]> urn:hdl:loc.mus/eadmusic.mu003011 Serge Diaghilev / Serge Lifar Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress
Washington, D.C.
2003 Guides to Special Collections in the Music Division of the Library of Congress Finding Aid encoded by Library of Congress Music Division, 2003 eng Collection Summary Serge Diaghilev / Serge Lifar collectionXXXX-XXXX (bulk XXXX-XXXX) MLXX.XX Diaghilev, Serge, 1879-1929 91 linear ft. 81 boxes ca. 1,350 items Music Division Library of Congress
Washington, D.C.
The Joe Composer collection consists stuff. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by personal names, subjects, related names, and listed alphabetically therein.

 Personal Names: Barnes, Bubba, Correspondence Composer, Joe, XXXX- Composer, Joe, XXXX- , Autographs Composer, Joe, XXXX- , Correspondence Composer, Joe, XXXX- , Portraits Diaghilev, Serge, 1879-1929 Pumping, Iron, XXXX- , Correspondence Subjects: !!!Musicians Dudes, Correspondence Related Names: Related, John, XXXX-XXXX Administrative Information Provenance

Some mss. Gifts Joe Composer ca. XXXX-XXXX.

Bulk of the collection Gift Joe Composer XXXX.

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No further accruals are expected.

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The Serge Diaghilev / Serge Lifar Collection was processed in June 1994 by Kevin LaVine. This Finding Aid was prepared with Corel WordPerfect 8. In 2003, Michael A. Ferrando coded and edited the finding aid for EAD format.

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The status of copyright on the materials of the Serge Diaghilev / Serge Lifar collection is governed by the Copyright Law of the United States (Title 17, U.S.C.).

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Researchers wishing to cite this collection should include the following information: container number, the Serge Diaghilev / Serge Lifar collection, Music Division, Library of Congress, Washington, D.C.

 Biographical Note Date Event 1872 Mar 31 Sergei Pavlovich Diaghilev is born in Novgorod province, Russia, the only child of Pavel Pavlovich Diaghilev and Evgeniia Nikolaevna Essipova; SD's mother died as a result of the birth. Both of SD's parents were from old gentry landowner families. Pavel Pavlovich, a soldier in the Chevaliers Gardes in the service of the tsar, is transferred to St. Petersburg shortly afterwards. 1874 Pavel Pavlovich Diaghilev marries Elena Valerianovna Panaeva, of whom SD was very fond. Elena was from a musical family and was distantly related to Pëtr Il'ich Tchaikovsky. Through these family connections, SD is afforded the oppor-tunity as a youth to meet many musicians and composers, among them Tchaikovsky (whom the young SD referred to as "Uncle Petia") and Modest Musorgsky. 1882 Pavel Pavlovich is transferred to the provincial Russian town of Perm. They move into the family estate at nearby Bikbarda, which soon becomes an unofficial town cultural center. 1890 SD enters the university at St. Petersburg to study law, for which he has little enthusiasm. His interest and effort seem to be channeled into music, for he soon begins lessons in singing and composition. After a short period of study with Nikolai Rimsky-Korsakov, who advises him to reconsider a career in compo-sition, SD begins to turn his attention more and more to art history and criticism. 1891 SD's first European trip takes him to Berlin, Paris, Rome, Venice, Florence and Vienna. The cultural life which he encounters in these cities has a profound effect on his developing artistic sensibility. 1895-96 During subsequent trips SD begins to purchase paintings which form the basis of a noteworthy collection. His first articles about contemporary art and painters are published. After six years at the university (in a customarily four-year program), SD completes his law degree. 1899 Establishment of a series of ambitious art exhibitions, which meet with tremen-dous acclaim. Establishment of the review Mir Iskusstva (The World of Art), which includes writings on art, music and literature, as well as highly original graphics material. Appointed assistant to the Director of the Imperial Theaters; he resigns after a dispute with management in 1901. 1903 The World of Art ceases publication due to disagreements and dissatisfaction on the part of contributors to the magazine. 1905 "The Exhibition of Historical Russian Portraits," comprising over three thousand works, was organized by SD; the project takes three years and innumerable trips throughout Russia to complete. The Exhibition is held at the Tauride (Tavri-chevskiĭ) Palace in St. Petersburg and meets with an immense success. Similar exhibitions were organized the following year in Paris, Berlin and Venice. Serge Lifar is born in Kiev. 1907 First series of Russian music concerts organized in Paris. 1908 Concerts are expanded to include opera and ballet; opera productions include the first performances outside Russia of Rimsky-Korsakov's Sadko and Musorgsky's Boris Godunov, the latter achieving almost instantaneous worldwide popularity, and having a significant musical influence on French composers, including Debussy and Ravel. 1909 May 19 First appearance of the Ballet Russe in Paris. Its immense success led to a resurgence of the ballet as an art form, especially in France and in Russia, as well as to the development of the field of ballet criticism. 1910 Jun 25 Première of Stravinsky's ballet The Firebird, commissioned by SD for the Ballet Russe; this was the first of twelve works resulting from the collaboration between SD and Stravinsky. 1911 The Ballet Russe is established at Monte Carlo. 1912 Non-Russian artists become more frequently involved in the Ballet Russe produc-tions: commissions are given to artists such as Debussy, Ravel, Hahn and Cocteau. 1913 May 29 Première of the groundbreaking Le Sacre de printemps of Stravinsky (choreo-graphed by Nijinsky) which causes an unprecedented and legendary scandal. 1917 Collaboration with Pablo Picasso, who designs sets and costumes for Satie's Parade. 1923 Meeting with Serge Lifar at Monte Carlo, who, upon the recommendation of his teacher Bronislava Nijinska, was contracted to enter the Ballet Russe. By commissioning Stravinsky's Pulcinella, based on works of the eighteenth century masters Cimarosa, Scarlatti and Pergolesi, SD influences the rise of neo-classi-cism in twentieth-century music. 1925 Lifar has a principal role in the Ballet Russe production of Dukelsky's Zéphyr et Flore. 1929 Aug 19 SD dies in Venice from complications resulting from diabetes. Lifar assumes the management of the Paris Opéra Ballet, a position which he holds (excluding the years 1944 through 1946, when he directs the Nouveau Ballet de Monte-Carlo) until 1959. During his tenure there he creates many new ballets, writes several books (including a biography of SD) and establishes new dance institutions. For his contributions to the art of ballet he is awarded the French Légion d'Honneur. 1986 Death of Lifar. Scope and Content Note

