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<TITLE TYPE="MAIN">The Living age ... / Volume 104, Issue 1335</TITLE>
<TITLE TYPE="OTHER">Littell's living age</TITLE>
<TITLE TYPE="OTHER">Every Saturday; a journal of choice reading</TITLE>
<TITLE TYPE="OTHER">Eclectic magazine</TITLE>
<PUBLISHER>The Living age co. inc. etc.</PUBLISHER>
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<P><PB REF="IMG00003" SEQ="0003" RES="600dpi" FMT="TIFF5.0" FTR="TPG001" N="R001">LITTELLS







LIVING
A.GE.







E PLURIBUS UNUM.


These publications of the day should from time to time he winnowed, the wheat carefully preserved, and
the chaff thrown away.~~

Made up of every creatures best.

Various, that the mind
Of desultory man, studious of change,
And pleased with novelty, may be indulged.












FIFTH SERIES, VOLUME XLIX.

FROM THE BEGINNING, VOL. CLXIV.


7AAYJARY, FEBRUARY, MARCH.


1885.




BOSTON:

LITTELL AND CO.
/</PB>
<PB REF="IMG00004" SEQ="0004" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="R002">


















at
Lift
V	7Th
P
4</PB>
<PB REF="IMG00005" SEQ="0005" RES="600dpi" FMT="TIFF5.0" FTR="TOC001" N="R003">	(f~ 
TABLE OF THE PRINCIPAL CONTENTS

OF



THE LIVING AGE, VOLUME CLXIV.

THE FORTY-NINTH QUARTERLY VOLUME OF THE FIFTH SERIES.



JANUARY, FEBRUARY, MARCH, i88~.


	EDINBURGH REVIEW.
Secret Papers of the Second Empire, -
Spenser as a Philosophic Poet,
515

579
WESTMINSTER REVIEW.
English Character and Manners as Por-
trayed by Anthony Trollope, . 478
LONDON QUARTERLY. REVIEW.
Prince Bismarck		410
     BRITISH QUARTERLY REVIEW.
The Character and the Poetry of	Madame
     de S~vign~		242
Sydney Smith,		451

CONTEMPORARY REVIEW.
Wiirzburg and Vienna, .	.	. 47, 118
Ancient Palestine and Modern	Explora-
     tion		131
The Crown of Thorns that Budded,		231
From Siberia to Switzerland; the	Story
     of an Escape		278
The Colonial Movement in Germany, . 310
Dr. Johnson		425
The Crofter Problem		690
M.	Sardons Th~odora,	.	-	- 733
The Poetry of Tennyson,	.	.	. 771
FORTNIGHTLY REVIEW.

Men of Letters on Themselves,
The Future of the Peerage,
The Revolution of 1884,. . -
Coleridge as a Spiritual Thinker, -
Jane Austen at Home,
The Upper Engadine in Winter, -
The American Audience, . -

NINETEENTH CENTURY.

English Songs, Ancient and Modern,
The Black Death in East Anglia, -
The Centenary of the Times,
The Savage                  
Malta and its Knights,
Outlying Professions, . -
C~sarism               
A Word more about America, -
	67
	150
	323
	557
	68o
	68~
	730
	3
-	215
	259
	351
	371
	376
-	387
	643
SCOTTISH REVIEW.
The Battle of Otterburn,
Patmus                     
-	245
-	707
NATIONAL REVIEW.
The Liberal Movement in English Litera
	ture	23
Della Crusca and Anna Matilda: an Epi
	sode in English Literature, 	. 440
Gainshorough,			674
Hadrians Address to his Soul,	.	.	8~o
BLAcKWOGDS MAGAZINE.
Life in a Druse Village, -		. 84,
Dorothy:	an Interlude             
Under a Green Bough              
The Portrait. A Story of the Seen and
the Unseen                 
Within his Danger: a Tale from the
Chinese                    
On some of Shakespeares Female Char-
acters : Beatrice             
Plain Frances Mowbray,		. 666,
COENHILL MAGAZINE.
Charles Dickens at Home,
Experts in Handwriting,	-
De Banana              
566
92
104

292


395

602
722
342
-	6~8
752
MACMILLANS MAGAZINE.
Borroughdale of Borroughdale,		13 75
Style and Miss Austen              
Notes on Popular English,	-			170
A Millionaires Cousin, -	-	329,	621,	784
The Life of George Eliot,	-			533
A Canadian Holiday				746
Mrs. Dymond,				8o6
TEMPLE BAR.
The Home Life of a Court Lady,
Recollections of Mark Pattison,
A Hard Days Work, .
A Week with George Eliot,
A Crimean Snowstorm, . .
Clementina Sobieska, -
I
39
-	95
457
743
758
-	798</PB>
<PB REF="IMG00006" SEQ="0006" RES="600dpi" FMT="TIFF5.0" FTR="TOC002" N="R004">IV	CONTENTS.

GOOD WORDS.

The New Manager,
Whitby                 
BELGRAVIA.
Delphine,	.
French Duelling,
Wild S~fing	
The Summer Palace, Peking,.

SUNDAY MAGAZINE.
SATURDAY REVIEW.
205, 546 General Gorgey	127
	447 Spinning-wheels in New England, .	.	822
156
192

227

434
At Any Cost			32
MONTH.
The Religion of Hamlet,	.	.	. 461

LONGMANS MAGAZINE.
Even with This, .	. .	.	. 139
Servants, Old and New, 	.	.	. 184
Snow Bucking in the Rocky	Moun-
     tains		503
          SUNDAY AT HOME.
The Jews in Central Asia, . 		318
             SPECTATOR.
Silence is Gold		508
George Eliots Humor		638
A French Huguenot Village in Germany,	700
Boys in the Chrysalis	702
Kilima-njaro	762
Age and its Consequences, .	.	.	767
CHAMBERS JOURNAL.
Cyprus Locusts	181
Some Indian Herbs and Poisons, .	.	251
A House Divided against Itself, 273, 366, 421,
473, 597, 654, 738
Outside London			466
My Irish Correspondents, .	.	.	575
Robbing the Bank of England,	.	.	633

ALL THE YEAR ROUND.

Anne Bergunion, the Blind Womans
	Friend	176
Coptic Monasteries in the Eighteenth
	Century	470
TIMES.

The Archbishop of Dublin,

DAILY CHRONICLE.

The Archbishop of Dublin,

LANCET.

Coca and Cocaine             

DAILY TELEGRAPH.

The Life of the Mahdi, .	.
64


64


317



765</PB>
<PB REF="IMG00007" SEQ="0007" RES="600dpi" FMT="TIFF5.0" FTR="VOI001" N="R005">INDEX TO VOLUME CLXIV.



AT Any Cost			32
Austen, Miss, and Style             
America, A Word more about			643
Austen, Jane, at Home			68o
American Audience, The	.	.	.	730
Age and its Consequences, .	.	. 767
BORROUGHDALE of I3orroughdale,.		13, 75
Bergunion, Anne, The Blind Woman s
	Friend	176
Black Death, The, in East Anglia,			215
Bismarck, Prince			410
Beatrice			602
Bank of England, Robbing the			633
Boys in the Chrysalis			702
Banana, The			752
COURT Lady, a, Home Life of			39
Cyprus Locusts			8
Crown of Thorns, The, that Budded, . 231
Coca and Cocaine	317
C~esarism	357
Coptic Monasteries in the Eighteenth
	Century	470
Coleridge as a Spiritual	Thinker, 	.
Crofter Problem, The .	. 		690
Canadian Holiday, A .	. 		746
Crimean Snowstorm, A .	. 		758

DUBLIN, The Archbishop of, The Retire
	ment of	64
Druse Village, Life in a 		. 84, 566
Dorothy: an Interlude		92
Delphine		i~6
Duelling, French		192
Dickens, Charles, at Home, 		342
Della Crusca and Anna Matilda, 		440
Dymond, Mrs		8o6
ENGLISH Songs, Ancient and Modern, 	3
Even with This	139
English, Popular, Notes on .	. 170
English Character and Manners as Por-
trayed by Anthony Trollope, . 478
Eliot, George, The Life of 		. 533
Eliots, George, Humor		638
Engadine, The Upper, in Winter, .	.	685
Eliot, George, A Week with, .	.	743
FRENCH Duelling	192
French Huguenot Village in Germany, A	700
GORGEY, General				127
Germany, The Colonial	Movement	in		310
George Eliot, The Life of				533
George Eliots Humor				638
Gainshorough,				674
George Eliot, A Week with .	.	- 743

HOME Life of a Court Lady, . . . 39
House, A, Divided against Itself, 273, 366,
421, 473, 529, 597, 654, 738
Hard Days Work, A -	.	.	-	457
1-lamlet, The Religion of.	.	.	.	461
Handwriting, Experts in	.	-	-	658
Hadrians Address to his	Soul,	.	.	8~o

INDIAN Herbs and Poisons, Some . . 251
Irish Correspondents, My	.	.	. 575
JEWS, The, in Central Asia, 			318
Johnson, Dr			425
KILIMA-NJARO	762

LIBERAL Movement, The, in English
	Literature	23
Locusts, Cyprus
London, Outside                    466

MEN of Letters on Themselves, - - 67
Millionaires Cousin, A - - 329, 621, 784
Malta and its Knights,~... 371
Martin, Helena Faucit, on some of
Shakespeares Female Characters, 602
Mahdi, The Life of the - . . - 765
NAPOLEON the Third	190
New Manager, The -	.	.	- 205, 540
Napoleon the Third, Secret Papers of . 515
OTTERBIJRN, The Battle of -	.	. 245
Outlying Professions,....37~~
Outside London	466

PALESTINE, Ancient, and Modern Ex-
ploration                    
Peerage, The Future of the -
Pattison, Mark, Recollections of -
Poisons and Herbs, Some Indian -
Portrait, The, A Story of the Seen and
the Unseen                 
Professions, Outlying - .
V
3
ISO
95
251

292
376</PB>
<PB REF="IMG00008" SEQ="0008" RES="600dpi" FMT="TIFF5.0" FTR="VOI002_SPI001" N="R006">VI	INDEX.
Peking, The Summer Palace at	.	 .	434
Plain Frances Mowbray,. .	.	666,	722
Patmos			707
Prisoners of War in England,	.	 .	817
REVOLUTION, The, of 1884, .	.	. 323
Robbing the Bank of England,	.	.
SONGS, English, Ancient and Modern, 	3
Style and Miss Austen                  
Servants, Old and New	4
S6vign6, Madame de, Character and
     Poetry of	242
Siberia, From, to Switzerland,			278
Savage, The			351
Smith, Sydney			451
Snow Bucking~ in the Rocky	Moun-
     tains			503
Silence is Gold                        
Secret Papers of the Second Empire, . 515
Spenser as a Philosophic Poet,	.	.
		POETRY
ANNIJS Mirabilis					258
Australias Mother,					706
After the Wreck					770
Compromise		66
Cradled in the Arms of Slumber,		258
Changes		322
Dear Wife and Perfect Friend, .	. 514
December Rose, A					642
Enemies, The					2
Evening					322
Fairyland in Midsummer,	.	.	.
Gainsborough Ghosts					450
Gordon, Charles					642

~ How Often have I now Outwatched the
	Night,	66
Hylas,			130
He has Come Back, . .	.	.	386
Hadrians Address to his Soul,	.	.	8~o
Invalid, To an					2
In the Fir Woods					386
King Ailills Death			130
Shakespeares Female Characters, .	. 604
Sardous Th6odora, .	.	.	. 733
Sohieska, Clementina .	.	.	. 798
Spinning.wheels in New England, . . 822

TRENCH, Archbishop, The Retirement of 64
Times, The Centenary of the . . . 259
Trollope, Anthony, on English Charac-
ter and Manners               478
Th6odora, Sardous .	.	.	. 733
Tennyson, The Poetry of			. 771
UNDER a Green Bough	104
VIENNA and Wiirzburg,.	.	. 47, i i8
WURZBURG and Vienna,		. 47, uS
Wild Sating		227
Within his Danger		395
Whitby		447






Leifchild, Henry Stormant
Lark, The

My Dream.Love              
Marl-Pit, By the .
Mine own Familiar Friend,
Natures Silence              
Nature, From, to Man,

Old Age,

On an Old Song, .

Quest, A, for a Heart,

Ring-Plover, On a .
Romance                    

Song of the Snow             
Sleep                       
Sonnet, The
Sorrel Blossoms, , .
Song of Battle, A . .

This World                  
Tethered,
Translation from the Anglo-Saxon,

Unheard Serenade             

When Autumn Leaves,
Winter Picture, A .
-	66
322

194
450
-	706
66
642

130
-	514

578

642
770

194
258
578
706
770

386
	578
-	706

-	66

130
578


TALES.
AT Any Cost	32 Even with This	139
Borroughdale of Borroughdale,		13, 75 House, A, Divided against Itself,	273, 366,
42I~ 473, 529, 597, 738
Dorothy: an Interlude	92 Hard Days Work, A .	.	. . 457
Delphine	156
Dymond, Mrs	8o6 I Millionaires Cousin, A .	.	329, 621, 784</PB>
<PB REF="IMG00009" SEQ="0009" RES="600dpi" FMT="TIFF5.0" FTR="SPI002" N="R007">		     INDEX.
New Manager, The	.	. 205, 546 Plain Frances Mowbray,
Portrait, The, A Story of the Seen and	Wild Sdfing, .	.
	the Unseen	292 Within his Danger,
	VII
	. 666, 722

	  227

	  395</PB>
<PB REF="IMG00010" SEQ="0010" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="R008"></PB></P>
</DIV1>
</FRONT>
<BODY>
<DIV1 TYPE="article" DECLS="/moa/livn/livn0104/" ID="ABR0102-0104-3">
<BIBL>
<TITLE TYPE="ART">The Living age ... / Volume 104, Issue 1335</TITLE>
<BIBLSCOPE TYPE="pg">1-64</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00011" SEQ="0011" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="1">LITTELLS LIVING AGE.


	Fifth Series,	No, 2115.  January 3, 1885.	From Begiiming,
	Volume XLIX. )	4 Vol. CLXIV.


CONTENTS.
ENGLISH SONGS, ANCIENT AND MODERN,

BoRRoUGHDALE OF BORROUGHDALE. Part
II.                                 
THE LIBERAL MOVEMENT IN ENGLISH LIT.
ERATURE. Part III                   
AT ANY COST. Conclusion, .
THE HOME LIFE OF A COURT LADY,.
XVURZBURG AND VIENNA	

STYLE AND MISS AUSTEN	

THE ARCHBISHOP OF DUBLIN,
THE ENEMIES,.
A SHOWERY MORNING,
Nineteen/h Century,

Macmillans Magazine,

National Review,
Sunday Magazine,
Temple Bar,.
Contemporary Review,
Macmillans Magazine,
Daily Chronicle,  Times,
.3

13


23

32

39
47

64
POETRY.

21 SONNET TO AN INVALID LADY, ON HER
HUSBANDS DEATH,
2
PUBLISHED EVERY SATURDAY BY

LITTELL &#38; CO., BOSTON.








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V.
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VII.
VIII.</PB>
<PB REF="IMG00012" SEQ="0012" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="2">	2	THE ENEMIES, ETC.
THE ENEMIES.
MINE enemy, who time and oft
	Had smitten me with words like swords,
And trampled on my answer soft,
	Till I too smote with angry words,

Is dead, and I am fairly quit.
	God give him rest. Once well away,
Seeing he loved me not a whit,
	No heart have I to hid him stay.

And yet methinks the God who framed
Both him and me had made us such,
That we were scarcely to be blamed
For loving not each other much.

The little good there was in me,
It was not his, nor in his way;
His good I haply might not see,
Because he lacked one darling trait.

We liked riot, and misliking lent
Our virtues its own fatal sting,
And many a shaft that anger sent
Was feathered from a virtues wing.

The aggressor he, his active life
Committed him to this or that:
I slipped, but loth, into the strife,
Where he was dog and I was cat.

Now twixt the twain who lately closed
In contest on times petty stage,
Eternity hath interposed
	The shadow of its dateless age.

To.day I saw his resting.place, 
A grave that friendships flowers entwine,
And wondered, with a troubled face,
If any hands would cherish mine.

The space about was kept, they said,
For some who wished their bones to lay
As near as might be to the dead
Whom I in life had wished away.

God give him rest! The single crime,-
Mislike of me, should hardly blot
His fame with one who many a time
Can soothly say, .1 like me not.


Perhaps we never fairly met
	That part in each God meant should live,
And so incurred no lasting debt,
	And have but little to forgive.

Thus entering at opposing gates, 
For Heaven has many gates, they say, 
We each may find a comrade waits
	Who quarrelled with him by the way.

In jarring notes that vex the ear
Throughout lifes feeble overture,
Tis oft the tuning that we hear
To make the after.concord sure.
Spectator.
LR~
A SHOWERY MORNING.

ALL my heaven was dark with rain,
As I mused of loss and pain,
Going down a Devon lane
	On a showery morning;
Joy had vanished, frail and fleet,
How could rose and woodbine sweet
Lift their heads, and tempests meet
With such merry scorning?

Such great drops were never known,
Said the speedwells, shrinking down;
They have spoiled my only gown,
	Sighed a crumpled cistus;
Q uoth the roses in surprise,
Answering in solemn wise,
Though a smile was in their eyes,
Nay, they only kissed us!

Ragged robins shook with glee,
Foxgloves laughed in company,
Till the sun peeped forth to see
Through a cloud embrasure;
Lu! the rain was past and gone,
And stellarias clustering shone
Like a Milky way upon
Speedwell depths of azure.


Every blossom on its stem
Wore a shining diadem,
And my heart rejoiced with them
	In their fresh adorning;
Flowers are sweetest after rain,
Joys completest after pain,
Life is but a Devon lane
	On a showery morning!
	Sunday Magazine.	MARY ROWLES.





SONNET.

TO AN INVALID LADY, ON HER HUSBANDS
DEATH.

DEAR lady, sorrow.sainted, whose long pain
Rebuked us by its smile, or hushed, like
	songs
	The sad, retired nightingale prolongs
From depth of holy wood or dim green lane,


God waits a new smile from thee, as he turns
A new smile on thee, and would draw forth
	praise
	From holier shades, and tune thee to upraise
The new song where the beauty solemn burns.


Death is the touch lets loose loves eloquence
As never it could speak in its young dream;
The very Love Eternal could not seem
Most winsome till it died, nor most intense.


0, called to pain, but chosn to sorrow, know
The eternal song that sounds in Christian woe.
	Spectator.	P. T. FoRsvrH.</PB>
<PB REF="IMG00013" SEQ="0013" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="3">ENGLISH SONGS: ANCIENT AND MODERN.	3
From The Nineteenth Century.
ENGLISH SONGS: ANCIENT AND MODERN.

	THE poetical literature of England is
the richest and noblest of modern time 
superior in some respects to that of the
Greeks and Romans, as all will confess
who have studied it, and who remember
Shakespeare, Spenser, Milton, Words-
worth, Shelley, and Byron, and all the
glorious galaxy of the poets from the age
of Chaucer to the present day. But many
who acknowledge the claims of English
literature to the highest poetical pre-emi-
nence deny that in one great department
of poetry, popular song, it can rank on an
equality with other nations. The late
Thomas Davisone of the young Irish.
men who conferred honor upon the litera-
ture of his country  declared that the
songs of England were the worst in the
world. How can a nation have good
songs, said he, when it has no music?
	English music is execrable, said the
great Napoleon, when he discoursed to
his faithful Las Casas, in the mournful
days of his exile, on all imaginable sub-
jects  of war, policy, philosophy, and lit-
erature. The English have no music;
or, at all events, no national music. They
have, in fact, but one good tune. And
to show his qualifications for the office of
musical critic, he declared that tune to be
Ye banks and braes o bonnie Doon 
an excellent tune certainly, only it hap-
pens to be one that the Scotch have bor-
rowed from the French. The emperor did
not stand alone in his ignorance. Even
now we hear of English ladies and gentle-
men who not only know nothing of the
beautiful melodies of their native land,
but who actually deny that such melodies
have any existence. Not content with
shutting their ears against the sweet
sounds, they affirm that there is no such
thing as music in British, or at all events
in English nature. In days when the
popular melodies of England had not been
collected, as those of Ireland had been by
Sir John Stevenson and Thomas Moore,
or as those of Scotland had been by
George Thomson and Robert Burns, there
was some excuse for Englishmen who did
not know their own wealth in this respect.
But now, when their melodies have been
[collected by Mr. William Chappell, and
shown to be equal to any in Europe, there
is no excuse for an ignorance of which pa-
triotism ought to be ashamed. What a
beautiful melody, said Rossini to an En-
glishman (who agreed with him), is  The
girl I left behind me! It does honor to
Ireland. But Rossini was wrong. That
beautiful melody is pure English  pub-
lished in England long before it was first
played in lreland by the soldiers of Wil-
liam the Third. How sweet, said an
English lady, is the air of My lodging
is on the cold ground! England has no
tunes so tender and so touching. In
this case also, the fair critic was as much
at fault as Napoleon and Rossini. The
tune is old English; and Ireland has no
other claim to it than the assertion of
Thomas Moore, unsupported by a tittle of
evidence.
	As songs are compositions that may be
sung, it is necessary to show that a people
have good melodies before it can be ad-
mitted that they have good songs. So
far from being an unmusical, the English
are pre-eminently a musical nation. Long
before the invention of printing, long be-
fore the age of Chaucer, England, from
her love of singing and music, was called
Merry England; and to hear the min-
strels sing, and to join in their choruses,
was the favorite amusement both of the
nobles and the people. Chaucer, in his
Canterbury Tales, makes frequent allu-
sions to the love of the English of that
period for music and song. At and before
Chaucers time the education of an En-
glish gentleman was held to be incomplete
if he could not read music at sight; and
in the public schools it was compulsory
on every boy, and a necessary portion of
his studies, to learn part-singing.
	The English glees, catches, rounds,
canons, and madrigals are thoroughly na-
tional, and are admired by musicians of
every country for their graceful complica-
tions both of melody and harmony. The
English dance music is equally spirited,
and her country jigs and sailors hornpipes
are known all over the world. Some of
the most ancient popular melodies of the
English are fortunately preserved in a
little manuscript of the age of Queen Eliz</PB>
<PB REF="IMG00014" SEQ="0014" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="4">4	ENGLISH SONGS: ANCIENT AND MODERN.
abeth, called Queen Elizabeths Virginal
Book, containing airs that are still popu-
lar among the peasantrysuch as The
Carmans Whistle, or The Jolly Miller,
and Shakespeares favorite melody, of
~vhich he makes honorable mention, Sing
it to the air of Light o Love. Those
exquisitely pathetic tunes sung by Ophelia
in Hamlet are admired by all musicians,
and are far older than history can trace.
So famous were the English for their pro-
ficiency in singing, that before the Refor-
mation the Churches of Belgium, Holland,
and France sent to England for choris-
ters: and one of the most valuable collec-
tions of popular English music that exists
was published in Amsterdam at the com-
mencement of the seventeenth century.
	Such noble tunes as The Kinc~ shall
enjoy his own again, Crop-eared Round-
heads, The girl I left behind me,
Farewell, Manchester! Balance a
Straw, Packingtons Pound, The
British Grenadiers, Drink to me only
with thine eyes, Down among the dead
men, The Vicar of Bray, The man
who will not merry be, The Miller of
Dee, Begone, dull care! Tis my
delight, on a shiny night, and others,
may be cited as fair specimens of English
popular and traditional music. Its gen.
eral characteristics are strength and mar-
tial energy. It has a dashing, impulsive,
leaping, frolicsome spirit, occasionally
overshadowed by a touch of sadness. It
has not the tender melafcholy of the mu-
sic of Ireland, nor the light, airy grace,
delicate beauty, and heart-wrung pathos
of the songs of Scotland, but it has a lilt
and style of its own. In one ~vord, the
music of England may be described as
merry; and her national songs partake
of the same character, and and are jovial,
lusty, exultant, and full of life and daring.
	There are no authentic records of the
earliest songwriters of England. It is
known that among the ancient Britons,
the bard was next in rank to the Druid,
and that his character and functions ~vere
invested with a high degree of veneration,
if not of sanctity. He was held to be a
seer and a prophet, as well as a bard, as
indeed true poets are in all ages. The
compositions of the British and Celtic
bards were either hymns or chants of de-
votionlike the Psalms of Davidor
celebrated the great deeds of the heroes,
who were first in and last out of the battle.
They aroused the patriotic enthusiasm of
the living by glowing recitals of the
achievements of the dead. But never
having been committed to writing, their
ballads and songs, or epic poems, if they
produced any, have either perished alto-
gether, or only exist in fragments, such as
James Macpherson discovered among the
peasantry in remote districts of the High-
lands of Scotland, and gave to the world
as the poems of Ossian, the greatest bard
of the Celtic nations. The Danish skalds
and Saxon glee men, who succeeded to the
British bards, drew from their predeces~-
sors many materials for popular song.
The adventures of King Arthur and the
knights of the Round Table, the loves of
Guenever and Sir Lancelot du Lake, the
pranks of the boy with that ~vonderful
mantle described in Percys Reliques,
the merriment of King Cole, and the en-
chantments of Merlin  all traditions of
the Celtic period  were embalmed in
Celtic and afterwards in Saxon song, and
found as much favor among the newer
people who took possession of the British
Isles as the legends of the Mohicans, the
Cherokees, or the Creek Indians, when
enshrined in the classic pages of Cooper
or Longfellow, find among the English
and Americans of the present day. King
Arthur, his court, his queen, his Round
Table, and his knights were for a thousand
years the great themes of the minstrels in
England and Wales, and have not yet lost
their hold over the imagination of the
people. King Arthur and King Cole are
cited in nursery rhymes, and the earliest
songs of children; though Mr. Ch appell,
in his excellent work on English music, is
heterodox enough to suggest that the King
Cole of song is not the King Cole of his-
tory, but a mere public~house king or good
fellow of the seventeenth century. Of the
same period as King Arthur, though a
generation or two later, were King Lud
and King Lear, mere names and shadows
of names except for poetry, that has made
them immortal. The King Arthur of his-
tory is less than a dream. The King</PB>
<PB REF="IMG00015" SEQ="0015" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="5">ENGLISH SONGS: ANCIENT AND MODERN.	5
Arthur of song is a living reality. The
Lear that reigned in Britain has left no
record on which the historian can build
but the Lear of the poet, the foolish, fond
old man, sightless, and not in his perfect
mind, stands out in Shakespeares history,
hallowed in the light of poetry, a man
whom we know more intimately than we
do many persons whom we met yesterday
and talked to in the streets.
	During the Saxon and early Norman
period the minstrels played an important
part in social life. They were the wel
come guests of all ranks and classes from
the monarchs palace and the barons hall
to the tavern of the town and the cottage
of the peasant.

Twas merry in the hall
When beards wagged all;

when the minstrels set the beard in mo-
tion by singing their last new ballads of
romance or adventure. The minstrels
united in their persons not only the func-
tions of the song-maker and musician, hut
those of the newspaper editor and re-
porter of the present day. Although they
sang songs of the olden time, they did not
confine themselves to the past, but de-
tailed the freshest news from the court or
the camp, or put into verse the circum-
stances of the last horrible murder or des-
perate love-tragedy.
	Of these minstrels, as of the bards who
preceded them, few genuine remains have
come down to us; although the tunes and
modernized versions of many of the bal-
lads which they sang have been preserved,
such as the famous Ballad of Chevy
Chase, the mournful story of Fair Ro-
samond, the adventures of the mythical
Robin Hood, ~vho was not one but
many, the doleful ballad of The Babes in
the Wood, a legend of unknown antiq-
uity, of which it may be said that it has
made the robin redbreast a sacred bird in
England, and touched with compassion
the heart of the roughest clodhopper.
The English boy will rob the nest of any
bird that sings, or that cannot sing; but
to disturb the nest of the robin, the bold
beggar with the glittering eye and scarlet
bosom, is held not only to be cruel and
ungenerous, but unlucky. If the robin
redbreasts could but know how many of
their lives have been spared for the sake
of an old song, and the pity which it has
inspired, they would hover around the
graves of poets as they did over the un-
buried bodies of the children in the
wood, and strew them with leaves in
grateful remembrance of the power and
tenderness of poetry.
	In the days prior to the invention of
printing, when the wealthy classes thought
it no shame to be unable to read and write,
the ballad-maket was a power in the State.
Richard the First, the great Cmur-de-Lion
(whose name is still invoked to frighten
unruly children in Syria and Palestine),
was unable to sign his name, but he ~vas
familiar with the poetry of the troubadours.
He knew nothing of the songs of Celtic
or Saxon Englishmen, but had committed
to memory the choicest effusions of the
Norman muse. And, indeed, if kings and
other high personages, to say nothing of
the gentry and trading classes, would not
derive all their knowledge of the affairs
of this world from the priests, who pos-
sessed the keys of learning, or from actual
observation with their own eyes, which
was always difficult, and sometimes im-
possible, they were glad to gather infor-
mation, combined with amusement, from
the minstrels, who travelled all over the
country, mixed with all classes, heard all
the news, and learned all the opinion that
was current. But the invention of print-
ing gradually operated a change. The
minstrels, who by this time had lost their
original and honorable appellation, and
were called crowders  or fiddlers,
were thrown out of bread. They ceased,
by degrees, to be the favorites of the
wealthy, and found their only refuge
among the poor and illiterate, and became
of scarcely more repute than the mounte-
banks and merry-andrews of country fairs.
An act of Parliament of the thirty-ninth
year of Queen Elizabeth classed them as
rogues, vagabonds, and sturdy vagrants,
a legal definition which still applies in
England to strolling actors and singers,
and which might, ~vith a little stretching,
be applied to a~ri;na donna on a provin-
cial tour. King Henry the Eighth, not-
withstanding the cares of State, his love-</PB>
<PB REF="IMG00016" SEQ="0016" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="6">6	ENGLISH SONGS: ANCIENT AND MODERN.
making, his wife-killing, and his quarrels
with the pope, Cardinal Wolsey, and his
great nobles, found time to write songs,
one of which was entitled Pastime with
Good Company. In a MS. still in exist-
ence, and known to be of his reign, are
two songs, in pure though quaint English,
which may be quoted as among the ear-
liest songs remaining in the language 
Ah my sweet sweeting
	My little pretty sweeting,
My	sweeting ~vill I love, wherever I go.
She is so proper and pure,
	Full steadfast, stable, and demure,
There is none such, you may be sure,
	As my sweet sweeting.

The other, entitled The Loyal Lover,
is equally smooth and vocal 
As I lie sleeping
In dreams fleeting
Ever my sweeting
Is in my mind.
She is so goodly
With looks so lovely,
That no man truly
Such one can find.

There seems to be little or no authority
for the statement that King Henry the
Eighth himself ~vrote these songs; or, if
he did, whether they were in celebration
of the charms of the sweetings whose
heads he cut off, or ofthose whose heads
he spared. But, whoever was the author
of them, these and similar songs were
like the first faint radiance that precedes
the dawn. The dawn and the daylight
were yet to come. Among the singing
birds of the twilight, the most melodious
were Sir Thomas Wyatt, whose son was
beheaded on Tower Hill, and the unfortu-
nate Earl of Surrey, who himself suffered
on the block for alleged complicity in the
treasons of an age when it was difficult to
know what was treason and what was not.
At length, as political affairs became
somewhat more settled, the full daylight
of poetry burst forth. The Elizabethan
dramatists, with Shakespeare at their
head, and Edmund Spenser, chief of the
non-dramatic poets, inaugurated the new
era. It was then that English poetry and
song entered into the golden age. In the
blaze of that sudden glory the inferior
compositions of the ballad-mongers were
left entirely to the lower rank of the peo-
ple; many of them are still in existence,
and still sung, such as some of the famous
ballads to be found in Percys Reliques
the poachers song, Tis my delight,
on a shiny night, Women are best
when they are at rest, Sweet Nelly, my
hearts delight, Full merrily sings the
cuckoo upon the beechen tree, The
frog came to the mill-door (since mod-
ernized into The frog he ~vould a-wooing
go ),  Ill neer get drunk again, and
the mariners glee, We be three mari-
ners probably the oldest seasong that
England can boast. The only two names
of note that have reached the present age
in connection with this early song-litera-
ture are William Tarleton and Martin
Parker  both somewhat later than the
time of Shakespeare. Martin Parker de-
serves especial notice as the man who
wrote the well-known song, Ye gentle-
men of England  a song not only ex-
cellent in itself, but entitled to double
gratitude for having served Thomas
Campbell as the model on which he built
Ye mariners of England, one of the
noblest songs ever written in any lan-
guage. Martin Parkers song sets itself
to music: 
Ye gentleman of England
Who live at home at ease,
Ah, little do you think upon
The dangers of the seas I
Give ear unto the mariners,
And they will plainly show
All the cares, and the fears,
When the stormy winds do blow.

	It used to be the fashion of the English
peasantry to paste these songs in cup-
boards, on the lids of trunks, or on the
backs of doors  a custom which has been
one great cause why so many of them
have been lost without hope of recovery.
Could they have been preserved, they
might have thrown the light of contempo-
rary poetry on the history of manners and
afforded us glimpses into the every-day
life of our forefathers at a period particu-
larly interesting, when the art of printing
was bringing forth its first flowers and
fruits, operating important changes in the
national character, and preparing the way
for the final triumphs of the Reformation.
Similar songs are still printed for the use
of the rural districts, and sold  humiliat-
ing thought to the pride of song writers!
 at a halfpenny or a penny a yard.
	The song-writers of the age of Shake-
speare were many and excellent. Among
his contemporaries, or those who preceded
and followed him, were two or three who
wrote songs almost as well as he did 
none who wrote better. The associated
dramatists Beaumont and Fletcher, Ben
J onson, Thomas Heywood, Christopher
Marlowe, Robert Herrick, George Wither,
Thomas Carew, Sir Walter Raleigh, John</PB>
<PB REF="IMG00017" SEQ="0017" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="7">ENGLISH SONGS: ANCIENT AND MODERN.
Donne, Sir Henry Wotton, Richard Love-
lace, and George Herbert are but a few
out of a long list of poets of whose works
any fair criticism would occupy a volume,
so full are they of heartiness and beauty.
Some of Ben Jonsons songs are exquisite
in their delicacy and grace. Every one
has read (or heard sung) the delicious
songbetter than anything attributed to
Anacreon, or any Greek or Roman writer
whatsoever  Drink to me only with
thine eyes, a paraphrase from the Low
Latin of a nameless poet in the Middle
Ages, and a great improvement on its orig-
inal  a song sufficient for fame if its
author had written nothing else. Most
people have read or heard the song of Sir
Henry Wotton, worth a whole library of
inferior compositions 
You meaner beauties of the night,
That poorly satisfy our eyes
More by your numbers than your light,
You common people of the skies,
What are you when the moon shall rise?

Who does not know the songs of George
Wither? The chorus of one of them has
passed into the select family of familiar
quotations : 
Shall I, wasting in despair,
Die, because a womans fair?
Or make pale my cheeks with care
Because anothers rosy are?
Be she fairer than the day,
Or the flowery meads in May,
If she be not so to me,
What care I how fair she be?

	Robert Herrick wrote many songs of
the highest merit, and particularly distin-
guished above those of all his contempo-
raries by the fluency of their melody, and
the luxuriant charm of their phraseology.
But Shakespeare was the prince of all
the song-writers of his age. It may be
said of him that, had he not been the
greatest of epic poets, the greatest of law-
yers, the greatest of anything great to
which it pleased him to direct the ener-
gies of his great mind, he would most cer-
tainly have been a great song-writer, for
the songs which he has scattered through
his plays are all of them models either of
wit, or grace, or tenderness, or of a name-
less beauty comprising all these. Every
one, at some time or other of his life, must
have rejoiced over the frolicsome little
song redolent of the green fields and flow-
ers of England: 
Under the greenwood tree,
Who loves to lie with me,
And tune his merry note
Unto the sweet birds throat?
Come hither! come hither! come hither I
Here shall he see
No enemy,
	But winter and rough weather.

Every one who reads knows the two
charming pictures of spring and winter
sung in Loves Labor Lost, both of
them full of humor and of accurate paint-
ing from nature, and both of them adapted
to such excellent music by Dr. Arne 
who lived a century afterwards  as to
make every listener regret that Shake-
speare himself never had the felicity of
hearing the manner in which great coin-
posers can render the meaning of great
poets. One other song of Shakespeare
has been the favorite of successive gen-
erations of musicians, from the age of
Milton to our own, who have striven with
each other to do it justice: 
Take, oh! take those lips away
That so sweetly were forsworn;
And those eyes, the break of day,
Lights that do mislead the morn,

	The golden age of English lyrical poetry
did not die with Shakespeare. Its lustre
was not dimmed even by the troubles
of the Revolution, although the number
of poets who arose from the accession of
Charles the First to the restoration of
Charles the Second was small compared
with the number who adorned the age of
Elizabeth and James. The age immedi-
ately succeeding that of Shakespeare pro-
duced Milton, Cowley, Lovelace, Wailer,
and Dryden, and a host of inferior men.
	These, like all the greatest poets whom
England has known, attempted song-writ.
ing. Milton was a musician, and under-
stood all the fine shades and niceties of
language which songs require, if they are
meant to be sung. He also, had he chosen
to devote himself to lyrical instead of epic
poetry, might have enriched literature
with many matchless compositions. Per-
haps if he had done so he might have
been dearer and more familiar to his
countrymen. As he is, he is too great
and too mighty for their love. His poeti-
cal character inspires awe and reverence
rather than affection. He sits  blind~
and solitaryon the cold summits of
Parnassus, wrapped in a blaze of~ glory,
inaccessible to the plaudits of the crowd
who behold him from afar. Yet when we
think of him as the author of 11 Pense.
roso and LAllegro, of  Lycidas, and
of Comus, we take him to our hearts,
and lose some portion of our reverence in
the new love we feel for him. In all his
songs and lyrical poems there is an Italian
7</PB>
<PB REF="IMG00018" SEQ="0018" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="8">8	ENGLISH SONGS: ANCIENT AND MODERN.
	Prior to C/doe 7ealous.
To be vexed at a trifle or two that I writ,
Your judgment at once and my passion you
wrong;
You take that for a fact which will scarce be
found wit.
Ods life! must one swear to the truth of a
song?
sweetness mixed with an English force place. Matthew Prior a fortunate verse-
which scarcely needs any aid from the art maker and flatterer of the great, and who
of the composer to shape them into music. wrote himself into an embassy and a pen.
	Cowley did not excel in song~writin g sion  expressed in some famous and
Nature had not endowed him with a fine often-quoted lines to Chloe Jealous the
ear, and, like Wordsworth and Sir Walter low opinion he entertained of the art he
Scott in our own day, he could not readily cultivated: 
distinguish one tune from another, conse-
quently his verse was monotonous, if not
harsh and rugged. His most noted com-
position, one that is still sung by boon
companions, and at places where young
men drink more than they think, is a para-
phrase of Anacreon  a Bacchanalian
song, suited to the tastes of a Bacchanalian
age, and not consistent with modern ideas,
except in so far as we may admire the
ingenious perversity which presses all na-
ture into the service of inebriation : 
The thirsty earth drinks up the rain,
And thirsts and gapes for drink again.
The sea itself (which, one would think,
Should have but little need of drink)
Drinks twice ten thousand rivers up,
So full that they oerflow the cup.
The busy sun (and one would guess
By s drunken fiery face no less)
Drinks up the sea; and when hes done
The moon and stars drink up the sun.
Fill up the bowl then, fill it high l
	Fill all the glasses up, for why
	Should every creature drink but I?
	Why, man of morals, tell me why?

	Drydens songs were better adapted to
music than Cowleys; but, for the most
part, they were even less adapted to decent
society, and have long since perished from
memory, no more to be revived. One or
two of them that were of a patriotic char-
acter have been preserved, such as Come
if you dare! His Alexanders Feast,
~a fine composition set to fine music, was
not a song, but a small opera.
	But Dryden belongs to the bad period
of the Restoration  a period in which
courtiers and public men thought it their
duty, as well as their pleasure, to imitate
the vices of the court of Charles the Sec.
ond, when every moral sentiment was
deadened or debauched; when hospital-
ity degenerated into boisterous and de-
grading intemperance; when virtue was a
Jest, and honor, so jealously guarded by
the sword and pistol of the duellist, was
held to be a thing quite apart from good-
ness; and when the only manly virtue
that was recognized at all was personal
courage. This age was very prolific of
bad verse. Poetry was supposed to be
something artificial, and not natural, and
the consequence was that poetry disap-
peared, and mere idle rhyme took its
What I speak, my fair Chloe, and what I
write, shows
The difference there is betwixt Nature and
Art;
I court others in verse, but I love thee in prose,
And they have my whimsies, but thou hast
my heart.

	How was it possible that poetry could
flourish when a poet, even of the second
rank, could write thus? One of the few
songs worth preserving which date from
this time is entitled When this old cap
was new, published anonymously in r666.
It throws some light on the manners of
the day, and on the antiquity of the great
and truly British art of grumbling. If the
chancellor of the exchequer could but get
Parliament to agree to a grumbling-tax,
and allow no one, male or female, to
grumble unless they took out a license,
what a revenue he might raise I

Good hospitality was cherished then of many,
Now poor men starve and die, and are not
helped by any;
For Charity waxeth cold, and Love is found
in few;
Not so in time of old, when this old cap was
newt

	In that day, as in the present, the ladies
were not allowed to copy the French and
dress as they pleased, or wear hoops, or
any other abomination, without a protest
from the song-writers, who then, and not
newspaper editors, were the leaders of
public opinion.

Our ladies in those days in civil habit went;
Broad-cloth was then worth praise, and gave
the best content;
French fashions then were scorned; such fan-
gles no one knew;
And modesty women adorned, when this old
cap was new l

	To the period of unblushing vice and
effrontery succeeded a period of false
pretence. Love played at masquerade</PB>
<PB REF="IMG00019" SEQ="0019" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="9">ENGLISH SONGS: ANCIENT AND MODERN.
and the song-writers, deriving their in-
spiration not at first hand from nature,
but at seconcV hand from the Greek and
Latin writers whom they imitated or par-
odied, made every lover a shepherd, in a
court dress with gold buttons, shoes with
silver buckles, a curly wig cl la Louis Qua-
torze. Lovers in those days had no such
honest names as John or Thomas or Ed-
ward or Charles, but were all Strephons,
or Adonises. Every lass was an Area-
dian shepherdess with silk stockings and
spangled robe as short as that of a ballet-
dancer; and she, too, instead of beino~
called Jane, Mary, Ellen, or Margaret,
was Chloe, Phc~be, Lesbia, or Sophro-
nisba. To judge of the English by their
popular songs at this period, they, might
have been ranked as a nation of Greek or
Roman pagans. There was no such thing
as love in literature; but, instead of it,
Cupid was continually shooting his
darts, rhyming them with, as well as
aiming them at, hearts. The word
marriage was never mentioned; but
the happy pair, as Mr. Jenkins and Mr.
J eames Yellowplush sometimes say in our
day, went to the altar of Hymen. A
breeze was not a breeze buta zephyr; the
storm was Boreas, the sun was Sol or
Phmbus, and the moon was Cynthia, Di-
ana, or Luna. Every pretty girl, if not a
shepherdess in very short petticoats, was
a Venus if she were kind, and a Diana if
she were coy. Bacehus  a vulgar hy-
brid, half Silenus, half Sir John Falstaff
	was the god of drunkenness, to whom
continual appeals were made to drown
care in a wine-butt or a bowl. Of the
kind of song that was most in favor at this
time, the following, by Henry Carey, au-
thor of Sally in our Alley, will afford a
favorable or, more correctly speaking, an
unfavorable specimen 
Bacchus must now his power resign
I am the only god of wine.
It is not fit the wretch should be
In competition set with me,
Who can drink ten times more than he I

Make a new world, ye powers divine,
Stock it with nothing else but wine;
Let wine its only product be;
Let wine be earth, and air, and sea,

and, most drunken, most selfish rhymer!
if he ine~tnt what he sang-.-
And let that wine be all for me I

	Carey was an excellent musician but a
very inferior poet. He composed the mu-
sic to his own songs, and was one of the
first in modern days to revive the ancient
9
practice. The world owes to him the
music of more than a hundred songs 
music that has for the most part been
divorced from the service of the stage and
concert room to that of religion, and is
attuned to pious hymns and psalms in
half of the churches and chapels of En-
gland and America. It is not known with
certainty who wrote the noble music or
the words of God Save the Kina but
the balance of proof inclines in favor of
Carey. Nothing is more difficult than to
fix the age or the authorships of songs
and ballads published anonymously. Even
the production of the first printed copy
with an authentic date is not always suffi-
cient to set at rest such doubtful points.
This test is unfortunately wanting in most
inquiries of the kind, and even when ap-
plied is not always adequate to the appar-
ently simple task of giving an author his
own property. So difficult is it oven in
our own day to establish a poets claim to
a sono which has happened from any
accident to become popular, that when
Thomas Moore was accused in jest by
Father Prout of translating or stealing
the whole of his Irish melodies from
Greek and Latin, French, German, and
Italian, the world took the good-natured
hoax as a serious accusation, and believed
that there was but too much truth in it.
Thomas Campbell was declared to have
stolen The Exile of Erin from an Irish
hedge-schoolmaster whose name no one
ever heard before or since. The Rev.
Mr. Wolfe, the author of the noble ode on
the burial of Sir John Moore, was in like
manner declared to be an impudent pla-
giarist - One set of wise men declared
that he purloined the ode from a lady,
while another declared that he stole it
from a briefless Irish barrister, who, how-
ever, made no claim to it, or on whose
behalf no appeal was made during his
lifetime. But if such be the case with a
modern composition, when the proofs are
so abundant and so easily accessible, we
need scarcely wonder that it is sometimes
difficult to fix the authorship of songs and
poems published without a name more
than a century ago. This has been emi-
nently the case with the English national
anthem, the most renowned song ever
written, the most fervent expression of
British loyalty, a song that touches a chord
in every British heart, and makes it vi-
brate not only with personal attachment
to the sovereign, whether that sovereign
be a king as in old times or a beloved
queen, the model and example of woman-
hood, wifehood, and motherhood, as in</PB>
<PB REF="IMG00020" SEQ="0020" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="10">I0	ENGLISH SONGS: ANCIENT AND MODERN.
our happier day, but which expresses a
patriotic devotion to that mild, equable,
well-considered, and venerable constitu-
tion, of which the crown is the symbol
rather than the agent. The sovereigns of
England know not the name of the man
who wrote this hymn of loyalty; the peo-
ple are equally ignorant. One set of mu-
sical antiquaries claim the music for Dr.
John Bull in the reign of James the First,
but give no parentage to the poetry. An-
other set claim both words and music for
Henry Carey, who wrote in the reigns
of William the Third, Anne, and George
the First. Carey was both musician and
poet; his music excellent, his poetry in-
different. This description well applies to
the national anthem. The music is grand
and simple, and capable of being elevated
into sublimity; but the poetry, or the
verse, is tame and weak; the rhymes

Send him victorious,
Happy and glorious,
Long to reign over us,

cannot be called poetry at all, or even re-
spectable verse; and all Careys avowed
coml)ositions abound in similar defects
and inelegancies. It may be asked why
Carey, if he wrote the anthem, never
claimed the authorship? Carey was a
Jacobite. He wrote the sentiments of the
Jacobites; and the song when first sung
was treason to the reigning family, as
treasonable as that other Jacobite song, 
Heres to the king, sir!
You know who I mean, sir I

	Carey lived a life of poverty and neg-
lect. The suspicion of disloyalty clung to
him. He was thought to have written a
treasonable song  that song which, by a
stran~~e turn in the wheel of fortune, has
since become the very watchword of truth
and loyalty. He thus failed to acquire
the favor of those who could have be-
friended him, and at the age of eighty-six,
weary of the world, sick at heart, hope-
less, destitute, and reduced literally to his
last penny, he committed suicide in a mis-
erable garret. Careys great anthem 
treasonable though it seemed in his own
day  was loyally meant. It was loyal to
a principle; it was loyal to misfortune;
and by the happy accident of its adoption
by the house of Hanover it has become
the embodiment of a still greater and bet-
ter-founded loyalty than its author in-
tended  a more valuable possession to
the throne of Great Britain than all the
jewels in the royal tiara or the great Koh-
i-noor itself
Among the song-writers of this and the
preceding age is Thomas or Tom Dur-
fey, with whom King Charles the Second
once condescended to walk though St.
Jamess Park, arm-in-arm, his dogs and
courtiers following behind. Durfey wrote
five or six volumes of songs, none above
mediocrity, and some far below it. Gay,
the author of  The Beggars Opera,~
wrote many new songs to the excellent old
tunes of England, but scarcely succeeded
in making the new songs more moral or
less vulgar than the old, or left one great
or noble sentiment on record in this form
of composition, except in Black-eyed Su-
san, one of the most popular songs in the
English language. Shortly after his time
appear~d David Garrick, who wrote that
vigorous sea-song which in his time was
enough to transform every sailor who
heard it before going into battle into a
hero: 
Hearts of oak are our ships,
Hearts of oak are our men.

	In the same period of literary history
must be placed James Thomson, author
of The Seasons, who wrote the national
anlhem Rule Britannia, a composition
which had the good fortune to be asso-
ciated with the music of Dr. Arne, and to
be floated upon that full tide into a surer
haven of immortality than it could ever
have reached by its own unaided merits.
Still later appeared Thomas Percy, Bishop
of Dromore, the editor of Percys Rel-
iques, and who wrote one song, 0
Nanny, wilt thou go with me? which
received from the pen of no less a person
than Robert Burns the praise of being
the finest composition of its kind in the
whole compass of literature.
	But it was not until the bright particu-
lar star of Charles Dibdin arose, towards
the close of the last century, that England
recognized her greatest national songster.
The ideas of some writers are of the earth,
earthy. The ideas of honest Dibdin, mu-
sician and poet, were of the salt sea, salty;
of the ocean, oceanic; of Great Britain,
truly British. England loves her sailors
she admires their free-heartedness, their
outspoken honesty, their contempt of diffi-
culty and danger, their rollickings, their
roystering good-humor, their superexu-
berant fun, their sublime courage; and
so dearly loves them that the offence
against good manners and propriety which
she would severely condemn in any other,
she condones or excuses in the sailor.
Thesoldier, though highly esteemed in his
own way, is not the prime favorite of the</PB>
<PB REF="IMG00021" SEQ="0021" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="11">ENGLISH SONGS: ANCIENT AND MODERN.	II
people Jack, as he is affectionately
called, is the national hero; and Nelson
ranks above Wellington, not because he
did more, or was a braver and better man,
but because he was a sailor, and had the
failings as well as the virtues of his class.
Charles Dibdin represented Jack in
all his strength and all his weakness.
How beautiful, for instance, are Tom
Bowling, Lovely Nan, The Sailors
Journal, and a score of others that might
be cited! Dibdin said of his songs, with
pardonable pride, that they had been
considered an object of national conse-
quence; that they had been the solace of
sailors in long voyages, in storms, and in
battles; and that they had been quoted in
mutinies to the restoration of order and
discipline. Charles Dibdin left a son,
who followed in his fathers footsteps, and
wrote some excellent sea-songs; among
others The Tight Little Island, which
still holds its place in the popular affection
unimpaired by the caprices of literary
fashion: 
Daddy Neptune one day to Freedom did
say,
If ever I lived upon dry land,
The spot I should hit on would be little
Britain,
Says Freedom, Why, thats my own isl-
and.
Oh, tis a snug little island,
A right little, tight little island,
Search the globe round, none can be found,
So happy as this little island!

