternykh tanëtìsev.  aMoskva,c1901.  a155 p., 1 l.billus.c22 cm.  aTranslated as "Self-tutor of fashionable social and characteristic dances," this is an important Russian-language manual that describes the role of social dance, the importance of proper bearing, bows, introductions, and etiquette. Many of the same are the same as those performed in the ballrooms of western Europe, such as the waltz, quadrille, polonaise, polka, pas de patinier. Other dances are more interesting--the mazurka, pas de'Espagne, Hongroise, csâardas, and kamarinskaya. The descriptions are enhanced by diagrams and drawings. Some of the dance titles are written in French, the prevailing language of the ballroom.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif157gurn:hdl:loc.music/musdi.157uhttp://hdl.loc.gov/loc.music/musdi.1572http  k l mxn7o7pPqM  aNEW INPUT th09 05-13-98  aCOPIED  asmcd/musdieammem  aAPIF/MIG01827cam  22003131  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002300146245026100169260004400430300006600474500003600540500007500576500003600651500007500687520038500762530012501147650003201272650004501304856009001349906002401439955002801463985002201491   20010870 //r982DLC19980408102059.6cr||||790321s1735    enkcf         000 0 eng    a   20010870 //r982  aDLCcDLCdDLC00aMT950.A2bT61 aTomlinson, Kellom.14aThe art of dancing explained by reading and figures;bwhereby the manner of performing the steps is made easy by a new and familiar method:cbeing the original work, first design'd in the year 1724, and now published by Kellom Tomlinson, dancing-master ...  aLondon,bPrinted for the author,c1735.  a12 p. l., [3]-159, [1] p.bfront. (port.) 37 pl.c30 x 23 cm.  aThe frontispiece is dated 1754.  aMany of the plates contain tunes for the dances which they illustrate.  aThe frontispiece is dated 1754.  aMany of the plates contain tunes for the dances which they illustrate.  aThe title page indicates the book was completed in 1724. However, the cost of the thirty-five full-page plates precluded publication until 1735. In this treatise of two parts, Tomlinson (c. 1690-1753?) sets forth the principles of Baroque dance. Book one covers description of twenty nine steps; book two discusses the minuet, including four methods of performing the minuet step.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals.7 dmusdif158gurn:hdl:loc.music/musdi.158uhttp://hdl.loc.gov/loc.music/musdi.1582http  k l mxn7o7pPqM  aNEW INPUT th09 05-13-98  asmcd/musdieammem01298cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100001900146245012400165260003700289300003600326500002000362500001600382520022400398530012500622650001800747650004500765650002200810856009000832906002400922955002800946985002200974   05029186 //r982DLC19790430000000.0cr||||790320s1874    nyu           000 0 eng    a   05029186 //r982  aDLCcDLCdDLC00aGV1793b.T891 aTucker, Henry.00aClog dancing made easy.bThe elements and practice of that art arranged, simplified and corrected ...cBy Henry Tucker.  aNew York,bR. M. DeWitt,cc1874.  a1 p. l., 12, 5, 4, 5 p.c19 cm.  aVarious paging.  aWith music.  aThis manual contains instructions for twelve steps that, according to the author, can be learned by practicing two hours a day. Libretti and music are provided for four musical comedy sketches that require clog dancing.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aClog-dancing. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance.7 dmusdif159gurn:hdl:loc.nusic/musdi.159uhttp://hdl.loc.gov/loc.music/musdi.1592http  k l mxn7o7pPqM  aNEW INPUT th09 05-13-98  asmcd/musdieammem01958cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100003300145245007000178260002600248300002700274520101800301530012501319650002001444650003001464650002201494856009001516906002401606955002801630985002201658   10017964 //r984DLC19941117073408.1cr||||781018s1823    fr            000 0 fre    a   10017964 //r984  aDLCcDLCdDLC00aGV1590b.V71 aVoèiart, âElise,d1786-1866.00aEssai sur la danse antique et moderne ...cPar Mme âElise Voiart.  aParis,bAudot,c1823.  a251 p.bfront.c18 cm.  aAll of Mme. Voiart's manual is devoted to the history of dance. Quoting heavily from many previously published materials, including a number of travelogues, this book discusses the origins of dance and devotes a chapter each to Greek and Roman dance. The second part of the book discusses transition to what the author terms "modern dance," in this case the court dances of France. In examining the dances of the French Baroque court, Mme. Voiart (1786-1866) refers to a great variety of dances including the courante, minuet, and gavotte as well as dances from at least one hundred years earlier such as the pavane and branle. Demonstrating an interest in non-European dance, the book also discusses dance as practiced in other parts of the world including Norway, Canada, the Sioux of Missouri, and Africa. Although the scholarship, by contemporary standards, is seriously flawed, the book is part of the large body of literature that has influenced the writing of dance history for more than one hundred years.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexHistory. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif160gurn:hdl:loc.music/musdi.160uhttp://hdl.loc.gov/loc.music/musdi.1602http  k l mxn7o7pPqM  aNEW INPUT th09 05-13-98  asmcd/musdieammem01302cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100002100145245004400166260006500210300002700275520038000302530008600682650001900768650004500787650002400832856009000856906002400946955003200970985002201002   11021267 //r982DLC19790117000000.0cr||||781018s1911    nyua          000 0 eng    a   11021267 //r982  aDLCcDLCdDLC00aGV1757b.W31 aWatkins, Joel H.00aCotillion figures,cby Joel H. Watkins.  aNew York,aWashington,bThe Neale publishing company,c1911.  a63 p.bdiagrs.c16 cm.  aRed and black diagrams are utilized to show the floor patterns of more than twenty figures for the cotillon (also known as the German), a series of party game figures performed to music and an important staple of the ballroom repertory during the last half of the nineteenth century. The figures in Watkins book are, in fact, many of the same figures used in the grand march.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aGerman (Dance) 4aDance Instruction and Technical Manuals. 4aNotation for Dance.7 dmusdif163gurn:hdl:loc.music/musdi.163uhttp://hdl.loc.gov/loc.music/musdi.1632http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-13-98]  asmcd/musdieammem02241cam  22003611  4500001001900000003000400019005001700023007000700040008004100047010002300088040002300111050001700134100003000151245023700181260006900418300004000487500009400527500006500621500006700686520069800753530008601451650003201537650004501569650002401614650002101638700002801659850000801687856009001695906002401785955002801809985002201837985002001859   20010872 //r985DLC19941117074336.2cr||||780516s1706    enkf          000 0 eng    a   20010872 //r985  aDLCcIENdIENdDLC00aMT950.A2bI71 aWeaver, John,d1673-1760.12aA collection of ball-dances perform'd at court:bviz. the Richmond, the roundeau, the rigadoon, the favourite, the Spanheim, and the Britannia.cAll compos'd by Mr. Isaac, and writ down in characters, by John Weaver, dancing-master.  aLondon,bPrinted for the author, and sold by J. Vaillant,c1706.  a3 p. l., 41 plates on 32 l.c27 cm.  aPlates contain diagrams of dance figures; each has, at head, tune for figure represented.  aBook-plate of Alfred Henry Littleton and Rosalind Littleton.  aBound in full mottled calf, gilt, inside borders, by Riviáere.  aDancer, teacher, and theoretician John Weaver (1673-1760) compiled this important collection of choreographies by Mr. Isaac. With melodies composed by James Paisible, the collection contains six ballroom dances: "The Richman," "The Rondeau," "The Rigadoon," "The Favorite," "The Spanheim," and "The Britannia." All are couple dances and are notated in a notation system first published in 1700 by dancing master Raoul-Auger Feuillet (1659 or 1660-1710). The system is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aIsaac,cdancing master.  aIEN7 dmusdif164gurn:hdl:loc.music/musdi.164uhttp://hdl.loc.gov/loc.music/musdi.1642http  k l mxn7o7pPqM  aNEW INPUT th09 05-13-98  asmcd/musdieammem  aNWU/NWUeCOMARC01382cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100002700145245013600172260004300308300002600351520039100377530012500768650001100893650004400904856009000948906002401038955003201062985002201094   05028762 //r983DLC19941117074624.4cr||||790302s1851    enk           00010 eng    a   05028762 //r983  aDLCcDLCdDLC00aGV1599b.W51 aWebster, Alfred,cMrs.00aDancing, as a means of physical education;bwith remarks on deformities, and their prevention and cure.cBy Mrs. Alfred Webster ...  aLondon,bD. Bogue;c[etc., etc.] 1851.  a1 p.l., 56 p.c22 cm.  aIn her strong defense of dance and its application to female physical education, Mrs. Webster declares that dancing, as a exercise, "is the very best safeguard against the evils of over mental education." While she approves of calisthenics and various mechanical apparatus-including swings and pulleys and a "prone couch"-she delivers a stinging rebuke regarding the wearing of corsets.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Physical Culture.7 dmusdif165gurn:hdl:loc.music/musdi.165uhttp://hdl.loc.gov/loc.music/musdi.1652http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01494cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100004400146245005400190260004300244300001800287520056500305530012500870650003900995650002601034856009001060906002401150955003201174985002201206   05028759 //r984DLC19941117075957.0cr||||781018s1869    nyu      r    00010 eng    a   05028759 //r984  aDLCcDLCdDLC00aGV1741b.W681 aWilkinson, William Cleaver,d1833-1920.04aThe dance of modern society.cBy W. C. Wilkinson.  aNew York,bOakley, Mason & co.,c1869.  a77 p.c18 cm.  aUnlike many other nineteenth-century antidance writers who base their arguments on Scripture, Wilkinson asks that his readers formulate their opinions on reason, conscience, and common sense. In fact, Wilkinson argues that he is not an enemy of dance and declares it to be perfectly innocent. His argument is against the "modern manner of dancing" that requires expensive clothing and the "massing together of a jostling crowd of mute or merely gibbering animals." Thus, he summarizes, dancing does nothing to "enhance the intellectual improvement of society."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexMoraland religious aspects. 4aAntidance Literature.7 dmusdif166gurn:hdl:loc.music/musdi.166uhttp://hdl.loc.gov/loc.music/musdi.1662http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem02022cam  22003131  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111043001200129050001700141100003700158245025600195260009500451300006100546500002400607500018800631520048900819530012501308650003801433650004501471650002401516856009001540906002401630955003201654985002201686   42049714 //r983DLC19910320125541.5cr||||781018q18001899enkaf         00010 eng    a   42049714 //r983  aDLCcDLCdDLC  ae-uk---00aGV1763b.W761 aWilson, Thomas,cdancing master.04aThe quadrille and cotillion panorama, or, Treatise on quadrille dancing, in two parts: with an explanation, in French and English, of all the quadrille & cotillion figures generally adopted,cas described by diagrams on the plate, by Thomas Wilson ...  aLondon,bR. & E. Williamson;aNew York,bSold by Messrs. Geib and co.; [etc., etc.,c18--]  a2 v. in 1.bfold. front., illus., 3 pl., tables.c20 cm.  aPaged continuously.  aAdded t.-p., engraved: The quadrille and cotillion panorama. 2d ed., with the addition of nine designs, to illustrate the performance of the figures. London, R. & E. Williamson, 1822.  aOriginally published c. 1818, this second edition of 1822 contains an opening three-color-fold-out and nine plates. In this treatise, Wilson analyzes the figures and components of the quadrille--a figured ballroom dance for four couples facing each other, popular throughout the nineteenth century. Divided into two parts, the manual provides suggestions for music and steps, concluding with an alphabetical list of technical terms used in quadrilles. The manual was reissued in 1839.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aQuadrille (Dance)zGreat Britain. 4aDance Instruction and Technical Manuals. 4aNotation for Dance.7 dmusdif167gurn:hdl:loc.music/musdi.167uhttp://hdl.loc.gov/loc.music/musdi.1672http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01688cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111043001200129050001700141082002000158100003700178245018900215260004900404300008000453500002000533520056800553530012501121650002801246856009001274906002401364985002201388   05029718 //r983DLC19980325180756.2cr||||781018s1815    enka          00010 eng    a   05029718 //r983  aDLCcDLCdDLC  ae-uk-en00aGV1763b.W7400a793.3/19/4221910aWilson, Thomas,cdancing master.04aThe complete system of English country dancing, containing all the figures ever used in English country dancing,bwith a variety of new figures, and new reels ...cBy Thomas Wilson ...0 aLondon,bSherwood, Neeley and Jonesc[1815?]  a1 p.l., [v]-xxvii, 339 p.bfront., fold. tab., diagrs. (part fold.)c19 cm.  aContains music.  aOriginally published in 1808 and expanded in 1811 under the title An analysis of country dancing, this edition borrows extensively from earlier editions.  As with earlier editions, the figures for English country dances are explained through text, tables, and diagrams.  Performed as a series of figures danced by a column of men facing a column of women, the English country dance was one of the most popular early nineteenth-century ballroom dances.  This edition contains an extensive discussion on music with ten musical examples scored for treble instrument.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aCountry-dancezEngland.7 dmusdif168gurn:hdl:loc.music/musdi.168uhttp://hdl.loc.gov/loc.music/musdi.1682http  k l mxn7o7pPqM  asmcd/musdieammem01271cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100003500145245006500180260004100245300002700286520030300313530012500616650001100741650004500752740002800797856009000825906002400915955003200939985002200971   16022829 //r983DLC19941117080218.0cr||||781018s1916    nyua          00010 eng    a   16022829 //r983  aDLCcDLCdDLC00aGV1755b.W51 aWilson, George Hepburn,d1876-02aA study in modern dance positions,cby G. Hepburn Wilson ...  aNew York,bThe Inner circle,cc1916.  a[4] p.billus.c23 cm.  aThis short manual consists of a series of photographs and accompanying text that show the correct positions for dance, for example the placement of the lady's left hand upon the gentleman's right shoulder in waltzing. Several of the photographs also show the incorrect way of holding one's partner.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals. 1aModern dance positions.7 dmusdif169gurn:hdl:loc.music/musdi.169uhttp://hdl.loc.gov/loc.music/musdi.1692http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem02077cam  22002531  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111043001200129050002200141100003700163245052400200260007400724300006600798530008600864520070900950650002801659856009001687906002401777985002201801   42049716 //r982DLC19980327163725.1cr||||781018s1808    enka          00010 eng    a   42049716 //r982  aDLCcDLCdDLC  ae-uk-en00aGV1763b.W72 18081 aWilson, Thomas,cdancing master.13aAn analysis of country dancing: wherein are displayed all the figures ever used in country dances, in a way so easy and familiar, that persons of the meanest capacity may in a short time acquire (without the aid of a master)ba complete knowledge of that rational and polite amusement. To which are added, instructions for dancing some entire new reels; together with the rules, regulations, and complete etiquette of the ball room.cBy T. Wilson ... Embellished and illustrated with engravings on wood, by J. Berryman.  aLondon,bPrinted by W. Calvert, to be had to Mr. Dutton [etc.]c1808.  a12 p.l., xix, 139 p.bincl. front., 1 illus., diagrs.c16 cm.  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis is the first of several books published by Wilson on the subject of English country dancing.  Performed as a series of figures by a column of men facing a column of women, the English country dance was one of the most popular early nineteenth-century ballroom dances.  Although the manual has a section on ballroom etiquette, it is most useful for its text, tables, and color-coded diagrams, which explain the figures.  This edition is dedicated to Madame Desayes, principal dancer at the King's Theatre, where Wilson held the post of dancing master.  The manual was expanded and reissued in 1811 and 1822, and a version was published in 1815 entitled The complete system of English country dancing. 0aCountry-dancezEngland.7 dmusdif170gurn:hdl:loc.music/musdi.170uhttp://hdl.loc.gov/loc.music/musdi.1702http  k l m n7o7pPqM  asmcd/musdieammem01964cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111043001200129050002200141100003700163245031700200250006800517260003500585300007700620500003900697520066100736530012501397650002801522856009001550906002401640985002201664   42046273 //r982DLC19980325181135.6cr||||781018s1811    enka          00010 eng    a   42046273 //r982  aDLCcDLCdDLC  ae-uk-en00aGV1763b.W72 181110aWilson, Thomas,cdancing master.13aAn analysis of country dancing,bwherein all the figures used in that polite amusement are rendered familiar by engraved lines. Containing also, directions for composing almost any number of figures to one tune, with some entire new reels; together with the complete etiquette of the ball-room.cBy T. Wilson ...  a3d ed. ...bIllustrated with engravings on wood by J. Berryman.0 aLondon,bJ. S. Dickson,c1811.  axii, [13]-18 p., 1 l.,b194 p. col. front., tables, col. diagrs.c19 cm.  aPages 193-194, advertising matter.  aDesigned for "those who possess no knowledge whatsoever of country-dancing," the manual uses text, tables, and color-coded diagrams to explain the figures for English country dances.  Performed as a series of figures by a column of men facing a column of women, the English country dance was one of the most popular early nineteenth-century ballroom dances.  Originally published in 1808, the namual was reissued in 1822, and another version appeared in 1815 under the title The complete system of English country dancing.  This edition is dedicated to Madame Angiolini, principal dancer at the King's Theatre, where Wilson held the post of dancing master.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aCountry-dancezEngland.7 dmusdif171gurn:hdl:loc.music/musdi.171uhttp://hdl.loc.gov/loc.music/musdi.1712http  k l m n3o7pPqM  asmcd/musdieammem02147nam  22003491  4500001001300000003000400013005001700017007000700034008004100041010001700082040001300099050001600112100002800128245029900156260005000455300007400505520071600579530012501295650001301420650002001433650004501453650002201498650002101520700003401541700003001575856009001605906002401695955003201719985001101751985002201762985001301784   05039056 DLC19980617084919.0cr||||980617s1905    mauacg        000 0 eng    a   05039056   aDLCcDLC00aGV1751b.Z91 aZorn, Friedrich Albert.00aGrammar of the art of dancing, theoretical and practical;blessons in the arts of dancing and dance writing (choregraphy) with drawings, musical examples, choregraphic symblos, and special music scores, translated from the German of Friedrich Albert Zorn... edited by Alfonso Josephs Sheafe ...  aBoston, Mass.b[The Heintzemann press]c1905.  axviii p., 1 l., 3-302 p.bfront. (port.) illus. (incl. music)c28 cm.  aOriginally published in Leipzig in 1887 under the title Grammatik der tanzkunst, the book was translated into English and Russian. Zorn is well known for his innovative dance notation system that is utilized in this work. The system is important for its information on the step terminology of mid-nineteenth-century ballet. Through text and notation, the manual covers positions of the feet, preparatory exercises, arm movements, as well as describing many steps. Several quadrille figures are also notated as well as the minuet, gavotte, and numerous waltz, polka, and galop steps. A volume of music that includes over one hundred melodies to accompany the steps, exercise, and dances accompanies this edition.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancing. 0aDance notation. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance. 4aMusic for Dance.11aSheafe, Alfonso Josephs,eed.11aCoates, Benjamin P.,etr.7 dmusdif174gurn:hdl:loc.music/musdi.174uhttp://hdl.loc.gov/loc.music/musdi.1742http  k l m n7o7pPqM  aNEW INPUT [TH09] [05-13-98]  aCOPIED  asmcd/musdieammem  aAPIF/MIG01725cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100005200145245005600197260006200253300004300315500003000358520068200388530012501070650002001195650003001215650002201245856009001267906002401357955003201381985002201413   07026476 //r984DLC19941116105000.2cr||||781018s1906    enkcf    r    00010 eng    a   07026476 //r984  aDLCcDLCdDLC00aGV1601b.S32 aSt. Johnston, Thomas Reginald,cSir,d1881-195002aA history of dancing.cBy Reginald St. Johnston ...  aLondon,bSimpkin, Marshall, Hamilton, Kent, & co.,c1906.  a197 p.bfront., plates, ports.c24 cm.  a"Literature": p. 194-195.  aSaint Johnston claims to be filling a gap in the tracing of dance history and confesses he knows of only three books on the subject, those by Gaston Vuillier, Edward Scott, and John Weaver. The work contains much of the sme information found in numerous other historiographies of the era. The author considers the birth of stage dancing to be the Kate Vaughan's "Skirt Dance" and other opinions expressed by Saint Johnston include the erroneous notion that the quadrille was one of the dances that directly followed the minuet. As was common thinking during this era, the author maintains a strict western bias with chapter titles such as "Quaint Dances in Civilized Countries.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexHistory. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif178gurn:hdl:loc.music/musdi.178uhttp://hdl.loc.gov/loc.music/musdi.1782http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01672cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002200129100003100151245015200182260003800334300004600372500002600418520059000444530012501034650002201159650004501181856009001226906002401316955003201340985002201372   42041571 //r982DLC19790119000000.0cr||||781018s1873    enkag         00010 eng    a   42041571 //r982  aDLCcDLCdDLC00aGV1751b.C85 18731 aCoulon, Eugáene,db. 1808.00aCoulon's Hand-book;bcontaining all the last new and fashionable dances, and also some important remarks on dancing & deportment ...cBy Coulon ...  aLondon,bA. Hammond & co.c[1873]  axii, 153 p.billus. (incl. music)c13 cm.  a"New edition."--Pref.  aThis is an expanded version of a manual published under the same title in 1866. It it not known whether or not famed Paris dancing master Coulon actually participated in the assembly of this manual. Most of the manual is compilation from earlier sources. Demonstrating a growing late nineteenth--century interest in physical education, this new version adds a series of exercises to be performed with poles, dumb-bells, and elastics. Additional exervises emphasize walking, running, and jumping. The manual describes the popular ballroom dances of the era--quadrille, waltz, and polka.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.7 dmusdif179gurn:hdl:loc.music/musdi.179uhttp://hdl.loc.gov/loc.music/musdi.1792http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01738cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002900146245010200175260006000277300004700337500017400384520058900558530012501147650003201272856009001304906002401394955003201418985002201450   22014331 //r984DLC19941104084754.7cr||||781018s1785    ne g          00010 fre    a   22014331 //r984  aDLCcDLCdDLC00aGV1751b.B152 aBacquoy-Guâedon, Alexis.10aMâethode pour exercer l'oreille a la mesure,bdans l'art de la danse.cPar M. Bacquoy-Guâedon ...  aAmsterdam,bEt se trouve áa Paris, chez Valadec[1785?]  a2 p.l., 56 p., 1 l., 20 p.bmusic.c21 cm.  a"Seconde partie, contenant des airs de diffâerens mouvemens, pour exercer l'oreille áa la mesure, dans le menuet & dans la contre-danse," with special t.-p.: 1 l., 20 p.  aIn part one of this treatise, Bacquoy-Guâedon (fl. 1780) presents, a short history of dance as well as arguments in favor of dancing. The focus of this section is devoted to performance of contredanses and minuets. Part two contains eight-bar triple-meter airs for minuets and eight-bar duple-meter airs for contredanses, all composed for a single treble instrument. Additional music is included for a variant of the contredanse called the contredanse allemande (in triple-meter); a marche, and two rigaudons. The treatise concludes with a diagram of figures and music for the minuet.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800.7 dmusdif184gurn:hdl:loc.music/musdi.184uhttp://hdl.loc.gov/loc.music/musdi.1842http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01463cam  2200289   4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129245021200146246002900358260005500387300003500442500004600477530012500523520028400648650001100932650001700943650004500960856009001005906002401095955003201119985002201151ca 05001777 //r982DLC19980605190026.3cr||||941117s1847    pau           000 0 eng    aca 05001777 //r982  aDLCcDLCdDLC00aGV1753b.L4300aLeaflets of the ball room.bBeing a sketch of the polka quadrilles, the Baden, mazurka figures &c. &c. to which is appended the music of the celebrated redowa waltz, now first published in the United States.3 aLeaflets of the ballroom0 aPhiladelphia,aNew York,bTurner & Fisherc[c1847]  a1 p.l., [12] p. front.c12 cm.  aAt head of t.