He was neither a painter, nor a dancer, nor had extensive musical training, yet by means of his great organizational and managerial skills, as well as by a keen aesthetic sense and an unerring sense of style, Serge Diaghilev had a profound influence on the course of music, ballet and art in the twentieth century.

Diaghilev's musical interests spanned a wide range of styles, as reflected by the variety of musical material contained in this collection. A large part of this material represents musical works considered by Diaghilev for choreographic purposes and eventual production by the Ballet Russe; much of this material consequently bears annotations and performance indications.

This collection is comprised in large part of printed music, most of which emanated from the personal music library of Serge Diaghilev. This library was acquired by Lifar, a premier dancer with the Ballet Russe and a protégé of Diaghilev, who was present at the latter's deathbed. In his auto-biography, Ma Vie, Lifar recalls how Diaghilev had died without leaving a will, and that he was prompted to break into Diaghilev's Venice apartment and to smuggle out material from his library in order to prevent its dispersal.

The collection is particularly rich in the material of eighteenth-century Italian composers such as Paisiello, Pergolesi, and Cimarosa; nineteenth-century Russians such as Musorgsky, Rimsky-Korsakov, Tchaikovsky, Glinka, Dargomyzhsky and Liadov, as well as by several important collections of Russian folk song, all appearing in rare pre-Revolutionary editions; and nineteenth century French composers such as Chabrier, Gounod, Delibes and Godard. Also included are a significant number of popular works from the early Soviet period; several works for jazz band as well as popular songs from the early years of this century; heavily annotated chorus part books apparently used in the productions of Stravinsky's Les Noces, Rimsky-Korsakov's Snegurochka, and Musorgsky's Khovanshchina; and annotated performing scores of operas of Gounod (particularly La colombe, Philémon et Baucis, and Le médecin malgré lui) and Cimarosa for which Diaghilev commissioned new editions and/or additional musical material by composers such as Respighi, Satie, Milhaud and Auric. Particularly notable holograph material is represented in the collection by scores such as Respighi's recitatives for Cimarosa's Le astuzie femminili; Prokofiev's annotations to the printed score of his ballet Le pas d'acier; and one leaf of Stravinsky's arrangement for pianola of the "Berceuse" section from The Firebird. Among the non-musical material in the collection, particularly notable are three letters of Sergei Prokofiev to Diaghilev; rare editions of books on music, literature and theater; and Diaghilev's personal notebook, used from 1926 until his death in 1929, containing entries in French, Russian and English regarding planned productions, future projects, addresses, etc., made by Diaghilev, Lifar and Boris Kochno.

Russian transliterations follow the standard Library of Congress system wherever possible. Modifications, however, were incorporated due to the inaccessibility of certain computer-generated symbols, hence the use of the symbol "ĭ" for the Russian short "i" (i kratkoe) and the omission of ligatures over groupings of letters, such as those used to indicate Russian soft vowels.

In addition to printed music, the collection contains music manuscripts, correspondence, libretti and synopses, books and monographs, magazines, and Diaghilev's personal notebook, which the impresario used from 1926 until his death in 1929.

Three items purchased during the same auction are housed in the Prints and Photographs Division of the Library of Congress.

The approximate dates of the items in this collection range from about 1750, represented by several manuscripts, to about 1950, the date of several ballet scores added to the collection by Lifar. The majority of the material in the collection, however, dates from 1890 to 1929.

Kevin LaVine, June 1994

 Organization of the Serge Diaghilev / Serge Lifar collection

The Serge Diaghilev / Serge Lifar collection is organized in 4 series:

I. printed music material Ii. manuscript music material Iii. personal papers Iv. printed material Arrangement of the Serge Diaghilev / Serge Lifar collection

The Serge Diaghilev / Serge Lifar collection is arranged in 4 series. Each series is arranged by aphabetically, chronologically, or by genre.