	It was not many years ago, and within
living memory, that Thomas Dibdin was
to be seen wandering, a forlorn old man,
through the streets of London, with
scarcely a shoe to his foot, and with the
fate of Henry Carey staring him in the
face. What brought him into this pitia-
ble condition it is not for us to inquire.
Let his memory rest. By what right shall
posterity pry into the private misery of
poets? His muse was an honest one, and
he devoted her to honest uses. More
need not be said of him.
	Of the English song-writers of the pres-
ent century, the most illustrious were
Thomas Moore, claimed exclusively by
the Irish, but who may be also claimed as
particularly English, in such well-known
songs as The Last Rose of Summer,
The minstrel boy to the war has gone,
As a beam oer the face of the waters
may glow, The Meeting of the Waters,
The Canadian Boat-Song, and many
others equally familiar. Thomas Camp-
bells  Battle of the Baltic, his  Mari-
ners of England, and his Hohenlinden
are three songs, any one of which would
be sufficient for a noble reputation. Cold
is the heart that can read them unmoved,
even if patriotism should not lend its
glowing heat to the admiration which
they excite. His Exile of Erin, and
Irish Harper, though Hibernian in sub-
ject, are English in style and treatment,
and may fairly rank as Enulish sonas of
the best class. In his love.sono~s Camp
bell was not so successful. His Pleas-
ures of Hope and his Gertrude of
Wyoming may pass out of popular fa-
vor; but his war-songs and some of his
lyrical pieces will last as long as the liter-
ature of England.
	Did space permit, a more detailed men-
tion might be made of Captain Morris,
who wrote about three hundred, and
Thomas Haynes Bailey, who wrote up-
wards of eight hundred songs. The gal-
lant captain was the friend, or rather the
companion, of George the Fourth, for
kings are placed too high to have real
friends. He sang his own songs at the
royal table, at the Beefsteak Club, and at
the mess table of the Guards. He had
good poetical intentions; but mere inten-
tions do not produce poetry. Nothing of
him remains in the pop4lar mind or on the
popular ear. He wrote for a class, and
not for the great heart of humanity; and
his songs are effete, defunct, dead, buried,
and forgotten. The reputation of Haynes
Bailey has greater tenacity of life. He
had real tenderness, which he displayed
in such songs as  The Soldiers Tear,~~
and Oh, no, we never mention her!
and considerable wit and humor, but his
sentiment was too often mere sentimen-
talism, his love lackadaisical, and his mel-
ancholy very genteel and effeminate 
wearing white kid gloves, and wiping its
eyes, in which there were no tears, with a
highly perfumed cambric pocket handker-
chief  a very Mantilini of the art of
poetastry.
	Of Brian WaIler Procter, better known
to the world as  Barry Cornwall, it is
not necessary to indulge in elaborate criti-
cism. One of his songs, The sea! the
sea! the open sea! took possession of
the tongue and ear of the multitude and
maintained it usque ad nausezrn for a
whole twelvemonth or longer. A second,
on a very inferior subject, King Death
is a rare old fellow, is still occasionally
heard, and will live as a poem long after
it is forgotten as a song. Samuel Lover,
a ~vriter of Irish songs, deserves and has
received high appreciation, not only from
his Irish fellow-countrymen, but from the</PB>
<PB REF="IMG00022" SEQ="0022" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="12">ENGLISH SONGS: ANCIENT AND MODERN.
I2

English people, among whom he cast his classes, conviviality, as our ancestors un~
lot at an early period of his career. He derstood it, is a thing of the past; and
wrote many excellent songs, full of the such bacchanalian orgies as they indulged
peculiar tenderness and humor which are in are now unknown in decent society,
so often found in combination in the Irish and would be held disgraceful if they were
character, which promise to enjoy a longer attempted. Songs are no longer sung at
tenure of popular favor than the songs of the dinner-table after the ladies have re-
his more classical predecessor, Thomas tired to the drawing-room, and to sit long
Moore. Except in the songs that breathed at the wine is forbidden by the inexorable
incipient sympathy with Irish disaffection and unwritten law of society; and when
and rebellion, Moore was far more En- conviviality went out of fashion enthu-
glish than Irish, and scarcely attempted siasm went also  though not perhaps as
to reach the popular heart, or, if he did a necessary consequence.
so, failed in the endeavor. He was essen- The struggle for life and worldly posi-
tially an aristocrat, and might have been tion is so hard among all classes, and the
compared to a tame canary-bird who never disappointments that attend the struggle
sang well except when he was perched on are so grievous and so many, as to pro.
the finger of a countess; unlike Samuel duce a feeling that hope is a deluder, and
Lover and Robert Burns, who sang aloft that enthusiastic belief in or love for any.
in the sky with the sunlight upon their thing is a foolish feeling and a mistake in
wings, and cheered the hearts of the com- which the wise will not indulge. And
mon people in the fields below, with enthusiasm, reverence for everything
	Most English poets worthy of the name except money and the things that money
have written songs  often very beautiful will buy has become pretty nearly defunct
to read, but not always well adapted to be in all classes of adult men and women,
sung. These poets have either not known, though still to some extent, not a large
or have forgotten, that the essential ele- one, existent among the young who have
ment of a song is to be singable, and that not begun to reckon their ages among the
a fine thought, if expressed by words teens.
containing too mapy harsh and unvocal An evil example was set between forty
consonants, though it may appeal to the and fifty years ago by many young writers
understanding, may fail to find interpreta- who laid themselves out to be what is
tion from singers who require grace, mel- called funny, to become in fact profes.
ody, smoothness, and limpidity of meaning sional punsters, by the composition of
in songs, rather than intellectual strength drearily comic books  among othe rsby
or depth of suggestion, and that the true comic English and Latin grammars, by
song should be above all things, as Milton comic geographies, by comic histories of
expresses, simple, sensuous, and passion. England; and who would in all probabil
ate.	ity have written comic  Bibles if they
	Among living writers of songs, of whom could have found a market for them.
a score at least might be mentioned with These writings had any amount of popular.
all befitting honor, the Laureate has been ity, which contributed in no small degree
most successful in his efforts to charm his to the deterioration of the literary taste of
contemporaries in this branch of the poetic the then rising generation  a deteriora-
art. But his songs, like those of some of tion which has extended its baleful influ-
his compeers in the higher walks of poetry, ence to their successors, of the present
have only found favor with the few, and day, and has not only invaded the private
have been of too high an order of literary talk of society, but the theatre, and might
merit to reach the hearts of the multitude, even claim the monopoly of the drama
The serious minds of the age are en- were it not for the paramount and benign
grossed with theological, scientific, and influence of Shakespeare. To such agency
political questions, and have no real taste the public of the present and of a not long
for the song, which they consider to be bet- since departed day owes the hydraulic
ter adapted for the amusement of women and pumped-up fun which is not funny,
than for that of men. The change in the of the songs that now achieve the greatest
habits and manners oftheupper and more popularity, and retain it for the longest
educated classes of society which has been time. Of this inane class are Pop goes
in gradual operation for the last fifty or the Weasel, Jump Jim Crow, Tue
sixty years has been unfavorable to the Ratcatchers Daughter, The Chicka-
appreciation of the song in the private leerie Cove, Tommy, make room for
circles where it flourished in the days your Uncle, and other vulgarities that
of our great-grandfathers. Among these seem to fascinate the sons and daughters</PB>
<PB REF="IMG00023" SEQ="0023" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="13">	BORROUGHDALE OF BORROUGHDALE.	13
of the lower middle class. If one would
really form an estimate of what popularity
signifies and what it is worth, he might
discover a humiliating truth in the fact
that the street entertainment of Punch
and Judy is really more popular than
Hamlet or Macbeth, and that the
most popular of all the songs still sung in
England is one adapted to the old French
melody of Ma/brook sen va-I-en guerre,
and that forms the bacchanalian chorus in
circles where a spurious convivality still
prevails 
We wont go home till morning,
Till daylight doth appear;

varied occasionally by another chant of a
similarly low order 
For hes a jolly good fellow,
And so say all of us;

with an extra powerful emphasis upon the
final us.
	Not quite so vulgar, but quite as popu-
lar, as these are the vapid sentimental
songs  which find favor with what may
be considered the great majority of the
fair sex, who possess a smattering of lit-
erary taste, and a still slighter smattering
of musical appreciation  that are issued
in shoals by the musical publishers of the
present day, to the almost complete dis-
placement of the really good songs and
the very excellent music of a bygone
generation. As the literary reviews and
other periodicals do not bestow much, if
any, of their critical attention upon these
slight and ephemeral productions, every
publisher  in league, it is to be supposed,
~vith the author and composer  becomes
his own critic and displays his apprecia-
tion of his own wares in the advertising
columns of the penny press; calls them
lovely, soul-entrancing, awfully at-
tractive, immensely successful, pa-
thetic and most perfect, sentimental but
sensible, always certain of an encore,
most charming and descriptive, the
greatest success of the season, always
uproariously encored. Often, as if fear-
ing that these encomia should fail of their
effect, these enterprising tradespeople
publish in extenso, as advertisements,
what they call the words (words and
nothing else) of these effusions, at a cost
per line which possibly the writers of such
songs would be only too glad to have in
their pockets, if the music publishers
would extend their liberality in that di-
rection.
	To judge by the ultra-popular songs of
the present day, whether they be senti
mental or comic, we might well come to
the conclusion that the age of English
song has passed. But this would be an
error. The song worthy to be so called
will continue to exist and be admired in
literature and be enshrined in books, if it
do not find a place in the music-stands of
the boudoir and the drawing-room. Lyr-
ical poetry will never die. It is the earliest
form of poetry and in many respects the
best, as has been proved from the days of
the patriarchs, when Miriam sang her
song of triumph on the overthrow of the
hosts of Pharaoh, and of the later time
when King David poured out his full soul
in exultation or repentance, and when his
son, no.t so great as his father, because he
had not been purified in the fires of ad-
versity, sang The Song of Songs, which
is Solomons. The days for the produc-
tion of new epic poems may have passed,
never more to return, but the days of
lyrical poetry will never pass as long as
there are young and passionate hearts in
the world, and cultivated intellects to ap-
preciate the noble, the pathetic, and the
tender outpourings of affection and fancy
which, in combination with the music of
rhythm and rhyme, constitute lyrical
poetry, and which only needs what it does
not always obtain  the music of the
 human voice divine , to become  songs 
in the truest sense and in the highest
meaning of the word.
CHARLES MACKAY.




From Macmillans Magazine.
BORROIJGHDALE OF BORROUGHDALE.

For every man hath a talent if he do but find it.
JOHN LOCKE.

CHAPTER IL

	A FEW days later, sitting again in the
same place, he suddenly looked up, after
a prolonged interval of silence, and in-
quired whether Farquart had returned his
cousin s visit.
	Farquart, who was painting, turned
round, laughed, stared a little, and said
no, he had not. All his friends knew, he
declared, that he hadnt time to run about
dropping those ridiculous bits of oblong
paper, so didnt look for it. As for his
cousin Katherine, it was useless going to
see her, for there was only one sitting-
room in the house she lived in, and the
old woman, her aunt, was always sitting
there too. Besides, poor Katherine was
so immersed in her microscopic prepara-
tions and rubbish of various sorts that</PB>
<PB REF="IMG00024" SEQ="0024" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="14">4	BORROUGHDALE OF BORROtIGHDALE.
one could only get a word in edgeways
with her, and a visit reduced itself to dis-
cussing the Bayswater Chronicle with
Mrs. Holland, who, as Borroughdale must
have observed, had hardly an idea in her
head, and was the most tedious old woman
in the universe into the bargain.
To this explanation the latter responded
with that large and massive silence of his
which filled up so many of the vacant
pauses of his life. Possibly there may
have appeared to Farquart to be some-
thing less absolutely admiring in it upon
this occasion than usual, for he presently
added, 
Youre always roaming about the town
though, Borroughdale. Why shouldnt
you call and leave my card and your own
too at the same time? It would be im-
mensely charitable of you if you would,
and would save me a world of bother.
Mrs. Holland, too, would go simply out of
her wits with delight, and would probably
send off straight for a framer and glazier,
in order that yours might be duly set out
over the mantelpiece!
This suggest ion Borroughdale at first
met also with absolute silence, and Far-
quart, who in fact had no idea of his
agreeing to anything of the sort, and had
rather thrown in the last suggestion by
way of deciding him against it, had gone
back to his work  when he suddenly
unsealed his lips to say, 
 Wouldnt they think it cool ?
	Cool! Who? The Hollands, do you
mean? No  at least of course not.
Theyd be delighted, Farquart replied,
rather staggered however at finding his
own suggestion so promptly and unex-
pectedly acted upon.
	All right; give us the card and the
address.
	You mean really to leave them?
	Yes, of course I shant go in, though.
Not unless  No, in any case I shant
go in.,~
	A few days later, accordingly, the cards,
his own and Farquarts, were delivered
by the Marquis of Borroughdale in per-
son, who escaped as soon as he had de-
posited them in the hands of a prim~faced
parlor maid with black ribbons in her cap,
who gazed, first at them, and then at him,
with an air of the severest and most un-
qualified scepticism. Apparently, how-
ever, her employers were less incredu-
lous, for a few days later, on returning
from a solitary expedition down the river,
he found on his table three pieces of card-
board announcing that Professor Holland,
F.L.S., F.R.S., F.G.S., and other initials,
had been to call upon him, also Mrs. Hol-
land and Miss Katherine Holland.
	Did they ask if I was in? he in-
quired of the servant who opened the
door.
	The man thought not. A lady had
come alone in a four-wheel cab, and had
handed in the cards, and had driven away
again immediately.
	Borroughdale had all the mind in the
world to ask what this lady was like, but
refrained, long habits of taciturnity step-
ping in amongst other things to hinder
his doing so. He let a week elapse, and
then, one afternoon about five oclock, lie
called again at the house in Bayswater,
and sent up his card.
	This time the parlor maid returned
smoothing down her spotless apron, and
with a marked decrease of asperity an-
nounced that the ladies were at home,
and would his lordship kindly walk up
stairs.
	Borroughdale obeyed, and was ushered
into a fairly large-sized drawing-room,
with the usual shining double doors and
profuse exhibition of antimacassars, the
only peculiarity in this case being an un-
usually large, square table, without cover
of any sort, which was placed in one of
the windows, and on which stood a num-
ber of small brass instruments amongst
which a microscope rose conspicuous.
Miss Holland, who was putting together
some pieces of drawing-paper at this ta-
ble, turned round as he entered, while her
aunt, whose cap he noticed had got slightly
awry, advanced hurriedly from the fire-
place to greet him.
	Evidently the poor lady was suffering
from an intense attack of nervous embar-
rassment, so alarmingly did she stumble
and shuffle over her greeting. So partic-
ularly kind of him, she said; really quite
remarkably so. He had met her niece
before, had he not? He must please pos-
itively allow her to call the professor, who
would  what chair would he take?
	Now oddly enough, Borroughdale, un-
like most shy people, became more instead
of less at his ease when he encountered
others similarly affected. Whether it was
that there was something consoling in the
sight of another suffering from his own
malady in an acute form, or whether the
latent instinct of a man born to fill a great
sphere came to his rescue, certain it is
that his usual asperities softened under
these circumstances, and he became po-
lite, and even, comparatively, what is
called affable. He now responded to
Mrs. Hollands agitated greetings with</PB>
<PB REF="IMG00025" SEQ="0025" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="15">J3ORROUGHDALE OF BORROUGHDALE.
good-natured civility, sitting down in the
chair she tremblingly indicated to him,
and plunging into a dissertation upon the
weather, and the recent political events
with an amount of. fluency which would
not a little have astonished some of his
own intimates.
	Apparently the poor ladys embarrass-
ment was too profound, however, to be so
easily dispersed, and, after a few abortive
and disjointed attempts at conversation,
she suddenly got up, saying that she really
must inform the professor, who would
never forgive her were she to allow Lord
Borroughdale to go away without his see-
ing him, and so saying left the room.
	Miss Holland, who up to this had re-
mained somewhat aloof from the conver-
sation, now necessarily took up the thread
bf it, continuing to speak upon the same
topics which the guest himself had al-
ready started. Unfortunately the latters
own chronic complaint showed an imme-
diate disposition to revive, and it was with
a sort of despairing resolution to put an
end to it at once or to perish in the at-
tempt, that he suddenly leaped from his
chair, and crossing over to the large table
near which she was still sitting, begged to
know what was the use of those little
brass boxes, several of which he saw upon
it.
	They are parts of a camera lucida,
she answered, for drawing microscopic
objects, you know. I am helping my un-
cle to prepare some drawings for a mono-
graph he is bringing out, she went on.
His eyes unfortunately are not at all
strong, and he is ordered to take as much
care of them as possible.
	~ What sort of things do you draw?
	These sort of things, she answered,
placing before him some pieces of white
paper, upon each of which was outlined in
ink an eccentrically shaped object which
appeared to Borroughdales eyes to re-
semble some sort of jointed drainpipe,
with a small flower or a flower-bud pro-
truding erratically out of every joint.
	Why, what upon earth are they? he
inquired.
	They are called polyzoa, I believe.
Should you like to see some? I have sev-
eral here in this little glass; I was draw-
ing them when you came in. My uncles
monograph has to be ready by the end of
this month, so I do as many of them now
in the day as I can.
	While speaking, Miss Holland had been
carefully extracting some nearly invisible
object out of a glass at her elbow by means
of a tube, and was now placing them in a
small cell upon the stage of the micro-
scope before her.
	Now look, she said to Borroughdale
Not there, she added, as that worthy
youth began plunging his head energeti-
cally towards the base of the instrument.
And dont put your hands there either,
or you will interfere with the focus. See,
hold this little knob, and move it up and
down till you get it arranged to your
sight.
	Under these instructions Lord Bor-
roughdale at last got his eyes and his fin-
gers into the right places; having done
which he remained gazing for some min-
utes down the instrument. Suddenly he
gave a tremendous jump.
	Hullo l its alive! he exclaimed.
	Alive! Oh yes, quite alive, she an-
swered, laughing. You couldnt draw
them, in fact, at all, if they werent, as
they go back then into their tubes.
	Borroughdale said no more, but con-
tinued to gaze down the instrument, with
his head tightly glued to the top of it. At
last, however, he lifted the latter, and,
turning round, stared hard instead at his
companion, as though he thought she had
been performing some act of legerdemain
for his benefit.
	Well, what did you see? she said,
smiling.
	The most extraordinary thing hap-
pened. Ive looked through microscopes
often before, but never seen anything the
least bit like this. There was a little
lump of jelly fastened to a bit of stick, and
I was wondering why you should have
told me to look at it, when all at once it
stretched until it became as big as a glass
chandelier, all covered over with little
bobbing bells, and all the bells began nod-
ding, and c urtseying, and dancing, and
jumping about together, as if theyd sud-
denly gone mad, and then all at once,
crack! the whole thing rolled up into a
lump of jelly again.
	Oh, yes, I know what that was, Miss
Holland said. These were not the
polyzoa, though; the glass must have got
moved. I forget their names, but they
are very common things, though very
curious. I have often been amused by
them myself.
	Curious? theyre the most extraordi-
nary things I ever saw in the whole
course of my life l And you say they are
common. Could one get them for one-
self?
	Oh yes, I should think so. There are
almost always some amongst the seaweed
and other things that are sent to my uncle.
Is</PB>
<PB REF="IMG00026" SEQ="0026" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="16">BORROUGHDALE OF BORROUGHDALE.
	At this moment the professor entered,
accompanied by Mrs. Holland, who, under
his wing, appeared in some degree to
regain self-possession. He was a small,
thin, bloodless-looking man, with that
extreme lankiness of jaw which one has
come to associate with the citizens of the
great republic, but with a feebler mouth
and chin than generally accompanies the
type. His forehead, on the other hand,
was remarkably large and fine, and the
same contradiction seemed to some de-
gree to run through the whole person and
bearing. His eyes, which were evidently
weak, were protected by large spectacles,
and his head partially covered with a small
black skull-cap.
	AhI my niece, I perceive, is showing
you some of our new forms, he said to
Borroughdale, when the first greetings
bad been exchanged. Your lordship, I
presume, takes an interest in marine zool-
ogy? he added in a tone of confidence.
	Not I, said Borroughdale; at least
I never thought at all about it before, but
what Miss Holland has just been showing
me is the most extraordinary thing I ever
saw; things, you know, that are all over
glass balls, and bob out at you like a
jack-in-the-box. I could go on looking at
them all day.
	Ah! the little Carchesium. True, those
compound Vorticeilacecz form a singularly
striking group, do they not? Professor
Wurst of Munich has recently been pub-
lishing the resu Its of a series of investiga-
tions upon their structural development
~vhich promises to be of considerable value.
No doubt, though, Gellenshaft is still the
great authority upon the whole order.
Your lordship is acquainted probably with
the writings of Professor Gellenshaft?
	Not I; I know nothing, I tell you
about them, or about science or natural
history, or anything of the sort. I almost
wish I did; at least, if there are many
things as curious as those, he added,
glancing ingenuously over to the table.
	Why do you not take to it then?
Miss Holland inquired, who, with the or-
derliness of habit, was mechanically put-
ting the things there back into their places
again. You really ought to do so when
it interests you so much, she added, turn-
ing round to look at him, and speaking
with some insistance.
	Borroughdale reddened, shuffled his
feet about a little on the carpet. I
shouldnt so much mind if youd help
me! he exclaimed, with a sudden burst
of audacity. Then, with an equally rapid
lapse into despondency, I never could
learn anything in my life, though!, he
added gloomily; so there would not be
any sort of use in my trying.
	The end of it was, however, that when
a quarter of an hour later Lord Borrough-
dale took his leave, he carried off with
him a pocket microscope and a bottle con-
taining a pinch of green stuff. Half that
night he sat up trying to puzzle out those
unaccountable aberrations which unfolded
themselves to his eyes, and two days later
he reappeared at the professors clamor-
ing to know where he could get some
more. Under these auspices he was not
long in making friends with the purveyors
of the tanks at the Zoological Gardens,
and in duly setting himself up with a mi-
croscope and a regulation supply of ob-
jects. It was the genuine outbreak of a
hitherto unsuspected faculty, which but
for some such accident as this might have
lain comfortably perdue under the surface
for the rest of his days. Now, however,
that it had proclaimed itself, it did not
seem likely to be allowed much rest; one
thing inevitably leading to another, and
that other, as inevitably, to the one imme-
diately beyond.
	Borroughdale, whom all his masters
with one consent had proclaimed too stu-
pid or too stubborn to learn anything, for
whom the magnificent educational re-
sources of England had hitherto been
ransacked in vain, having apparently at
the eleventh hour discovered something
about which he did care to be informed,
seemed bent upon making up for lost
time. He sat hours at a time over his
forceps and pliers, plunged into the most
uninviting of primers and manuals, at-
tended lectures, and spent days amongst
the bewildering mazes of the British mu-
seums. Of course all this sudden intel-
lectual activity necessitated, it will be
understood, a pretty constant recurrence
to the house in Bayswater, and to those
sources of encouragement for which he
had there stipulated. Poets from the be-
ginning of things have sung the provoca-
tions and incitements which lead to the
romantic passion, but perhaps a commu-
nity of hobbies  little romantic as that
may soundis not one of the least effec-
tive or the least stimulating of these. So
at any rate it was in this case. Borrough-
dales brain and heart, despite the im-
measurable antagonism which is supposed
to exist between the two organs, awoke
both of them into conscious activity, both
of them, as it happened, precisely at the
same moment.
	Although in his eyes she appeared to</PB>
<PB REF="IMG00027" SEQ="0027" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="17">	BORROUGHDALE OF BORROUGHDALE.	7

be a perfect prodigy of learning (which, in
truth, the poor girl was very far from
being) he was not at all the more alarmed
of Miss Holland upon that account. It
was not the cleverness or even the bril-
liancy of other women, so much as their
fine clothes and their irresponsible chat-
ter, which had made them so mortally ter-
rifying in his eyes. Katherine Holland
had apparently no fine clothes, and she
had, equally apparently, no disposition for
irresponsible chattering, or, if she had,
the early severity of circumstances had
effectually taken it from her. This pre-
mature gravity, which would have made
her fatally wanting in charm to most young
men, was only, as it happened, an addi-
tional attraction to this one. Deep down
at the bottom of all Borroughdales sul-
lenness and all his disinclination for soci~
ety lay two very distinct qualities: an
intense  morbidly intense  sensitive-
ness to the good opinion of others, and a
pride which shrank from being indebted
either to his money or his position for
suffrages, which it seemed to him hope-
less to expect to claim upon more personal
grounds. Miss Hollands gravity, her in-
capacity for small talk, and her absorption
 whether real or sympathetic  in larger
interests, was as soothing to him as the
low notes of a wood-pigeon to ears long
teased by the pertinacious twittering of
sparrows. He began by talking to her
about his various zoological difficulties;
he went on to talk to her about some of
those other less impersonal stumbling-
blocks of which he had all his life been
more or less dumbly conscious; and before
the end of their first three weeks of inter-
course he had ended by becoming as
thoroughly, heartily, and irrecoverably in
love with her as the most ardent enthu-
siast upon the subject could possible de-
sire.
	To the other two members of her little
circle he was a source in some degree of
awe, in some degree of perplexity, but also
and chiefly, it must be said, of profound
pride and gratification, the professor espe-
cially being inspired with something very
like a positive enthusiasm for this latest
and most ardent, if not most promising,
of-recruits to the great army of scientific
workers. Despite his own pre-eminently
respectable standing in that sphere, the
good man had all his life been strangely
pricked and tormented by vague hanker-
ings after another and a less attainable
one, generally disguised from himself by
slighting references to the incapacity of
men of rank and position to adequately
	IAV1NG AGE.	VOL. XLIX	2498
gauge or appreciate the labors of their
intellectual betters. To have, therefore,
the owner of so shining a name  one
which seemed to carry a sort of aristo-
cratic effulgence in its very syllables~
sitting hour after hour in his own front
parlor, imbibing the first syllables of
zoological lore from his own inspired lips,
was eminently soothing to his amour
propre; not the less that he naturally set
down the whole of Lord Borroughdales
sudden enthusiasm to the score of that
scientific radiance which emanated so con-
spicuously from his own person.
	To some of that important young mans
own friends this sudden transformation of
incorrigibh~ idler into ardent and indefati-
gable learner, was less a source of jubila-
tion, however, than of perplexity, and even
of a somewhat irritated mystification. Far-
quart, who had heard something of the
new mania, but who for more than a fort-
night past had seen nothing of Borrough-
dale, walked over to his house in Portman
Square one morning towards luncheon
time, and was informed by the servant
who opened the door that his lordship
was ul)-stairs in the drawing-room
	Wondering rather at this unwonted
change of habit he walked up-stairs, and
found the owner of the house gazing en-
thralled into a small glass phial, a pot of
canada balsam simmering upon a tripod
at his side, a quantity of pots and pans
containing objects scattered about the
floor, and a very percel)tible aroma of
what, by a delicate periphrase, may be
called extinct marine organisms.
	Hearing steps, the investigator looked
up  his eyes still alight with the fires of
discovery  and stretched out a hand wet.
with salt water to his guest.
	What the deuce have you got hold of
there? the other inquired, in a tone of.
some disgust.
	A mphipoda  such extraordinary lit-
tle beggars!
	And what may their names be in the
ordinary language of civilization?
	Well, theyre a sort of crab  at least.
 no, not crabs exactly, either. You.
never went in for zoology, Farquart,.
amongst the multitude of things you
know, did you? Why was that, I won-
der? You can form no idea what a tre-
mendously interesting thing it is.
	Very likely; but you see I happen to
have a particular dislike to handling slimy
messes, his friend replied, wiping his
hand leisurely upon his pocket handker-
chief. Why, Borroughdale, I had no
conception you had such a good ceiling</PB>
<PB REF="IMG00028" SEQ="0028" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="18">i8	I3ORROUGHDALE OF BORROUGHDALE.
up here, he added, with a sudden accel-
eration of interest, glancing as he spoke
into the vault above his head, where some
lightly attired but decorously obscure
damsels appeared to be disporting them-
selves against a chocolate-colored sky.
That must be a Verrio, I declare, he
added.
	I intend having it whitewashed, what-
ever or whoever it is, Borroughdale re-
plied emphatically. Its most beastly
dark in here.
	Whitewashed, my dear fellow! You
never surely would be such a Goth?
Why, those ceilings are getting. tremen-
dously scarce. I dont say Verrio was
exactly a Michael Angelo, still, if only as
a memento of the period, they are simply
priceless.
	I am very sorry to hear it, as I must
get it whitened somehow. Its as dark as
pitch in here by five oclock. Could it be
scraped off? If so, youre welcome to it,
you know.
	Farquart smiled derisively.
	You could scrape it off, no doubt, but
there wouldnt be much of it left when you
had completed your process, he replied,
a trifle, perhaps, too disdainfully.
	Borroughdale proffered no further sug-
gestion with regard to the ill-fated ceiling,
but quietly replaced his phial before him
and resumed his contemplation of the
amphipoda. Farquart sat by a little
longer watching the big fingers plunging
down now and then into us depths; then
he got tip, saying he must be off to the
club to lunch, would Borroughdale come
too? No, Borroughdale said, lie couldnt.
He was very sorry to refuse, but he
couldnt spare the time, he really couldnt.
Accordingly Farquart departed alone,
smiling, and lifting his shoulders again
with an uncontrollable gesture of pity as
he did so.
	It was odd, very odd indeed, he thought
to himself, as he went his way meditatively
along the streets, the way things were man-
aged in this really most incomprehensible
of all incomprehensible worlds. Of course
if Borroughdal e, poor fellow, could find no
better way of filling up his interminable
hours than by scraping shells and bottling
up crabs, why, it was better he should do
that than inflict them upon other people.
But when one thought, when one simply
for an instant considered, what another
man in his shoes might get out of his life,
what accomplish, what leave as a sort of
record and legacy to all coming million-
aires really it took ones breath away!
And as he turned leisurely up Piccadilly a
sense of the unfathomable and immeasur-
able stupidity of things stole gently over
the clever young mans mind, and he twice
shrugged his shoulders again before arriv-
ing at his destination.
	A few days later he took occasion to
call at Professor Hollands house, moved
thereto chiefly by a certain curiosity as to
the mainspring of this sudden and futile
ebullition of energy. He met his cousin
as it happened on the doorstep, she hav-
ing just returned, she told him, from a
walk in the park. She was looking, lie at
once observed, remarkably handsome; the
walk had brought a color into her usually
pale cheeks; that peculiar look of youth
~vhicli at times seemed fairly extinguished
out of her face triumphing to-day in eyes
and lips, and in the girl-like brightness of
her glance.
	How well you are looking, Katherine,
and how little I have seen of you of late!
he said with an air of gracefully senti-
mental regret as they went up the stairs
together.
	Miss Holland smiled a little sceptically.
	Whose fault is that, I should like to
know? she answered. We are not
much more difficult to find at home than
the snails. You have only to look into
our shell.
	True; but then London  you know
what London is in the matter of engage-
ments, or rather perhaps, happy being,
you do not. Really the calls upon a mans
tinie are maddening, nothing short of
maddening. And the more too one tries
to shut oneself up, the more the wretched
people insist upon pulling one out, and
not leaving one a moments peace.
	Miss Holland smiled again, without her
face, however, entirely losing its sceptical
expression.
	Have you finished that picture you
were at work at when we were last at
your studio? she presently inquired,
turning a way as she spoke to lay aside
gloves and cloak on the back of a sofa.
	Farquart stroked his moustache a mo-
ment reflectively.
	The picture? Now let me see which
was that, I wonder? he said in a tone of
profound introspection. Ah, yes; now
I remember. Finished it! Heavens no,
my dear girl. Ive put it away. I havent
even seen it since. Im trying to forget I
ever painted it.
	Trying to forget it. Why?
	Well, you see, it is rather a theory of
mine. I dont believe in sticking at any
one thing beyond a given time. I believe
one does oneself more harm than good.</PB>
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He had by this time seated himself upon
a chair, and was glancing up and down
the room with that sense of amusement
which so often assailed him when he
found himself confronted by other peo-
ples notions of the decorative. One
makes more way often by resting on ones
oars, you know, he added, turning his
eyes so as to bring them to bear upon his
cousins face.
	One might rest too long though, she
suggested.
	Oh, yes. Of course there is always
that risk; still I think on the whole it is
less than the opposite one; supposing,
that is, that a man has the wherewithal to
do anything at all in him; and if he hasnt
why of course it doesnt much matter what
he does, whether he grinds or ~vhether he
does not. But if he has he cant really
idle even if he tries. Everything one
sees; everything bombastic people call
one~s environment; the people one meets;
the houses one goes to; that tiresome
woman you danced with yesterday, or
took into dinner the day before; all form
part, artistically speaking, of your daily
bread. You dont consciously chronicle
them, of course, or sketch them, or any-
thing of that sort, but they go down some-
where or other, and come out again in one
form or other if theyre wanted. Forgive
my inflicting upon you this elaborate reci-
tation of my artistic creed, but seriously I
believe thats about it. The cream of a
mans ideas, his best inspirations, all come
to him in that sort of unpremeditated way.
It gives a better chance, too, to the infin-
ities and immensities which are always
floating about if one can only make use of
them. Sticking like a leach to his easel
or his desk, as the case may be, his ideas
get ossified, and ten to one, he is missing
a dozen better ideas while he is pegging
away like a cart-horse at one.
	Katherine Holland shook her head
slightly. She thought her cousins theo-
ries very brilliant, very in~enious, but at
the same time slightly unpractical.
	Now, my uncle, would he I wonder
get any clearer ideas about his morphol-
ogy or his comparative anatomy if he took
to a course of balls and dinner parties?
she inquired somewhat ironically.
	Your uncle? Oh, well  no, very
likely not; but that, you will admit, is dif-
ferent, Farquart answered, with a con-
scientious effort at banishing from his
tone all sense of the immensity of the
difference. I was speaking, of course,
of the more purely creative processes.
By the way, talking of the others  of
your uncles pursuits, he added, reminds
me of Borroughdale. You remember my
friend Borroughdale, whom I introduced
to you at my studio? If Lam not mis-
taken your uncle has got in him a new
recruit. I was at his house the other
day, and I found him up to the ears in
strange and slimy beasts, the room smell.
ing like a seashore at extremely low tide,
one hand excitedly t~visting up the screws
of a microscope, and the other tenderly
caressing a dead crab.
	Miss Holland smiled.
	Yes, I know. We have seen a good
deal of him lately, she said. He is
interested in zoology. He has never stud-
ied it at all, it seems, before; but my
uncle says that he has never known any
one who picked up so much in so short a
time.
	Farquart laughed, throwing back his
head with an intense but perfectly good-
humored entertainment.
	Then all I can say is that you have
worked a miracle amongst you! he ex-
claimed. I have known Borroughdale
ages  we are almost like brothers. There
is not a better-natured, an honester, a
kinder-hearted fellow in all England; in
fact, Im ~)erfectly devoted to him: at the
same time I am bound in honor to declare
that during all the years we have been
together I have never once, even once,
known him acquire anything of his own
free will. And at Oxford, old Godhy,
who was his tutor, and also mine, told me
that in all his experience he never came
across so stolidly, respectably, but abso-
lutely impervious, a headpiece.
	Miss Holland looked a little surprised.
The last part of her cousins speech did
not seem to her to fit particularly well
with the profession of friendship at the
beginning of it.
	Havent you read something of the
same sort in the biography of various
illustrious savants before now? she said
quickly. It seems to me I have. Be-
sides, Lord Borroughdale tells me that he
really has always taken an interest in
natural history  watching the ways of
animals, I mean, and that sort of thing 
only that he was always rather ashamed
of it than otherwise, as no one else he
knew cared for anything of the sort, and
it appeared like a sort of remnant of child-
ish ness.
	Farquart shook his head.
	I expect that their chief attraction in
his eyes  latterly, at any rate  has lain
~in the fact that there was no danger of their
insisting upon his turning any of them</PB>
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into a Marchioness of Borroughdale, he answered. By the way, you know, I
said laughingly. His terror, his absorb- suppose, that he has become immersed in
ing panic, is that every woman he meets, zoology, since you left town, he added
or even hears of, intends to marry him. with a smile.
	Miss Hollands eyebrQws contracted. Know it, my dear sir! I have just
She looked vexed, a blush of displeasure come from seeing him. I assure you the
rather than embarrassment rising sud- smell of -that house is enough to knock
denly to her cheek. Farquart, too, felt you down, literally to knock you down.
unexpectedly annoyed with himself. Now Its perfectly poisonous! We shall have
that they were uttered his words some- him indicted by the neighborhood as a
how sounded a crood deal more significant nuisance if he doesnt mind what he is
than he had ever intended them to be. about.
The last thing in the world that he had Farquart laughed.
proposed to himself that afternoon was It is pretty bad, I know, he said.
what, in the language of slang, is called Carburetted hydrogen, isnt it? I dont
crabbing Borroughdale, still less of believe theres really any great harm in it,
openly hinting to his cousin that any good though.
nature of hers in that direction might But Mr. Vansittart was far past laugh-
possibly be misconstrued. What he knew ing. All his usual social creeds, his very
of her, no less than of the peculiarity of terror of ridicule being for the moment
her circumstances, making anything of set aside in the extremity of his parental
the sort little short of a aratuitous imper- anguish.
tinence. Nevertheless, somehow or other, Harm! heavens and earth, my dear
he seemed to have drifted into doing what young man! I dont know what you call
was at least open to the imputation of harm. To my mind it is pitifulsimply
being both. Where the deuce had his pitiful. When I think of Borroughdales
usually infallible tact got to? he asked position, when I think of his magnificent
himself, with a self-annoyance which was opportunities, when I think of the care
as rare as it was uncomfortable. While with which he has been brought up, when
he was still industriously cudgelling his I think of the trouble which I have always
brain in search of some newer and hap- lavished over his education, that now at
pier topic upon which to. launch, and be- his age he should be given over to such
fore Miss Holland had entirely recovered puerilities, such childishness  worthy
her composure, the door opened and her of some cockney schoolboy out upon his
aunt, Mrs. Holland, entered; whereupon first holiday! Of course 1 dont expect
Farquart promptly recalled to his mind others to see the thing in the same light,
an engagement he had previously forgot. but to my mind it is disastroussimply
ten, and not very many minutes after~vards disastrous!
he rose to take his leave.	Probably hell get tired of it after a
Mr. Vansittart, who happened to have while, you know, Farquart said consol-
been away for a short time from town also ingly. They were still upon the steps of
about this time, paid his first visit to his the club, up which they now began to
sons improvised laboratory, and also mount.
went away shrugging his shoulders and Mr. Vansittart shook his head.
shaking his head. The last state of that I dont know; he becomes extraor-
misguided young man seemed to him to dinarily set upon a thingextraordina-
be worse than the first. As if it was not rily  once he takes it up, he said de-
bad enough to have a son who refused to spondently. Ive known him take up
fulfil any of the functions of his position, the queerest fads; nothing wrong, you
without having one who made it impossi- know, but queer, very queer, the last
ble for you to enter his house without things you would imagine any one in his
having your nose saluted with the most position, and brought up as he has been,
detestably ungodlysmells! Meeting Far- would take up. But this is th~ worst of
quart the same afternoon upon the steps them all, much, very much the worst!
of a club to which he belonged, and which the unfortunate father ended with a groan.
the latter had lately joined, he at once
burst upon him with the subject.	CHAPTER III.
	My dear Mr. Farquart, how very for- THE very slight amount of esteem ex-
tunate that I should just meet you. Have pressed for his new studies by his friends
you seen anything of Borroughdale late- and relations gave but little concern to
Lord Borroughdale Moe accurately it
	Not for nearly a week, the other may be said to have concerned him not at</PB>
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all. He was not used, as we have seen,
to admiration in that quarter. Despite
those attributes of his which might, under
ordinary circumstances, have been sup.
posed to give rise to some such feeling, a
sort of good-humored indulgence, deepen-
ing at times into something like pitying
contempt, was their most familiar attitude
towards him, and of this he himself was
perfectly well aware. Dull as he was, his
dulness, as we have also seen, was not
that truly enviable variety which enwraps
its possessor in a triple-lined coat of mail,
through which no dart, however potent,
can ever penetrate. On the contrary, it-
had always been pricked through and
through with a certain irritated conscious-
ness of itself; he hated it; he chafed
against it; he longed to get a~vay from it,
to find himself in the freer air, amid the
larger surroundings of those to whose
intelligence what to him was opaque ap
peared clear and apprehensible. When
therefore, for the first time in his life, he
perceived a direction in which his facul-
ties, instead of standing still in torpid
ineptitude, seemed to leap, flow, and move
of their own accord, it was not very likely
that any pressure from without would hin-
der him from following the invitation.
	One thing, and one alone, filled him as
the days went on with disquietude, and
that was the footing upon which he stood
with regard to Katherine Holland. It
seemed to him that he made no way at all.
He was not, it is true, repulsed, but then
neither was he encouraged~ He could
not even flatter himself that he had made
clear his sentiments to her at all. When
he called  and he called I may say ex-
tremely often  she was always friendly,
always ready to discuss his latest zoologi-
cal perplexity, to eke out, so far as her
capacity enabled her, his, at present, very
limited amount of knowledge in that di-
rection; but whenever the conversation
threatened to take a more personal and
therefore interesting turn, it seemed to
him that she always contrived quietly but
determinedly to lead it away to safer and
less exciting topics, a man~uvre which,
helpless as ever in conversational mat-
ters, he found himself powerless to avert,
though it inwardly filled him with rage
and wild gnashings of teeth at his own
stupidity.
	If he was helpless, however, he was
also very tenacious, a family trait which
here as elsewhere stood him in good stead.
He swore to himself that he was not going
to be balked; that come what would she
must, would, should hear him yet; and
with this resolve clear before his mind he
was able, with more semblance of equa-
nimity, to await the slow but all-decisive
course of events.
	That he was honestly, intensely, irre-
coverably in love with Katherine Holland
as man need be, he had not a shadow of
doubt. It is true that he had had no
previous experience of the sensation, but
then neither, on the other hand, had he
ever had any experience of a glow which
had lost its first intensity. He loved her
for herself; for her grave, slightly, per-
haps, austere beauty, for her brightness
and clear-eyed intelligence, for the unfail-
ing gentleness with which she met the,
often, as it seemed to him, unreasonable
calls upon her time and patience; finally
and chiefly he loved her for that best of
all reasons because he loved her, be-
cause everything about her filled him with
a joy, a rapture, a sense of exhilaration,
of which his previous intercourse with his
fellow-beings had given him no faintest
inkling.
	One not a little amusing transformation
resulted from all this. J3orroughdale, to
whom the portals of what is called the
great world stood as naturally open as his
own hall door, and who had hitherto
shown such remarkably slight anxiety to
get inside them, now, on the contrary, ex-
hibited a willingness to present himself at
reunions to which that great world in its
ignorance and impertinence would in all
probability have turned up its distin-
guished nose.
	Mrs. Holland dearly loved such mild
dissipations as came within her sphere,
and, more to please her than for any great
joy which they afforded her personally,
Miss Holland allowed herself to be con-
ducted to them, and, for the sake of see-
ing, and occasionally, when he summoned
courage, of talking to her, Borroughdale
too began to frequent them. The diffi-
culty of procuring invitations was, not, as
will be imagined, insurmountable. The
society which the Hollands moved in was
largely made up of the professional ele-
mentthe medical, as incorporating a
greater infusion of science than any other,
perhaps preponderating. Science, how-
ever, pure and simple, was also to be
found, those occasions on which the
greater scientific bodies throw ~vide their
doors to the wives, sisters, cousins, and
remotest connections of their members
constituting perhaps the highest, or at
any rate the most striking, points in Mrs.
Hollands social horizon. All, or a con
siderable portion, of these entertainments,</PB>
<PB REF="IMG00032" SEQ="0032" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="22">22	BORROUGHDALE OF BORROUGHDALE.
Lord Borroughdale now took to attending.
His mantelpiece, long destitute of those
natural adornments of a young man about
town, began about this time to bristle
with shining announcements that the con-
versazione of the Microscopical Society
would take place upon such a day, or that
Professor and Madame van Ovibos would
hope for the pleasure of the Marquis of
Borroughdales society at their sob-dc upon
the 22nd. Calling from time to time upon
his son, Mr. Vansittart would turn over a
dozen, perhaps, or more, similar intima-
tions, lifting them one by one between his
finger and thunib, and dropping th&#38; n
again upon the mantelpiece, with a slight
elevation of his brows and a perceptible
start of astonishment as each fresh, and
to his mind, more utterly incongruous an-
nouncement met his gaze.
	Borroughdale himself was quite uncon-
scious, however, of any incongruity. The
society suited him quite well enough
quite as well, at any rate, as any society
was likely to suit him. That sense of
being at odds with his world which had
hitherto been such a familiar experience,
did not obtrude itself here, at any rate not
nearly as much. If he were something of
a fish out of water still, it was, at least, in
a different and a much more endurable
way. To Mrs. Holland or Madame van
Ovibos he was not an anomaly at all, but
simply an amiable young nobleman, whose
presence in their drawing-rooms diffused
over their souls a mild sense of beatitude,
and whose appearance, way of life, and
deportment it did not even enter into their
heads to criticise. He might have been
on his way to Marlborough House, or re-
turning home from the House of Lords 
that natural abiding-place of the young
hereditary legislator  for anything either
of them could tell to the contrary. Now
I hope no one will too hastily accredit
Borroughdale with any ignoble love of
being first in his company, if I say that in
this sort of unhesitating acceptance there
was no little balm and solace for him. He
was so tired, you see, poor fellow, of being
criticised, of knowing that every one in
and out of his own circle of acquaintance
had an eye for his vagaries, and was men-
tally conning over those points in which
he differed from the received type, always
of course exclusively to his disadvantage.
Amongst the younger scientific portion of
these gatherings he made friends, too, as
(Farquart excepted) he had never as yet
done elsewhere. His leanings had always
been to the workaday side of things, and
here that side was to be seen in what may
fairly be called its most attractive form,
embellished by a thousand possibilities
which fired his brain with vague but there-
fore all the more dazzling notions of what
might not yet be in store for a world
where all those exciting suggestions would
sooner or later become sober and univer-
sally accepted matters of fact. If these
gatherings had no other merit, moreover,
they at least had that of causing Kathe-
rine Hollands beauty and bearing to
stand out before him in new and more
commanding lustre indeed she seemed
to him to be immeasurably more out of
keeping with what was ordinary in her
surroundings than he was himself. Com-
paring her, for instance, with the four
MissMacman uses, daughters of Professor
Macmanus, how could he fail to be struck
with the difference?
	Professor Macmanus was an entomolo-
gist, a term which probably sounds quite
sufficiently explicit to the outer world, but
which the initiated know to be far too
coarse and too generalized for anything
like accurate definition, entomology, like
knowledge itself, having long since passed
out of the grasp of any one pair of hands,
no matter how strong or how wide-em-
bracing they may be. Professor Mac-
manus, however, embraced two or three
of its divisions, the one in which he had
first won his spurs, and made for himself
a European reputation, being known as
the Hetcrop/era  a term which sounds
better perhaps in Latin than its equivalent
does in English. He was a widower, and
he and his house with all that it contained
 with the exception only of his entomo-
logical boxes and cabinets  were wholly
ruled over and subjugated by his four
daughters.
	The poor professor himself was like
wax in those redoubtable young ladies
hands. If they had only been entomolog-
ical specimens, no matter how rare or how
unique, he would have known in a mo-
ment how to deal with them, but being as
they were sufficiently average specimens
of the genus youthful Englishwoman of
the nineteenth century, he simply yielded
himself an easy prey, intrenching himself
behind his collections, and leaving the
whole weight and direction of social ob-
servations to be determined as they in
their united wisdom and experience might
see fit.
	It so happened that it was at an enter-
tainment given by this enterprising fam-
ily that Borroughdale for the first time
found courage to break down that bar
which her discretion and his own diffi</PB>
<PB REF="IMG00033" SEQ="0033" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="23">	THE LIBERAL MOVEMENT IN ENGLISH LITERATURE.	23
dence had erected between himself and
Katherine Holland, and to unfold to her
his wishes and his aspirations  a feat
which he achieved after a fashion which
was entirely his own, and which may fairly
be said to have been unparalleled amongst
the annals of love-suits.
	He had arrived early, and as a not un-
natural consequence had been instantly
ingulfed by the whole of the Macmanus
family, even the professor himself being
routed out of his retirement to do honor
to his distinguished guest. This our
young man endured with passable philoso-
phy for some time, solacing himself by
keeping a watchful lookout towards the
door by which Miss Holland and her
chaperon were bound, he knew, to enter.
Even after that event had duly happened,
however, he found that his escape was by
no means a matter of very easy accom-
plishment. Youthful marquises were not
particularly rife amongst the circles in
which the Miss Macmanuses moved, and
now that fate had thrust one alive into
their hands they had naturally no idea of
allowing him to evade them, showing, in-
deed, in their watchful clutch not a little
of that undaunted and iintiring energy
which is known to distinguish the objects
of their fathers research above all other
denizens of the animal world. In vain
poor Borroughdale made effort after effort
to escape; always one orother member of
the family engaged his attention; always
some nev object or person required to be
brought before his notice; and when sup-
per-time come he found himself still
hedged in by a compact hedge of his too
hospitable entertainers, beyond which he
could only faintly and intermittently dis-
cern Miss Holland across fast diminishing
piles of plum cake and quavering moun-
tains of jelly. Now this, as it happened,
was just the sort of stimulus which his
particular temperament needed. It
aroused all that latent, never very far-dis-
tant obstinacy which, as all who knew him
intimately were aware, formed a distinctly
recognizable portion of his character.
He grew irritated, he grew silent, finally
he grew morose and desperate, and when
at last he had effected his escape, and had
got up-stairs again, all his timidity was for
the time being at an end. He stood
ready primed for any enterprise, any sole-
cism however gigantic, with that complete
and heroic disregard of what might be
said or thought or imagined about him, of
which only a desperately shy man once
thoroughly roused to action is capable.
	Marching straight down the middle of
the room he advanced upon a sofa, placed
immediately below the gas lamp, on which
Miss Holland happened to be sitting, in
conversation with a long-necked, some-
what weak-eyed young man, a professor of
philology, who had lately come up to Lon-
don from Cambridge. Both started
slightly and looked up as he approached,
the professor pausing in the middle of a
sentence, and pushing back his spectacles
with some surprise, for the new-coiners
air was rather that of a man who comes to
deliver some supremely important piece
of intelligence than of one charged with
the ordinary unemphatic nothings of so-
ciety. Lord Borroughdale was emphatic
enough, however.
	This is the very first moment I have
been able to get near you the whole even-
ing!he exclaimed, in a tone loud enough
to be audible to the entire room, seating
himself as he spoke in the chair nearest to
Miss Holland, and utterly, in his preoccu-
pation, ignoring the presence of the unfor-
tunate professor, who, after a momentary
gasp of sheer bewilderment, slid gently
away and disappeared, leaving the other
in ftll possession of the field.
	You were talking, were you not ? she
answered rather vaguely, at a loss, to tell
the truth, what exactly she was to say.
	I wasnt talking, I assure you. I
hadnt anything to talk about. Some of
the others were talking to me. I wanted
all the time to come and sit by you.





From The National Review.
THE LIBERAL MOVEMENT IN ENGLISH
LITERATURE.

III.

WORDS WORTHY S THEORY OF POETRY.

	Not that I think the amiable bard of Ry-
dale shows judgment in choosing such subjects
as the popular mind cannot sympathize in. I
do not compare myself in point of imagination
with Wordsworth, far from it; for his is natu-
rally exquisite, and highly cultivated from
constant exercise. - - - But I cry no roast-
meat. There are times a man should remem-
ber what Rousseau used to say: Tais-toi,
Jean Jacques, car on ne tentend pas. - - -
The error is not in you yourself receiving deep
impressions from slight hints, but in supposing
that precisely the same sort of impressions
must rise in the minds of men, otherwise of
kindred feeling; or that the commonplace folk
of the world can derive such inductions at any
time or under any circumstances. (Scotts
Journal, January I, 1827.)</PB>
<PB REF="IMG00034" SEQ="0034" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="24">24 THE LIBERAL MOVEMENT IN ENGLISH LITERATURE.
	IN a recent endeavor to estimate the
imaginative genius of the eighteenth cen-
tury, I said that one of its most marked
features was its limitation. When the
range of thought and feeling in the Can-
terbury Tales, The Faery Queen,
Shakespeares plays, and Paradise Lost,
is compared with the subject matter of
Dryden and Popes satires, of The Van-
ity of Human Wishes, the Elegy in a
Country Churchyard, The Bard, and
The Progress of Poesy, the odes on
Liberty and The Passions, The
Deserted Village, and The Traveller,
every one must perceive within how nar-
row a tract the imagination of the later
period is circumscribed, and that the
mines of poetry which the region con-
tains, though precious, are not inexhaust-
ible.
	The causes of this limitation are read
ily discoverable by the light of history.
Chaucer had at his disposal all the re-
sources of a social system highly stimu-
lative to the imagination, which was not
peculiar to one country, but prevailed over
the whole of Europe. His successors,
after the period of the Reformation, drew
inspiration from still deeper wells. With
minds dramatically excited by the spirit,
of religious liberty and ardent patriotism,
they employed the materials afforded by
the still vivid traditions of romantic chiv-
alry, together with the wealth of ideas
and the beauty of form discovered in the
revival of classical letters. All these op-
posite veins of thought may easily be de-
tected in the wonderfully compounded
~vork of Spenser, Shakespeare, and Mil-
ton.~ But after the civil war, religious,
political, and social influences turned the
imagination of the English people exclu-
sively upon their own manners. The old
modes of medi~val thought had lost their
power over the mind: the spirit of reli-
gious fanaticism which rose up in opposi-
tion to them, seemed hostile to every form
of creative imagination. In the sphere
of politics the ancient traditions of mo-
narchical government were subverted first
by the Rebellion and afterwards by the
Revolution. Everywhere men ~vere ask-
ing themselves wherein consisted the
foundations of society, what were the lim.
itations of liberty, and how they were to
recognize the first principles of art. And,
these being the questions which agitated
the mind of the nation above all others, it
was these for which a natural, an irresist-
ible instinct drove men of genius to pro-
vide an answer, either in a philosophic or
in an imaginative shape. The poetry of
the eighteenth century is the poetry of
sOciety and manners.
	So long as a powerful necessity com-
pelled men to think and act for them-
selves, their work was marked by a vital
originality of matter and form, and hence
in literature almost everything of imagi-
native value belonging to what may be
broadly called the eighteenth-century
movement came into existence between
the Restoration and the accession of
George III. Dryden, Pope, Thomson,
Gray, Johnson, among the poets; Swift,
Steele, Addison, Fielding, and Smollett,
among the essayists and novelists, had
~vritten their all or their best before 1760.
The Deserted Village, The Travel-
ler, The Vicar of XVaketield, and Miss
Burneys novels, are nearly all the ~vorks
of genius or talent, peculiarly character-
istic of the eighteenth century, produced.
after this date and before the French
Revolution. When the liberties of the
nation were finally secured, and the prin-
ciples of taste and manners advocated in
the Tatler and Spectator had met
with general acceptance, the creative im-
pulse of the age seems to have ceased.
Faction reigns supreme in politics: the
Church sinks into slumber: artifice in
poetry prevails over thought. We seea
J unius succeeding a Swift as a controver-
sialist: a Warburton following a Butler
in theology: for Pope as a satirist we
have to put up with Churchill: and the
pure Horatian style of the Epistle to
Arbuth not is exchanged for the sono-
rous emptiness of The Botanic Garden.
	I endeavored to illustrate the decay of
medi~evalism in the seventeenth century
by citing two poems of Cowley and Cra-
shaw; a comparison of a passage from
Thomsons Seasons with one from
Darwins poem mentioned just above,
will be equally suggestive of the exhau~-
tion of the inspiring impulse of the eigh-
teenth century. The following extract
from Winter shows the creative spirit
of the age still in its vigor:
What art thou, Frost? and whence are thy
keen stores
Derived, thou secret all-invading power
Whom even the illusive fluid cannot fly?
Is not thy potent energy, unseen,
Myriads of little salts, or hooked, or shaped
Like double wedges, and diffused immense
Through water, earth, and ether? hence at eve,
Steamed eager from the red horizon round,
With the fierce rage of Winter, deep suffused,
An icy gale, oft shifting, oer the pool
Breathes a blue film, and in its mid career
Arrests the bickering stream. The loosened
ice</PB>
<PB REF="IMG00035" SEQ="0035" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="25">THE LIBERAL MOVEMENT IN ENGLISH LITERATURE.	25
Let down the flood, and half-dissolved by day
Rustles no more; but to the sedgy bank
Fast grows, or gathers round the pointed stone,
A crystal pavement by the breath of heaven
Cemented firm; till, seized from shore to
shore,
The whole imprisoned river growls below.
Loud rings the frozen earth, and hard reflects
A double noise; ~vhile at his evening watch
The village dog deters the nightly thief;
The heifer lows; the distant waterfall
Swells in the breeze; and with the hasty tread
Of traveller, the hollow-sounding plain
Shakes from afar. The full ethereal round,
Infinite worlds disclosing to the view,
Shines out intensely keen, and, all one cope
Of starry glitter, glows from pole to pole.

	In the following from The Botanic
Garden the same spirit is. seen in its
decay: 
Nymphs, your fine forms with steps impassive
mock
Earths vaulted roofs of adamantine rock;
Round her still centre tread the burning soil,
And watch the billowy lavas as they boil:
Where in basaltic waves imprisoned deep
Reluctant fires in dread suspension sleep;
Or sphere on sphere in widening waves ex-
pand,
And glad with genial warmth the incumbent
land.
So when the Mother-bird select~ their food
With curious bill, and feeds her callow brood,
Warmth from her tender heart eternal springs,
And pleased she clasps them with extended
wings.
You from deep cauldrons and unmeasured
caves
Blow flaming airs, or pour vitrescent waves,
Oer shining Ocean ray volcanic light,
Or hurl innocuous embers to the night;
While with loud shouts to Etna Hecla calls
And Andes answers from his beaconed walls:
Sea-wildered crews the mountain-stars admire,
And Beauty beams amid terrific fire.

	There is evidently something in com-
mon between these two passages. In
both (though only in the first few lines of
Thomson) the description is, to some ex-
tent, scientific, and, as far as it is so,
would find a more fitting expression in
prose; in both the frequent use of Latin
words and the Latin method of linking
epithets to substantives is observable;
but while Thomson has evidently con-
ceived his subject with enthusiasm, and
imparts his enthusiasm to the reader,
Darwin thinks throughout in a matter-of-
fact spirit, and uses metre merely for dec-
orative purposes; so small is his sense of
sublimity that he does not perceive any-
thing ridiculous in imagining one volcano
hallooing to another. Wordsworth la-
niented that he could not hear old Triton
blow his wreath~d horn. Darwin feigns,
without a blush, that the operations of
nature are performed by a whole army of
nymphs, sylphs, and gnomes, yet in the
very same breath describes ~vith scientific
coldness the mechanical forces to which
they owe their origin.
Poetry of this kind is as sure a symp-
tom as the lethargy of the Church or the
prevalence of petty faction in politics
that the vigorous and constructive con-
servatism of the eighteenth century, the
nature of which I attempted to describe in
the September number of this review,* has
become crystallized in lifeless forms and
conventions. Side by side, however, with
these indications of exhaustion in the es-
tablished order of society there are many
signs of the activity and progress of the
democratic spirit Wilkes ih the field of
politics, Wesley in the sphere of religion,
and Burns in the realms of poetry, all,
though with very different intentions,
strike the same note : 
The rank is but the guinea stamp,
The mans a man for a that.

	At the same time, the centrifugal move-
ment of the individual away from society,
which appears to be a natural accompani-
ment of democracy, and which manifests
itself in France in the philosophy of Rous-
seau, is seen in the blended Methodism
and love of nature in Cowpers poetry.
Many influences thus combined to prepare
the way for that strife between the spirit
of aristocracy and the spirit of democracy
both in politics and art, the outbreak of
which was hastened by the incidents of
the French Revolution.
In literature the battle began with the
controversy excited by the publication of
\Vordsworths Lyrical Ballads. To
prevent the historical accuracy of this
assertion being questioned, let me quote
what Coleridge, who had every means of
knowing, says, in his Biographia Litera-
na, about the origin of the volume, and
the influence it exerted on the taste of the
times : 
The thought suggested itself (to which of us
I do not recollect) that a series of poems might
be composed of two sorts. In the one, the in-
cidents and agents were to be, in part at least,
supernatural; and the excellence aimed at was
to consist in the interesting of the affections
by the dramatic truth of such emotions as
would naturally accompany such situations,
supposing them real. - . . For the second
class, subjects were to be chosen from ordi

* LIVING AGE, No. aioa.</PB>
<PB REF="IMG00036" SEQ="0036" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="26">26 THE LIBERAL MOVEMENT IN ENGLISH LITERATURE.
nary life; the characters and incidents were to
be such as will be found in every village and
its vicinity where there is a meditative and
feeling mind to seek after them, or to notice
them when they present themselves. In this
idea originated the plan of the Lyrical Bal-
lads; in which it was agreed that my en-
deavors should be directed to persons and
characters supernatural, or at least romantic;
yet so as to transfer from our inward nature a
human interest and a semblance of truth suffi-
cient to procure for those shadows of imagina-
tion that willing suspension of disbelief for
the moment, which constitutes poetic faith.
Mr. Wordsworth, on the other hand, was to
propose to himself, as his object, to give the
charm of novelty to things of every day, and
to excite a feeling analogous to the supernat-
ural, by awakening the minds attention from
the lethargy of custom, and directing it to the
loveliness and the wonder of the world before
us; an inexhaustible treasure, but for which,
in consequence of the film of familiarity and
selfish solicitude, we have eyes yet see not,
ears that hear not, and hearts that neither feel
nor understand.