-p.: "The poetry of motion."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aCompiled by a publisher and small enough to fit into a pocket, this manual gives directions for polka quadrilles, mazurka quadrilles, and "The New Redowa," all "as taught by Mr. Durang and daughter." Other dances include a waltz cotillion, gallopade quadrille, and Spanish Dance. 0aDance. 0aDance music. 4aDance Instruction and Technical Manuals.7 dmusdif188gurn:hdl:loc.music/musdi.188uhttp://hdl.loc.gov/loc.music/musdi.1882http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01616cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111043001200129050001700141100001800158245031400176260008200490300003200572520041500604530012501019650003801144856009001182906002401272955003201296985002201328   42048498 //r983DLC19910320124548.0cr||||781018s1818    stka          00010 eng    a   42048498 //r983  aDLCcDLCdDLC  ae-uk---00aGV1763b.D781 aDun, Barclay.02aA translation of nine of the most fashionable quadrilles, consisting of fifty French country dances, as performed in England and Scotland.bWith explanatory notes. To which are prefixed, a few observations on the style, &c. of the quadrille, the English country dance, and the Scotch reel.cBy Barclay Dun ...  aEdinburgh,bPrinted for the author, and sold by W. Wilson & co. [etc.]c1818.  avii, 69 p.bdiagrs.c18 cm.  aThe three chapters that make up this manual are devoted to the merits and performance of the French quadrille, a popular ballroom dance performed by four couples who face each other in a square. In recognizing the existence of specific steps appropriate for quadrilles, Dun warns against performing steps used in English country dances or Scotch reels. The manual concludes with the figures for six quadrilles.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aQuadrille (Dance)zGreat Britain.7 dmusdif189gurn:hdl:loc.music/musdi.189uhttp://hdl.loc.gov/loc.music/musdi.1892http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem02238cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002200129100003700151245021300188246003100401250001100432260009700443300003500540500047300575520057501048530012501623650001901748650004501767856009001812906002401902985002201926   44035780 //r982DLC19980622203412.9cr||||781018s1816    enk           000 0 engd   a   44035780 //r982  aDLCcDLCdDLC00aGV1763b.W78 18161 aWilson, Thomas,cdancing master.14aThe treasures of Terpsichore;bor, A companion for the ballroom. Being a collection of all the most popular English country dances, arrange alphabetically, with proper figures to each dance.cBy T. Wilson ...30aCompanion for the ballroom  a2d ed.  aLondon,bPrinted for the author; and to be had of Messrs. Sherwood, Neely, and Jones,c1816.  a1 p. l., xxvii, 130 p.c16 cm.  aSupplemented by: "The supplement to The treasures of Terpsichore; containing all the most fashionable English country dances for the year 1811, with various proper figures adapted to each dance; being a continuation to 'The treasures of Terpsichore.' By t. Wilson ... " (31, [12] p.  16 cm.) published: London, Printed by W. Calvert for the author [1811].  "To be continued annually."  No more published?  Bound with the main work.  CALL NUMBER: GV1763.W78 1816 Suppl.  aOne of several treatises devoted to English country dancing by Thomas Wilson, dancing master to the King's Theatre, this manual consists of an alphabetical listing of country dances and their figures.  Lamenting the present state of country dancing, the author fears "it [will] be perverted into a chaos of riot and confusion" (p.iii).  Wilson's other manuals on the subject contain detailed text, tables, and diagrams to explain the figures.  Their titles include An analysis of country dancing (1808 and 1811) and The complete system ofEnglish country dancing (1815?).  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aCountry-dance. 4aDance Instruction and Technical Manuals.7 dmusdif191gurn:hdl:loc.music/musdi.191uhttp://hdl.loc.gov/loc.music/musdi.1912http  k l mxn7o7pPqM  asmcd/musdieammem01355cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100002000145245016100165260003400326300002200360520042400382530008600806650001100892650002000903650003000923856009000953906002401043985002201067   05035048 //r982DLC19941121133211.4cr||||781018s1854    enk           000 0 eng    a   05035048 //r982  aDLCcDLCdDLC00aGV1599b.M31 aMason, Francis.02aA treatise on the use and peculiar advantages of dancing and exercises,bconsidered as a means of refinement and physical development ...cBy Francis Mason.  aLondon,bSharp & Hale,c1854.  aiv, 46 p.c16 cm.  aIn this book dancing master Mason attempts to make a case for the advantages of dancing and traces the development of dance from ancient times. As part of his argument, Mason often distinguishes between the dance of civilized and uncivilized peoples. His bias is clear in the following: "Man in a civilized state generally turns the feet outwards, as in an uncivilized state they are invariably turned inwards" (p. 11).  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDance. 0aDancexHistory. 4aDance History and Theory.7 dmusdif194gurn:hdl:loc.music/musdi.194uhttp://hdl.loc.gov/loc.music/musdi.1942http  k l mxn7o7pPqM  asmcd/musdieammem01396cam  22003371  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002100129100001500150245003400165250016200199260003100361300005000392490001900442500004100461500016900502500003700671530008600708650001100794650004500805650002400850700002000874700002800894856009000922906002401012985002201036   23015108 //r942DLC19941117072807.9cr||||781018s1922    it af         000 0 ita    a   23015108 //r942  aDLCcDLCdDLC00aGV1601b.G3 19221 aGavina, P.10aBalli di ieri e balli d'oggi.  a2. ed. riveduta e ampliata,bcon 70 figure dimostrative, grafici e brani musicali e uno studio sulla igiene ed estetica della danza di Giovanni Franceschini.  aMilano,bU. Hoepli,c1922.  aviii, 375 p.billus., plates, diagrs.c16 cm.0 aManuali Hoepli  aAt head of title: Gavina-Giovannini.  a"Per maggiore comoditáa del pubblico abbiamo compendiato in un unico volumetto i due manuali Balli di ieri [di P. Gavina] e Balli di oggi [di F. Giovannini]"--Pref.  a"Brani di musica": p. [341]-347.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDance. 4aDance Instruction and Technical Manuals. 4aNotation for Dance.1 aGiovannini, Fr.1 aFranceschini, Giovanni.7 dmusdif195gurn:hdl:loc.music/musdi.195uhttp://hdl.loc.gov/loc.music/musdi.1952http  k l mxn7o7pPqM  asmcd/musdieammem01605cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129082002000145100003700165245031300202246002100515260003200536300003300568520041000601530012501011650001101136650004401147856009001191906002401281985002201305   16004316 //r984DLC19980622204333.2cr||||781018s1824    enk           000 0 eng    a   16004316 //r984  aDLCcDLCdDLC00aGV1599b.W500a793.3/19/422191 aWilson, Thomas,cdancing master.04aThe danciad;bor, Dancer's monitor.cBeing a descriptive sketch in verse, on the different styles and methods of dancing quadrilles, waltzes, country dances, &c. &c. ... Together with observations on the laws regarding dancing, with extracts from the acts of Parliament relating thereto. By Thomas Wilson ...30aDancer's monitor  aLondon,bThe author,c1824.  a2 p. l., xxi, 208 p.c18 cm.  a"Written in verse as a dramatic play in two parts, Thomas Wilson, dancing master to the King's Theatre, comments on the state of teaching, public balls, and the character of many dance instructors. Nearly every page contains additional remarks in the form of footnotes ranging from an abstract of the 1752 Act of Parliament on illegal dancing to a long discourse on English country dancing and quadrilles.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Physical Culture.7 dmusdif197gurn:hdl:loc.music/musdi.197uhttp://hdl.loc.gov/loc.music/musdi.1972http  k l mxn7o7pPqM  asmcd/musdieammem02218cam  22003611  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002400129100004500153245025100198260004400449300006400493500002500557500009500582520075300677530008601430650001101516650001201527650001701539650004501556650002201601650002401623650002101647700004301668856009001711906002401801952000901825985002201834   11027715 //r983DLC19980622204504.3cr||||790302s1704    fr a          000 0 fre    a   11027715 //r983  aDLCcDLCdDLC00aMT950b.F48u<Case>1 aFeuillet, Raoul-Auger,d1659 or 60-1710.00aRecèueil de dances contenant un tres grand nombres,bdes meillieures entrâees de ballet de Mr. Pecour, tant pour homme que pour femmes, dont la plus grande partie ont âetâe dancâees áa l'Opera.cRecèueillies et mises au jour par Mr. Feèuillet ...  aParis,bChez le sieur Feèuillet,c1704.  a1 p. l., 5 numb. l., 128 (i.e. 228), 16 p.bdiagrs.c25 cm.  aEngraved throughout.  a"Airs des dances contenuèes en ce recèueil, qui sert de table áa ce volume": 16 p. at end.  aThis treatise includes six solo dances for women; eight for men; and seventeen duets for a man and a woman, two women, or two men, all choreographed by French dancer and choreographer, Guillaume-Louis Pecour (c. 1653-1729). Feuillet notes that several of the dances were performed by some of the most famous theatrical dancers of the time including Marie-Persâee, and Cadmus et Hermione as well as Trancráede and L'Europe Galante by Andrâe Campra. The dances are notated in a system first published by Feuillet in 1700 and based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDance. 0aBallet. 0aDance music. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance. 4aNotation for Dance. 4aMusic for Dance.1 aPâecourt, Guillaume Louis,d1653-1729.7 dmusdif198gurn:hdl:loc.music/musdi.198uhttp://hdl.loc.gov/loc.music/musdi.1982http  k l mxn7o7pPqM  aFLIP  asmcd/musdieammem01801cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100001800145245006200163260002800225300006500253500002000318520084700338530012501185650001101310650004501321650002101366856009001387906002401477985002201501   09009032 //r982DLC19941116091035.0cr||||781018s1907    enkach        000 0 eng    a   09009032 //r982  aDLCcDLCdDLC00aGV1753b.H71 aHolt, Ardern.10aHow to dance the revived ancient dances.cBy Ardern Holt.  aLondon,bH. Cox,c1907.  aviii, 158 p.bincl. front., illus., ports., facsims.c19 cm.  aContains music.  aHolt begins his discussion with a history of "chorography" and the work of famed eighteenth-century dancing masters and choreographers Guillaume-Louis Pecour, Pierre Beauchamps, and Raoul-Auger Feuillet. Several pages of dances written in the dance notation system devised by Feuillet are included. Holt's "reconstruction" of the pavan includes the appropriate music from Thoinot Arbeau's 1588 manual, Orchesographie. For decades, the inclusion of the notation and music was deceiving to many unsuspecting people who used Holt's manual to reconstruct dances for the Renaissance and Baroque. Holt's interpretations bear no resemblance to the originals; however, they do clearly illuminate the romanticized aura that began to surround such dances as the minuet during the nineteenth century. Line drawings and photographs enhance Holt's manual.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals. 4aMusic for Dance.7 dmusdif200gurn:hdl:loc.music/musdi.200uhttp://hdl.loc.gov/loc.music/musdi.2002http  k l mxn7o7pPqM  asmcd/musdieammem01695cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100003000145245018400175260005100359300006300410500011300473530012500586520039000711650001101101650004501112650002401157700003701181700003901218856009001257906002401347985002201371   14009387 //r982DLC19950616145106.4cr||||781018r1914    nyua          000 0 eng    a   14009387 //r982  aDLCcDLCdDLC00aGV1755b.K51 aKinney, Troy,d1871-1938.00aSocial dancing of to-day,cdemonstrated by Mr. John Murray Anderson; with text, twenty-nine diagrams and fifty-two illustrations from photographs by Troy and Margaret West Kinney.  aNew York,bFrederick A. Stokes company,c1914.  axii p., 1 l.,b49 p. incl. front., illus., diagrs.c24 cm.  aReprinted with slight changes from "The dance; its place in art and life, by Troy and Margaret West Kinney."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aThis is one of the most valuable dance manuals for the study of social dance practices during the ragtime era. The manual is enhanced by twenty six photographs of several important exhibition dance teams (for example, Irene and Vernon Castle; Maurice and Florence Walden).  More than thirty steps are described including the one step, tango, Brazilian maxixe, and the hesitation waltz. 0aDance. 4aDance Instruction and Technical Manuals. 4aNotation for Dance.1 aKinney, Margaret West,db. 1872.1 aAnderson, John Murray,d1886-1954.7 dmusdif202gurn:hdl:loc.music/musdi.202uhttp://hdl.loc.gov/loc.music/musdi.2022http  k l mxn7o7pPqM  asmcd/musdieammem01113cam  22002651  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100002700144245011000171260002800281300001900309520015800328530012500486650002000611650004500631710003500676856009000711906002400801985002200825ca 05001760 //r98DLC19790116000000.0cr||||781018s1882    mou           000 0 eng    aca 05001760 //r98  aDLCcDLCdDLC00aGV1761b.F631 aFlorence, W[illiam] W.00a"Esmeralda" waltz-lanciers.bArranged for the Esmeralda club, of St. Louis, Mo.cBy Prof. W. W. Florence.  a[St. Louis? Mo.]c1882.  a[4] p.c15 cm.  aCreated for the Esmeralda Club of Saint Louis, this short pamphlet consists of five figures of a waltz quadrille with a brief explanation of each figure.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aWaltz-lanciers. 4aDance Instruction and Technical Manuals.2 aEsmeralda club, St. Louis, Mo.7 dmusdif203gurn:hdl:loc.music/musdi.203uhttp://hdl.loc.gov/loc.music/musdi.2032http  k l mxn7o7pPqM  asmcd/musdieammem02041cam  22003611  4500001001900000003000400019005001700023007000700040008004100047010002300088040004300111043001200154050001600166100003100182245010600213260004800319300002100367490003100388500011500419500006400534504005100598520047100649530012501120650001101245650008801256650005201344650003801396710003901434830007001473856009001543906002401633985002201657l  29000056 //r983DLC19980622205726.1cr||||781018s1929    dcu      b    000 0 eng c  al  29000056 //r983  aU.S. Dept. of Labor. LibrarycDLCdDLC  an-us---00aGV1623b.G31 aGardner, Ella,d1893-1942.10aPublic dance halls, their regulation and place in the recreation of adolescents,cby Ella Gardner ...  aWashington,bU.S. Govt. print. off.,c1929.  av, 57 p.c23 cm.1 aBureau publication no. 189  aAt head of title: U.S. Department of labor. James J. Davis, secretary. Children's bureau. Grace Abbott, chief.  a"Dance-hall legislation of 1926, 1927, and 1928": p. 56-57.  a"List of references on dance halls": p. 54-55.  aThis pamphlet discusses the legislative regulation of public dance halls in twenty-eight states. Some of the regulations undertaken by the states include restrictions on attendance, hours of operation, supervision, and regulation of the physical and social conditions of the hall. The author also discusses some of the regulations and ordinances of 100 cities including one from Lincoln, Nebraska that required patrons to keep their bodies at least six inches apart.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 0aMusic-halls (Variety-theaters, cabarets, etc.)xLaw and legislationyUnited States. 0aAmusementsxLaw and legislationzUnited States. 4aDance Ordinances and Regulations.1 aUnited States.bChildren's Bureau. 0aBureau publication (United States. Children's Bureau) ;vno. 189.7 dmusdif205gurn:hdl:loc.music/musdi.205uhttp://hdl.loc.gov/loc.music/musdi.2052http  k l mxn7o7pPqM  asmcd/musdieammem02032cam  22002891  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100002800143245027800171250002600449260006000475300005300535500003300588520077200621530012501393650003901518650002301557650002601580856009001606906002401696985002201720   16015355 //r98DLC19790302000000.0cr||||781018s1916    txuac         000 0 eng    a   16015355 //r98  aDLCcDLCdDLC00aGV1741b.H31 aHam, Mordecai Franklin.14aThe modern dance;ba historical and analytical treatment of the subject; religious, social, hygienic, industrial aspects as viewed by the pulpit, the press, medical authorities, municipal authorities, social workers, etc.,cby M. F. Ham ... illustrations by Will N. Noonan.  a2d ed., rev. and enl.  a[San Antonio,bThe San Antonio printing company,c1916]  a4 p. l., 7-60 p.billus., (incl. ports.)c23 cm.  a"Authorities quoted": p. 60.  aThis is the second published edition of a sermon Ham delivered as part of an evangelistic campaign in Palestine, Texas in 1914 and his arguments are typical of this genre of antidance literature. Although Ham and other writers recognize dance in the Bible, it was interpreted as only danced by women, never in closed rooms, and never at night. Also typical of this type of manual, the author includes a list of other denunciations from Catholic, Jewish, Episcopal church leaders. And, in an unusual addition, Ham includes an attack against social dance written by famed ballerina, Lydia Lupokova.  Ham, in his colorful language, notes he has published this warning to "save many young men and women from one of Satan's most fetching appeals to the lust of the flesh."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspectsxSermons. 0aSermons, American. 4aAntidance Literature.7 dmusdif207gurn:hdl:loc.music/musdi.207uhttp://hdl.loc.gov/loc.music/musdi.2072http  k l mxn7o7pPqM  asmcd/musdieammem01555cam  22002531  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100003000145245005600175260006400231300004000295520064900335530012500984650003001109650002601139856009001165906002401255985002201279   10004243 //r982DLC19941123150628.3cr||||781018s1910    inu           000 0 eng    a   10004243 //r982  aDLCcDLCdDLC00aGV1741b.S31 aSartori, Luigi,db. 1843.10aModern dances,cby Rt. Rev. Mgr. Don Luigi Sartori.  aColleg[e]ville, Ind.,bSt. Joseph's printing office,c1910.  a61, [1] p.bincl. port. pl.c20 cm.  aLike other publications of its kind, the book defends the dances of the Greeks and Romans as well as dances mentioned in the Bible on the grounds that they were performed by segregated sexes. With customary western bias, Sartori notes that when Christianity "supplanted Paganism, it found many objectionable practices and customs which it had to eradicate. One was dancing." The author objects both to waltzing, which he claims to be a violation of the Sixth Commandment, and the quadrille, which is "a malicious preparation to enjoy the mad rush to a close embrace." The manual was also published in German under the title Die modernen Tèanze.  aAvailable also through the Library of Congress Web site in two forms  as facsimile page images and as full text in SGML. 0aDancexReligious aspects. 4aAntidance Literature.7 dmusdif208gurn:hdl:loc.music/musdi.208uhttp://hdl.loc.gov/loc.music/musdi.2082http  k l mxn7o7pPqM  asmcd/musdieammem01351cam  2200265   4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099050001600117245003300133260009700166300002700263500003000290530012500320520042000445650003000865650002600895856009000921906002401011955002801035985002201063   22025435 DLC19980623132107.3cr||||980616s1830    sz            000 0 fre    a   22025435   aDLCcDLCdDLC00aGV1741b.O300aObservations sur les danses.  aLausanne,bSociâetâe pour la distribution de livres religieux dans le canton de Vaud,c1830.  a2 p. l., 43 p.c20 cm.  aAt head of title: no. XV.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aAn antidance treatise, the argument presented by the anonymous author is based on the idea that dancing is inconsistent with teachings in the Scripture, specifically the Ten Commandments. For example, just as the golden calf represented idolatry, the author argues that pleasure derived from dance is also idolatry, thus breaking the First Commandment. Similar arguments are made for all but the Second Commandment. 0aDancexReligious aspects. 4aAntidance Literature.7 dmusdif209gurn:hdl:loc.music/musdi.209uhttp://hdl.loc.gov/loc.music/musdi.2092http  k l m n7o7pPqM  aNEW INPUT vj01 06-15-98  asmcd/musdieammem02085cam  22003131  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100001800145245011600163246002000279260002000299300002600319500039000345500004600735520050500781530012501286530012501411650003201536650004501568710002201613856009001635906002401725985002201749   19016393 //r983DLC19941117080018.8cr||||781018s1918    ilu           000 0 eng    a   19016393 //r983  aDLCcDLCdDLC00aGV1595b.W51 aWillcox, Asa.00aAsa Willcox's book of figures, 1793;bmultigraphed from a manuscript in the possession of the Newberry library.30aBook of figures  aChicagoc[1918]  av. 9 numb. l.c27 cm.  a"The 'Book of figures' is a little manuscript that has recently been presented to the Newberry library by the librarian. The book appears to be a guide such as would be used by a fiddler or other musician in calling off the successive movements of dances. It was found some years ago in the attic of an old house in one of the smaller towns in Hartford County, Connecticut."--Foreword.  a"150 copies multigraphed, October, 1918."  aBased on an original manuscript published in 1793 and located in Chicago's Newberry Library, the editor of this modern version notes that the "spelling, capitalization, punctuation and underlining of the original have been scrupulosly followed, occasionally at the expense of clearness" (pg. ii). The manuscript contains one- or two-sentence descriptions of figures for thirty-eight country dances (dances that consisted of a series of figures and danced by a column of men facing a column of women).  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals.20aNewberry Library.7 dmusdif210gurn:hdl:loc.music/musdi.210uhttp://hdl.loc.gov/loc.music/musdi.2102http  k l mxn7o7pPqM  asmcd/musdieammem01809cam  22003491  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100004500146240002000191245013000211246002000341260004500361300003800406500008400444500006800528520046700596530008601063650003201149650004501181650002401226650002101250700004301271856009001314906002401404952000901428985002201437   44029074 //r983DLC19980623133101.6cr||||781018s1702    fr a          000 0 fre    a   44029074 //r983  aDLCcDLCdDLC00aGV1590b.F531 aFeuillet, Raoul-Auger,d1659 or 60-1710.10aPremier recueil00aPer. receèuil [sic] de danses de bal pour l'annâee 1703.cDe la composition de m. Pecour, et mis au jour par m. Feèuillet ...30aPremier recueil  aParis,bLe sieur Feèuillet [etc.]c1702.  a2 p. l., 27 p. of diagrs.c22 cm.  aFull-page diagrams; at head of each, the tune for the dance figure represented.  a"Airs de danses contenèues en ce recèuil [sic]": verso of t.-p.  aThis treatise contains two duets choreographed by French dancer and choreographer Guillaume-Louis Pecour (c. 1653-1729) and notated in the eighteenth-century notation system first published by Raoul-Auger Feuillet in 1700. The system is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPâecourt, Guillaume Louis,d1653-1729.7 dmusdif211gurn:hdl:loc.music/musdi.211uhttp://hdl.loc.gov/loc.music/musdi.2112http  k l mxn7o7pPqM  aFLIP  asmcd/musdieammem02415cam  22003611  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129100003600161245023800197246003800435260004200473300006100515500003900576500002000615500025300635500016200888500017801050520038501228530012501613500007001738650001901808650004501827650002401872650002101896856009001917906002402007985002202031   12029698 //r982DLC19781027000000.0cr||||781018m17629999fr af         000 0 fre    a   12029698 //r982  aDLCcDLCdDLC00aGV1590b.L3u<Rare Bk Coll>1 aLa Cuisse,cSr. de,d18th cent.13aLe râepertoire des bals,bou Theorie-pratique des contredanses, dâecrites d'une maniere aisâee avec des figures dâemonstratives pour les pouvoir danser facilement, auxquelles on a ajoutâe les airs notâes.cPar le sr. de La Cuisse ...30aTheorie-pratique des contredanses  aParis,bCailleau [etc.]c1762-<65   >  av. <1-3   >bfront. (v. 2) fold. plates, diagrs.c20 cm.  aEngraved throughout; line borders.  aImprint varies.  aVol. 1 is in 2 parts. The second part has special t.-p.: Suite du Râepertoire des bals, ou recueil de contredanses. Par le s. de La Cuisse. Paris, Melle Castagnery, 1762. The same title occurs in v. 2-3, following the special t.-p. indicated below.  aVols. 2-3 have title: Suite du Râepertoire des bals, ou II.eme [-3.e] volume du recueil des airs et figures des meilleures et plus nouvelles contredanses ...  aThe dances are in <18   > cahiers" or <100   > "feuilles," each dance constituting a "feuille" (with special t.-p., v. 2-3) These were issued both separately and in volumes.  aThis is a bound collection of contredanses, figured group dances for four or more couples that were popular during the last half of the eighteenth century. Each dance is described on four pages: a title page that gives the name of the dance and its choreographer, a page of text describing the figure, a page showing the floor pattern of the dance, and a final page for the music.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aLC copy imperfect: pages 17-24 of v. 1 misplaced in binding.5DLC 0aCountry-dance. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.7 dmusdif213gurn:hdl:loc.music/musdi.213uhttp://hdl.loc.gov/loc.music/musdi.2132http  k l mxn7o7pPqM  asmcd/musdieammem01054cam  2200265 i 4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002200129100004100151245004800192250001200240260004300252300002100295500014700316530012500463650003800588650002600626856009000652906002400742985002200766   77361817 //r983DLC19980623133915.4cr||||770908s1849    nyu           000 0 eng    a   77361817 //r983  aDLCcDLCdDLC00aGV1741b.C7 1849b1 aCrane, Jonathan Townley,d1819-1880.13aAn essay on dancing /cby J. Townley Crane.  a9th ed.  aNew York :bNelson & Phillips,c[1849]  a132 p. ;c16 cm.  a"Entered according to act of Congress, in the year 1849 ... in the Clerk's office of the District Court of the Southern District of New York."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexMoral and ethical aspects. 4aAntidance Literature.7 dmusdif214gurn:hdl:loc.music/musdi.214uhttp://hdl.loc.gov/loc.music/musdi.2142http  k l4mxn7o7pPqM  asmcd/musdieammem01409cam  22003011a 4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050004200127100002200169245008100191260009600272300002100368440003400389520028400423530012500707650002200832650003200854650004500886856009000931906002401021955002801045985002201073985001201095   81468866 //r98DLC19980620161324.5cr||||820107q18901899cs            000 0 cze    a   81468866 //r98  aDLCcDLCdDLC00aGV1751b.L59u<Min Case Rare Bk Coll>1 aLorenzovâa, Anna.10aElegantnâi taneécnâik /cdle rozliécnâych pramenêu upravila Anna Lorenzovâa.  aV Térebâiéci :bNakladatel Jindérich Lorenz,c[189-]e(V Daécicâich :fTisk Ant. Kasalâeho)  a125 p. ;c57 mm. 0aKnihovna pro éceskou mlâadeéz  aThis diminutive manual, written in Czech, contains descriptions of popular ballroom dances including the polka, mazurka, waltz, quadrille, and polonaise.  Lorenzovâa demonstrates that late nineteenth-century ballroom traditions were similar throughout western and eastern Europe.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 0aMiniature booksxSpecimens. 4aDance Instruction and Technical Manuals.7 dmusdif215gurn:hdl:loc.music/musdi.215uhttp://hdl.loc.gov/loc.music/musdi.2152http  k l4mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem  aKEY/EKI01691cam  22002531  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129100002600161245027300187260004200460300001800502520060000520530012501120650003001245650002601275856009001301906002401391985002201415   05028760 //r983DLC19941122131757.4cr||||781018s1798    nyu           000 0 eng    a   05028760 //r983  aDLCcDLCdDLC00aGV1740b.P5u<Rare Bk Coll>1 aPhillips, John,cRev.10aFamiliar dialogues on dancing, between a minister and a dancer;btaken from matter of fact with an appendix containing some extracts from the writings of pious and eminent men against the entertainments of the stage, and other vain amusements ...cBy John Phillips ...  aNew York,bPrinted by T. Kirk,c1798.  a39 p.c21 cm.  aSubstantiated by quotations from other writers including Pascall, Prince of Conti, Chief Justice Hale, and Archbishop Tillotson, Phillips declares dance to be a vain and idle amusement. While he acknowledges that many people assume the study of dance teaches good carriage and a "graceful and easy way of moving our limbs," he notes that Quakers, "who hold dancing in abomination," manage to display good carriage without benefit of dance instruction. As with other writers of antidance literature, Phillips notes that, although dance wasprevalent during biblical times, only women participated.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspects. 4aAntidance Literature.7 dmusdif217gurn:hdl:loc.music/musdi.217uhttp://hdl.loc.gov/loc.music/musdi.2172http  k l mxn7o7pPqM  asmcd/musdieammem01369cam  2200337 a 4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050005900129245003300188260012000221300002900341500001900370500001400389500010500403530012500508650005800633710004800691710005600739856009000795906002400885922000700909952004000916955001800956985002200974985002200996985001301018   93132808 //r982DLC19980623134244.4cr||||930329q18241832nyua          000 0 eng    a   93132808 //r982  aDLCcDLCdDLC00aGV1741b.S45 1824u<Rare Bk Coll : McManus-Young Coll>02aA Solemn warning to dancers.  aNew York :bN. Bangs and J. Emory for the Tract Society of the Methodist Episcopal Church,c[between 1824 and 1832]  a4 p. :b1 ill. ;c18 cm.  aCaption title.  a"No. 28."  aSource: Gift of John J. and Hanna M. McManus and Morris N. and Chesley V. Young, Oct. 12, 1955.5DLC  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspectsxMethodist Episcopal Church.20aMethodist Episcopal Church.bTract Society.21aMcManus-Young Collection (Library of Congress)5DLC7 dmusdif218gurn:hdl:loc.music/musdi.218uhttp://hdl.loc.gov/loc.music/musdi.2182http  k l2mxn7o7pPqM  aad  aFormerly shelved under: 4 Rare Bks.  aqr06 03-29-93  ararebk/mcmanerbc  asmcd/musdieammem  aAPIF/MIG01145cam  22002531  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100001600145245009600161260004100257300004400298500002500342520029100367530008600658650001100744856009000755906002400845985002200869   10004415 //r982DLC19941121112350.5cr||||781018s1770    fr a          000 0 fre    a   10004415 //r982  aDLCcDLCdDLC00aGV1600b.M310aMalpied, N.00aTraitâe sur l'art de la danse,bdâediâe âa Monsieur Gardel, l'ainâe ...cPar M. Malpied ...0 aParis,bBoèuin; [etc., etc.,c1770?]  a1 p.l., d, 122 p. incl. diagrs.c22 cm.  aEngr. t-p. and text.  aThis instructional manual describes Baroque dance steps and their correlation with music using the notation system published by Raoul-Auger Feuillet in 1700. Additionally, the manual contains information on the minuet and also provides an extensive discussion on hand and arm positions.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDance.7 dmusdif220gurn:hdl:loc.music/musdi.220uhttp://hdl.loc.gov/loc.music/musdi.2202http  k l mxn3o7pPqM  asmcd/musdieammem01168cam  22002531  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100007300146245004800219260004000267300002600307520030000333530012500633650001100758856009000769906002400859952000900883985002200892   05035047 //r983DLC19941121143149.3cr||||781018s1801    it            000 0 fre    a   05035047 //r983  aDLCcDLCdDLC00aGV1601b.M8320aMoreau de Saint-Mâery, M. L. E.q(Mâedâeric Louis Elie),d1750-1819.00aDe la danse.cPar Moreau de Saint-Mâery ...0 aParme,bImprimâe par Bodoni,c1801.  a4 p.l., 52 p.c12 cm.  aThis manual describes a colonial view of the history of dance in the West Indies, focusing on the dance of Creoles. Moreau de Saint-Mâery (1750-1819), discusses the effects of slavery and the African roots for such dances as the chica and notes that contredanses and minuets were also performed.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance.7 dmusdif221gurn:hdl:loc.music/musdi.221uhttp://hdl.loc.gov/loc.music/musdi.2212http  k l mxn7o7pPqM  aFLIP  asmcd/musdieammem01144cam  22002531  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002400146245005500170260004800225300002400273520027000297530012500567650003000692856009000722906002400812955003200836985002200868   05028761 //r984DLC19941115131132.1cr||||790302s1892    ilu           00010 eng    a   05028761 //r984  aDLCcDLCdDLC00aGV1741b.F241 aFaulkner, Thomas A.10aFrom the ball-room to hell.cBy T. A. Faulkner ...  aChicago,bThe Henry publishing co.c[c1892]  avi, 7-72 p.c19 cm.  aThis antidance treatise, written by an ex-dancing master, is devoted to condemning the waltz. Some of the chapter titles include "From the Ball-Room to the Grave," "Abandoned Women the Best Dancers," and "The Approval of Society is no Proof Against the Degradation.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspects.7 dmusdif222gurn:hdl:loc.music/musdi.222uhttp://hdl.loc.gov/loc.music/musdi.2222http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01830nam  2200313   4500001001300000003000400013005001700017007000700034008004100041010001700082040001300099050001600112100003800128240009200166245014100258260004800399300004300447500012400490530012500614520049700739500004401236650002001280650003001300650002201330856009001352906002401442955002801466985002201494   15008911 DLC19980605182725.7cr||||980530s1825    fr h          000 0 fre    a   15008911   aDLCcDLC00aGV1590b.B31 aBaron, A.q(Auguste),d1794-1862.10aLettres et entretiens sur la danse ancienne, moderne, religieuse, civile et thâeãatrale10aLettres áa Sophie sur la danse,bsuivies d'entretiens sur les danses ancienne, moderne, religieuse, civile et thâeãatrale; par A. Baron.  aParis,bDondey-Duprâe páere et fils,c1825.  a344 p.bfront. (fold. facsim.)c22 cm.  aPublished in 1824 under title: Lettres et entretiens sur la danse ancienne, moderne, religieuse, civile et thâeãatrale.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aEssentially a history of Greek, Roman, and early religious dance, and French court dance, the text is drawn from numerous writers, including Mme. Elise Voiart, Joseph Juste Scaliger, Claude Franðcois Mâenestrier, Louis de Cahusac, Diderot, and Jean-Georges Noverre.  The first part of this  book comprises seven letters written by Baron during 1821 and 1822.  The second part takes the form of conversations with Sophie and, occasionally, two more participants named Heraclite and Dâemocrite.  aLC copy imperfect: p. 5-8 wanting.5DLC 0aDancexHistory. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif224gurn:hdl:loc.music/musdi.224uhttp://hdl.loc.gov/loc.music/musdi.2242http  k l m n0o7pPqM  aNEW INPUT vj01 05-30-98  asmcd/musdieammem01585cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003300129245011100162260003900273300004000312500003300352520058600385530012500971650002001096856009001116906002401206955003201230985002201262985003501284ca 05001761 //r983DLC19931022101102.1cr||||781018s1841    nyua          000 0 eng    aca 05001761 //r983  aDLCcDLCdDLC00aGV1763b.B18u<Rare Bk Coll>04aThe Ball-room instructer [!];bcontaining a complete description of cotillons and other popular dances ...  aNew York,bHuestis & Craft,c1841.  a46 p. incl. front.,billus.c13 cm.  aSource: Source unknown.5DLC  aThis manual, small enough to fit into a pocket, declares it contains "all the information which is interesting to the world of dancing" [p. 5]. In fact, like many nineteenth-century dance manuals, the text is heavily borrowed from numerous sources and compiled by a publisher. Its format is common for this type of manual and it begins with a discussion on etiquette followed by description of quadrilles--popular group dances performed by four couples facing in a square. Although, the waltz was a staple of the mid-nineteenth-century ballroom, it is not discussed in this manual.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aSquare dancing.7 dmusdif225gurn:hdl:loc.music/musdi.225uhttp://hdl.loc.gov/loc.music/musdi.2252http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem  ararebk/rbcerbcfqr05 12-08-9201666cam  2200337 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099043001200117050001600129110005000145245006300195246006700258250001300325260004200338300002000380500001900400530012500419520052600544650004601070650003801116856009001154906002401244922000701268955001801275985002201293985001301315   98157763 DLC19980605194634.9cr||||980605s1917    vau           000 0 eng    a   98157763   aDLCcDLCdDLC  an-us-va00aGV1757b.V62 aVirginia Polytechnic Institute.bGerman Club.10aConstitution of the Va. Polytechnic Institute German Club.3 aConstitution of the Virginia Polytechnic Institute German Club  aRev. ed.0 a[Blacksburg],bThe Institute,c[1917]  a11 p. ;c16 cm.  aCaption title.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aThis revised constitution lists the objectives of a club organized to hold dances that consisted solely of the German, a popular parlor game wherein the participants performed a series of party games to music.  The constitution lists the duties of the officers and standing committees, which included committees for refreshments, invitations, reception, and music.  Part of the constitution noted that "no member of the Club shall drink any intoxicating liquor within twenty-four hours immediately preceding [the event]." 0aGerman (Dance)zVirginiaxSocieties, etc. 4aDance Ordinances and Regulations.7 dmusdif226gurn:hdl:loc.music/musdi.226uhttp://hdl.loc.gov/loc.music/musdi.2262http  k l m n7o7pPqM  aco  avj01 06-05-98  asmcd/musdieammem  aAPIF/MIG01412cam  2200349 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099043002100117050001800138245009100156246002400247246002300271250001100294260006400305300002800369530012500397520021500522650004200737650002000779650004500799710004400844856009000888906002400978922000701002955001801009985002201027985001301049   98157749 DLC19980605180423.9cr||||980605s1907    nyua          000 0 eng    a   98157749   aDLCcDLCdDLC  an-us-nyae-ie---00aGV1646.I8bG200aRinnce na h-âEireann :ba simplified work on the performance of the dances of Ireland.3 aRinnce na hâEireann3 aRinnce na âEireann  aEd. 1.0 aNew York :bGaelic League of the State of New York,cc1907.  a49 p. :bill. ;c16 cm.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aFirst published in 1902, the work was suggested by a member of the New York Philo-Celtic Society. The discusion includes music, steps, and instructions for reels, "High Caul Cap, four-hand jig, and Rinnce Fada. 0aFolk dancing, IrishzNew York (State) 0aDancezIreland. 4aDance Instruction and Technical Manuals.2 aGaelic League of the State of New York.7 dmusdif227gurn:hdl:loc.music/musdi.227uhttp://hdl.loc.gov/loc.music/musdi.2272http  k l m n7o7pPqM  aco  avj01 06-05-98  asmcd/musdieammem  aAPIF/MIG01012cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111041001100129050001600140100003000156240002700186245012200213260005900335300004300394530008600437650001100523700005500534856009000589906002400679952000900703985002200712   10009711 //r983DLC19980526204437.9cr||||781018s1910    inu           000 0 ger    a   10009711 //r983  aDLCcDLCdDLC1 agerund00aGV1741b.S210aSartori, Luigi,db. 1843.10aModern dances.lGerman14aDie modernen Tèanze,cvon msgr. don Luigi Sartori. Frei èubersetzt und verèandert von p. Vigilius H. Krull, C. PP. S.0 aCollegeville, Ind.,bSt. Josephs buchdruckerei,c1910.  a1 p.l., [7]-28 p., 1 l. front.c20 cm.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDance.11aKrull, Vigilius H.q(Vigilius Herman),d1874-etr.7 dmusdif228gurn:hdl:loc.music/musdi.228uhttp://hdl.loc.gov/loc.music/musdi.2282http  k l mxn7o7pPqM  aFLIP  asmcd/musdieammem01241nam  2200301   4500001001300000003000400013005001700017007000700034008004100041010001700082040001300099050001600112100001800128245009200146260004900238300001900287530012500306520023900431650001100670650001400681650003700695650003000732856009000762906002400852955002800876985002200904985001300926   43028264 DLC19980617085616.5cr||||980617s1830    fr            000 0 fre    a   43028264   aDLCcDLC00aGV1595b.A41 aAlerme, P.-E.10aDe la danse,bconsidâerâee sous le rapport de l'âeducation physique,cpar P.-E. Alerme.  aParis,bLes Marchands de nouveautâes,c1830.  a114 p.c21 cm.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aAn important early nineteenth-century physiology of dance, the author provides extensive discussion on the importance of dance. Numerous extractions from Alerme's text can be found throughout later nineteenth-century dance literature. 0aDance. 0aExercise. 0aPhysical education and training. 4aDance History and Theory.7 dmusdif229gurn:hdl:loc.music/musdi.229uhttp://hdl.loc.gov/loc.music/musdi.2292http  k l m n7o7pPqM  aNEW INPUT vj01 06-16-98  asmcd/musdieammem  aAPIF/MIG02404cam  22003491  4500001002100000003000400021005001700025007000700042008004100049010002500090040001800115050002100133082001000154100002200164240001400186245055000200260005200750300004300802500003700845500021200882520054701094530008601641650003201727650003101759650003001790650004501820650002101865856009001886906002401976955003202000985002202032   09013367 /MN/r986DLC19941107172836.0cr||||790302s1581    it ac         00010 ita    a   09013367 /MN/r986  aDLCcDLCdDLC00aMT950b.C25 158100a793.31 aCaroso, Fabritio.10aBallarino13aIl ballarino di M. Fabritio Caroso da Sermoneta, diuiso in due trattati;bnel primo de' quali si dimostra la diuersitáa de i nomi, che si danno áa gli atti; & mouimenti, che interuengons ne i balli: & con molte regole si dichiara come debbano farsi. Nel secondo s'insegnano diuerse sorti di balli, & balletti sái all' vso d'Italia, come áa quello di Francia, & Spagna. Ornato di molte figure. Et con l'intauolatura di liuto nella sonata di ciascun ballo, & il soprano della musica alla maggior parte di essi. Opera nuouamente mandata in luce ...  aIn Venetia,bAppresso Francesco Ziletti,c1581.  a2 v. in 1.billus., port.c23 x 18 cm.  aHead- and tail-pieces; initials.  aVol. 2 has title: Trattato secondo del Ballarino ... nel quale s'insegnano varie sorti di balletti, cascarde, tordiglione, passo e mezo, pauaniglia, canario, & gagliarde all' vso d'Italia, Francia, & Spagna.  aThis manual is one of the most important documents detailing late-Renaissance Italian court dance. Dancing master Fabritio Caroso (died 1605) describes fifty-four steps, provides rules for style and etiquette, and contains specific choreographies for eighty dances, most of which are designed for one couple. Many dances are preceded by full-page illustrations and each dance is provided with appropriate music notated in Italian lute tablature. Fabritio Caroso is also the author of an additional dance manual, Nobiltáa di dame (1600; 1605).  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexEarly works to 1800. 0aDance musicy16th century. 0aLute musicy16th century. 4aDance Instruction and Technical Manuals. 4aMusic for Dance.7 dmusdif230gurn:hdl:loc.music/musdi.230uhttp://hdl.loc.gov/loc.music/musdi.2302http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem02190cam  22003491  4500001002100000003000400021005001700025007000700042008004100049010002500090040001800115043001200133050002100145100003800166245033900204260006400543300002400607500008700631520067700718530008601395650002001481650002001501650001801521650004501539650002401584650002101608856009001629906002401719952004301743955003201786985002201818   45027913 /MN/r987DLC19941114102646.2cr||||790321s1728    enk           000 0 eng    a   45027913 /MN/r987  aDLCcDLCdDLC  ae-uk-en00aMT950b.P68 17281 aPlayford, John,d1623-1686?cpub.14aThe dancing-master;bor, Directions for dancing countrydances, with the tunes to each dance, for the treble-violin. Vol. the 2d. The 4th ed., containing 360 of the choicest old and new tunes now used at court, and other publick places. The whole work rev. and done on the new-ty'd-note, and much more correct than any former editions.  aLondon,bPrinted by W. Pearson and sold by J. Young,c1728.  a360 p.c12 x 21 cm.  aFirst ed. published 1650 by John Playford under title: The English dancing-master.  aOriginally published in 1651 under the title of The English dancing master, the work went through numerous editions from 1652 to 1728. Compiled by John Playford (1623-1687), a publisher of music books, the treatise is consider an important work on English country dances, a form of dance where couples perform a series of set patterns. The work utilizes a rudimentary dance notation and page one of the treatise is devoted to an explanation of the symbols. Each of the 360 dances contained in this last edition is given appropriate music, in the form of a treble line. Most of the dances are designated for longways sets of three couples, four couples, or as many as will.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancezEngland. 0aCountry-dances. 0aViolin music. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.7 dmusdif233gurn:hdl:loc.music/musdi.233uhttp://hdl.loc.gov/loc.music/musdi.2332http  k l mxn7o7pPqM  a*vk12 010 040 050 080 113 115 04-10-90  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01578cam  22002531  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002300146245007100169260003700240300003500277520070800312530012501020650001101145856009001156906002401246955003201270985002201302   42041576 //r983DLC19941104173447.5cr||||781018s1909    fr a     r    00010 fre    a   42041576 //r983  aDLCcDLCdDLC00aGV1593b.B651 aBourgeois, Edmond.10aTraitâe pratique et thâeorique de la danse,cpar Edmond Bourgeois.  aParis,bGarnier fráeresc[1909?]  a2 p.l., 466 p.billus.c20 cm.  aAs was common practice during the nineteenth and early twentieth centuries, much of this text was borrowed from other writers. The author begins with a general history of dance and proceeds with an explanation of terms found in dance such as les grands battements and ronds de jambes. The manual contains directions for many Renaissance and Baroque dances including La Pavane, and, although the author quotes from Thoinot Arbeau's Orchesographie of 1588, the directions for performance are strictly a nineteenth-century interpretation. Bourgeois's manual also covers nineteenth-century social dances and he provides the history and directions for dances such as the waltz, polka, mazurka, and quadrille.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance.7 dmusdif235gurn:hdl:loc.music/musdi.235uhttp://hdl.loc.gov/loc.music/musdi.2352http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01397cam  22002531  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100002900145245006400174260003700238300004900275502051500324530012500839650001100964856009000975906002401065955003201089985002201121   12027620 //r983DLC19941104173200.2cr||||781018s1912    fr ac         00010 fre    a   12027620 //r983  aDLCcDLCdDLC00aGV1593b.B61 aBottallo, Barthâelemy G.00aGuide du bon danseur,cpar le professeur B.-G. Bottallo ...  aParisb[Imp. Jouve & cie]c1912.  ax, 187 p., 1 l. incl. illus.,bport.c16 cm.  aThis manual contains directions for a dances that were popular during at the end of the nineteenth century including the Berline, Badoise polka, and les patineurs. Botallo also includes directions for several specialty dances such as "La Marocaine," and "Danse des Tambourins." The author includes many quadrille and cotillon figures, although neither dance was often performed in the ballroom by 1912. Acknowledging that other dances were more popular, the author includes three figures for a Tango-Argentine.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance.7 dmusdif236gurn:hdl:loc.music/musdi.236uhttp://hdl.loc.gov/loc.music/musdi.2362http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01268nam  22002891  4500001001300000003000400013005001700017007000700034008004100041010001700082040001300099050002200112100006100134245005800195250002100253260004100274300002700315520030400342530012500646650001500771856009000786906002400876955003200900985001100932985002200943985001300965   09030594 DLC19980617085010.8cr||||980617s1887    nyu           000 0 eng    a   09030594   aDLCcDLC00aBJ1852b.S54 18871 aSherwood, M. E. W.q(Mary Elizabeth Wilson),d1826-1903.00aManners and social usages,cby Mrs. John Sherwood ...  aNew and enl. ed.  aNew York,bHarper & brothers,c1887.  a487 p.bfront.c18 cm.  aEtiquette manuals are an important sources of information on ballrooms and social dance during the nineteenth-century. Sherwood's book is an exceptional source for etiquette as it was practiced in the late 1880s. Additionally, of the book's fifty-nine chapters, two are devoted to dancing and balls.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 4aEtiquette.7 dmusdif237gurn:hdl:loc.music/musdi.237uhttp://hdl.loc.gov/loc.music/musdi.2372http  k l m n7o7pPqM  aNEW INPUT [TH09] [05-13-98]  aCOPIED  asmcd/musdieammem  aAPIF/MIG01646nam  22002771  4500001001300000003000400013005001700017007000700034008004100041010001700082040001300099050003000112100002200142245016000164260007200324300004400396502059600440530012501036650001501161856009001176906002401266955003201290985001101322985002201333985001301355   35038368 DLC19980617085429.2cr||||980617s1857    nyu      r    000 0 eng    a   35038368   aDLCcDLC00aBJ1856b.T5u<Toner Coll>1 aThornwell, Emily.14aThe lady's guide to perfect gentility, in manners, dress, and conversation ...balso a useful instructor in letter writing ... etc.cBy Emily Thornwell ...  aNew York,bDerby & Jackson;aCincinnati,bH. W. Derby & co.,c1857.  axvi p., 1 l., 11-226 p.bfront.c19 cm.  aEtiquette manuals are an important source for information on issues relating to the study of nineteenth-century social dance. Thornwell discusses the complexion, appropriate dress, introductions, behavior at parties, rules "on polite, easy, and graceful deportment," hints for conversation including "words, and sayings to be avoided," and concludes with chapters on needle-work and dress-making. Although much of Thornwell's manual was extracted from E. C. de Calabrella's 1844, The Ladies' Science of Etiquette, the manual was popular enough to be reissued ten times between 1857 and 1890.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 4aEtiquette.7 dmusdif241gurn:hdl:loc.music/musdi.241uhttp://hdl.loc.gov/loc.music/musdi.2412http  k l m n7o7pPqM  aNEW INPUT [TH09] [05-13-98]  aCOPIED  asmcd/musdieammem  aAPIF/MIG01399nam  22002651  4500001001300000003000400013005001700017007000700034008004100041010001700082040001300099050003300112245010000145260005300245300002900298520047400327530012500801650001500926856009000941906002401031955003201055985001101087985002201098985001301120   09030604 DLC19980617085050.0cr||||980617s1836    pau           000 0 eng    a   09030604   aDLCcDLC00aBJ1852b.L28u<Rare Bk Coll>04aThe laws of etiquette;bor, Short rules and reflections for conduct in society.cBy a gentleman  aPhiladelphia,bCarey, Lea, and Blanchard,c1836.  