 Container List Box Contents 1-67 I. PRINTED MUSIC MATERIAL, 1750-1950

The series Printed Music Material is arranged into three subseries: General, Collections, and Miscellaneous. This series is represented by printed music and other materials from the personal music library of Serge Diaghilev.

Arrangement is by format, composer and title.

 1-65 A. General Albéniz, Isaac 1/2 <EMPH RENDER="italic">Chants d'Espagne</EMPH>, op. 232, no. 2: Orientale. Barcelona: Dotésio, n.d. Solo piano; score; 7 p.

Plate no. 22-2.

 1/3 <EMPH RENDER="italic">Iberia, v. 1</EMPH>. Paris: Édition mutuelle, 1911 Solo piano; score; 33 p.

Plate no. E.3083.M.

 1/4 <EMPH RENDER="italic">Iberia, v. 2</EMPH>. Paris: Édition mutuelle, 1907 Solo piano: score; 39 p.

Plate no. E.3084.M.

 1/5 <EMPH RENDER="italic">Iberia, v. 3</EMPH>. Paris: Édition mutuelle, 1907 Solo piano; score; 46 p.

Plate no. E.3085.M.

 1/6 <EMPH RENDER="italic">Iberia, v. 4</EMPH>. Paris: Édition mutuelle, 1907 Solo piano; score; 43 p.

Plate no. E.3086.M.

 1/7 <EMPH RENDER="italic">Zortzico</EMPH>. Paris: Édition mutuelle, n.d. Solo piano; score; 7 p.

Plate no. E.3142.M.

 Aliab'ev, Aleksandr Aleksandrovich 1/8 <EMPH RENDER="italic">Soloveĭ</EMPH>. Moscow: P. IUrgenson, 1901 Voice and piano; score; 3 p.

Plate no. 26559.

Language note: Russian

Language note: German

 Arkhangel'skiĭ, Aleksandr Andreevich 1/9 <EMPH RENDER="italic">Chasy</EMPH>, op. 13a. Moscow: Izdanie Studiia, 1910 Voice and piano; score; 6 p.

Plate no. 596.

Language note: Russian

 1/10 <EMPH RENDER="italic">Chërtovy kacheli</EMPH>, op. 23, no. 3. Moscow: A. Gutkheĭl', 1910 Voice and piano; score; 7 p.

Plate no. 9379.

Language note: Russian

 1/11 <EMPH RENDER="italic">Kuranty</EMPH>, op. 23, no. 2. Moscow: Izdanie Studiia, 1910 Voice and piano; score; 8 p.

Plate no. 835.

Language note: Russian

 1/12 <EMPH RENDER="italic">Maskarad</EMPH>, op. 34, no. 2: Petit morceau oublié. Moscow: B. Reshke, n.d. Cello and piano; cello part, piano score; 1 p.; 2 p.

Plate no. B.225.R.

 1/13 <EMPH RENDER="italic">Maskarad</EMPH>, op. 34, no. 3: Danse des vingtièmes années. Moscow: B. Reshke, n.d. Solo piano; score; 5 p.

Plate no. B.226.R.

 1/14 <EMPH RENDER="italic">Maskarad</EMPH>, op. 34, no. 4: Kogda pechal' slezoĭ nevol'noĭ (Romans Niny). Moscow: B. Reshke, n.d. Voice and piano; score; 5 p.

Plate no. B.227.R.

Language note: Russian

 1/15 <EMPH RENDER="italic">Maskarad</EMPH>, op. 34, no. 5: Valse triste. Moscow: B. Reshke, n.d. Solo piano; score; 5 p.

Plate no. B.228.R.

 1/16 <EMPH RENDER="italic">Piesnia o Komarie</EMPH>, op. 26, no. 1. Moscow: B. Reshke, n.d. Solo voice, chorus and piano; piano-vocal score; 7 p.

Plate no. B.218.R.

Language note: Russian

 1/17 <EMPH RENDER="italic">Prélude</EMPH>, op. 10, no. 1. Moscow: Izdanie Studiia, 1913 Solo piano; score; 3 p.

Plate no. 1333.

p. 2 missing

 1/18 <EMPH RENDER="italic">Raspakhnulos' okno</EMPH>, op. 21a. Moscow: [s.n.], 1910 Voice and piano; score; 5 p.

Plate no. K.570.M.

Language note: Russian

 1/19 <EMPH RENDER="italic">Shelkovinka</EMPH>, op. 5c. Moscow: Kruzhka, 1908 Voice and piano; score; 6 p.

Also published Moscow: Izdanie Studiia, 1908

Plate no. K.670.S.

Language note: Russian

 1/20 <EMPH RENDER="italic">Skazka o kurochkie i zolotom iaichkie</EMPH>, op. 26, no. 2. Moscow: B. Reshke, n.d. Voice and piano; score; 7 p.

Plate no. B.219.R.

Language note: Russian

 1/21 <EMPH RENDER="italic">Starinnyĭ val's</EMPH>, op. 23, no. 1. Moscow: [s.n.], 1910 Voice and piano; score; 8 p.