	Coleridge accordingly wrote the An-
cient Mariner with a view to its inser-
tion in a volume of poems composed upon
this double principle, but it was eventu-
ally determined that Wordsworths poems
should be published by themselves, and
they therefore appeared under the title of
Lyrical Ballads.

	To the second edition [says Coleridge] he
added a preface of considerable length, in
which, notwithstanding some passages of ap-
parently a contrary import, he was understood
to contend for the extension of this style to
poetry of all kinds, and to reject as vicious
and indefensible all phrases and forms of style
that were not included in what he (unfortu-
nately, I think, adopting an equivocal expres-
sion) called, the language of real life. From
this preface, prefixed to poems in which it was
impossible to deny the presence of real genius,
however mistaken its direction might be
deemed, arose the whole long-continued con-
troversy. For from the conjunction of per-
ceived power with supposed heresy I explain
the inveteracy, and in some instances, I grieve
to say, the acrimonious passions, with which
the controversy has been conducted by the
assailants.

	Here, then, is an announcement made
on the very highest authority that Lyri-
cal Ballads sounded the first note of the
new departure which I have called
the liberal movement in English lit-
erature. It has been assumed in many
quarters that my object in writing these
papers is to make a vain and foolish at-
tack on the poets who initiated the move-
ment. I know not what I have said to
justify such an assumption. My inten-
tion has been to examine historically,
and, as far as I can, impartially, the
meaning of the movement, its causes,
and the effects it has produced on imag-
inative art. I suppose it will be gener-
ally allowed that liberalism in literature
as well as in politics implied, in the last
century at least, revolt; a revolt in the
former case on behalf of individual liberty
against certain canons of taste which were
supposed by the critics of the day to have
acquired an established authority. It
does not follow that a conservative should
hold such a revolt to have been unjustifi-
able. On the contrary, in all great crea-
tive artists the elements of liberalism and
conservatism have ever been fairly com-
pounded; they have been liberal by force
of their imagination and invention, con-
servative by the restraint of their taste
and judgment. Scott, with all his political
Toryism and appreciative admiration for
the writers of the eighteenth century, was
a bold innovator in respect of form. By-
ron, a rebel against every kind of social
convention, constantly and firmly upheld
the authority of the eighteenth century in
questions of criticism. Wordsworth ap-
pears to me to.~have been at once a great
conservative and a great radical. The
man who is incapable of feeling enthu-
siastic admiration for his genius when it
is doing itself justice has no right to criti-
cise him at all; but when he is doing him-
self the most justice he is working in his
own way on traditional lines; while, on
the other hand, in his theory and in much
of his practice he uncompromisingly de-
fies tradition and experience. 1 shall
attempt, in the present paper, to inquire
how far his theory of poetry, which, as
Coleridge says, so largely influenced the
public taste, is in harmony with the fun-
damental principles of the art of poetry.
If an apology be required for carrying the
reader into the regions of abstract dis.
cussion, it must be remembered that
Wordsworth and his followers defend
their practice by reasoning, and that it is
therefore incumbent on those who object
to their practice to examine how far their
reasoning is satisfactory.
	In the first place, however, in order to
test the character of Wordsworths theory,
it is important to recall the circumstances
under which it was evolved. What roused
him into rebellion against the canons of
criticism generally accepted in his day,
was undoubtedly the style of poetical
diction then considered to be the indis-
pensable dress of all true poetry. He</PB>
<PB REF="IMG00037" SEQ="0037" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="27">	THE LIBERAL MOVEMENT IN ENGLISH LITERATURE.	27
saw that the mode of expression employed
by Darwin in his Botanic Garden was
widely admired; yet the coloring of this
poem appeared to him, as to most men of
just and manly taste, to he false and gaudy.
Looking back to the earlier poets of the
century, he found that germs of the same
diction were discoverable in them; as, for
instance, in Popes Messiah, in some
of Johnsons verses, and, indeed, in al-
most all the characteristic poems of the
age. Instead of reasoning that the defect
might spring from the natural corruption
of some true principle of art, he inferred
from his observations that it arose from a
false ideal of composition, consciously
adopted by the poets. And, as so. often
happens to men of a combative turn, his
violent sentiments of dislike led him to
argue that all true poetry must be com-
posed on a system exactly opposite to
the style which he condemned. Darwin
seemed to withdraw himself deliberately
from the common sympathies of human-
ity; true poetry, Wordsworth argued,
should, therefore, look for its subjects in
the objects and incidents of every-day life.
Darwins diction was artificial in the high.
est degree; it follows thatthe genuine
language of poetry should resemble as
closely as possible the language of the
peasantry. Darwin wrote in a style which
was the antithesis of prose; hence Words-
worth would have us believe that there is
no essential difference between the lan-
guage of prose and verse, and that the
fact of poems being written in metre is
merely to be regarded as an accident of
the art.
	In considering the justice of these views
I suppose that everybody would be on
Wordsworths side as far as he was op-
posed to Darwin. Almost any species of
verse writing, if it show sincere feeling,
is better than a style inspired simply by
poml)osity and affectation. To enlarge
the spiritual experience of an artificialized
society by imaginative representations of
the beauty of nature and common life was
a just and noble aim for poetry, but it was
not a new one. To take only a few ex-
amples which at once occur, Virgil had
written the Georgics, Thomson The
Seasons, Gray the Elegy in a Country
Churchyard, Goldsmith The Deserted
Village. All these were subjects chosen
from ordinary life, just as much as Peter
Bell, The Idiot Boy,  Alice Fell,
Becrcrars or The Sailors Mother.
The real innovation introduced by Words-
worth was one of poetical ftrrn, and lay
in the manner in which he employed the
imagination to present objects to the
reader with a view of producing pleasure.
On this point it is best to let him speak
for himself.

	The principal object, then, proposed in these
poems was to choose incidents and situations
from common life, and to relate or describe
them,throughout,asfar as was possible in a
selection of language really used by men, and
at the same time to throw over them a cer-
tain coloring of imagination, whereby ordinary
things should be presented to the mind in an
unusual aspect; and further and above all, to
make these incidents and situations interest-
ing by tracing in them, truly though not osten-
tatiously, the primary laws of our nature:
chiefly as far as regards the manner in which
we associate ideas in a state of excitement.

	Here we have a compendious statement
of the radical difference between the prac-
tice of Wordsworth and that of preceding
poets who had dealt with subjects chosen
from ordinary life. Neither Virgil, nor
Thomson, nor Gray, nor Goldsmith, had
attempted to present the objects they
described to the mind in an unusual
aspect. They trusted to produce pleas-
ure by associating qualities inherent in
these objects with other beautiful ideas,
naturally connected with them, and ex-
pressed in a noble and harmonious form
of verse. With them the subject matter
of poetry lay in associations of ideas exist-
ing in their readers imaginations equally
with their own. With Wordsworth, on
the other hand, all depended on the per-
ception of the poet himself, and his power
to displace and recombine the ordinary
association of ideas so as to present
them to the mind in an unusual aspect.
And, of course, if he had been able to
produce great and permanent pleasure on
the principles he lays down, all objection
would have been silenced, and the only
thing to be said would be that he had
discovered principles of art which had
hitherto been unknown or neglected.
Fortunately Wordsworths works com-
prise poems composed on the old princi-
ples as well as on his own, so that we
are able to compare the two systems at
work in the same mind, with the result,
as I have already said, that his finest
poetical effects are seen to be produced
when he is most flagrantly violating his
own rules.
	Comparing Lucy Gray, for instance,
which every one will admit to be a perfect
work of art, with The Idle Shepherds,
which is one degree less successful, and,
again, with The Sailors Mother or
Peter Bell, which are not successful at</PB>
<PB REF="IMG00038" SEQ="0038" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="28">28	THE LIBERAL MOVEMENT IN ENGLISH LITERATURE.
all, it will be found that the pleasure ex-
cited arises from the simple association,
in a beautiful metrical form, of objects
that naturally affect the feelings, and that
this pleasure diminishes in proportion as
the poet intrudes his personality upon the
reader, and endeavors to eke out the tenu-
ity of his subject by analysis and reflec-
tion. in Lucy Gray the narrative is of
the most direct kind; there is no sort of
mental analysis employed; the exquisite
charm of the workmanship comes from
the simple description of pathetic objects,
and the admirable and unexpected turns
of the ballad style in which the story is
told. In The Idle Shepherd Boys the
real beauty of the poem consists in the
delightful landscape presented to the im-
agination in the first three stanzas, partic-
ularly the third: 
Airing the rivers stony marge
	The sand-lark chants a joyous song;
The thrush is busy in the wood,
	And carols loud and strong.
A thousand lambs are on the rocks,
	All newly born! both earth and sky
Keep jubilee, and more than all
	Those boys with their green coronal;
They never hear the cry,
	That plaintive cry which up the hill
	Comes from the depth of Dungeon-Ghyll.

	There is no analysis here; nothing but
a musical combination of images that pro-
duce immediate pleasure in the mind and
heart: such incidents as the narrative
contains are redeemed from meanness
only by falling in naturally with the beau-
tiful pastoral scene called up before the
imagination; and, even as it is, several
stanzas are so prosaically expressed as to
jar on the effect of the melodious open-
ing. But take The Sailors Mother,
and it will be seen that the occasional
flatness of expression, which mars the
completeness of The Idle Shepherd
Boys, prevails from the first line to the
last with the exception perhaps of the
second stanza.

One morning (raw it was and wet,
A foggy day in winter-time),
A woman in the road I met,
	Not old, though something past her prime;
Majestic in her person, tall and straight;
And like a Roman matrons was her mien and
gait.

The ancient spirit is not dead;
	Old times, thought I, are breathing there;
Proud was I that my country bred
	Such strength, a dignity so fair:
She begged an alms like one in poor estate;
I looked at her again, nor did my pride abate.
When from these lofty thoughts I woke,
	What is it, said I, that you bear,
Beneath the covert of your cloak,
	Protected from the cold damp air?
She answered soon as she the question heard,
A simple burden, Sir, a little singing-bird.

And thus continuing, she said,
	I had a son, who many a day
Sailed on the seas, but he is dead;
In Denmark he was cast away:
And I have travelled weary miles to see
If aught which he had owned might still re-
main for me.

The bird and cage they both were his:
	Twas my sons bird; and neat and trim
He kept it: many voyages
The singing-bird had gone with him;
When last he sailed he left the bird behind,
From	bodings, as might be, that hung upon
hi~ mind.

	He to a fellow-lodgers care
	Had left it to be watched and fed,
And pipe its song in safety; there
	I found it when my son was dead;
And now, God help me for my little wit!
I bear	it with me, Sir, he took so much delight
in it.

I suppose that there is scarcely any one
largely acquainted with poetry who would
not say, on first reading it, that there was
an incongruity between the matter of this
poem and the metrical form in which it is
expressed. But, Hold, hold! we may
imagine Wordsworth to reply; you are
wrong to judge in this way; for, if you
think about the poem, you will see that
the simple incident it records puts you
upon a train of the most suggestive reflec-
tion respecting the unseen spiritual world
and the nature of the affections. The
imagination has, therefore, discharged its
functions properly. As I say in Peter
Bell, another poem of the same kind : 
The dragons wing, the magic ring
I shall not covet for my dower,
	If I along that lowly way,
With sympathetic heart may stray,
And with a soul of power.
These given, what more need I desire
To stir, to soothe, or elevate?
What nobler marvels than the mind
May in lifes daily prospect find,
May find or there create?

	And that the imagination has this
creative power of conferring additional
properties upon an object, or abstracting
from it some of those which it actually
possesses, * I can prove to you by the
language which poets use. For instance,
take the use of the word hang in poetry:

*	Preface to the edition of e8z~.</PB>
<PB REF="IMG00039" SEQ="0039" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="29">29
THE LIBERAL MOVEMENT IN ENGLISH LITERATURE.
Non ego vos posthac viridi projectus in antro
DumosA pendere procul de rupe videbo.
VIRGIt.

Half way down
Hangs one who gathers samphire.
SHAKESPEARE.

As when, far off at sea, a fleet descried
Hangs in the clouds.
MILTON.

	In all these passages it is obvious that
the quality of hanging does not really in-
here in the object, but is conferred onit by
the imagination, which I have, therefore,
properly employed analytically, though in
a different direction, to suggest a train of
feeling connected with the incident of the
sailors mother. And as to your com-
plaint that there is an incongruity between
the nature of the thought and the mode of
its expression, that arises from the false
ideas of poetical diction which you have
derived from your study of the poets.
True, I might have said what I had to say
in prose, but why should I be condemned
for attempting to add to such description
the charm which, by the consent of all
nations, is acknowledged to exist in metri-
cal language? *
To this, however, the reader may reply
confidently: Your reasoning, no doubt,
is very fine and ingenious, but the matter
is one not for argument but for perception.
If the association of ideas is so strongly
rooted in my mind that no exercise of
your imagination is able to overcome the
repugnance I feel at finding a subject
which seems to me naturally prosaic
treated in metre; while, on the other hand,
you are often able to produce the highest
pleasure in my mind by your metrical
treatment of more imaginative subjects;
and if, besides, this latter is evidently the
way in which all great standard poets pro-
duce pleasure, is it not possible that on
this occasion you have been employing
your imagination improperly? Words-
worth seems to have thought that a poet
could always write poetically by the mere
exercise of his will. But the evidence of
the greatest creative poetry proves that
the imagination Ifl ust, in the first place,
be overmastered and possessed by an im-
pulse from without, and Scott describes
universal experience in the following pas-
sage of one of his letters: 
Nobody knows that has not tried the feverish
trade of poetry, how much it depends upon
mood and whim: I dont wonder that in dis

	*	I have endeavored in the above passage to con-
dense the argument of Wordsworths prefaces to the
editions of his poems published in 1805 and s8s~.
missing all the other deities of Paganism the
Muse should have been retained by common
consent, for, in sober reality, writing good
verses seems to depend upon something sepa-
rate from the volition of the author. I some-
times think my fingers set up for themselves,
independent of my head; for twenty times I
have begun a thing on a certain plan, and
never in my life adhered to it (in a work of
imagination, that is) for half an hour together.

	This is a vivid description of the work-
ing of the estro or  afflatus, without
which Byron so often declares in his let-
ters that he cannot write well in metre; of
that Eros which, Plato tells us in the
Symposium, seizes and inflames the
imagination of the poet. Nor is it the first
act of poetical conception alone which is
performed in this manner; in all the imag-
inative arts the form of the work produced
is largely determined by fortune and in-
spiration. I remember among the studies
of the painters preserved at Florence, a
rough design of (I think) Parmigianino, in
which the artist, desiring to represent the
image of terror on a mans face, has left
on the paper three or four unsuccessful
attempts, showing that he only attained
by degrees the expression of the exact
idea that he had conceived. Milton, we
know, had originally resolved to cast Par-
adise Lost into the form of a drama.
Nor can any thing be more suggestive
than the account which Lockhart gives of
the growth of The Lay of the Last Min-
strel :

	Sir John Stoddarts casual recitation, a year
or two before, of Coleridges unpublished
Christabel, had fixed the music of that
noble fragment in his memory; and it occurs
to him that by throwing the story of Gilpin
Homer into somewhat of a similar cadence,
he might produce such an echo of the later
metrical romance as would serve to connect
his Conclusion of the primitive Sir Tristram
with his imitations of the popular ballad in
The Grey Brother and Eve of St. John.
A single scene of feudal festivity in the hall of
Branksome, disturbed by some pranks of a
nondescript goblin, was probably all that he
contemplated; but his accidental confinement
in the midst of a volunteer camp gave him
leisure to meditate his theme to the sound of a
bugle; and suddenly there flashes on him the
idea of extending his simple outline, so as to
embrace a vivid panorama of that old border
life of war and tumult, and all earnest passions,
with which his researches on the  Minstrelsy
had by degrees fed his imagination, until every
the minutest feature had been taken home and
realized with unconscious intenseness of sym-
pathy; so that he had won for himself in the
past another world, hardly less complete or
familiar than the present. Erskine of Crans</PB>
<PB REF="IMG00040" SEQ="0040" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="30">30 THE LIBERAL MOVEMENT IN ENGLISH LITERATURE.
toun suggests that he would do well to divide
the poem into cantos, and prefix to each of
them a motto explanatory of the action, after
the fashion of Spenser in T he Faery Queen.
He pauses for a moment, and the happiest
conception of the framework of a picturesque
narrative that ever occurred to any poet  one
that Homer might have envied  the creation
of the ancient harper starts to life. By such
steps did The Lay of the Last Minstrel
grow out of the Mins~relsy of the Scottish
Border.

When the imagination is in this exhil-
arating atmosphere, as it requires some
larger and bolder means of expression
than is afforded to it by prose, it seizes on
metre as naturally as a bird takes to the
air, and employs the vivid metaphorical
forms of language which led XVordsworth
into his fallacious views about its methods
of analysis and transmutation. Unless a
mans imagination is inspired from with-
out, and his design is conceived when the
mind is in that excited state, he will do
wrong to choose metre as his instrument
of expression. Hence it is that so much
of Wordsworths verse seems to be writ-
ten in violation of the laws of poetical art.
In The Excursion, for instance, though
it is full of the most noble incidental pas-
sages, evidently written under the influ-
ence of direct inspiration, yet, as the
design of the whole poem is certainly
formed by a process of cool meditation,
we are constantly haunted bya sense that
we are in an atmosphere unfavorable to
the movement of metre. I have opened
The Excursion at random, and I light
at once on the following passage: 
Forgive me, if I say
That	an appearance which hath raised your
minds
To an exalted pitch (the self-same cause
Different effect producing), is for me
Fraught rather with depression than delight;
Though shame it were could I not look around
By the reflection of your pleasure, pleased.*

	It is plain that these thoughts would be
much more fittingly expressed in prode
than they are in verse. Nor is this simply
because the substance of them is philo-
sophical and didactic, for so is the sub-
stance of the Essay on Man, and yet
the thought in the Essay on Man is
(for the reason given by Pope, and quoted
in my last paper) expressed better in me-
tre than it could be in prose. The reason
is, as every one can see, that the writer of
the above passage is not in a mood for the
expression of thoughts for which metre is

* Excursion, book iii.
adapted. Even in pathetic narrative
poems like  Michael, the prosy effect is
often reproduced.

A good report did from their kinsman come
Of Luke and his well-doing; and the boy
Wrote loving letters, full of wondrous news,
Which, as the housewife phrased it, were
throughout,
The prettiest letters that were ever seen.~~
Both parents read them with rejoicing hearts.
So many months passed on: and once again
The shepherd went about his daily work
With confident and cheerful thoughts; and
now
Sometimes when he could find a leisure hour,
He to that valley took his way, and there
Wrought at the sheepfold. Meanwhile Luke
began
To slacken in his duty; and at length
He in the dissolute city gave himself
To evil courses; ignominy and shame
Fell on him, so that he was driven at last
To seek a hiding-place beyond the seas.

	Is any charm superadded to this narra-
tive by the employment of metre ? I
imagine that the story told as Mrs. Gas-
kell, for instance, might have told it in
prose, would have been more pathetic,
simply from the fact that the artifice
would have been less felt. But now com-
pare with this the noble opening stanza in
Laodamia. 
With sacrifice before the rising morn
Vows have I made by fruitless hope inspired;
And from the infernal gods, mid shades for-
lorn
Of night, my slaughtered lord have I required;
Celestial pity I again implore,
Restore him to my sight  great Jove, restore !

	How could this passionate invocation
have been given in prose? And why
could it not? Because the imagination
is moving in a world of its own: it is ex-
hilarated by the atmosphere; and it seeks
for unusual forms in which to express its
enthusiasm. Or take, again, the magnifi-
cent lines on Yew-Trees: 
There is a Yew-Tree, pride of Lorton Vale,
Which to this day stands single in the midst
Of its own darkness, as it stood of yore:
Not loth to furnish weapons for the bands
Of Umfraville or Percy ere they marched
To Scotlands heaths; or those that crossed
the sea
And drew their sounding bows at Azincour,
Perhaps at early Cressy or Poitiers.
Of vast circumference and gloom profound
This solitary tree! a living thing
Produced too slowly ever to decay;
Of form and aspect too magnificent
To be destroyed. But worthier still of note
Are those fraternal four of Borrowdale,</PB>
<PB REF="IMG00041" SEQ="0041" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="31">	THE LIBERAL MOVEMENT IN ENGLISH LITERATURE.	3
Joined in one solemn and capacious grove;
Huge trunks, and each particular trunk
growth
Of intertwisted fibres serpentine,
Up-coiling and inveterately convolved;
Nor uninformed with Phantasy, and looks
That threaten the profane; a pillared shade
Upon whose grassless floor of red-brown hue,
By sheddings from the pining umbrage tinged
Perennially beneath whose sable roof
Of boughs, as if for festal purpose decked
With unrejoicing berriesghostly Shapes
May meet at noontide; Fear and trembling
Hope,
Silence and Foresight; Death the Skeleton,
And Time the Shadow; there to celebrate,
As in a natural temple scattered oer
With altars undisturbed of mossy stone,
United ~vorship; or in mute repose
To lie and listen to the mountain flood
Murmuring from Glaramara s inmost caves.

	These lines, read in the light of his the-
ory, seem to me to suggest vividly the
source of Wordsworths greatness and
weakness as a poet. His formulated creed
was that the imaginative mind, by an act
of meditation, can make any subject, how-
ever trivial, poetical. But his practice
proves that a poet only writes poetically
when he is under an overmastering ex-
ternal influence, directing his mind to a
subject congenial to his powers. The
yew-trees that inspired the above noble
verses were certainly not such an object
as will be found in every village, nor
could any meditative and feeling mind
have given such splendid utterance to the
emotions they excite. No: the forces that
made Wordsworth a poet were far differ-
ent from those conscious reasonings on
man and society of which he gives an ac-
count in The Prelude: his inspiration
sprang from mysterious sources which, as
he shows us in te first book of his curi-
ous metrical autobiography, had been un-
consciously pouring images into his mind
from his earliest childhood. The reli-
gious ideas excited by the unseen life of
nature, the sublime outlines of mountain
and valley, the blending of wood and
water, the changes of light and shadow,
the spirit-like movements of birds, the
simple manners and passions of the peas-
antry, mingled so suggestively with the
historic monuments of the past, these were
the romantic fountains at which other
poets had drunk in passing, but to which
Wordsworth was constantly returning for
deep draughts of inspiration.
	XVhen he is completely under the direc-
tion of his muse he illustrates as happily
as any man the truth of Horaces observa-
tion,
Gui lecta potenter erit res
a Nec facundia deseret hunc, nec lucidus ordo.

	His theory, on the other hand, shows
him to have been under the impression
that he merely chose to express himself in
verse in order to give a certain additional
charm to his thought, and that he pur-
posely selected a style of diction approach-
ing as nearly as possible to the manner of
prose. And, no doubt, this sufficiently
describes his case in his uninspired mo-
ments, which are frequent enough. But
when the afflatus is upon him it turns
his genius naturally into ancient tradi-
tional channels of expression, and prompts
him, like all great poets, to develop metri-
cal movements which certainly did not
originate with himself. His use of the
ballad form, for instance, ~vas largely due
to the publication of Percys Ancient
Relics; Bowles had previously revived
and popularized the use of the sonnet
Wordsworths style of writing blank verse
is unmistakably his own, but no one can
read his lines on Yew-Trees without
perceiving how greatly he was influenced
by Milton, while at other times the exam-
ple of Cowper seems not to have been
without its effect.
	Again, Wordsworth in his theory lays
the foundations of poetry in the percep-
tions of the individual poet. But all his
best work is based on universal associa-
tions, and its merit comes from the beauty
of the form in which a general feeling is
expressed. if one recalls those poems of
his which have taken the deepest root in
the national mind, the Ode on Immor-
tality; Lucy Gray; The Song at
the Feast of Brougham Castle; The
Boy of XVindermere; numerous sonnets,
of which  Westminster Bridge and It
is a beauteous evening calm and free are
types ; and such characteristic lines as 
The light that never was on sea or land,
The consecration and the poets dream;
or 
Love had he found in huts where poor men
lie;
	His daily teachers had been woods and rills;
The silence that is in the starry sky;
	The sleep that is among the lonely hills,

one is aware immediately that the poet has
put into the best possible form of musical
words a feeling which had hitherto been
lying chaotically indistinct in the heart.
Wordsworths genius moved with a large
and expanding power in the midst of a
society accustomed to town life, limited,
refined, highly artificiahized, and exciu</PB>
<PB REF="IMG00042" SEQ="0042" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="32">	32	AT ANY COST.
sively occupied with the contemplation of
its own manners; he extended mens so-
cial ideas by showing with unsurpassed
power what beautiful, pathetic, and sub-
lime associations were connected with the
natural life of their country. Hence, in
so far as he was genuinely a poet, the lib-
eralizing influence he exerted on literature
was, in the deepest and truest sense, con-
servati ye.
	On the other hand, his solitary habits
led him in theory, and often in practice, to
principles which, as far as the art of po-
etry is concerned, may be called thor-
oughly Jacobinical. Perpetually occupied
with the contemplation of his own mind,
he forgot that it was said that those who
measure themselves by themselves and
compare themselves with themselves are
not wise. Incessant introspection in-
creased his intellectual arrogance and im-
paired his judgment. He could not ap
preciate the genius of others who had
written as well of men and society as he
had written of external nature; and when
Scott sent him his edition of Dryden, he
avows in his letter of acknowledgme~nt
that he considers the latter to be no poet.
Everything, however, that passed into his
own mind appeared to him to become
possible material for poetry. He never
said to himself, Tais toi, Jean Jacques,
on ne tentend pas; but imagined that
each experience interesting to himself
would be of equal interest to the world.
This overweening estimate of his own
genius caused him to undervalue tradition,
and, as far as he could, to obliterate and
level the distinctions which the practice of
the best poets had created between the
style of poetry and prose.
	Summarized briefly, what I have en-
deavored to establish in the present and
in the preceding papers comes to this.
Reason shows that there are certain sub.
jects as incapable of just expression in
metrical language as others are by the arts
of painting, sculpture, and music. Expe-
rience proves that the sources of all great
poetry are to be sought far back in the
history, traditions, and religion of a peo-
ple; and the history of English literature
further indicates that the stream of na-
tional creative imagination flows from two
main sources, the poetry of romance and
the poetry of manners. Wordsworths
great and truly conservative achievement
consists in his having given to the poetry
of romance, the existence of which during
the eighteenth century had come to be
almost forgotten, a large and surprising
development. But in his hatred of the
canons of criticism, which had prevailed
through that century, he committed him-
self in theory, and often in practice, to
principles destructive of art. He held
that the sources of poetry lay solely in
the mind of the poet himself, and that,
therefore, the poets imagination could
elevate any subject so as to make it proper
for treatment in metrical language. Push-
ing his theory to its logical conclusion, he
maintained, moreover, that, as subjects
for poetry could be picked up almost at
random, there was no essential distinction
between the language of poetry and prose;
whereas the practice of all classical po-
etry points to the fact that, there being
certain subjects which cannot be so well
expressed in prose as in verse, the poeti-
cal diction in which these are clothed fol-
lows a law and order peculiar to itself.
	Of the influence of Wordsworth on
contemporary verse I shall hope to say
more in a future paper, in which I shall
attempt to estimate the prospects of po-
etry. Meantime it will be sufficient to
conclude with expressing my opinion that
the doctrine that choice of subject is an
unimportant consideration has given an
impulse to two contrary movements in the
art. On the one hand it has led to a fre-
quent neglect of the laws of poetical form,
so that one constantly meets with volumes
of verse in which it would seem that the
thought might have been much better
expressed in prose. On the other hand,
it has produced a remarkable reaction.
If subject is nothing, form, it is argued,
must be everything; and the principle is
illustrated in practice by writers possess-
ing great gifts of melodious and fluent
exl)ression. The consequence is that
modes of metrical diction are in fashion,
more arbitrarily opposed to the common
usage, and indeed to the common sense,
of society than even the style of Darwin,
which Wordsworth so cordially detested.
WILLIAM JOHN COURTHOPE.





From The Sunday Magazine
AT ANY COST.

BY EDWARD GARRETT.

AUTHOR OF OCCUPATIc~Ns ~F A RETIRED LIFE, THE
CRUST AND THE CAKE, ETC.

CHAPTER XV1I.

IN THE OPENED DOORS.

	THROUGH the day, doctors came and
went at Mr. Sandisons summons, but he
himself was not visible, and poor Kirsty,</PB>
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coming down-stairs on divers errands, was
Torn Ollisons only source of information.
She reported that Mrs. Allan had had a
stroke, and later on, that it was little
likely she would ever be about again,
though, they said, there was no danger
for the present.
	In the twilight Mr. Sandison came into
the parlor, where Tom was seated rather
forlornly. He laid his hand on the young
mans shoulder, with a strong and yet a
half-caressing grasp.
	Come with me, he said; we will
have no more secrets in this house. We
will let the fresh air blow through every
place, as God means it shall, and as it
always must, at last.
	He led the way up-stairs. 1-fe opened
one of those mysterious doors  no longer
lockedand ~vent straight into the room.
Seeing that Tom hesitated on the thresh-
old, he turned and said, Come in, come
rn.
	What little daylight was still lingering
outside found now free access to the apart-
ment, for the white blinds, ashen with age,
which had hitherto shut out any obtrusive
gaze on the part of inquisitive opposite
neighbors, were at last drawn up. The
windows themselves, too, had evidently
been open for some time, but the gentle
breezes of a calm spring day had not yet
sufficed wholly to dispel the ancient, stag-
nant atmosphere, and perhaps it was very
well that the fading light was merciful to
the dimness and dust of years of neglect.
	What did Tom see?
	Tom saw only what, to a heart which
has power to understand it, is ever the
most tragic sight of any: the signs of a
hopeful, cheerful, ordinary life, which has
been suddenly arrested by some great
blow, some awful agony. He saw nothing
but a pretty little apartment, prepared with
care and taste, and full of those touches
which betray a strong human interest.
There was a stand filled with flower-pots
in the central window, wherein the dead
plants stood like skeletons. There were
pictures on the walls, beautiful steel en-
gravings  there was one of these stand-
ing on a chair, with the hanging-cord
drawn through its rings, but not yet
knotted. This was Landseers touching
presentment of the faithful dog resting
its head on its dead masters coffin. Peter
Sandison had put it out of his hands, all
those years ago, that he might open a let-
ter which was brought to him  a letter
whose mercenary falsehood and perfidy
had closed those rooms from that day to
this, turning the happy home that was to
	LIVING AGE.	VOL. XLIX.	2499
be into the charnel-house of dead hopes
that could never be.
	Ay, I have been very foolish, broke
out Peter Sandison. I need not tell you
the tale. I dare say you have heard as
much of it as needs be. I am not the first
man  and I fear I shall not be the last
 who has lost his sight of God, and his
joy in Gods world because  he had
happened to fall in love with the wrong
woman
	The sadness and pain of a lifetime was
crystallizing, as in true hearts they always
do crystallize, sooner or later, into humor.
A good deal of heartbreak goes to the
making of epigram. The human mind
throws out its sparks, as metals do, be-
neath hard blows.
	But do me justice, Tom, he went on.
I never meant to make a dramatic sen-
sation in closing up these rooms. In the
first day of my disappointment I locked
them up in sheer disheartenment and bit-
terness, and then I could not bear to face
them again, and deferred doing so, and:
then there seemed no reason why I should,.
and then it seemed easiest to let them lie
as they were, since the rest of the house
amply sufficed my needs. I knew that
even if they were never opened in my life-
time, they would tell little to those who
would come after me. But what a waste
it has been! Somebody ought to have
made a home out of those rooms all these
years. A house which is hindered from
producing a home is as great a wrong to
humanity as is a field which is kept from.
producing food.
There was silence. Mr. Sandison re-
sumed : 
About that poor soul up-stairs, Tom,.
I need not say anything. She never knew
that I was her son till she evidently found.
it out this morning. I was a desolate in-
fant, Tom, as desolate as was poor Fred,.
the shopboy. And in mature life I sought
out my mother, for I could not believe
that she had really intended all that had
come upon me. I found her poor and
helpless, but fenced in by strong barriers
from the shame and reproach of her old
sin. 0 Tom, I could not bear that my
words should fling it back upon her, that
my hand should tear down the barriers of
credit and respect behind which she hacL
entrenched herself. I thought if I once
had her in my house, that during years
and years of close acquaintance, there
would come some softer moment  the-
vaguest expression of some regretful
yearning. Ah, Tom!
	The infinite pain in the tone of those</PB>
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last words was his sole expression of the And it is wonderful how many lights
completeness of his disappointment, come out in dark places, when one tries
Tom said nothing. What was there to to follow that out. The great doubts and
be said? The young mans mind went agonies of the human heart cannot be met
back to poor Graces early confidences, by anything but the great facts and expe.
and to the mingled feelings they had riences of human life. You must have
aroused within himself. noticed that it is only quite lately that I
	And so I lost God, said Mr. Sandi- have taken to reading the Gospels, and
son in a quiet, even voice. As he spoke, have left off going over the Proverbs of
Tom looked up at him, and their eyes met. Solomon, and nothing but the Proverbs,
Perhaps there was some question in those every night, getting through the whole
of the younger man. And so I lost book once every month? I dare say, after
God, Mr. Sandison repeated. I cannot what Grace said, you thought I chose that
say I ever ceased to believe in him, but I book as being the most practical, or as
lost him. Does a poor child cease to be- some people would call it, the worldliest,
lieve in his father, when he misses him in in the Bible?
a crowded street, and takes the wrong Tom smiled.
turning, and goes wailing along among In a way, I did so, Mr. Sandison
the strangers w ho give little notice to him conceded. I knew that you had learned
or his trouble? the Scriptures from your youth up, and
	Tom could not help reflecting how it that nothing in them could be new to you,
was those who had been infidel in the as mere matter of fact or literature. And
deepest sense, unfaithful to all the claims I knew, by what I had gone through my.
of dutiful love and service, who had been self, that you would presently get inter-
the readiest, and the harshest, in calling ested in all sorts of intellectual problems
this man atheist. 0 poor Grace Allan!  about the evidence of miracles, about
o unhappy Mrs. Brander! the precise nature of inspiration, about
	I had gone rather deeply into theology the puzzle of unfulfilled prophecy, and
in my young days, Mr Sandison went such like difficulties  all difficulties
on. My head had asked many questions, which ,our minds must grapple with, ac-
without answers to ~vhich my intellect cording to the lights of our generation,
would not rest satisfied. But I found that but on which each new generation gen.
sort of satisfaction would not serve me erally throws new lights, showing the
here. One cannot feed ones heart on lights of the generations preceding to
abstractions, however logical or poetical. have been but darkness. I wanted your
It was a Father and a Friend whom I faith to find instinctively a wider basis, so
wanted; a Father whose very face would that fluctuating opinions on any subject
satisfy mea Friend who would walk might disturb it no more than the rooted
with me and take council with me over tree is disturbed by the summer breeze
every step of my way. which lightly stirs its branches. I wanted
	These are the longings of all hearts, to bring home to you, that divine wisdom
said Tom gently. has a strong and sure hand in the conduct
	There seemed no such Father, and no of this present life, for that is our best
such Friend for me, pursued Mr. Sandi. reason for trusting it to lead us through
son. And the world I lived in seemed the mists and up the heights. The proph.
as if it could not have been made and ecies of the Proverbs are not unfulfilled;
managed by such an one. Tom Ollison, for we see them worked out in weal or
what I am about to say I could say to few, woe in our own lives, and in every life
but I think you may understand me. I within our range.
had lost God; I had lost all reflection of I have felt as you do, sir, said TOm,
him in the human faces round me  per. that the most satisfactory answers of
haps only because I had looked for him the intellect are no help to the doubts of
most where I was least likely to find him. the heart. But I dont think I could have
And then it came into my mind that all I got help while standing apart, as you
could do, was to try to do my utmost to seemed to stand, sir.
act as I should like to think God would Ah! cried Mr. Sandison, there it
act if he was livinga man  in the is! There are some who seem only able to
world to.dav.	find God by going out into the wilderness;
	He who willeth to do Gods will, he and we may notice that these hermits were
shall know of Christs teaching, quoted generally men of peculiar history and of
Tom, in an undertone. peculiar character. Nor do I suppose
	Ay l said Mr. Sandison fervently, they themselves ever dreamed that their</PB>
<PB REF="IMG00045" SEQ="0045" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="35">	AT ANY COST.	35
recluse habits had any of the special sanc-
tity which those who admired their final
goodness were too ready to attach to
them. Those habits were simply a terri-
ble need to those men  an heroic cure
for greater loss and evil; and their stories
show us that this cure worked by way of
healing them enough to make them sus-
ceptible to some gentle touch which lcd
them gradually back to as much human
fellowship as it was possible for them to
bear. He paused. Tom, he said pres-
ently, you dont know how much good
you did me when you didnt shun me be-
cause of the report you heard. And again,
when I found that your faithfulness to
your fathers friend could outweigh the
charms of the pleasant life at Stockley.
And again, by sundry true words you
spoke on sundry occasions. Tom, as I
looked into your frank young face, I caught
again a reflection of the countenance of
the divine Father and Friend. Mr. San-
dison said this in a slow, dry tone, as if
the utterance were difficult. Strong emo-
tion scarcely dares to filter itself through
speech, lest speech give way before it.
	Tom understood him far too well to
breathe a single word. They sat in si-
lence for a long time  till the twilight
faded into darkness, and there was noth-
ing but the dull glimmer of a street lamp
todimnly reveal the outline of their figures
and of the furniture.
	Mr. Sandison was the first to break the
spell. He rose up, saying cheerfully,
Well, the house is open now. Let Gods
breeze blow through it, and Gods sun-
shine brighten it, and let us watch pa-
tiently to see what living seeds they will
bear into it, and bring to blossom within
it.
	He was speaking half of the closed-up
and desolate rooms, and half of his own
closed-up, desolate heart, of which they
had been but the result and the type.
	That night, before Mr. Sandison went
to rest, he stole up to the room where the
aged woman lay, in her strange life-in-
death.
	Graces room had always been comfort-
able. Peter Sandison had seen to that
from the first. But poor Kirstys zealous
efforts had done much for it during her
days attendance. A liberal fire was glow-
ing on the hearth, for the spring nights
were still chilly. Kirsty had got the shop-
boy to bring her in some spring flowers 
crocuses and daffodils, and these stood in
a brown pot on a little table beside the
bed. From the bed itself Kirsty had re-
moved the drab coverlid and had substi
tuted a white counterpane, which she had
found in the linen closet to which she had
been given free access; and over the foot
of the couch she had thrown, for added
warmth, a coarse scarlet blanket.
	If the poor thing cant speak and cant
hear, said Kirsty, speaking audibly as
she went about the room, then theres
the more occasion she should see whats
pleasant. And theres the master to con-
sider, too. And this is the niasters moth-
er, it seems, and theres been terrible
trouble of some sort. The worlds full of
trouble, and theres always somebodys
wickedness at the bottom of it. I think
the master will let me stay and nurse the
poor old lady. This house is just a heaven
to me. Oh! what a fool I was to think
nothing was so good as pleasure and
finery; and what a price Ive paid for my
folly! I wonder if Ill ever ~vant to be
bad again? Im feared I should, if I was
in si ~ ht o folks like the Branders, so I
suppose that shows Ive not really learned
a bit of wisdom yetexcept it may be
that Id have sense to keep out of the way
of such like. How different it might have
been if Id gone to that watchmakers
quiet house in Edinburgh! And whats
to become of poor Hannah? When the
master said that if Id stay and do the
nursing hed get somebody for the house-
work I could not help thinking of her, but
I darent mention her, for she cant be
trusted to keep from the drink for two
hours together.
	When Kirsty saw the master coming
into the room, she rose from her low seat
by the fire, and passed quietly out.
	Mr. Sandison carried in one hand the
big Bible, which he had brought up from
the dining-room. In the other hand he
had an inkstand, and behind his ear there
was a pen. He laid the book on the table
beside the invalid. He did not look at
her as he did so. She gave a deep groan.
	He opened the volume, turning to the
fly-leaves, between whose severed pages
lay the few old papers which that morning
had wrought such havoc in a lifetimes
hypocrisy. He took them up, one by one,
still not looking towards the bed. He
turned away and went towards the fire,
taking the seat which Kirsty had vacated.
He knew that Grace could see every
movement. One by one, in no haste, but
with gentlest deliberation, he put those
papers on the blazing fire. It swiftly
caught them up and consumed them ut-
terly.
	Then he rose, and went back to the
open Bible lying on the table. He took</PB>
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CHAPTER Xviii.

TWO ON THE CLIFFS.
the pen, and wrote on the blank fly-leaf, of Mrs. Blacks pathetic wish that Mr.
in large, bold characters, From Peter Ollisons great friend should for once see
Sandison to his mother. the old place as it always had been 
Then he turned the book, and held it since nobody knew what changes might
towards the invalid. She could easily be coming. For the old squire of Stock.
read what was written there, and when she ley was at last gathered to his fathers,
had done so she raised her pitiful eyes, and the distant heir, the Branders friend,
and they met his. Captain Carson, reigned in his stead.
	No word could pass between them now. And so Tom went off to the far north.
But she fumbled with her numb hands, But he had first written to his father to
and grasped his, and drew it upon her ask whether he should not stop at Kirk.
pillow, and kissed itonce, twice. wall and try to induce Mrs. Sinclair and
	Peter Sandison bent down and kissed Olive to accompany him to Shetland and
her cheek. There was a moisture on it. be their guests at Clegga, and take an-
	That was all. He summoned Kirsty to other look at the old places and the old
resume her watch. And he went away, faces which once they had known so well.
only waving back his hand before he 1)id Tom know to what he was steer.
closed the door. ing? In after days he never could be
	Thank God! he said to himself. quite sure at what precise point a thought
And who knows but this might have turned into a hope.
come to pass long ago, if I had been He sent his invitation beforehand to
wiser? Thank God that he will reveal Mrs. Sinclair and her daughter, and they
our sins to us, though he will also blot had many debates over it in the wide old
them out! The truth at any cost! Love attics which had grown a dear home to
can strike root in nothing else. them. They had prospered so far that
they had ventured to take another room,
and Olive had grown used to her unremit-
ting toil, and so accustomed to her con-
stant cares and economies, that she could
	LATE in the following summer, Tom find interest and excitement in the fluctua.
Ollison paid another visit to Clegga. He tions of her earnings. There had been no
had been longing very much to do so, but further encroachment on the little fund
the suggestion fin ally caine from Mr. San- realized by her fathers life insurance, and
dison. (Had he noticed how much more Olive was even accumulating tiny savings
often those Kirkwall letters had arrived of her own, made on the sound and sure
since Toms last visit to the north?) plan of settling her maximum expenditure
	I wish you would bring your father by her minimum earnings. Very tiny say-
back to spend the winter with us, Tom, ings indeed they were, savings which
he said; dont you think you could per- would little avail against disaster if it fairly
suadehim? Youknowthereare plentyof came, but which might go very far to
spare rooms now. I never thought how avert disaster. They would not have sup-
they were wasted, while they were shut ported her in a long illness, but wisely
up, but now it seems a terrible waste to laid out, from time to time, they might do
think of them open and empty. much to preserve health. Olive began to
	Mr. Sandison did not go very much into think, hopefully, that however long she
those deserted rooms. His life had grown might live, and however little she might
into his parlor and his shop. Still he be able to save, she might continue so
went into them, determined to lay forever useful to the last that she might eat the
the ghost of the old shrinking. With his bread of independence to the end. Only
own hands he finished hanging the en- she must be quite sure to outlive her dear
graving, which he had laid down in his mother. Every night and morning she
moment of despair nearly a quarter of a offered that one prayer. Everything else
century before. With his own hands he sh.e could cover with the great petition,
threw away the ashen plants which had Thy will be done, but she could not
withered in loneliness, and planted fresh quite give up this special plea.
ones whose sweet smell stole through the And that is only because Gods ~vill is
quiet rooms. He chose none but those not done! she said to herself. For if
with a sweet smell. Mrs. Black sent him it was, I could surely feel that I might
roots from Stockley. He even broke his safely leave dear mother to her only son,
old habits so far as to accompany Tom on not only to his support, but to the tender-
a Saturday visit to the mill  perhaps in- ness of his love and the warmth of his
duced to do so by the constant repetitions hearth.</PB>
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	When Tom Ollisons invitation came,
Olive went to her little store and counted
it over, and made many minute calcula-
tions. She made up her mind that she
and her mother could dare to afford this
treat. Under no other circumstances
could they get so much pleasure at so low
a price. This would cost nothing but
their fares in the boat  they would need
to make no preparations to enjoy the
bountiful hospitality of Clegga. Not that
she could bear to go quite empty-handed
among the poor old wives and fatherless
children who had once been her parents
pensioners; but if she sat up through only
one night, her busy fingers would manu-
facture sundry little gifts for such without
cost of money or of working hours. Yes,
they would go!
	Mrs. Sinclair heard her daughters de-
termination a little wistfully. She had
hoped for an invitation to visit her son
after his marriage, and she had made up
her mind that if one came, why even that
sacred insurance money must be taken
that it might be accepted. It would not
be robbing Olive; no, no, once Robert
saw his mother, he would be sure to make
it up to her; it was not the money that he
would grudge, it was only that he didnt
quite realize how things were!
	She was right that it was not the money
he grudged in this matter. He would
have paid the cost of the journey many
times over, so long as she did not take it.
(On the same principle or rather no-prin-
ciple he would probably have liberally
aided any impecunious relatives who had
known how to thrust their poverty upon
him at inconvenient times.) Poor little
lady, with her worn black dress, and the
patient pain in her beautiful eyes, what a
discord her appearance would have struck
in his garish, rapid life!  Mother is
happiest where she is, he said to himself.
And there was not only heartlessness in
the reflection, it ended in a sigh. He felt
there was something about him and his
wife and his home which would trouble
Mrs. Sinclair. Mother would not un-
derstand, he said, and sighed again.
	So once more the two women went
down to the dock and met Toni, and this
time they we6t on board with him. The
young, strong man and the high-spirited
maiden ~vere very tender and watchful
over the little mother. They said aside
that this going back would try her a little,
and they wondered, in their inexperience,
to notice that while her tears would start
fast and faster, her smiles also grew
brighter, and she became quite eager in
her recognition of points and places which
stirred old memories.
	They had a happy time in dear old
Clegga. And in the long, quiet walks
which Tom and Olive took together along
the roads which waved up and down the
lo~v, green hills looking down on the wide
blue sea, they opened their hearts and
spoke to each other, as hitherto each had
only silently thought. And if, as that
pleasant sojourn drew to a close, there
came long silences in those walks, it was
not because they had nothing more to say,
but because therc was so much to say,
which they felt they could trust to each
others thoughts, almost better than to
any words.
	Olive Sinclair owned to herself this
much  that whether Tom Ollison had
loved her or not, she might easily have
loved him, only that she knew such feel-
ings were not for her. She would never
leave her mother. Well, she had her
mother to love and to work for, and what
would life be without that?
	And Tom Ollison asked himself whether
it did not seem very hard that Peter San-
dison should be left in loneliness at last
a loneliness haunted by memories of
deprivation and wrong; a very different
loneliness from that of his own father,
with his wholesome memories, his large
local influence, and the cheerful coming
to and fro of his prosperous married chil-
dren. Tom did not feel as if the seed of
ones own happiness must be planted in
the pain of others, and watered by their
tears.
	But Tom had the masculine right of
action and enterprise. Where Olive must
have silently taken up what she felt to be
her duty, he could seek to elicit her opin-
ion on such matters, and could lead her
on from generalities to their own particu-
lar cases.
	And so it came to pass that the first
breathings of the great love of life be-
tween those two, were mingled with ten-
der thoughts of others and careful con-
sideration concerning them. It came to
them as the cornerstone placed solemnly
on the edifice of affection and duty  not
as the missile of a battering-ram rudely
hurled against it. They could measure
what it must be, by knowing how much
these were, and by finding this was su-
preme above them.
	And Mrs. Sinclair, with the keen vision
of one who had been through these expe-
riences, foresaw what was coining, and so
sitting alone on the bench outside Clegga,
overlooking the sunny bay, she strove to</PB>
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brace her heart for this~ sacrifice, and to
win strength to say that if it was to be
well with her child, then it should be well
with her. Yet at the thought of the van-
ishing of the days of quiet love and labor
in which her wrung heart had found all
the rest it could ever find in this world,
she could scarcely repress the last cry of
patient anguish,  How long, 0 Lord, how
long!
	And while Mrs. Sinclair sat thus, Tom
and Olive strolled slowly down the road
where she and Robert had travelled on
that wild December morning when our
story commenced, but which was now rich
with wild flowers, bright in the summer
sunshine. And Tom said to Olive that
he would never have dared to ask her to
love him, if he had meant such love to
disturb the sacred duties already in her
life  that he thought the love of life
should mean two gladly bearing together
the double duty that had been divided
between them. And then they said to
each other that they could not at once
very clearly see how their future was to
work itself out, but that surely their love
would be strong enough to grapple with
all details, and not a sickly sentiment on
which no cross wind must blow, lest it
slay it altogether. And they said, too,
that their duty was owed to good people,
who were not likely now to prove them-
selves inconsiderate and selfish for the
first time in their lives; though of course
they must expect to find them human,
with all the little human moods and weak-
nesses, which, after all, seem but a cem-
ent to bind together human virtues. And
Tom said to Olive that he thought those
must have a very poor idea of all that
is involved in twain being made one, who
feel that such unity is endangered if not
nursed in solitude; and that he thought
there is little fear of any household, how-
ever constituted, not falling in the main
into right relations around any married
pair who love, honor, and respect each
other. And then Olive said softly, that
Isaiah had made it one of the signs of
national prosperity that old men and old
women should dwell in the streets of Je
rusalem, and every man with his staff in
his hand for very age. Then they had
come nearer to particulars, and Tom said
that he feared Mrs. Sinclair might shrink
from life in London, and Olive answered
that she was sure her mother would be
happy anywhere with those she loved.
And then they said how, in London, she
would not be far from Stockley, and might,
perhaps, have a double home if she wished.
And then they fell to still homelier dis-
cussions of ways and means, which even
a listening angel might have almost en-
vied, because of the divine alchemy with
which their human hands could transmute
filthy lucre into pure love.
	That night Tom Ollison told Mrs. Sin-
clair that he would never take her daugh-
ter from her, but that Olive had well nigh
promised in her mothers name that he
should be accepted by her as a son. And
Mrs. Sinclair put her hands on his shoul.
ders and drew down his face and kissed
him with the fond, motherly kiss which he
had not known for years. And she longed
to ask him and Olive to forgive her for
the doubt and pain she had felt that after-
noon, but she kept silence because she
thought it would hurt them even to hear
of it. And then she went away and wept
a little, because she had never seen her
Roberts wife, and because she could not
help believing that her own son ~vould
fain be as kind and good as Tom, but
had somehow failed to seem so.

EPILOGUE.

	AFTER all, Tom Ollison and Olive Sin.
clair were married sooner than they had
dared to hope on that summer day when
they had stood hand in hand among the
wild flowers on the road over the cliffs.
Lifes path broadened before their feet,
as it ever does before the true heart and
the resolute will.
	And now they live in the old house in
Penman Row, and Olive has brightened
the shady rooms with the pretty tastes
and fancies which love and happiness have
developed in her, as the warmth of spring
brings out the crocuses and snowdrops.
As Tom sits at the head of the table in
the dining-room (for Mr. Sandison has
said that he is only too delighted to abdi-
cate the post of carver and sit aside at
leisure to criticise his successor), Tom
wonders if it can be the same dreary room
into which he was ushered on his first
arrival in London, for everything seems
different except the quaint mirrors and
the comfortable cat, who has exchanged
the old coat on which he then lay for a
soft red cushion. The upper rooms are
Olives more especial domain; but more
and more often, as she sits in the twilight
playing on the piano and crooning old
songs, Peter Sandison steals up-stairs and
sits listening in the shadows. Mrs. Sin-
clair found the gloom and excitement of
London life rather too much for her at
first, and made long visits to her old
friends the Blacks at Stockley but as</PB>
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time passed on she seemed able to store
up the cheerfulness and calm she gathered
there, and to bring them back with her,
along with the big nosegays and stuffed
hampers which Mrs. Black never failed
to send. By her own choice her special
apartment was the wide, low attic which
had formerly been Toms room; and her
son-in-law gave her an exquisite surprise
by bringing her familiar household gods
from the far north to furnish it. Better
goods could have been bought near at
hand for less than the cost of the transit
of the old chests and clumsy chairs, but
he wanted to give her a gift, and she
seemed already to live so wholly in the
spirit, that one need give her naught but
what also had its value wholly in the
spirit, consecrated by tender emotion, by
memory, and by hope.
	It was hard to find the point of view
from which Robert and Etta Brander re-
garded the new arrangements in Penman
Row. They came there once or twice:
but the West End of London is very far
away from its other quarters, and a lady
who, like Etta, never travels except in her
own brougham, and is very fearful of its
panels being scratched, cannot venture
often into the City. Besides, Ettas con-
stitution is steadily growing less adapted
to London, except during the few weeks
of the season. She is always trying
the climate of some new watering-place, or
the effects of some fashionable cure
for those vague maladies which occupy
those who have nothing else to do. Rob-
ert has his fine house very much to him.
self, and though it is not very far from
Ormolu Square, he does not see much of
his wifes parents, he and Mr. Brander
having separated their business interests.
The younger man considered that the
elder was getting slow and subsiding
into grooves, where he himself would
never have made the fortune he had made,
and with which, therefore, Robert was not
going to be content. The wheel of life
goes fast with Robert Sinclair, and his
face has a wan, hunted look, not like those
who live by hardest daily labor, but more
like that of the needy adventurers who
hang on the very outskirts of honesty.
He is rich and likely to be richer, though
none know so well as himself what sharp
corners he still turns sometimes, and how
near ruin may be, after all. Sometimes
he asks querulously, if life is worth the
living. But it has never yet dawned on
him that perhaps he has made a bad bar-
gain, and that love, and friendship, and
duty, high thoughts, and pleasant house-
hold ways and holy aspirations, are what
do make life worth living, and that these
are in the forfeit when we will get on
at any cost.
	Tom and Olive know well that the son
whom she sees so seldom is in the moth-
ers heart ~vhen she goes away and sits for
hours in the quiet attic, where no sound
penetrates save Kirsty Mails gentle foot-
fall as she goes to and fro in the chamber
where Grace Allan still lies, cut off from
speech and hearing, but with a plead.
ing look softening her hard eyes, and a
habit of kindly clasping bending her stiff
fingers. Tom and Olive are so happy
together that they do not resent the shad-
ows of sin and sorrow amid which they
carry sunshine; and their home is not less
sacred to them because they often say to
each other that it seems to be a miniature
copy of the workings of Gods providence
in its widest ranges, and that ~vhile they
twain represent its active life and its ma-
terial progress, its very existence is rooted
in the martyred life of him who, taking
nothing for his own, bore all and forgave
all, and in the loving heart of her who is
still waiting for the return of that prodigal
son of modern life, who has mistaken
gold for food, success for satisfaction, and
worldly power for the peace which passeth
understanding.




From Temple Bar.
THE HOME LIFE OF A COURT LADY.