a2 p.l., 9-172 p.c14 cm.  aIn a rapidly growing consumer market for etiquette manuals during the nineteenth century, this is an example of a manual that attempts to reinforce the authority of its contents by suggesting legal foundations in its title as well as the qualifications of its author, in this case "A Gentleman." The straightforward chapters include "Good Breeding," "Dress," "Balls," and "Funerals." Reissued throughout the 1840s, much of the manual is a paraphrasing to earlier texts.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 4aEtiquette.7 dmusdif242gurn:hdl:loc.music/musdi.242uhttp://hdl.loc.gov/loc.music/musdi.2422http  k l m n7o7pPqM  aNEW INPUT [TH09] [05-13-98]  aCOPIED  asmcd/musdieammem  aAPIF/MIG02814cam  22004451a 4500001001900000003000400019005001700023007000700040008004100047010002300088040002400111043001200135050003400147100003300181245008600214246008200300260017400382300003800556500009400594500028200688500002500970500004500995500005301040500014201093500008601235510005001321500004201371520049901413530012501912650002702037650002002064650004502084650002102129856009002150906002402240922000702264955006202271985002202333985001302355   95214000 //r982DLC19951211113137.9cr||||951012s1760    fr g          000 0 fre    a   95214000 //r982  aDLCcDLCdDLCedcrb  ae-fr---00aGV1649b.L36 1760u<Mus Case>1 aLandrin,dfl. ca. 1760-1785.10aPotpourri franðcois des contre-danse ancienne tel quil se danse chez la Reine ...3 aPotpourri franðcois de contre danse ancienne tel qu'il se danse chez la Reine  aA Paris :bChez Landrin, m[archan]d de musique âet de dans[e] ..., Lahante, m[aãi]tre de danse ..., M[ademoise]lle Castagnery ..., et aux adresse ordinaires,c[ca. 1760]  a2 v. :bdiagrams, music ;c22 cm.  aTitle proper, extent statement, and approximate date of publication from Derra de Moroda.  aEach of the 12 pieces which together with 4 unnumbered pages at the beginning form v. 1 has special t.p. with title: Potpourri franðcois de contre danse ancienne ... arrangâe et mis au jour par M[onsieu]r Landrin, m[aãi]tre de danse âet compositeur des Traits des contre-danse.  aEngraved throughout.  aChainlines vertical; no watermark found.  aImprint from the 12 special title pages in v. 1.  aThe 12 pieces in v. 1 are numbered by hand; each has 7 numbered pages except no. 7 which has 9; the unnumbered last page is always blank.  aVol. 2 contains choreographic plates for the dances of v. 1. Cf. Derra de Moroda.4 aDerra de Moroda, F.  The dance library,c1957  aLC set incomplete: v. 2 wanting.5DLC  aThis is a collection of twelve contredanses, figure-dances performed by four couples and popular during the last half of the eighteenth century. Unlike other published accounts that describe a single figure for each dance, all the dances in this collection contain a series of figures, demonstrating a closer relationship with nineteenth-century quadrilles. Although this collection contains no floor patterns, the figures for each dance are desbribed in text and appropriate music is provided.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SMGL. 0aCountry-dancezFrance. 0aCountry-dances. 4aDance Instruction and Technical Manuals. 4aMusic for Dance.7 dmusdif245gurn:hdl:loc.music/musdi.245uhttp://hdl.loc.gov/loc.music/musdi.2452http  k l2mxn7o7pPqM  aap  avj04 10-12-93; vj06 10-23-95; NEW INPUT [TH09] [05-15-98]  asmcd/musdieammem  aAPIF/MIG01724cam  2200373 a 4500001001900000003000400019005001700023007000700040008004100047010002300088040002400111050003600135100003300171245018900204246002400393260012400417300004700541500002500588500004500613500003500658520022200693530008600915650002101001650002001022650004501042650002401087650002101111856009001132906002401222922000701246955006201253985002201315985001301337   95211883 //r982DLC19951214125112.6cr||||951005q17601785fr g          000 0 fre    a   95211883 //r982  aDLCcDLCdDLCedcrb00aGV1796.A7bL36 1760u<Mus Case>1 aLandrin,dfl. ca. 1760-1785.10aReceuil danglaise :barrangees avec leurs traits telle quel se danse châe la Reine /cmis au jour par M[onsieu]r Landrin, m[ai]tre de danse âet compositeur des Traits des contre-danse.3 aRecueil d'anglaises  aA Paris :bLandrin, m[archan]d de musique âet de dans[e] ... âet chez Mlle Castagnery ...,c[between ca. 1760 and 1785]  a11, [2], 3 p. :bdiagrams, music ;c23 cm.  aEngraved throughout.  aChainlines vertical; no watermark found.  aSignatures: [1]p6s chip2s.  aThis is a collection of nine English country dances with directions for the figures and appropriate music for a treble insturment. The English country dance was imported into France during the early eighteenth-century  aAvailable also through the Library of Congress Web site as facsimile page images. 0aAnglaise (Dance) 0aDance notation. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.7 dmusdif246gurn:hdl:loc.music/musdi.246uhttp://hdl.loc.gov/loc.music/musdi.2462http  k l2mxn7o7pPqM  aap  avj04 10-05-95; vj06 10-23-95; NEW INPUT [TH09] [05-15-98]  asmcd/musdieammem  aAPIF/MIG01642cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100003000145245039300175260002500568300003400593500022800627500004500855504008600900530012500986650001101111856009801122856009801220906002401318985002201342   47042118 //r982DLC19941114133725.0cr||||781018m18851900fr a     b    00010 fre    a   47042118 //r982  aDLCcDLCdDLC00aGV1751b.G510aGiraudet, Eugáene,d1861-13aLa danse, la tenue, le maintien, l'hygiáene & l'âeducation,bseul guide complet approuvâe par l'Acadâemie; renfermant 1.000 danses de tous les pays du monde pour salons, grands bals, sociâetâes, thâeãatre, concert, bals publics, province & âetranger (500 dessins et figures) 2,000 pas chorâegraphiques avec thâeories et 1,800 figures explicatives de cotillon ...cpar Eugáene Giraudet ...0 aParisc[1885?]-1900.  a2 v.billus., diagrs.c24 cm.  aVol. 2 has title: Traitâe de la danse ... Grammaire de la danse et du bon ton áa travers le monde et les siáecles depuis le singe jusqu'a nos jours. 6341 danses ou pas diffâerents et articles de tous genres sur la danse ...  aVol. 1, "Cinquante-cinquiáeme âedition."  a"Les professeurs de danse et leurs ¶uvres. Ma bibliotháeque": v. 2, p. [509]-567.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance.7 3Vol. 1dmusdif247gurn:hdl:loc.music/musdi.247uhttp://hdl.loc.gov/loc.music/musdi.2472http7 3Vol. 2dmusdif248gurn:hdl:loc.music/musdi.248uhttp://hdl.loc.gov/loc.music/musdi.2482http  k l mxn7o7pPqM  asmcd/musdieammem02402cam  22003851  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111041001100129050002200140100003100162240003900193245023800232260003000470300005400500500018400554500016600738500010200904500010601006520051001112530008601622650001101708650002001719650004501739650002201784650002101806700002101827856009001848906002401938955003201962985002201994   44016304 //r983DLC19941104164850.9cr||||781018s1830    enkfg    c    00010 eng    a   44016304 //r983  aDLCcDLCdDLC1 aengfre00aGV1590b.B57 18301 aBlasis, Carlo,d1803-1878.10aCode complet de la danse.lEnglish14a[The code of Terpsichore.bThe art of dancing, comprising its theory and practice, and a history of its rise and progress, from the earliest times ...cby C. Blasis ... Translated under the author's immediate inspection by R. Barton]  a[London,bE. Bull,c1830]  avii p.b22 p.; (music); [5]-548 p. 17 pl.c23 cm.  aOn spine: Code of Terpsichore. By C. Blasis ... With seventeen plates; illustrating upwards of sixty positions. With original quadrilles and waltzes. Arranged for the piano-forte.  aBarton's English translation of Code complet de la danse, which was subsequently translated into French by Paul Vergnaud under title: Manuel complet de la danse.  a"Programmes, containing examples of every species of ballets. Composed by C. Blasis": p. 259-484.  aL.C. copy imperfect: t.-p. wanting; title supplied from the Catalogue of the Bibliotháeque nationale.  aThis is one of several books written by Italian dancer, choreographer, and writer Blasis (1795-1878). It covers the history and theory of dance, pantomime, the composition of ballets, and contains a section devoted to social dances entitled "private dancing." Although much of the discussion on technique is identical to Blasis'S earlier treatise, Traitâe âelâementaire thâeorique et pratique de l'art de la danse (1820), the manual is a comprehensive survey of ballet during the early nineteenth-century.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDance. 0aDancexHistory. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance. 4aMusic for Dance.11aBarton, R.,etr.7 dmusdif251gurn:hdl:loc.music/musdi.251uhttp://hdl.loc.gov/loc.music/musdi.2512http  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-15-98]  asmcd/musdieammem01941cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129245017100145260003700316300003800353520048700391530008600878650001100964650004500975856009001020859011101110859011501221859011201336859011301448906002401561955003201585985002201617   05039484 //r984DLC19980925154022.0cr||||790302s1872    nyua          000 0 eng    a   05039484 //r984  aDLCcDLCdDLC00aGV175b.B1900aBall-room dancing without a master, and complete guide to the etiquette, toilet, dress and management of the ball-room;bwith all the principal dances in popular use.  a[New York,bHurst & co.,cc1872]  a1 p.l., [5]-61 p.billus.c19 cm.  aThis manual suggests that anyone can learn to dance without the aid of a teacher and, after providing a short discussion on organizing balls, appropriate dress, and etiquette, the book focuses on the popular ballroom dances of the era--quadrilles, polka, schottisch, polka mazurka, and varsoviana. This "do it yourself mentality was common during the late nineteenth century and this particular dance manual was reissued in 1876 under the title Offenbach's dancing without a master.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif177gurn:hdl:loc.music/musdi.177uhttp://hdl.loc.gov/loc.music/musdi.1772http7 3Video clip for p. 50gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058znew waltz7 3Video clip for p. 31gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zpolka mazurka7 3Video clip for p. 28gurn:hdl:loc.music/musdivid.056uhttp://hdl.loc.gov/loc.music/musdivid.056zschottisch7 3Video clip for p. 47gurn:hdl:loc.music/musdivid.059uhttp://hdl.loc.gov/loc.music/musdivid.059zvarsovienne  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01673cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002900146245022400175260003600399300006100435500006500496500003100561520031100592530012500903650001101028650004501039650002401084856009001108859012701198906002401325985002201349   42046269 //r982DLC19980928101003.0cr||||781018s1897    sz af         000 0 ger    a   42046269 //r982  aDLCcDLCdDLC00aGV1751b.B682 aBosshardt-Strèubi, J. R.10aLeitfaden fèur den tanz- & kèorperbildungs-unterricht mit anleitungen èuber den gesellschaftlichen verkehr.b14 tafeln mit 118 figèurlichen und choregraphischen darstellungen.cBearbeitet von J. R. Bosshardt-Strèubi ...  aZèurich,bJuchli & Beck,c1897.  avii, 109 p.bxiv pl. (part fold., incl. diagrs.)c18 cm.  a"I. abteilung. Der gesellschaftliche tanz" has special t.-p.  aPlates vii-x wanting.5DLC  aThis manual opens with a brief history of dance and continues with descriptions of feet positions, and figures for quadrilles and "La Polonaise" (also known as the grand march). Round dances such as schottisch, waltz, and polka are also included. The manual is enhanced by fourteen full-page illustrations.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals. 4aNotation for Dance.7 dmusdif201gurn:hdl:loc.music/musdi.201uhttp://hdl.loc.gov/loc.music/musdi.2012http7 3Video clip for p. 51gurn:hdl:loc.music/musdivid.001uhttp://hdl.loc.gov/loc.music/musdivid.001zLa Polonais (Grand March)  k l mxn7o7pPqM  asmcd/musdieammem02761cam  22003611  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100004300144245019000187260003400377300003700411500002000448520046900468530012500937650002201062650004501084856009001129859012901219859011501348859017001463859011401633859018201747859019801929859019802127906002402325955002802349985002202377ca 05001949 //r98DLC19980928104202.0cr||||781018s1867    nyu           000 0aeng    aca 05001949 //r98  aDLCcDLCdDLC00aGV1751b.B841 aBrookes, L. De G.q(Laurence De Garmo)00aBrookes on modern dancing,bcontaining a full description of all dances, as practised in the ball room and at private parties, together with an essay on etiquette.cBy L. De G. Brookes.  aNew Yorkb[The author]c1867.  a2 p. l., [3]-94, [10] p.c19 cm.  aIncludes music.  aThe format for this manual is typical of nineteenth-century dance treatises.  It begins with a short discussion on the utility of dancing followed by a section devoted to etiquette of the ballroom and how to give balls.  Descriptions of dances in this manual include quadrilles, waltz, polka, polka redowa, schottisch, polka mazurka, varsovienne, and the waltz in 5/4.  The book concludes with eighty-seven cotillon figures and eight pages of ballroom dance music.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.7 dmusdif027gurn:hdl:loc.music/musdi.027uhttp://hdl.loc.gov/loc.music/musdi.0272http7 3Video clip for p. 47gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zvalse a trois temps (waltz)7 3Video clip for p. 53gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zpolka mazurka7 3Video clip for p. 80gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zThe Fan, from the German (also known as cotillon or German cotillon)7 3Video clip for p. 55gurn:hdl:loc.music/musdivid.052uhttp://hdl.loc.gov/loc.music/musdivid.052zLa Esmeralda7 3Video clip for p. 74gurn:hdl:loc.music/musdivid.003uhttp://hdl.loc.gov/loc.music/musdivid.003zLa Corde (The Rope), from the German (also known as cotillon or German cotillon)7 3Video clip for p. 76gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov/loc.music/musdivid.016zLe Colin Maillard (Blind Man's Buff) from the German (also known as cotillon or German cotillon)7 3Video clip for p. 76gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov/loc.music/musdivid.005zLe Colin Maillard (Blind Man's Buff) from the German (also known as cotillon or German cotillon)  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem01760cam  22003611a 4500001001900000003000400019005001700023007000700040008004100047010002300088035001800111040002100129042001400150050002200164082001200186100003200198245008900230250001600319260004500335300005100380502038500431530012500816650001100941650004500952700003100997856009001028859011301118906002401231922000701255952001101262955010301273985002201376   89108372 //r983DLC19980928165414.0cr||||891124s1914    nyuaf         00010 eng d  a   89108372 //r983  a(OCoLC)599355  aOKentUcDLCdDLC  alccopycat00aGV1746b.C35 191400a793.3/31 aCastle, Vernon,d1887-1918.10aModern dancing /cby Mr. and Mrs. Vernon Castle ; introduction by Elisabeth Marbury.  aSpecial ed.  aNew York :bWorld Syndicate Co.,cc1914.  a175 p., [5] leaves of plates :bill. ;c21 cm.  aWritten by one of the most famous exhibition ballroom teams of the century, the manual covers a large variety of dances popular during the ragtime era including the tango, one step, hesitation waltz, and maxixe. A large portion of the book is devoted to grace and etiquette, appropriate dance dresses for women, and music. Many photographs of the famous couple enhance the manual.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals.10aCastle, Irene,d1893-1969.7 dmusdif240gurn:hdl:loc.music/musdi.240uhttp://hdl.loc.gov/loc.music/musdi.2402http7 3Video clip for p. 47gurn:hdl:loc.music/musdivid.075uhttp://hdl.loc.gov/loc.music/musdivid.075zCastle Walk  k l3mxn7o7pPqM  aad  aOnline  abx59 to bd00 11-24-89; nc43 02-12-92; nf20 03-09-92; nc10/sl 04-16-92; NEW INPUT [TH09] [05-15-98]  asmcd/musdieammem04376cam  22005171  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002900129082001000158100002200168245041300190246001400603260007000617300005700687500003000744500019700774500019500971500012701166500029001293520054601583530012502129650002602254650003202280650002502312650004502337650002102382700003302403856009002436859011902526859011802645859011802763859011802881859011902999859011903118859011903237859010903356859012003465859010903585859011803694906002403812985002203836   30003284 //r984DLC19980928200947.0cr||||790321s1600    it ac         000 0aita    a   30003284 //r984  aDLCcDLCdDLC00aMT950b.C25 1600u<Case>00a793.31 aCaroso, Fabritio.10aNobiltáa di dame del sr. Fabritio Caroso da Sermoneta,blibro, altra volta, chiamato Il ballarino. Nuouamente dal proprio auttore corretto, ampliato di nuoui balli, di belle regole, & alla perfetta theorica ridotto: con le creanze necessarie áa caualieri, e dame. Aggiontoui il basso, & il soprano della musica: & con l'intauolatura del liuto áa ciascun ballo. Ornato di vaghe & bellissime figure in rame ...30aBallarino  aIn Venetia,bPresso il Muschio,c1600. Ad instantia dell'auttore.  a10 p. l., 370, [6] p.billus. (incl. ports.)c25 cm.  aPage 200 misnumbered 100.  aPart 2 has special half-title: Della Nobilta di dame ... libro secondo, nelquale s'insegnano varie sorti di balletti, cascarde, tordiglione, passo e mezzo, pauaniglia, canario, & gagliarde ...  aSecond edition; 1st edition published 1581 under title: Il ballarino. A reissue of the 2d edition, entitled "Raccolta di varij balli fatti in occorenze di nozze, e festini" appeared in 1630.  aThe music, through p. 148, is in both tablature and ordinary notation; throughout the rest of the book, in tablature only.  aTitle within engraved architectural border ornamented with vignettes of instrumentalists, a portrait of the author, etc. Head- and tailpieces; initials. The illustrations consist of 10 full-page engravings by Giacomo Franco; 8 of them, figures of dancers, occur from 2 to 7 times each.  aIn this significant manual detailing late-Renaissance Italian court dance, dancing master Caroso redefines and, in some cases, corrects information found in his first treatise, Il ballarino (1581). The manual gives rules for sixty-eight steps and contains specific choreographies for forty-nine dances. Many dances are preceded by full-page illustrations and each dance is provided with appropriate music written in Italian lute tablature and/or mensural notation. This manual was reissued in 1630 under the title, Raccolata di variji balli.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance musicyTo 1800. 0aDancexEarly works to 1800. 0aLute musicyTo 1800. 4aDance Instruction and Technical Manuals. 4aMusic for Dance.10aFranco, Giacomo,d1550-1620.7 dmusdif199gurn:hdl:loc.music/musdi.199uhttp://hdl.loc.gov/loc.music/musdi.1992http7 3Video clip for p. 36gurn:hdl:loc.music/musdivid.034uhttp://hdl.loc.gov/loc.music/musdivid.034ztrabuchetto grave7 3Video clip for p. 30gurn:hdl:loc.music/musdivid.034uhttp://hdl.loc.gov/loc.music/musdivid.034zseguito spezzato7 3Video clip for p. 30gurn:hdl:loc.music/musdivid.033uhttp://hdl.loc.gov/loc.music/musdivid.033zseguito spezzato7 3Video clip for p. 30gurn:hdl:loc.music/musdivid.032uhttp://hdl.loc.gov/loc.music/musdivid.032zseguito spezzato7 3Video clip for p. 26gurn:hdl:loc.music/musdivid.034uhttp://hdl.loc.gov/loc.music/musdivid.034zseguito ordinario7 3Video clip for p. 26gurn:hdl:loc.music/musdivid.033uhttp://hdl.loc.gov/loc.music/musdivid.033zseguito ordinario7 3Video clip for p. 26gurn:hdl:loc.music/musdivid.032uhttp://hdl.loc.gov/loc.music/musdivid.032zseguito ordinario7 3Video clip for p. 61gurn:hdl:loc.music/musdivid.033uhttp://hdl.loc.gov/loc.music/musdivid.033zsaffice7 3Video clip for p. 37gurn:hdl:loc.music/musdivid.033uhttp://hdl.loc.gov/loc.music/musdivid.033zfioretto ordinario7 3Video clip for p. 62gurn:hdl:loc.music/musdivid.034uhttp://hdl.loc.gov/loc.music/musdivid.034zdestice7 3Video clip for p. 16gurn:hdl:loc.music/musdivid.032uhttp://hdl.loc.gov/loc.music/musdivid.032zcontinenza grave  k l mxn7o7pPqM  asmcd/musdieammem02246cam  22003251  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100003100144245009400175250001100269260003600280300005100316520075100367530012501118650002201243650004501265856009001310859010701400859011201507859011201619859011501731906002401846955002801870985002201898ca 05001945 //r98DLC19980930201029.0cr||||781018s1860    enkac         000 0 eng    aca 05001945 //r98  aDLCcDLCdDLC00aGV1751b.C851 aCoulon, Eugáene,db. 1808.00aCoulon's hand-book; containing all the last new and fashionable dances ...cBy Coulon ...  a3d ed.  aLondon,bJullien & co.c[1860?]  axii, 99, [1] p.bfront. (port.) illus.c13 cm.  aThis is the third edition of Coulon's manual and describes dances popular during the 1840s. Typical of many nineteenth-century ballroom manuals, much of the material is borrowed from other contemporary sources. It is not known whether or not famed French dancing master Eugáene Coulon contributed to the work. Small enough to fit into a pocket, the manual begins with a discussion of the polka and includes directions for various ballroom dances including the mazurka quadrille, polka mazurka, schottisch, "La Cellarius," gorlitza, various quadrilles and other group dances such as "La Tempáete" and "Sir Roger de Coverley." The manual concludes with directions for the "Menuet de la Cour." An expanded version of this work was published in 1873.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.7 dmusdif049gurn:hdl:loc.music/musdi.049uhttp://hdl.loc.gov/loc.music/musdi.0492http7 3Video clip for p. 69gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zwaltz7 3Video clip for p. 89gurn:hdl:loc.music/musdivid.059uhttp://hdl.loc.gov/loc.music/musdivid.059zvarsoviana7 3Video clip for p. 45gurn:hdl:loc.music/musdivid.056uhttp://hdl.loc.gov/loc.music/musdivid.056zschottisch7 3Video clip for p. 42gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zpolka mazurka  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01667cam  22002891  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001800127100002500145245017300170260005000343300001800393520046400411530012500875650001901000650002201019650004501041856009001086859012701176906002401303955002801327985002201355   06004853 //r98DLC19980930215931.0cr||||781018s1865    nyu           000 0aeng    a   06004853 //r98  aDLCcDLCdDLC00aGV1751b.D3251 aDe Garmo, William B.04aThe prompter:bcontaining full descriptions of all the quadrilles, figures of the german cotillon, etc. Designed for the assistance of the pupils of Wm. B. De Garmo ...  aNew York,bRaymond & Caulon, printers,c1865.  a78 p.c14 cm.  aLike many other nineteenth-century dance manuals, much of the material in The prompter comes from previously published materials. The treatise opens with a brief discussion of etiquette and continues with figures for quadrilles. Additionally, the manual discusses "Le quadrille Franðcais," De Garmo's terminology for English country dances, and gives eighty-seven figures for the cotillon, a popular group dance that takes the form of a series of party games.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aGerman (Dance) 0aQuadrille (Dance) 4aDance Instruction and Technical Manuals.7 dmusdif055gurn:hdl:loc.music/musdi.055uhttp://hdl.loc.gov/loc.music/musdi.0552http7 3Video clip for p. 46gurn:hdl:loc.music/musdivid.003uhttp://hdl.loc.gov/loc.music/musdivid.003zThe Rope, from the German  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01402cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100002600145245008600171260002800257300001800285520043300303530012500736650001100861650001500872856009000887859011300977906002401090985002201114   18003175 //r982DLC19981006114436.0cr||||781018s1918    wiu           000 0 eng    a   18003175 //r982  aDLCcDLCdDLC00aGV1599b.D41 aDewey, Vivian Persis.10a"Tips to dancers," good manners for ballroom and dance hall,cby V. Persis Dewey.  a[Kenosha, Wis.,cc1918]  a31 p.c20 cm.  aThis small manual of less than thirty pages is aimed at a non-urban population and, although it contains substantial sections on etiquette and the value of good manners, the only dances mentioned by Dewey are the one step and foxtrot. Advice includes "A man should not try to dance in his stiff, heavy, working shoes," and admonishments to remove chewing gum from the pockets so "you will not be tempted to use it at the party."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aEtiquette.7 dmusdif204gurn:hdl:loc.music/musdi.204uhttp://hdl.loc.gov/loc.music/musdi.2042http7 3Video clip for p. 18gurn:hdl:loc.music/musdivid.001uhttp://hdl.loc.gov/loc.music/musdivid.001zGrand March  k l mxn7o7pPqM  asmcd/musdieammem01732cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002200129100002200151245004000173260004700213300001800260520041100278530012500689650001100814650004500825856009000870859012600960859013501086859013501221906002401356955002801380985002201408ca 05001964 //r982DLC19981006140932.0cr||||941114s1878    nyu           000 0 eng    aca 05001964 //r982  aDLCcDLCdDLC00aGV1751b.D61 18781 a[Dodworth, Allen]10aAssistant for A. Dodworth's pupils.  aNew York,bNesbitt & co., printers,c1878.  a64 p.c11 cm.  aThis small, pocketsize manual was intended for the students of well-known New York dancing master and composer Allen Dodworth.  The manual states the rules for classes, gives Dodworth's qualifications as a teacher, and covers manners and etiquette.  This edition expands on the 1873 edition by providing more information on the waltz and the cotillon or German, for which eighty-nine figures are presented.