Plate no. 951.

Language note: Russian

 1/22 <EMPH RENDER="italic">U mashinki</EMPH>, op. 25, no. 1. Moscow: B. Reshke, 1913 Voice and piano; score; 7 p.

Plate no. B.235.R.

Language note: Russian

 1/23 <EMPH RENDER="italic">Udovushka, udovushka moia</EMPH>, op. 26, no. 3. Moscow: B. Reshke, n.d. Voice and piano; score; 7 p.

Plate no. B.216.R.

Language note: Russian

 1/24 <EMPH RENDER="italic">Viktoriia regiia</EMPH>, op. 36, no. 1. Moscow: Lira, 1914 Voice and piano; score; 3 p.

Plate no. K.625.M.

Language note: Russian

 1/25 <EMPH RENDER="italic">Za nashim, za dvorom</EMPH>, op. 1, no. 3. Moscow: B. Reshke, 1913 Solo voices (TB), clarinet and tambourine; score; 3 p.

Plate no. B.230.R.

Language note: Russian

 Arne, Thomas Comus See: I.B. Collections, Box 1 (Item S/62), p. 67 Auber, Daniel François Esprit S/1 <EMPH RENDER="italic">L'ambassadrice</EMPH>. Paris: G. Brandus, n.d. Piano-vocal score; 154 p.

Plate no. T.1497.

Plate number incomplete.

Language note: French

 2/1 <EMPH RENDER="italic">Barcarolle</EMPH>. Paris: RRandus [G. Brandus (?)], n.d. Piano-vocal score; 187 p.

Plate no. E.T.et Cie.1870.

Language note: French

 2/2 <EMPH RENDER="italic">Il cavallo di bronzo</EMPH>. Milan: E. Sonzogno, 1875 Piano-vocal score; 342 p.

Plate no. E.S.70.

Language note: Italian

 S/2 <EMPH RENDER="italic">La circassienne</EMPH>. Paris: Colombier, n.d. Piano-vocal score; 357 p.

Plate no. C.2587.

Contains sparse annotations in pencil and page markers.

 S/3 <EMPH RENDER="italic">Le domino noir</EMPH>. Paris: G. Brandus, n.d. Piano-vocal score; 172 p.

Plate no. T.1496.

Contains sparse annotations in pencil and page markers.

Language note: French

 2/3 <EMPH RENDER="italic">Fra Diavolo</EMPH>. Paris: P. Maquet, n.d. Piano-vocal score; 374 p.

Plate no. 8255.

Language note: French

 S/4 <EMPH RENDER="italic">Le lac des fées</EMPH>. Paris: G. Brandus, n.d. Piano-vocal score; 416 p.

Also published Paris: S. Dufour, n.d.

Plate no. 9358.

Contains annotations in pencil, appearing mostly on contents page.

Language note: French

 S/5 <EMPH RENDER="italic">Lestocq</EMPH>. Paris: G. Brandus, n.d. Piano-vocal score; 260 p.

Plate no. T.1431.

Language note: French

 S/6 <EMPH RENDER="italic">Marco Spada</EMPH>. Paris: J. Meissonnier, n.d. Piano-vocal score; 304 p.

Plate no. J.M.3229.

Contains sparse annotations in pencil.

Language note: French

 S/7 <EMPH RENDER="italic">Le premier jour de bonheur</EMPH>. Paris: L. Escudier, n.d. Piano-vocal score; 226 p.

Plate no. L.E.2884.

Language note: French

 S/8 <EMPH RENDER="italic">La sirène</EMPH>. Paris: G. Brandus, n.d. Piano-vocal score; 178 p.

Also published Paris: S. Dufour, n.d.

Plate no. T.M.1647.

Contains annotations in pencil and page markers; cover carries the initials "E.G.," embossed in gold; title page autograph: "Marie Ris."

Language note: French

 S/9 <EMPH RENDER="italic">Zerline</EMPH>. Paris: G. Brandus, n.d. Piano-vocal score; 274 p.

Plate no. 8836.

Contains annotations in pencil.

Language note: French

 Aubert, Louis 2/4 <EMPH RENDER="italic">Suite brève</EMPH>, op. 6. Paris: A. Durand, 1912 Two pianos; score; 23 p.

Plate no. D. & F. 8484.

 Audran, Edmond S/10 <EMPH RENDER="italic">La mascotte</EMPH>. [=<EMPH RENDER="italic">Krasnoe solnyshko</EMPH>.] Moscow: A. Gutkheĭl', n.d. Reduction for solo piano; score; 95 p.

Plate no. A.4394 G.

Contains also: Glinka, Mikhaĭl. Ruslan i Liudmila. Reduction for solo piano; score. Moscow: A. Gutkheĭl', n.d., 171 p. Plate no. K.2158 G.

 Austin, Ernest 2/5 <EMPH RENDER="italic">Stella-Mary dances</EMPH>, op. 58. London: J.H. Larway, 1919 Solo piano; score; 8 p.

Plate no. L.2326, .2327.

 Bach, Johann Sebastian 3/1 <EMPH RENDER="italic">Beliebte Klavierstücke</EMPH>. Leipzig: C.F. Peters, n.d. Solo piano; score; 35 p.