	Wx generally think of the beautiful
Molly Lepell as one of that gay group
of maids of honor, more merry than wise,
so prominent in the memoirs of theirtime,
who attended Caroline of Anspach when
the young court of the Prince and
Princess of Wales drew all the wits and
beauties from the old court of. George
I.
	The town career of these young women
was one unbroken round of gaiety. A
drawing-room at Leicester House every
morning, an evening assembly there twice
a week; balls, masquerades, ridottos,*
operas, and plays; growing magnificence
in dress, growing extravagance in play, an
increasing value set on showy accomplish-
ments and a witty tongue, combined to
make the young court brilliant, at-

	*	A most entertaining sort of assembly, says Mrs.
Delany; you are at liberty to wander about as much
as you please, and tbere is dancing, tea, coffee, choco-.
late, and all sorts of sweetmeats. (Autobiography
and Correspondence, vol. i., p. 253.)</PB>
<PB REF="IMG00050" SEQ="0050" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="40">40	THE HOME LIFE OF A COURT LADY.
tractive, corrupt, and godless  the best
school imaginable for sharpening the brain
and hardening the heart.
	When rusticating at Richmond Lodge
or Hampton Court, however, not only the
scene 1)ut the whole daily routine was
radically changed, and its attendant hard-
ships are pathetically described in one of
Popes letters to the Blounts. The un-
happy victims were condemned

to eat Westphalia ham in a morning, ride over
hedges and ditches on l)Orrowed hacks, come
home in the heat of the day with a fever, and
(what is worse a hundred times) with a red
mark on the forehead from an uneasy hat - -
to simper an hour and catch cold in the Prin-
cesss apartment; from thence to dinner with
what al)petite they may,and after that till
midnight walk, work, or think  which they
please.*

	No wonder he exclaims, his sympathy
rising even to solemnity, The life of a
maid of honor is of all things the most
miserable!
	But not without alleviations! The wits
and beaux of the day followed them to their
riverside retreats, and fluttered round
them in open adoration. Swift growled
out compliments veiled in roughly playful
abusej Pope and Gay sang their praises
in more polished verse; Lord Chesterfield
the courtly, Lord Peterborough the ro-
mantic,  Hervey, fair of face and bitter
of tongue, worshipped at their shrine.
The flattery which had only been polite
in town, grew tender in the country.
Mrs. Lepell walked with me three or
four hours by the moonlight, says Pope,
	and we met no creature of any quality
but the king giving audience to the vice-
chancellor all alone under the garden
wall. Yet with all the high-flown love-
making to which they were subjected, the
maids of honor had hearty animal spirits,
rode on the garden rollers, shook the
windows (and the nerves) of solitary stu-
dents at midnight, jumped down-stairs
singing Over the hills and far away,
and rejoiced in practical jokes like a set
of boisterous schoolgirls.
	Mary, daughter of Brigadier-General
Lepell, was the favorite of all the giddy
party. Others might be as beautiful, but
she had in perfection that art of pleasing
which disarms envy itself. Others might
be as witty, but their wit was poisoned by
coarseness. When others were as much
admired they paid the penalty of detrac-
tion, which, in that age of unbridled license
and scandal, nearly always attended ac
knowledged charms. But not one of
rumor s thousand tongues breathed a
whisper against her fair fame, or asso-
ci~ted her with the intrigues which appear
then to have been as much a matter of
course to a fine lady as her toilet. Though
in the court, she ~vas not of it, yet all the
courtiers, male and female, were her
friends, and she carried into retirement a
strong interest in her old companions,
whose follies neither involved nor alien-
ated her.
	Gay might well call her youths young-
est daughter  sweet Lepell, for she be-
came a maid of honor at fourteen ! Yet
even this precocious preferment was less
incongruous than that which, according to
the Duchess of Marlborough, made her
a cornet in herfathers regiment as soon
as she was born. Her birthplace was
Sark, of ~vhich island the Lepells were
called lords-proprietors, and she may
have owed to a certain extent the soft and
s~iritue/le vivacity of her manners, and
her love for France and all things French,
to the force of early association.
	Pope, her devoted admirer, ~vas proud
of wearing her chains; he tells Broome,
in March, 1720: 1 am now constantly
engaged at home in attending a lady I
have a true friendship for, who is here at
Twickenham in hopes of a recovery by
our air from a dangerous illness  Mrs.
Lepell.* Pope, no doubt, like all the
rest of the world, would have been sur-
prised to hear that his lively invalid was
then married to one of the most noticeable
figures of even that dazzling and depraved
timeJohn Hervey, second son of the
first Earl of Bristol. Herveys personal
distinction and grace, his polished man-
ners and cultivated mind, united so
strangely to ghastly disease, a cold heart,
a calculating brain, and a complete nega-
tion of religion and morality, have been
immortalized in the withering couplet
which concludes Popes picture of Spo-
rus :  
Beauty that shocks you, parts that none can
trust,
Wit that can creep, and pride that licks the
dust.

	Yet Hervey had the power of attracting
and retaining regard; for against the piti-
less malignity of such foes as Pulteney
and Pope, and the doubtful support of
such allies as Lady Mary Wortley Mon-
tagu, we may set, tor so much as it was
worth, the unwavering attachment of
* Carruthers Life of Pope, p. 135	* Elwins Pope, Letters, vol. iii., ~. ~</PB>
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Queen Caroline,* and what was of infi-
nitely more value, the anxious tenderness
of Herveys excellent father and the sore-
ly tried but faithful affection of his wife.
	Their marriage, in accordance with
what almost amounted to a fashion at that
time, was not at first avowed. Contem-
porary publications state that it took
place in the autumn of 1720, but in the
spring of 1719 a letter from Lord Bristol
affectionately claims Molly Lepell as his
daughter, though speaking of her mar-
riage as secret. Croker says that the
private marriage of another maid of hon-
or, Mary Bellenden, to Colonel Campbell,
afterwards Duke of Argyll, was made
public at the same time, and his theory is
that

they influenced each other . - - all parties
might be fearful of having offended by making
a choice without the consent of their royal
patrons, and they for mutual support agreed
to brave the storm together, and announced
their marriages and consequent resignations
just previous to the courtly epoch of the birth-
day.t

Molly Lepells marriage was happier
than might have been anticipated from the
character of the bridearoom Lady Louisa
Stuart in her  Introductory Anecdotes 
to her grandmothers letters, says that the
young couple lived together on very
amicable terms, as well-bred as if not
married at all, but without any strong
sympathies, and more like a French
couple than an English one; as if the
average English couple of those days,
especially when moving in fashionable
circles, had been so very tender and do-
mestic! But the letters themselves show
that for some time, at all events, this po-
lite indifference did not exist. In July,
1721, we find Lady Mary quite out of pa-
tience with their conjugal affection 
Mrs. Hervey and her dear spouse [she writes
to her sister Lady Mar] visited me twice or
thrice a day, and were perpetually cooing in
my rooms. I was complaisant a great while;
but (as you know) my talent has never lain
much that way. I grew at last so weary qf
those birds of paradise, I fled to Twickenham

	*	The inscrutable Caroline, who ridiculed her
husband, hated some of her children and coldly toler-
ated others, and dropped frieud after friend when each
had served her turn, showed positive fondness for Lord
Hervey up to the last hours of her life. She calied him
her child, her pupil, her charge. She frankly
avowed that she could not hear him out of her sight,
adding, It is well I am so old, she was then fifty
one, and fourteeo years Herveys senior, or I should
he talked of for this creature. (Lord Herveys Me-
moirs, vol. i., p. 382.)
	t totroduction to Lord Herveys Memoirs, vol. i.,
p. 25.
as much to avoid their persecutions as for my
own health.*

	Hervey would indeed have been hard to
please had he shown early and confirmed
neglect of such a wife. Lady Louisa her-
self concedes that

by the attractions she retained in age she must
have been singularly captivating when young,
gay, and handsome; and never was there so
perfect a model of the finely polished, high.
bred, genuine woman of fashion. Her man-
ners had a foreign tinge which some called
affected, but they were gentle, easy, dignified,
and altogether exquisitely pleasing.

	And Lord Chesterfield said the word
pleasing always reminded him of her,
who not only pleased herself, but was the
cause of pleasing in others.
	Like all sprigs of quality in those
days, the Herveys were often at Bath,
and some of Lady Herveys ~ letters to
Mrs. Howard give amusing glimpses of
the humors of the place.

	Lord Peterborough is here [she writes in
June, 1725] and has been so some time, though
by his dress one would believe he had not de-
signed to make any stay, for he wears boots all
day, and as I hear must do so, having brought
no shoes with him. [Boots were then cpnsid-
ered only suitable for riding-gear.] It is a
comical sight to see him, with his blue ribbon
and star, and a cabbage under each arm, or a
chicken in his hand, which, after he himself
has purchased at market, he carries home for
his dinner.

Some months later she gives the same
correspondent a. little family news: 
Arm yourself with faith to believe me when
I tell you that Bab, our own lean, pale-faced
Bab [her sister-in-law, Lady Barbara Hervey]
has been queen of a ball, and has been the ob-
ject of sighs, languishments, and all things
proper on such occasions: and to surprise you
yet snore, I must inform you that her flirt is
master of ten thousand pounds a year. I do
not doubt but that Lady Bristol will tell you
of it, for she is brimful of that (and cases of
quadrille)4

	Lady Bristol, who had an imperious
and uncertain temper, and piqued herself
on her power of saying sharp thin,,s, was
no doubt occasionally dictatorial to her
beautiful daughter-in-law, who may not
always have taken her caprices patiently.
Lady Mary Wortley Montagu puts the
case after her own peculiar fashion: All

	*	Letters and Works of Lady Mary Wortley Mon-
tagu, vol. i., p. 457.
	t In 1723 her husband succeeded to the title by the
death of his brother Carr.
	~	Letters to and from Henrietta Countess of Suffolk,
vol. i., p. 195.</PB>
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42

our acquaintances are now mad, she tells
her sister: they do such things! such
monstrous and stupendous things! Lady
Hervey and Lady Bristol have quarrelled
in such a polite manner that they have
given one another all the titles so liberally
bestowed amongst the ladies at Billings-
gate. It would take a less lively pen
than Lady Marys to convince us that
Lady Hervey, whose perfect good breed-
ing and gracious dignity are recorded by
all who knew her, ever descended to Bil-
lingsgate, and if so, no further faith can
be put in physiognomy. For never was
sweeter or more gentle expression than
that of her smiling face in the Strawberry
Hill miniature. But that she did occa-
sionally retaliate on Lady Bristol by a
little malicious teasing, we have her own
testimony: Pray, when you are so kind
as to write to me, she asks Mrs. Howard,
get sometimes one body, sometimes an-
other to direct your letters. For curiosity
being one of the reigning passions in a
cer/ain person [Lady Bristol], I love
prodigiously both to excite and to baffle
it.
	In 1728 Lord Hervey tried to relieve
the ill-health which was constitutional with
him * (but which his father attributed to
the use of that detestable and poisonous
plant, tea,) by a journey to Italy  Lady
Hervey and four young children remain-
ing with Lord Bristol at Ickworth. In
this seclusion she heard from Mrs. How-
ard, who was then at Hampton Court, and
says in reply : 
The place your letter was dated from re-
called a thousand agreeable things to my
remembrance. I wish I could persuade myself
that you regret them, or that you could think
the tea-table more welcome if attended as for-
merly by the Sckatz [a nickname shared by
Lord and Lady Hervey]. If that were pos-
sible, it would be the means (and the only one
at this time) to make me wish to exchange
Ickworth for any other dwelling in England.
I s eally believe a frizelation would be a surer

	*	His complaint was epilepsy; and to ward off its
attacks he adopted that strict regimen to which Pope
cruelly alludes in his Sporus, as, to disguise its
traces, he is said to have painted his face. Lord Hailes
(preface to the Duchess of Marlboroughs ~~pinions~~)
descrihes Herveys daily food as a small quantity of
asses milk and a flour hiscuit; once a week he in-
dulged himself with eating an apple. His own state-
ment to Dr. Cheyne, his physician, is  I never take
anyliquid hut water or milk-tea; I eat no meat hut the
whitest, youngest, and tenderest  nine times in ten,
nothing hut chicken. I seldom eat any supper; if any,
nothing ahsolutely hut hread and water. Two daysin
the week I eat no flesh ; my breakfast is dry hiscuit,
not sweet, and green tea. I have left off hutter as
bilious. I eat no salt, nor any sauce hut bread sauce
-	- - the attacks made upon me hy ignorance, imper-
tinence and gluttony are innumerable and incredible.
means of restoring my spirits than the exer-
cise and hartshorn I now make use of. I do
not suppose that name still subsists; but pray
let me know if the thing itself does, and if
they meet in the same cheerful manner to sup
as formerly. - - - I pass my mornings at pres-
ent as much like those at Hampton Court as I
can, for I divide them between walking and
the people of the best sense of their time.
But the difference is, my present companions
are dead, and the others were quite alive.

	In Mrs. Howards reply she says:
Hampton was very different from the
place you knew - - - frizela/ion,flir/tztion,
and dang/ea/ion are now no more, and
nothing less than a Lepell can restore
them to life. To tell yop my opinion free-
ly, the people you now converse with
[her books] are much more alive than
any of your old acquaintance. In Lady
Herveys rejoinder, we see something of
that home life at lckworth which gives so
much more true a clue to her character
than the youthful gaieties with which she
is generally associated : 
I have had frequent accounts from my lord
of his being very much out of order abroad,
[she writes]; and at home I have had the pain
of seeing and the fatigue of nursing Lady Ann
[her sister-in-law] in a violent and for a great
while dangerous distemper. I pass twelve or
thirteen hours a day in her room, and dine by
her bedside at seven or eight oclock at night.,
I can never leave her whilst her fever is upon
her, for she will take nothing but from me,
nor do anything but at my request. Lord and
Lady Bristol are in the greatest concern for
her. The latter has been herself so ill that for
many days she has not been able to bear going
into her daughters room. My spirits, which
you know were once very good, are so much
impaired, that I question if even Hampton
Court breakfasts could recover them, or revive
the Sc/iota who is extinguished in a fatigued
nurse, a grieved sister, and a melancholy wife. *

	In a later letter Lady Hervey recom-
mends Mrs. Howard to read Cabala,
which she says contains some mighty
pretty letters from the famous Earl of
Essex; and very artful, clever ones from
Sir Francis Bacon, who, though a sad
fellow in his practice, was a very great
man in theory.
Then in 1732 we have tidings of a start-
ling reformation : 
Perhaps you imagine you can receive no
news out of the country, but I shall convince
you to the contrary by informing you that
Lady Bristol has lived with me a whole fort-
night with all civility and kindness. I havt
become first favorite. It would puxxle a poet

* Suffolk Correspondence, vol. i., p. 325.</PB>
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to find anything soft, kind, and sweet enough
to liken her to  down, turtle-doves, and honey
are faint images of her disposition.

	A collection of Lady Herveys letters
to a very different correspondent, the
Rev. Edmund Morris, a country clergy-
man, tutor to her sons, was published by
Murray in 1821. The first letter, written
in 1742, is from Ickworth, which was al-
most always her home, and tells her cor-
respondent that she has read Youngs
Night Thoughts, recommended by him,
and, though she admires the book, she
does not mean to look at it again. I do
not like to look on the dark side of life,
she adds, and shall always be thankful
to those who turn the bright side of that
lantern to me. In the following spring,
she tells Mr. Morris she is impatient to
hear his. approbation of Oldcastles
remarks on Bolingbrokes History.
Perhaps I should have said thoughts,
she continues, but in this place I think
those words synonymous. If they are not
so I shall be disappointed and sorry, I
dont say mortified, because Lord Herveys
commendations (to whom I am now read-
ing it) have put me above that. She was
soon to lose this much prized companion-
ship  the judgment and the ability to
which she had so long and so unaffectedly
looked up. Lord Hervey died in August,
and in the following October his wife
writes: 
I see and feel the greatness of this last mis-
fortune in every light, but I will struggle to
the utmost; and though I know, at least I think,
I can never be happy again, yet I will be as
little miserable as possible, and will make use
of the reason I have to soften, not to aggra-
vate, my affliction.

It was chiefly for the sake of her chil-
dren that Lady Hervey thus exerted her-
self; and some of them, at all events,
repaid her passionate affection. Her eld-
est daughter, Lepel, at this time married
to Constantine Phipps, afterwards Baron
Mulgrave, was her pride and comfort.
When she especially enjoys a book she
recommends it to Mrs. Phipps, saying: 
I should grudge myself anything so good
without her participation. I hear from many
people of her good looks and good spirits; of
every other good that belongs to her I want
neither information nor confirmation. May
she have as much happiness as she deserves!
This sounds very just, but is far from being
very reasonable, considering the small stock of
happiness there seems to be in the world: for
I am wishing her much more than a Benja-
mins portion.
	Lady Hervey writes to Mr. Morris on
every subject that can interest an intelli.
gent woman. Politics, home and foreign;
divinity, literature, her own classical stud-
ies, of which she modestly says she shall
only peep into the vestibule open to the
profane, all are discussed in turn, together
with an occasional reminiscence of her
old court friends,* or a motherly message
about her children. She is glad to hear
that dear Frederick (afterwards the most
ir-reverend Bishop of Derry) rides with
his tutor:  There is nothing so likely to
keep you both well as riding. I have
found great benefit by it and therefore
persist in it, though both the horse and
the weather are very bad; the one is too
calm, the other not calm enough.
Weeping philosophers have never been
wanting; in September, 1744, Lady Her-
vey tells Mr. Morris he is in a patriot
fright, adding: 
I wish you were here! You would make a
trio in the pathetic political performance I
hear every noon, which I sometimes hiss and
sometimes parody, what should be great I
turn to farce; if I did not, the tragedy would
be too deep to bear repeated every day
above five-and-twenty years ago I heard the
same dreadful prophecies, from the same dread-
ful prophets, therefore, dum spiro, sperabo; my
reason, my experience, and my spirits (which
latter, I thank God, are not English), all con-
cur in enabling me to do so. Had I cried for
my country as long as Lord Bristol has been
telling me I ought, I should not by this time
have an eye left to cry with. And now I have
two, and a mouth to laugh, which I am re-
solved to make use of as long as I can.
When I remind Lord Bristol how long it is
since he bespoke my tears for my ruined coun-
try, he shakes his head, and says: Ay, Mad-
am! But it is nearer and nearer, and must
happen at last. According to his method,
one should begin to weep for ones children as
soon as they are born; for they must die at
last, and every day brings them nearer to it.

To Lord Bristol, who had always loved
her, she was a true and devoted daughter:
she read to him, wrote for him, nursed
him, drew him into playful discussions
which she referred to her friends arbitra-
tion, thus giving him a share in her cor-
respondence; in short, she was the life
of Ickworth, though herself, from a very
early age, frequently suffering from se-
vere attacks of hereditary gout.

	*	Some of her characterizations maintain her reputa-
tion for wit. Lord Chesterfield, she says, had a pe-
culiar manner of stahhing with the genteelest compli-
ments, which he could make more pointed than argu-
ments. Mr. Pitt, when he ungracioutly supported
an address to the king  has done a right thing with
as ill an air as he could contrive it like giving a purse
by throwing it at ones head.</PB>
<PB REF="IMG00054" SEQ="0054" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="44">THE HOME LIFE OF A COURT LADY.
44

	She did not hesitate to give her rever-
end correspondent a little common-sense
advice now and then. In 1745 he was
presented to the living of Nutshalling,
Hants, and she rejoiced warmly in his
good fortune and admired his description
of his new house and neighborhood. I
approve of flowers and sweet shrubs for
your garden, she adds, but pray what
have you to do with exotics? They are
things of little beauty, great expense, and
only matters of curiosity. Pray stick to
what will make your ~arterre gay to the
eye and sweet to the nose.
Lady Herveys letters to Mr. Morris
from the spring of 1745 to the autumn of
1747 were unfortunately lost. In October
of the latter year we find her busy in her
own garden, and her remarks give a clear
idea of the progress of floriculture since
her time 
For the last three weeks I have been stuck
as deeply in my garden as any of the plants I
have set there, and I wish they may flourish
half as well: for though I cant say I have run
up in height, yet I have spread most luxuri-
antly. I have made a rosery. Perhaps you
will ask what that is: it is a collection of all
the sorts of roses there are, which amount to
fifty.* This rosery perhap~o may bring me to
an untimely end, but it is a very pretty thing.
I have made the whole design of it myself.
In the middle of it, raised above all the oth-
ers, is one of the most beautiful kind, who,
conscious of the right to possess that place,
does not blush in doing so.

	Besides gardening at Ickworth, Lady
Hervey soon had building in London on
her hands. She was altering her house
in the Green Park after her own fancy;
she had made the plan entirely herself,
she says in 1748, and it was to be exe-
cuted in April.

	Perhaps youll think I ought to begin on the
first day of the month, but though it may be,
and certainly is, contrary to all palladian rules,
I think I ought to consider my own conven-
ience and taste. - - - I hope, out of the ashes
of my old house will soon arise a Phcenix
house, where you will often eat as plain a din-
ner, see as fine a prospect, and as beautiful a
verdure as at Nutshalling.

	Still she has time and thoughts to spare
for study. She asks Mr. Morris who
are properly to be reckoned the ancients?
Who is the last author he would call an-
cient and the first he would call modern?
Swifts Battle of the Books had set
her wondering, and Lord Bristol could
not help her; he had never thought about

	*	Her anonymous editor observes that in 1821 the
varieties numbered nearly five hundred.
it.	Next, having apparently disposed of
the ancients, Lady Hervey attacks the
vulgarisms of some of her moderns.

	No one who has lived and conversed with
the most polite people of the age, such as are
Lord Bolingbroke and Lord Chesterfield, and
such, I may say, as was Lord Hervey, but will
wish, when they meet with those little vulgar-
isms, that they had been left out. - - - I would
not have a word or an expression made use of
that must have been picked up from the illit-
erate or the vulgar, or perhaps retained from
the nursery; and of that kind are, under the
sun  in l~/~  upon the face of the earth 
the world craching about our ears.*

	Lady Hervey, it will be seen, carried a
little of her fine ladyism into her love of
letters. But the mother in her warm
heart triumphed over both the critic and
the fine lady. When I tell you that Mr.
and Mrs. Phipps are here, yes, actually
here, she writes a little later, 
you will not be surprised, sir, that I do not
answer your last letter, or think of politics
and controversy. When I enjoy society and
friendship I am too happy with the present to
look back to the past, and can think of no
words but such as they utter, or can best prove
my affection for them. They have a boy, too,
who is the most surprising child I ever knew,
though I remember what his mother was. In
short, there is nothing wanting to my present
happiness but the thoughts of its continuance.
- - - If you think my letter short, think what
I leave to make it even thus long, and then
conclude that I am your sincere friend.

	Her new house still occupies her; most
people tell her she has done an indiscreet
thing, and spent more money in building
than her fortune warranted. But it is for
what I like better than any other expense
whatever. If I am contented with two
dishes rather than four, and with four ser-
vants rather than eight, and choose to
make that diminished expense into a good
house, I please myself and injure, no one.
She finds time, however, to be a little
satirical at the expense of Frederick,
Prince of Wales, and his family. She
never frequented Leicester House when
in their occupation; she could not forgive
their undutiful behavior to her old master
and mistress (though it was but a repro-
duction of the quarrels of her Prince and
Princess of Wales with George I.), and
she had no respect for their abilities 

	*	What would this bright and refined lady say if she
lived in an age where awfully buy was uttered by
ladies pretending to breeding, &#38; where thanks is
thrown at you like victuals to a dog? She would have
been quite too utterly upset by such vulgarisms. 
ED.</PB>
<PB REF="IMG00055" SEQ="0055" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="45">THE HOME LIFE OF A COURT LADY.	45
	The Princes family is an example of inno-
cent and cheerful amusement. All this last
summer they played abroad; and now, in the
winter, in a large room, they divert themselves
at base-ball, a play all who are, or have been,
schoolboys are well acquainted with. The la-
dies as well as gentlemen join in this amuse-
ment; and the latter return the compliment,
in the evening, by playing for an hour at the
old and innocent game of push pin, at which
they chiefly excel (if they are not flattered) who
ought in everything to precede. This inno-
cence and excellence must needs give great
joy, as well as great hopes, to all real lovers of
their country and posterity.

Lady Hervey affords one more instance
among hundreds, that the questions which
occupy many minds in our own day pre-
sented themselves under precisely the
same aspect to former generations. If
she were living now she would certainly
be claimed as a Ritualist, though probably
a very sober and sensible one 
All those things which we call superstitions
and innovations of the Roman Catholics were
undoubtedly the practice of the primitive
Christians; and though I believe the Papal
power was an innovation, yet their ceremonies
and faith were to my apprehension not so.
Therefore I must stick to my old opinion, that
the reformation, as managed by Henry VIII.,
was warrantable according to Christianity;
but that introduced by Luther and Calvin, and
adopted in the time of Edward VI., was not
quite so clearly founded in authority. I am
sorry if in this we really disagree, because then
tis probable I may be in the wrong. But if I
am so, tis the fault of my judgment, and my
will at least is ready for conviction; errare~os-
sum, hareticam esse nob.

	The Duchess of Richmond tempts Lady
Hervey solely by an invitation to Paris,
but much though she wishes to go she
will not leave Lord Bristol alone. Again,
in the following spring, she is chained to
her father-in-laws sick-bed. But at Ick-
worth there is always something to inter-
est, and soothe weary thoughts. The
sunshine alone, she says, is a better
restorative than all that the Pharmaco-
j5 cela officinalis can produce, and more
exhilarating than all the wines of France.
It gilds and beautifies the lawns and trees
on which she loves to gaze, it irradiates
her shrubs and flowers; and while she
looks on these, a concert is carolled for
her by the birds.

	I have drawn a prodigious concourse of all
kinds to the garden, and to my window in par-
ticular, by plenty of seeds, crumbs of bread,
oatmeal, and all that can please their taste and
solicit their abode. I have planted them a
retreat in bad weather. They repay me by the
most delightful music, and the first sound that
strikes my ear in the morning is their melody.
	- . I will enjoy this sweet place and quiet
way of living as long as Lord Bristol lives, and
am preparing a dwelling that will suit better
with my purse, though not so well with my in-
clination. I have paid dear to make that
dwelling loch as like the country as I can; but
I have been too much used to grass and trees
to bear changing them for bricks and dust.

	Her comments on books, both what she
reads and what she will not read, are en-
tertaining, and often very shrewd. Mon-
tesquieus definition of the English Con-
stitution  une reipublique qul se cache
sous laforme de Ia monarchie  charmed
her; Harringtons Utopia she declined
to look at.

	I think all those theoretic writers on a plan
of perfection no better worth reading than
Scuderi or any other romance-writer. In my
opinion they both do a great deal of harm in
their different ways; and when the one meets
with a head turned to politics, and the other a
disposition inclined to love, they leave neither
at quiet till each is gratified, without the least
degree of that perfection they set out in the
search of.

	Her house is still a chief object of at-
tention. Mr. Morris has been to see it,
and wishes she had made a bow window.
Consider what would have been the
consequence of it 1 she remonstrates.

Instead of those windows which now afford
me as fine a view as possible, I should have
had but one window that would have looked
towards Chelsea and the country; from one of
the oblique windows I should have looked into
Sir John Copes room, and have afforded him
a view of mine, From the other I should have
seen the Duke of Devonshires house when the
dust of Piccadilly permitted it.

	In the autumn of 1750 Lady Herveys
long projected visit to France was paid.
Her old friend Lord Chesterfield, who had
despatched his son to make the grand
tour, urged him to lose no time in wait-
ing on her.

	To my great joy, because of your great ad-
vantage [he writes] she passes all this winter
in Paris. She has been bred all her life at
Courts; of which she has acquired all the easy
good breeding and politeness without the friv-
olousness. She has all the reading that a
woman should have, and more than any woman
need have; for she understands Latin perfectly
well, though she wisely conceals it. As she
will look upon you as her son, I desire that
you will look upon her as my delegate: trust,
consult, and apply to her without reserve. No
woman ever had more than she has be ton de
ba parfaitement bonne compagnie, les mani?res
eng-ageantes, et left ne qais quol qui plait. De-
sire her to reprove and correct any and every</PB>
<PB REF="IMG00056" SEQ="0056" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="46">46	THE HOME LIFE OF A COURT LADY.
the least error and inaccuracy in your mann~~rs,
air, address. No woman in Europe can do it
so well; none will do it more willingly, or in a
more, proper and obliging manner. She will
not put you out of countenance by telling you
of it in company, but either intimate it by some
sign, or wait for an opportunity when you are
alone together. She is also in the best French
company, where she will not only introduce
but puff you, if I may use so low a word.*

What a scolding Lady Hervey would
have given his lordship for using it!
During her Paris sojourn she apologizes
to Mr. Morris for writing but seldom.
The fashionables keep late hours at
night, and have short mornings, as they
dine at two oclock. But if she could do
him any real, essential service by writ-
ing, she would borrow time not only from
her pleasures, but from my business,
my rest, and my sleep. There can be no
doubt she was a faithful ally; she says she
never lost a friend but by death  and
that those who remain shall never lose her
while she lives, if they care to keep her.
Fontenelle is one of her Parisian compan.
ions 
He has no mark of age but wrinkles, and a
degree of deafness; but ~vhen by sitting near
him you make him hear you, he answers
with that liveliness and prettiness peculiar to
himself. He often repeats and applies his
own and other peoples poetry very agreeably,
but only as it is proper to the subject. He is
ninety-two, and has the cheerfulness, liveli-
ness, and even the taste and appetite of twen-
ty-two!

	While in France Lady Hervey had an
illness which made her so weak that she
says she could as easily have managed
a cannon as a pen. But it was almost a
pleasure to be ill among so many sympa-
thizers. Her friends and acquaintances
besieged her door all day long, and waited
for hours in the afternoon to waylay the
doctor or nurse and have the latest built-.
tin. Li~ht quilts, couches, easy-chairs,
all the things she could possibly require,
were sent to her; and when she began to
rally, little chickens out of the country,
new-laid eggs warm from the hen, the
best varieties of wine, poured in upon her.
If you could guess all the kindness I
meet with, she says, you would neither
blame nor wonder at my reluctance to quit
these agreeable people.
	She does return to England in 1752,
however; but Lord Bristols death having
lessened her ties to home, in subsequent
3-ears she is often found writing from her

*	Lord Chesterfields Letters to his Son, 12th edit.,
i8o6, vol. iii., pp. ~~6
friends seats. She frequently goes back-
wards and forwards to her beloved France,
and in 1756 she visits Scotland, apparently
for the first time. This country is far
from being so bad an one as English prej-
udice and English ignorance represent it,
she says, writing from the neighborhood
of Roxburgh. And she praises the corn-
fields, the noble wooded hills, the beauti-
ful rivers, and above all, the fish As
for herrings and crabs, I do not believe I
shall ever be able again to taste what is
called so in England; they are not like the
same fish. The salmon is the best I ever
tasted ; the trout, the smelts, the perch are
incomparable. Such beef and mutton
she never ate before. But the fruit 
that, indeed, is little and indifferent.
Her descriptions of the Duke of Rox-
burghes, Lord Haddingtons, and Lord
Hopetouns seats are very minute and
eulogistic.

	I have seen many more fine places [she
continues]; the worst thing in Scotland is its
capital, which is a frightful dirty town, though
paved as well as St. Jamess Square. I like
the people in general. They are sensible and
learned, and have a very cheerful heartiness
and good humor about them.

	Her admiration for the great Frederick
would have satisfied Carlyle. There is
no one but the king of Prussia worth
thinking of, she says in 1757: 
What a persevering spirit, what courage, what
sagacity, how able a legislator at home, how
formidable and humane an enemy abroad!
A pattern and a model of arts and sciences!
In short, something in the great scale of be-
ings between a man and a deity; and whatever
the weak admiration for antiquity may be in
general, I prefer him to Caesar, and conse-
quently very much before Alexander. He has
the virtues of both without their vices.

	As years pass on, her letters become
sadder and more grave in tone Her
health was broken. Her children were
scattered; the diplomatic service and the
army had drawn her sons out of England,
and often into danger which racked her
nerves and oppressed her spirits. Her
old friends were falling by her side, and
almost every letter records a loss.

	These are the misfortunes of long life [she
says], and which in old age cannot be repaired.
One can hardly then make acquaintance, cer-
tainly not friends. Indeed, with all the im-
provements you talk of, that of friendship is
not one. You hardly now ever hear it named;
connections is the word, and the thing; these
last for one, two, or perhaps even three ses-
sions of Parliament, for on them depend all
those conneczions.</PB>
<PB REF="IMG00057" SEQ="0057" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="47">	WURZBURG AND VIENNA.	47
	Nevertheless, the accession of George
III. gave her pleasure. I have the best
imaginable opinion of him, she says, not
from anything he does or says just now,
but because I have a moral certainty that
he was in his nursery the honestest, truest
good-natured child that ever lived; and
you know my old maxim, that qualities
never change. What the child was, the
man most certainly is, in spite of tempo-
rary appearances.
She still exerted herself occasionally to
see and entertain those who wished to
visit her. To Mr. Morriss children she
was thoughtfully kind; and some cheerful
and accomplished sisters named Stanley
were much with her; but she was rather
shy of the new generation 
The little understanding I have is worn very
thin indeed [she says in 1764]. I am a mere
rag, and I dare say the Miss Stanleys have no
notion that I ever had any liveliness about me.
They have a great deal. I like them extreme-
ly, and should he happy in their acquaintance,
if my vanity did not throw cold water on that
pleasure. In short, I confess I am mortified
when new acquaintance see me as I now am.
I dont mean as to my figure, but as to my
understanding, which is full as o~d and as grey
as the other. Dont laugh at me for my van-
ity. We all have our share of it in some
shape or degree, and, take the species as it is,
ready made, I question whether vanity is not
the most general and powerful motive of the
best and most agreeable things we do. La
verlu niroil l5as loin si ha zanitI ne lui tenoit
pea compagnie. All rational creatures are
either ashamed or proud of what they say or
do. The vanity is equal in each case.

	In June, 1768, in the course of a more
than usually cheerful letter in which Lady
Hervey spoke of her intention of going to
Old Windsor, to Ickworth, and thence to
drink her Sunning Hill waters, she
told her old friend she did not fear death,
but the ~vay to it; the last sufferings

	sometimes protracted; but when once
they are over, I do not question but to
rise to a new and better life. It was her
last letter to Mr. Morris. On the 2nd of
September she died at her town house
and she was spared the final agony she
had dreaded. Her son Augustus was with
her, and told Mr. Grenville that the day
before her death she squeezed my hand,
and said, Poor dear Augustus, and never
spoke afterwards. She felt, thank God!
no pain whatever.*
	Horace Walpole, some of whose pleas-
antest letters were addressed to her, wrote

	*	The Grenville Papers and Correspondence, vol. iv.,
p. 35f.
to Sir Horace Mann a few weeks after
her death: Lady Hervey, one of my
great friends, died in my absence. She
is a great loss to several persons; her
house was one of the most agreeable in
London; and her own friendliness, good
breeding, and amiable temper had attached
all that knew her. Her sufferings, with
the gout and rheumatism, were terrible,
and yet never could affect her patience,
or divert her attention to her friends.*
Lady Hervey often moralized gently on
the vanity of human wishes, the cruel
way in which time will sometimes mock
ones little plans, and hopes, and achieve-
ments. She did not foresee that her own
case was destined to be very much in
point. In 1774 Walpole wrote to the
Rev. William Cole : 
Lord Bristol got his mothers house from
his brother [Augustus] by persuading her he
was in love with it. He let it in a month after
she was dead  and all her favorite pictures
and ornaments, which she had ordered not to
be removed, are mouldering in a garret t

	*	Letters of Horace Walpole, edited by Peter Cun-
ningham, vol. V., p. 129.
I Ibid., vol. vi., p. Ia.




From The Contemporary Review.
WURZBURG AND VIENNA:

SCRAPS FROM A DIARY.

	GOING to Vienna to collect books and
documents, with the intention of studying
the results of Bosnias occupation by
Austro-Hungary, I take the Rhine route,
and stop two days at Wiirzburg to see
Ludwig Noir~, and have a talk on Scho-
penhauer. The Va/er Rhein is now
changed beyond recognition: quantum
;nu/a/us ab i//a. How different all is to
when I visited it for the first time, years
ago on foot, stopping at the stages men-
tioned in Victor Hugos Rhin, which
had just appeared. All those grand peeps
of nature to be got on the old river, as it
forced its majestic way through barriers
of riven rocks and volcanic upheavals,
have now almost wholly disappeared. The
wine-grower has planted his vineyards
even in the most secluded nooks, and built
stone terraces where the rocks were too
steep for cultivation. All along the banks,
these giant staircases climb to the sum-
mits of peaks and ravines. The vines
have stormed the position, and their as-
pect is uniform. The Burgs, built on
heaps of lava, the Maus and the Katze,
those sombre retreats of the burgraves of</PB>
<PB REF="IMG00058" SEQ="0058" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="48">	48	WURZBURG AND VIENNA.
old, now covered with the green leaves of
the vine, have lost their former ~vild as-
pect. The Lorelei manufactures ~vhite
wine, and the syren no longer intoxicates
sailors with the songs of her harp, but
with the juice of the grape. There is
nothing here now to inspire Victor Hugos
Burgraves, or Heines

Ich weiss nicht was soil es bedeuten,
Dass ich so traurig bin;
Em Marchen aus alten Zeiten,
Das kommt mir nicht aus dem Sinn.

Below, engineering skill has dammed in
the waters of the river, and the basaltic
blocks form a black wall with white lines
between the stones. Black and white!
Even the old god of the Rhine has
adopted the Prussian colors. Embank.
ments have been constructed at the wide
points of the river, for the purpose of in-
creasing its depth, and of reconquering
meadows, by the slow but natural process
of raising the level by mud deposits. Be-
tween Mannheim and Cologne, the cur-
rent has gained ten hours, and the dangers
of navigation of legendary celebrity have
disappeared. All along the embankments,
immense white figures inform navigators
at w-hat distance from them it is safe to
pass. On each bank, too, runs a railway,
and on the river itself pass steamers of
every shape, form, and description 
steamers with three decks, for tourists,
as in the United States, little pleasure-
boats, iron barges from Rotterdam, steam-
tugs worked by paddle or screw, and
dredgers of various proportions; all these
hundreds of chimneys vomit a continuance
of black smoke, which darkens the whole
atmosphere. The carriage roads are in
admirable order; not a rut is visible, and
they are lined with fruit-trees, and with
the same black and white basaltic blocks
as the river. The Prussian colors again;
but the aim is to point out the road for
carriages on dark nights. When the way
turns either to the right or the left, the
trees on each side of it are painted white,
so as to be distinctly visible. I have never
anywhere seen a great river so thoroughly
tamed, subdued, and utilized, so complete-
ly bent to mans necessities. The free
Rhine of Arminius and of the burgraves
is as well disciplined as any grenadier of
Brandenburg. The economist and the
engineer admire, but painters and poets
bewail.
	Buffon, in a page published in every
(ours de Litt6rature, sings a hosanna
to cultivated nature, and appears unable
to find words strong enough to express
his horror of nature in its savage state,
brute nature, as he calls it. At the
present day, our impression is precisely
the reverse of this. We seek on almost
inaccessible summits, in the region of
eternal snow, and in the very heart of
hitherto unexplored continents, a spot
where man has not yet penetrated, and
where we may behold nature in her invio-
late virginity. We are stifled by civiliza-
tion, wearied out with books, newspapers,
reviews, and periodicals, letters to write
and to read; railway travelling, the post,
the telegraph, and the telephone, devour
time and completely mince up ones life;
any solitude for fruitful reflection is quite
out of the question. Shall I find it, at
least, among the fir-trees of the Carpa-
thians, or beneath the shade of the old
oaks of the Balkans? Industry is spoil-
ing and soiling our l)lanet. Chemical
produce poisons the water, the dross from
different works and factories covers the
country, quarries split up the picturesque
slopes of valleys, black coal smoke dulls
the verdant foliage and the azure of the
sky, the drainage of large cities turns our
rivers into sewers, whence emerge the
germs of typhus. The useful destroys
the beautiful; and this is so general as at
times to bring tears to the eyes. Have
not the Italians, on the lovely Isle of Sta.
Helena, near to the public gardens in Ven-
ice, erected works for the building of en-
gines, and replaced the ruins of a fourth-
century church by chimneys, whose
opaque smoke, produced by the detestable
bituminous coal of the Saar, would soon
leave a sooty trace on the pink marble of
the doges palace and on the mosaics of
St Mark, just as we see them on St.
Pauls Cathedral in London, so ugly cov-
ered with sticky streaks. It is true that
the produce of this industrial activity be-
comes condensed in revenue, which en-
riches many families, and adds consider-
ably to the list of the bourgeois population
inhabiting the capital. Here, on the banks
of the Rhine, these revenues are repre.
sented by villas and castles, whose pseu-
do-Greek or Gothic architecture peeps out
from among masses of exotic trees and
plants in the most sought-after positions,
near to Bonn, Godesberg, St. Goar, or
Bingen. Look! there is an immense fec-
dal castle, beside which Stoizenfels, the
empress Augustas favorite residence,
would be a mere shooting-box. This
immense assemblage of turrets, galleries,
roofs, and terraces must have cost at least
8o,ooo. Has it sprung from coal or
from Bessemer steel? It is situated just</PB>
<PB REF="IMG00059" SEQ="0059" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="49">	WURZBURG AND VIENNA.	49
below the noble ruin of Drachenfels.
Will not the dragon watching over the
Niebelungen treasure in Nifelheims den,
avenge this impertinent challenge of mod.
em plutocracy?
	All that I see on my way up the Rhine
leads me to reflect on the special charac-
teristics of Prussian administration. The
works which have so marvellously do-
mesticated the river as to make it a type
of what Pascal calls un cke;ni;z qul
marcize, have taken between thirty and
forty years, and have been carried out
continuously, systematically, and scientifi-
cally. In her public works, as in her
military preparations, Prussia has suc-
ceeded in uniting two qualities which are
only too often lacking  a spirit of con-
sistency, and the love of progress. The
desire to be as near as possible to perfec-
tion is apparent in the most minute de-
tails. N6t unfrequently consistency, and
a too close following of traditions, leads
to routine, which rejects innovations.
Great strength is attained, and tl~e chances
of success are considerably increased if,
while one aim is always kept in view, the
best means to attain it are selected and
applied without delay.
	I have remarked, when speaking of
parliamentary administration, that a lack
of consistency was one reason of the fee-
bleness of democracies. This should be
guarded against as soon as it becomes
apparent, or inferiority will ensue. A few
trifling facts ~vill show that the Prussians
are as great lovers of useful novelties and
of practical improvements as the Ameri-
cans. On the Rhine, at the ferries, the
old ferry-boats have been replaced by little
steamers, which are constantly crossing
the river from one side to the other. At
the railway stations, I notice that the
trucks for luggage are made of steel, and
are lighter and stronger than a nyl have
seen elsewhere. The system for warming
the railway compartments is also more
perfected. Heated pipes run under the
seats of the carriages, and the passengers
can regulate the temperature by turning
a needle on a disc from Kait (cold) to
Warm or vice versd. At the summit of
the tower of the town hall of Berlin the
different flagstaffs for the flags hoisted on
the fite days are ranged in order. Outside
the highest gallery iron rings bave been
fitted all round in which to fix the staffs,
each of which has a number correspond-
ing to the same number on the ring it is
to fit into. In this manner both rapidity
and re~,ularity are insured. Order and
foresight are safe means to an end.
	LIVING AGE.	VOL. XLIX	2500
	I intended going to see at Stuttgart a
former member of the Austrian Cabinet,
Albert Schaffle, who now devotes all his
time to the study of social questions, and
has published some very well - known
works  among others, Gapitalismus
und Socialismus, and Bau und Leben
des Socialen A7rpers  ( Construction and
Life of the Social Body ), books which
place him at the extreme left of professo-
rial Socialism. Unfortunately, he is at
the baths in the Black Forest. But I
stop at Wiirzburg to meet No ir6,
a philosopher and philologist, who has
deigned to study political economy. The
sight of the socialistic pass to which dem-
ocratic tendencies are leading modern
society, induces many philosophers to
turn their attention to social questions.
This is the case in France with Jules Si-
mon, Paul Janet, Tame, Renouvier; in
England with Herbert Spencer, William
Graham, and even with that ~stheticist of
pre-Raphaelite art, Ruskin.
	I hold that political economy should go
hand in hand with philosophy, religion,
and especially with morality; but as I
cannot myself rise to these elevated
spheres of thought, I am only too happy
when a philosopher throws me out a bit
of cord by which I may pull myself a lit-
tle higher, above our workaday world.
Ludwig Noir6 has written a book, which
is exactly what I needed in this respect,
and which I hope to be able to speak of
at greater length a little later. It is en-
titled Das !/Verkzeu4 (The Tool)..
It shows the truth of Franklins saying
Man is a tool-making creature. Noir6:
says that the origin of tools dates from
the origin of reason and language. At the
commencement, as far back as one can
conceive, man was forced to act on matter
to obtain food. This action on nature
for the purpose of satisfying wants is
labor. As men were living together in
families and in tribes, labor was carried
on in common. A person making a mus-
cular effort very naturally pronounces.
certain sounds in connection with the
effort he is making. These sounds, re-.
peated and heard by the entire group,.
were after a time understood to si~,nify.-
the action of which they were the sporr-
taneous accompaniment. Thus was lan-~
guage born from natural activity in view
of supl)lying imperious needs, and the
verb representing the action preceded all
their words. The effort to procure the
necessary and useful develops the reason-
ing powers, and tools soon became neces-
sary. Wherever traces of pre-historic</PB>
<PB REF="IMG00060" SEQ="0060" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="50">	50	WIJRZBURG AND VIENNA.
men are found, there is also to be found
the flint implement. Thus reason, lan-
guage, labor, and implements, all mani-
festations of an intelligence capable of
progress, appeared almost simultaneously.
	Noir6 has developed this theory fully in
another book, entitled, Ursj5rung der
Sprache ( Origin of Speech ). When
it was published Max Muller stated in
the Gontemporary Review, that although
he considered this system too exclusive,
yet it was far superior to either the
onomatopc~ia or the interjection theory,
and that it was certainly the best and the
most probable one brought forward at
present. I can but bow before this ap-
preciation.
	Noir~ is a fanatical Kantian, and an en-
thusiastic admirer of Schopenhauer. 1-le
has succeeded in forming a committee for
the purpose of erecting a statue in honor
of the modern Heraclitus. The commit-
tee, he says, must be international, for if
as a writer Schopenhauer be German, as
a philosopher he belongs to the entire
world, and he asked me to join it. I am
exceedingly flattered by the proposal,
said I; but I offer two objections. In
the first place, a humble economist has
not the right to place his name side by
side with such as are already on the list.
Secondly, being an incurable disciple of
Platonism, I fear that Schopenhauer did
not remain in the Cartesian line of spirit-
ualism. I feel persuaded that two notions,
~vhich, it appears, are at the present day
very old-fashioned  I speak of a belief
in God and in the souls immortality
should form the basis of all social science.
He who believes in nothing but matter
cannot rise to a notion of what ought to
be   i.e., to anideal of right and justice.
This ideal can only be conceived as a
divine order of things imposing itself
morally on mankind. The Revue Phi-
losophique of October, 1882, says, Posi-
tive science, as understood at the present
day, considers not what should be, but
only what is. It searches merely the
formula of facts. All idea of obligation,
or of imperative prohibition, is completely
foreign to its code. Such a creed is a
death-stroke to all notion of duty. I be-
lieve that faith in a future life is indispen-
sable for the accomplishment of good
works. Materialism weakens the moral
sense, and naturally leads to general de-
cay.
	Yes, replied Noir~, this is just the
problem. How, side by side with the dire
necessities of nature, or with divine om-
nipotence, can there be place for human
personality and liberty? Nobody, neither
Christian nor naturalist, has yet been
able satisfactorily to answer this. Hence
has sprung, on the one hand, the predes-
tination of the Calvinists and Luthers
de servo arbitrio, and, on the other, de-
terminism and materialism. Kant is the
first mortal who fearlessly studied this
problem and studied it satisfactorily. He
plunged into the abyss, like the diver of
Schiller, and returned, having vanquished
the monsters he found there, and holding
in his hand the aolden cup from which
henceforward humanity may drink the
divine beverage of truth. As nothing can
be of greater interest to us than the solu-
tion of this problem, so our gratitude, be
it ever so considerable, can never possibly
equal the service rendered by this really
prodigious effort of the human mind.
Kant has provided us with the only arm
which can combat materialism. It is full
time we should make use of it, for this
detestable doctrine is everywhere under-
mining the foundations of human society.
I venerate the memory of Schopenhauer,
because he has inspired the truths re-
vealed by Kant with more real life and
penetrating vigor. Schopenhauer is ~ot
well known in either France or England.
Some of his works have been translated,
but no one has really understood him
thoroughly, because to understand a phil-
osopher it is necessary not only to admire
but to be passionately attached to him.
The folly of the Crossis an admirable
expression.
	Schopenhauer maintains that the will
is the great source of all; it means both
personality and liberty. We are here at
once planted at the antipodes of natural-
istic determinism. Free intelligence cre-
ates matter. Spin/us in nobis qul viget,
ille facit. God is the great ideal. He
does not make us move, but moves himself
in us. The more we appropriate to our-
selves this ideal, the freer we become; we
are the reasonable and conscious authors
of our actions, and liberty consists in this.
Schopenhauer s moral law is precisely
that of Christianitya law of abnega-
tion, of resignation and asceticism. What
Christians call charity, he designates as
pity. He exhorts his followers to
struggle against self-will; not to let their
eyes dwell on the passing delusions of the
outside world, but to seek their souls
peace by sacrificing all pursuits and inter-
ests which should fix their attentions
solely on the changing scenes of this life.
Are not these also the Gospel principles?
Must they be rejected because Buddha</PB>
<PB REF="IMG00061" SEQ="0061" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="51">	WURZBURG AND VIENNA.	Sr
also preached them? The sovereign
proof of the truth of my doctrines, says
Schopenhauer, is the number of Chris-
tian persons who have abandoned all their
earthly treasure, position and riches, and
have embraced voluntary poverty, devot-
ing themselves wholly to the service of
the poor and the sick and needy, un-
daunted in their work of charity by the
most frightful wounds, the most revolting
complaints. Their happiness consists in
self-abnegation, in their indifference to
the pleasures of this life, in their living
faith in the immortality of their being,
and in a future of endless bliss.
	The chief aim of Kants metaphysics,
proceeds Noir~, is to fix a limit to the
circle that can be embraced by man s rea~
son. We resemble, he says, fish in a
pond, who can see, just to the edge of the
water, the banks that imprison them, but
are perfectly ignorant of all that is be-
yond. Schopenhauer goes farther than
Kant. True, he says, we can only see
the world from outside, and as a phenom-
enon, but there is one little loophole left
open to us by which we can get a peep at
substantial realities, and this loophole is
each individual myself, revealed to us
as will, which gives us the key to the
transcendent You say, dear col-
league, that you are incurably Platonic;
are you not then aware Schopenhauer
constantly refers to the divine Plato,
and to the incomparable, the prodigious,
der erstaunliche Kant? His great merit
is to have defended idealism against all
the wild beasts which Dante met with in
the dark forest, ne/la se/va oscura, into
which he had strayed  materialism and
sensualism; and their worthy offspring,
selfishness and bestiality. Nothing can
be more false or dangerous than physics
without metaphysics, and yet this truth
proclaimed at the present day by great
men merely provokes a laugh. The no
tion of duty is based on metaphysics.
Nothing in nature teaches it, and physics
are silent on the subject. Nature is piti-
less; brute force triumphs there. The
better armed destroys and devours his
less favored brother. Where then is right
and justice? Materialists adopt as their
motto the words which Frenchmen falsely
accuse our chancellor of having uttered,
Might is right Schopenhauers pity,
Christian charity, the philosophers and
jurists justice, are diametrically opposed
to instinct and the voice of nature, which
urge us to sacrifice everything to the sat-
isfaction of animal appetites. Read the
eloquent conclusion of the book of Lange,
Geschichie des Maferialismus. If ma-
terialism be not vanquished while it is
yet time, all the law courts, prisons, bay-
onets and grapeshot in the world will not
suffice to prevent the downfall of the
social edifice. This pernicious doctrine
must be banished from the brains of
learned men, where it now reignssupreme.
It has started from thence, and has grad-
ually obtained a hold on the public mind.
It is the duty of true philosophy to save
the world.
	But, I replied, Schopenhauers phil-
osophy will never be comprehended but
bya small minority; for myself, I humbly
confess I have never read but fragments
translated.
	It is a pity you have never perused
the original, answered Noir6, the style
is exceedingly clear and simple. He is
one of our best writers. He has exposed
the most abstruse problems in the best
possible terms. No one has more thor-
oughly justified the truth of what our
Jean Paul said of Plato, Bacon, and Leib-
nitz, the most learned reflection need not
exclude a brilliant setting to show it off
in relief, any more than a learned brain
excludes a fine forehead and a fine face.
Unfortunately, M. de Hartmann, who pop-
ularized Schopenhauer, has too frequently
rendered his ideas unintelligible by his
Hegelian jargon. Sch openhauer could
not endure Hegelianism. Like an icono-
clast, he smashed to shivers its idols with
a heavy club. He approved of violent
expressions, and indulged in very strong
terms. So, for instance, he liked what he
calls die gdttliche Grob/zeit, divine coarse-
ness. At the same time, he praises
elegance and good manners, and even,
strange to say, has translated a little man-
ual on The Way to Behave in Society,
El Oraculo Manual, published in 1658,
by the Jesuit, Baltasar Gracian. There
was a time, he writes, when Germanys
three great sophists, Fichte, Schelhng,
and especially Hegel, that seller of sense-
lessness, derfreche unsi nige Schrnierer,
that impertinent scribbler, imagined they
would appear learned by becoming ob.
sure. This shameless humbug succeeded
in winning the adulations of the multitude.
He reigned at the universities, where his
style was imitated. Hegelianism became
a religion, and a most intolerant one.
Whosoever was not Hegelian was sus-
pected even by the Prussian State. All
these good gentlemen were in quest of
the Absolute, and pretended that they
had found it, and brought it home in their
carpet-bags.</PB>
<PB REF="IMG00062" SEQ="0062" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="52">	52	WURZBURG AND VIENNA.
	Kant maintained that human reason
can only grasp the relative. Error, cry
in chorus Hegel, Schelling, Jacobi, and
Schleiermacher, and tutti quanti. The
Absolute! Why, I know it intimately;
it has no secrets from me, and the dif-
ferent universities became the scenes of
revolutions of the Absolute which stirred
all Germany. If it were proposed to at-
tempt to recall these illustrious maniacs
to their right reason, the question was
asked, Do you adequately comprehenj
the Absolute? No. Then hold your
tongue; you are a bad Christian and a
dangerous subject. Beware of the strong-
hold. The unfortunate Beneke was so
startled by this treatment that he went
mad and drowned himself. Finally these
great authorities quarrelled between them-
selves. They informed each other that
they knew nothing of the Absolute. A
quarrel on this subject was very often
deadly. These battles resemble the dis-
cussion at Toledo between the rabbi and
the monk in Heines Rornancero. Af-
ter they had both lengthily discussed and
quarrelled, the king said to the queen:
Which of the two do you think is right?
I think, replied the queen, that they
both smell equally unpleasantly.
	This nebulous system of the Hegelian
Absolute-seekers, reminding one of iV~.
pkeiokokkygk, the town in the clouds, in
Aristophaness Birds, has become a prov.
erb with our French neighbors, who very
rightly are fond of clearness. When any-
thing seems to them unintelligible, they
dub it as German metaphysics. Cousin
did his best to clarify all this indigestible
stuff, and serve it up in a palatable form.
But in so doing he lost, not his Latin, but
his German and his French. I am sure
you never understood that pure being
was identical with no being. Do you
recollect Grimms story, The Emperors
Robe? A tailor condemned to death
promised, in order to obtain his pardon,
to make the emperor the finest robe ever
seen. He stitched, and stitched, and
stitched ceaselessly, and finally announced
that the robe was ready, but that it was
invisible to all, save to wise people. All
the servants, officers, and chamberlains of
the court came to examine this work of art
with the ministers and high dignitaries,
and one and all pronounced it magnificent.
On the coronation day the emperor is sup.
posed to put on the costume, and rides
through the town in procession. The
streets and windows are crowded; no one
will admit that he has less wisdom than
his neighbor, and all repeat: How mag.
nificent! Was ever anything seen so
lovely? At last a little child cries out,
But the emperor is naked, and it was
then admitted that the robe had never
existed, and the tailor was hanged.
	Schopenhauer is the child revealing
the misery, or rather the non-existence of
Hegelianism, and his writings were con-
sequently unappreciated for upwards of
thirty years. The first edition of his most
important work found its way to the gro-
cers shop and thence to the rubbish heap.
It is our duty to-day to make amends for
such injustice, and to render him the honor
which is his due; his pessimism need not
stay you. The world, he says, is full
of evil, and all suffer here below. Mans
will is by nature perverse. Is not this
doctrine the very essence of Christianity?
Ingemuit omnis creatura. He maintains
that our natural will is selfish and bad,
but that, by an effort over itself, it may
become purified and rise above its natural
state to a state of grace, of holiness, of
which the Church speaks, &#38; VTipo~ lr?Lovg.
This is the deliverance, the redemption,
for which pious souls long, and it is to be
attained by an indifference to and con-
demnation of the world and of self. Sper-
nere mundum, s~ernere Se, s~ernere se
sperni. *
	Before leaving Wiirzburg I visit the pal-
ace, formerly the residence of the prince-
bishops, and also several churches. The
palace, die Residenz, is immense, and
seems the more so when one reflects that
it was destined to ofnament the chief town
of a small bishopric. Built between the
years 7720 and 1744, after the plan of the
palace of Versailles, it is very nearly as
large. There is not such another stair-
case to be found anywhere. This, and the
hall which precedes it, occupy the entire
width of the building and a third of its
length, and the effect is really of impe-
rial magnificence. The trains of crowds
of cassocked prelates and fine ladies could
sweep here with ease. The cut stone
balustrades are ornamented with statues.