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif014gurn:hdl:loc.music/musdi.014uhttp://hdl.loc.gov/loc.music/musdi.0142http7 3Video clip for p. 41gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zThe Fan, from the German7 3Video clip for p. 41gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov/loc.music/musdivid.016zBlind Man's Buff, from the German7 3Video clip for p. 41gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov/loc.music/musdivid.005zBlind Man's Buff, from the German  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem02218cam  22003371  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100003300146245009400179246002500273260006300298300005800361520054500419530012500964650001101089650004501100856009001145859011301235859012401348859011201472859010701584859011501691906002401806955002801830985002201858ca 05001943 //r982DLC19981006144411.0cr||||781018s1856    pauaf         000 0 eng    aca 05001943 //r982  aDLCcDLCdDLC00aGV1751b.D941 aDurang, Charles,d1796-1870.14aThe fashionable dancer's casket;bor, The ball-room instructor ...cBy Charles Durang ...30aBall-room instructor  aPhiladelphia,aBaltimore [etc.]bFisher & brotherc[c1856]  aviii, 9-192 p.bincl. front., illus., plates.c12 cm.  aAlthough Charles Durang was a well-known Philadelphia dancing teacher and the son of famed American dancer John Durang, very little of this manual originates from the pen of the author. He acknowledges that the dances contained in the book are by the "celebrated teachers of Paris and London." Additionally, the sections on etiquette, deportment, and dress stem from "Mrs. Henderson's treatise." The manual includes descriptions of the popular ballroom dances of the day--quadrilles, polka, waltz, schottisch, gorlitza, and Cellarius waltz.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif063gurn:hdl:loc.music/musdi.063uhttp://hdl.loc.gov/loc.music/musdi.0632http7 3Video clip for p. 145gurn:hdl:loc.music/musdivid.059uhttp://hdl.loc.gov/loc.music/musdivid.059zvarsoviana7 3Video clip for p. 63-65gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zValse a trois temps7 3Video clip for p. 66gurn:hdl:loc.music/musdivid.056uhttp://hdl.loc.gov/loc.music/musdivid.056zschottisch7 3Video clip for p. 46gurn:hdl:loc.music/musdivid.050uhttp://hdl.loc.gov/loc.music/musdivid.050zpolka7 3Video clip for p. 74gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zpolka mazurka  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem03571cam  22004331  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100003300145245023000178260003400408300004000442500002200482520084800504530012501352650001101477650004501488650002101533856009001554859011301644859010801757859011401865859011301979859010802092859011602200859011502316859011802431859012702549859011502676859013602791859013602927906002403063955002803087985002203115   05038225 //r984DLC19981006150411.0cr||||781018s1859    nyua          000 0 eng    a   05038225 //r984  aDLCcDLCdDLC00aGV1751b.F51 aFerrero, Edward,d1831-1899.14aThe art of dancing, historically illustrated.bTo which is added a few hints on etiquette; also, the figures, music, and necessary instruction for the performance of the most modern and approved dances ...cBy Edward Ferrero.  aNew York,bThe author,c1859.  axii, 13-181, 103 p.billus.c19 cm.  aMusic: 103 pages.  aAlthough much of the material in this manual is borrowed from the dance writings of Charles Durang, it remains an important source for the study of mid-nineteenth-century ballroom dance.  Unlike other contemporary writers, Ferrero devotes more than eighty pages to the origins of dance and a history of European and Native American dance.  The remaining part of the manual concerns ballroom etiquette and descriptions of numerous dances including the quadrille, waltz, polka, schottisch, varsovienne, polka mazurka, and galop.  Ferrero gives directions for more than eighty figures of the cotillon, a group dance performed as a series of party games.  Some of the figures include "The scarf," "The glass of wine," "The sea during a storm," "The four chairs," and "The rounds thwarted."  The manual concludes with music for twenty-three dances.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals. 4aMusic for Dance.7 dmusdif067gurn:hdl:loc.music/musdi.067uhttp://hdl.loc.gov/loc.music/musdi.0672http7 3Video clip for p. 153gurn:hdl:loc.music/musdivid.060uhttp://hdl.loc.gov/loc.music/musdivid.060zzingirella7 3Video clip for p. 143gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zwaltz7 3Video clip for p. 147gurn:hdl:loc.music/musdivid.059uhttp://hdl.loc.gov/loc.music/musdivid.059zvarsovienne7 3Video clip for p. 146gurn:hdl:loc.music/musdivid.056uhttp://hdl.loc.gov/loc.music/musdivid.056zschottisch7 3Video clip for p. 144gurn:hdl:loc.music/musdivid.050uhttp://hdl.loc.gov/loc.music/musdivid.050zpolka7 3Video clip for p. 148gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zpolka mazurka7 3Video clip for p. 153gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zgitana waltz7 3Video clip for p. 152gurn:hdl:loc.music/musdivid.061uhttp://hdl.loc.gov/loc.music/musdivid.061zfive step waltz7 3Video clip for p. 169gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zThe Fan, from the German7 3Video clip for p. 151gurn:hdl:loc.music/musdivid.052uhttp://hdl.loc.gov/loc.music/musdivid.052zLa Esmeralda7 3Video clip for p. 169gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov/loc.music/musdivid.016zBlind Man's Buff, from the German7 3Video clip for p. 169gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov/loc.music/musdivid.005zBlind Man's Buff, from the German  k l mxn7o7pPqM  aNEW INPUT th12 05/13/98  asmcd/musdieammem02596cam  22003731  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129100004500161245020400206260003800410300003500448500002000483500002500503501017900528520064500707530012501352650003201477650004501509650002101554650002201575700003101597856009001628859013801718859015601856859013602012906002402148955002802172985002202200   14002127 //r984DLC19981006162407.0cr||||781018r17131700fr a          000 0 fre    a   14002127 //r984  aDLCcDLCdDLC00aGV1590b.F5u<Rare Bk Coll>1 aFeuillet, Raoul-Auger,d1659 or 60-1710.10aChorâegraphiebou L'art de dâecrire la dance par caracteres, figures et signes desmonstratifs avec lesquels on apprend facilement de soy mãeme toutes sortes de dances.cPar Mrs Feuillet et Dezais ...0 aParis,bChez le Sr Dezais,c1713.  a3 p.l., 95 p.bdiagrs.c24 cm.  aContains music.  aEngraved throughout.  aWith this are bound the author's Recueil de dances ... Paris, 1709, and Recueil de dances, composâees par M. Pecour ... et mise sur le papier par M. Feuillet ... Paris, 1709.  aOriginally published in 1700, this manual details a dance notation system that indicates the placement of the feet and six basic leg movements:  pliâe, releveâe, sautâe, cabriole, tombâe, and glissâe.  Changes of body direction and numerous ornamentations of the legs and arms are also part of the system.  The system is based on tract drawings that trace the pattern of the dance.  Additionaly, bar lines in the dance score correspond to bar lines in the music score.  Signs written on the right or left hand side of the tract indicate the steps. Chorâeographie was reprinted three times and translated into English by John Weater in 1706.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aMusic for Dance. 4aTheatrical Dance.1 aDezais,   ,ejoint author.7 dmusdif072gurn:hdl:loc.music/musdi.072uhttp://hdl.loc.gov/loc.music/musdi.0722http7 3Video clip for p. 45gurn:hdl:loc.music/musdivid.025uhttp://hdl.loc.gov/loc.music/musdivid.025zcoupe ouverte, from Table des Coupes7 3Video clip for p. 53gurn:hdl:loc.music/musdivid.025uhttp://hdl.loc.gov/loc.music/musdivid.025zpas de bouree from Table de Pas de Bouree, ou Fleurets7 3Video clip for p. 44gurn:hdl:loc.music/musdivid.025uhttp://hdl.loc.gov/loc.music/musdivid.025zcoupe glisse from Table des Coupes  k l mxn7o7pPqM  aNEW INPUT th12 05/13/98  asmcd/musdieammem02831cam  22003971  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100004000146245004100186260004300227300005300270520046400323530012500787650001900912650004500931856009000976859010701066859011501173859011901288859011901407859012401526859012401650859012401774859011301898859011802011859011302129859011302242906002402355955003202379985002202411   05029201 //r982DLC19981007140608.0cr||||781018s1890    meuac         00010 eng    a   05029201 //r982  aDLCcDLCdDLC00aGV1755b.G461 aGilbert, Melvin Ballou,d1847-1910.10aRound dancing,cby M. B. Gilbert ...  aPortland, Me.,bM. B. Gilbertc[c1890]  a203, [1] p., 1 l.bfront. (port.) illus.c20 cm.  aGilbert, a well-known dancing master, notes that his book will deal only with round dnaces and for other dances or rules of etiquette, the reader should turn elsewhere. After a brief discusion of the positions of the feet, the author discusses, in some length, the waltz position. The manual gives the directions for a large number of waltz, polka, galop, redowa, and mazurka variations--many of which are not described in other contemporary dance literature.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aRound dancing. 4aDance Instruction and Technical Manuals.7 dmusdif250gurn:hdl:loc.music/musdi.250uhttp://hdl.loc.gov/loc.music/musdi.2502http7 3Video clip for p. 79gurn:hdl:loc.music/musdivid.062uhttp://hdl.loc.gov/loc.music/musdivid.062zwaltz7 3Video clip for p. 102gurn:hdl:loc.music/musdivid.071uhttp://hdl.loc.gov/loc.music/musdivid.071zwaltz minuet7 3Video clip for p. 123gurn:hdl:loc.music/musdivid.073uhttp://hdl.loc.gov/loc.music/musdivid.073zstar schottische7 3Video clip for p. 123gurn:hdl:loc.music/musdivid.072uhttp://hdl.loc.gov/loc.music/musdivid.072zstar schottische7 3Video clip for p. 148gurn:hdl:loc.music/musdivid.009uhttp://hdl.loc.gov/loc.music/musdivid.009zLoomis' glide mazurka7 3Video clip for p. 148gurn:hdl:loc.music/musdivid.070uhttp://hdl.loc.gov/loc.music/musdivid.070zLoomis' glide mazurka7 3Video clip for p. 148gurn:hdl:loc.music/musdivid.069uhttp://hdl.loc.gov/loc.music/musdivid.069zLoomis' glide mazurka7 3Video clip for p. 97gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zThe Eugenie7 3Video clip for p. 54gurn:hdl:loc.music/musdivid.066uhttp://hdl.loc.gov/loc.music/musdivid.066zcross step polka7 3Video clip for p. 64gurn:hdl:loc.music/musdivid.068uhttp://hdl.loc.gov/loc.music/musdivid.068zThe Carlton7 3Video clip for p. 64gurn:hdl:loc.music/musdivid.067uhttp://hdl.loc.gov/loc.music/musdivid.067zThe Carlton  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-15-98]  asmcd/musdieammem01488cam  22002771  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127245024900143260003800392300001800430520037700448530012500825650001900950650001100969650004500980650002101025856009001046906002401136955002801160985002201188ca 05001770 //r98DLC19981007141357.0cr||||781018s1878    nyu           000 0 eng    aca 05001770 //r98  aDLCcDLCdDLC00aGV1751b.H800aHow to dance.bA complete ball-room and party guide.cContaining all the latest figures, together with old-fashioned and contra dances now in general use. Also, a guide to ballroom etiquette, toilets, and general useful information for dancers.  aNew York,bTousey & Small,c1878.  a60 p.c16 cm.  aDesigned for people, who never learned to dance either because of bashfulness or lack of time or money, this manual covers the bare necessities of dress, introductions, and general etiquette. Descriptions are also provided for quadrilles, schottisch, polka, redowa, waltz, several country dances. The manual concludes with rules for the supper room and advice to waltzers.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aCountry-dance. 0aDance. 4aDance Instruction and Technical Manuals. 4aMusic for Dance.7 dmusdif098gurn:hdl:loc.music/musdi.098uhttp://hdl.loc.gov/loc.music/musdi.0982http  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem02098cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003300129100002700162240007200189245022900261260005100490300001800541520068700559530008601246650001101332856009101343859014701434859015301581906002401734955002801758985002201786   19008463 //r982DLC19981007161712.0cr||||781018s1817    pau           000 0 eng    a   19008463 //r982  aDLCcDLCdDLC00aGV1590b.G68u<Rare Bk Coll>2 a[Gourdoux-Daux, J. H.]10aPrincipes et notions âelâementaires sur l'art de la danse.lEnglish10aElements and principles of the art of dancing, as used in the polite and fashionable circles, also rules of deportment and descriptions of manners of civility, appertaining to that art: from the French of J. H. G.,cby V. G.  aPhiladelphia,bPrinted by J. F. Hurtel,c1817.  a93 p.c18 cm.  aA translation of Gourdoux-Daux's Principes de la Danse (Paris 1804 and 1811), this manual is important for its description of step and step sequences appropriate in the performance of the popular ballroom dance, the quadrille (called contilion by the author).  The quadrille is a series of figures, organized into sets and performed by sets of four couples.  The manual begins with discussions on deportment, positions, and continues with descriptions of various steps including assemblâe, jetâe, echappâe, chassâe, and glissadâe.  Step combinations are given for nineteen quadrille figures, such as "right and left," "hands round," "English chain," "ladies' chain," and "balancâe."  aAvailable also through the Library of Congress Web site as facsimile page images. 4aDance.7 dmusdif212gurn:hdl:loc.music/musdi.212uhttp://hdl.loc.gov/loc.music/musdi.2122http.7 3Video clip for p. 71gurn:hdl:loc.music/musdivid.021uhttp://hdl.loc.gov/loc.music/musdivid.021zstep sequence for quadrille figure Cross Over7 3Video clip for p. 70gurn:hdl:loc.music/musdivid.021uhttp://hdl.loc.gov/loc.music/musdivid.021zstep sequence for quadrille figure Forward and Back  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem02041cam  22003251  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100001800146245018000164260003700344300002600381520029900407530012500706650001300831650004500844856009000889859015300979859011301132859012601245859013501371859013501506906002401641955002801665985002201693ca 05001992 //r982DLC19981007162817.0cr||||781018s1889    nyua          000 0 eng    aca 05001992 //r982  aDLCcDLCdDLC00aGV1751b.H331 aHarvey, J. H.00aWehman's complete dancing master and call book: containing a full and complete description of all the modern dances, together with the figures of the german.cBy J. H. Harvey.  aNew York,bH. J. Wehmanc[c1889]  a88 p.billus.c19 cm.  aThis is a typical example of a manual compiled from previously published materials and assembled by a publisher.  The manual contains hints for balls and information on the performance of quadrilles and round dances.  The popular parlor game known as the German or cotillon is given 55 figures.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancing. 4aDance Instruction and Technical Manuals.7 dmusdif091gurn:hdl:loc.music/musdi.091uhttp://hdl.loc.gov/loc.music/musdi.0912http7 3Video clip for p. 19gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zwaltz cotillion (also known as the waltz quadrille)7 3Video clip for p. 32gurn:hdl:loc.music/musdivid.001uhttp://hdl.loc.gov/loc.music/musdivid.001zGrand March7 3Video clip for p. 79gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zThe Fan, from the German7 3Video clip for p. 81gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov/loc.music/musdivid.016zBlind Man's Buff, from the German7 3Video clip for p. 81gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov/loc.music/musdivid.005zBlind Man's Buff, from the German  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem03018cam  22003971  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111043001200129050001700141082001000158100002300168245025200191260004200443300004100485520077600526530012501302650001101427650003001438650004501468856009001513859011301603859011401716859011301830859010801943859011602051859011802167859014602285859011502431906002402546955002802570985002202598   33022405 //r983DLC19981007163725.0cr||||781018s1863    nyua          000 0 eng    a   33022405 //r983  aDLCcDLCdDLC  an-us---00aGV1751b.H6300a793.31 aHillgrove, Thomas.02aA complete practical guide to the art of dancing.bContaining descriptions of all fashionable and approved dances, full directions for calling the figures, the amount of music required; hints on etiquette, the toilet, etc.cBy Thomas Hillgrove ...  aNew York,bDick & Fitzgeraldc[c1863]  a237 p.bincl. front., illus.c17 cm.  aNew York dancing master Hillgrove acknowledges that he has "availed himself of all the books from which he might elicit any valuable information."  Indeed, very little of the manual is original.  Divided into six parts, Hillgrove discusses the benefits of dance, dress, deportment and etiquette in the ballroom and the supper room.  The second part focuses on bows and courtesies, positions of the feet, and provides exercises for the feet and legs.  The third and fourth parts discuss the quadrille and provide many figures; the fifth part is devoted to round dances such as the waltz, polka, schottisch, galop, and polka mazurka.  The last section focuses on more quadrille figures and other group dances such as the "Virginia Reel," "Money Musk," and College Hornpipe.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 0aEtiquettezUnited States. 4aDance Instruction and Technical Manuals.7 dmusdif093gurn:hdl:loc.music/musdi.093uhttp://hdl.loc.gov/loc.music/musdi.0932http7 3Video clip for p. 188gurn:hdl:loc.music/musdivid.060uhttp://hdl.loc.gov/loc.music/musdivid.060zzingirella7 3Video clip for p. 173gurn:hdl:loc.music/musdivid.059uhttp://hdl.loc.gov/loc.music/musdivid.059zvarsovienne7 3Video clip for p. 163gurn:hdl:loc.music/musdivid.056uhttp://hdl.loc.gov/loc.music/musdivid.056zschottisch7 3Video clip for p. 162gurn:hdl:loc.music/musdivid.050uhttp://hdl.loc.gov/loc.music/musdivid.050zpolka7 3Video clip for p. 175gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zpolka mazurka7 3Video clip for p. 176-178gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zplain waltz7 3Video clip for p. 187gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zLa Carlowitzka (also known as Gitana waltz)7 3Video clip for p. 168gurn:hdl:loc.music/musdivid.051uhttp://hdl.loc.gov/loc.music/musdivid.051zLa Esmeralda  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem01681cam  22002891  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100001900143245029500162260007300457300008000530520030300610530012500913650001101038650001101049650004701060856009001107859012001197906002401317955002801341985002201369   14010455 //r98DLC19981007223738.0cr||||781018s1914    iluacf        000 0 eng    a   14010455 //r98  aDLCcDLCdDLC00aGV1755b.H61 aHopkins, J. S.04aThe tango and other up-to-date dances;ba practical guide to all the latest dances, tango, one step, innovation, hesitation, etc.,cdescribed step by step, by J. S. Hopkins; illustrated with photographs posed by Mr. and Mrs. Vernon Castle, Joseph C. Smith ... and many other famous dancers.  aChicago,aAkron, O. [etc.]bThe Saalfield publishing companyc[1914]  a3 p. l., 13-137 p.bincl. illus., plates, ports. front., double pl.c19 cm.  aThis manual is an excellent source for ragtime era dances including the one step, tango, Brazilian maxixe, and hesitation waltz.  The book is richly illustrated with more than twenty photos of many famous exhibition ballroom couples such as Irene and Vernon Castle; and Maurice and Florence Walden.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance. 4aDancing Instruction and Technical Manuals.7 dmusdif097gurn:hdl:loc.music/musdi.097uhttp://hdl.loc.gov/loc.music/musdi.0972http7 3Video clip for p. 25gurn:hdl:loc.music/musdivid.074uhttp://hdl.loc.gov/loc.music/musdivid.074zone step variation  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem01858cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003900129100002900168245014800197260003000345300002700375520066900402530012501071650002201196650004501218856009001263859011701353906002401470955003201494985002001526985002201546   05026433 //r984DLC19981007230215.0cr||||781018s1858    maua          00010 eng    a   05026433 //r984  aDLCcDLCdDLC00aGV1751b.H86 1858au<Rare Bk Coll>1 aHowe, Elias,d1820-1895.00aComplete ball-room hand book, containing upwards of three hundred dances ...cBy Elias Howe, assisted by several eminent professors of dancing.  a[Boston,bDitson,cc1858]  a118 p.billus.c16 cm.  aTo demonstrate the authority of this manual, the publisher claims the author to be American inventor, Elias Howe. Similar to many other dance manuals published throughout the nineteenth century, this book is a publisher's compilation of other sources. The book begins with a description of ballroom etiquette, dress, appropriate music, and rules for prompters. The manual continues of the era's most popular dances including quadrilles, waltz, polka, schottisch, gorlitza, polka mazurka, country dances, and figures for forty-two "Fancy Cotillons," (also known as the cotillon or German), a group dance performed as a series of party games, usually to waltz music.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.7 dmusdif243gurn:hdl:loc.music/musdi.243uhttp://hdl.loc.gov/loc.music/musdi.2432http7 3Video clip for p. 54gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zWaltz Cotillion  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-15-98]  ararebk/rbcerbc  asmcd/musdieammem01715cam  22003011  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100001600143245013100159260006500290300001900355520040500374530012500779650001100904650004500915650002600960856009100986859014901077859011301226906002401339955002801363985002201391   09030949 //r98DLC19981008131526.0cr||||781018s1896    ohu           000 0aeng    a   09030949 //r98  aDLCcDLCdDLC00aGV1767b.K71 aKopp, E. H.04aThe American prompter and guide to etiquette,ccomp. by E. H. Kopp. Containing ... full directions for calling and dancing ...  aCincinnati,aNew York [etc.]bThe J. Church companyc[c1896]  a130 p.c18 cm.  aThis manual is acknowledged to be a compilation of previously published materials and, in fact, Kopp's etiquette section can be found in many contemporary works. Callers instructions are given for quadrilles, waltz quadrilles, polka quadrilles, and contra dances.  Kopp includes rules and advice for calling dances such as "Never call at the wrong place to please dancers who do not dance correctly."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals. 4aPrompting Quadrilles.7 dmusdif110gurn:hdl:loc.music/musdi.110uhttp://hdl.loc.gov/loc.music/musdi.1102http.7 3Video clip for p. 77gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zWaltz Cotillion (also known as Waltz Quadrille)7 3Video clip for p. 15gurn:hdl:loc.music/musdivid.001uhttp://hdl.loc.gov/loc.music/musdivid.001zGrand March  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem04081cam  22005171  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050003900127051011100166100002900277240001900306245044300325246003000768260003200798300004500830500008000875500005300955500009801008500008101106520069101187530013501878561008402013650003202097650004502129650001702174650002102191700005402212700004702266856009102313859011902404859011902523859011902642859012002761859012002881859012003001859012903121859012003250859011903370906002403489955002803513985002203541   12018603 //r98DLC19981008132635.0cr||||790302r16041602it ac         000 0 ita    a   12018603 //r98  aDLCcDLCdDLC00aGV1590b.N4 1604u<Rosenwald Coll>  aMT950b.N37cCopy 2. 30 cm. LC copy imperfect: t.p. wanting, supplied in MS. with incorrect transcription.1 aNegri, Cesare,db. 1536?10aGratie d'amore10aNvove inventioni di balli;bopera vaghissima nella quale si danno i giusti modi del ben portar la vita, et di accommodarsi con ogni leggiadria di mouimento alle creanze et gratie d'amore. Conueneuoli a tutti i cavalieri, & dame, per ogni sorte di ballo, balletto, & brando d'Italia, di Spagna & di Francia. Con figure ... in rame et regole della musica et intauolatura quali si richieggono al suono et al canto. Divisa in tre trattati ...3 aNuove inventioni di balli  aMilano,bG. Bordone,c1604.  a296 (i.e. 300) p.billus., port.c33 cm.  aEarlier state (?) of engraving on p. 256 inserted between p. 202 and [203].  aIncludes lute tablatures for some of the dances.  aRunning title: Le gratie d'amore, the title under which the work was first published in 1602.  aThe engravings are by Leone Pallavicini after designs by G. M. della Rovere.  aOriginally published as Le gratie d'amore in 1602, this manual is considered one of them most valuable and diverse primary sources on Italian court dance.  Divided into three parts, the first part illuminates the career and students of dancing master Cesare Negri (ca. 1536-ca. 1604; also known as Il Trombone); the second is devoted to the era's most virtuosic dance type, the galliard; and the third section details a wide repertory of additional steps utilized in the treatise's forty-three choreographies. Many of the choreographies are preceded by full-page illustrations and each dance is provided with appropriate music written in Italian lute tablature and/or mensural notation.  aLC copy 2 available also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aLC copy 1 stamped: Capvccinorvm conceptionis Neapolis Bibliothecae (stamp)5DLC 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aDance music. 