Plate no. 7335.

 S/40 <EMPH RENDER="italic">Clavierwerke, v. 1, 2 (Suites), v. 3 (Partitas)</EMPH>. Leipzig: Steingraber, n.d. Solo piano; scores; [v. 1:] 123 p.; [v. 2:] 147 p.; [v. 3:] 113 p.

Three separately published volumes bound together.

Plate no. 149, 150, 151

 S/41 <EMPH RENDER="italic">Clavierwerke, v. 4, 7 (Vermische Werke)</EMPH>. Leipzig: Steingraber, n.d. Solo piano; scores; [v. 4:] 108 p.; [v. 7:] 159 p.

Two separately published volumes bound together.

Plate no. 152, 327

 S/42 <EMPH RENDER="italic">Clavierwerke, v. 5, 6 (Das Wohltemperirte Clavier)</EMPH>. Leipzig: Steingraber, n.d. Solo piano; scores; [v. 5:] 115 p.; [v. 6:] 133 p.

Two separately published volumes bound together.

Plate no. 153, 232

 3/2 <EMPH RENDER="italic">Klavierwerke: Capriccio; Fantasie; etc</EMPH>. Leipzig: C.F. Peters, n.d. Solo piano; score; 35 p.

Plate no. 8857.

 3/3 <EMPH RENDER="italic">Klavierwerke: Englische Suiten, nos. 1-3</EMPH>. Leipzig: C.F. Peters, n.d. Solo piano; score; 55 p.

Plate no. 8036.

 3/4 <EMPH RENDER="italic">Klavierwerke: Englische Suiten, nos. 4-6</EMPH>. Leipzig: C.F. Peters, n.d. Solo piano; score; 61 p.

Plate no. 8037.

 3/5 <EMPH RENDER="italic">Klavierwerke: Französische Suiten</EMPH>. Leipzig: C.F. Peters, n.d. Solo piano; score; 55 p.

Plate no. 8462.

 3/6 <EMPH RENDER="italic">Klavierwerke: Partitas, nos. 1-3</EMPH>. Leipzig: C.F. Peters, n.d. Solo piano; score; 56 p.

Plate no. 8038.

 3/7 <EMPH RENDER="italic">Klavierwerke: Partitas, nos. 4-6</EMPH>. Leipzig: C.F. Peters, n.d. Solo piano; score; 63 p.

Plate no. 8039.

 3/8 <EMPH RENDER="italic">Klavierwerke: Supplement</EMPH>. Leipzig: C.F. Peters, n.d. Solo piano; score; 92 p.

Plate no. 6383.

 S/11 <EMPH RENDER="italic">Geistliche Lieder und Arien</EMPH>. Leipzig: Breitkopf & Härtel, n.d. Arranged by E. Naumann for voice and piano; score; 81 p.

Plate no. J.S.B.VI.

Language note: German

 3/9 <EMPH RENDER="italic">Orchester-Suiten nos. 1-4</EMPH>. Leipzig: C.F. Peters, n.d. Arranged by M. Reger for two pianos; 96 p.

Plate no. 9140.

incomplete: part for piano I only

 3/10 <EMPH RENDER="italic">Der Streit zwischen Phöbus und Pan</EMPH>. Leipzig: C.F. Peters, n.d. Piano-vocal score; 52 p.

Plate no. 8384.

Language note: German

 4/1 <EMPH RENDER="italic">Das Wohltemperiertes Klavier, v. 1</EMPH>. Leipzig: C.F. Peters, n.d. Solo piano; score; 119 p.

Plate no. 7916.

 4/2 <EMPH RENDER="italic">Das Wohltemperiertes Klavier, v. 2</EMPH>. Leipzig: C.F. Peters, n.d. Solo piano; score; 131 p.

Plate no. 7917.

 Balilla Pratella, Francesco 4/3 <EMPH RENDER="italic">Musica futurista</EMPH>, op. 30. Bologna: F. Bongiovanni, 1912 Arranged for solo piano; score; 80 p.

Contains holograph inscription to Diaghilev from the composer on inside front cover page.

 Bantock, Granville 4/4 <EMPH RENDER="italic">Old English suite</EMPH>. London: Novello, 1909 Solo piano; score; 25 p.

Plate no. 13114.

 4/5 <EMPH RENDER="italic">The Pierrot of the minute</EMPH>. Leipzig: Breitkopf & Härtel, 1913 Arranged for solo piano; score; 21 p.

Plate no. V.A.3871.

 Bartók, Béla 4/6 <EMPH RENDER="italic">Der holzgeschnitzte Prinz</EMPH>. Vienna: Universal, 1921 Reduction for solo piano; score; 70 p.

Plate no. U.E.6635.

 Bax, Arnold 4/7 <EMPH RENDER="italic">In a vodka shop</EMPH>. London: Augener, 1915 Solo piano; score; 7 p.

Plate no. 14921.

 Beethoven, Ludwig van 4/8 <EMPH RENDER="italic">Sonates choisies</EMPH>. Paris: Heugel, n.d. Solo piano; score; 162 p.