	*	7 learn that the committee has now been formed
for the purpose of raising a statue so the memory of
Schopenhauer. The following is a list of members:
Ernest R~nan; Max Muller of Oxford; Brahmane
Ragot Rampal Sing; Von Benningsen, formerly presi-
dent of the German Reichstag; Rudolf von Thering,
the celebrated Romanist of Gi5ttingen; Gyldes, the
astronomer from Stockholm; Funger, president of the
Imperial Court (Reichsgerichs) of Vienna; Wilhelm
Gentz of Berlin; Otto Bdhs~ingk of the Imperial Acad-
emy of Russia; Karl Hillebrand of Florence ; Francis
Bowen, Professor at Harvard College in the United
States; Professor Rudolf Leuckart of Leipzig; Hans
von Wolzogen of Bayreuth; Professor F. Zarocke of
Leipzig; Ludwig Nuir~ of Mayence; and Esnile de
Laveleye of Liege.</PB>
<PB REF="IMG00063" SEQ="0063" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="53">	WURZBURG AND VIENNA.	53
There is a suite of three hundred and fifty
reception-rooms  all for show, none for
use. A certain number of these were
decorated at the time of the French em-
pire. How mean the paintings on the
ceilings, the pseudo-classic walls, and the
mahogany furniture with brass ornaments,
appear when compared to the apartments
completed at the beginning of the eigh-
teenth century, where the chicorde orna
mentation exhibits all its seductions! I
have never seen, all over Europe, anything
in this style so perfect or better preserved.
The curtains are in material of the period,
and the chairs, sofas, and armchairs are
covered to match. Each room is of a
dominant color. There is a green one
with metallic shades, like the wings of a
Brazilian beetle. The brockd silk on the
furniture is to correspond. The effect is
magical. In another, splendid Gobelin
tapestry, after Lebrun, represents the tri-
umph and the clemency of Alexander.
Another, again, is all mirrors, even to the
door-panels, but groups of flowers in oil-
painting on the glass temper the excessive
brilliancy. The stoves are really marvels
of inventive genius and good taste, all in
white and gold Saxony china. The black-
smiths art never produced anything finer
than the immense wrought-iron gates
which enclose the pleasure-grounds, with
their terraces, lawns, grass-plots, foun-
tains, and rustic retreats. This princely
residence, which has been almost invari-
ably vacant since the suppression of epis-
copal sovereignty, has remained perfectly
intact. It has been deteriorated neither
by popular insurrections nor by changes
in taste. What finished models of the
style of the Regency architects and furni-
ture makers could find here to copy from!
	The contemplation of all these gran-
deurs suggests two questions to my mInd.
Where did these sovereigns of tiny States
find the money to furnish themselves with
splendors and luxuries which Louis XIV.
might have envied? My colleague, George
Schanz, professor of political economy at
the University of Wiirzburg, informs me
that these bishops had scarcely any troops
to maintain.  Make, he says, builders,
joiners, upholsterers, and carpenters of
all our soldiers all over the land at the
present day, and Germany might soon be
covered with such palaces.
	Second question: How could these
bishops, disciples of Him who had not
where to lay his head, spend the money
raised by taxation of the poor, on pomps
and luxury worthy of a Darius or a Helio-
gabalus? Had they not read the Gospel
condemnation of Dives, and the commen
taries of the Churchs Fathers? Was the
Christian doctrine of humility and of char-
ity, even to voluntary poverty, only un-
derstood in monasteries and convents?
Those grandees of the Church must have
been completely blinded by the mistaken
sophism which leads to the belief that ex-
travagance and waste benefits the working
man, the real producer. This unfortunate
error is only too harmful at the present
day.
	During the eighteenth century the ma-
jority of the churches of Wiirzburg were
completely spoilt by being ornamented in
that Louis XV. style, suited only to the
interior of palaces. As Boileau says, Ce
ize sont que festons, ce ne sont quaslra-
gales, gothic arches disappear beneath
garlands of flowers, clouds with angels
draperies in relief and interlacings of
chicorde, the whole in plaster and covered
with gilding. The altars are frequently
entirely gilt. It is a perfect profusion of
make-believe riches. In the towns the
faades of some houses here and there
are finished examples of this florid archi-
tecture. Doubtless the radiance of Ver-
sailles magnificence urged Germany to
decorate her monuments and dwellings
c~ Ia Fran~aise, even after the sun there
had set.
	From my windows, which look out on
to the square before the palace, I see a
battalion of troops march past to exercise.
Even the guards at Berlin could not march
more automatically. The legs and the
left arm move exactly together, while the
guns are held precisely at the same angle
by each soldier. Their steel barrels form
a perfectly straight line as they glisten in
the sunshine. The ranks of soldiers are
absolutely rectilinear. The whole move
in a body as if they were fastened on to a
rail. It is perfection. What care and
pains must have been bestowed before
such a result could be attained! The
Bavarians have naturally done their very
best to equal and even to surpass the
Prussians. They do not choose to be
esteemed any longer as mere beer-drink-
ers, heavy, and somewhat dense. I won-
der if this exceedingly severe drill, so
effective on parade, is of use on a battle-
field of the present day, where it is usual
to disperse to attack. I am not competent
to answer this question, but it is certain
that rigid discipline accustoms the soldier
to order and obedience; two very neces-
sary virtues, especially in a democratic
age. Obedience is still more wanted
when the iron hand of despotism gives</PB>
<PB REF="IMG00064" SEQ="0064" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="54">	54	WURZBURG AND VIENNA.
place to the authority of magistrates and
laws. The mission of schools and mili-
tary service is to teach this lesson to the
citizens of republics. The more the chief
power loosens its hold, the more should
free man bend at once to the exigences
necessary for the maintenance of order in
the State. If this be not so, anarchy will
result, and a return to despotism is then
inevitable, for anarchy cannot be tolerated.
	In the evening the sound of bugles is
heard. It is the retreat sounding for the
garrison troops. It is a melancholy fare-
well to the day passing away, and reli-
gio us, like a call to rest from the night,
which is fast falling. Alas! how sad it is
to think that these trumpets thus har-
moniously sounding the curfew will one
day give the signal for battle and blood-
shed! Men are still as savage as wild
beasts, and with less motive, for they no
longer devour their slaughtered enemy.
I am a member of at least four societies
whose object is to preach peace and rec-
ommend arbitration. No one listens to
us. Even free nations prefer to fight. I
admit perfectly that when the security or
the existence of a country is at stake, it is
impossible to have recourse to arbitration,
although its decision would be at least as
just as those of violence and chance; but
there are cases which I call Jenkinss
ears, since reading Carlyles Frederic
the Great.* In such as these, where
the question is one of amour ]5rQ~re, of
bstinacy, and frequently, I may say also,
of stupidity, arbitration might often pre-
vent conflicts.
	But if man is still hard on his fellow, he
has become more tender towards animals.
He has forbidden their being uselessly
tortured. I take note of a touching ex-
ample of this. I walk up to the citadel,
whence there is a splendid view over all

	*	On April so, 1731, the English vessel Rebecca,
Captain Jenkins, is visited by the coastguards of Ha-
vanna, who accuse the captain of ~muggiing military
goods. They find none on board, but they ill-treat
him by hanging him first to the yard and fastening the
cabin boy to his feet. The rope breaks, however, and
they-then proceed to cut off one of his ears, telling him
to take it to his king. Jenkins returns to London and
claims vengeance. Pope writes verses about his ear,
but England did not choose to quarrel with Spain just
then, and all is apparently forgotten. Eight years after,
some insults offered by the Spaniards to English ves-
sels brought up again the topic of Jenkiisss ear. He
had preserved it in wadding. The sailors went about
London wearing the inscription  Ear for ear on their
hats. The large merchants and shipowners espoused
their cause. William Pitt and the nation in general
desire war with Spain, and Walpole is forced to declare
it.	TIse consequences are but too well known. Blood-
shed all over the world on land and sea. Jenkinss ear
is indeed avenged. If the English people were poetical,
sags Carlyle, this ear would have become a constella-
tion like Berenices crown.
Franconia. I cross the bridge over the
Main. In a street where the quaint
pinions of the houses and gaudy sign-posts
over the doors would delight the eye of a
painter, I see a sort of sentry-box, on
which is written in large characters,
Thierschutz. Verein ( Society for the Pro-
tection of Animals ). A horse is standing
there. Why? To be at the disposal of
wagoners with a heavy load who are going
up the slope to the bridge, and thus to
prevent them ilItreating their horses.
This seems to me far more ingenious and
efficacious than the infliction of a fine.
	Wurzburg is not an industrial town.
There appears to be no special reason
why the population and the wealth of the
city should increase rapidly, and yet the
old town is surrounded with fine new quar-
ters, fashion~ble squares, pretty walks,
and fine wide streets, handsome houses
and villas. Here, as elsewhere, that sin-
gular phenomenon of our age, the im-
mense increase in the number of well-to-do
families, is distinctly apparent. If this
continue in the same proportions, the
masses of the future will not be com-
posed of those who live on wages and
salaries, but of those living on profit, in-
terest, or revenue. Revolutions will be-
come impossible, for the established order
of things would have more protectors than
assailants. These countless comfortable
residences, these edifices of all kinds
which spring up in every direction, with
their luxurious and opulent appointments,
all this wealth and well-being, is the result
of the employment of machinery. Machin-
ery increases production and economizes
labor, and as the wages of labor have not
diminished, the number of those who could
live without working has increased.
	Wtirzburg possesses an ancient univer-
sity. It is a very old sixteenth-century
building, situated in the centre of the
town. As they recently did me the honor
to confer on me the degree of doctor ho-
noris causci, I wished to see the rector to
offer him my thanks, but I had not the
good fortune to meet him. On the boule-
vard, special institutes have been con-
structed for each separate science, for
chemistry, physics, and physiology. Im-
mense sums have been spent in Germany
to add a number of those separate insti-
tutes to the different universities. The
eminent professor of chemistry at Bonn,
M. Kekul6, recently took me over the
building constructed for his branch of
science. With its Greek columns, and its
palatial facade, it is considerably more
extensive than the whole of the old uni</PB>
<PB REF="IMG00065" SEQ="0065" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="55">	WURZBURG AND VIENNA.	55
versity. The sub-soil devoted to experi-
mental and metallurgical chemistry re-
sembles immense works or foundries.
The professors apartments are far more
sumptuous than those of the first authori-
ties. Neither the govenor, the bishop,
nor even the general himself, can boast of
anything to be compared with them. In
the drawing-rooms and dancing-saloons
the whole town might be assembled.
This institute has cost more than a mil-
lion francs. In Germany it is very rightly
considered that a professor who has exper-
iments to make ought to live in the same
building where are the laboratories and
lecture-rooms. It is only thus that he is
able to follow analyses which need his
supervision, at times even at night~
Comparative anatomy and physiology have
also each their palace. Several profes-
sors of natural sciences complain that it is
really an excess, They say they are
crushed by the extent and complications
of their appurtenances, and especially by
the cares and responsibilities they in-
volve; nevertheless, if exaggeration there
be, it is on the right side. Bacons mot-
to, Knowledge is power, becomes truer
every day. The proper application of
science is the chief source of wealth, and,
consequently, of power. Nations, do you
wish to be powerful and rich? Then en-
courage to the utmost your learned men.
	I stop a day en route to revisit Nurem-
berg, the Pompeii of the Middle Ages.
I will not speak of its many interesting
churches, houses, towers, of the Woolding
Chamber, nor of the terrible iron virgin,
covered inside with spikes, like Reguluss
barrel, which, in closing, pierced its vic-
tim through and through, and opened to
drop the corpse into the torrent roaring
a hundred feet below. Nothing gives a
more vivid idea of the refined cruelty of
these dark ages. But I have no wish to
encroach upon Baedekers prerogative. A
word only as to what I see before the ca-
thedral. I observe there a small Gothic
monument, which reminds me of the Ro-
man column of Igel, on the Mosel, near
Tr~ves. It has a niche on each of the
four sides, under glass. In the first niche
is a thermometer, in the second an hy-
grometer, in the third a barometer, and in
the fourth the days telegrams from the
observatory, and the meteorological maps.
These instruments are enormous, from
four to five feet in height at least, so that
the figures may be large enough to be
clearly legible. I have seen similar mon-
uments in several German towns, and in
Switzerland, at Geneva, in the gardens
near the Rhone, at Vevey, close to the
landing-stage, and at Neuchatel, on the
promenade near the lake. It would be
excellent if all towns would adopt them.
I take every opportunity of urging this.
Their cost is but trifling. A perfectly
plain one can be made for 40, something
more elegant might cost 8o or 100;
they are a source of amusement and a
means of instructing the people, and a
daily lesson in physics for all classes.
The laboring man learns there far better
than he would do at school the practical
use of these instruments, ~vhich are most
useful for agricultural purposes and for
sanitary precautions.
	Towards midnight I go on foot to the
railway station, to take the express to
Vienna. The old castle throws a black
shadow over the town, the roofs of which
seem to whiten in the silvery moonlight.
This, I say to myself, is the birthplace of
the Hohenzollern family. What a change
has taken place in its destiny since its
name first appeared in history, in 117o,
when Conrad of Hohenzollern was made
burgraaf of Nurembero! One of his de-
scendants, Frederick, first elector, left
this town in 1412 to take possession of
Brandenburg, which the spendthrift em-
peror Sigismund had sold him for four
hundred thousand forms of Hungarian
gold. He had already borrowed half this
sum from Frederick, who was as econom-
ical as the ant, and had even mortgaged
the electorate as security. Being unable
to repay his debt, and in want of more
money to defray the costs of an expedition
to Spain, he very willingly yielded up this
inhospitable northern Mark the sands
of the Marquis of Brandenburg, which
Voltaire so turned into ridicule. The
emperor could not suppose that from this
petty burgrave would spring a future
wearer of the imperial crown. Economy
is a small virtue made up of small priva-
tions, but which makes much of little 
Mo/ti pocizifanno un assaiMony a
pickle maks a mickle, as the Scotch say.
Though far too often forgotten or ignored
by rulers, it is nevertheless even more ne-
cessary for nations than for individuals.
	A short June night is soon passed in a
sleeping-car. I wake up and find myself
in Austria. I perceive it at once from
the delicious coffee and cream which is
served me in a glass, by a fair young girl
in a pink print dress and with bare arms.
It very nearly equals in quality that of
the fost/zof at Carlsbad. We are very
soon in view of the Danube, but the rail-
way does not keep alongside it. What-</PB>
<PB REF="IMG00066" SEQ="0066" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="56">WURZBURG AND VIENNA.
ever the well-known waltz, The Blue
Danube, may say to the contrary, the
river is not blue at all. Its waters are
yellow-green, like the Rhine, but how infi-
nitely more picturesque is the Donate!
No vineyards, no factories, and very few
steamers. I saw but one, making its
way with difficulty against the rapid cur-
rent. The hills on either side are cov-
ered with forests and green meadows, and
the branches of the willow-trees sweep
the water. The farmhouses, very far
apart, have a rustic and mountain like ap-
pearance. There is very little movement,
very little trade; the peasant is still the
chief producer of riches. On this lovely
summer morning the sweet repose of this
peaceful existence seduces and penetrates
me. How delightful it would be to live
quietly here, near these pine forests and
these beautiful meadows, where the cattle
are at pasture! But on the other side of
the river, where there is no railway! There
are several reasons for this great contrast
between the Rhine and the Danube. The
Rhine flows towards Holland and En-
gland, two markets that have been well
established forupwards of three hundred
years, and ready to pay a high price for
all the river brings them. The Danube
flows towards the Black Sea, where the
population is exceedingly poor, and can
scarcely afford to purchase what we should
call here the necessaries of life. The
produce of Hungary, even live cattle, is
taken westward by rail to Lond6n. The
transport by water is too long. Secondly,
coal, the indispensable fuel of all modern
industry, is cheaper on the Rhine than
anywhere else. And thirdly, the Rhine,
ever since the Roman conquest and at
the earliest period of the Middle Ages,
has been a centre of civilization, whereas
that portion of the Danube the most valu-
able for traffic was, until yesterday, in the
hands of the Turks.
	At the Amstett station I purchased the
Vienna Neue Frele Presse, which is, I
think, with the Pester Lloyd, the best
edited and the pleasantest paper to read
in the German language. The Kdlnische
Zeitung is exceedingly ~vell-informed, and
the A Zigemeine Zeitung is also as complete
and interesting as possible; but it is a
terrible pelImell of subjects, a dreadful
muddle, where, for instance, many little
paragraphs from France or Paris are dis-
seminated haphazard in the six sheets.
I would rather read three Times than one
Kdlnisclze, in spite of the respect with
which that paper inspires me. I have
scarcely unfolded my Neue Freje Presse
than I find myself in the very heart of the
struggle of nationalities, just as I was
sixteen years previously, only that the
strife is no longer, as it then was, between
Magyars and Germans. The Deak dual
compromise created a modus vivendi,
which is still in force. The dispute is
now between Tchecks and Germans on
the one hand, and between Magyars and
Croatians on the other. The minister
Taaffe has decided to dissolve the Bo-
hemian Parliament, and there will be
fresh elections. The national and feudal
Tchecks banding together will overthrow
the Germans, who will no longer possess
more than a third of the votes in the Diet.
The Freje Presse is perfectly disconsolate
at this, and foresees the most terrible dis.
asters in consequence: if not the end of
the world, at least the upset of the mon-
archy. On account of these warnings,
the numbers are seized by government
order three or four times a month, even
although it be the organ of the Aus-
trian e5ourgeoisie. It is Liberal, but very
moderate, like the D6e5als and the Tetups
in France. After two or three months
have elapsed, the numbers seized are re-
turned to the editor, only fit for the waste-
paper basket. These confiscations (for
they are, in fact, nothing more nor less,
although effected through the administra-
tion) are absolutely contrary to the law,
as is proved by the reiterated acquittals.
Their constant recurrence reminds one of
the worst periods of the French empire.
Applied to a newspaper that defends Aus-
trian interests with so much skill as the
Frele Presse, they are more than surpris-
ing. If my friend Eug~ne Pelletan were
aware of this, he would no longer claim
for France liberty as in Austria, for
which saying he suffered at the time three
months imprisonment. It is said that
the influence of the Tchecks dictates these
confiscations, and this alone is sufficient
to show the violence of the enmity be-
tween the races. The Viennese with
whom I travel declare that this enmity is
far less bitter than it was fifteen years
ago. At that period, I tell them, I trav-
elled across the country without meeting
a single Austrian. I met with Magyars,
Croatians, Saxons, Tchecks, Tyrolians,
Poles, Ruthenians, Dalmatians, but never
with Austrians. The common country
was ignored, the race was all in all. At
the present day, my fellow-travellers tell
me this is very much subdued. You will
find plenty of excellent Austrians, they
say, to-day amongst the Magyars, and to-
morrow amongst the Tchecks.</PB>
<PB REF="IMG00067" SEQ="0067" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="57">WURZBURG AND VIENNA.
	The reader will permit a short digres-
sion here touching this nationality ques-
tion. You meet with it everywhere in the
dual empire. It is the great preoccupa-
tion of the present, and it will be in fact
the chief agent in determining the future
of the population of the banks of the
Danube and the Balkan peninsula. You
Englishmen cannot ~vell understand the
full force of this feeling which is so strong
in eastern countries. England is for you
your country, for which you live and for
which, if needs, you die. This love of
country is a religion which survives even
when all other faith or religion has ceased
to exist. It is the same in France. M.
Thiers, who, as a rule, so thoroughly
grasped situations, never realized the im-
mense force of these aspirations of races,
which completely rearranged, before his
eyes, the map of Europe on the nationality
footing. Cavour and Bismarck were, how-
ever, well aware of this, and knew how to
take advantage of this sentiment, in creat-
ing the unity of Italy and of Germany.
	One evening, Jules Simon took me to
call on M. Thiers, in Rue St. Honor~, who
asked me to explain the Flemish move-
ment in Belgium. I did so, and he seemed
to consider the question as most unimpor-
tant, quite childish in fact, and very much
behind the age. He was at once both
right and wrong. He was right because
true union is one of minds, not of blood.
Christs saying is here admirably appli-
cable:  Whosoever shall do the will of
God the same is my my brother and sister
and mother (St. Mark iii. 35).
	I grant that mixed nationalities which,
without consideration of diversity of lan-
guage and race, rest, as in Switzerland, on
an identity of historical reminiscences, of
civilization and liberty, are of a superior
order; they are types and forerunners of
the final fusion when all mankind will be
but one great family, or rather a federa-
tion. But M, Thiers, being idealistic, like
a true son of the French Revolution, was
wrong in not taking into account things
as they actually are, and the exigencies of
the transitory situation.
	This awakening of nationalities is the
inevitable outcome of the development of
democracy, of the press, and of literary
culture. An autocrat may govern twenty
different peoples without in the least trou-
bling himself as to their language or race;
but if once assemblies be introduced,
everything is changed. Speech governs.
Then what language is to be spoken?
That of the people, of course. Will you
educate the young? It must be done in
their mother tongue. Is justice to be
administered? You cannot judge a man
in a foreign language. You wish to rep-
resent him in Parliament, and ask for his
votes; the least he can claim in return
is that he may understand what you say.
And thus by degrees the language of the
multitude gains ground and is adopted
in Parliament, law courts, and schools of
every degree. In Finland, for instance,
the struggle is between the Swedes, ~vho
form the well-to-do classes and live in
the towns on the coast, and the rural
population who are Finns. When visit-
ing the country with the son of the emi-
nent linguist, Castr~n, who died while in
Asia seeking out the origin of the Finn
language, I found that the latter was more
spoken than Swedish, even in the suburbs
of large towns such as Ab6 and Helsing-
fors. All official inscriptions are in the
two languages. The instruction in the
communal schools is almost entirely in
the Finn tongue. There are Finn gymna-
siums, and even at the university, lectures
in this language. There is also a national
theatre, ~~-here I heard  Martha sung in
Finn. In Galicia, Polish has completely
replaced German; but the Ruthenians
have also put in a claim for their idiom.
In Bohemia the Tcheck dialect triumphs
so completely that German is in danger
of being wholly cast aside. At the open-
ing of the Bohemian Diet, the governor
made a speech in Tcheck and one in Ger-
man. At Prague a Tcheck university has
recently been opened next to the German
one. The clergy, the feudals, and the
population are strongly in favor of this
national movement. The Archbishop of
Prague, the Prince of Schwarzenberg, al-
though himself a German, appoints none
but Tcheck priests, even in the north of
Bohemia, where Germans dominate.
	It is certain that in countries where two
races are thus intermingled, this growing
feeling must occasion endless dissensions,
and almost insurmountable difficulties. It
is a disadvantage to speak the idiom of a
small number, for it is a cause of isolation.
It would certainly be far better if but three
or four languages were spoken in Europe,
and better still if but one were generally
adopted; but, until this acme of unity be
attained, every free people called upon to
establish self-government, will claim rights
for its mother tongue, and will try to unite
itself with those who speak it, unless the
nation be already fully satisfied with its
mixed but historical nationality, like Switz-
erland and Belgium. Austria and the
Balkan peninsula are now agitated with
these claims for the use of the national
tongue, and with aspirations for the for~
57</PB>
<PB REF="IMG00068" SEQ="0068" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="58">STYLE AND MISS AUSTEN.

mation of States based on the ethnic reserve, which still forms part of the Con.
~roups. tinental idea of the typical Englishman 
As we near Vienna the train runs have been so rapidly swept away during
through the most lovely country. A suc- the last generation, that it would be ab-
cession of small valleys, with little stream- surd nowadays to expect of any inheritor
lets rippling through them, and on either of a great writers correspondence that he
side green lawns between the hills covered should form the same sort of strict judg-
with woods, chiefly firs and oaks. One ment on its claims to publication which
might imagine oneself in Styria or in up- would have been natural and possible a
per Bavaria. Soon, however, houses make hundred or even fifty years ago. Taste is
their appearance, often charming chal&#38; s laxer, the public easier to please, and
buried in creeping plants, Gloire de Dijon book-making more profitable. A modern
roses, or jessamine and clematis. These editor of unpublished documents, by the
become more and more frequent, and near nature of things, approaches his task in a
the suburban stations, there are quite little more prodigal frame of mind. The whole
hamlets of villas. I know of no capital mood of the present day is one of greater
with such beautiful suburbs, save per- indulgence towards what may be called
haps Stockholm. Nothing could be more the personal side of letters than used to
delightful than Baden, Mdoling, Brii hI, be the case with our grandfathers; and
Schonbrun, and all those little rustic nooks the seven volumes which Mr. Froude has
south of Vienna, on the road to the Somer- devoted to the Carlyles, and which, under
ing. EMILE DE LAVELEYE. all the circumstances, would have been a
scandal in the days of Southey and Scott,
____________	will perhaps be accepted later on as mark-
ing the highest point of a tendency which
has been long gathering strength and may
	From Macmillans Magazine. not improbably soon have to fight against
STYLE AND MISS AUSTEN. reaction.

	By this publication of a newly discov- Lord Brabourne, then, hardly deserves
ered collection of Miss Austens letters, serious blame for not deciding as Mr.
Miss Austens great-nephew has done her Austen Leigh would have probably de-
as ill a turn as it is in anybodys power to cided twenty years ago, that the newly
do to the author of Pride and Prejudice. discovered correspondence threw prac-
The name of one of the nimblest, quick- tically no fresh light on Miss Austens
est, and least tiresome of mortals has been personality, and, with half-a-dozen excep-
perforce associated with two volumes of tions, which might have seen the light in
half-edited matter, with letters of which a review, had therefore better be reserved
she herself would never have authorized for that family use for which it was orig.
the publication, with family pedigrees of inally intended; but he might at least
which she would have been the first person have set some bounds to his confidence
to feel the boredom and the incongruity, in the public. One small volume of these
and literary criticisms of a kind to have letters, carefully chosen and skilfully
set that keen wit of hers moving in its edited, would have been pleasant reading
most trenchant fashion. When Lord Bra- enough. They might have been used as
bourne came into possession of those illustrations of the novels, of the country
bundles of his great-aunts letters which society or the class relations of eighty
Mr. Austen Leigh, her first biographer, years ago, and a few short explanations
believed to have been lost, the temptation of the identity of the persons most fre-
to make use of them in some way was no quently mentioned in them would have
doubt irresistible. The virtue of literary made them sufficiently intelligible to the
reticence is fast becoming extinct; we general reader. As it is, the letters of
have almost indeed forgotten that it is a the last fifteen years of Jane Austens life
virtue at all. To be able to persuade dull the edge of whatever gentle enjoy.
oneself that the world could possibly do ment the reader may have derived from
without information which it is in ones the sprightliness of the earlier ones, while
power to give it, implies now a strength of the one literary merit which the collection
mind so abnormal and so rare, that a mod- possesses, its lightness and airiness of
em instance of it is scarcely to be found. tone, is lost in the ponderous effect of the
And the old distinction between public and introductory chapters, with their endless
private life, which still held firmly in the strings of names and wandering criticisms
days when Jane Austen and Miss Ferrier on the novels. Such editorial perform-
refused to give their names to any pro- ance as this makes one sigh once more for
duction of their pens  the old personal a more peremptory critical standard than</PB>
<PB REF="IMG00069" SEQ="0069" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="59">STYLE AND MISS AUSTEN.
any we possess in England. What En-
gush belles-lettres of the present day want
more than anything else is a more widely
diffused sense of oblzga/ion among the
cultivators of themobligation, if one
must put it pedantically, to do the best a
man can with his material, and to work in
the presence of the highest ideals and
achievements of his profession.
	There are, however, in these volumes a
few letters which were worth printing, and
which do help to complete the picture al-
ready existing of Jane Austen These are
the letters written between 1796 and 1799,
that is to say, during the period which
witnessed the composition of Pride and
Prej~idice, Sense and Sensibility, and
Northanger Abbey. Jane Austen at the
time was a pretty, lively girl, very fond of
dancing, deeply interested in dress, and
full of the same naif interest in the other
sex with which Catherine Morland started
on her Bath travels. The whole tone in-
deed of this early correspondence with
her sister reminds one of an older and
shrewder Catherine, and the ways of see-
ing and describing to which they bear
witness are exactly those to which we owe
the unflagging liveliness andgaiety of the
two famous books in which the adventures
of Catherine and of Elizabeth Bennett are
set forth. Northanger Abbey espe-
cially, gay, sparkling, and rapid as it is from
beginning to end, is the book in which
the bright energy of Jane Austens youth
finds its gayest and freshest expression.
Pride and Prejudice is witty and spark-
ling too, but it probably went through
many a heightening and polishing process
during the fifteen years which elapsed be-
tween the time when it was written and
the time when it appeared in print; and
although a great deal of it may represent
the young Jane Austen, the style as a
whole bears marks certainly of a fuller
maturity than had been reached by the
writer of  Northanger Abbey. It is in
the story of Catherine Morland that we
get the inimitable literary expression of
that exuberant girlish wit, which ex-
pressed itself in letters and talk and
harmless flirtations before it took to itself
literary shape, and it is pleasant to turn
from the high spirits of that delightful
book to some of the first letters in this
collection, and so to realize afresh, by
means of such records of the woman, the
perfect spontaneity of the writer. Any
one who has ever interested himself in
the impulsive little heroine, who was as
nearly plain as any heroine dared to be
before Jane Eyre, but whose perfect good-
humor and frankness won the heart of
her Henry, will feel that in one or two of
these newly printed letters he comes very
near to the secret of Catherines manufac-
ture.
	Here, for instance, is a picture, pieced
together from passages of different dates,
of Jane Austen in a frame of mind which
has something of Catherine Morland and
something of Elizabeth Bennett in it,
though it is a little too satirical and con-
scious for the one, and perhaps a trifle too
frivolous for the other. Tom Lefroy, the
hero of the little episode, lived to be chief
justice of Ireland, and only died in 1854.
The first extract occurs in a letter writ-
ten from Steventon in January, 1796:
You scold me so much in the nice
long letter which I have this moment re-
ceived from you, that I am almost afraid
to tell you h&#38; w my Irish. friend and I be-
have. Imagine to yourself everything
most profligate and shocking in the way
of dancing and sitting down together. I
can expose myself, however, only once
more, because he leaves the country soon
after next Friday, on which day we are to
have a dance at Ashe after all. He is a
very gentlemanly, good-looking, pleasant
young man, I assure you. But as to our
having ever met, except at the three last
balls, I cannot say much; for he is so
excessively laughed at about me at Ashe,
that he is ashamed of coming to Steven-
ton, and ran away when we called on Mrs.
Lefroy a few days ago. . -
	After I had written the above, we
received a visit from Mr. Tom Lefroy
and his cousin George. The latter is
really very well-behaved now; and as for
the other he has but one fault, which time
will, I trust, entirely remove  it is that
his morning coat is a great deal too light.
He is a very great admirer of Tom Jones,
and therefore wears the same colored
clothes, I imagine, which he did when he
was wounded. - . . Our party to Ashe to-
morrow night will consist of Edward
Cooper, James (for a ball is nothing with.
out him), Buller, who is now staying with
us, and I. I look forward with great im-
patience to it, as I rather expect to receive
an offer from my friend in the course of
the evening.
	I shall refuse him, however, unless
he promises to give away his white coat.
-	- - Tell Mary that I make over Mr.
Heartley and all his estate to her for her
sole use and benefit in future, and not
only him, but all my other admirers into
the bargain, wherever she can find them,
even the kiss which C. Powlett wanted to
give me, as I mean to confine myself in
future to Mr. Tom Lefroy, for whom I</PB>
<PB REF="IMG00070" SEQ="0070" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="60">	6o	STYLE AND MISS AUSTEN.
dont care sixpence. Assure her also as
a last and indubitable proof of Warrens
indifference to me that he actually drew
that gentlemans picture for me, and deliv-
ered it to me without a sigh
	Friday (the day of the Ashe ball).
At length the day has come on which I
am to flirt my last with Tom Lefroy, and
when you receive this it will be -over.
My tears flow as I write at the melancholy
idea.
	Slight, however, as the relation was, it
seems to have been more durable than
the signs of frail vitality about it would
have led one to expect. It is not till two
years later that Jane Austen herself gives
it its coup deArrace in her light character-
istic way. She describes a visit paid by
Tom Lefroys aunt to Steventon, in which
the nephews name was ne~er once men-
tioned to Jane herself, and I was too
proud to make any inquiries; but on my
fathers asking where he was, I learnt that
he was gone back to London, on his way
to Ireland, where he is called to the bar,
and means to practise. And then 
alas! for the faithfulness of woman she
flies off to describe the position in which
things are with regard to an unnamed
friend of Mr. Lefroys, who had evidently
taken his place in her thoughts, ~nd was
rapidly succeeding to that full measure of
indifference which appears to have been
the ultimate portion of all Janes admirers.
There is less love and more sense in it
than sometimes appeared before, she
says provokingly, describing a letter from
this unknown aspirant and I am very
well satisfied. It will all go on exceed-
ingly well, and decline away in a very
reasonable manner.~~
	There are a good many other touches in
these girlish letters that give one glimpses,
as it were, into the workshop which pro-
duced the novels. Mr. Richard Harvey,
she says on one occasion, is going to be
married; but as it is a great secret, and
only known to half the neighborhood, you
must not mention it. The ladys name is
Musgrave. Again, We have been very
gay since I wrote last, dining at Hacking-
ton, returning by moonlight and every-
thing quite in style, including Mr. Clar-
ingboulds funeral which we saw go by on
Sunday. Or, If you should ever see
Lucy, you may tell her that I scolded Miss
Fletcher for her negligence in writing, as
she desired me to do, but without being
able to brino~ her to any proper sense of
shame; that Miss Fletcher says in her
defence, that as everybody whom Lucy
knew when she was in Canterbury has
now left it, she has nothing at all to write
to her about. By everybody, I suppose
Miss Fletcher means that a new set of
officers has arrived there. But this is a
note of my own. Or again, with mock-
ing reference to some of those pomposi.
ties of authorship which she ridicules in
Northanger Abbey  I am very much
flattered by your commendation of my last
letter, for I write only for fame, and with-
out any view to pecuniary emolument.
Her lively pen touches everybody in turn.
One feels there may have been something
formidable in a daughter who could put
together with a few strokes so suggestive
an~outline as this: My mother continues
hearty; her appetite and nights are very
good, but she sometimes complains of an
asthma, a dropsy, water in her chest, and
a liver disorder. And it is characteristic
that even her letters of grief, after the
death of a favorite sister-in law, are broken
within the first fortnight by some flashes
of terse satire on the affairs of the neigh-
borhood.
	Some little pleasure and entertainment
then may be gleaned, by those who already
know their Miss Austen, from the first
dozen letters or so of this collection.
They fill up a gap in Mr. Austen Leighs
book. The turn of phrase is generally
light and happy; and they enable us to
realize something of that buoyant and yet
critical enjoyment of life, of which the six
novels were the direct outcome. But
after all, there is very little personal or
literary distinction in them ; the judgment
of an unfriendly Frenchman would proba-
bly find that note of commonness~~ in
them which Madame de Sta~l insisted in
attributing to Pride and Prejudice.
And commonness indeed there is, usiog
the word, that is to say, not in any strong
or disagreeable sense, but simply as op-
posed to distinction, charm, aroma, or any
of those various words by which one tries
to express that magical personal quality
of which Madame de S~vign6 is the typi-
cal representative in literature. And
even the gaiety and moderate felicity of
phrase which beguiled one through the
earlier letters disappears from the later
correspondence. The writer of it indeed
is the same kindly, blameless, and gentle
humorous person as the Jane Austen of
1796, but whereas at twenty-one Jane
Austens letters were like her novels, and
therefore may be said to possess some
slight claim to belong to literature, by
thirty-one they had become the mere ordi-
nary chit-chat of the ordinary gentlewom-
an, with no claims whatever to publication
or remembrance beyond the family circle.
Lord Brabournes book indeed only im</PB>
<PB REF="IMG00071" SEQ="0071" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="61">	STYLE AND MISS AUSTEN.	6r
presses upon us with fresh force what
was already fairly well known  that
broadly speaking, the wholeyie/dof Jane
Austens individuality is to be found in
her novels. There are a certain number
of facts about her which help to explain
her books, and which are of use to the
student of the psychological side of letters,
but these were already within everybodys
reach, so that the collection printed by
Lord Brabourne is as a whole neither
amusing, nor sufficiently instructive to
make in worth publication.
	The triviality of the letters is easily
explained. No circumstances were ever
less favorable than Jane Austens to good
letter-writing. She possessed one literary
instrument which she used with extraor-
dinaryskilland delicacythe instrument
of critical observation as applied to the
commoner types and relations of human
life. Within the limits fixed for her by
temperament and circumstances she
brought it to bear with unrivalled success,
success which has placed her amongst
English classics. But she was practically
a stranger to what one may call, without
pedantry, the world of ideas, The intel-
lectual and moral framework of her books
is of the simplest and most conventional
kind. The author of Corinne, placed
as she was in the very centre of the Eu-
ropean stress and tumult, might well think
them too tame and commonplace to be
read. Great interests, great questions,
were life and breath to Madame de Sta~l
as they were to her successor George
Sand. She realized the continuity of hu-
man history, the great fundamental laws
and necessities underlying all the outward
tangle and complication. And it was this
insight, this far-reaching symyathy, which
gave her such power over her time, and
made her personality and her thoughts
incalculably diffusive. Meanwhile Jane
Austen, in her Hampshire home, seems
to have lived through the storm iest period
of modern European history without being
touched by any of the large fears and
hopes, or even strongly impressed by any
of the dramatic characters or careers in
which it abounded. Though the letters
extended from 1796 to 1817, there is barely
a mention of politics in them, except in
some small personal connection, and of
the literary forces of the time  Goethe,
Byron, Wordsworth  there is hardiv a
trace. Even when she comes to London,
though we have an occasional bare record
of a visit to a theatre, we still hear of
nothing except sisters, cousins, neighbors,
the price of Irish, and the new fashions
in caps. And for the rest, Kent and
Hampshire, with their county families,
their marryings and christenin~s their
dancings and charities, are the only world
she knows or cares to know. She never
seems to have had a literary acquaintance,
or to have desired to make one. While
Miss Ferriers ~vits were quickened by
the give and take of Edinburgh society in
its best days, and Miss Edgeworth found
herself welcomed with extravagant flattery
on the Continent as the representative of
English culture, all the literary influence
that Jane Austen ever experienced was
due to her father, and all the literary in-
fluence she ever personally exerted ~vas
brought to bear upon a novel-writing
niece. No doubt if she had lived a little
longer things would have been different.
When she died, at the age of forty-one,
her books had already brought her some
fame, and friends would have followed.
As it was, her circle of interests, both in-
tellectual and personal, was a narrower
one than that of any other writer we can
remember with the same literary position.
In spite, however, of her narrow We/f-
ansckauung, and her dearth of literary
relationships, Jane Austen is a classic,
and Pride and Prejudice will probably
be read when Corinne, though not its
author, is forgotten. 1-ler life is a striking
proof that a great novelist may live with-
out a philosophy, and die without ever
having belonged to a literary coterie. But
out of the stuff of which the life was com-
posed it was impossible to make a good
letter-writer. To be a good letter-writer
a man or woman must either have ideas,
or sentiments strong enough to take the
place of ideas, or knowledge of and con~
tact with what is intrinsically interesting
and important. Jane Austen had none of
these. The graphic portraiture of men
and women seen from the outside, in
which she excelled, was not possible in
letters. It required more freedom, more
elbow-room than letters could give. Jane
Austen, in describing real people, found
herself limited by the natural scruples of
an aimable and gentle nature. There was
a short time when the exuberance of her
talent overflowed a little into her corre-
spondence. But it soon came to an end,
and for the rest of her life Jane Austcns
letters were below rather than above the
average in interest, point, and charm.
	Miss Austens novels are a well-worn
subject. We have all read her, or ought
to have read her ~ve all know what Ma-
caulay and what Scott thought of her
and the qualities of her humor, the extent
of her range, have been pointed out again
and again. Perhaps, after all, however, it</PB>
<PB REF="IMG00072" SEQ="0072" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="62">	62	STYLE AND MISS AIJSTEN.
may be still worth while to try and face
the question which these disappointing
letters bring home to one. How ~vas it
that, with all her lack of knowledge and
of ideas, and with her comparative lack of
passion, which so often supplies the place
of both, Jane Austen accomplished work
so permanent and so admirable? What
is it, in a word, which makes Pride and
Prejudice and Northanger Abbey
English classics, while the books of her
contemporaries, Miss Ferrier and Miss
Edgeworth, have practically lost their
hold upon our sympathies, and are retreat-
ing year by year into a dimmer back-
ground? There are two kinds of quali-
ties which go to the making of a classic.
There are the qualities of expansion and
the qualities of concentration. The great
books of the world are rich in both. if
you compare Chaucers and Gowers
treatment of the same theme  the sub-
ject of The Man of Lawes Tale, for
instanceyou will see not only that
Chaucers treatment is light and rapid
where Gowers is heavy and prolix, but
that Chaucer knew where, as the French
would say, to lean, where to dwell,
where to expand. You may trace this
poetic expansion at work in all the great
moments or crises of the story. Gower
plods on through the trial of Constance
for the murder of Dame Hermengild, and
through the various incidents which ac-
company it, with no variation of tone or
pace. Chaucer, when he has brought
Constance face to face with her enemies,
pauses, as any true poet would, and lets
the tragedy of the situation penetrate him-
self and his readers.

Have ye not seyn sometyme a paW face
Among a prees, of him that hath be lad
Toward his deth, wher as him gat no grace,
And swich a color in his face hath had,
Men might~ knowe his face, that was bistad
Among~s alle the faces in that route:
So stant Custance, and looketh hir aboute.

o queen~s, lyuinge in prosperitee
Duchesses, and ladv~s euerich one
flaueth some rewthe on hir aduersitee;
An emperour~s doughter stant allone;
She bath no wight to whom to make hir mone.
O blood roial! that stondest in this drede,
Fer ben thy frend~s at thy greta nede!

	And a little further on there is a still
more striking instance of it, in the exqui-
site scene between Constance and her
child before she is turned adrift on the
North umbrian coast. As for the qualities
of condensation they may be traced in the
Troilus and Cressid as compared with
the Filostrato, and in the Knightes
Tale, and elsewhere. But the qualities
of expansion develop first in the literary
history of the world; those of concentra-
tion come later, and the human mind takes
longer to fashion the instruments which
fit and display them. Although a great
writer will have both in some measure,
the proportion in which he possesses
them will depend upon his date. The
progress of literary expression during the
last two hundred years has on the whole,
and making due allowance for the vast
stores of new material which have found
their way into literature since Rousseau,
been a progress towards concentration.
Literature tends more and more to be-
come a kind of shorthand. The great
writers of this generation take more for
granted than the great writers of the last,
and the struggle to avoid commonplace
and repetition becomes more and more
diffused. The mind of the modern writer
is on the whole most anxiously concerned
with this perpetual necessity for omission,
for compression. It will never describe
if it can suggest, or argue if it can imply.
The first condition of success in letters is
nowadays to avoid vaporing, and to wage
war upon those platitudes we all submit
to with so much cheerful admiration in
our Richardson or our Spectator.
	It was her possession of the qualities
of condensation that made Jane Austen
what she was. Condensation in literary
matters means an exquisite power of
choice and discrimination  a capacity for
isolating from the vast mass of detail
which goes to make up human life just
those details and no others which will
produce a desired effect and blend into
one clear and harmonious whole. It im.
plies the dete~mination to avoid everything
cheap and easy  cheapness in sentiment,
in description, in caricature. In matters
of mere language it means the perpetual
effort to be content with one word rather
than two, the perpetual impulse to clip
and prune rather than expand and length.
en. And if to this temper of self-restraint
you add the imagination which seizes at
once upon the most effective image or
detail and realizes at a glance how it will
strike a reader, and a spontaneous inter-
est in men and women as such, you have
arrived at the component parts of such a
gift as Jane Austens. Nothing impresses
them more strongly upon the reader than
a comparison of her work with that of her
slightly younger contemporary, Miss Fer.
rier. Miss Ferrier had a great deal of
humor, some observation, and a store of
natural vigor which made her novels wel-
come to the generation of Scott and By-</PB>
<PB REF="IMG00073" SEQ="0073" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="63">STYLE AND MISS AUSTEN.
ron. Stronger expressions of praise were
used to her and about her than ever seem
to have suggested themselves to any con-
temporary admirer of Miss Austen, and
the author of Marriage was encouraged
to believe that her work would rank with
that of Scott as a representation of Scot-
tish life and manners. But we who read
Miss Ferrier with an interval of fifty years
between us and her can judge the propor-
tions of things more clearly. Miss Fer-
rier is scarcely read now, except for the
sake of satisfying a literary curiosity, and
will gradually drop more and more out of
reading. And it is very easy to under-
stand why, if one does but approach her
books with these qualities of expansion
and concentration which go to make up a
classic in ones mind. She has little or
no faculty of choice, nothing is refused
that presents itself; reflections, love-mak-
ing, incident, are all superabundant and
second-rate. Everything is done to death,
whether it is Miss Pratts bustle, or Lady
J ulianas finery, or Mr. McDows brutal-
ity, and as for the sentimentthese re-
flections from the first volume of the
Inheritance are a fair average speci-
men of it.
	Ah, thought Gertrude, how will-
ingly would I renounce all the pomp of
greatness to dwell here in lowly affection
with one who would love me and whom I
could love in return. How strange that
I, who could cherish the very Worm that
crawls beneath my feet, have no one be-
ing to whom I could utter the thoughts of
my heart, no one on whom I could bestow
its best affections! She raised her eyes,
swimming in tears to heaven, but it was
in the poetic enthusiasm of feeling, not in
the calm spirit of devotion!
	There is no parlicular reason why writ-
ing of this kind should ever stop; there
is nothing intimate and living in it, none
of that wrestle of the artist ~vith experi-
ence which is the source of all the labors
and all the trials of art; it is all conven-
tional, traditional, hearsay in fact. The
qualities of concentration are altogether
wanting. But now, put side by side with
Gertrudes sentiment or Mrs. Sinclairs
remorse, some of the mental history of
Jane Austens drama/is ~ersoncz, and the
gulf which this marvellous choosing fac-
ulty digs between one writer and another
will be plain at once. Anne Eliot, in
Persuasion, has arrived at the critical
moment of her fate. The man whom she
had rejected seven years before has reap-
peared upon the scene, and as soon as
she is brought in contact with him all
lesser affections and inclinations, which
had been filling up the time of his absence,
disappear. Others might have had a
chance if he had remained away, but his
return, his neighborhood, rouses a feeling
which sweeps all before it. This is the
situation. We may imagine, if Miss Fer-
rier had had to deal with it, how she
would have spun it out; with what rap-
tures, what despairs, what appeals to
heaven she would have embroidered it!
But Jane Austen at once seizes upon the
vital points of it, and puts them before us,
at first with a sober truth, and then with
a little rise into poetry, which is a triumph
of style.
	There was much regret, she says, in
her analysis of Annes feelings towards
the man she had resolved to sacrifice to
her old lover. How she might have felt
had there been no Captain Wentworth in
the case is not ~vorth inquiring; for there
was a Captain Wentworth, and be the
conclusion of the present suspense good
or bad, her affection would be his for-
ever. Their union, she believed, could not
divide her more from other men than their
final separation. Prettier musings of high-
wrought love and eternal constancy could
never have passed along the streets of
Bath than Anne was sporting with from
Camden Place to Westgate Buildings. It
was almost enough to spread purification
and perfume all the way. How terse it
is, how suggestive, how free from vulgar-
ity and commonplace!
	Another striking instance of this choos-
ing instinct of hers is the description of
Darceys place, Pemberley, in Pride and
Prejudice. There, although there is
scarcely any description at all, every
stroke of the pen is so managed that any
reader with ordinary attention may realize,
if he pleases, the whole lie of the park, the
look of the house, as Elizabeth surveyed
it from the opposite side of the ravine
above which it stood, the relative posi-
tions of the lawns, stables, and woods.
Anybody with a turn that way could sketch
it with ease, and yet there is no effort, no
intention to describe, nothing but a clear
and vivid imagination working with that
self-restraint, that concentration, which is
the larger half of style. This self-restraint
indeed is her important, her determining
quality. In other ways she has great de-
ficiencies. For fine instances of the qual-
ities of expansion we must go elsewhere
than to Jane Austen. Emotion, inspira~
tion, glow, and passion are not hers; she
is a small, thin classic. But classic she
is; for her work is a typical English em-
63</PB>
<PB REF="IMG00074" SEQ="0074" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="64">	64	THE ARCHBISHOP OF DUBLIN.
bodiment of those drier and more bracing
elements of style in which French litera-
ture has always been rich, and our own
perhaps comparatively poor.
M.	A. W.



	THE ARCHBISHOP OF DUBLIN.
Daily Chronicle, Nov. 29.
	B~ the retirement of Dr. Trench from
the archiepiscopal see of Dublin, a well-
known figure is withdrawn from active
participation in the affairs and direction
of the Irish Church. The letter announc-
ing his intention to retire was read yester-
day at a special meeting of the United
Synods of Dublin, Glendalough, and Kil-
dare, and as a mark of respect to the re-
tiring prelate the whole assemblage rose
and stood during the delivery of his mes-
sage. While every one will regret that
failing health and physical infirmity have
prompted the archbishop to seek to be
relieved of his public duties, the action he
has taken is perhaps the wisest course for
him to pursue, and in retirement he will be
able to secure that rest and immunity from
anxiety which are denied to the occupant
of an episcopal throne. During the forty-
five years of his ministry in the Church the
career of Dr. Trench has been somewhat
chequered, and not wholly uneventful.
While holding the small incumbency of
Curdbridge Chapel he first attracted pub-
lic attention by the publication of two
volumes of poems which established his
reputation as a poet. These so impressed
Dr. Wilberforce, then rector of Alver-
stoke, that he requested Mr. Trench to
become his curate. Thence on the prefer-
ment of his rector, Mr. Trench was pre-
sented to Itchenstoke, which he resigned
on appointment to the deanery of West.
minster. His tenure of this office was
marked by great intellectual activity, and
it was during this period that he published
some of his best works. In 1864, he was
selected to succeed Dr. XVhateley in the
archbishopric of Dublin, from which he
now desires to retire. During his resi-
nence in Dublin, he has proved himself a
true benefactor to Ireland, and his admin-
istration of the diocese during a difficult
and trying period of twenty-one years has
been conducted on priri~tIples the most
just and wise. His administrative powers
were amply proved by the tact he dis-
played at the time of the disestablishment,
and he leaves his diocese in a peaceful
and flourishing condition. Hislastactin
the refusal to accept the provision of a
retiring allowance confirms the disinterest-
edness and self-denial which have marked
his public career, and he retires into pri-
vate life with the good wishes and sympa-
thy of all who have known him, either
directly as an archbishop, or indirectly
through the books he has published.

Times, Dec. r.
	WiTH all the dignity of high desert, and
all the warmth of mutual appreciation, the
Archbishop of Dublin has placed his resig-
nation in the hands of his Synod of a load
of office which, after twenty-one years of
continued strain, he is no longer able to
bear. There have been several such res-
ignations in this country since Parliament
consented to give the requisite facilities,
but they seem to have come in the ordi-
nary course of nature, and they only re-
mind one that after three score and ten
the strength of man is apt to be labor and
sorro~v. Dr. Trench has exhausted his
life and his forces in the discharge of one
of the most painful tasks that ever fell to
the lot of a bishop, or any ruler of men.
He has had to lead a losing and divided
cause ; to command in a campai~n fore-
doomed to defeat; to conduct a harassed
retreat; to submit to hostile terms and
make the best of a diminished position;
to sacrifice in a sense all, with the saving
of honor, and to leave his work so far in-
complete as not even to know in what
form to make his resignation real and
effectual. The knot which death usually
cuts has in this case to be untied. It is
to be feared, however, that this is but a
small part of the legacy of difficulties Dr.
Trench leaves to the Church of Ireland
and his successors. Between the charac-
ter of the man and the part he has had to
perform on the great stage of public life
there is a certain disparity which adds to
the pathetic interest of the event. There
are men who might be thought made for
such a crisis; there are men who might
be thought to have even provoked it, and
who only hand over to others the work
they had spontaneously initiated. In this
case we seem to see only misfits and cross
purposes. It is impossible, indeed, to say
what better terms could have been made
for the doomed Establishment, or what
manner of man would have been fitter for
~vork to be done. Nevertheless, the man
and the office and the period forcibly
illustrate the mixed fortunes and conflict-
ing conditions which fortune, with a cer-
tain playfulness, is often found to combine
in one personal career.</PB></P>
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<TITLE TYPE="MAIN">The Living age ... / Volume 104, Issue 1336</TITLE>
<TITLE TYPE="OTHER">Littell's living age</TITLE>
<TITLE TYPE="OTHER">Every Saturday; a journal of choice reading</TITLE>
<TITLE TYPE="OTHER">Eclectic magazine</TITLE>
<PUBLISHER>The Living age co. inc. etc.</PUBLISHER>
<PUBPLACE>New York etc.</PUBPLACE>
<DATE>January 8, 1870</DATE>
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<TITLE TYPE="ART">The Living age ... / Volume 104, Issue 1336</TITLE>
<BIBLSCOPE TYPE="pg">65-128</BIBLSCOPE>
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<P><PB REF="IMG00075" SEQ="0075" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="65">LITTELLS LIVING AGE.


	Fifth Series,	No, 2116.  January 10, 1885.	From Beginning,
	Vohime XLIX.	Vol. CLXIV,


CONTENTS.
	I.	MEN OF LETTERS ON THEMSELVES, .	. Fortnightly Review,

II.	BORROUGHDALE OF BORROUGHDALE. Con
		 clusion,	Macmillans Magazine,
	ITT.	LIFE IN A DRUSE VILLAGE. By Laurence	Blackwoods Magazine,
		 Oliphant,
	IV.	DOROTHY: AN INTERLUDE	Blackwoods Magazine,
	 V.	UNDER A GREEN BOUGH	Blackwoods Magazine,
	VI.	WURzBURG AND VIENNA; SCRAPS FROM A
		 DIARY. Part II	Contemporary Review,.
	VII.	GENERAL GORGET	Saturday Review,.

AN UNHEARD SERENADE,
NATURES SILENCE
COMPROMISE. By Lord Tennyson;
	POETRY

	66 How OFTEN HAVE I NOW OUT-
	66	WATCHED THE NIGHT,
	66 IN MEMORIAM                    









PUBLISHED EVERY SATURDAY BY

LITTELL &#38; CO., BOSTON.