4aMusic for Dance.1 aDella Rovere, Giovanni Mauro,d1570-1640,eillus.1 aPallavicini, Leone,dfl. 1590-1616,eengr.7 dmusdif121gurn:hdl:loc.music/musdi.121uhttp://hdl.loc.gov/loc.music/musdi.1212http.7 3Video clip for p. 108gurn:hdl:loc.music/musdivid.034uhttp://hdl.loc.gov/loc.music/musdivid.034zseguito spezzato7 3Video clip for p. 108gurn:hdl:loc.music/musdivid.033uhttp://hdl.loc.gov/loc.music/musdivid.033zseguito spezzato7 3Video clip for p. 108gurn:hdl:loc.music/musdivid.032uhttp://hdl.loc.gov/loc.music/musdivid.032zseguito spezzato7 3Video clip for p. 108gurn:hdl:loc.music/musdivid.034uhttp://hdl.loc.gov/loc.music/musdivid.034zseguito ordinario7 3Video clip for p. 108gurn:hdl:loc.music/musdivid.033uhttp://hdl.loc.gov/loc.music/musdivid.033zseguito ordinario7 3Video clip for p. 108gurn:hdl:loc.music/musdivid.032uhttp://hdl.loc.gov/loc.music/musdivid.032zseguito ordinario7 3Video clip for p. 109gurn:hdl:loc.music/musdivid.035uhttp://hdl.loc.gov/loc.music/musdivid.035zseguito battuto al canario7 3Video clip for p. 51gurn:hdl:loc.music/musdivid.033uhttp://hdl.loc.gov/loc.music/musdivid.033zfioretto ordinario7 3Video clip for p. 105gurn:hdl:loc.music/musdivid.032uhttp://hdl.loc.gov/loc.music/musdivid.032zcontinenza grave  k l mxn7o7pPqM  aNEW INPUT th14 05-20-98  asmcd/musdieammem01746cam  22003011  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100002200143245021100165260005500376300006500431520033700496530012500833650001100958650004500969650002401014856009101038859012101129859012001250906002401370955002801394985002201422   14009840 //r98DLC19981008133035.0cr||||781018s1914    pauacf        000 0 eng    a   14009840 //r98  aDLCcDLCdDLC00aGV1755b.N51 aNewman, Albert W.00aDances of to-day,cby Albert W. Newman ... an expert's full directions, with illustrations and diagrams, for learning or teaching the tango, hesitation, one-step, Boston, maxixe and all other modern dances.  aPhiladelphia,bThe Penn publishing company,c1914.  a176 p. incl. front. (port.)billus., plates. diagrs.c15 cm.  aDeclaring his book to be the "absolute authorith on modern dancing," Newman describes a large selection of the most popular ragtime dances including the Castle Walk, Castle Glide, one step, horse trot, tango, maxixe, and lame duck. The manual is enhanced with line drawings and photographs and contains music for the "Newman Tango."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals. 4aNotation for Dance.7 dmusdif122gurn:hdl:loc.music/musdi.122uhttp://hdl.loc.gov/loc.music/musdi.1222http.7 3Video clip for p. 104-106gurn:hdl:loc.music/musdivid.076uhttp://hdl.loc.gov/loc.music/musdivid.076zStandard Waltz7 3Video clip for p. 143gurn:hdl:loc.music/musdivid.077uhttp://hdl.loc.gov/loc.music/musdivid.077zMaxixe (1st step)  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem01613cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100002900145245018600174260004100360300005600401520033200457530012500789650001100914856009000925859012101015859012101136906002401257955003201281985002201313   14009539 //r983DLC19981008133450.0cr||||781018s1914    iluaf         000 0 eng    a   14009539 //r983  aDLCcDLCdDLC00aGV1755b.O41 a[O'Donnell, Bales] 1874-14aThe tango and the new dances for ballroom and home,cby Maurice [pseud.] ... illustrated with photographs and diagrams. All steps described so plainly anyone can readily learn them.  aChicago,bLaird & Lee, inc.c[c1914]  a73 p. incl. illus., plates, diagrs.bfront.c20 cm.  aThis manual is a series of articles written by Maurice, who, along with his partner Florence Walden, was one of the most famous exhibition ballroom dancers of the era. Included are descriptions for the tango, Brazilian maxixe, Maurice walk, nineteen figures for "Nights of Gladness" Waltz, and twelve figures for "La Habanera."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance.7 dmusdif239gurn:hdl:loc.music/musdi.239uhttp://hdl.loc.gov/loc.music/musdi.2392http7 3Video clip for p. 26gurn:hdl:loc.music/musdivid.079uhttp://hdl.loc.gov/loc.music/musdivid.079zMaxixe (4th figure)7 3Video clip for p. 26gurn:hdl:loc.music/musdivid.078uhttp://hdl.loc.gov/loc.music/musdivid.078zMaxixe (4th figure)  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01458cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100001300145245009300158260003800251300004100289520032400330530012500654650001900779650002200798650004500820856009000865859013900955906002401094955002801118985002201146   42041577 //r982DLC19981008133739.0cr||||781018s1877    fr a          000 0 fre    a   42041577 //r982  aDLCcDLCdDLC00aGV1763b.P31 aPaul, F.13aLe cotillon et les quadrilles actuels;btraitâe thâeorique et pratique,cpar F. Paul ...  aParis,bE. Gâerard et cie,c1877.  a157, [1] p.billus., diagrs.c25 cm.  aThis manual provides instructions for the figures of five quadrilles including one for three couples (rather than the normal four couples). However, the main focus of the book is on the cotillon (also known as the German), a group dance consisting of a series of party games of figures. The manual provides 182 figures.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aGerman (Dance) 0aQuadrille (Dance) 4aDance Instruction and Technical Manuals.7 dmusdif132gurn:hdl:loc.music/musdi.132uhttp://hdl.loc.gov/loc.music/musdi.1322http7 3Video clip for p. 83gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zL'Eventail (The Fan), from the German  k l mxn7o7pPqM  aNEW INPUT th08 05-20-98  asmcd/musdieammem02182cam  22003251  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100003400146245018800180260005200368300002900420520050200449530012500951650002001076650001101096650004501107856009001152859013701242859013701379859013601516859013101652906002401783955002701807985002201834   05029277 //r983DLC19981008134657.0cr||||781018s1805    stk      d    000 0 eng    a   05029277 //r983  aDLCcDLCdDLC00aGV1601b.P351 aPeacock, Francis,d1723-1807.00aSketches relative to the history and theory, but more especially to the practice of dancing ...bIntended as hints to the young teachers of the art of dancing.cBy Francis Peacock ...  aAberdeen,bPrinted by J. Chalmers & co.,c1805.  axiv, [15]-224 p.c23 cm.  aThis manual begins with a discussion on the importance of dance for youth and outlines the origins of dance. Although much of the historical and theoretical text is borrowed from other dance writers--notably Giovanni-Andrea Gallini and John Weaver--the manual is important for its description of the Scotch reel and accompanying ten reel steps. Some of the steps include kemshâoole (forward step), minor and double kemkâossy (setting steps), lematrâast (cross springs), and curatag (turning step).  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexHistory. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif133gurn:hdl:loc.music/musdi.133uhttp://hdl.loc.gov/loc.music/musdi.1332http7 3Video clip for p. 93gurn:hdl:loc.music/musdivid.049uhttp://hdl.loc.gov/loc.music/musdivid.049zScottish Reel step, single kemkossy7 3Video clip for p. 93gurn:hdl:loc.music/musdivid.049uhttp://hdl.loc.gov/loc.music/musdivid.049zScottish Reel step, double kemkossy7 3Video clip for p. 92gurn:hdl:loc.music/musdivid.049uhttp://hdl.loc.gov/loc.music/musdivid.049zScottish Reel step, minor kemkossy7 3Video clip for p. 91gurn:hdl:loc.music/musdivid.049uhttp://hdl.loc.gov/loc.music/musdivid.049zScottish Reel step, kemshoole  k l mxn7o7pPqM  aNEW INPUT th08 5-20-98  asmcd/musdieammem01828cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100002400145245016800169260005400337300003300391520059600424530012501020650001101145650004501156650002401201856009001225859014901315906002401464955002801488985002201516   42045170 //r983DLC19981008142324.0cr||||781018s1877    enk           000 0 eng    a   42045170 //r983  aDLCcDLCdDLC00aGV1593b.R31 aRadestock, Rudolph.14aThe royal ball-room guide and etiquette of the drawingroom, containing the newest and most elegant dances and a short history of dancing.cBy Rudolph Radestock ...  aLondon,aOtley,bW. Walker and sonsc[pref. 1877]  ax, [11]-95 p. front.c13 cm.  aLike other nineteenth-century dance manuals, this is a compilation of earlier writings. The book provides a short history of dance, positions of the feet, glossary of French terms, and suggestions for giving balls including an admonishment to have enough waiters at the supper table. Indicating the decade®s growing interest in elaborate balls, Radestock suggests one waiter for each two persons. The section on etiquette has been reduced to thirty-three short rules and the manual describes most of the popular ballroom dances--quadrille, waltz, schottisch, and a variety of country dances.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals. 4aNotation for Dance.7 dmusdif140gurn:hdl:loc.music/musdi.140uhttp://hdl.loc.gov/loc.music/musdi.1402http7 3Video clip for p. 64gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zWaltz Cotillion (also known as Waltz Quadrille)  k l mxn7o7pPqM  aNEW INPUT th08 05-20-98  asmcd/musdieammem01966cam  22003611  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129100004500161245005600206260002900262300005000291500002500341500008400366501009100450530012500541650003200666650004500698650002100743650002200764856009000786859016900876859017501045859017401220859013601394906002401530955002801554985002201582   14002126 //r986DLC19981008145600.0cr||||781018s1709    fr a          000 0 fre    a   14002126 //r986  aDLCcDLCdDLC00aGV1590b.F5u<Rare Bk Coll>1 aFeuillet, Raoul-Auger,d1659 or 60-1710.00aRecueil de dances,ccomposâees par mr. Feuillet ...  aParis,bL'auteur,c1709.  a1 p. l., 84 p. of diagr. (part fold.)c24 cm.  aEngraved throughout.  aFull-page diagrams; at head of each, the tune for the dance figure represented.  aWith his Chorâegraphie, ou L'art de dâecrire la dance par caractáeres ... Paris, 1713.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aMusic for Dance. 4aTheatrical Dance.7 dmusdif073gurn:hdl:loc.music/musdi.073uhttp://hdl.loc.gov/loc.music/musdi.0732http7 3Video clip for p. 54 (Pecour volume)gurn:hdl:loc.music/musdivid.024uhttp://hdl.loc.gov/loc.music/musdivid.024z1st couplet (man's part) of Bouree from "La Savoye"7 3Video clip for p. 47 (Pecour volume)gurn:hdl:loc.music/musdivid.023uhttp://hdl.loc.gov/loc.music/musdivid.023z1st couplet (man's part) of Sarabande from "La Bourgogne"7 3Video clip for p. 43 (Pecour volume)gurn:hdl:loc.music/musdivid.022uhttp://hdl.loc.gov/loc.music/musdivid.022z1st couplet (man's part) of Courante from "La Bourgogne"7 3Video clip for p. 60gurn:hdl:loc.music/musdivid.028uhttp://hdl.loc.gov/loc.music/musdivid.028z1st couplet of "L'Entree d'Apolon"  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem02493cam  22003611  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100001900146245009900165260004800264300004000312520070700352530012501059650002001184650001101204650004501215650002201260856009001282859011401372859010801486859011601594859011801710859011401828859011501942906002402057955002802081985002202109   05029192 //r983DLC19981008152815.0cr||||781018s1870    paua          000 0 eng    a   05029192 //r983  aDLCcDLCdDLC00aGV1751b.R361 aReilley, E. B.04aThe amateur's vademecum.bA practical treatise on the art of dancing ...cBy E. B. Reilley ...  aPhiladelphia,bJ. Nicholas, printer,c1870.  a231 p.bfront., illus.c16 x 12 cm.  aReilley®s work is a typical example of dance manuals published during the last quarter of the nineteenth century. Whereas previous manuals often had many pages devoted to etiquette and deportment, Reilly devotes but two paragraphs noting that he was leaving the rest to the "good sense and nature" of his readers. The manual provides an extensive history of dance from the Greeks and Romans to the courts of Italy and France to the dances of aboriginal American Indians. Demonstrating the century®s growing interest in physical education, Reilley provides a detailed section on exercise. The manual gives descriptions of the popular ballroom dances of the era--quadrilles, waltz, schottisch, and polka.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexHistory. 0aDance. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance.7 dmusdif144gurn:hdl:loc.music/musdi.144uhttp://hdl.loc.gov/loc.music/musdi.1442http7 3Video clip for p. 125gurn:hdl:loc.music/musdivid.059uhttp://hdl.loc.gov/loc.music/musdivid.059zVarsovienne7 3Video clip for p. 106gurn:hdl:loc.music/musdivid.050uhttp://hdl.loc.gov/loc.music/musdivid.050zPolka7 3Video clip for p. 118gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zPolka Mazurka7 3Video clip for p. 115-117gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zPlain Waltz7 3Video clip for p. 199gurn:hdl:loc.music/musdivid.001uhttp://hdl.loc.gov/loc.music/musdivid.001zGrand March7 3Video clip for p. 121gurn:hdl:loc.music/musdivid.051uhttp://hdl.loc.gov/loc.music/musdivid.051zLa Esmeralda  k l mxn7o7pPqM  aNEW INPUT th08 05-21-98  asmcd/musdieammem01756cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002200129100001900151245011900170250001200289260006700301300004900368490004000417520051400457530012500971650002201096650004501118856009001163859012701253906002401380955002801404985002201432   05029195 //r982DLC19981008153742.0cr||||781018s1889    ilucf    b    000 0 eng    a   05029195 //r982  aDLCcDLCdDLC00aGV1751b.S25 18891 aSause, Judson.04aThe art of dancing, embracing a full description of the various dances of the present day ...cby Judson Sause ...  a5th ed.  aChicago,aNew York [etc.]bBelford, Clarke & company,c[c1889]  a181 p.bincl. plates. front. (port.)c20 cm.0 aThe household library, v. 4, no. 44  aThis manual is acknowledged by the author to be a compilation of other sources. In its eight chapters, the work covers etiquette, general instructions for feet positions and bows, the quadrille, contra dances ("Spanish Dance," "Sicilian Circle," and "Virginia Reel"), as well as the polka, redowa, York, schottisch, military schottisch, Bohemian, and several waltz variations--modern, hop, five-step, and knickerbocker. The manual concludes with thirty-two figures for the German (also known as the cotillon).  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.7 dmusdif150gurn:hdl:loc.music/musdi.150uhttp://hdl.loc.gov/loc.music/musdi.1502http7 3Video clip for p. 110gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zThe Fan, from the German  k l mxn7o7pPqM  aNEW INPUT th08 05-21-98  asmcd/musdieammem01544cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129051001200146100003200158245009600190260004900286300001800335500001700353520039800370530012500768650001100893650002200904856009000926859015201016906002401168955002801192985002201220ca 05001752 //r983DLC19981008154039.0cr||||781018s1889    miu           000 0aeng    aca 05001752 //r983  aDLCcDLCdDLC00aGV1767b.S89  cCopy 2.1 aStrassburg, Herman A.,cjr.00aCall book of modern quadrilles ...cArranged and explained by Herman A. Strassburg, jr. ...  aDetroit, Mich.,bAmerican music co.,cc1889.  a24 p.c15 cm.  aCover title.  aThe author of this manual declares that "every person should be able to dance ... quadrilles without the aid of a 'caller.'"  Unlike other contemporary call books, Strassburg provides the calls as well as a brief description of the figures. The work also includes three waltz quadrilles (one is set for three couples) that are credited to the well-known dancing master E. W. Masters of Boston.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 0aQuadrille (Dance)7 dmusdif153gurn:hdl:loc.music/musdi.153uhttp://hdl.loc.gov/loc.music/musdi.1532http7 3Video clip for p. 8gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zWaltz Cotillion (also known as the Waltz Quadrille)  k l mxn7o7pPqM  aNEW INPUT th08 05-21-98  asmcd/musdieammem01936cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002400146245012500170260007700295300004900372520063200421530012501053650002201178856009001200859015001290859014401440906002401584955002801608985002201636   42048497 //r982DLC19981008154535.0cr||||781018s1822    stk      s    000 0 eng    a   42048497 //r982  aDLCcDLCdDLC00aGV1763b.S781 aStrathy, Alexander.00aElements of the art of dancing;bwith a description of the principal figures in the quadrille.cBy Alexander Strathy ...  aEdinburgh,bPrinted for the author, and sold by F. Pillans [etc.]c1822.  avi, [9]-98 p.bII pl. (incl. front.)c18 cm.  aOne of the most important manuals devoted to the performance of early nineteenth-century quadrilles, Strathy divides this manual into two parts. Part one is an extensive treatment of exercises for the improvement of one®s deportment. Part two provides lucid descriptions for more than twenty steps appropriate for the performance of the quadrille, a popular ballroom dance performed by four couples who face each other in a square. Additionally, Strathy provides combinations of steps for the most common figures of the quadrille. The manual concludes with directions, given in French and English, for eleven quadrille figures.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aQuadrille (Dance)7 dmusdif154gurn:hdl:loc.music/musdi.154uhttp://hdl.loc.gov/loc.music/musdi.1542http7 3Video clip for p. 67gurn:hdl:loc.music/musdivid.020uhttp://hdl.loc.gov/loc.music/musdivid.020zStep sequence for quadrille figure tour de mains7 3Video clip for p. 76gurn:hdl:loc.music/musdivid.020uhttp://hdl.loc.gov/loc.music/musdivid.020zStep sequence for quadrille figure balance  k l mxn7o7pPqM  aNEW INPUT th08 05-21-98  asmcd/musdieammem02264cam  22003731  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129051003500145100002200180245017600202260003600378300004100414520024400455530012500699533005600824650001100880650004500891856009000936859013001026859013001156859013001286859013001416859013001546859013001676906002401806955002801830985002201858985001001880   14006023 //r982DLC19981008155211.0cr||||781018s1914    iluaf         000 0 eng    a   14006023 //r982  aDLCcDLCdDLC00aGV1755b.W3  aMicrofilm 32141 GVcMicrofilm.1 aWalker, Caroline.14aThe modern dances, how to dance them,cby Caroline Walker; complete instructions for the tango, the Castle walk, the walking Boston, the hesitation waltz, the dream waltz.  aChicago,bSaul brothers,c1914.  a62 p. incl. illus.,bplates.c20 cm.  aIn her introduction, Walker strongly defends the new dance trends of the ragtime era and provides instructions for the tango, Castle Walk, Walking Boston, Hesitation Waltz, and Dream Waltz. A series of photographs and diagrams is included.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aMicrofilm.bWashington, D.C.,cLibrary of Congress. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif161gurn:hdl:loc.music/musdi.161uhttp://hdl.loc.gov/loc.music/musdi.1612http7 3Video clip for p. 63gurn:hdl:loc.music/musdivid.080uhttp://hdl.loc.gov/loc.music/musdivid.080zArgentine tango (7th figure)7 3Video clip for p. 61gurn:hdl:loc.music/musdivid.082uhttp://hdl.loc.gov/loc.music/musdivid.082zArgentine tango (4th figure)7 3Video clip for p. 61gurn:hdl:loc.music/musdivid.080uhttp://hdl.loc.gov/loc.music/musdivid.080zArgentine tango (4th figure)7 3Video clip for p. 61gurn:hdl:loc.music/musdivid.080uhttp://hdl.loc.gov/loc.music/musdivid.080zArgentine tango (3rd figure)7 3Video clip for p. 60gurn:hdl:loc.music/musdivid.081uhttp://hdl.loc.gov/loc.music/musdivid.081zArgentine tango (1st figure)7 3Video clip for p. 60gurn:hdl:loc.music/musdivid.080uhttp://hdl.loc.gov/loc.music/musdivid.080zArgentine tango (1st figure)  k l mxn7o7pPqM  aNEW INPUT th09 05-13-98  asmcd/musdieammem  gpmosl01840cam  22003371  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002300129050001700152245008100169260003800250300002600288490003500314520039800349530012500747533005600872583006700928650002200995650004501017856009001062859015301152859011301305906002401418955002801442985001001470985002201480   05029197 //r983DLC19981008155618.0cr||||781018s1890    nyua    a     000 0 eng    a   05029197 //r983  aDLCcDLCdDLC00aMicrofilm 33251 GV10aGV1751b.W3504aThe way to dance.bA book which teaches the art of dancing without a master.  aNew York,bStreet & Smith,c1890.  a60 p.billus.c19 cm.0 aS. & S. manual library,vno. 2  aThis manual sought to teach the art of dance to those who could not "avail himself or herself of a professional teacher." In its description of general conduct, the author notes that etiquette is nothing more than self-denial. As the work is aimed at the untutored, ten pages are devoted to the primary positions of the feet. The manual describes the grand march, quadrilles, and round dances.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aMicrofilm.bWashington, D.C.,cLibrary of Congress.  aReplacement;zLC copy replaced by preservation microfilm.5DLC 0aBallroom dancing. 4aDance Instruction and Technical Manuals.7 dmusdif138gurn:hdl:loc.music/musdi.138uhttp://hdl.loc.gov/loc.music/musdi.1382http7 3Video clip for p. 49gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zWaltz Cotillion (also known as the Waltz Quadrille)7 3Video clip for p. 16gurn:hdl:loc.music/musdivid.001uhttp://hdl.loc.gov/loc.music/musdivid.001zGrand March  k l mxn7o7pPqM  aNEW INPUT th08 05-20-98  apmosl  asmcd/musdieammem02119cam  22003371  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129100002000161240003900181245023400220246002900454246001900483260006400502300005500566520050500621530012401126650003201250650004501282700002201327856009001349859013501439859013301574906002401707955002801731985002201759   10030397 //r985DLC19981008160040.0cr||||781018s1728    enk           000 0 eng    a   10030397 //r985  aDLCcDLCdDLC00aGV1590b.R4u<Rare Bk Coll>1 aRameau, Pierre.10aMaãitre áa danser.lEnglish.f172804aThe dancing-master: or, The art of dancing explained ...bIn two parts ...cThe whole containing sixty figures drawn from the life, and curiously engraved on copper plates. Done from the French of Monsieur Rameau, by J. Essex ...30aArt of dancing explained30aDancing-master  aLondon,bPrinted and sold by him, and J. Brotherton,c1728.  axxxii, 160 p.bfront., 56 pl. (part fold.)c25 cm.  aThis is a translation of one of the most important sources for the study and reconstruction of eighteenth-century dance--Pierre Rameau®s 1725 Le maãitre a danser. Translated by English dancer and writer John Essex (c. 1680-1744), part one of the text and accompanying full-page plates carefully focus on the appropriate manner of walking, feet positions, and bows, and describe a large vocabulary of steps. Part two covers use of the arms while dancing. This English translation was reissued in 1732.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals.1 aEssex, John,etr.7 dmusdif143gurn:hdl:loc.music/musdi.143uhttp://hdl.loc.gov/loc.music/musdi.1432http7 3Video clip for p. 43-47gurn:hdl:loc.music/musdivid.027uhttp://hdl.loc.gov/loc.music/musdivid.027zMinuet step of three movements7 3Video clip for p. 43-47gurn:hdl:loc.music/musdivid.026uhttp://hdl.loc.gov/loc.music/musdivid.026zMinuet step of two movements  k l mxn7o7pPqM  aNEW INPUT th08 05-21-98  asmcd/musdieammem01714cam  22002891  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100002600144245011200170260005700282300001800339520053600357530012500893650002201018650004501040650002601085856009001111859014901201906002401350955002801374985002201402ca 05001776 //r98DLC19981008160446.0cr||||781018s1884    mau           000 0 eng    aca 05001776 //r98  aDLCcDLCdDLC00aGV1751b.W581 aBonstein,cProfessor.10aDancing and prompting, etiquette and deportment of society and ball room.c[By] Professor Bonstein [pseud.]  aBoston,aChicago [etc.]bWhite, Smith & co.c[c1884]  a48 p.c17 cm.  aAssembled by Professor Bonstein (pseudonym for Charles A. White) from the writings of others, this manual begins with advice to parents regarding children.  "Send them to dancing school and save many a doctor's bill."  The etiquette section in this manual is reduced to a section simply called "hints."  The author provides advice to prompters and rules for calling quadrilles.  Of the many popular ballroom dances performed in the ballroom, only the quadrille, German (also known as the cotillon), and contra dances are discussed.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals. 4aPrompting Quadrilles.7 dmusdif002gurn:hdl:loc.music/musdi.002uhttp://hdl.loc.gov/loc.music/musdi.0022http7 3Video clip for p. 18gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zWaltz Cotillion (also known as Waltz Quadrille)  k l mxn7o7pPqM  aNEW INPUT th16 05-20-98  asmcd/musdieammem01681cam  22003011  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100003100144245004200175260007300217300003500290490004600325500001700371520048600388530012500874650002200999650004501021856009001066859014901156906002401305955002801329985002201357   05029200 //r98DLC19981008160728.0cr||||781018s1894    enka          000 0 eng    a   05029200 //r98  aDLCcDLCdDLC00aGV1751b.W821 a[Witherspoon, Edna],cMrs.14aThe perfect art of modern dancing ...  aLondon and New York,bThe Butterick publishing co. (limited)cc1894.  a1 p. l., 65 p.billus.c15 cm.0 aMetropolitan pamphlet series. v. 7, no. 2  aCover title.  aThis manual, part of a series that included such publications as The perfect art of canning and preserving and Nursing and nourishment for invalids, was directly marketed to women. It begins by discussing the suitability of teaching dance to children. The author suggests that dance is good for health and deportment and lessons should commence at age five. Various dances are described including quadrilles, contra dances, round dances, and the German (also known as the cotillon)  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.7 dmusdif119gurn:hdl:loc.music/musdi.119uhttp://hdl.loc.gov/loc.music/musdi.1192http7 3Video clip for p. 49gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zWaltz Cotillion (also known as Waltz Quadrille)  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem04094cam  22005171  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050004000129100003300169245019800202260005100400300002700451500005400478500002000532500002900552500008800581500005300669520063200722530008601354650003201440650004501472650002101517650002401538856009001562859016001652859013601812859016101948859013602109859011302245859013602358859011202494859014802606859013902754859015402893859011603047859011603163859011903279859012303398906002403521952000903545985002203554   55003658 //r984DLC19981030115251.0cr||||781003r15891588gw a          000 0 fro    a   55003658 //r984  aDLCcDLCdDLC00aGV1590b.T3 1589au<Rosenwald Coll>1 aArbeau, Thoinot,d1519-1595.10aOrchesographie.bEt traicte en forme de dialogue, par lequel tovtes personnes peuvent facilement apprendre & practiquer l'honneste exercice des dances.cPar Thoinot Arbeau demeurant áa Lengres.  