Plate no. C.O.113.

 4/9 <EMPH RENDER="italic">Sonate</EMPH>, op. 27, no. 2. Paris: A. Durand, 1915 Solo piano; score; 15 p.

Plate no. D. & F.11115.

Also published in 1952

 S/12 <EMPH RENDER="italic">Symphonie pastorale</EMPH>. [<EMPH RENDER="italic">Symphony, no. 6</EMPH>, op. 68, C minor.] Paris: A. Durand, n.d. Arranged for piano, four hands; score; 235 p.

Plate no. D. & F.9344.

Contains sparse annotations in pencil.

 Berger, Rodolphe Lettre valsée See: I.B. Collections, Box 2 (S/63), p. 67-68 Vdali ot Rodiny See: I.B. Collections, Box 2 (S/63), p. 67-68 Vinovaty rozy See: I.B. Collections, Box 3 (S/64), p. 68-69 Vliublennaia See: I.B. Collections, Box 2 (S/63), p. 67-68 Berlioz, Hector 4/10 <EMPH RENDER="italic">Épisode de la vie d'un artiste, Grande symphonie fantastique</EMPH>. [<EMPH RENDER="italic">Symphonie fantas-tique</EMPH>, op. 14.] ["Seconde édition revue et corrigée par F. Liszt."] Leipzig: F.E.C. Leuckart, n.d. Arranged for solo piano; score; 69 p.

Plate no. F.E.C.L.2893.

Contains annotations in pencil and in ink.

 4/11 <EMPH RENDER="italic">Lelio, oder die Rückkehr ins Leben</EMPH>, op. 14b. Leipzig: Breitkopf & Härtel, 1903 Piano-vocal score; 16 p.

Plate no. V.A.1970.

Language note: French

Language note: German

Language note: English

 Bernard, M. 5/1 <EMPH RENDER="italic">Piesni russkago naroda</EMPH>. Moscow: P. IUrgenson, 1886 Arranged for voice and piano; score; 157 p.

Plate no. 9285 T.426.

Language note: Russian

 Berners, Lord 5/2 <EMPH RENDER="italic">Le carrosse du Saint-Sacrement</EMPH>. London: J. & W. Chester, 1923 Piano-vocal score; 158 p.

Plate no. J.W.C.9723.

Language note: French

 5/3 <EMPH RENDER="italic">Le carrosse du Saint-Sacrement</EMPH>. London: J. & W. Chester, 1923 Piano-vocal score; 159 p.

Plate no. J.W.C.9723.

Unbound, labeled "2nd proof" on title page; contains numerous annotations and proofreader's markings, in ink.

Language note: French

 Berzhe, R. Vdali ot Rodiny See: I.B. Collections, Box 2 (S/63), p. 67-68.] Vinovaty rozy See: I.B. Collections, Box 3 (S/64), p. 68-69 Vliublennaia See: I.B. Collections, Box 2 (S/63), p. 67-68.] Bessmertnyĭ, Mikhaĭl 5/4 <EMPH RENDER="italic">Tsyganka Masha</EMPH>, op. 14. Leningrad: Ars, n.d. Voice and piano; score ;3 p.

Plate no. L.W.386.

Language note: Russian

Composer also known by the name: Bezsmertnyĭ, Mikhaĭl

 Binet, Jean 6/1 <EMPH RENDER="italic">Le Printemps</EMPH>. [S.l.]: [s.n.], n.d. Photoreproduced orchestral score; 113 p. Bizet, Georges 6/2 <EMPH RENDER="italic">L'Arlésienne</EMPH>. Paris: A. Choudens, n.d. Reduction for solo piano; score; 77 p.

Plate no. A.C.2484-7015, .3273, .2484.

Language note: French

Solo piano reduction containing vocal selections, dialogue indications

 6/3 <EMPH RENDER="italic">Chants du Rhin</EMPH>. Paris: Heugel, n.d. Solo piano; score; 37 p.

Plate no. H.4521.(1), .4522.(2), .4523.(3), .4524.(4), .4525.(5), .4526.(6).

 6/4 <EMPH RENDER="italic">Chasse fantastique</EMPH>. Paris: Heugel, n.d. Solo piano; score; 14 p.

Plate no. H.4507.

 6/5 <EMPH RENDER="italic">Djamileh</EMPH>, op. 24. Paris: A. Choudens, n.d. Piano-vocal score; 129 p.

Plate no. A.C.2380.

Language note: French

 6/6 <EMPH RENDER="italic">Djamileh</EMPH>, op. 24. Milan: E. Sonzogno, 1892 Piano-vocal score; 143 p.

Plate no. A.C.8694.

Language note: Italian

 7/1 <EMPH RENDER="italic">Don Procopio</EMPH>. Paris: A. Choudens, 1905 Piano-vocal score; 273 p.

Plate no. A.C.13062.

Language note: French

Language note: Italian

 7/2 <EMPH RENDER="italic">Jeux d'enfants</EMPH>, op. 22. Paris: A. Durand, n.d. Piano, four hands; score; 63 p.

Plate no. nos. D. & F.1365.(1) through (12).