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<PB REF="IMG00076" SEQ="0076" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="66">	66	AN UNHEARD SERENADE, ETC.
AN UNHEARD SERENADE.

THE soft petunias dim-seen snow
	With hymns of fragrance hails the night;
The bats like shadows come and go,
	The owlets wing their noiseless flight;
Hushed is our garden, herb and tree;
Rest peaceful, love, and think of me.


Beneath the lamps of heaven I lie
	(And heaven for us is still the same);
Deep in the silver-clouded sky
	One great star burns with steadfast flame
Shut close, sweet eyes, from trouble free;
Sleep soft, my love, though far from me.


The sweetest star above the rest
	Watch oer thy sleep with influence mild
The breezes hastening from the west
	Bring thee glad dreams of home and child;
May all unrest thy pillow flee;
Dream on, my heart, and beat for me.


The dawn is come, the channels flow,
	The bindweed shows her purple, sheen;
The flame.acacia* takes the glow
	With all her arms of waving green;
Light of my life, whereer thou be,
Wake happy, love, and pray for me.
	Temple Bar.	W. WATERFIELD.

	*	The flamboyant, or gold Mohur tree (Poinciana
regia), the glory of Indian gardens.





NATURES SILENCE.

MYSTERIOUS sponsor of Godlike humanity
Nature, deputed custodian of Time,
All careful for needs  when exposing no van-
ity
	Punishing ignorance rather than crime 
Why through the ages as lost in reflection
	Speak you no word to your suffering charge?
Leaving each folly to end in dejection,
	Each roaming fancy to wander at large.


The children of men in their anxious solicitude
(Rocked in their infantile cradle of earth),
To find consolation in evry vicissitude
Turn unto thee as the agent of birth.
Some with resource of a finer conception
	Steal from the zephyr your snatches of song:
Piece them together, but prone to deception,
Hearing imperfectly, render them wrong.


Perhaps in your silence you wield an authority
Voices of stones een could never bestow,
Inducing the sad ones, if not the majority,
Higher to seek what is wanting below.
These in your reticence, find confirmation,
Not of a leaderless genral control,
But of the truth, of divine revelation,
That a Creator embraces the whole.
	Temple Bar.	F. W. J.
COMPROMISE.

BY LORD TENNYSON.

	IN the following epigrammatic lines we have
Lord Tennysons mind on the l)resent posture
of our political affairs. It is uncertain to
which steersman of the political ships the
epigram is addressed, since it would be ap-
plicable to either Lord Salisbury or to Mr.
Gladstone; but it is quite clear that Lord
Tennyson is, like the Duke of Argyll, strongly
in favor of a compromise 
Steersman, be not precipitate in thine act
Of steering; for the river here, my friend,
Parts in two channels moving to one end;
This goes straight forward to the cataract,
That streams about the bend;
But tho the cataract seem the nearer way 
Whateer the crowd on either bank may say,
Take thou the bend, twill save thee many a
day.
We hope almost against hope that the laureate
may yet have cause to trust to what he calls
Our crownd Republics crowning common
sense.
St. Jamess Gazette.




How often have I now outwatched the night
	Alone in this grey chamber toward the sea
	Turning its deep-arcaded balcony!
	Round yonder sharp acanthus leaves the light
Comes stealing, red at first, then golden bright;
Till when the day-god in his strength and glee
Springs from the orient flood victoriously,
Each cusp is tipped and tongued with quiv.
ering white.
The islands that were blots of purple bloom,
Now tremble in soft liquid luminous haze,
Uplifted from the sea-floor to the skies;
And dim discerned erewhile through rc~eate
gloom,
A score of sails now stud the waterways,
Ruffling like swans afloat from paradise.
j.	A. SYMONDS.




IN MEMORIAM:

HENRY STORMONT LEIFCHILD.

IN what fair presence hast thou lately been,
Genius of Death? Hast thou a moment seen
Ilito of the Resurrection, that thy face
Is like to love, and soft is thy embrace;
And through the darkness of thine eyes in-
drawn
A beam of dawn?

Lightly the spirit, parted from its clay,
Rises; but thou dost wait to smooth away
The pain of high endeavor from the brow,
Leaving it but its aspiration now,
Hope, and	the earnest purpose strongly willed,
And now fulfilled.
	Spectator.	F. L.</PB>
<PB REF="IMG00077" SEQ="0077" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="67">MEN OF LETTERS ON THEMSELVES.
	From The Fortnightly Review.
MEN OF LETTERS ON THEMSELVES.*

	THE two entertaining and instructive
volumes in which Mr. Edmund Yates has
recorded the experiences and reminis-
cences of a varied, animated, and success-
ful career, had as their predecessors some
interesting recollections by a popular nov-
elist, and have been followed by the narra-
tive of Episodes in the Second Life of
a distinguished journalist, told by himself.
Certain characteristics are possessed by
each of these autobiographies in common.
Mr. Yates combines, or has combined, in
his own person the function of Mr. James
Payn and Mr. Antonio Gallenga. Like
the former he is a novelist; like the latter
he is, or has been, a writer of newspaper
articles, and among the most locomotive
and picturesque.of newspaper special cor-
respondents. With Mr. Yates, as with
the two other literary autobiographers,
existence has been a strenuous and a
prosperous affair,  full of labor and
effort, but of effort ending in-fruition, and
of labor sweetened by fame. Mr. Yates
tells us how first, at the bidding of the
post-office authorities, he performed rapid
journeys between London and foreign
capitals, and how when the government
was taking over the telegraphs, he visited
nearly every portion of the United King-
dom; how, next, at the bidding of the
editor of the A4tw York Herald, he had no
sooner returned to England from Amer-
ica, than he was summoned to Paris, and
then instructed to proceed without a mo-
ments delay to Vienna or Madrid, to St.
Petersburg or Berlin. The correspon-
dence of Mr. Gallenga was for the most
part in a more serious vein than that of
Mr. Yates. He was present at scenes of
greater historic significance, and he chron-
icled the decision of more momentous
issues. But both men were in their sepa-
rate departments of journalism equally in
the first rank; equally prompt, accurate,
persevering, graphic. This discipline,
perhaps the most trying of any that the

	*	Edmund Yates: kzs Recollections and EzAe-
riences. 2 vols. (Bentley). Egtisodes of my Second
L, by A. Galienga. 2 vols. (Chapman &#38; Hall).
Some Literary Recollections, by James Payn. z vol.
(Smith, Elder, &#38; Co.).
press affords, was never submitted to by
Mr. Payn, between whom, however, and
Mr. Yates there exist, in spite of marked
dissimilarities, some resemblances or
coincidences. Both may be said to have
been brought up in the school, and at the
feet, of Dickens; both enjoyed in varying
degrees his friendship; both formed his
acquaintance about the same time, Mr.
Yates in 1854, Mr. Payn two years later;
both made their real literary dde5ut in
Household Words. The first appearance
of each in print was poetical  Mr. Yates,
when a mere boy, sending to Mr. Harri-
son Ainsworth some stanzas which were
inspired by Thackerays At the Church
Gate; and Mr. Payn at the same ten-
der age contributing a composition en-
titled The Poets Death to Leigh
Hunts journal. Both have, or have had,
many common friends, and many of the
same famous or familiar characters appear
and reappear in the pages of the books of
each; The education, like the natural
tastes and aptitudes, of Mr. Payn and Mr.
Yates was widely different. The former,
who went from Eton to Woolwich, and
from Woolwich to Cambridge, was with-
out any turn whatever for languages.
Languages, he writes, have been al-
ways as unattainable to me as the science
of music. I spent many years over
French and German, but could never read,
far less converse in, either tongue with
facility. Mr. Yates received the rudi-
ments of a sound classical and general
training at Highgate School, was trans-
ferred to Dusselddrf and Bonn, whence in
nine months time he returned to England
with a perfect command of the German
vocabulary and accent. It is to his knowl-
edge of French and German that Mr.
Yates attributes much of his success in
life, and notably the opportunities of
studying men, manners, and cities, which
his Continental missions for the post-
office supplied.
	One admirable quality pervades, in a
conspicuous degree, each of these works.
I do not think, writes Mr. Yates in his
preface, I have said any harsh thing of
any person, alive or dead. I am certain
that I have not said such a thing con-
sciously. As a matter of fact, Mr. Yates</PB>
<PB REF="IMG00078" SEQ="0078" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="68">68	MEN OF LETTERS ON THEMSELVES.
has not said it at all. Whatever judg-
ment, writes Mr. Gallenga, I may have
passed upon myself, whether the picture
of my character resulting from the narra-
tive of my thoughts and deeds be too
partial or too severe, I must at least be
held guiltles~ of having indulged in any
personality offensive to the dead or liv-
ing. As for Mr. Payn, he makes no
professions, because he spares himself the
trouble of a preface, but he is consistently
amiable and genial. It is only natural
that there should be more traces of a mel-
ancholy humor, bordering on bitterness,
in Mr. Gallenga than in Mr. Yates or Mr.
Payn. In the first place, he was a patriot
and an exile. He took life seriously; he
felt acutely the vicissitudes and humilia-
tions to which, in his earliest attempts
to earn a living in America and in En-
gland as a teacher of languages and a
writer of magazine articles, he was com-
pelled to submit. In the second place,
though the success which Mr. Gallenga
achieved as an English journalist and the
command he acquired of forcible and cor-
rect English are for a foreigner unique,
he never forgot that he was a stranger,
living among strangers. In spite, he
writes, of the unfailing kindness and
deference which I received abroad, I was
full of silly complaints borrowed from
Dante about the salt that savors other
peoples bread, and the hardship of climb-
ing and descending other peoples stairs.
But he had other hardships than these,
and for some years he was a man with a
grievance. He could not get back his
manuscripts when he wanted,or see edi-
tors when he called. Paying editors
were not many, and were accessible to
none but their intimate friends. Of De-
lane and Morris, under whom he did much
splendid work for the Times, he speaks in
terms of unstinted admiration; but, with
the exception of Mr. Sala, there is no one
about whom he expresses himself with
more than conventional cordiality. Elect-
ed in 1853, after his name had been down
nine years, a member of the Athenaeum
Club, he did not much value the mere
honor of belonging to a learned society.
As, he continues, members have to
wait at least a score of years before they
are balloted for, by far the greatest num
ber consisted of twaddling and cackling
fogies, whose bald pates, toothless gums,
and rickety limbs sent a chill through my
veins, and acted as an unpleasant reminder
that I also had left the mid career of life
behind me. I met but few old friends,
and made fewer new ones. Again, The
Athen~um Club was to me a workshop
where I saw few I knew, and hardly spoke
to those few. Literary men like Bulwer
and Disraeli; statesmen like Lord Clar-
endon, Lord Granville, Lord Salisbury,.
Mr. Gladstone, Mr. Forster, and Lord
Hartington; diplomatists like Lord Ly-
ons, Lord Cowley, Lord Arnpthill, Lord
Lytton, Lord Howden, have all come with-
in the orbit of my acquaintance; but with
all the good-will on my part and all the
courtesy and amiability on theirs, the
intercourse almost invariably ended where
it began. The truth is, as he explains,
Mr. Gallenga was very busy, very shy,
and very near-sighted. Mr. Payn, indeed~
is uniformly cheery, sometimes positively
chirpy. Yet a bubbling drop of some-
thing very like acrimony occasionally wells
up to the smooth and smiling surface.
My experience, he says, of men and
women of letters, which has been contin-
uous, and extends over thirty years, is
that for kindness of heart they have no
equals. I have known but one absolutely
offensive man of letters, and even he was
said to be pleasant when sober, though
as I only met him some half-dozen times,
and his habits were peculiar, I never had
a fair chance of finding him in that condi-
tion. I am well aware, he writes in
another place, that there are a good
many people who djslike me very cordial
ly. If they do so for a good reason I
exceedingly regret it. But there are some
folks whose animosity is the highest of
compliments. There is in my opinion no
more fatal weakness in human nature than
the desire to be thought well of by every-
body  a doctrine to which perhaps no
one can take exception. Neither Mr.
Payn nor Mr. Gallenga is as uniformly
charitable and kindly, as absolutely free
from all after thought of rancor, all hint-
ing of faults and hesitating of dislikes, as
Mr. Yates, who, indeed, shows himself in</PB>
<PB REF="IMG00079" SEQ="0079" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="69">	MEN OF LETTERS ON THEMSELVES.	69
these volumes to be the incarnation of
buoyancy, good nature, and good fellow-
ship. Mr. Payn and Mr. Yates seem both
of them to be brimming over with an exu-
berance of joyousness which may well ex-
cite the admiration of those whose moral
mercury seldom rises above a figure con-
temptibly low. It is not so long since, if
I remember correctly, that Mr. Payn pub-
lished a volume of stories called High
Spirits. Mr. Payns title has been from
his earliest youth Mr. Yatess property,
and as Mr. Payn, although he was not
addicted to any form of physical exercise,
had as a boy a fatal propensity towards
practical jokes, so Mr. Yatess inborn
vivacity was so indotnitable that his de-
partmental chief in the post-office bade
him, as a preliminary discipline to the
days routine, walk from St. Johns Wood
to St. Martins-Ic-Grand instead of being
driven on the omnibus. For genuine
amiability, as has been said, the palm
must be given to Mr. Yates. His vol-
umes are not only in their way a master-
piece, excellently written, whether as re-
gards taste or literary style, with their
component parts admirably arranged~ the
product at once of an exceedingly clever
man, wielding a practised and artistic pen;
they are also the product of a kindly,
courteous, and considerate nature, strong
and impetuous, but sympathetic even to
tenderness. Unless Mr. Yates was en-
dowed in an unusually liberal measure
with these qualities, it is certain that he
would not have refrained from some ani-
madversions which might have been par-
donably severe on Thackeray. Mention
is made of Thackeray by Mr. Payn and
Mr. Gallenga as well. Mr. Payn tells
what some persons may suppose to be a
characteristic anecdote of the great nov-
elist. Even BI will call him B,for
indeed he was busy enough, though he
made no honey  speaking to Thackeray
of Leitch Ritchie, admitted that he was
a very gentlemanly man. But how does
B know? said Thackeray. Mr. Gallen-
ga, as an instance of Thackerays playful-
ness, cites the following: 
One day, at a large mens party, when we
were sixteen present, as I was seated nearly at
the lower end of the table and I was talking
to my neighbor on the right, our host, from
the opposite end, where the conversation was
flagging, suddenly and apropos to nothing,
called out loudly to me across the table, and
asked: Pray, Mr. Gallenga (he never
omitted the mister), pray, who is your den-
tist? There was instant silence, and most
of the guests looked up at me. But I was
ready with my answer and spoke out instantly.
John Heath, No. i i. Albemarle Street, the
best in London. Upon which the guests
looked at each other for a few moments won-
dering, and soon the confused buzz of voices
went on as before. What whim was it that
prompted Michael Angelo Titmarsh with that
apparently idle question? Did it arise from
an ill-natured desire to call attention to tbe
havoc that time might have made with my
jaws and at the truly marvellous skill with
which art now repairs the grievous losses of
nature? Did he expect me to blush or faint
like any middle-aged madam, the mystery of
whose golden chignon or rosy cheek is by some
untoward accident brought into light in the
presence of her most devoted admirers? Or
was that merely his pleasantry, his wish to
give a fillip to a languid conversation by sup-
plying a new subject which might raise a laugh
no matter at whose expense? If the latter
was his purpose, it flew wide of the mark, for
though some of our friends may have been
struck by the strangeness of his sudden sally,
no one seemed to perceive its drift. No one
noticed its fun or humor. The joke, if
joke it was, fell flat.
	As there were reasons which might
have excused Mr. Yates if he had adopted
a very different tone in regard to Thack-
cray, so there is much in the unavoidable
circumstances of a literary career which
might have prompted him, as well as Mr.
Payn and Mr. Gallenga, to reflections far
more acrimonious than are to be found in
any of the volumes I am now considering.
The life of a writer was defined by Pope
as  a warfare upon earth. Few warriors
could have illustrated the principles of
amnesty with more generosity than Mr.
Yates. Speaking of literature, Mr. Payn
says there is no calling so bright and
pleasant, so full of genial friendship, so
radiant with the glories of success; but
there is also no pursuit so doubtful, so full
of risks, so subject to despondency and
disappointments, so open to despair. Oh,
my young friend, with a turn for literature,
think twice and thrice before committing</PB>
<PB REF="IMG00080" SEQ="0080" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="70">70	MEN OF LETTERS ON THEMSELVES.
yourself to it, or you may bitterly regret
to find yourself where that turn may take
you. Yet though these are Mr. Payns
sentiments, everything is rose-colored in
his autobiography, and as it is with Mr.
Payn so is it in a greater degree with Mr.
Yates. Now it is no sufficient explana-
tion of this circumstance in the case of a
man like Mr. Yates to say that he has
been brilliantly successful. Success in
most men is no remedy for resentment,
and does not remove the causes of embit-
terment. If there ever existed a calling
which could justify embitterment and re-
sentment, it is that of the professional
writer. Thackeray in one of the most
acid chapters in his Book of Snobs,
after having shown that literature was full
of them, exclaimed in bitter irony, There
are no snobs in literature. Mr. Yates
has had a good deal more to do with jour-
nalism than Mr. Payn: he has therefore
been brought more into contact with all
kinds and conditions of gentlemen who
write. He has had as many opportunities
as an Old Bailey barrister, or Mr. George
Lewis himself, of seeing the seamy side
of human nature. It is not too much to
say that the social commerce and the l)rO-
fessional intercourse inseparable from a
literary life is to moderately sensitive na-
tures a protracted torture. The compe-
tition which must be encountered and
defeated before the position is ~von, is
incessant, bitter, and frequently humiliat-
ing. When a sort of tableland of success
and influence has been reached, and the
competitor has at his disposal some degree
of literary patronage, he is upon the thres-
hold of fresh troubles. The responsible
conductor of any literary enterprise has
to deal with every sort of knavery and
incapacfty  as to which let the intelligent
reader consult Mr. Payns remarks in the
last hundred pages of his volume. He is
perpetually assailed by the importunity of
incompetence and the impudence of inapti-
tude. He ~vill find himself beset alter-
nately by the entreaties and impertinences
of the opiniated dullard whose conceit is
a bar to his improvement, and who in his
relations with the men whose kindly
offices he solicits begins with flattery,
then breaks into a snarl, and ends by
suing with a whine. The monitions of
experience are thrown away upon these
persons. They are the parasites of our
literary system, and it is infinitely to the
credit of Mr. Yatess native kindliness
that he should have been able to practise
a self-control beyond that of Mr. Payn,
and not have had an unkind word to say
upon the subject. There is, I firmly be-
lieve, no instance on record of a man of
letters who, having trodden so persistently
the uphill path of an opposed career as
Mr. Yates, and having gone through such
a series of exertions and encounters, ever
took so urbane and kind a retrospect of
the past.
In his chapter entitled The Influence
of Pendennis, Mr. Yates gives us what
is, from an autobiographical point of view,
one of the most interesting portions of his
work 
To get admitted into the ranks of literary
men, among whom I might possibly, by in-
dustry and perseverance, rise to some position,
began to be my constant thought; and I was
encouraged in the hope that I might succeed,
perhaps more than anything else, by reading
the career of Pendennis, which, in its well-
remembered yellow cover, had then been ap-
pearing month by month for the last two years,
and in its complete form was just obtainable
at the libraries. There is no prose story in
our English language, not even the Christ-
mas Carol, not even The Newcomes, not
even the Scenes of Clerical Life or Silas
Marner  and now I have named what are
to me the most preciouswhich interests and
affects me like Pendennis. It had this
effect from the very first. I knew most of it
so thoroughly. The scenes in the provincial
theatre  the Fotheringay, her fat her, the
prompter, the company  were such perfect
creations (to this day I have never seen any
hint as to where Thackeray got his study of
these people, who were quite out of his usual
lne); the position of Pendennis and his
mother was so analogous to that of me and
mine  her devotion, his extravagance; the
fact that I was personally acquainted with
Andrew Arcedeckne, the original of Foker, in
whom he was reproduced in the most ludi-
crously lifelike manner: all this awakened in
me a special interest in the book; and when,
in the course of Pens fortunes, he enters upon
the literary career, writes his verses for the
Spring Annual, dines with Bungay, visits
Shandon, is engaged on the Pall Mall Gazette,
and chums with Warrington, who makes that
ever-to-be-quoted speech about the power of
the press: Look at that, Pen! There she is,
the great engine; she never sleeps, etc., 
when I came to this portion of the book my
fate was sealed. To be a member of that won-
derful Corporation of the Goosequill, to be
recognized as such, to be one of those jolly
fellows who earned money and fame, as I
thought, so easily and so pleasantly, was the
one desire of my life; and, if zeal and applica-
tion could do it, I determined that my desire
should be gratified.

	One can understand that men should,
even from the sober eminence of middle
age, look back to the novels of Marryat</PB>
<PB REF="IMG00081" SEQ="0081" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="71">MEN OF LETTERS ON THEMSELVES.
or Lever as the sources from which they
first derived their passion for a naval or
military career. But this is very different
from a man of Mr. Yatess maturity and
experience deliberately asserting that
Pendennis impelled him into literature.
It may be so, and there seems throughout
Mr. Yatess nature a strong vein of senti-
ment which would partially account for
the fact. But the prosaic critic may be
pardoned for suspecting that he has un-
consciously exaggerated the influence of
the book. Mr. Yates had from the very
first, partly, it may be, as a result of his
thorough training in French and German,
partly as a gift of nature, a real capacity
for literature. He has always possessed
a faculty of neat and concise expression,
flavored by wit, fun, and irony, that is ex-
ceedingly rare amongst English writers,
and that renders him, in certain kinds of
composition, unsurpassed by any and un-
approached by most of his contempora-
ries. Ability of this sort would. have
found its right field of display, and if Mr.
Yates will forgive the young gentleman,
then fresh from Oxford, who called upon
him in i866, at the Post Office, with a let.
ter of introduction from Tom Hood, and
of whose articles in Temple Bar he was
good enough to approve, for saying it,
neither Pendennis nor its author had
perhaps as much to do as he supposes
with the initial step he took on the road
to literary fame. At the same time Mr.
Yates ought to know  and the fact that
he is now deliberately of opinion that such
is the case, even if he misconceives the
circumstances, furnishes a suggestive
clue to, and is a significant commentary
on, the appreciative, impulsive, and sym-
pathetic aspects of his character. It is
curious that if Pendennis first made
Mr. Yates a ~vriter, the autbor of Pen-
dennis should have been directly instru-
mental in investing the year r8~8 with
the vast importance with which, in his
seventh chapter, Mr. Yates says it was
fraught to him. The reference is to the
events that led to Mr. Yatess withdrawal
from the Garrick Club. Both for its in-
terest and its taste the Garrick chapter
is excellent. The most striking portion
of the club in those days was the smoking-
room on the ground floor, built out over
the leads  a good-sized apartment,
comfortably furnished, well-ventilated, and
adorned by large pictures specially painted
for it by Stanfield, David Roberts, and
Louis Haghe. Among the habi/zids of
the establishment ~vere Charles Kemble,
Assassin Smith, Clarkson Stanfield,
7
Sir William de Bathe, Samuel Lover,
Robert Bell, Charles Reade, Peter Cun-
ningham, Frank Fladgate, better known
as Papa, and J. D., most mellow of
elderly topers, with all the characteristics
of Bardolph of Brasenose  a veteran
who drank and swore in the aood old-fash.
ioned way, and who came to a sad end,
poor fellow, dying alone in his Temple
chambers, on a Christmas eve, of loss of
blood from an accident, while the men in
the rooms below heard him staggering
about and groaning, but took no notice, as
they fancied their neighbor was only in
his usual condition. Thackeray was the
presidinggenius of the place. As Mr.
Gallenga has said in his concluding chap-
ter, Thackeray was a member but not
much of a frequenter of the Athenaeum
Club, his preference being all for the Gar-
rick, a club better suited to the free and
easy, somewhat Bohemian, tastes and
habits of his early days. When Mr.
Yates was first admitted to the Garrick he
was not eighteen years of age. XVhen he
left it he was twenty-seven, and Thack-
eray, who was the cause of his leaving it,
was forty-seven. The little article con-
tributed by Mr. Yates to a paper long
since dead, at which Thackeray took grave
umbrage, scarcely deserves the censures
passed upon it by its author. It is simply
a piece of smart, hurried, impertinent, and
curiously young writing. Now, as Thack-
eray was then twenty years Mr. Yatess
senior, what one might have expected.
from him was, if he had been incurably
wounded, silent contempt; or if he had
been merely annoyed, a sharpish caution
to Mr. Yates. The article in question did:
not violate the sanctity of club life. It
disclosed no private or semi-private con-
versations; it said absolutely nothing more.
about Thackeray than was at the time on.
the lips of every one, and ~vas, therefore,.
public property. Thackeray, however,
very absurdly, as all cool-headed persons
will think, addressed to Mr. Yates a for-
mal letter, which, as its recipient says,.
was severe to the point of cruelty  being,.
indeed, an inexplicably bitter outburst of
personal feeling, and a censure, in com-
parison with the offence committed, ludi-
crously exaggerated. What, however,.
under the circumstances, Mr. Yates ought
to have done is perfectly clear. Young.
men of twenty-seven cannot allow them-.
selves the luxury of engaging their supe-
riors and elders in single combat. Their
business is to be conciliatory and to wait.
Mr. Yates should clearly have written to
Thackeray an apologetic disclaimer, as-~</PB>
<PB REF="IMG00082" SEQ="0082" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="72">72	MEN OF LETTERS ON THEMSELVES.
suring the great novelist that he had mis-
understood the motives with, and the
conditions under, which the offending arti-
cle was penned; that on reading it the
author recognized its impropriety, and
that doing this he could only cry Pec-
cavi ! express his extreme regret, and
throw himself on his elders consideration.
One of two things must then have hap-
pened: either Thackeray would have ac-
cepted the apology and condoned the
offence, or, by refusing to do so, he would
have made a graceless exhibition of churl-
ishness, and public opinion, even the opin-
ion of the Garrick Club, would have been
with Mr. Yates. The letter which Mr.
Yates prepared in draft, so far from being
an apology, was a challenge, a justification
of all he had originally said, and a jus-
tification by reference to instances which
would have been most exasperating to
Thackeray. I took the liberty, to quote
his own words, of reminding Thackeray
of some past errors of his own, not the
result of the hasty occupation of an hour,
but deliberately extending over a long
space of time, and marked by the most
wanton, reckless, and aggravating person-
alitv.

	I reminded him how, in his Yellowplush
Correspondence, he had described Dr. Lard-
ner and Sir E. L. Buiwer: One was pail, and
wor spektickles, a wig, and a white neckcloth;
the other was slim, with a hook nose, a pail
fase, a small waist, a pare of falling shoulders,
a tight coat, and a catarack of black satting
tumbling out of his busm, and falling into a
gilt velvit weskit. How he had held them up
to ridicule by calling them Docthor Athana-
sius Lardner and Mistaw Edwad Lytton
Buiwig, by reproducing the brogue of the one
and the drawl of the other, and by exhibiting
them as contemptible in every way.
	In regard to the Garrick Club, I called Mr.
Thackerays attention to the fact that he had
not merely, in his Book of Snobs, and under
the pseudonym of Captain Shindy, given an
exact sketch of a former member, Mr. Stephen
Price, reproducing Mr. Prices frequent and
well-known phrases; he had not merely, in the
same book, drawn on a wood-block a close
resemblance of Wyndham Smith, a fellow-
member, which was printed among the Sport-
ing Snobs, Mr. W. Smith being a sporting
man; he had not merely, in Pendennis, made
a sketch of a former member, Captain Granby
Calcraft, under the name of Captain Granby
Tiptoff, but in the same book, under the name
of Foker, he had most offensively, though
amusingly, reproduced every characteristic, in
language, manner, and gesture, of our fellow~
member, Mr. Andrew Arcedeckne, and had
gone so far as to give an exact woodcut por-
trait of him, to Mr Arcedecknes intense an-
noyance.
	Although this letter was not sent, the
spirit of Mr. Yatess actual rejoinder, ap-
proved though it was by Dickens, was
scarcely more conciliatory. There is no
need to pursue the details of the incident.
The alternative was at last presented to
Mr. Yates of apologizing to Thackeray or
of quitting the club. Here Mr. Yates
made a second mistake. He declined to
apologize, and preferred the doom of exile.
That he ~vas to a great extent in the right
ought really not to have weighed with him.
Matters of this sort are practically de-
cided not on their merits but by the preju-
dices and the partialities of a majority.
Mr. Yates has given the facts; only a few
remarks are necessary to place them in
their proper perspective. The inference
is irresistible that Thackerays feelings
were worked upon from outside, and that
influences hostile to Mr. Yates were from
the first brought to bear upon him. Dash-
ing and successful young men of strongly
defined personality, and superabun-
dance of animal spirits, are never likely
to be popular among their elders. It also
seems reasonable to suppose there may
have been a clique antagonistic to Mr.
Yates in the Garrick Club, of which Mr.
Yatess friend, now deceased, who men-
tioned to Thackeray the authorship of the
article which produced the mischief, was
possibly the leader. Again, Mr. Yatess
champion and adviser in the whole matter
was Thackerays rival, whom Thackeray
himself, however fervently he could, as
Mr. Payn shows was the case, admire his
genius, personally disliked. in this matter
there can be no doubt that Dickens showed
himself as bad an adviser as Delane, prac-
tised man of the world though he was,
did upon another occasion when Dickens
invoked his services as a counsellor.
	It would be exceedingly presumptuous
on the part of one who never had the
honor of being in Thackerays company
 except, indeed, once, some thirty years
ago, when the great man, coming down
to West Somerset to inspect a small
country house which he then thought of
buying or renting, noticed him as a child
	to attempt any estimate of Thackerays
character. Anthony Trollope, who on
the strength of a seven years, though ex-
ceedingly slight, acquaintance with the
author of Vanity Fair, dared to pen a
monograph on him, was called to account
with contemptuous severity by the surviv-
ing relatives of the object of his admira-
tion. Some of the stories told by Mr.
Yates of Thackeray are as good as any-
thing of the kind which can be expected.</PB>
<PB REF="IMG00083" SEQ="0083" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="73">	MEN OF LETTERS ON THEMSELVES.	73
There are also, as we have seen, some
reminiscences of him in Mr. Gallengas
work, and a few pages are devoted to him
by Mr. Payn. But they really tell us
nothing. Death, the great leveller, is also
the great distorter, and it is the most diffi-
cult thing in the world to arrive at any-
thing like a complete idea of the identity
of so many-sided ~ man as Thackeray.
Lord Beaconsfield, in his last novel, En-
dymion, drew him, as to Disraeli the
younger he seemed to be, at full length in
St. Barbe. But then Lord Beaconsfield
may have travestied his original, just as
we are assured he caricatured and calum-
niated John Wilson Croker. Upon those
who were personally acquainted with a
great man gone, death produces an effect
upon the moral features of their illustri-
ous friend analogous to that which it is
said to produce upon the human physiog-
nomy. Countenances which, while the
breath remained in the body, were un-
lovely, harsh, angular, or coarse, are tra-
ditionally supposed to be invested with
a spiritual beauty and ennoblement di-
rectly the muscles, sinew, and marrow are
reduced to an inanimate clay. It is the
fashion nowadays for the moral being of
a man to undergo a similar transforma-
tion. Again, what is called character is
habitually invested with an unreal unity.
Popes celebrated couplet,

Nothing so true as what you once let fall,
Most women have no character at all,
is applicable to the majority of the
stronger as ~vell as to the weaker sex.
Consistency is the last thing one should
look for, except amongst the most elevated
of their kind, and not always with them.
It is just possible that the infinite variety
of the man, and the inconsistency and
contradictions which it involved, may be
the chief reasons that render it so hard
for those who never knew him personally
to form a notion of what manner of man
Thackeray was. What are called esti-
mates of character are in nine hundred
and ninety-nine cases out of a thousand
the records of personal, of interested, and
of, therefore, more or less untrustworthy
impressions. They are true as far as they
go and no further. If of two mendicants,
who meet a pedestrian, one at the top and
the other at the bottom of the street, the
former receives sixpence and the latter
nothing, the estimates which they each
form of the same individual will be dia-
metrically opposite. The beggar who has
pocketed the dole will heap blessings upon
him; the beggar who has failed to secure
a copper will pursue him with execrations.
Of Thackeray no biography worthy of the
name has yet been published, and even
when it is published it will fail to supply
us in all probability with any formula of
manageable dimensions in which we can
appraise the man.

	Everything about him [says Mr. Gallengal
his humor, his countenance, his voice, was
changeable. In the depth of his heart I am
inclined to believe he was all kindness, but all
sourness and uncharitableness on the surface.
Like Carlyle, he spoke precisely as he wrote.
His cynicism, his misanthrophy and pessimism,
his hatred of mobbism and fiunkeyism, were
with him inexhaustible themes. But it was in
a great measure mere bounce  rodomontade
and fanfaronade  and it grew louder and more
blatant in proportion as his domestic fortunes
improved, and his real good nature ripened
and mellowed.

	Mr. Yatess volumes, apart from their
purely personal interest, have  and the
remark holds, to some extent, good of
Mr. Gallengas and Mr. Payns  a genu-
ine historical value. Mr. Gallengas book,
indeed, contains a succinct, lucid, and
admirably written account of the patriotic
movement in Italy which came to a tri-
umphant close when, on that memorable
20th of September, 1870, the troops of
General Cadorna passed into the Eter-
nal City. Mr. Gallenga occupies a promi-
nent place in that brilliant galaxy of
special and war correspondents, the other
bright particular stars of ~vhich are W. H.
Russell, Sala, Forbes, and Cameron of
the Standard. He has also, as a political
writer, especially on foreign affairs, left
behind him a reputation in Printing
House Square which will never be forgot-
ten.

	Personally I do not think that any work I
was allowed to do in my time was ever re-
warded by a word of praise more gratifying t~
my self-esteem than that which Delane be-
stowed upon me from the beginning to the
end of that seven years severe trial. He had
great confidence in my judgment and knowl-
edge of Continental affairs, and allowed me to
conduct the wars and revolutions of that event-
ful period at my own discretion. He heard
that the Times authority on military subjects
never stood higher. He was told by club
quidnuncs, who congratulated him on the war
articles in the great journal, that there was
only one man in England who understood such
subjects so thoroughly, and that was Sir John
Burgoyne, and he laughed in his sleeve as he
answered that they  the quidnuncs  were
perhaps not much out in their surmises. At
the same time, however, there were many
anxious moments at the various stages tif the</PB>
<PB REF="IMG00084" SEQ="0084" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="74">74	MEN OF LETTERS ON THEMSELVES.

Franco-German war, especially during the three gent notion of a political situation in a
great days before Metz, towards the close of the remote capital.
siege of Paris, or the campaign of Aurelles de Mr. Gallenga makes some suggestive
Paladine and Chanzy on the Loire, in which a remarks on the social revolution which
sudden turn in the fortune of arms seemed has been accomplished since the period
probable, seemed imminent, and when, never- of his first stay in England. Men, he
theless, I pinned my faith to Moltkes genius, tells us then travelled little; the women
and staked, as it were, the ?iYmes reputation
on the Germans complete final victory; and seldom left home except for their three
then my good editor came to me late in the ~veeks sea-bathing at Herne Bay or
evening pale with anxiety, begging me not to be Broadstairs. They seldom saw the inside
rash, not too confident, for he had seen this, and of a theatre, and few of them were great
he had heard that, and competent judges, whom readers, for Mudie was not yet, nor Wes-
he named, among others Colonel B, had terton nor the Grosvenor or the London
assured him that we were venturing too far, and Library, and books were hard to borrow
that events would soon contradict our state- and dear to buy. When Mr. Yates first
ments and demolish our theories, greatly to knew London, Butcher Hall Lane had not
the loss of the Times prestige. When Paris
surrendered, and Moltke and I had triumphed disappeared, Alton Ale houses abounded
over prostrate France, my dear Delane drew a to the east of Temple Bar, Almacks was
long breath and wrote to me a kind letter of in its zenith, the Adelaide Gallery had
congratulation, stating how glad he was that just been taken by Laurent, the Holborn
he had trusted me, that I had always been Restaurant was a swimming bath, Vaux-
right in my forecast, and had not, by one sin- hall, though in its decadence, dingy,
gle false step during that long warlike crisis, dear, and absurdly expensive, was popu-
misled the English reading public. I have lar, the overland route was on view in
still the letter before me, and I value it far Waterloo Place, the park was full of pro-
more highly than any Red or Black Eagle that
Bismarck could have bestowed upon me.	digious dandies, cheap chop-houses and
foreign eating-houses were in vogue,
Paddy Green was in his patriarchal bloom.
There was none of the display, luxury,
and glitter of these latter times, but there
was much comfort, much geniality, and
an amount of sociability, and a facility for
cheap amusements now unknown. Bo-
hemia then occupied a recognized and
considerable place in the map of London.
Mr. Sala was brought from Rools oyster-
shop to be presented to the Duke of
Sutherland, then Marquess of Stafford,
who was loud in praise of Colonel
Quaggs Conversion, at the Fielding
Club. Robert Brough was denouncing
the sham culture of pseudo-classicists in
his lyrics, and published in his Songs
of the Governing Classes a passionate
attack upon social distinctions with the
refrain, .
When, therefore, Mr. Gallenga says, I
might also feel tempted to flatter myself
that my career as a journalist was not an
absolute failure, he speaks with unneces-
sary diffidence and modesty. In talking
of the cut and dry manner which has
become almost the technical and conven-
tional style of the press, especially since
the invention of electric wires has sunk
the correspondents business to the level
of that of the mere telegraph clerk, he
will be held by competent judges to be in
error. The influence of telegraphy upon
the style of the special and war corre-
spondent has certainly not been hostile,
still less fatal, to vigor and picturesque-
ness; witness the marvellous despatches
of Mr. Cameron and Mr. Forbes. On
the other hand, it has probably robbed the
resident correspondent in foreign capitals,
and therefore the press generally, of some
of its own authority. Instead of the well-
weighed and instructive letters on foreign
affairs, which used to be highly profitable
reading, and which have now almost en-
tirely disappeared from journalism,  the
Times, the Morning Post, the St. 7a;ness
Gazette, and the Globe alone being per-
mitted by inexorable exigencies of space
occasionally to publish them,  we have
to be content with telegraphic despatches
which are admirable as viewy condensa-
tions of the latest news, but which have
little permanent value, and which scarcely
help the average reader to form an intelli
Tis a curse to the land, deny it who can,
That self-same boast, Im a gentleman.

Mr. Edmund Byng, Mr. Yatess godfather,
entertained the most select of guests with
the plainest and best of dinners, and
young men, who to-day sit down to soup,
fish, entrees  then called made dishes
 a roast, a bird, a sweet, a savory, and
a bottle of claret, would then have been
content with a slice off the joint, a bit of
cheese, and a pint of beer. Even Mr.
Yates, when he first married, as he could
not afford to give his friends good wine,
and would not give them bad, regaled
them on bitter ale. Lucky friends! though</PB>
<PB REF="IMG00085" SEQ="0085" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="75">	BORROUGHDALE OF BORROUGHDALE.	75
one may hope that if, even in this degen-
erate epoch, Mr. Yates were starting
afresh he would be not so far borne away
by the vicious contagion of fashion as to
endeavor to sap the digestion of his com-
pany by the loaded acidity which is called
claret, and the abominable decoctions of
sugar and petroleum known as chain-
pagne. London, Lord Beaconsfield re-
marked some months before his death,
which was once a very dull place, is now
a very amusing place, and so from one
point of view it is. But the impression
left upon the reader who was not per-
sonally acquainted with the metropolis
during the first decade of the Victorian
era, as he lays down Mr. Yatess volumes,
is, that if we have gained considerably we
have also lost not a little. There is much
which is cheap and nasty now; there was
much which was cheap and pleasant then.
Timminss little dinners had not be-
come regular events, and the trail of Mrs.
Ponsonby de Tompkins was not over us
all. In yet another respect, of a far more
important character, was there a distinc-
tion between the epoch when Mr. Yates
commenced his active existence and the
present. No such central figures in lit-
erature  Dickens, Thackeray, Macaulay
as existed then exist now. The gen-
eral average of literary productiveness has
immensely increased, but the stimulating
influences of individual genius, placed
upon a high pedestal, have disappeared.
Literature, and especially periodical lit-
erature, has become more highly organ-
ized, and therefore more of a business.
The result has been favorable to the social
and moral welfare of the literary class, but
it has involved the sacrifice of not a little
freshness and of a great deal of fun.
T.	H. S ESCOTT.



From Macmillans Magazine.
	I3ORROUGHDALE OF BORROIJGHDALE.
For every man hath a talent if he do but find it
JOHN LOCKE.

CHAPTER III.

(continued.)

	KATHERINE HOLLAND felt a little be-
wilderment. it was almost as if a new
acquaintance had presented himself. The
young man who had sat so often t~te-ci-t~te
with her in her aunts drawing-room,
hardly daring to lift his eyes to her face,
seemed an utterly different personage
frqm this bold-eyed, confident-toned young
gentleman whose admiration was almost
too legibly visible for so very public an
occasion. Borroughdale, on his side, was
primed and loaded, full-cock, ready for an
avowal. It was nothing  absolutely
nothingto him who might be listen-
ing; how many people might be looking
on; like a man bent upon some forlorn
hope he had come to that point when to
go on is immeasurably easier than to turn
back. He would know his fate, he vowed
to himself, before he left the house that
evening, nay, before he left that easy-chair
upon which he was then sitting. Even
he, however, needed some starting-point,
some vantage-ground, however slight,
from which to launch his declaration. It
was not very long, however, before he
discovered one.
	What a lovely bracelet that is of
yours! he exclaimed. I never noticed
it before. That one, I mean, touching
with his finger a broad band of gold
clasped with three brilliants which Miss
Holland wore upon her left wrist.
	Yes, is it not? It belonged to my
mother, she answered, a blush, evoked
partly by his manner, partly by the recol-
lection called up by the bracelet, crossing
her cheek. It had been parted with in
the days of their poverty, and lately found
again and redeemed with some little diffi-
culty by herself.
	Borroughdale noticed the blush, and it
lent him additional ardor.
	There is one uncommonly like it at
home, he said. It belonged to my
mother, too. I wish you would have it,
Miss Holland, he added audaciously.
You might wear it upon your other
wrist.~,
	This, it will be owned, for a shy man
was pretty well! Katherine Holland,
however, was determined, if possible, to
ignore what this evening seemed the ex-
traordinary and unprecedented signifi-
cance of his manner; so, although rather
to her own annoyance she blushed again,
she answered lightly, 
Thank you very much, Lord Bor-
roughdale, but I am afraid I couldnt well
wear your bracelet, could I ?
	Why not?
	Well, for several reasons. For one,
because it wouldnt belong to me, she
answered.
	It would if I gave it to you.
	Yes, but then you couldnt well do
that, could you? If it was your mothers,
it is no doubt part of your family jewels.
I have heard that they are particularly
fine.</PB>
<PB REF="IMG00086" SEQ="0086" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="76">76	BORROUGHDALE OF BORROUGHDALE.
	But her well-intended efforts were per-
fectly useless. The young mans perti-
nacity was not so to be stayed.
	I dont care two straws about the pro.
fessors collection, or any other collection,~~
he said loudly. I want you to give me
an answer.
	An answer, Lord Borroughdale?
poor Katherine said helplessly.
	Yes, about those things  those  er
jewels we were talking of my jewels.
I want to know whether you will  er 
have them, you know; and  er  me
too? The last two words were said in
a somewhat lower tone, but when Kath-
erine, instead of answering, sat simply
staring at him in blank-eyed, open-mouthed
dismay, he added, in his previous highly
audible tones, Do say yes; then, even
more distinctly, You will, wont you?
	This was perfectly appalling! There
was a nearly absolute silence in the room.
Conversation, it is true, had broken out
here and there by fits and starts, but had
been lulled again by the overpowering
curiosity of the entire company. Far
away, at the extreme end of the inner
room, an elderly gentlemen was to be
heard laying down the law to his neighbor
about the scandalously crowded condition
of the City omnibuses. Even his voice,
however, suddenly dropped in the sort of
breathless awe which had fallen upon the
	I dont know whether they are partic- which neither the British Museum or the
ularly fine or not. There are a great lot Paris collections have a specimen? You
of them of one sort or another. Then ought not to leave the house without see-
there was a little pause, and then like a ing it. Do let me be cicerone and show
man rushing full tilt at a fence, Borrough- them to you.
dale burst out, Id like you to have them
all for the matter of that, Miss Holland.
Then, after another momentary pause:
Will you? he added.
	Poor Katherine gave a gasp. Could he
possibly have been taking more wine than
~vas prudent that evening? she not unnat.
urally asked herself. Every one had now
come up-stairs again from supper; the
rooms, neither of them very large, were
full to overflowing. Every one, moreover,
she could see, had his or her head turned
towards the sofa. Every one was more
or less on the gui vive as to the meaning
and the outcome of this most remarkable
conversation which was being carried on
thus audaciously under their very noses
 two of the Miss Macmanuses, who
happened to be nearest the sofa, having
their heads turned directly towards them
with an expression of anything but satis-
faction imprinted upon their counte-
nances. To affect to bq any longer in
doubt as to the goal towards which these
remarkably direct observations were tend-
ing would have been nothing short of sheer
affectation. IJnless some stop was then
and there put to his proceedings he would
be asking her plump to marry him before
ten minutes were out, if indeed he might
not have been said to have practically
done so already. What then, she asked
herself, was to be done? Possibly, under
other circumstances, she might not have
been more averse to such a public act of
homage than another woman. At pres-
ent, however, she was thinking much less
of herself than of him. Like all who cared
for Borroughdale even slightly, a large
share of protectiveness, of a sort of ten-
derness, mingled with her liking; and to
hinder him from making such a ridiculous
exhibition of himself before all these in-
quisitive people  to choke back, if pos-
sible, this declaration, which seemed to be
even then trembling upon his lips  be-
came an overwhelming desire, towards
which all her energies were immediately
directed.
	I dont believe you have ever seen
Professor Macmanuss famous collection,
Lord Borroughdale? she exclaimed, ig-
noring his last remark, and catching ea-
gerly at the nearest chance of effecting a
diversion. Are you aware that it is said
to be the richest of its kind in the world?
that there are numbers of species in it of
entire assemblage. That last appallingly
distinct You will, wont you? had evi-
dently made itself plainly heard from one
end of the house to the other. Had the
speaker even been an unknown nobody
the situation would not have been without
zest, but when it was considered who he
was, and what those advantages which
were being laid thus publicly at a young
ladys feet as though he had been a Cory-
don and she a Phillis in the safe seclusion
of their own native woods and meadows,
it must be owned that a certain amount
of curiosity was not human merely, but
excusable.
	Katherine Holland, at any rate, could
stand it no longer. She got up, saying
something incoherent but decisive about
her aunt, and the necessity of going down-
stairs in search of her  and so saying,
moved resolutely towards the door.
	Borroughdale, after a moments pause
of bewilderment, followed her, catching
her up as she was upon the stairs. She</PB>
<PB REF="IMG00087" SEQ="0087" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="77">	BORROUGHDALE OF BORROUGHDALE.	77
was in momentary terror lest he should
begin again upon the same subject; this,
however, happily, he abstained from doing,
and having found Mrs. Holland, and lis-
tened in stoical silence to her elaborate
explanation as to the causes that had de-
taineU her down-stairs, he volunteered to
go in search of their carriage, and having
found it, and put the two ladies into it, he
stood back so as to allow them to drive
away.
	After all this it need hardly be said that
the next afternoon he called at the house
in Bayswater. His mood, however, had
completely changed in the interval; that
overmastering determination, which had
seemed strong enough at the time to move
mountains and to carry him over a thou-
sand obstacles, had completely gone, and
he had fallen back upon all his previous
fluctuations of despondency. Oddly
enough, now that he was thus seriously
and strenuously in love, those more ob-
vious and impersonal advantages which
had previously seemed so perilously to
overweight any suit he might prefer, had
become of little or no account in his mind.
He hardly thought of them in summing
up the probabilities for or against a suc-
cessful issue in his suit. His own stupid-
ity, his awkwardness, his general incapac-
ity for social purposes, all seemed so
many rocks which rose up menacingly, at
times absolutely forbidding his hoping
that that issue would be other than dis-
astrous. It was in this desponding mood
that he rang the door-bell that afternoon
at Mrs. Hollands house, nor was his
previous gloom lightened upon being in-
formed by the prim parlor-maid with that
air of satisfaction with which such mes-
sages generally are delivered, that the
ladies were not at home.
	Borroughdale stood still, staring blankly
for a moment at the woman, as if in so
saying she had uttered something pre-
posterous, something utterly inconceiv-
able, and unheard of; then he turned and.
slowly descended the steps, and, still like
a man in a dream, got into his ph~eton,
which was waiting at the door, and me-
chanically gathered up the reins in his
hands. Just as the horses were beginning
to get into motion, however, he suddenly
checked them, flung down the reins so
hurriedly that it was as much as the
groom, who was mounting, could do to
get to their heads in time, and bounced
up the steps again.
	I say  er  look here, my good girl,
he exclaimed breathlessly, here is a
sovereign for you, and tell me the truth
honestly. Did Miss Holland say she
wasnt going ever to be at home to me in
future?
	The prim parlor-maid, utterly taken
aback by his so much uncalled-for vehe-
mence, opened her mouth and her eyes to
their widest extent, and for the moment
completely lost her starched demeanor in
the extremity of her astonishment.
	Why good laws a mussy me, my
lord, in course not! Miss Holland she
never said nothing of the sort  leastways
not to me. She and Mrs. Holland have
only gone to the Soho Bazaar, as I heard
missus say she wanted some new hearth~
brooms!
	Oh, thats all right, Borroughdale
answered, rather ashamed of his own im-
petuosity. You can keep the sovereign,
you know; and  er  look here, you can
say Ill probably be at the Institution to-
morrow evenin s, he added, as he turned
away for the second time.