aLengres,bImprimâe par Iehan des Preyz,c1589.  a104 l.billus.c21 cm.  a"Extraict du priuilege" is dated "Novembre 1588."  aContains music.  aEx libris Edouard Rahir.  aInscribed in gold on fly-leaf: James Edwards from his father J. E., September 1815.  aThoinot Arbeau is an anagram for Jehan Tabourot.  aWritten by a French cleric, Jehan Tabourot, in the form of a dialogue between a dancing master and his student and originally published in 1588, this manual is an important tool in the understanding of late sixteenth-century French social dance. The manual provides critical information on social ballroom behavior and on the interaction of musicians and dancers. The book's usefulness is also enhanced by a notation system that correlates the music to the dance steps. Orchesographie discusses a full spectrum of late Renaissance dance including the galliard, pavane, branle, volta, morisque, gavotte, allemande, and courante.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aMusic for Dance. 4aNotation for Dance.7 dmusdif219gurn:hdl:loc.music/musdi.219uhttp://hdl.loc.gov/loc.music/musdi.2192http7 3Video clip for p. 27rgurn.hdl:loc.music/musdivid.036uhttp://hdl.loc.gov/loc.music/musdivid.036zpas simple and pas double forwards for dancing the pavane7 3Video clip for p. 27rgurn.hdl:loc.music/musdivid.044uhttp://hdl.loc.gov/loc.music/musdivid.044zpas simple for dancing the branle7 3Video clip for p. 27vgurn.hdl:loc.music/musdivid.037uhttp://hdl.loc.gov/loc.music/musdivid.037zpas simple and pas double backwards for dancing the pavane7 3Video clip for p. 27vgurn.hdl:loc.music/musdivid.043uhttp://hdl.loc.gov/loc.music/musdivid.043zpas double for dancing the branle7 3Video clip for p. 28v-29rgurn.hdl:loc.music/musdivid.039uhttp://hdl.loc.gov/loc.music/musdivid.039zpavane7 3Video clip for p. 29rgurn.hdl:loc.music/musdivid.038uhttp://hdl.loc.gov/loc.music/musdivid.038zconversion for dancing the pavane7 3Video clip for p. 40vgurn.hdl:loc.music/musdivid.053uhttp://hdl.loc.gov/loc.music/musdivid.053zreverence7 3Video clip for p. 53rgurn.hdl:loc.music/musdivid.029uhttp://hdl.loc.gov/loc.music/musdivid.029zcinq pas de la gaillard (gaillard variations)7 3Video clip for p. 53vgurn.hdl:loc.music/musdivid.030uhttp://hdl.loc.gov/loc.music/musdivid.030zautre cinq pas (gaillard variations)7 3Video clip for p. 60rgurn.hdl:loc.music/musdivid.031uhttp://hdl.loc.gov/loc.music/musdivid.031zpassage d'unze pas (eleven-step galliard variation)7 3Video clip for p. 68vgurn.hdl:loc.music/musdivid.041uhttp://hdl.loc.gov/loc.music/musdivid.041zBranle Double7 3Video clip for p. 71rgurn.hdl:loc.music/musdivid.040uhttp://hdl.loc.gov/loc.music/musdivid.040zBranle Simple7 3Video clip for p. 76rgurn.hdl:loc.music/musdivid.042uhttp://hdl.loc.gov/loc.music/musdivid.042zBranle Charlotte7 3Video clip for p. 83rgurn.hdl:loc.music/musdivid.046uhttp://hdl.loc.gov/loc.music/musdivid.046zBranle des Vandieres  k l mxn7o7pPqM  aFLIP  asmcd/musdieammem02027cam  22003251  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129245004800146260003800194300005300232490002400285500006600309520052900375530012500904650002001029650001101049650004501060856009001105859012901195859011201324859010701436859011201543906002401655985002201679   43035739 //r982DLC19981030123146.0cr||||781018s1866    enk           000 0 eng    a   43035739 //r982  aDLCcDLCdDLC00aGV1746b.B2704aThe ball-room guide.bWith coloured plates.  aLondon,bF. Warne and co.,c1866.  a2 p. l., [iii]-iv, [5]-96 p.bcol. front.c9 cm.0 aWarne's Bijou books  aAdded t.-p. (illustrated in colors): The ball-room companion.  aLike many other nineteenth-century dance manuals, much of the material in The ball-room guide is not original but borrowed from other sources. The manual opens with discussion on the arrangements for balls, appropriate dress for ladies and gentlemen, and thirteen pages of etiquette. Various dances are described including quadrilles, the waltz, varsoviana, polka and three group dances, "The Spanish Dance," "Tempãete," and "Sir Roger de Coverly." The manual concludes with a glossary of terminology used in ballroom dance.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBalls (Parties) 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif216gurn:hdl:loc.music/musdi.216uhttp://hdl.loc.gov/loc.music/musdi.2162http7 3Video clip for p. 60gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zvalse a trois temps (waltz)7 3Video clip for p. 65gurn:hdl:loc.music/musdivid.059uhttp://hdl.loc.gov/loc.music/musdivid.059zvarsoviana7 3Video clip for p. 67gurn:hdl:loc.music/musdivid.050uhttp://hdl.loc.gov/loc.music/musdivid.050zpolka7 3Video clip for p. 71gurn:hdl:loc.music/musdivid.056uhttp://hdl.loc.gov/loc.music/musdivid.056zschottisch  k l mxn7o7pPqM  asmcd/musdieammem01729cam  22002891  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127245023000144260004300374300002600417520028500443530012500728650002200853650004500875856009100920859013101011859011401142859010901256906002401365955002801389985002201417ca 05001967 //r98DLC19981030123320.0cr||||781018s1868    nyua          000 0 eng    aca 05001967 //r98  aDLCcDLCdDLC00aGV1751b.B3600aBeadle's dime ball-room companion and guide to dancing.bComprising rules of etiquette, hints on private parties, toilettes for the ball-room, etc. Also, a synopsis of round and square dances, dictionary of French terms, etc.  aNew York,bBeadle and companyc[c1868]  a32 p.bdiagr.c16 cm.  aThis manual is typical of books that were assembled by publishers to be dissminated to a broad mass market. It is a compilation of many treatises covering etiquette, dress and demeanor, and describes the popular ballroom dances of the era--quadrille, waltz, schottisch, and polka.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.7 dmusdif101gurn:hdl:loc.music/musdi.101uhttp://hdl.loc.gov/loc.music/musdi.1012http.7 3Video clip for page 27gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zwaltz a trois temps (waltz)7 3Video clip for page 29gurn:hdl:loc.music/musdivid.056uhttp://hdl.loc.gov/loc.music/musdivid.056zschottisch7 3Video clip for page 29gurn:hdl:loc.music/musdivid.050uhttp://hdl.loc.gov/loc.music/musdivid.050zpolka  k l m n7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem02321cam  22004091  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111041001100129050002100140100003100161245015800192250015300350260002600503300003700529440001800566500003700584520038100621530012501002650001201127650001101139650004501150700003201195700003701227700002501264856009001289859012401379859010701503859011201610859011501722906002401837955002801861985002201889   42047945 //r983DLC19981030124002.0cr||||781018s1866    fr            00010 fre    a   42047945 //r983  aDLCcDLCdDLC1 afreund00aGV1751b.B6 18661 aBlasis, Carlo,d1803-1878.10aNouveau manuel complet de la danse;bou, Traitâe thâeorique et pratique de cet art depuis les temps les plus reculâes jusqu'áa nos jours,cpar Blasis ...  aNouv. âed. entiáerement refondue d'apráes la traduction de P. Vergnaud,brevue par Gardel, et augm. des danses de sociâetâe ... par M. Lemaãitre ...  aParis,bRoret,c1866.  a2 p. l., iv, 111, [1] p.c16 cm. 0aManuels-Roret  aHalf-title: Encyclopâedie-Roret.  aAlthough attributed to Italian dancer, choreographer, and writer Carlo Blasis, this manual contains an abridgement of Blasis's writing on the subject of social dance as published in The Code of Terpsichore (1830).  The manual's discussion of specific dances is augmented by M. Lemaitre and includes quadrilles, the waltz, polka, schottisch, polka-mazurka, redowa and cotillon.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallet. 0aDance. 4aDance Instruction and Technical Manuals.1 aGardel, Pierre,d1758-1840.1 aLemaãitre,cdancing master,eed.1 aVergnaud, Paul,etr.7 dmusdif020gurn:hdl:loc.music/musdi.020uhttp://hdl.loc.gov/loc.music/musdi.0202http7 3Video clip for p. 34-36gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zvalse a trois temps7 3Video clip for p. 37gurn:hdl:loc.music/musdivid.050uhttp://hdl.loc.gov/loc.music/musdivid.050zpolka7 3Video clip for p. 39gurn:hdl:loc.music/musdivid.056uhttp://hdl.loc.gov/loc.music/musdivid.056zschottisch7 3Video clip for p. 40gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zpolka mazurka  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem01919cam  22003251  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002800146245011900174250005300293260004200346300001800388520048700406530012500893650002201018650004501040856009001085859011201175859010701287859010701394906002401501955002801525985001801553985002201571ca 05001993 //r984DLC19981030124153.0cr||||781018s1866    pau           000 0 eng    aca 05001993 //r984  aDLCcDLCdDLC00aGV1751b.B851 aBrooks, C.,cProfessor.14aThe ball-room monitor;bor,cGuide to the learner; containing the most complete sets of quadrilles ever published.  a3d ed.,bwith additions. By Professor C. Brooks.  aPhiladelphia,bJ. H. Johnsonc[c1866]  a63 p.c13 cm.  aLike many other nineteenth-century dance manuals, much of the material in The Ball-room monitor is not original but is borrowed from previously published sources.  The manual, which would fit into a pocket, contains information on quadrilles (called cotillions by Brooks), waltz, polka, redowa, and schottisch.  Additionally, the manual contains numerous variety quadrilles--polka quadrilles, schottisch quadrilles, Polaca quadrilles, Varsoviana quadrilles, and a mazurka quadrille.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.7 dmusdif030gurn:hdl:loc.music/musdi.030uhttp://hdl.loc.gov/loc.music/musdi.0302http7 3Video clip for p. 17gurn:hdl:loc.music/musdivid.056uhttp://hdl.loc.gov/loc.music/musdivid.056zschottisch7 3Video clip for p. 16gurn:hdl:loc.music/musdivid.050uhttp://hdl.loc.gov/loc.music/musdivid.050zpolka7 3Video clip for p. 18gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zwaltz  k l mxn7o7pPqM  aNEW INPUT th16 05-15-98  ana11 12-30-86  asmcd/musdieammem02064cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100003800146245007200184260004900256300004300305520061800348530012500966650001101091650004501102856009001147859014901237859014901386859015301535906002401688955002801712985002201740   05035059 //r983DLC19981030124422.0cr||||790302s1891    caua     r    000 0 eng    a   05035059 //r983  aDLCcDLCdDLC00aGV1751b.B871 a[Brown, R. E.],cof Takoma, Wash.12aA treatise on the elements of dancing.cBy T. Erp. Sichore [pseud.]  aSan Francisco,bThe Bancroft company,c1891.  avi, p., 1 l., 9-123 p.billus.c20 cm.  aMany manuals compiled from previously published sources under a variety of author names were aimed at an ever-expanding group of people who could not avail themselves of a dance master. This work strives to instruct in a plain and explicit manner, making no attempts to discuss dance "technically and methodically." The manual is structured as a series of lessons. For example, lesson one of eleven on the waltz requires the reader to begin by being "seated upright in a chair." The manual also covers the polka, glide polka, heel and toe polka, schottisch, quadrilles and the German (also known as the cotillon).  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif162gurn:hdl:loc.music/musdi.162uhttp://hdl.loc.gov/loc.music/musdi.1622http7 3Video clip for p. 58gurn:hdl:loc.music/musdivid.064uhttp://hdl.loc.gov/loc.music/musdivid.064zheel-and-toe polka (also known as the Bohemian)7 3Video clip for p. 58gurn:hdl:loc.music/musdivid.065uhttp://hdl.loc.gov/loc.music/musdivid.065zheel-and-toe polka (also known as the Bohemian)7 3Video clip for p. 82gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zwaltz cotillion (also known as the waltz quadrille)  k l mxn7o7pPqM  aNEW INPUT th09 05-13-98  asmcd/musdieammem02483cam  22003611  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002200129100002500151245026000176260003800436300002600474520038000500530012500880650001101005650004501016650002601061700005001087856009001137859014901227859011401376859017801490859013501668859011301803859012701916906002402043955003202067985002202099   05035058 //r983DLC19981030125313.0cr||||781018s1879    nyua          00010aeng    a   05035058 //r983  aDLCcDLCdDLC00aGV1751b.C32 18791 aCartier, [P Valleau]00aCartier and Baron's practical illustrated waltz instructor, ball room guide, and call book.bGiving ample directions for dancing every kind of square and round dances, together with cotillons--including the newest and most popular figures of "the german."  aNew York,bC. T. De Witt,cc1879.  a84 p.billus.c19 cm.  aThe author of this manual claims that many books on dance lack simple explanations; this work is advertised as an answer to that criticism. The author has dispensed with "all unnecessary verbiage and figures of speech" in describing round dances and figures for the German (also know as the cotillon). Nearly half the book is devoted to quadrilles and calls for the prompter.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals. 4aPrompting Quadrilles.1 aBaron, Samuel,dfl. 1879-1881,ejoint author.7 dmusdif182gurn:hdl:loc.music/musdi.182uhttp://hdl.loc.gov/loc.music/musdi.1822http7 3Video clip for p. 21gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zwaltz cotillion (also known as waltz quadrille)7 3Video clip for p. 31gurn:hdl:loc.music/musdivid.052uhttp://hdl.loc.gov/loc.music/musdivid.052zLa Esmeralda7 3Video clip for p. 37gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov/loc.music/musdivid.005zBlind Man's Buff, from the German also known as cotillon or German cotillon)7 3Video clip for p. 37gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov/loc.music/musdivid.016zBlind Man's Buff, from the German7 3Video clip for p. 42gurn:hdl:loc.music/musdivid.001uhttp://hdl.loc.gov/loc.music/musdivid.001zGrand March7 3Video clip for p. 36gurn:hdl:loc.music/musdivid.003uhttp://hdl.loc.gov/loc.music/musdivid.003zThe Rope, from the German  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem02017cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002200129100002500151245025000176260003200426300002700458520033300485530012500818650001100943856009000954859015301044859013501197859013501332859017001467906002401637955003201661985002201693   05035057 //r983DLC19981030125448.0cr||||781018s1882    nyua          000 0 eng    a   05035057 //r983  aDLCcDLCdDLC00aGV1751b.C32 18821 aCartier, [P Valleau]00aCartier's practical illustrated waltz instructor, ball room guide, and call book.bGiving ample directions for dancing every kind of square and round dances, together with cotillons--including the newest and most popular figures of "the german."  aNew York,bDe Witt,cc1882.  a104 p.billus.c19 cm.  aThis is a compilation of previously published materials on the subject of nineteenth-century ballroom dance. Some of the dance descriptions represent popular favorites from decades past, such as the polka and schottisch. Other dance descriptions, including the Newport, racquet, and society waltz, were popular during the 1880s.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance.7 dmusdif183gurn:hdl:loc.music/musdi.183uhttp://hdl.loc.gov/loc.music/musdi.1832http7 3Video clip for p. 21gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zwaltz cotillion (also known as the waltz quadrille)7 3Video clip for p. 55gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov/loc.music/musdivid.005zBlind Man's Buff, from the German7 3Video clip for p. 55gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov/loc.music/musdivid.016zBlind Man's Buff, from the German7 3Video clip for p. 54gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zThe Fan, from the German (also known as cotillon or German cotillon)  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem02445cam  22003491  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002200146240003100168245004400199260003200243300005700275500002600332520070600358530012501064650002201189650004501211856009001256859015601346859015601502859012701658859010701785859012901892906002402021955002802045985002202073   42051322 //r982DLC19981030125848.0cr||||781018s1847    enkf          000 0 eng    a   42051322 //r982  aDLCcDLCdDLC00aGV1751b.C381 aCellarius, Henri.10aDanse des salons.lEnglish14aThe drawing-room dances.cBy Cellarius.  aLondon,bE. Churton,c1847.  axii, iv, [5]-149 p.bviii pl. (incl. front.)c18 cm.  aIllustration on t.-p.  aA translation of La danse des salons (1847), this manual provides important information on mid-nineteenth-century ballroom dance. Following a format utilized by many manuals, the work begins with introductory comments on dance, followed by a description of the French quadrille. This is followed by discussion of round dances--the polka, numerous waltzes including waltze áa trois temps, and waltze áa deux temps--as well as steps and figures for another type of quadrille known as the mazurka quadrille. The manual contains eighty-three figures for a series of dance games, called the cotillon (also known as the German or German cotillon). The manual includes eight full-page prints by Paul Gavarni.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.7 dmusdif037gurn:hdl:loc.music/musdi.037uhttp://hdl.loc.gov/loc.music/musdi.0372http7 3Video clip for p. 109gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov/loc.music/musdivid.005zLa Colin Maillard (Blind Man's Buff), from the German7 3Video clip for p. 109gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov/loc.music/musdivid.016zLa Colin Maillard (Blind Man's Buff), from the German7 3Video clip for p. 109gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zThe Fan, from the German7 3Video clip for p. 20gurn:hdl:loc.music/musdivid.050uhttp://hdl.loc.gov/loc.music/musdivid.050zpolka7 3Video clip for p. 26gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zwaltz a trois temps (waltz)  k l m n7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01729cam  22003371  4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099050002200117100005200139240005400191245007300245246005900318246007600377260004500453300002700498500001700525500004300542520032100585530012500906650002201031650004501053650002601098856009001124859013101214906002401345985002201369   05029176 DLC19981030130512.0cr||||781018s1895    iau           000 0 eng    a   05029176   aDLCcDLCdDLC00aGV1767b.C62 18951 aClendenen, F. Leslieq(Frank Leslie),db. 1864.10aFashionable quadrille book and guide to etiquette10aProf. Clendenen's fashionable quadrille book and guide to etiquette.15aFashionable quadrille call book and guide to etiquette3 aProfessor Clendenen's fashionable quadrille book and guide to etiquette0 aDavenport, Ia.,bF.L. Clendenenc[c1895]  a1 p. l., 62 p.c15 cm.  aCover title.  aLC copy imperfect: cover wanting.5DLC  aQuoting extensively from L.H. Elmwell's 1892 dance manual, this treatise is aimed at prompters of quadrilles.  The Manual includes a brief explanation of quadrille figures and etiquette (with emphasis on etiquette while performing quadrilles).  Quadrille figures are included with appropriate calls for the prompter.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aQuadrille (Dance) 4aDance Instruction and Technical Manuals. 4aPrompting Quadrilles.7 dmusdif016gurn:hdl:loc.music/musdi.016uhttp://hdl.loc.gov/loc.music/musdi.0162http7 3Video clip for p. 13gurn:hdl:loc.music/musdivid.001uhttp://hdl.loc.gov/loc.music/musdivid.001zGrand Promenade (Grand March)  k l m n3o7pPqM  asmcd/musdieammem02256cam  22003131  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002200129245021300151260004200364300001900406500002300425520067500448530008601123650001101209650004501220856009001265859012801355859011301483859013601596859013601732906002401868955002801892985002201920   05035054 //r982DLC19981030135325.0cr||||781018s1878    nyu           000 0 eng    a   05035054 //r982  aDLCcDLCdDLC00aGV1751b.D54 187800aDick's quadrille call-book, and ball-room prompter ...bTo which is added a sensible guide to etiquette and proper deportment in the ball and assembly room, besides seventy pages of dance music for the piano.  aNew York,bDick & Fitzgeraldc[c1878]  a230 p.c18 cm.  aMusic: p. 161-230.  aThis is a compilation by Dick and Fitzgerald of previously published sources on ballroom dance.  Although advertised as a ballroom prompter, only one page is devoted to calling figures in a quadrille.  The book contains rudimentary etiquette advice and dance instructions for numerous dances including the grand march, quadrilles, contradances such as "Virginia Reel," "Pop Goes the Weasel," "Spanish Dance," and "Sicilian Circle."  Also described are various round dances such as the polka, polka redowa, modern plain waltz, Boston Dip, varsovienne, and galop.  The manual concludes with 104 figures for the popular parlor game, the German (also known as the cotillon).  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif013gurn:hdl:loc.music/musdi.013uhttp://hdl.loc.gov/loc.music/musdi.0132http7 3Video clip for p. 146gurn:hdl:loc.music/musdivid.003uhttp://hdl.loc.gov/loc.music/musdivid.003zThe Rope, from the German7 3Video clip for p. 25gurn:hdl:loc.music/musdivid.001uhttp://hdl.loc.gov/loc.music/musdivid.001zGrand March7 3Video clip for p. 137gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov/loc.music/musdivid.005zBlind Man's Buff, from the German7 3Video clip for p. 137gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov/loc.music/musdivid.016zBlind Man's Buff, from the German  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem02210cam  22003251  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002200129100002100151245011800172250006500290260005000355300004800405520051200453530012500965650001101090856009001101859012701191859013801318859011001456859011001566859013001676906002401806955003201830985002201862   00002075 //r982DLC19981030135542.0cr||||781018s1900    nyuac         00010 eng    a   00002075 //r982  aDLCcDLCdDLC00aGV1751b.D62 19001 aDodworth, Allen.00aDancing and its relations to education and social life,bwith a new method of instruction ...cBy Allen Dodworth.  aNew & enl. ed.,bwith an introduction by T. George Dodworth.  aNew York,aLondon,bHarper & brothers,c1900.  axxvi, 302 p.bfront. (port.) illus.c20 cm.  aDancing master and composer Dodworth's manual was originally published in 1885 and "new and enlarged" editions were reissued in 1888, 1900, 1902, and 1905. In this manual, Dodworth gives his perspective on fifty years of changes in social dance. The book covers the galop, racket, waltz and knickerbocker, bows, quadrilles, the minuet, Virginia reel, and two hundred fifty figures for the German (also known as the cotillon). The manual also includes an illuminating chapter directed toward dance musicians.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance.7 dmusdif186gurn:hdl:loc.music/musdi.186uhttp://hdl.loc.gov/loc.music/musdi.1862http7 3Video clip for p. 230gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zThe Fan, from the German7 3Video clip for p. 232gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov/loc.music/musdivid.016zThe Covered Pieces, from the German7 3Video clip for p. 62-70gurn:hdl:loc.music/musdivid.062uhttp://hdl.loc.gov/loc.music/musdivid.062zwaltz7 3Video clip for p. 62-70gurn:hdl:loc.music/musdivid.063uhttp://hdl.loc.gov/loc.music/musdivid.063zwaltz7 3Video clip for p. 75gurn:hdl:loc.music/musdivid.055uhttp://hdl.loc.gov/loc.music/musdivid.055zbow and curtsy (salutations)  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01411cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100001900146245006800165260007600233300003600309520016400345530012500509650001100634650004500645650002600690856009000716859011700806859011200923906002401035955002801059985002201087   05029177 //r984DLC19981030135831.0cr||||781018s1892    maua          000 0 eng    a   05029177 //r984  aDLCcDLCdDLC00aGV1767b.E481 aElmwell, L. H.00aPrompter's pocket instruction book.cBy Prof. L. H. Elmwell ...  aBoston,aNew York [etc.]bWhite-Smith music publishing company,cc1892.  a1 p. l., 49 p.bdiagrs.c17 cm.  aThis manual is devoted entirely to the art of calling figures for the quadrille.  The book provides the figures for quadrilles and gives the appropriate calls.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals. 4aPrompting Quadrilles.7 dmusdif064gurn:hdl:loc.music/musdi.064uhttp://hdl.loc.gov/loc.music/musdi.0642http7 3Video clip for p. 32gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zwaltz cotillion7 3Video clip for p. 4gurn:hdl:loc.music/musdivid.001uhttp://hdl.loc.gov/loc.music/musdivid.001zGrand March  k l mxn7o7pPqM  aNEW INPUT th12 05/13/98  asmcd/musdieammem01500cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002400146245005100170260006200221300001800283520035400301530012500655650001900780650001100799650004500810650002600855856009000881859015300971906002401124955002801148985002201176ca 05001740 //r983DLC19981030140446.0cr||||781018s1893    mau           000 0 eng    aca 05001740 //r983  aDLCcDLCdDLC00aGV1767b.F871 aFrench, J. A.,eed.14aThe prompter's handbook.cEd. by J. A. French.  