 7/3 <EMPH RENDER="italic">La jolie fille de Perth</EMPH>. Paris: A. Choudens, n.d. Piano-vocal score; 260 p.

Plate no. A.C.1523.

Language note: French

 7/4 <EMPH RENDER="italic">La jolie fille de Perth</EMPH>: [Excerpts ("Les bohémiennes").] Paris: A. Choudens, n.d. Arranged for solo piano; score; 16 p.

Plate no. A.C.2795.

 7/5 <EMPH RENDER="italic">Roma: Suite de concert, no. 3</EMPH>. Paris: A. Choudens, n.d. Reduction for solo piano; score; 59 p.

Plate no. A.C.4851.

 7/6 <EMPH RENDER="italic">Variations chromatiques</EMPH>. Paris: A. Choudens, n.d. Solo piano; score; 15 p.

Plate no. A.C.4659.

 Boccherini, Luigi 7/7 <EMPH RENDER="italic">Minuetto</EMPH>, A major. [<EMPH RENDER="italic">Quintetto</EMPH>, strings, op. 6, no. 2: Minuetto.] Milan: G. Ricordi, n.d. Arranged by M. Saladino for solo piano; score; 3 p.

Plate no. 45917.

 7/8 <EMPH RENDER="italic">Minuetto</EMPH>, G major. Milan: G. Ricordi, n.d. String quintet; score; 4 p.

Plate no. 54544.

 7/9 <EMPH RENDER="italic">Quartetti</EMPH>, op. 6, nos. 1-3. Milan: G. Ricordi, 1915 String quartet; score; 53 p.

Plate no. 115370.

 7/10 <EMPH RENDER="italic">Quartetti</EMPH>, op. 6, nos. 4-6. Milan: G. Ricordi, 1915 String quartet; score; 53 p.

Plate no. 115371.

 7/11 <EMPH RENDER="italic">Quintetto</EMPH>, op. 2, no. 6: Minuetto, A major. Milan: G. Ricordi, n.d. String quintet; score; 3 p.

Plate no. 113074.

 7/12 <EMPH RENDER="italic">Siciliana</EMPH>, C minor. Milan: G. Ricordi, n.d. String sextet; score; 3 p.

Plate no. 113076.

 7/13 <EMPH RENDER="italic">Sonate</EMPH>, no. 3, G major: Largo, Minuet. Paris: M. Senart, n.d. Cello and piano; cello part, piano score; 1 p.; 3 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R. et Cie.79.

 Boieldieu, François Adrien 8/1 <EMPH RENDER="italic">Le calife de Bagdad</EMPH>. Paris: Heugel, n.d. Piano-vocal score; 97 p.

Plate no. H.3289, H.3295.

Language note: French

 Bonaterra, Luís 8/2 <EMPH RENDER="italic">La festa de la rambla</EMPH>. [=<EMPH RENDER="italic">La fête de la promenade</EMPH>.] Paris: Éditions espagnoles J. Garzón, n.d. Parts for: voice, vn I, vc-cb, sax I (alto)-sax II (tenor), sax III (alto), tpt-tbn, perc (1 p. each).

Plate no. 1778.

On verso of each part: corresponding instrumental part for Mostazo [-Morales], Juan, Coplas; all Mostazo material is included with the Bonaterra material.

Containing chordal indications for accordion

Language note: French

 Borisov, B. S. 8/3 <EMPH RENDER="italic">IA pomniu den'</EMPH>. Moscow: A. Gun, n.d. Voice and piano; score; 3 p.

Plate no. A.19.G.

Language note: Russian

publicity material on back cover dated 1915

 Borodin, Aleksandr Porfir'evich 8/4 <EMPH RENDER="italic">Kniaz' Igor'</EMPH>. [=<EMPH RENDER="italic">Prince Igor</EMPH>.] Leipzig: M.P. Belaïeff, 1889 Piano-vocal score; 371 p.

Plate no. 120.119-143, 119 [120]-153, 119-154, 119, 119-155 through 119-170.

Contains sparse annotations in pencil.

Language note: Russian

Language note: French

Language note: German

 8/5 <EMPH RENDER="italic">Kniaz' Igor'</EMPH>: Ariia Kniazia Igoria. [=<EMPH RENDER="italic">Prince Igor</EMPH>: Prince Igor's aria.] Leipzig: M.P. Belaïeff, n.d. Arranged for voice and piano; score; 9 p.

Plate no. 119-161.

Language note: Russian

Language note: French

Language note: German

 8/6 <EMPH RENDER="italic">Kniaz' Igor'</EMPH>. Leipzig: M.P. Belaïeff, 1888 Parts for chorus: altos [2] p.; tenors [18] p.; basses [?] p.

Plate no. 117.

Italian text inscribed in sections of tenor part, in red ink.

Complete in 41 p.: altos [incomplete: cover page, p. 1-2 only]; tenors [incomplete: p. 23 through 41 (end of opera) only]; basses

Language note: Italian

Language note: Russian

Language note: French

 8/7 <EMPH RENDER="italic">More</EMPH>. Moscow: P. IUrgenson, n.d. Voice and piano; score; 13 p.

Plate no. 28394.