	Next evening, accordingly, he duly ap-
peared in Albemarle Street, arriving late,
after the lecture had already begun, and
thereby earning for himself not a few un-
uttered maledictions from the owners of
the various skirts and feet over which he
ruthlessly trampled on his way to his seat.
A place had been reserved for him be-
tween Professor Holland and his niece
Mrs. Holland did not care for lectures 
into which he dropped, and sat staring
blankly into the arena with the expression
of a man who has just lost or is expecting
to lose every farthing which he possesses
in the world.
	The lecture was a brilliant one, de-
livered by one of the greatest of living
proficients in that line, and was received
with reiterated bursts of applause not
unmingled with laughter. As far as Bor-
roughdale, however, was concerned, it
mi~,ht just as well have been uttered in
the tongue of the Cherokees or of the
dwellers in Cochin China for any single
intelligent idea which adhered to him dur-
ing its utterance; all his thoughts, every
idea which he had in his head, being
solely and absolutely concentrated upon
one point. How was he to get an answer
to this ill-fated, this all-important question
of his? Thatitbehoved him, being aman
and having once spoken, to. get such an
answer, and, moreover, to get it quickly,
was clear to him; but how  his first
effort having so egregiously failed  he
was to do this was more than he could
see. Indeed he shrank from again, as it
were in cold blood, adventuring his fate,</PB>
<PB REF="IMG00088" SEQ="0088" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="78">78	BORROUGHDALE OF BORROUGHDALE.
reflecting, not without a certain measure
of satisfaction, that it was almost humanly
impossible that any such opportunity
could present itself that evening.
	In this, however, he was mistaken. It
was the last lecture, as it happened, of
that season, and no sooner was it over
than the professor, begging them kindly
to wait a few minutes for him, hastily de-
scended the steps in order to exchange
certain words of wisdom with other black-
capped and spectacled sages who, followed
by their feminine belongings, were now
rapidly converging into the narrow circu-
lar space in the centre. Borroughdale and
Miss Holland were thus left for the time
being absolutely ate-el -tate, seated side by
side upon one of the red-covered benches.
All around them similar red - covered
benches were fast emptying of the groups
which had lately filled them, the few re-
maining people being assiduously bent
upon discovering stray capes or shawls,
so that to all practical intents our two
young people were as much alone as
though they had been in the centre of the
great Sahara.
Something in this sudden sensation of
solitude, something in the encompassing
yet indistinguishable volume of sound gave
Borroughdale sudden courage, and with
hands shaking and knees knocking, but
with an inward dogged resolution to have
the thing out and get it over, he began
huskily, 
Miss Holland, eryou wouldnt give
me, erany answer the other evening,
will you, please, give me one now?
	He stopped, physically incapable for
the moment of uttering another syllable.
	Her embarrassment was hardly less
than his.
	I couldnt, Lord Borrougdale. In-
deed, indeed, I couldnt, she said in a
tone of distress. How could you think
of speaking to me upon such a subject
before all those people? Didnt you see
that they were listening?
	No, I didnt see it; but if they were,
what then? What did the people matter?
I shouldnt have cared for my part if all
London had been listening. Im not a
bit afraid of people; Im only afraid of
you.
	She tried to laugh.
	I didnt know that I was so very for-
midable, she said.
	You are to me. When a fellow is
awfully anxious about a thing he necessa-
rily is frightened.
	Again he waited as if to give her time
to speak.
	Her words were by no means so ready
as they ought to have been.
	Of course I neednt say how very,
very grateful I am to you, Lord Borrough-
dale, she began hesitatingly.
	Thats all stuff, he responded bluntly.
No, it is not stuff at all. I consider it
a very great honor; a far greater one than
I ever thought of receiving.
	Now, look here, Miss Holland, please
dont talk like that. You must have seen,
at least I think you must have seen, for a
good while back that I wanted to speak to
you; toersay what I said the other
night, only that I haventerI mean
I couldnterI mean He
stopped dead short and then began again.
You must have known, I say, that I
cared for you. Any one, I think, would
have known it.
	I didnt know it, I assure you.
	Well then, if you didnt you know it
now. It sounds like nothing, I dare say,
he went on, but you dont know what it
is to me. I thought all that sort of thing
~vas sheer balderdash, but if so then bal-
derdash is the only thing worth having.
I know Id give every single sixpence I
have in the world to get my own way in
this. To have
	Now that he was at last fairly launched
he might have gone on for some time
longer, but she broke in upon him in a
tone of distress.
	Lord Borroughdale, please  please
do not say anything more. I am grate-
ful, indeed more grateful than I can say,
but
	But you dont like me simply; say it
out at once and have done with it.
	I do like you very much, but it cannot
indeed  indeed it cannot be.
	Why cannot it be?
	Becausebecause of so many rea-
sons. Think how short a time you have
known me. And then again Her
voice, which had been embarrassed be-
caine suddenly firmer. Remember, what
would your own relatives say  remember
the difference of our position. People
would say that you ought to marry some
one nearer to your own rank, the last
word being uttered with a clear, almost a
contemptuous emphasis.
	Borroughdale gave utterance to a sort
of a snort of disdain and defiance.
	Rank, stuff l People, bosh! he ex-
claimed. Why, my rank, as you call it,
has been simply the bane and nothing else
of my life, and it will be ten times over
my bane if it is going to come between
you and me~ No, dont think of what</PB>
<PB REF="IMG00089" SEQ="0089" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="79">BORROUGHDALE OF BORROUGHDALE.
79
people say, or of any such rubbish and of inquiry. I promise, she then said
nonsense as that. One thing there is gravely, and that was all that passed be.
though that I do want to know, that I tween them.
must ask you, is there any one, some one
ever so much cleverer, handsomer, that	CHAPTER IV.
youve known longer than you have me, BORROUGHDALE kept his word and de-
whom you like, whom you  ercare for parted from London the very next day,
erbetter?	without even going to take leave of any
Miss Holland looked for a moment one. He did not, however, go down to
slightly puzzled, her dark eyes resting full Fellshire, having indeed already made ar-
upon his with an expression of inquiry, rangements for otherwise disposing of his
which, however, gave way a moment later summer.
to a slight blush.	In the course of the last few months he
No, Lord Borroughdale, there is no had made acquaintance with a young man
such person, she said decidedly.	rejoicing in the name of Jeptha Jenkinson,
Very well, then, thats all I ~vant to professor of comparative anatomy at that
know. If not, its all right, and theres time in the London University, and one
nothing in the world to hinder your mar- of the minor curators of the British Mu-
rying me. seum. Professor Jenkinson ~vas a very
	Forgive me, but there is. As I say remarkable man in his way, and was des-
you hardly know me. tined in many competent peoples opinion
I know you quite well enough.	to fill a very considerable sphere in the
	Well then, I do not know you enough, future. Of indomitable energy, of iron
and if you press me for an answer now I will, of almost superhuman powers of
must say no. work, he was curt, he was taciturn, he was
	All right, then, I wont press you for ungainly almost to repulsiveness, and a
an answer now, so dont say no. Look sworn foe above all to social observance
here, Ill promise, if you like, not to ask of every sort and kind. These latter and
you again for two months, or three months less agreeable traits of his it was, to the
any time you choose. Of course I full as much as the force of his character
dont imagine its particularly likely that or the brilliancy of his attainments, that
youd get to care for me all in a hurry, but had moved Lord Borroughdale to strike
I know that I care for you, and Ive never up a sort of intimacy with him. In Pro.
yet changed my mind about anything, so fessor Jenkinson he seemed to see a sort
that Im not very likely to begin about of second self; a cleverer, an abler, an
this. Unless, therefore, you go and marry altogether immensely more largely en-
some other fellow, youll see that youll dowed self, without on the other hand any
not be able to get rid of me; youll find of those, to his mind, more than dubious
me sticking to you like a burr. advantages which had shaped, and to a
She smiled a little, certain extent, as he believed, ~varped his
1 dont know that I particularly want own life and the bent of his own inclina-
to get rid of you, Lord Borroughdale; cer- tions.
tainly not that way.	Early in their acquaintance he had as-
Very well then, now you know the certained that one of the main objects
only way in which you can, so I give you which the~professor had set before him-
fair warning. Once Ive made up my self, was the working out of certain still
mind to a thing I stick to it like grim obscure problems only to be adequately
death, and I know that I shall care for you solved by means of a more thoroughly
always just as much as I do this evening, intimate acquaintance with certain equally
However, I dont want to persecute you obscure or,,anisms to be met with at
about it, and Ill go away from London considerable depths in the northern
to-morrow and not ask you again for an- seas. Borroughdale, whose enthusiasm
other three months if that will do. Only upon such matters was at that time only
you must promise upon your sacred word equalled by his ignorance, had at once
and honor to think of me sometimes in offered to fit out a yacht with all the
the mean time, and to try to get to like me. needful appliances for the prosecution of
Will you? he added, detaining her reso- such investigations, and. to place them
lutely as she was moving down the steps and it absolutely and unreservedly at the
in obedience to a signal from her uncle, professors disposal, upon the sole condi.
	Miss Holland paused, and her eyes, tion of accompanying him in the charac-
nearly on a level with his, rested full upon ter at once of host and disciple. This
his face for a moment with an expression proposal had been naturally enough im</PB>
<PB REF="IMG00090" SEQ="0090" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="80">So	BORROUGHDALE OF BORROUGHDALE.
mediately caught at, and by the time the
end of the season arrived all the needful
preparations had been made, and the
yacht, fully equipped, was lying at anchor
at Sheerness, waiting only for her owner
and his guest to come on board.
	Throughout what remained of that sum-
mer, and throughout the early part of the
autumn, the two men accordingly lived
together upon the yacht, toiling almost
day and night at their self-imposed task;
dredging often for eight and ten hours at
a time, and more often than not with what
appeared perfectly inadequate results;
blistered with the sun at one time, half
frozen with sudden snowstorms at anoth-
er, drenched to the skin with brine and
snow, and hail and rain, they still held
their way doggedly onward. And by the
time the two months they spent together
had come to an end, and the professors
aims had to a considerable degree at all
events been realized, without perhaps ex-
actly becoming closer friends, each had
learnt to feel a certain half-grudging re-
spect for those qualities in the other which
each secretly cherished and set most store
by in himself.
	Paragraphs concerning the movements
and objects of the Marquis of Borrough-
dales screw steamer, Cormorant, had,
of course, long before this found their
way into most of the society newspapers,
and even in more strictly scientific quar-
ters, not a little interest had been evinced
with regard to the proceedings of that bird
herself, if not of that birds owner. This
species of fame took Mr. Vansittart not a
little bysurprise. As long as his sonhad
simply contented himself with doing noth-
ing at all, he had always felt that there
was a chance of his being some time or
other rescued, and turned into, at all
events, a passably creditable member of
society. When, however, Bcrroughdale
took to cleaning out crabs, and interest-
ing himself about the insides of sea anem-
ohes, then indeed, as we have seen, that
unhappy father did feel that all was at an
end. A young manone born to so
great a sphere  who could thus deliber-
ately and wantonly degrade himself, take
up with such undesirable, nay, such truly
disgusting monomanias as these, was, it
was only too evident, hopelessly given
over to oddity, and could never hencefor-
ward be regarded as anything but a trial,
to be borne with all the philosophy which
as a man, a Christian, and a father, he
was able to summon to his aid.
	What then, 1 say, was his surprise when
he discovered that, far from being regard-
ed as feebly, if fortunately harmlessly,
half-witted, Borrough dale appeared to be
looked upon by a good many people as
rather a fine fellow than otherwise, and a
distinct improvement upon the average
young man of his period. The climax of
his parental astonishment came when one
day the Duke of Ossian himselfleader
at that moment of his own party in the
Upper Houseactually stopped him in
the street, when they casually met on their
way through London, for the express pur-
pose of congratulating him upon the sub-
ject, lamenting loudly at the same time
that none of his own sons or nephews
showed the smallest inclination to follow
in the same direction. 1 tell them if
they dont look out and bestir themselves
theyll be wiped clean out of the record
before they know where they are! that
advanced nobleman declared in stentorian
tones. But Borroughdale is upon the
right track. I only wish to heaven there
were a few more like him!
	All this was very astonishing indeed to
that much belauded young mans father,
but it is only fair to add that it was emi-
nently gratifying also. And when at the
end of his two months cruise Borrough-
dale himself reappeared upon the scene,
looking older, manlier, more stalwart, with
a face as red as a lobster, and a beard of
seven weeks growth upon his chin, Mr.
Vansittart experienced a glow of parental
pride and satisfaction to which his breast,
six months earlier, had certainly been an
absolute stranger.
	Upon Granville Farquart on the other
hand, the effect of this unlooked-for ova-
tion was less gratifying than perplexing,
and even it must be owned to some de-
gree mortifying. Heaven knows, he said
to himself, he didnt grudge poor Bor-
roughdale such small chips of credit as
might happen to come in his way! At
the same time there was something irri-
tating in a contingency occurring which
so clever a man as himself perhaps ought
to have anticipated, but certainly never
had dreamt of doing so. He experienced
too, a little of that aggrieveU feeling which
a gentleman who has piqued himself upon
the liking shown to him, and to him alone,
by some ungainly puppy, feels when the
puppy suddenly takes to finding out new
friends for himself, and even promises to
grow up not such a very ill-favored animal
after all.
	That by any conceivable or inconceiva-
ble possibility he could come to feel jeal-
ous of his poor, puzzle-witted friend, of all
men upon earth, was a suggestion which</PB>
<PB REF="IMG00091" SEQ="0091" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="81">	BORROUGHDALE OF BORROUGHDALE.	8i

he would honestly have laughed to scorn.
Hitherto the latters more obvious advan-
tages had rather indeed been a source of
personal self-satisfaction to him than oth-
erwise. It had seemed only to broaden
and deepen the gulf which in less purely
material matters yawned so palpably be-
tween them. That highly refined form of
self-satisfaction which arises from the con-
templation of anothers advantages, needs
however, it may be observed, for its en-
joyment -that the realm within which we
ourselves do elect to shine should be a
very broad and a very well-defined one
indeed, and it was just here that Farquart
for the first time in his life began to feel
misgivings.
	The result of his first years campaign
with destiny had not, it was useless to
deny, been quite as satisfactory as he
had anticipated. His pictures, to begin
with, had one and all been rejected by
the Academy. Well, that, he felt, was
only to be expected. To better, or at any
rate to older artists, the same thing hap-
pened every year. They had also, how-
ever, been rejected by other and distinctly
less illustrious exhibitions, and again by
others of a lower and yet lower calibre,
to which with a sort of dogged resolution
he had persisted in sending them. All
this had given a certain shock to his
aspirations in this direction, and in re-
venge upon both himself and the world of
art he had taken to pen and ink, and had
produced essays which certainly could not
be said to err upon the side of a too
great leniency to the faults and foibles of
an ill-judging and pitiably misdirected
world. Here also, however, his success
unaccountably hung fire. That he was
amazingly clever, every oneincluding
even those proverbially detracting indi-
viduals, editors  admitted, but somehow
the recognition of the fact did not seem to
awaken any particular enthusiasm. Either
his ideas were too far in advance of those
of the rest of the world, orwhat was
still more likely  his genius was of too
pronounced and too original a type, and
needed time, therefore, before it could
make itself adequately appreciated. At
present he had embarked upon a new and
a more ambitious literary enterprise,
which he had every intention of producing
as his mzguum opus. From time to time,
he was visited, however, by shrewd mis-
givings as to whether this also would
achieve quite the amount of success to
which its intrinsic merits entiUed it.
How could he, how could any man, he
asked himself, judge of what would or
	LiVING AGE.	VOL. XLIX.	2502
would not go down in a world where a
fellow like Borroughdale  a good, well-
meaning creature unquestionably, but as
every one knew an absolute dunderhead
 was lauded to the very skies for such
a very ordinary achievement, and all for
no better reason but because he happened,
forsooth, to be a marquis and a million-
aire?
	Meanwhile the particular dunderhead
in question was far from enjoying that
condition of absolute beatitude which
those who have never been either ffiar-
quises or millionaires might take to be his.
allotted share. The Hollands were back~
now, and he himselfneglectful of many
and imperative calls elsewhere  lingered~
on in London, seeing them from time to
time, but not again approaching that sub-
jectat which he had once rushed with so
indiscriminating a zeal~ He had grown a.
good deal older in more ways than one-
during that summer, and with his growth
had come a certain measure of discretion.
If possible, he was more in earnest now,
more anxious to bring the matter to a
successful issue now than he had been
then, but his anxiety was tempered with a
perfectly novel admixture of discrimina-
tion. He wished to feel his way; and if
possible in some degree test his ground,
before again risking everything upon a
single throw. How this testing of the
ground was to be accomplished, however,
was what for some time he taxed his in-
genuity vainly to discover.
	Suddenly what he could not help re-
garding as a piece of providential good
f.c,rtune came to help him. Sitting late
one cold autumnal night over his studies,
heedless of the fact that the fire had gone
out, Professor Holland caught a severe
chill, and awoke in consequence next
morning with lungs considerably inflamed,
and when the doctor, who for days he ob-
stinately refused to see, at length arrived,
he took the matter seriously, impressing
both upon the patient himself and his
relations the danger of allowing the mis-
chief to go further, and the strong advis-
ability of the winter being, if possible,
spent in a warmer climate. The diflicul-
ties in the way of carrying out this pro-
gramme were, however, great, and ap-
peared at first sight to be insurmountable.
The emoluments of science are unfortu-
nately small; the professors own private
income was an inconsiderable one, indeed
the whole household had of late been sub-
sisting mainly upon Katherine Hollands
contributions to the housekeeping, and to
make such further inroads upon her store</PB>
<PB REF="IMG00092" SEQ="0092" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="82">82	BORROUGHDALE OF BORROUGHDALE.
as so lengthened a sojourn abroad would
entail was more than either her uncle or
aunt would agree to do. Then it was that
Borroughdale came to the rescue. Was
there not his yacht doing absolutely
nothing? he said. It would be a kind-
ness, nothing short of an act of positive
charity to make some use of her. If, too,
the professor, accompanied by his wife
and niece  the latter merely in a paren-
thesis  would consent to spend a winter
in the Mediterranean, the time need not
necessarily be lost. On the contrary the
Cormorant was, as every one knew,
well equipped with all things necessary
for zoological investigations, so that from
a scientific point of view three or four
months so employed might even be
counted an absolute gain.
	This suggestion the professor was a
man of far too self-respecting a turn of
mind to clutch at with any indecorous
haste. At the same time the offer was
too good, and the last.named inducement
too overwhelmingly tempting, to be abso-
lutely declined. After a certain amount,
therefore, of dignified pro-ing and con-ing
it was at length accepted, and Borrough-
dale posted off in high delight to get
everything in readiness for the anticipated
cruise.
	A few days before their start actually
took place he went one afternoon to see
Farquart, who had not long returned to
London, and whom he had only, as it
happened, met once since his own return
from his northern trip. This time he
~vent with a distinct purpose in his mind.
He meant to unbosom himself, and to
appeal to their ancient friendship for sym-
pathy in his new hopes There had of
late been an indescribable chill, a certain
sense of strain in their mutual relations,
of which Borroughdale himself had been
dimly conscious, and it had kept him from
speaking to Farquart upon the matter that
lay nearest to his heart. To-day, however,
he had come resolved to let nothing hinder
his doing so, and when Lord Borrough-
dales mind was once made up it was
neither a slight obstacle nor yet a small
amount of discouragement, as we know,
which could succeed in turning him from
his purpose.
	Well, we start upon Tuesday, he
said, after their first greetings, sitting
down as he spoke in the nearest chair,
which happened to be almost exactly op-
posite the large square window, through
which all that remained of the autumnal
daylight was at that moment streaming in
a dull grey flood.
	Oh, you do, do you? Farquart re-
plied, moving away towards the fireplace,
and speaking with rather a studied amount
of nonchalance. And how long do you
expect to be away? he added.
	Three months certainly; perhaps four.
It will depend a good deal, I suppose, upon
how the professor goes ~
	Then there was a silence; and then
with his usual headlong rush into the very
heart of his subject, Borroughdale sud-
denly burst out, 
I say, Farquart, you know  er 
what my  my  er  hopes are about it,
dont you? he exclaimed, and then as
suddenly stopped.
	Your hopes about it? Your hopes
about what? About your zoology, do you
mean?
	Zoology? No. Hang zoology! I
mean, of course, about Katherine Hol-
land.
	Farquart, who was still occupying him-
self with the fire, turned slowly round
so as to look more directly at the speaker,
whose face, always ruddy, had within the
last two minutes become of a finely
diffused carmine. Even before Borrough-
dale had begun to speak he had known
perfectly well what he was going to say.
He had seen it coming on for a long time
back, he told himself, and had therefore,
of course, been perfectly prepared for it.
What he had not been prepared for, how-
ever, seemingly, was to be or even to
appear to be cordial in the matter  some
indefinable, some unconquerable reluc-
tance appearing to hold him back.
	What about Katherine Holland? he
said in a tone from which all expression
was elaborately banished.
	IIermean to marry herat
least, I  er  I hope to do so. I have
cared for her for months, Borroughdale
exclaimed stutteringly, getting suddenly
up from his chair and beginning to move
aimlessly up and down the room in his ex-
citement.
	Notwithstandino my telling you that
her father was only a surveyor? Even
as he uttered the words Farquart knew
that they were unworthy both of him and
of the subject, but for~the life of him he
could not keep back the gibe which rose
to his lips.
	Borroughdale instantly stopped short
and turned round frowning ferociously.
What, I should like to know, has that to
say to it? he said haughtily. Then as
Farquart did not reply  I asked, I en-
treated her to marry me last summer, he
added, still in a tone of lofty displeasure.</PB>
<PB REF="IMG00093" SEQ="0093" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="83">	BORROUGUDALE OF BORROUGHDALE.	83
	You did. And what did she say?
	She said that she could not then; that
she didnt know me well enough; that if
I pressed her then she must refuse; so,
of course, I said I wouldnt press her, that
she might take three months, four months,
any time she liked to think about it, and
that I would then ask her again.
	Upon my word that was remarkably
considerate of you.
	Borroughdales frown deepened.
	What the devil do you m~an by that?
he said fiercely. Considerate! There
was nothing in the least considerate about
it!
	It is not at all events the fashion in
which a Marquis of Borroughdale is sup-
posed to woo.
	If ever the unpretending owner of that
highly sonorous title looked like a Mar-
quis of Borroughdale it was perhaps at
that moment. He got up from the chair
into which he had again thrown himself,
took his stick from the corner of the fire-
place, and turned towards the door. Near
it, however, he paused, thrust his hand
into his pocket to feel for his gloves, took
one out and began deliberately to put it
on.	All at once, he desisted from that
operation; wheeled rapidly again, and
dropping or rather ~ino1no away the stick
from him with a portentous clatter, he
came back in two strides across the room,
his hand stuck out before him like a
pump-handle.
	I say, Farquart, old man, what the
deuce is the meaning of all this? What
 er  ails you to-day? What makes you
so desperately cynical and bitter? I
thought youd be glad; that youd sympa-
thize with me about it. I thought  er 
at least I hoped you would like I should
marry your cousin. You told me, you
know, first thing of all that you hadnt any
idea in that direction yourself; if you had
I should have kept out of the way. Not,
	mean to say, that I should have had
any chance where you were in question.
Still He stopped a moment, and
then went on. Now, however, I cant
pretend to give her up to you, or any man,
for, upon my soul, I love her, I  er 
cant possibly explain to you how much I
love her. I cant even begin to imagine
what it would be to me to lose her to
lose the hope, I mean, of winning her. I
should become  I  er  literally dont
know what I should become, I believe I
should take to drinkino? He paused
again, and then, as if a new idea had sud-
denly struck him, For Gods sake dont
tell me, Farquart, that you are in love with
her yourself all this time, he exclaimed
hoarsely.
	Im not the very least in the world in
love with her, Farquart replied in a tone
of considerable impatience.
	Borroughdale breathed a prodigious
sigh of relief.
	Then why cant you be more cordial
about it? he persisted, almost patheti.
cally. Tisnt like you, Farquart. You
and she are the only two friends Ive ever
made in the whole course of my life, and
I cant afford to lose either of you. Come,
speak up, man, he added, in a tone of
urgent entreaty. What ails you to-
day?
	Farquart, to tell the truth, did not him-
self very clearly know what did ail him.
He felt that he was behaving quite unlike
himself  quite unlike any fashion in
which he would have proposed to behave
under the circumstances. There was
something ridiculous  something per.
haps even a little puerilein this inabil-
ity to summon the desired cordiality to
his lips. What he had just said had been
perfectly true. He was not the very least
in the world in love with Katherine Hol-
land. He did not want to marry her, did
not want, in fact, to marry any one; to do
so would have been to put out the whole
plan and purpose of his life. Yet none
the less he experienced sharp twinges
of annoyance, almost amounting to morti-
fication, at the idea of these two being
happy, and happy independently, as it
were, of him. He liked themhe liked
them both but he liked them as they
were. From different reasons both seemed
to him in a peculiar sense his own prop-
erty, and he had something of the ag-
grieved feeling of a proprietor whose
chattels are being disposed of without his
sanction. He made an effort, however, to
overcome these slightly unwarrantable
sensations.
	Of course, my dear Borroughdale, any-
thing that is for your happiness gives me
pleasure, that I neednt tell you, he said,
with graceful, if somewhat tardy, cordial-
ity. I wish you all the success you can
possibly desire. Katherine Holland is an
excellent girl, and deserves all the good
fortune she can possibly meet with. I
was a little taken aback when you began,
but I suppose that was simply due to my
own stupidity; no doubt I ought to have
been better prepared. Anyhow, I wish
you every possible success in your woo-
ing, and the best of good luck to you both.
Can I say more?
	Borroughdales face beamed.</PB>
<PB REF="IMG00094" SEQ="0094" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="84">	84	LIFE IN A DRUSE VILLAGE.
	Of course you cant  of course you
cant, old fellow, he exclaimed, seizing
his friends hand in his own and swinging
it to and fro with a vehemence not a little
painful to that less indurated member.
Of course not, and I was a fool to doubt
you; but then I always was a fool, wasnt
I? Meanwhile I mustnt stay here any
longer now, he went on with a sort of
breathless and almost feverish eagerness,
for there are about a hundred thousand
things to do between this and Tuesday.
But youll come and see me again, old
man, before we go, wont you? Mind, I
havent told a single soul about this yet,
not even my father. It wouldnt be fair,
would it, till things are settled? Besides,
Im not really a bit too sanguine even
now, he added, gripping poor Farquarts
hand again in his excitement, and shaking
it up and down and to and fro with a will.
Not a bit too sanguine, upon my soul,
he repeated at the door, in a tone and with
a look, however, which, it must be owned,
threw considerable doubt upon his own
assertion.
	After the door had closed upon him,
Granville Farquart sat for a long time in
the fast thickening obscurity, the smile
with which he had greeted poor Borrough.
dales last remark fading away and being
replaced by a pucker of discontent which
sat oddly and, as it were, incongruously
upon the classical perfection of his fea.
tures. At last, when of the big window
near him nothing was left but a large,
lightcolored blur, he suddenly got up from
his seat, pulled the blind down with a
rapid jerk, and, crossing the room, rang
the bell violently for lamps.
	Nonsense! Of course it will be set-
tIed long and long before they return, he
said aloud to himself as he did so.
	In this judgment I had better perhaps,
without further circumlocution, hasten to
say he ~vas amply justified by subsequent
events. Before even the period of pro.
bation had quite come to an end, Bor.
roughdale and Katherine Holland were
betrothed, and when they came back to
England they were married.
	Mr. Vansittart was at first not a little
taken aback at this to him very unforeseen
climax of his sons enthusiasm about zool.
ogy. Still Borroughdale was now settled
in life; there could be no fur/her surprises
in that direction, and that consideration
alone went a very long way towards rec-
onciling him to the event. Farquart was
less easily reconciled. For a long time he
maintained a certain attitude of mental
reserve towards the young couple, al.
though he never allowed it to appear
again so palpably upon the surface as on
this occasion, and although after a while he
permitted himself to be gradually drawn
into much of his former intimacy with both~
of them. I have not yet heard of any of
his pictures having been accepted by the
Academy, and his literary magnus opus
has not yet appeared, or, if it has, an un-
grateful public has failed perhaps to rec-
ognize it as such. All who know him hold
unquestionably, however, that some day
or other so ~ble a man will throw all his
strength into one effort, and then that the
world will possess a new masterpiece, and
his friends hopes will be justified. This
also I may state with confidence is his
own view. Although so far it cannot cer-
tainly be said that fame has surrendered
herself to any of his advances, he is far
from feeling that he has as yet thoroughly
tried conclusions with that notoriously
tricksy goddess, indeed at the very mo-
ment in which I am ~vriting, he is said to
be meditating a new, and this time prob-
ably ~n irresistible, assault upon her en-
trench ments. Lord Borroughdales ad-
miration for his gifted and versatile friend
has never suffered even a single moments
diminution, although since his own stand-
ing in the scientific world has become
well established it is tempered by a less
absolute and a less crushing self-deprecia-
tion than formerly. Farquart still speaks
of him to others in a tone of kindly pa-
tronage, never failing to do justice to the
goodness of his heart, and the invariable
excellence of his intentions. As regards
Borroughdales marriage with Katherine
Holland, however, he always privately
feels that he was badly used.
EMILY LAWLESS..




From Blackwoods Magazine.
LIFE IN A DRUSE VILLAGE.

BY LAURENCE OLIPHANT.

	IN one of the loveliest valleys of Car-
mel, near the south-west extremity of the
mountain, and distant about fifteen miles
from Haifa, stands the Druse village of
Dahlieh  or, as it is more properly called,
Dahliet-el-Carmel, to distinguish it from
another place of the same name, on the
Ruhah, or breezy land.
	It is situated on an abrupt spur of the
mountain, at the base of which two nar-
row glens unite into a gorge that ulti-
mately widens into a valley winding down
to the sea. The village which crowns</PB>
<PB REF="IMG00095" SEQ="0095" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="85">	LIFE IN A DRUSE VILLAGE.	85
this eminence is composed of a congeries
of dwellings, scarcely imposing-looking
enough to be dignified with the name of
houses, and yet much superior to the huts
of which an Arab village generally con-
sists. Indeed the traveller versed in fel-
laheen domestic life would be struck with
an air of comfort, prosperity, and cleanli-
ness here, foreign to native abodes gener-
ally. The low habitations which flank
the narrow streets seem all to have been
newly plastered with light yellow-colored
mud. They are generally situated in
courtyards, where the neatly dressed fe-
male occupants may be observed pursuing
their various avocations. The streets
themselves are kept clean, and the only
eyesores are two gigantic manure heaps
 one at either end of the village. These
heaps are common to all Arab villages,
and are generally used by the fellaheen
as fuel for their ovens: the atmosphere
is, in consequence, pervaded with an odor
of burnt manure, the taint of which, under
the influence of a lively imagination, may
even be extended to the bread. From
this all-penetrating perfume Dahlieh is
free. The Druses who inhabit it dont
bake their bread in ovens, and dont use
the manure for fuel.
	On a plateau at the back of the village
are the extensive threshing-floors which
belong to it, during the summer months
filled with conical mounds of grain, which
look at a distance like the huts of a golden
encampment. At the opposite extremity
of the little town is the Druse khalive, or
church, a picturesque construction, with
two rows of arches inside, and a broad
verandah, trellised with vines, outside.
It is separated, by a field enclosed with
cactus hedges, from a grove of fig-trees
which crowns the edge of the spur over-
looking the gorge; and on a terrace in
the midst of this grove stands a white
stone dwelling with a somewhat preten-
tious castellated roof, a generally unfin-
ished appearance, and suggestions of
landscape gardening not altogether in
keeping with the native surroundings.
This dwelling is mine! And at the risk
of appearing egotistical, I propose to nar-
rate how I came to build it, and the sort
of life I lead in it. But I must first con-
clude the description of my surroundings.
From the terrace, on which is a broad
verandah, I look down the steep slope 
where there are more terraces, planted
with vines, olives, pomegranates, and fig-
trees  into the rocky gorge, which ex-
pands as it nears a copious spring a mile
distant giving birth to a tiny stream, that
once watered the gardens of a now de-
serted village, where a solitary date-palm,
and a magnificent grove of figs, pomegran-
ates, and some olive-trees attest its former
beauty and luxuriance, which I am not
without hope may some day soon be re-
stored to it. Beyond this, I look from
my verandah over the hills swelling gently
back, where the grain fields, which have
now been reaped, appear like brown isl-
ands in a sea of the dark-green copse that
clothes the mountain-sides. In the dis-
tance, beyond the mouth of the valley,
which narrows again and enters the plain
through a wild, precipitous gorge, is dis-
tinctly visible the old crusading ruin of
Athlit, its huge fragment of masonry
standing on a projecting promontory over
the sea to a height of one hundred and
twenty feet, and with a length of one
hundred feet, forming a striking feature
in the landscape, with an elevation of
thirteen hundred feet above the ocean,
from which we are distant six miles. We
thus command a splendid sea view, with
a foreground of precipitous mountain, of
smiling cultivated valley, and of rolling
wooded hills, all charmingly blended.
Both sides of the spur on which Dahlieh
is situated are terraced with gardens, as
well as the steep slopes of the hillsides
opposite, and present an appearance, of
rich cultivation not common in this part
of Palestine The hills at the back form
a sort of amphitheatre, rising in one place
to a height of eighteen hundred and ten
feet above the sea: this is the loftiest
summit in Carmel.
	A year ago, when in search of a retreat
from the summer heats of Haifa, I in-
stinctively sought the highest village in
themountain, which is Esfia, also con-
taining a Druse population, but with an
admixture of Christians of the Melchite
or Greek Catholic persuasion. Here I
was presented with the alternative of hir-
ing a native house or forming a camp.
The objections to the native house seemed
almost insuperable. They may be summed
up in two words  smells and fleas. The
whole place reeked with the odor of burned
manure; while the effort of perpetual
scratching produced too great a sense of
weariness and fatigue to be endured for
many consecutive days and nights. On
the other hand, while the nights were
deliciously cool under canvas, the days
were oppressively hot with no better pro-
tection than it afforded against noonday
rays. I therefore determined to combine
my resources. First I hired the only stone
vault there was in the village  a chain-</PB>
<PB REF="IMG00096" SEQ="0096" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="86">	86	LIFE IN A DRUSE VILLAGE.
ber of about thirty feet square. The walls
and roof of massive blocks of limestone,
which had formed part of some ancient
edifice,for Esfia is built on the ruins
of an ancient site,  secured me midday
coolness; and for the few hot hours, we
determined to put up with the odors and
the insects  waging, nevertheless, inces-
sant war against the latter with powder
and other appliances. Then I hired from
a Bedouin encampment in the neighbor-
hood their largest tent, and procured from
Haifa a number of rafters and mats. The
Bedouin tent I stretched on the rafters,
which were supported by uprights, so as
to form a roof; the walls I made of mats,
which were each six feet square, and could
be bought for a shilling apiece. This
gave me a room thirty-two feet long, seven
feet high, and twelve broad, which I sub-
divided into apartments; besides which,
I had an ordinary fourteen-roped canvas
tent, and put up a kitchen and shelter for
the horses with brush wood. I also strewed
as many branches on the roof as the
Bedouin tent would bearthus gaining
additional protection against the sun. By
these means I obtained accommodation,
such as it was, for our whole party, which
generally numbered six, and on the occa-
sion of visitors eight,, and sometimes even
ten, including several ladies; but not, of
course, without some unfortunates being
condemned to sleep in the vault, to which
on any hot days we all repaired for our
siestas. On these occasions it often used
to represent the mixed appearance of an
artists studio, a schoolroom, and a dor-
mitory, as we pursued our varied avoca-
tions of sketching, studying Arabic, writ-
ing, and snoring. As soon as it got cool
enough in the afternoon, we made explora-
tory expeditions on horseback, sometimes
taking with us our afternoon tea. In the
course of these I visited, within easy rid-
ing distance of my camp, no fewer than
twenty sites of ancient towns and villages
six of which I had the interest and
pleasure of discovering, and at all of which
the massive remains bore testimony to
the vast and highly civilized population
which must have at a former period inhab-
ited this historical mountain. Putting it
at a very low estimate, Carmel, ~vhich has
a circumference of thirty-five miles, con-
tained probably a population of at least
fifty thousand souls, who must have made
of this enchanting highland region a per-
fect paradise. Indeed, from the nature
of the frequent references to it in Holy
Writ, it is clear that in Biblical days the
excellency of Carmel, or, as its name
literally signifies, Gods vineyard, was
synonymous with everything beautiful;
and any one who should spend months,
as I have, exploring its infinite variety of
wild and hidden valleys, will not fail to
understand why this should be so. If in
imagination we build up its now ruined
terraces and cover them with vines; if
we clothe its hillsides with pendulous for-
ests of heavy timber, and fancy its level
l)lateaus and fertile valleys waving with
grain; if we crown almost every eminence
with stately towns, where now we find
fragments of columns, carved capitals,
immense rock-cut cisterns, huge stone
olive-mills, and wine-presses hewn from
the s&#38; lid rock,  we may begin to realize
the nature of the architecture and of the
industries of its once teeming population.
Now, ~vith the exception of two small
villages whose united population does not
amount to a thousand souls, all is silent,
desolate, and waste: one rides for hours
without meeting a soul, following the cat-
tle-tracks which :lead through the thick
brushwood  now under lofty beetling
crags perforated with caves, now across
high breezy plateaus, now along smiling
open valleys, now into gloomy gorges,
until we almost despair of exhausting the
novelty and variety of the scenery.
	If we combine the tendencies of the
sportsman and the arch~eologist, these
rides offer other inducements besides
their mere scenic attractions. At one
moment you stumble unexpectedly upon a
carved stone, upon which you see, or
fancy you see, an inscription; you put
down your gun to examine it, and up gets
a covey of partridges within ten yards of
you; you mark them down, and lo, they
have led you to an extensive area of ruin,
hitherto unknown and unsuspected by
Palestine explorers. For the rest of that
day you dont think anything more about
partridges, but linger so long over your
new discovery, that you lose your way in
the dark  for you naturally despise
guides, and altogether dispense with them
 and on your arrival find your house-
hold, or rather camphold, consumed
with an anxiety which is principally com-
pounded of disgust for having been kept
so long waiting for dinner; or else you
give yourself up to a day in the tombs.
This is a more lively occupation than it
sounds. You provide yourself with a
candle and matches, and go to certain
ruins, in the neighboring rocks of which
you have marked do vn tombs. How
torn and hot and dusty you get by the
time you have examined a dozen of these</PB>
<PB REF="IMG00097" SEQ="0097" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="87">	LIFE IN A DRUSE VILLAGE.	87
subterranean abodes of the dead, scram-
bling about on all fours or t~ p/at veizire,
tearing away the brushwood ~vhich con-
ceals their arched entrances, and counting
and measuring their kokirn and their
loculi, and making plans thereof, and
sketches of such ornamentation as may
exist! I have become blast in regard to
tombs: as I have scrambled into certainly
at least a hundred, my mortuary appetite
is satisfied. I am only tempted now by
one that never seems to have been opened.
That, I confess, is irresistible.
	Hitherto I have never found anything
more interesting than bones, or more val-
uable than broken pottery jars. There is
an odor about a tomb that has never been
opened, when you are the first to roll away
the great circular stone that has closed it
for the last two thousand years, which, I
suppose, would kill you if you inhaled too
much of it, and is certainly the most sick-
ening smell I know. But how encourag-
ing it is! There is a flavor of hope and
anticipation in it that compensates you
for feeling inclined to faint. Some of
these stones are fancifully engraved 
sometimes with a seven-branched candle-
stick on each side of the door, sometimes
with a sort of cinquefoil or rosette. More-
over, on the stones in the ruins, one comes
across some on which are devices indi-
cating various historical periods down to
the Crusades,  the Christian warriors
having evidently discovered the charms
of Carmel, and having their outposts and
summer retreats up here, while they were
keeping watch and ward in the strong
fortress of Athlit, the Castellum Peregrino-
rum, which was one of the landing-places
of the pilgrims to the Holy Land. So we
find occasionally their shields and bosses
and crosses on these old stones. But it
is not without a certain kind of risk that
we rummage about for these records of
the past; for, as a general rule, they are
so overgrown with brushwood, that we
have to push our way without being able
often to see where we are going, or know-
ing what kind of creatures we may have
to encounter apart from the snakes and
scorpions which abound  the former, I
believe, rarely venomous, the latter some-
times as large as moderate-sized crabs.
I have in some of these caves come across
traces of more formidable animals. On
the soft soil at the bottom of a large nat-
ural cavern which I was one day explor-
ing, I came upon the recent footprints of
a leopard: and lest there should be any
doubt as to the existence of these animals
on the mountain  which, I observe, some
writers have denied  I may mention that
I received notice one morning that a
Bedouin had shot one the previous night;
and riding over immediately to his tent, I
found he had killed a very handsome
specimen, measuring a little over six feet
from the snout to the tip of the tail  the
skin of which I have now in my posses-
sion.
	There is another animal the habitat of
which in Palestine has been deemed
doubtful. About ten miles from Dahlieh
the Crocodile River flows into the sea,
and it has always been said to derive its
name from the presence of that reptile in
its waters. The other daya man brought
me a piece of crocodile-skin about a foot
square, as a present, which he had himself
cut from the belly of the animal, which
he had assisted in killing only a week pre-
viously in this stream. In regard to other
fera~ naturce, I have several times found
the quills of porcupines; young hyenas
have been brought to me for sale; glut-
tons are said to exist, and one or two spe-
cies of wildcat. In some of the thickly
wooded bottoms there are wild boar, and a
friend of mine killed one recently in the
marsh near Athlit. In the course of the
year I saw altogether two deer and five
gazelle at different times, but never when
I happened to have a gun. Venison is,
however, a luxury in which we are occa-
sionally able to indulge, and I took a
handsome pair of horns from the head of
a buck recently brought to me. But sum-
mer shooting on foot is hot work for the
sportsman; and if one rides, the rocky
and precipitous nature of the country often
involves a wild scramble for the horses,
more especially as the paths we generally
follow are those made by goats. My
horse has a habit, when he is going down
a perfectly smooth piece of limestone
rock, at an angle of 450, which overhangs
a precipice, of stopping to scratch his ear
with his hind foot, which interferes for the
moment with my respiration, and of which
I have in vain tried to break him.
	In the course of these scrambles I have
three or four times come upon curious
square erections, which I have not ob-
served mentioned in any work upon Pal-
estine. The largest of these was fourteen
feet high by twelve square, and formed of
slabs of stone averaging three feet by two,
by one in thickness, laid upon each other
without cement, but evidently hewn so
that the construction should be symmet-
rical. I thought at first there might be a
chamber inside; but on examining one of
the smaller ones, I found it to be perfectly</PB>
<PB REF="IMG00098" SEQ="0098" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="88">	88	LIFE IN A DRUSE VILLAGE.
solid. From the weather-beaten appear-
ance of the stones, they seem to have
been in position from great antiquity; but
whether they were altars, or monuments
over tombs, or served some more practi-
cal purpose, I leave for those skilled in
such matters to decide. The huge mill-
stones are numerous, and are to be found,
sometimes far removed from any ruin, in
the most remote valleys. The lower one
usually measures from eight to ten feet in
diameter, with a raised rim round the cir-
cumference, eight or ten inches high, and
a square hole in the centre: they are
about two feet six inches thick, but they are
often hewn out of the living rock, as well
as the basin for the receptacle of the oil
below them. Then there are rock-cut res-
ervoirs: the largest I have seen was about
one hundred feet by forty-five, and fifteen
in. depth; but it was half filled with vege-
tation, and was originally much deeper.
And there are traplike and deceptive cis-
terns, the mouths of which are about the
size of a coal-hole in the pavement of a
London street; but when there is a bush
instead of a lid over it, a false step may
land you in a circular pit perhaps twenty
feet deep, of a demijohn shape, and with
smooth sides, from which escape would be
hopeless. It was into such a pit probably
that Joseph was let down by his brothers.
These cisterns are very numerous at some
of the ruins, and prove how dependent the
population were upon rain-water, and how
glad they must have been when Elijah saw
the cloud from this very mountain, after a
three years drought, which indicated a
rainfall.
	My two summers experience of Carmel,
however, would lead me to conclude that
clouds are the rule, and entirely cloudless
skies the exception. Whether it is owing
to the high Nile at this time of year, as
has been suggested, or to whatever cause,
the fact remains, that the midsummer
heats are remarkably tempered by the
cloudy skies. Althouah rain never falls
between April and October, there are
many mornings so damp and cloudy in the
middle of summer, that in any other coun-
try one would certainly predict a rainy
day; and although the sun soon drives
the damp feeling away, the cloudy sky
remains more or less all the day. This,
combined with a strong, fresh sea-breeze,
always keeps the temperature cool. In
Esfia last summer, the thermometer on
the hottest days only reached 8i~ in the
vault, and at night it generally fell to 7Q0
in the tent. Here at Dahlieh it is a little
hotter, ranging sometimes in the day to
	but only occasionally. As the alti-
tude of our camp at Esfia was seventeen
hundred and fifty feet, not only did we
enjoy a most agreeable climate, but a mag-
nificent viewof a very different kind,
however, from that at I)ahlieh. There it
was panoramic. Immediately at our feet,
scarcely a mile off as the crow flies, was
the plain of the Kishon, with that stream
winding through it, and issuing from the
plain of Esdraelon, over which we also
looked by the narrow valley formed by the
approach of the low wooded hills of Gali-
lee to the base of Carmel. Sitting at our
tent-door, we could see the bay and city
of Acre, and the seacoast as far as the
ladder of Tyre. The irregular outline of
the mountains of northern Galilee, the
highest reaching an elevation of four thou-
sand feet, limited our view in that direc-
tion. To the north-east we faced Her-
mon, with its snowy crest. Nazareth,
about twelve miles off, seemed almost at
our feet; beyond it was rounded Tabor,
the plain of Jezreel, with the villages of
Endor and Nain, and Mount Gilboa, with
the mountains of Gilead plainly visible
in the distance. To the south we looked
over the hills of Samaria, and on a clear
day could make out the outline of the ruins
of Cesarea on the margin of the sea, which
bounded our horizon in that direction.
	While, however, enjoying an almost un-
rivalled prospect and a cool climate, our
residence upon this exposed mountain-top
was not without its dc/szgrdmens. As often
as not it blew a gale of wind, generally
from the south west, and I sometimes
feared that our whole fragile construction
would be blown clean down the Wady
Shomariyeh, eighteen hundred feet, into
the plain below. This was a rock-y gorge,
on the edge of which our camp was situ-
ated, so precipitous that there was not
even a goat-path down it. Then our cui-
sine left much to be desired. The cook,
in his windy brushwood shed, and without
even a table to cook on, struggled manfully
with dust-clouds and prowling dogs, per-
forming wonders on a couple of little iron
tripods, on which he built charcoal fires;
but as he generally cooked enough for the
whole day at one time, the seven-oclock
dinner was merely the twelve-oclock
breakfast, sodden and warmed up, with a
great deal more dust in it. Our apart-
ments were so breezy that only large sta-
ble lanterns could stand the racket: and
they are bad to read byindeed they are
not good to eat by, but the less we saw of
our food under the circumstances the bet-
ter. Fortunately we often had partridges,</PB>
<PB REF="IMG00099" SEQ="0099" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="89">	LIFE IN A DRUSE VILLAGE.	89
to vary the stews of chicken and mutton,
and plenty of leben or sour milk, tasting
very strongly of goat. The flavor of goat
is an acquired taste. Then we were
rather short of water. All of this neces-
sary of life h~d to be carried nearly a
mile up a steep rocky path: two donkeys
were perpetually employed on this ser-
vice. There was a spring nearer, called
the spring of the leeches. Unwarned
by the name, I once watered my horse
there, and for some days afterwards was
occupied extracting leeches from under his
tongue and the recesses of his throat. I
pulled out eleven altogether, so the spring
was not misnamed. I thought of trying
to use it for bathing purposes, but was
afraid the ladies might object, even though
the alternative involved a certain economy
in tubbing arrangements, which did not
comport with our usual habits. We also
had nightly visits from jackals, which
sometimes had the boldness to poke their
noses into our bedrooms in the dead of
night, causing our small dog to burst into
frantic fits of barking, and producing gen-
eral consternation and wakefulness. Now
and then a scorpion was found under a
pillow or in a shoe. But these were little
incidents which gave an interest and pi-
quancy to existence unknown in civilized
life. I merely mention them to show why,
in order that they should not become
monotonous, we determined not to sub-
ject ourselves to them another year, but
to build something more substantial than
our mat-shed. There was, by the way,
one especial inconvenience, a recurrence
of which was, it was to be hoped, not to
be anticipated, and this resulted from the
visitation of cholera in Egypt. When it
was reported that some cases had oc-
curred in Beyrout, a panic was produced
in Haifa. A cordon was l)ut round the
town, some six or eight families of the
richer native inhabitants flying from it,
and taking refuge in Esfia. All postal
communication by land and sea was
stopped. For two months we were with-
out news of the outside world  even the
telegraph was forbidden to perform its
functions, lest news should be conveyed
of the spread of the disease which should
increase the panic. The consequence
was, that the wildest rumors were afloat
of the daily mortality in Beyrout, which
had never exceeded two doubtful cases in
all; and the scare was only thereby in-
creased, till it culminated in a visit to my
camp by the police in search of a Haifiote
who had been in Beyrout at the moment
when these deaths occurred, who was
supposed to have fled from that town, and
as he was known to be a friend of mine,
was suspected of being in hiding in my
tent. This conjecture was enough to in-
fect Esfia; for two days we were put into
quarantine, and prohibited from going to
Haifa, and I had some trouble in convinc-
ing the police that I knew nothing what-
ever of the refugee in question.
	When I expressed to the natives of
Esfia my intention of building at their
village, the proposal was received with
acclamation. My presence, they said,
would be a protection against the thieving
propensities of the inhabitants of Tireh
a Moslem village in the plain, with a
notoriously bad reputation  who were so
daring in their depredations that they
would come in broad daylight into the
vineyards of the Esfiotes and carry off
their grapes under their eyes, without the
latter venturing to make any resistance.
That they had not suffered that summer
from any of these predatory incursions
the villagers attributed, rightly or wrongly,
to my presence. Under tbese circum-
stances they declared, in the first flush of
their enthusiasm, that they would present
me with a building-site. This I declined,
preferring rather to pay a small sum for
the land. In my innocence I took their
offer for a bond fide one; and it was only
when I came to make them what I be-
lieved was a reasonable proposal, that I
discovered they had been indulging in
complimentary figures of speech, and that
they demanded one hundred and fifty na-
poleons for a piece of ground which was
certainly not worth above twenty. Al-
though they came down in their price one
hundred napoleons at a bound, they had
shown the cloven foot in too marked a
manner for me to choose them as neigh-
bors. It would be no satisfaction to me,
I remarked, to protect from the thieves
of Tireh as big a set of thieves after an-
other fashion, and I declined having any.
thing more to do with them. It must, in
justice to the Druses, be remarked, that
this part of the village did not belong to
them, and that the chief offender in the
matter was the head of the Christian com-
munity there.
	It was about the middle of last winter,
when I was beginning with some perplex-
ity to revolve in my mind summer schemes
for avoiding the heat of Haifa, that I one
day received a visit from a venerable old
man with a grey beard and a dignified
bearing, who announced himself as the
kiatib or spiritual sheikh of the Druses
of Dahlieh. His story was a pitiful one.</PB>
<PB REF="IMG00100" SEQ="0100" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="90">	90	LIFE IN A DRUSE VILLAGE.
The term of the annual draft of conscripts
for the Turkish army had arrived, and his
only remaining son, the husband of a very
beautiful young woman whom I remem-
bered having seen, was to be carried off
as a soldier. The old mother, and the
young wife, who had a baby, were in de-
spair. One son, they said, had been taken
under the conscription ten years before,
had deserted to his co-religionists in the
Hauran, and had been lost to the family
forever; and now its last prop was to be
snatched from it, unless fifty Turkish
pounds were forthcoming to purchase a
substitute. The object of the old sheikhs
visit was to borrow this amount from me.
It occurred to me that if, on inspection,
Dahlieh suited as a summer resort, I
might kill two birds with one stone, by
helping the sheikh out of his difficulties
and obtaining a site for a house. I had
already visited the place and been struck
with its beauty, but I had not looked on
it as a possible residence, and I now lost
no time in riding up on a tour of inspec-
tion. The result was in every respect
satisfactory; for it so happened that, be-
sides the sheikh being the owner of a
good vineyard, the best situation in the
village for a house belonged to him. We
therefore had no difficulty in coming to
an arrangement to our mutual satisfaction,
whereby he saved his son from the army,
and I became a landed proprietor in
Dahlieh.
	I now found I had no time to lose if the
house was to be built before the hot
weather. Fortunately there were exten-
sive ruins of an ancient town a mile off;
and here was an unlimited supply of
stones which had been cut for me by the
Romans, or possibly an anterior race.
The name of this place is Dubil. It is
situated on a hill about two hundred feet
higher than Dahlieh, from which it is sep-
arated by a valley terraced with orchards
and gardens; and upon comparing it with
the numerous other remains of ancient
towns which I have visited, I have little
doubt that in old times it was the princi-
pal city of Carmel, though it has not, so
far as I am aware, been identified with
any known historical place. It has served
as a quarry for the surrounding country
for so long, that all its best stones have
long since been carried offindeed I felt
myself somewhat guilty in following the
general example. But in the absence of
any law for the preservation of ancient
monuments, it is difficult to be the only
person in the country who respects them,
Lhe more especially when it involves a
great saving of money to use them. Most
of those I took were undrafted stones.
And are they not as well preserved in the
walls of my house as lying on the barren
hilltop? I was in hopes of finding some
with devices or inscriptions. Many of
those which have been procured from
here by the villagers of Dahlieh, and built
by them into the walls of their houses, are
thus decorated; but I was not so fortu-
nate. There is a handsome sarcophagus,
some fragments of columns and stone
basins, however, which I have my eye
upon, and which at some future period I
may succeed in transporting to my new
abode. Meantime, curiously enough, I
had no sooner begun to dig the founda-
tions of the house, than I struck those of
one of a period long gone by. I found,
when I got two feet below the surface of
the ground, that I could put the whole
back wall upon a solid basis of hewn
masses of stone, which were so appropri-
ately placed that they might have been
put there to order. I also came upon great
quantities of /essercr, and hoped to find a
tesselated pavement also ready for imme-
diate use. In this I was disappointed;
but I came upon a good stone floor, in
which was cut a groove about three inches
deep and two wide, the object of which did
not at first occur to me. Loath to cover
it with any cement, it now forms, in all its
original rudeness, the floor of a back pas-
sage. Near this the workmen came upon
a dozen or more iron rings, from two to
three inches in diameter, attached to nails
about eight inches long, which had been
clinched at the opposite end. These were
found about three feet below the surface,
and were, of course, heavily rusted. I
think it is likely that they may have been
used for fastening horses. At any rate, I
have passed some of them through the
fire, and find them excellent as stable
rings. The others I have kept as curios-
ities. Besides this, we came upon a large
fragment of a carved cornice, which I
had carefully put on one side, and which,
to my intense disgust, the workmen, by
mistake, squared into a building stone;
also half a stone basin, a copper coin of
the time of Constantine, and a great quan-
tity of broken glass and pottery. In mov-
ing a stone wall for a new terrace, I found
one of those curious huge rollers men-
tioned in the Survey of the Palestine Ex-
ploration Fund, and which seem peculiar
to Carmelat least I am not aware of
their having been found elsewhere in Pal-
estine. There are some twenty of them
scattered over the ruins of Dubil, and</PB>
<PB REF="IMG00101" SEQ="0101" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="91">	LIFE IN A DRUS1~ VILLAGE.	9
almost the same number at a ruin about
two miles from Dahlieh, called Khurbet
Semakha, where are also to be found the
remains of one of the eleven Jewish syna-
gogues of old date which have been as yet
discovered in the Holy Land. I unearthed
my roller, which now decorates what I
hope some day to call a lawn. It meas-
ures eight feet long, two feet six inches in
diameter at the centre, but tapers to two
feet at one end, and has four parallel rows
of grooves. Each groove is about a foot
long and two inches deep; they are a Loot
apart.
	It has been conjectured that these roll-
ers form some part of an olive-pressing
machinery; but I have failed in imagina-
tion to construct a machine in which they
could be employed  though it is evident,
from the remains of the olive-mills at Du-
bil, that it was a great centre of an olive-
oil industry. There are some prostrate
stones there ten feet long, which were
evidently uprights, and which are perfo-
rated with holes and carved with slots and
grooves, showing that they formed part
of a massive mechanism connected with
the huge circular millstones in their imme-
diate vicinity; and in someinstances the
rollers above described are near these.
But the most fortunate discovery  and
this was not made till the house was built
	~vas an ancient cistern, which luckily
did not happen to be in the middle of the
sitting-room, but just outside the back
wall, exactly where I should probably have
ha~d to build one. The use of the groove
in the stone floor of the back passage was
now evident. It was to conduct the water
into this cistern, which had an opening,
eighteen inches square, into the solid rock,
and swelled out below into the shape of a
bottle fifteen feet deep and eight feet in
diameter. As the rock from which it is
hewn is very hard, the ancients have saved
me from 2O,~ to 3O~ in providing me with
this reservoir, which I am enlarging, and
shall have to cement, as the old cement,
though still adhering to the sides in many
places, has of course become useless. It
was full of earth and dibris to the brim;
and in clearing it out I got much fine
mould, besides a great quantity of broken
pottery, and some stems and fragments of
glass vases, the rims of which were turned
over and lined with silverunfortunately
none of them perfect.
	In front of the house, about twenty
yards from the verandah, I observed a fig-
tree growing out of a suspicious-looking
hole, and on clearing away some bram-
bles, perceived that it led down into a
cave. Into this I descended with a light,
and found myself in a circular under-
ground chamber one hundred feet in cir-
cumference, the roof supported by a rude
column of the living rock. Loose stones
now cover the floor to a depth of two feet;
but when they are cleared away, it will
give a height to the roof of about eight
feet, which can easily be increased if nec-
essary. It had a second small opening
under a rock at the opposite side, and
near it what appeared to be a blocked-up
passage. This I had cleared out, and
found that it led to a second smaller cav-
ern very much choked with stones. A
dozen yards lower down I found the en-
trance under a rock to a third cave, which,
I suspect, communicates with the other
two. They do not appear to have been
used as tombs, though the rocks have
been hewn in places, especially at the
entrances. In their immediate neighbor-
hood the field is strewn with /esserc~ and
fragments of pottery and glass, and the
natives tell me that if I dig, I shall find
remains. This has produced a disagree-
able conflict of sentiment in my mind.
Regarded from a purely practical point
of view, I think it will pay better to
plant this field out in vines than to exca-
vate in it. On the other hand, I feel I
have already done a heathenish thing in
building a house on the top of the founda-
tions of one of the Byzantine period, with-
out examining them thoroughly. From
the relics I found, my predecessor must
have been a man of wealth and position,
or he never would have used such elabo-
rate wineglasses; and it may be that I am
living now on the top of something in-
t~resting. But had I, as I was sorely
tempted to do when I found the carved
cornice, gone on digging, I should have
turned the site of my future house into a
pit, broken my contract with the builder,
and had no place to come to this summer
 all which would have involved great
loss and inconvenience, on the chance of
contributing my mite to the existing col-
lections of Palestine antiquities. I con-
sole myself, therefore, by the reflection
that these remains are relatively modern,
and that the chance of there being a tri-
lingual stone with an inscription which
may throw light on the earlier religions of
mankind buried under my bedroom is ex-
ceedingly remote. Rather than spend my
substance in seeking for it, I will convert
what the ancients have left me to practical
purposes. There is a hole two feet deep
and two feet square hewn out of the solid
rock near where I propose to build a</PB>
<PB REF="IMG00102" SEQ="0102" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="92">	92	DOROTHY: AN INTERLUDE.