aBoston,aLondon,bO. Ditson company; [etc., etc.]cc1893.  a88 p.c16 cm.  aSimilar to other prompter's books published during the last half of the nineteenth century, French gives instructions for calling the figures of quadrilles including examples of how the calls correlate to the music.  The book also covers the calling of contra dances (progressive figure dances performed by a column of men facing a column of women).  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aCountry-dance. 0aDance. 4aDance Instruction and Technical Manuals. 4aPrompting Quadrilles.7 dmusdif079gurn:hdl:loc.music/musdi.079uhttp://hdl.loc.gov/loc.music/musdi.0792http7 3Video clip for p. 48gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zwaltz cotillion (also known as the waltz quadrille)  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem02136cam  22003371  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002700146245012500173260002700298300004700325440005700372500003600429520052900465530012500994650001101119650004501130856009001175859012801265859010601393859011101499859011401610906002401724955002801748985002201776   05035045 //r984DLC19981030140924.0cr||||781018s1858    fr            000 0 fre    a   05035045 //r984  aDLCcDLCdDLC00aGV1751b.G281 aGawlikowski, Philippe.10aGuide complet de la danse.bContenant le quadrille, la polka, la polka-mazurka ... avec la musique,cpar Gawlikowski ...  aParis,bTaride,c1858.  a2 p. l., 114 p., 1 l. incl. front.c14 cm. 0aBibliotháeque des salons a l'usage des gens du monde  a2 fold. leaves of music at end.  aAn excellent manual for description of mid nineteenth-century social dances, Gawlikowski also discusses steps and figures for the mazurka, a dance performed in the manner of a quadrille in Europe's ballrooms.  Description is also given for other popular ballroom dances including the waltz, polka, schottisch, polka-mazurka, and redowa.  Gawlikowski provides 38 figures for a contillon-valse, (known elsewhere as the cotillon or German), and a popular group dance performed as a series of party games usually to waltz music.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif084gurn:hdl:loc.music/musdi.084uhttp://hdl.loc.gov/loc.music/musdi.0842http7 3Video clip for p. 45gurn:hdl:loc.music/musdivid.058uhttp:/hdl.loc.gov/loc.music/musdivid.058zvalse a trois temps (waltz)7 3Video clip for p. 53gurn:hdl:loc.music/musdivid.050uhttp:/hdl.loc.gov/loc.music/musdivid.050zpolka7 3Video clip for p. 55gurn:hdl:loc.music/musdivid.056uhttp:/hdl.loc.gov/loc.music/musdivid.056zschottisch7 3Video clip for p. 57gurn:hdl:loc.music/musdivid.057uhttp:/hdl.loc.gov/loc.music/musdivid.057zpolka mazurka  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem01620cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002400146245013500170260005300305300002700358520046400385530012500849650003100974650004401005856009001049859012901139906002401268955002801292985002201320ca 05001942 //r984DLC19981030142111.0cr||||820521s1893    nyua          000 0 eng    aca 05001942 //r984  aDLCcDLCdDLC00aGV1751b.G761 aGrant, H[oratio] N.10aHow to become successful teachers of the art of dancing in conjunction with how to manage a favor-german,cby Prof. H.N. Grant ...  aBuffalo, N.Y.b[Kraft & Stern, printers]cc1893.  a32 p.bdiagrs.c24 cm.  aWritten for teachers of ballroom dance, this manual is illustrated with many diagrams designed to be useful in the classroom.  Discussions include how to open a dance class, how to conduct a private lesson, and what to teach.  Suggestions on appropriate dances include the mazurka, redowa, and polka.  Group dances include descriptions of several figures for the grand march, six figures for the German (also known as the cotillon), and several contra dances.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexStudy and teaching. 4aDance Instruction and Physical Culture.7 dmusdif089gurn:hdl:loc.music/musdi.089uhttp://hdl.loc.gov/loc.music/musdi.0892http7 3Video clip for p. 25gurn:hdl:loc.music/musdivid.001uhttp://hdl.loc.gov/loc.music/musdivid.001zOpening March (Grand March)  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem01883cam  22003131  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100002200144245002800166260004200194300001800236520043500254530012500689650001900814650004500833856009000878859013600968859013601104859012701240859012801367906002401495955002801519985002201547   05029202 //r98DLC19981030142312.0cr||||781018s1895    nyu           000 0 eng    a   05029202 //r98  aDLCcDLCdDLC00aGV1757b.D541 a[Dick, Harris B.]10aHow to lead the german.  aNew York,bDick & Fitzgeraldc[c1895]  a60 p.c18 cm.  aDevoted entirely to the performance of the German, a popular group dance that consisted of figures or party games. The manual provides instructions for the leader and appropriate etiquette for guests, who are admonished to pay attention to the leader, but, at the same time are warned against "a too dignified deportment," considered disastrous to the general "gratification." Directions for one hundred sixteen figures are given.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aGerman (Dance) 4aDance Instruction and Technical Manuals.7 dmusdif190gurn:hdl:loc.music/musdi.190uhttp://hdl.loc.gov/loc.music/musdi.1902http7 3Video clip for p. 51gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov./loc.music/musdivid.005zBlind Man's Buff, from the German7 3Video clip for p. 51gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov./loc.music/musdivid.016zBlind Man's Buff, from the German7 3Video clip for p. 53gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov./loc.music/musdivid.004zThe Fan, from the German7 3Video clip for p. 57gurn:hdl:loc.music/musdivid.003uhttp://hdl.loc.gov./loc.music/musdivid.003zThe Rope, from the German  k l mxn3o7pPqM  aNEW INPUT tp02 06-20-98  asmcd/musdieammem03246cam  22004211  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050002200127100002900149245011500178260002900293300002700322520053800349530011700887650001101004650004501015856009101060859011401151859010801265859011501373859011301488859011601601859013101717859011801848859011301966859012302079859012702202859013602329859013602465859014902601906002402750955002802774985002202802   05029720 //r98DLC19981030142738.0cr||||781018s1862    maua          000 0 eng    a   05029720 //r98  aDLCcDLCdDLC00aGV1751b.H84 18621 aHowe, Elias,d1819-1867.00aAmerican dancing master, and ball-room prompter :bcontaining about five hundred dances ...cBy Elias Howe ...  aBoston,bE. Howe,c1862.  a160 p.billus.c17 cm.  aThis is one of several manuals credited to the well-known American inventor, Elias Howe. Like many nineteenth-century dance manuals, it is a compilation of other sources and assembled by a publisher. The book begins with a brief etiqutte of the ballroom and continues with information on th supper room and how to arrange balls. The work also discusses many popular group dances including the quadrille, country dance, and German or parlor cotillon as well as round dances--polka, schottisch, esmeralda, polka redowa, and zingerilla.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif102gurn:hdl:loc.music/musdi.102uhttp://hdl.loc.gov/loc.music/musdi.1022http.7 3Video clip for p. 107gurn:hdl:loc.music/musdivid.059uhttp://hdl.loc.gov/loc.music/musdivid.059zVarsovienne7 3Video clip for p. 108gurn:hdl:loc.music/musdivid.050uhttp://hdl.loc.gov/loc.music/musdivid.050zpolka7 3Video clip for p. 110gurn:hdl:loc.music/musdivid.052uhttp://hdl.loc.gov/loc.music/musdivid.052zLa Esmeralda7 3Video clip for p. 109gurn:hdl:loc.music/musdivid.056uhttp://hdl.loc.gov/loc.music/musdivid.056zschottisch7 3Video clip for p. 111gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zpolka mazurka7 3Video clip for p. 113gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zGintana Waltz (Gitana Waltz)7 3Video clip for p. 114gurn:hdl:loc.music/musdivid.061uhttp://hdl.loc.gov/loc.music/musdivid.061zFive Step Waltz7 3Video clip for p. 113gurn:hdl:loc.music/musdivid.060uhttp://hdl.loc.gov/loc.music/musdivid.060zZingerella7 3Video clip for p. 118gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zWaltz of Three Steps7 3Video clip for p. 149gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zThe Fan, from the German7 3Video clip for p. 149gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov/loc.music/musdivid.005zBlind Man's Buff, from the German7 3Video clip for p. 149gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov/loc.music/musdivid.016zBlind Man's Buff, from the German7 3Video clip for p. 63gurn:hdl:loc.music/musdivid.010uhttp://hdl.loc.gov/loc.music/musdivid.010zWaltz Cotillion (also known as Waltz Quadrille)  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem02081cam  22003251  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100003200144245006900176260005500245300002700300520044800327530012500775650004500900650001100945856009100956859012601047859011301173859012601286859013501412859013501547906002401682955002701706985002201733ca 05001771 //r98DLC19981030143631.0cr||||941117s1883    moua          000 0 eng    aca 05001771 //r98  aDLCcDLCdDLC00aGV1751b.K821 aKoncen, M. J.q(Mathias J.)00aProf. M. J. Koncen's quadrille call book and ball room guide ...  aSt. Louis,bPress of S. F. Brearley & co.c[c1883]  a125 p.billus.c20 cm.  aThis manual is a compilation of previously published materials and includes standard advice on etiquette and dress. Dances include the grand march, quadrilles, and numerous round dances such as the waltz, glide waltz,Boston dip, society waltz, knickerbocker waltz, and the Newport. The popular series of party games called the German (also known as the cotillon) is given sixty-eight figures and other group dances include the "Virginia Reel."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 4aDance Instruction and Technical Manuals. 4aDance.7 dmusdif109gurn:hdl:loc.music/musdi.109uhttp://hdl.loc.gov/loc.music/musdi.1092http.7 3Video clip for p. 113gurn:hdl:loc.mus/musdivid.003uhttp://hdl.loc.gov/loc.music/musdivid.003zThe Rope, from the German7 3Video clip for p. 15gurn:hdl:loc.music/musdivid.001uhttp://hdl.loc.gov/loc.music/musdivid.001zGrand March7 3Video clip for p. 97gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zThe Fan, from the German7 3Video clip for p. 99gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov/loc.music/musdivid.005zBlind Man's Buff, from the German7 3Video clip for p. 99gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov/loc.music/musdivid.016zBlind Man's Buff, from the German  k l mxn7o7pPqM  aNEW INPUT th14 5-19-98  asmcd/musdieammem01879cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100001900146245019400165260003800359300001800397520076900415530012501184650001101309856009001320859012501410906002401535955003201559985002201591ca 05001758 //r983DLC19981030150615.0cr||||781018s1852    nyu           00010 eng    aca 05001758 //r983  aDLCcDLCdDLC00aGV1753b.M611 aMeyen, H[enry]04aThe ball room guide,bbeing a compendium of the theory, practice, and etiquette of dancing, embracing the newest quadrilles, polkas ... also, the Meyen quadrille,cas taught by H. Meyen ...  aNew York,bE. & J. Magnus,c1852.  a44 p.c14 cm.  aThis manual begins, as do others of the period, with a general introduction that covers the necessity of dancing and a brief history of the dance. Declaring that bodily exercise "drives away sorrow and care," the author asks, "how is it that there are men malicious enough to condemn this innocent pastime?" (p. 12). The manual continues with ten rules to be observed at balls, duties of managers, and seven rules for the German cotillon (a series of dance games). While Meyer gives figures for quadrilles and directions for fourteen German cotillon figures, his descriptions of round dances are vague. For example, in a describing the polks, he notes it "is either danced in a circle...or at variety, eight bars to the right and eight bars to the left...(pg. 23).  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance.7 dmusdif187gurn:hdl:loc.music/musdi.187uhttp://hdl.loc.gov/loc.music/musdi.1872http7 3Video clip for p. 22gurn:hdl:loc.music/musdivid.001uhttp://hdl.loc.gov/loc.music/musdivid.001zPolonaise (Grand March)  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem01927cam  22003131  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002300146245005900169260002100228300003600249520054900285530012500834650001100959650001500970650004500985856009001030859013901120859013501259859014501394906002401539955002801563985002201591   05029717 //r982DLC19981030152429.0cr||||781018s1885    nyua          000 0 eng    a   05029717 //r982  aDLCcDLCdDLC00aGV1751b.R621 aRivers, Charles H.02aA full description of modern dances.cBy C. H. Rivers.  aBrooklync[1885]  a63, [1] p.billus.c16 x 13 cm.  aUnlike earlier manuals that contained detailed information on etiquette, this manual reflects the trend of late nineteenth-century manuals to shorten or eliminate such information. This manual contains only one-third of a page of etiquette. Dances described include the waltz (with reversing steps), polka, schottisch, polka redowa, polka mazurka, galop, quadrilles, contra dances ("Scilian Circle," "Spanish Dance" and "Rustic Reel"). Thirty-seven figures are given for the popular series of party game figures known as the cotillon or German.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 0aEtiquette. 4aDance Instruction and Technical Manuals.7 dmusdif146gurn:hdl:loc.music/musdi.146uhttp://hdl.loc.gov/loc.music/musdi.1462http7 3Video clip for p. 60gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zL'Eventail (The Fan), from the German7 3Video clip for p. 60gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov/loc.music/musdivid.005zBlind Man's Buff, from the German7 3Video clip for p. 60gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov/loc.music/musdivid.016zBlind Man's Buff (The Fan), from the German  k l mxn7o7pPqM  aNEW INPUT th08 05-21-98  asmcd/musdieammem02110cam  22003131  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129100002000161245019400181260003200375300005500407500004900462520054700511530011101058650003201169650004501201856009001246859011101336859013701447859013801584906002401722955002801746985002201774   10019566 //r984DLC19981103163437.0cr||||791023s1748    fr af         000 0 fre    a   10019566 //r984  aDLCcDLCdDLC00aGV1590b.R3u<Rare Bk Coll>1 aRameau, Pierre.03aLe maãitre a danser.bQui enseigne la maniere de faire tous les differens pas de danse dans toute la râegularitâe de l'art, & de conduire les bras áa chaque pas ...cPar le sieur Rameau ...  aParis,bRollin fils,c1748.  axxiv, 271, [1] p.bfront., plates, diagrs.c20 cm.  aPlates signed: P. Rameau, invenit et fecáit.  aOriginally published in 1725 and reissued in 1734 and 1748 by French dancing master and writer Pierre Rameau (1674-1748), this is one of the most important sources for the study and reconstruction of eighteenth-century dance technique.  Part one of the text (with accompanying full-page plates) carefully describes the appropriate manner of walking, feet positions, bows, and a large vocabulary of steps.  Part two covers use of the arms while dancing.  The manual was translated into English in 1728 by dancer and dancing master, John Essex.  aAvailable also through the Library of Congress Web site as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals.7 dmusdif142gurn:hdl:loc.music/musdi.142uhttp://hdl.loc.gov/loc.music/musdi.1422http7 3Video clip for p. 62gurn:hdl:loc.music/musdivid.054uhttp://hdl.loc.gov/loc.music/musdivid.054zreverence7 3Video clip for p. 76-83gurn:hdl:loc.music/musdivid.026uhttp://hdl.loc.gov/loc.music/musdivid.026zpas de menuet de deux mouvements7 3Video clip for p. 76-83gurn:hdl:loc.music/musdivid.027uhttp://hdl.loc.gov/loc.music/musdivid.027zpas de menuet de trois mouvements  k l mxn7o7pPqM  aNEW INPUT th08 05-20-98  asmcd/musdieammem02712cam  2200385 a 4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129051005000146100002200196245008700218250001200305260003500317300005200352520075500404530012501159650002201284710006401306856009001370859014001460859014001600859020001740859010701940859013502047906002402182952003502206955002802241985001302269985002202282985002202304   43028263 //r982DLC19981109153444.0cr||||951005s1849    fr af         000 0 fre    a   43028263 //r982  aDLCcDLCdDLC00aGV1751b.C37  aGV1751b.C37 1849u<Batchelder Coll>cCopy 2.1 aCellarius, Henri.13aLa danse des salons /cpar Cellarius ; dessins de Gavarni ; gravâes par Lavieille.  a2. âed.  aParis :bChez l'auteur,c1849.  a174 p., [11] leaves of plates :bill. ;c25 cm.  aOriginally published in 1847, the manual provides important information on mid-nineteenth-century ballroom dance. Following a format utilized by many manuals, the work begins with introductory comments on dance, followed by a description of the French quadrille. This is folllowed by discussion of round dances--the polka, numerous waltzes including waltze áa trois temps and waltze áa deux temps--as well as steps and figures for another type of quadrille known as the mazurka quadrille. The manual contains eighty-three figures for a series of dance games, called the cotillon (also known as the German or German cotillon). Nine full-page prints by Gavarini enhance the manual. The manual was published in English as The drawing-room dances (1847).  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing.2 aJohn Davis Batchelder Collection (Library of Congress)5DLC7 dmusdif038gurn:hdl:loc.music/musdi.038uhttp://hdl.loc.gov/loc.music/musdi.0382http7 3Video clip for p. 132gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zL'Evantail (The Fan), from the German7 3Video clip for p. 132gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zL'Evantail (The Fan), from the German7 3Video clip for p. 133gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov/loc.music/musdivid.005zLa Colin Maillard (Blind Man's Buff), from the German (also known as cotillon or German cotillon)7 3Video clip for p. 27gurn:hdl:loc.music/musdivid.050uhttp://hdl.loc.gov/loc.music/musdivid.050zpolka7 3Video clip for p. 35-40gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zla valse a trois temps (waltz)  k l mxn7o7pPqM  aRecat to AACR2: qr18 05-10-95.  aNEW INPUT tp02 06-15-98  aAPIF/MIG  ararebk/batcherbc  asmcd/musdieammem02527cam  22003251  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002200129100002500151245030800176260004000484300006400524500002400588520064000612530012501252650001101377856009001388859013901478859012701617859013601744859013601880859010702016906002402123955003202147985002202179   05035056 //r983DLC19981109154606.0cr||||781018s1875    nyuaf         00010 eng    a   05035056 //r983  aDLCcDLCdDLC00aGV1751b.D31 18751 aDe Garmo, William B.14aThe dance of society:ba critical analysis of all the standard quadrilles, round dances,c102 figures of le cotillon ("the german"), &c., including dissertations upon time and its accentuation, carriage, style, and other relative matter. By Wm. B. De Garmo ... Illustrations by Theodore Wèust, New York.  aNew York,bW. A. Pond & co.,c1875.  avii, [9]-155, [1] p., 2 l.bfront., illus., plates.c21 cm.  aMusic: 1 l. at end.  aThis manual was originally published in 1864 with subsequent editions in 1865, 1866, and 1868 when the author noted that many of the dances were no longer fashionable. Typical of other late nineteenth-century manuals, much of the text is borrowed from other writers. The manual provides a brief section on etiquette and describes the popular ballroom dances of the era--quadrille, polka, redowa, polka mazurka, schottisch, galop, and rules and figures for 102 cotillon figures. Reflecting a growing interest in the dances of the past, De Garmo provides directions and music for the "Menuet de la Cour." The manual was reissued in 1884.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance.7 dmusdif181gurn:hdl:loc.music/musdi.181uhttp://hdl.loc.gov/loc.music/musdi.1812http7 3Video clip for p. 120gurn:hdl:loc.music/musdivid.003uhttp://hdl.loc.gov/loc.music/musdivid.003zLa Corde (The Rope), from the German7 3Video clip for p. 115gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zThe Fan, from the German7 3Video clip for p. 128gurn:hdl:loc.music/musdivid.005uhttp://hdl.loc.gov/loc.music/musdivid.005zBlind Man's Buff, from the German7 3Video clip for p. 128gurn:hdl:loc.music/musdivid.016uhttp://hdl.loc.gov/loc.music/musdivid.016zBlind Man's Buff, from the German7 3Video clip for p. 91gurn:hdl:loc.music/musdivid.050uhttp://hdl.loc.gov/loc.music/musdivid.050zpolka  k l mxn7o7pPqM  aNEW INPUT [TH09] [05-14-98]  asmcd/musdieammem02642cam  22003731  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003600129050002200165100002300187245015400210260005400364300002700418520079000445530012401235533005601359583006701415650001101482650004501493856009001538859010701628859010701735859011401842859011501956859011302071906002402184955002802208985002202236985001002258ca 05001940 //r984DLC19981109155958.0cr||||781018s1857    nyua    a     000 0 eng    aca 05001940 //r984  aDLCcDLCdDLC00aMicrofilm 84/5577 (GV)u<MicRR>10aGV1751b.H65 18571 aHillgrove, Thomas.14aThe scholars' companion and ball-room vade mecum ...bWith hints and instructions respecting toilet, deportment,&c., &c. ...cBy Thomas Hillgrove ...  aNew York,bT. R. Turnbull & co., printers,c1857.  a96 p.bdiagrs.c15 cm.  aThis manual was reissued in 1858 under the title Hillgrove's scholars' companion and ball-room guide ..., and formed the basis for a similar publication, A complete practical guide to the art of dancing, published in 1863.  Typical of many nineteenth-century dance manuals, little of the text originated from the pen of New York dancing master Thomas Hillgrove.  Instead, much is borrowed from previously published manuals.  The scholars' companion gives information on dress, introductions, etiquette and deportment and describes the most popular ballroom dances of the day--quadrille, waltz, polka, schottisch, polka redowa, polka mazurka, gorlitza, and redowa.  Noticeably missing from Hillgroves's manual is any reference to the popular group dance known as the cotillon or German.  aAvailable also through the Library of Congress Web site in two forms: as facsimilepage images and as full text in SGML.  aMicrofilm.bWashington, D.C.,cLibrary of Congress.  aReplacement;zLC copy replaced by preservation microfilm.5DLC 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif094gurn:hdl:loc.music/musdi.094uhttp://hdl.loc.gov/loc.music/musdi.0942http7 3Video clip for p. 82gurn:hdl:loc.music/musdivid.050uhttp://hdl.loc.gov/loc.music/musdivid.050zpolka7 3Video clip for p. 87gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zwaltz7 3Video clip for p. 89gurn:hdl:loc.music/musdivid.051uhttp://hdl.loc.gov/loc.music/musdivid.051zLa Esmerelda7 3Video clip for p. 91gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zpolka mazurka7 3Video clip for p. 92gurn:hdl:loc.music/musdivid.059uhttp://hdl.loc.gov/loc.music/musdivid.059zvarsovienne  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem  gpmosl02581cam  22003731  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002200129100003000151245029400181250001200475260004200487300005400529500007900583520054700662530012501209650001701334650001101351650004501362650002201407856009001429859013901519859013201658859011501790859011201905859011202017906002402129955003202153985002202185   46029726 //r984DLC19981109160150.0cr||||781018q18701879fr a          000 0 fre    a   46029726 //r984  aDLCcDLCdDLC00aGV1751b.G531870z1 aGiraudet, Eugáene,d1861-10aTraitâe de la danse;bseul guide complet renfermant 200 danses diffâerentes de salons, grands bals, sociâetâes, thâeãatre, concert, province et âetranger,cavec 500 dessins et figures explicatives, par Eug. Giraudet ... suivi d'un appendice contenant environ 30 danses diverses pour piano.  a7. âed.  aParisb[Imprimerie A. Veutin,c187-?]  a287, [1] p., 2 l.,b98 p. illus., diagrs.c22 cm.  aDance music for piano solo: 98 p. at end. Publisher's plate no.: A.C.9384.  aThis is the seventeenth edition of a popular French manual that was revised into a larger edition in the mid-1880s entitled La danse, la tenue, le maintein...  The manual gives a short history of dance, appropriate etiquette, and describes many of the popular ballroom dances such as the waltz, quadrille, and polka.  However, the Giraudet includes many curious dances, schottisch polkâee sautâee, ganlovienne, and a tarentelle for twelve performers, as well as several dances from previous centuries such as the gavotte, pavane, and bourâee.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance music. 0aDance. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance.7 dmusdif085gurn:hdl:loc.music/musdi.085uhttp://hdl.loc.gov/loc.music/musdi.0852http7 3Video clip for p. 105gurn:hdl:loc.music/musdivid.004uhttp://hdl.loc.gov/loc.music/musdivid.004zL'Evantail (The Fan) from the German7 3Video clip for p. 33-40gurn:hdl:loc.music/musdivid.058uhttp://hdl.loc.gov/loc.music/musdivid.058zvalse a trois temps (waltz)7 3Video clip for p. 54gurn:hdl:loc.music/musdivid.057uhttp://hdl.loc.gov/loc.music/musdivid.057zpolka mazurka7 3Video clip for p. 61gurn:hdl:loc.music/musdivid.056uhttp://hdl.loc.gov/loc.music/musdivid.056zschottisch7 3Video clip for p. 90gurn:hdl:loc.music/musdivid.059uhttp://hdl.loc.gov/loc.music/musdivid.059zvarsoviana  k l mxn7o7pPqM  aNEW INPUT th12 05/20/98-98]  asmcd/musdieammem