stable, which I will turn into a horse- the thick green leafy screen lay between
trough. These caves shall become cel- the two.
lars; the modern wines of Carmel shall There was no mistaking, however, the
be stored away in its old tombs, the bot- age of the invisible speaker. Youth,
tIes packed neatly into loculi or stacked youth, was in every tone of the voice, in
away in kokim, and the various vintages every word that fell on the listeners ears.
allowed to mature in the sepulchres of a Do not walk so slowly, Elise, in fluent
bygone race. I will put hogsheads into but unmistakable English-French. Sup-
the caverns once occupied by hermits; the pose  just suppose  that we should
grottos of ascetics shall become store- miss the train.
houses for the ruddy juice that maketh Mademoiselle will have twenty mm-
glad the heart of man; and the irony of utes to wait at the station, if not half an
fate shall, through my instrumentality, hour.
work its revenge upon the haunts of these An impatient exclamation from the first
misguided anchorites. As for the evi- speaker; then silence for two or three
dences of luxury that I come across, they minutes, whilst the three the two worn-
only aggravate me. When I think of my en and the lonely man  pursued their
Byzantine predecessor seated beneath way.
marble porticos, drinking out of the most Silence, broken then by something like
exquisitely shaped flagons of delicate blue a cry of despair.
glass, golden and silver tipped, his eye  Elise, Elise ! I have not brought my
ranging over the same view that mine purse! Have you? No, dont shake
does the same, and yet so different, your head,  feel in your pocket.
with its hanging forests and terraced vine- Mademoiselle, there is not the slight-
yards, its columned temples, its teeming est use; I have no money with me. But
population  and compare the mud-built there is plenty of time; have I not just
villao~e ruined terraces, naked hills, and told mademoiselle so? We will go back
unp~pled valleys, with all this vanished to the convent.
luxury and beauty, I dont want to fin4 Oh, is there indeed? Well, I will go,
anything that reminds me of the contrast. but not you. I can run much more
The future, not the past, seems to claim quickly. You walk slowly on towards the
our energies and resources. When every station, and I will return.
man, free from the tyranny of the unjust Almost involuntarily the man, at the
judcre or the extortionate tax-gatherer, can first sound of the discussion, had put his
sit in peace and happiness under his own hand in his pocket and drawn forth his
vine and his own fig-tree, it will be time purse  vague ideas floating through his
enough to begin to excavate under them. mind; but as the young voice told its
Meanwhile, be mine the task, however plan, and repeated, You are sure, Elise,
feebly, to labor for the restoration of this sure that there is plenty of time, he took
land to its former condition of fruitfulness out his watch, and from it glanced to the
and abundance. small station, that a sudden dip in the
road disclosed to view beneath them 
_____________ then backwards towards the white build-
ing, that he knew to be the convent of the
Sacr~ Cceur.
	From Blackwoods Magazine.	 If her feet are as young as her voice,
DOROTHY: AN INTERLUDE.	he thought, she will do it easily. And
Man so thinking, sighed, perhaps almost un-
Of his own happiness is artisan. consciously envying her her youth, and
	ON one side a white glaring road, upon feeling hardly used, that his own should
which the sun, early as it yet was, shone have slipped by; missing, in the swift
burning down; on the other, a narrow retrospective glance, the brilliant gleams
path by a sweet-scented bean-field, the of color that had lightened his path at
morning dew still sparkling on the delicate times, and which made the surrounding
blossoms, and between the two a tall di- blackness so much blacker; failing en-
viding hedgerow, crowned with honey- tirely to acknowledge the justice of the
suckle and wild roses, law of compensation, the justice of that
	A man sauntering slowly along the law which gives us everything for which
dusty road paused involuntarily as the we are willing to pay.
sound of a voice disturbed his reverie. A few steps more brought him to the
So close was it, that he looked up as if stile, which served as the narrow means
almost expecting to see the speaker, but of communication between the road and</PB>
<PB REF="IMG00103" SEQ="0103" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="93">	DOROTHY: AN INTERLUDE.	93
what lay hidden from sight by the high
rose-crowned hedge, and, arrived at it, he
paused and looked over; but the sweet
bean-flowers softly stirring in the early
breeze, the glittering dewdrops still upon
their leaves, were all that rewarded his
hasty glance. Even Elise was hidden
from sight; or she had perhaps turned
back with her young mistress.
	He felt a sensation of disappointment,
as he took his arms off the narrow wooden
bar, and resumed his walk. Apparently
Elise had a little exaggerated the time to
spare, in her eagerness to demonstrate
she was right, or perhaps the watch to
which she had trusted did not coincide
with the clock which created time for the
village of Tr6cour; anyhow, when the
man s slow steps had led him down the
little steep hill, across the broad, unfre-
quented road, and he found himself stand-
ing on the small, deserted platform, the
massive hand on the clock above his head
pointed already to a quarter past seven,
and in five minutes the train would be
due.
	He walked up and down several times,
al~vays lengthening his walk, till no inter-
vening building lay between him and the
hill that led to the bean-field; but the
minutes slipped away one by one, and
with the last a white puff of smoke came
round the sharp angle which seemed to
cut off the railway line a few yards ahead,
and the train moved slowly into the sta-
tion.
	The one porter rang the bell, and called
out to the passengers to take their seats
for ; then followed a long list of un-
intelligible names, given in the voluble
French tongue, and the one passenger
catching the word S&#38; izay, nodded lazily
to the porter to unlock the door of the
carriage by which he found himself, his
head turned all the time towards the spot
where, close at hand, on the sunny shad-
owless hill, were visible two dark figures
one running with fleet young footsteps,
with which the other strove in vain to keep

	Wait one minute, the solitary trav-
eller said to the station-master, standing
by his side. Yonder comes a lady who
is most anxious to catch this train.
	The man paused, whistle in hand, to
turn in the direction whither he pointed,
and even as he looked, through the dark
narrow entry ran a slight girls figure.
She did not hesitate, though the slow
train, which called at every village between
Tr6cour and S6rizay, was already, though
almost imperceptibly, in motion; but ran
straight on to where the two officials
stood by the already closing door.
	Let me in, she cried. Then the door
was thrown open, a hand, slender and
brown, was held out and clasped hers,
and a second later she was in the carriage,
and an angry voice was pouring forth a
fierce list of broken rules and consequent
penalties, through the open windows, the
while the owner of the said voice was
turning the key in the lock. But what
cared she? For the moment nothing
mattered, now that she was in the train,
safe so far, on her journey.
	She leant out of the window, nodding
and smiling towards the platform, where
Elise, dusty and hot, stood watching the
receding train.
	All the disagreeables were forgotten 
the hot walk, the steep hill down ~vhich
she had run so fleetly, whilst Elise stum-
bled on behind, grumbling loudly the
while.
	And quite forgotten also the fact that
she was not alone; that the window out of
which she leant and nodded was usurped;
that its rightful owner, to whom she had
so much cause to be grateful, was fain to
be content with other than the one he
had chosen, or do without altogether.
	Her unconsciousness amused her fel-
low-traveller; it fitted in, all unconsciously,
with the preconceived opinion of her that
he had formed as he had listened to her
voice.
	She was just what he had pctured
young, very young, perhaps not more than
sixteen. English, of course, that he had
guessed; not beautiful, but as pretty as
bright brown hair, and soft grey eyes, and
a mouth as full and red as a pomegranate,
could make her. And, in addition, youth
and innocent enthusiasm in every tone of
the voice, every movement of the slight
figure. Suddenly, as he watched and
speculated as to what especial form of
pleasure this days outing tended, she
turned her head, and faced him with a
look of blank despair.
	Monsieur, speaking so hurriedly that
he could scarcely follow her words, what
shall I do? I never took a ticket!
	The movement of the train unsteadied
her, and he held out his hand, fearing she
would fall, as she stood thus before him;
and as he did so, the sight of it recalled
the assistance he had before rendered
her.
	Tell me, she cried, sinking down into
the seat opposite him, what must I do?
	 Oh, it will be all right, he answered
quietly. Do not distress yourself. I</PB>
<PB REF="IMG00104" SEQ="0104" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="94">	94	DOROTHY: AN INTERLUDE.
will speak to the station-master at Sari- edly, her eyes wandering over the small,
zay. dark head, where one or two grey hairs
	Thanks, a thousand thanks. How showed. Not handsome,  slowly, 
good of you! I was so afraid for the no, not handsome, but possibly might
moment that they might send me back. have been long ago when he was young.
Do you know, I have never travelled Then her reflections were cut short by
alone before, and I have been most unfor- a pair of dark eyes suddenly meeting hers,
tunate. and the doubtful I think was changed
	Yes, he assented. First, you left for a decided I am sure he has been
your purse behind; then No, he handsome. Thus sixteen epitomizing
went on, I am not Mephistopheles, you eight-and-thirty. A few minutes later, the
need not look so startled. I was on the story of this sudden, unexpected holiday
other side of the hedge when you found it was being told him.
out.	My uncle, Monsieur de Croye, is at
She gave a low laugh. S~rizay for two or three days, and he
How very amusing, she answered, remembered I ~vas at the convent at Tr&#38; 
that you should have met me again! cour, and has sent for me to spend today
What a curious coincidence that you with him. And if I had missed the train,
should have helped me twice! First, with as I so nearly did, and all through Elises
your hand; for, I am sure, if it had not obstinacy, I should not have been able to
been for you, they would never have let go till three this afternoon: the whole
me in. Did you hear that the porter kept day would have been lost.
saying, No, no! when I cried to get And what are you going to do at Seri-
in? zay? It is not a very lively place.
	I was not observing him, but he was Oh, but monsieur, I dont think you
very angry afterwards. can know it, for indeed it is. And I will
	Yes, she laughed again,	tell you what I hope  her voice fell a
And then for one brief moment there little. To-night there is a dance at the
flashed through her mind all the lessons Casino, and I hope from something my
she had received anent men. How men, aunt said in her letter, that they are going.
and, above all, strange men, were, as a If there is one thing I long for, it is to go
race, to be avoided, and only spoken to, to a dance. I have never even seen one.
even those whose antecedents were unim- Her eyes travelled past the man oppo-
peachable, when protective females were site towards the brilliant summer sunshine
at hand, ready to turn aside the dangerous outside, and up to the clear, blue, early
shaft which the stronger sex only sought morning sky overhead, her lips parting
time and opportunity to let fly. into a little smile at the joyful prospect
	But those men of whom, in her careless her words had conjured up.
youth, she had received so many ~varn- But suddenly the eyes returned to his
ings, were quite different from this one, face, the minds flight was checked, those
she decided confidently. accents of despair that he had learnt to
Those of whom she had heard as preju- know fell on his ears.
dicial to the safety and happiness of girl- Elise had it, she cried. Oh, I
hood were young themselves,~blond and wonder what she did with it? Did you
blue-eyed, stalwart and strong, rejoicing see? No, of course you were not looking
in health and strength; such a one would out. I never thought of it for one mo-
be known afar off. ment. it was my bag, she went on in a
But this man was very different; and more explanatory voice; she was carry-
she raised a pair of frank, grey eyes to ing it. Oh, what shall I do?
take note of his appearance, by way of Surely she will send it after you.
proving her carefulness. You say there is another train at three.
	He whom she watched noted in a mo- Yes, despairingly; but Elise is so
ment the little check when, the anxiety stupid.
subsiding, she was enabled to review her Well, you must telegraph, he said
position, and was well aware of the feel- decidedly. We shall arrive at Courville
ing that had prompted it, or, at any rate, in five minutes, and you must send a
made a good guess at it. message from there.
	He drew a letter out of his pocket and A look of relief passed over her face.
read it through, whilst his opposite neigh- He took out a pocket-book and tore off a
bor took a few brief notes. sheet.
	Not at all young! That was the Have you a pencil? he asked; and
mental summing up. Not at all, decid- when she shook her head, he unfastened</PB>
<PB REF="IMG00105" SEQ="0105" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="95">	DOROTHY: AN INTERLUDE.	95
a small gold pencil-case from his watch-
chain and held it out to her. She took
it absently, unbuttoning her gloves, the
while her mind sought the right words in
which to frame her message; but at the
sight of the little gold toy, the perplexity
for the moment was banished.
	How very, very pretty! she ex-
claimed.
	His eyes followino- the direction of hers,
noted the little pencil-case, made in the
form of an anchor. Yes, he said, I
have had it ever since I first went to
school. There is the anchor itself to rep-
resent hope; on its two points are en-
graved the names of my sister and myself
	she gave it to me  Louis and C6cile.
It is very small. I dare say you cannot
make it out.
	Oh, but I can  quite easily; and
there is a cross engraved above for faith,
and  she paused, her eyes roving over
the little ornament for the third symbol 
that of charity.
	The little piece of gold cord that fas-
tens it to my watch-chain is meant to rep-
resent love, he said, in answer to the
inquirinc~ look.
	Of course, the threefold cord that is
not quickly broken. It is one of the pret-
tiest things I ever saw. And you say
your sister gave it to you when you first
went to school. You must have taken
great care of it.
	It was a long time ago; and he
smiled, but a moment afterwards sighed.
	Yes, she assented, it must have
been.
	I was ten, and she a little girl of eight
	a very pretty little girl; and she gave
me this because she was so unhappy at
my going  we had never been separated
before. My father gave me a watch and
chain by way of inaugurating my entrance
into life, and C&#38; ile brought me this, her
chief treasure, for my further adornment.
	He smiled a little sadly as he spoke,
watching the pretty girlish face listening
so interestedly, and brought his mind
back from the past into which it had
strayed, with a little effort.
	It must be very pleasant to be two,
the girl remarked thoughtfully, fingering
the little ornament; to have either a
brother or a sister. I have always wished
for one. But I am quite forgetting the
telec~ram, beginning hastily to write.
And a minute later her fellow-traveller
saw that he, his words, everything about
him, was forgotten in the all-absorbing
anxiety of striving to bring home to
Elises mind the necessities of the case
in as few words as possible. At last she
lifted her head, a frown on her smootL
white forehead.
	If only Sister Clementine had been at
home, she sighed, it would have been
all right; she would have understood.
Then her anxious glances &#38; ncountered
his, and, It is reallyveryimportant,she
said hesitatingly.
	And he understood, as well as if she
had explained it in words, that the bag
contained the requisites for the possible
ball.
	Of course it is most important, he
assented, rousing himself and leaning for-
ward; but between us we will overcome
all the difficulties. You write the mes-
sage, and I will get out at Courville, and
see that it goes.
	It is very good of you; but she was
thinking far more of the probabilities of
the three oclock train bringing her that
of which she stood in need, than of the
polite answer to his speech.
	She ~vrote in silence for a moment, then
handed him the slip of paper.
	I dont think they can make any mis-
take; do you?
	A very slight smile, so swift that it had
scarcely time to lighten for a second the
gravity of his eyes, appeared, as he read
the words, 
From Dorothy Vyse to Sister Jose-
phine. Send my bag by Three train.
Very important.
	Yes, Sister Josephine is the best per-
son, she repeated meditatively. She
is younger, and more likely to under-
stand.
	I think it is sure to be all right, he
assented; you must make your uncle
send some one to meet the train, so that
you get it at once.
	Yes, I might do that~
	A moment later the train drew up at
Courville~ and Miss Vyse was left alone
whilst her fellow-traveller got out to send
off the message.
	She stood at the window watching
where he had vanished through the door
that led into the telegraph office, and the
train was on the point of starting when he
reappeared. Here, she called, as she
saw him glance up and down in uncer-
tainty, and, guided by her fresh voice, he
made a few hasty steps towards where
the brown head and slim young figure
awaited him. Then the door was noisily
slammed, and they were off again.
	I thought you were going to be left
behind this time, she said, laughing.
	Yes, he answered, but we have</PB>
<PB REF="IMG00106" SEQ="0106" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="96">	96	DOROTHY: AN INTERLUDE.

been able to save one another from that For  Perhaps we shall meet at the
misfortune. Casino; who knows? he said. That
	You sent it? she questioned, ignor- would be one partner better than none,
ing his remark. Oh, I hope it will be would it not?
all right.	Yes ;  the blush fading, and her eyes
It is sure to be, he answered, growing glad once more. But and
Dont be~ uneasy about it, or you will then she paused.
spoil a bit of your holiday, and you ought Oh, if I come, I will find De Mornay,
to enjoy every moment of it. and be presented in due form.
	So I mean to do, but I think  I hope The momentary cloud cleared again, but
that to-night will be the best part of it. the train was slackening speed, the last
Are you very fond of dancino~? little station had been passed, the dew
Very! decidedly. had vanished from the flowers wherewith
And do you expect to have much ? the wayside banks were bright, the sun
Do you know many people likely to be shone broadly down on golden corn-fields,
there? and S~rizay was close at hand.
	Not one. But I should think, she This is our destination, the man said,
went on confidently, that uncle must. rising and looking forth. A quarter past
And if he takes me, I should think he is eightwe are only five minutes late.
sure to find me partners. I am hungry, Miss Vyse remarked.
	It seems to me it is the very least he Well, in a quarter of an hour you will
can do. be at breakfast. I suppose you will be
	Of course it would be pleasant anyhow met?
 I mean I should like to go, if I did not Yes, I think so, rising and leaning
know a soul in the room; but still it out of the window; I expect Anne
would be rather disappointing to go to a that is my aunts English maid  will be
ball and not dance once  wouldnt it? here.
	It would indeed; but I hope that is Well, you must tell her to wait one
not likely to he the case. minute, whilst I see if there is an answer
	She remained silent a moment, appar- to your telegram. I asked Sister Jose.
ently reviewing the situation, and then  phine to send one here.
A Monsieur de Mornay is staying with How very good of you ! she said,
them. His brother lives near S~rizay, so drawing in her head, and turning her
of course he will know people. pretty eyes towards him.
	Of course. De Mornay  let me see. Suspense is too terrible to bear, he
I have met him in Paris, or at least seen answered lightly, if it can be avoided.
him. A short, fat, bald man, with a very I shall never forget, she answered,
black moustache  and an eyeglass. how much I owe you for your kindness
	It did not sound an exciting description to-day. My whole holiday would have
of the cavalier upon whose kindness she been spoilt if it had not been for you.
was to be dependent. But Miss Vyses Then the train stopped, and There is
thoughts flew past the personal descrip- Anne, she exclaimed, and a moment
tion to the more important fact that had later was by her side,pouring forth a vol-
attracted her attention. uble stream of chatter, chiefly anent the
	Do you know him? How very odd! disasters that had befallen her in the hour
the largeness, not the smallness of the and a half since she had quitted the shel-
world, having so far impressed itself upon tering roof of the Sacr~ Cceur.
her.	We are to wait one moment, Anne, for
I dont know that I have ever spoken an answer to the telegram; and whilst
to him; but if I come across him, I will Anne was striving~to grasp the story, and
try and recall myself to his remembrance. to understand why Miss Vyse had no
	Are you going to stay in S&#38; izay? ticket, a tall, dark-haired man came up to
It was the first question that had passed them where they stood together, letting
her lips, and it come swiftly, unpremedi- the few passengers dri
tatedly, and was followed by a little hasty in his hand. ~	ft by, an envelope
blush, that showed she felt herself to have It is all right, I hope, he said, lifting
been indiscreet, his hat, as the girl tore it open.
	I am not sure. He spoke doubtfully, Yes, she answered, becoming once
as if reviewing his plans; but the girl more aware of his presence, it is all
only read in the dubious answer a rebuke right. Sister Josephine will take it her-
for her question, and blushed again. He self to the train.
saw it, and probably guessed its origin. That is well: and about the ticket; I</PB>
<PB REF="IMG00107" SEQ="0107" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="97">	DOROTHY: AN INTERLUDE.	97
have spoken to the station-master, and all
you have to do is to pay seven francs fifty
centimes. Then all your troubles are
over, I trust, for the day, and you are free
to enjoy yourself.
	With a courteous Good morning he
turned a~vay; but the girl made one little
step to.his side, and speaking quickly and
impulsively, You have been very kind,
she said. I do hope I shall see you at
the ball tonight.
	I shall be there, he answered. Then
the slim, girlish figure passed away into
the distance, following in the wake of the
other passengers, her bright brown head
bent down towards her short, plump coin-
panion, as she poured forth an endless
stream of question and answer.
	He watched her for a moment, till a
turn of the building hid her from sight,
then took out the letter from his pocket
he had been reading in the train, and
glanced through it again.
Having read it, he tore it into frag-
ments, and entering the telegraph office,
wrote a message 
From Armand to Dubois. Shall stay
here to-day, and go to Brussels by mid-
night train.
	Having sent his message, he quitted
the station, smiling a little as he saun-
tered down the narrow steeet, with its
few passengers hurrying by to their mar-
keting in the early sunshine, at the
thought of the effect its reception would
have upon the friend to whom he had ad-
dressed it.
	But the smile had quite vanished by the
time he had arrived at the entrance into
the dark courtyard of the Lion dOr, with
its fat landlord on the lookout for a chance
guest.
	Monsieur had ordered a room from
Paris?
	Yes.
	And monsieurs servant had arrived
the previous daywith his luggage.
Yes, it was quite right, quite right; and if
only the servant had said the time at which
monsieur was expected, or a message,
Un fr/it inot, had been sent announcing
his arrival, he, L~on Duval, would have
sent the carriage to meet him. But as it
was, he, with a shrug of his fat shoul-
ders, was desolated, though not to
blame.
	Scarcely hearing his landlords apolo-
gies, the stranger mounted the stairs to
the room which had been reserved for
him, and flung open the door.
	An elderly manservant was its only
occupant; he rose with a military salute
	LAVING AGE.	VOL. XLIX	2503
as his master entered, but did not say
anything until the door was closed be-
tween them and Monsieur Duvals voluble
apologies.
	I will take breakfast here, Monsieur
Armand then said, and the servant went
away to repeat the order.
	But when he came back, his master was
pacing up and down the room, pausing
generally by the large window which gave
a glimpse of blue sparkling waters, far
beyond the little town; and once when
he had arrived there, without turning his
head  There is no letter for me, Jean,
I suppose? he said.
	No, monsieur, Jean replied, lifting
his eyes as he spoke, and looking sadly
at the tall figure. And a moment later,
suddenly, as if unable to keep silence:
Monsieur stayed at Tr&#38; our last night?
	Yes, he assented.
	And did monsieur
	No, he interrupted, speaking more
quickly, she would not see me. I
thought she might have written here.
	The old man only shook his head mourn-
fully, whilst the younger seated himself
before the breakfast now awaiting him.
	Did you go to her or write? the ser-
vant hazarded by-and-by, as silence again
fell between them.
	I sent a letter by a messenger, asking
her to see me to say good-bye, telling her
I was leaving France; but the only an-
swer was a few words by the messenger,
saying she could not see me; so I came
on, meaning to go to Brussels this morn-
ino
	And now? questioned Jean.
	Now, smiling a little, I have
changed my mind. I have telegraphed to
Monsieur Georges to tell him I shall leave
here by the midnight train instead.
But monsieur 
I have made up my mind, monsieur
answered shortly. I have an engage-
ment, but it will not take me long. We
shall be able to start by the midnight train
easily.
	Monsieur is not very wise, began
Jean.
	Most unwise, interrupted his mas-
ter; but I am afraid it is too late to
begin to be different. Get me a news-
paper  of the place, you understand 
if they have such a thing, and paper and
ink.

	It was half past nine, and the weekly
ball to which the second-rate casino of
S&#38; izay treated its habituds during the
summer months was drawing to an end </PB>
<PB REF="IMG00108" SEQ="0108" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="98">	98	DOROTHY: AN INTERLUDE.

half past ten being the legitimate hour for tell you the truth, I never did do much in
its closing, that way. But to-night I have felt really
	The dancers in the centre, the lookers- sorry I could not get through a waltz;
on around, all alike seemed to be enjoying for we have a little schoolgirl from the
themselves in a greater or less degree, Sacr~ Cceur with us who is wild to dance.
and the rash attempts of the shopkeeping There she is, stopping short,  and if you
element to master the intricacy of the would just one, you know. It was so
lancers the scorn of the more aristo- very unkind of Mademoiselle de Ville-
cratic parties from neighboring houses, ron, irrelevantly; for I am sure her
who, in Paris toilets, and with Paris man- fiance would have given her a turn, but
ners, had availed themselves of the amuse- she would not allow me to present him.
ment offered by a tolerable band, and a So if you 
good floor  was very entertaining to the Of course, said his listener courte-
non-combatants, safely drawn out of the ously; and it certainly seems as if
reach of danger. A tall, slightly-built Mademoiselle de Villeron had been a little
man, with a smooth dark head, coming unkind. But girls, you know,  smiling,
into the room, by one of its many en-  sometimes think it as well to let no
trances, paused in the-doorway, as if to temptation come in the way of afiancd.
take a survey. First, of the dancers; but It is as well to be careful, assented
neither the energetic bourgeois nor the Monsieur de Mornay; but still circum-
aristocracy of the neighborhood seemed stances alter cases.
to interest him.	And in this case you think there was
Then, to the lookers-on; rows of moth- not much danger?
ers, fathers, and other relations, all alike Girls of sixteen are not dangerous,
filled with joyful pride, till his eyes asserted Monsieur de Mornay confi-
reached the party he was apparently in dently. So  laughing heartily  I
search of. think you may run the risk.
	A stout, good-humored-looking man, a Then a slight tinge of color coming into
stout good-humored-looking woman, and his broad face  Ten thousand pardons,
between them a girl in white, a girl monsieur; but names are treacherous
with glad grey eyes, and pretty bright things, and yours, I am sorry to say, has
brown hair, quite escaped me, Monsieur ?
	He watched her for a moment, and Armand, replied the other quietly.
then, Pardon, monsieur, diverted his Thank you, effusively. Mademoi-
attention; and he became aware that he selle,leaning across the guardian to
was lounging in the doorway, to the incon- attract the girls attention,  have you
venience of the passers in and out,  changed your mind? Are you still long-
apparently to the great inconvenience of ing for a waltz? Because I have found
.a short, fat man, with an eyeglass and a you a partner.
very dyed moustache.	At the sound of his voice the girl
Pardon, monsieur, he answered, turned her head quickly; but before she
drawing himself out of the way, and then could speak, if she had any such inten-
looking at him with more interest. Mon- tion, Monsieur Armand, went on Mon-
sieur de Mornay? he said, interroga- sieur de Mornay, Miss Vyse, Madame
tively. de Croye. Madame bowed pleasantly;
	The same, sir, lifting a face that was and it was to her Monsieur Armand ad-
rather pleasing, despite the obvious dye dressed a few polite words, whilst Miss
of the hair. XTyse awaited his leisure.
	You do not remember me, I dare say, She no longer looked tired, which was
but I have met you at the house of the what he had noticed when he first sa~v
DArtignans. her. Her eyes were as fresh and eager
	Assuredly, replied the other. One now as when he had seen her at seven
grows so forgetful as one gets older. But that morning.
I must not delay, fussily; I am with a There was still a little smile about her
party. young red mouth. She was looking down
	And I am all alone. May I, per- towards where, below, the last figure of
haps the lancers was being danced by several
	Certainly, do come and join us. Per- sets, all more or less inefficient; whilst
haps, stopping suddenly, ybu dance? the master of the ceremonies looked on,
I do, or should say I did.	despair written in his countenance; but
	Oh, you should not speak in the past the gambols of the crowd for the moment
tense. Now I  ~vell, confidentially, to scarcely interested her.</PB>
<PB REF="IMG00109" SEQ="0109" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="99">	DOROTHY: AN INTERLUDE.	99
	He looks younger than I thought him
this morning  no shadow of doubt
crossing her mind as to the comparative
deceptiveness of subdued gaslight and
brilliant early morning sunshine. And
it is odd, but I think he is quite hand-
some no~v. Not what I admire, slowly;
a fair, curly-haired man is what I ad-
mire, with a swift glance at the dark,
smooth head above; but for a dark man
he certainly is handsome.
	There, mademoiselle, he said, that
is the end of the lancers. Now for our
waltz.
	Yes, she answered quickly, do not
let us lose any of it.
	He smiled.
	Well, if madame will permit, let us go
and seat ourselves in the front row; and
I promise you, you shall not miss one bar
unless you so please.
	Yesgo, child, by all means, ma-
dame replied kindly. I am sure it has
not been very lively for you.
	\Vell, mademoiselle, was his first
question, how has the holiday been?
Everything your fancy painted when you
started from Tr6cour? 
	Yes, very nearly so. Somehow things
never go quite right in this world
	No, it is rather the way of this world,
he interposed. But excepting for these
necessary drawbacks?
	Yes, excepting for those  and there
were several, you know, before we start-
ed, and she laughed  and for my not
being able to dance,everything has
gone well.
	That was rather a pity.
	Yes, with momentary asperity
could you believe any one could come
here every summer, as Monsieur de Mor-
nay does, and not know one man to ask to
dance a waltz? He asked that lady oppo-
site,  do you see a lady in pink muslin?
	well, he asked her if herfiancd, who is
with her, would. But she said no; she
could not spare him. I think it was rather
unkind, even if it did bore him,and,
after all, I am sixteen; in another year I
shall be out.
	It was most unkind, I consider, he
answered, trying to follow the thread of
her remarks.
	So my partners were reduced to Uncle
Henri and Monsieur de Mornay; they
each danced a quadrille with me. It was
a very funny affair,  with another little
laugh,  for they did not in the least
know what to do. Still, it was better than
sitting still. You can imagine, therefore,
how glad I was when I saw you, or
rather you cant, because you are a man,
and of course have been to many, many
balls?
	A good many, he assented. But
never to one in S6rizay, so here we start
on equal terms. In a few minutes we
shall have to make our dibut. And as
to your gladness at seeing me,  a possi-
ble partner,  I quite believe it. I was
standing in the doorway behind you, and
shall I tell you what I saw?
	She nodded.
	I saw a great many people dancing,
and a great many more looking on ,all
apparently quite happy; but besides all
these I saw a man, and a lady, and a girl
in a white muslin frock; and it seemed to
me that this girl looked rather disconso-
late, as if she were getting tired of watch-
ing other people enjoying themselves.
	Yes, she interposed softly,  I was.
	So I changed my mind, for I had
meant not to come in, although  smil-
ingI had promised, and came under
Monsieur de Mornays wing to the rescue.
	It was very good of you; and, do you
know, her voice falling, and speaking
very quickly, I am afraid J am rather un-
grateful; for although you were so kind
to me this morning, I never remembered
to tell uncle about you until I got here
this evening, when I hoped you would he
here for one dance; and that reminded
me, and I told my aunt. I only tell you,
the red burning into her cheeks, because
I dare say you might think it odd of uncle
not to thank you for all you did; but you
will understand now that it is not his
fault.
	I hope you and your uncle had many
more important things to talk about.
	Yes, indeed! Then coloring again,
I mean we had somethinc~ of treat im-
portance to discuss. My cousin Cleni-
entine, their only child, is going to be
married, and I am to be bridesmaid, and
there is to be a ball.
	I dont wonder you forgot me, Mon-
sieur Armand answered. That was a
piece of news indeed. But there, the band
is beginning, and, you know, we are to
losenothing of this.
	Nothing, she repeated, rising to her
feet, the soft color coming into her cheeks,
her gray eyes burnin~ with excitement.
	Waltzing can be raised to the level of
a fine art; and with a good floor, and
Strausss softest, tenderest music sound-
ing overhead, and such a partner as Mon-
sieur Armand proved himself to be, Doro-
thy Vyse felt that her holiday would have
lost its chief attraction had he failed to</PB>
<PB REF="IMG00110" SEQ="0110" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="100">	100	DOROTHY: AN INTERLUDE.
present himself. He moved so quietly, so
gracefully, amongst the rash, the head-
strong, amidst whom he found himself
sharing the honors of the Casino, that no
untoward incident marred the full pleas-
ure of the dance. And it was the girl who
first paused after all.
	Tired? he questioned.
	Oh, no, her words coming with soft
little pants between; but I am so much
out of breath that we must wait for a few
seconds.
	You dared me to do it, you know, he
said. There was not to be one pause
from the first bar to the last.
	She smiled.
	I was afraid you would be one of those
men  I have been watching them this
eveningwho just take one turn, and
then stand still and talk.
	And conversation has no charm for
you?
	Oh, one can talk at any time, she
answered carelessly; but a waltz, that is
another affair.
	That depends surely upon the conver-
sation and the dancincr
	Yes, of course. But you, speaking
more enthusiastically you dance beau-
tifully; better than Jeanne Dupuy, and
she is the best dancer in the convent.
	I am proud, mademoiselle, and feel
encouraged to take another turn. Come l
And you, putting his arm round her slim
waist, how do you stand as compared
with Mademoiselle Jeanne Dupuy? I
dont think there can be much to choose
between you.
	No, she answered indifferently; we
are about equal. But as we are the two
best, we are not allowed to dance to-
gether, but we have to waltz with those
who are very bad. ft rather spoils the
pleasure.
	Yes, I should think so.
	But we get on very well together, I
think; and that is a comfort, because 
	Well? he questioned, as she stopped.
	Well, you see, she went on, we
have sometimes feared, Jeanne and I, that
perhaps we were not learning the most
fashionable step, and that when we left
Tr~cour we should find no one able to
dance with us; but now I can tell her that
it is all right. At least, stopping short,
you would tell me
	Certainly; I should think you had
learned in a Paris ball-room.
	You have been there lately, she que-
ried, and know the fashionable step?
	Yes, he assented; I am quite a
cri tic.~
	Perhaps because of the distinct opinion
that had been vouchsafed him on the sub-
ject, Monsieur Armand did not attempt
much conversation; but the dances were
not very long, and all too soon, at least in
as far as Miss Vyse was concerned, the
music ceased.
	Do you think madame would trust me
to take you into the buffet, and give you a
glass of lemonade? I believe that light
refreshment is to be had.
	 Oh, I should think so.
	Madame, conversing with a new-corner,
tall and thin  and these facts exagger-
ated by comparison with the party with
whom he found himselfscarcely turned
her head to say Yes, yes, childcer-
tainly. And Miss Vyse, with her hand
on Monsieur Armands arm, was led away
through a narrow passage into another
well-lighted room, where was a table with
light refreshment, in the shape of sweet
cakes and syrup. Her partner procured
what she wished for, and then drawing a
chair up to a little table, sat down beside
her.
	She ate her cakes and drank her syrup
and water with the most evident enjoy-
ment, and after a little while volunteered
a remark.
	I think I may safely say that I have
never enjoyed any day in my life as much
as I have done this one.
	I am very glad to hear it.
	You see, she went on explanatorily,
I have been four years in the convent,
and have never been out, except to spend
a few odd days at the other girls houses
in the neighborhood. Itisaverymonot-
onous life, and I have often wished for a
change. Now to-day
	An expressive silence.
	Has been full of change, I suppose?
	It has, she assented; I shall never
forget it.
	She was still mentally passing in review
the various joys and anxieties of the day,
when a tall, soldierly servant came up to
her companion and said something to
him rapidly,  something, of which Mon-
sieur Armand repeated after him the last
words.
	A letter  give it to me; then the
anxious tones of his voice softened, and
he looked round at the girl with a smile.
	Mademoiselle will excuse me if I read
a letter and a telegram which have come
for me.
	He opened the envelope and glanced
at the message, then put it in his pocket.
It is all right, he said to the servant.
I am going by the midnight train to</PB>
<PB REF="IMG00111" SEQ="0111" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="101">	DOROTHY: AN INTERLUDE.	I0I
Brussels. Get me a sheet of paper, and
I will answer it.
	In silence the man gave him one, with
which he had evidently come prepared.
	Instinctively Monsieur Armand took
hold of his watch-chain in search of the
little pencil, but it was no longer there.
A bewildered expression crossed his face,
and he turned his perplexed eyes to his
servant; but in a moment Dorothy, not-
ing the look, interpreted and answered it.
	I have it, she exclaimed; you lent
it to me, dont you remember? search-
ing her pocket, and I never gave it you
back. I found it after I got home. I
meant to give it to you directly I saw
you, flushing a little,  but I quite forgot
it.	I am so sorry!
	Well, you remembered it, after all, at
the most opportune moment, he said
kindly, taking it and writing rapidly.
	There ! turning to the servant, send
that off directly  and tell 
He hesitated for half a second, glanc-
ing from the clear, frank eyes of the child
to the tall, soldierly figure, then 
Tell her to wait, he said;  I will
come.
	The man turned away, but paused a
moment to say significantly, At once.
	At once, repeated Monsieur Armand.
As the servant disappeared, Mon-
sieur, said Dorothy quickly, you have
been sent for  I could not help hearing
the message; I have finished my supper.
It was very good of you to wait, for I am
afraid you are in a hurry.
	The little slip of paper the man had
given him was still between his fingers;
written across it, in a trembling womans
hand, were a few words.
	After all, I cannot let you go without
saying good-bye. Come. He looked at
it again, then tore it into tiny scraps.
And turning to the girl,  It is my sister,
he said a little abruptly. She sends
word she wishes to see me to say good-
bye. I hoped to have seen her yesterday,
but I did not do so.
	To say good-bye, repeated Dorothy.
	Yes. I am on my way to Brussels to
meet a friend there, and after that I am
going  oh, hundreds of miles away.
	Where? she questioned; and then
her young eager eyes falling, I beg your
pardon she began -
	No, dont, he interrupted; it was a
very natural question. I am going to
Algeria.
	You are a soldier? she questioned.
	Yes, he assented.
	I suppose, she began, whilst button-
ing her gloves, that it is the sister who
gave you this whom you are going to
see? taking up the little anchor which
still lay on the table. C~cile, reading
out the name. You had better put it
back on your chain, holding it out, or
you will forget it again; and you see,
laughing, there is no use trusting to my
memory.
	The last time I went that journey,
he said a moment later, rather irrelevantly,
I was with herC&#38; ile; I was bringing
her also to spend the day here from the
Sacr6 Cceur.
	How very extraordinary! ejaculated
Dorothy. Do tell me about it. How
old was she? Ijid she enjoy it?
	She was about sixteen also. But I
remember she told me when I took her
back, that it was the most miserably dis-
appointing day she had ever spent. But
then, you see, she had not been four years
in a convent.
	Ah! that would make a difference.
	I was her guardian, he added. Poor
C&#38; ile I 
	Of course I dont know what you may
have been like all those years ago, Miss
Vyse vouthsafed, but I should imagine
you would have made rather a nice guar-
dian.
	Looking back, he went on, pursuing
his own train of thought more than an-
s~vering her, one can see so clearly how
much better one might have been.
	Yes, she assented; even I, though
I can only look back a little way, often
wish I had done differently. It does
seem such a pity, doesnt it, she added,
not to have done it the right way at the
time?
	Well, if you, with your little scrap of
experience, have felt that, what would
you think of one as old as I am, who, on
looking back, saw that everything ought
to have been done differently  that his
whole life had been one huge mistake?
	Oh, but no one could think that, she
replied confidently, unless they had been
very wicked; and then, of course, all they
have to do is to be sorry and try to be
better.
	Yes, he answered. His dark eyes
were lifted to hers, looking gravely at her.
Yes, you are quite right; that is the only
thing to be done. But I often think that
for those kind of people  wicked people,
you know  the worst part of the looking
back is that they see how, if they had
been better themselves, those whom they
loved would perhaps have been better
also.</PB>
<PB REF="IMG00112" SEQ="0112" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="102">	102	DOROTHY: AN INTERLUDE.
	Well, she said, I have never met a
wicked person, never, reflectively; but
I think, if I ever did, I should like to tell
him that he would be far happier if he was
good. I dont mean only in heaven, I
mean here. Sometimes I have been ut-
terly miserable, but it has always come
from doing wrong.
	That is a very good piece of advice,
mademoiselle; I will remember it, and
give it to the first person who seems to
require it.
	He had picked up the pencil, but his
efforts to fasten it on his chain were not
crowned with success. It slipped through
his fingers and disappeared on to the floor,
where, after much searching, it was dis-
covered at Dorotl~ys feet.
	Even hope, you see, mademoiselle, is
trying to escape me to-night. I feel quite
superstitious. First I lost it, and never
even missed it; and then, when I try to
put it back into its accustomed place, it
escapes me again. It is evidently going
to forsake me.
	But it shall not, said Dorothy deter-
minately. You shall have nothing to do
with it I will put it back.
	Well, perhaps you may bring better
luck.
	He took off his watch and handed the
chain to her, and she put the little orna-
ment back into its place.
	There! she cried triumphantly, it
;s as firm as possible, giving it back to
him.
	He put it on and smiled.
	Thank you, mademoiselle, I feel the
good effects already.
	The tall man was still standing making
conversation to Madame de Croye, and
she still striving to hear all he said, at
the immense distance which an unpropi.
tious fate had placed between their two
heads, when Monsieur Armand took back
his young companion to her friends.
	Uncle Henri was still gazing as if mes-
merized at the gambols of those below,
which had now taken the form of a partic-
ularly wild cotillon.
	It was Monsieur de Mornay who moved
to make room for them.
	I am not able to stay any longer,
Monsieur Armand said. I have brought
mademoiselle back, and I am sorry to say
I have not even time to wait for a turn in
the cotillon. But we had our waltz, and
you enjoyed it, mademoiselle, he went
on, addressing himself to the girl, who
had not seated herself, but was still stand-
ing beside him.
	Enjoyed it! emphatically. The
pleasantest part of my day would have
been left out if I had missed it.
	She moved a stel) nearer, and her voice
sinking a little, And I know, she add.
ed, that you only came to give me pleas-
ure. It was very kind, and 1 wish I could
do more than say thank you.
	I am very glad I came, he replied,
and I also say thank you, with a bow,
which included all the party; then, with
a little especial good.night to Dorothy,
he turned away; but after a hesitating
step or two, came back, and held out his
hand~
	Good-bye, was all he said; but Dor.
othy felt there was a certain significance
in the action, because to all the others he
had simply said, Good-night; but to
her, his friend, on this eventful day, he
had said Good-bye, in token that they
two alone knew that the parting was final.
	She watched his tall , slight figure till
he had disappeared from view; at the
door he looked back, and meeting her
eyes, smiled, and bowed again.

	A little later, they were all walking
back through the narrow, roughly paved
streets of S~rizay that led from the Casino
to the hotel. In that primitive spot cabs
were not to be had for the asking. They
were always specially ordered luxuries.
	Madame de Croye leaning on the arm
of her new friend; Uncle Henri and
Monsieur de Mornay behind; and Doro-
thy, wrapped in a day-dream of her own,
pursuing her solitary way.
	But arrived at the hotel, good-nights
were exchanged, and they separated 
the two ladies going up to their own
rooms, whilst Monsieur de Croye lingered
to smoke a cigar with his friends before
parting from them.
	Well, Dorothy, questioned madame,
when they stood in the bright little French
drawing-room, I hope you enjoyed your-
self. Are you very tired?
	Oh no, aunt, not in the least; and I
have enjoyed myself. It was good of you
sending for me.
	Madame de Croye, who was divesting
herself of numerous wraps, wherewith she
had striven to counteract the evil influ-
ences of night air, came across the room,
and kissed the girl kindly.
	I am very glad you enjoyed it, dear.
I only wish we could have done more for
you. But never mind, at Clementines
marriage you shall have as many partners
as you can wish for. I hope Monsieur
Armand  was not that his name? 
waltzed well.</PB>
<PB REF="IMG00113" SEQ="0113" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="103">	DOROTHY: AN INTERLUDE.	[03
	Perfectly, cried the girl enthusiasti-
cally. It was a treat! Was it not curi-
ous his being there? It was the same
man, you know, that I told you about this
morning, who was so kind to me in the
train.
	Yes, of course, replied madame, a
little absently, folding up her many wraps.
I have been wondering about your
bridesmaids dress, dear. Have you any
particular choice? I think it would be
better for you to come to Paris a short
time before the wedding, so that you can
have what you like best.
	Into this new important topic, her
thoughts being thus diverted, Dorothy
plunged with great energy; and when it
had been discussed at much length, the
door opened, and Monsieur de Croye made
his appearance.
	Not in bed !  was his exclamation on
entering. My dear child, ~vhat shock-
ingly late hours you are keeping!
	It is only once in a way, she pleaded.
And I wanted to see you before I went,
to tell you how very much I have enjoyed
myself.
	Even at that poor attempt at a ball?
he said kindly.
	Yes, indeed, it was too delightful.
	Though you only danced once, did
you not?  for you can scarcely count my
attempts, or De Mornays.
	Yes, only once, she repeated; but
all the same, I dont think I ever spent a
more delightful evening.~
	You are a very good, grateful girl,
he replied kindly; I hope I shall be
able to do more for you one of these
days.
	An nette,  the tones of his voice
altering,  and turning to his wife, fancy
who was in the Casino to-night! the
Comte de Rivaulx.
	Comte de Rivaulx! echoed madame,
pausing in her tidying; why, what was
he doing there?
	Yes, what? But there is a man down-
stairs who is at the Lion dOr, and has
just been telling us all about it. It seems
he is staying there, though apparently not
under his own name. This man, a friend
of De Mornays, Fr6don by name, was in
his room with the door open, when, at
about ten oclock, he saw a lady heavily
veiled go past, and knock at the next door
to his.
	A servant came out, and she said very
quickly; Is the Comte de Rivaulx in?
1 must see him. Has he started?
	Not Iluif name, the servant replied.
And then added, I wish he had started,
but he said he must go to the Casino first.
He had promised
	How heartless! madame remarked.
	It is disgraceful, Monsieur de Croye
went on. My first thought was thank-
fulness that that stuck-up Mademoiselle
de Villeron would not let De Mornay in-
troduce herfiancd. Of course he was one
of that party  vulgar, fast set. I have
no doubt his sister was with him I
	That, madame remarked, was
scarcely likely, under the circum-
stances.
	What circumstances ? inquired mon-
sieur testily.  She has left her hus-
band, he went on; we all know that.
	Henri! exclaimed madame in tones
of horror,  do not forget the child is in
the room2
	He stopped abruptly, and turned to-
wards the corner where Dorothy, with
wide-open grey eyes, in her white muslin
gown, was staring at him.
	What has he done? she questioned,
coming a step nearer.
	Done? repeated monsieur, still in-
censed at the contaminating presence
that, all unknown, had been so near to
him; he has done nearly everything he
should not have done. Ruined, obliged
to leave his regiment, penniless,  when,
fifteen years ago, he had as fine a fortune
as any man could wish for; and then a
duel to wind up with. The wounded man
lying in Paris not expected to live, and he
idling about a casino. That, I think,
pretty well shows the kind of man he is.
But women are all alike. I believe An-
nette would say something in his favor if
she could.
	No, Henri, she began doubtfully, I
suppose he is a very bad man. I have
always heard he is; still this duel, I was
told, was forced upon him, that he was
insulted most o~)enly.
	I dare say, I dare say. Still he need
not go flaunting about as if he were proud
of his heartlessness  and with his sis-
ter, lost to all sense of shame, living with
DElvas.
	Henri! exclaimed madame, I insist
upon your changing the subject, or wait-
ing until Dorothy has gone to bed.
	Her husband was silent a moment, and
she asked a little curiously,  What kind
of a looking man is he? I wish I had
seen him.
	Fr~don says that he thinks he saw
him go down, and that he never saw a
face which bore so plainly the distinguish-
ing marks of the kind of man he is. The
expression was horrible, so lie says.</PB>
<PB REF="IMG00114" SEQ="0114" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="104">	104	UNDER A GREEN BOUGH.
	What is he like? questioned Dor-
othy gently. She was gathering her
wraps together, preparatory to departing.
	His looks dont matter much, replied
her uncle. Suffice it that I consider him
to be the wickedest man in Paris.
	Having made this sweeping assertion,
Uncle Henris feelings seemed a little
relieved ; for,  He is not handsome, he
added; at least I have always heard
that his fascination does not lie in his
good looks.
	Does he dance well? Dorothy haz-
arded, lighting her candle.
	Monsieur de Croye laughed. His good
temper seemed restored.
	His dancing, he said, to quote
Fr~don down-stairs, is historical.
	Well, put in madame soothingly,
perhaps he could not resist going to the
ball, if he is so fond of dancing.
	Thats right, Annette, remarked her
husband; hear how bad he is, and then
make excuses for him. And you, Dor-
othy, you hear also,  and only regret, I
see, that you had not a chance of knowing
him.
	But Dorothy did not answer, did not
smile at his light words, but said  Good-
night, and taking up the candle, went to
her own room.
	She was not thinking of the doubtful
hero of many Paris escapades of whom
her uncle had spoken, of the man who
had run through a large fortune, wasting
his patrimony on the idle amusements
which his life had suggested,  of the
man who, in disgrace and ruin, had
thought it advisable to leave his country,
and strive to carve out a fresh career as
a nameless soldier in another land, whilst
he, with whom he had fought, lay hover-
ing between life and death in Paris.
	No; her innocent, girlish thoughts
were with some one very different; some
one who had been kind and helpful to
her when she had been perplexed and
anxious  who had smoothed many diffi-
culties in her path, which had threatened
to interfere with her happiness  and
had, at the cost of trouble to himself,
given her the crowning joy of her holiday.
	Some one who had looked at her with
dark, grave eyes, and told her the bitter-
est punishment of wrong-doing is to find
out we have been a bad guide to those
we love,  some one who had placed in
her hands the little symbol which had
served as the connecting link between
brother and sister, whose love, formed of
the threefold cord, no dividing sin and
shame could sever.
	Of the voice that had said that hope
was forsaking him, but that her young
innocent hand should give it back to him.
	And it seemed to Dorothy, standing
in the bare French room, with the moon-
light falling across the uncarpeted floor,
that, of a sudden, a great window had
been flung open before her, out of which,
gazing, she saw, for the first time, all
the sin and sorrow that there is in the
world.




From Blackwoods Magazine.
UNDER A GREEN BOUGH.

	MUCH as I appreciate summer weather,
I am afraid that soft, balmy days are not
favorable to the doing of laborious work,
whether of body or mind. I find them,
however, highly conducive to the act of
mind which we call musing; and, upon
reflection, I do not see why a man should
not, at convenient times, drop the reins
upon the neck of his fancy, and suffer him-
self to be spirited about according to her
pleasure. This is dead against the teach-
ing of the profound Locke, who, if I re-
member rightly, in his Conduct of the
Understanding, insists that the mind
must always be at the service of its owner,
and must never be allowed to take the
lead and to carry him off wool-gathering.
	Locke, like some other great thinkers,
is almost too severe for mortals of only
ordinary strength. Nay, it may perhaps,
without profaneness, be made a question
whether nine-tenths of us could at all en-
dure the mental discipline which he thinks
wholesome and improving. I will even go
a little farther than this, and say that if
a man were strictly able to follow out
Lockes precept, and to assign to his mind
its daily stage of duty, he might, while
always following after good and worthy
objects, miss and come short of objects
more original and more adapted to his
powers and disposition. Working ear-
nestly but in set grooves, he might travel
very near to, yet never see, some treasure
which a roaming imagination would be
sure to light upon. Such observations as
these ought, however, as I know, to be
offered and received with extreme cau-
tion; because it is easier to loosen than to
control the mind, and wandering thoughts,
if freely indulged, often object to one tak-
ing the road back into prescribed study.
	Even were the argument for dreaming
much weaker than it is, I think that I
should to-day hardly take to anything very</PB>
<PB REF="IMG00115" SEQ="0115" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="105">	UNDER A GREEN BOUGH.	105
serious. The turf is so fresh and green,
the air is so scented and soothing, it is so
delightful under the shade of melancholy
boughs, that even if I were to force my-
self to a task, the chances are that, having
once done so, I should treat resolution
and come here again miching for an hour
or two. It is a favorite conceit of mine
when I thus make holiday, that I am the
victim of a re/janus, the cause of the con-
ceit being nothing stronger than that I lie
in a net-hammock wondrously adapted for
repose, where I look probably as much
like a cabbage as a gladiator. Certainly
I do notfee/like a victim as I revel in the
far niente, forgetting the world and trust-
ing that I am for the present by the world
forgot. I am not, in my hours of ease,
one bit uncertain or hard to please I
know what I like very well  and that is,
to be let alone.
	The feet of him that brings tidings
(good or bad) to my retreat are not beauti-
ful to me; and I feel an emotion only too
like hatred against that person in buttons
who carries something ominously resem-
bling a letter in his hand, athough he
comes only from a sense of duty towards
me. This unreasonable enmity is another
proof that I am not in the frame of mind
recommended by Locke; I confess to
being uncharitable, and I mentally make
spiteful comments on the nuucio as he
draws near. I suspect him of exaggerat-
ing his chest with a sponge or something
of the sort, and decide that he has the
most offensively conceited strut ever seen
 all this because of my belief that the
letter is considered important and will
cruelly interrupt, if it does not bring to an
end, this swing in my net.
	But when I open the despatch my coun-
tenance clears, my heart is once more in
the right place. I behold a page of be-
coming gait, and with a bosom in strict
proportion to the other parts of his frame.
I address him in a sweetly benevolent
tone as compensating for the mental injury
that I had done him; for though the billet
was marked immediate, and had been
Otherwise commended to the household as
demanding instant attention, these are but
the devices of a mountebank for advertis-
ing his entertainment. Nobody is at this
moment intruding on my laziness; I need
not, and I shall not, determine just now
whether or not I will form one of the audi-
ence of the professor (as he calls himself)
on Wednesday next; and I once more
daft the world aside and bid it pass.
	That professor, I reflect, as I sub-
side into delicious placidity, probably
understands his business much better than
I do; still, is it wise of him when he
wants peoples good-will  their patron-
age, as he expresses itto fool them by
representing his plaguy advertisements as
matters of importance? The feeling
which he has aroused in me is simply
irritation at the fright he gave me; and I
am very unlikely, while feeling thus ag-
grieved, to go to see him myself or to rec-
ommend him to any one else. He had
much better have sent his programme
without any trickery, and let it take its
chance with my impartial judgment. Then
it would in due course have  humphl
perhaps it might not have been brought
to me at all, or, having been discovered on
my desk at a busy moment, would have
been chucked into the waste-basket. Yes,
he has by his dodge caused me to read
his announcement and to think about it,
although he has aroused my ire. To se-
cure attention by any means was evider~tly
his object; to secure it inoffensively if he
could, but to impress with a pan~., rather
than not to impress at all. I am thinking
about the fellow, that is certain; I shall
probably think again of him; and I already
see the foreshadow of an event which, for
the sake of others, though not for my own
sake, may be exactly according to his de-
sire. I may condone before Wednesday,
and take a party of four to his perform-
ance, which I should not have done if the
advertisement had been delivered in an
unpretending cover.
	Yes, charlatanry is justified of her chil-
dren. Quacks, as to some matters, know
us a great deal better than we know our-
selves. What a weak thing, then, is the
human mind with all its grand preten-
sions! Even the sage Locke would have
been easier to be played upon than a pipe
by a professor of this quality. The weak-
ness is not confined to this or that person,
neither does it affect us only at certain
times of the moon. Our infirmity is gen-
eral, and is at all times exposed to attack,
as is evident by the immense number of
persons, from the pretended halt, maimed,
and blind, up to the profoundest impos-
tors, from fortune-tellers and thimble-
riggers to financial and political swindlers,
who practise daily upon universal cre-
dulity. What quantities of wealth are
made change hands continually by means
of imposture pure and simple, or of de-
vices not wholly chimerical in themselves,
but puffed and advertised with impudent
audacity! Caution, in these cases, seems
to be in the inverse ratio of the magni-
tude and effrontery of the imposture.</PB>
<PB REF="IMG00116" SEQ="0116" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="106">	xo6	UNDER A GREEN BOUGH.

Some pains may be taken to ascertain known to be well stocked; the former has
whether a street beggar is blind or not; managed to extract 50,000 from pockets
but sacks of gold are emptied into a South which he affirms to be pitiably empty, and
Sea scheme without the slightest solici- he has thereby given contradiction to the
tude, except that the deposit should not maxim ex nihilo nihi/fit. It has yet to
be made too late. be seen whether Mr. Parnell can keep the
	Various degrees of skill can be shown stream running as Mr. Cobden did; he
in very immoral pursuits; and I trust has undoubtedly shown a pretty wit in
that I shall not be taken as expressing that way. And in reckoning up those
admiration or approval of their craft, if I who have subsisted themselves hand-
notice one or two men who appear to have somely by public contributions, I must not
been at the head of the science of extract- leave Mr. OConnell unmentioned. He
ing money without rendering any equiva. did not, it is true, go down to the grave in
lent. I doubt ~vhether, during the last the ~ull enjoyment of the reputation, such
fifty years, any Englishman has shown as it was, which he had acquired; but for
such aptitude in this line as the late Mr. a great number of years he made the pub-
Cobden. He drew from the people money lic a ready milch cow.
by hundreds of thousands of pounds; and When I spoke of enduring peace as one
he had a secret which put him in the high- of the baits which Mr. Cobden employed
est walk of his disreputable profession. to mislead the people for his own ends, I,
That is to say, he did not feel it necessary of course, did not mean to say that he
after a coup, to make off to some obscure created the general belief in the possibility
retreat, where he might enjoy his gains in of lasting peace. He merely, as all these
obscurity while his victims were returning cunning fellows do, wrought upon an in-
to their right minds, and growing resent- strument which he found ready framed to
ful; but he was able for a long time to his hand. Throughout the present cen-
keep up the illusion, and to levy heavy tury a notion has been gaining ground
tolls a second and a third time before the that we, if we will it so, can always avoid
public infatuation was dispelled. His hat going to war; and a sort of corollary to
had gone round so many times that it this notion is, that every war which we
seemed to be possessed with the spirit of have made or may make, must be a crime,
a blind mill-horse turned out to grass, and no matter what the circumstances might
to be unable to move except in cirdes. be which led, or might lead, us to draw
One of the supposed benefits for which the sword. Now, as almost every man
this enormous price was paid was endur- who reflects at all must find such doctrine
ing peace. Any man who will take the difficult of digestion, Mr. Cobden saw a
trouble to glance over the worlds chron- favorable opportunity of bringing out his
ides since the year 1847, the time about pepsine, or, in plain words, ot showing
which Mr. Cobden began to operate, how universal and perpetual peace might
may quickly satisfy himself as to the be induced to spread her balmy wings
amount of value which the credulous pub- over the whole world. Make trade thor-
lic received in the form of peace for all oughly free, dogmatized he, and you
their subscriptions. Another of Mr. Cob- make war impossible. The affirmation,
dens boasts was that he would crumple no doubt, quieted many peace-desiring
up Russia. Yet anybody who reflects minds. How, in the present day, and in
on the (to us) threatening position of Rus- recollection of all the dreadful wars which
sia upon the frontier of India, will admit have occurred since Mr. Cobdens false
that she was not crumpled up by Mr. prophecy, the belief in possible eternal
Cobden, and was not an easy power to peace is nourished and mainta