Language note: Russian

Language note: French

 8/8 <EMPH RENDER="italic">Petite suite; Scherzo</EMPH>. Paris: A. Leduc, n.d. Solo piano; score; 27 p.

Plate no. A.L.8686.

Contains annotations in pencil.

 8/9 <EMPH RENDER="italic">Petite suite</EMPH>. London: Augener, 1914 Solo piano; score; 23 p.

Plate no. 14676.

 8/10 <EMPH RENDER="italic">Petite suite</EMPH>: Au couvent. Paris: A. Leduc, n.d. Solo piano; score; 3 p.

Plate no. A.L.8686.

 8/11 <EMPH RENDER="italic">Serenata alla spagnola</EMPH>. Leipzig: M.P. Belaïeff, 1888 Arranged by T. Jadoul for solo piano; score; 14 p.

Plate no. 2340.

 8/12 <EMPH RENDER="italic">Symphonie no. 1</EMPH>, E-flat major. Paris: A. Leduc, n.d. Piano, four hands; score; 75 p.

Plate no. A.L.8687.

 8/13 <EMPH RENDER="italic">Symphonie no. 2</EMPH>, B minor. Paris: A. Leduc, n.d. Piano, four hands; score; 63 p.

Plate no. A.L.8688.

 Bortkevich, Sergeĭ Eduardovich 9/1 <EMPH RENDER="italic">Tausend und eine Nacht</EMPH>, op. 37. Leipzig: D. Rahter, 1928 Solo piano; score; 35 p.

Plate no. 4447.

Composer also known by the name: Bortkiewicz, Serge

 Bosk, A. 9/2 <EMPH RENDER="italic">Piesnaia skazka</EMPH>. Moscow: C.IA. IAmbor', n.d. Solo piano; score; 4 p.

Plate no. 199.

Composer also known by the name: Bosc, Auguste

 Rose-Mousse See: I.B. Collections, Box 2 (S/63), p. 67-68 Boyce, William 9/3 <EMPH RENDER="italic">Three pieces</EMPH>. London: Novello, n.d. Violin and piano; violin part, piano score; 5 p.; 12 p.

Plate no. 12765.

 The Chaplet See: I.B. Collections, Box 1 (S/62), p. 67 Lyra Brittanica See: I.B. Collections, Box 1 (S/62), p. 67 Solomon See: I.B. Collections, Box 1 (S/62), p. 67 Braga, Gaetano 9/4 <EMPH RENDER="italic">La serenata</EMPH>. Paris: A. Durand, n.d. Arranged by J. Rummel for solo piano; score; 7 p.

Plate no. D. & F.2368.

 Brahms, Johannes 9/5 <EMPH RENDER="italic">Danses hongroises</EMPH>: 5. Allegro. Paris: J. Hamelle, n.d. Solo piano; score; 5 p.

Plate no. J.6699.

 Bretón, Tomás 9/6 <EMPH RENDER="italic">Escenas andaluzas</EMPH>: 2. Polo gitano. Madrid: Unión musical española, n.d. Solo piano; score; 9 p.

Plate no. C.R.7375.

Composer also known by the name: Bretón y Hernández, Tomás.

 9/7 <EMPH RENDER="italic">La verbena de la paloma</EMPH>. Madrid: Dotésio, n.d. Piano-vocal score; 96 p.

Plate no. 7354 through 7366.

Contains printed publicity material for the publications of the Unión musical española, 8 p., in Spanish, dated 1916.

Language note: Spanish

Composer also known by the name: Bretón y Hernández, Tomás.

 Brown, Lew See: De Sylva, B. G. BOX: 21/7 BOX: 21/7 Bull, John 9/8 <EMPH RENDER="italic">Album of selected pieces</EMPH>. London: Novello, n.d. Solo piano; score; 36 p.

Plate no. 13451.

 Byrd, William 9/9 <EMPH RENDER="italic">Three dances</EMPH>. London: Novello, n.d. Arranged by G. Bantock for solo piano; score; 12 p.

Plate no. 13263.

 Caplet, André 9/10 <EMPH RENDER="italic">La cloche fêlée</EMPH>. Paris: Éditions de la nouvelle revue française, 1924 Voice and piano; score; 8 p.

Published as a supplement of La revue musicale, dated January 1924.

Language note: French

 Carpenter, John Alden 9/11 <EMPH RENDER="italic">Krazy Kat</EMPH>. New York: G. Schirmer, 1922 Arranged by the composer for solo piano; score; 39 p.

Plate no. 30760c.

Includes printed cartoon illustrations of the title character by George Herriman.

 Chabrier, Emmanuel 9/12 <EMPH RENDER="italic">Air de ballet</EMPH>. Paris: Costallat, n.d. Solo piano; score; 7 p.

Plate no. C. & C.406.

 9/13 <EMPH RENDER="italic">Bourrée fantasque</EMPH>. Paris: Enoch, n.d. Solo piano; score; 13 p.

Plate no. E.F. & C.1850.

 9/14 <EMPH RENDER="italic">Briséïs</EMPH>. Paris: Enoch, 1897 Piano-vocal score; 126 p.

Plate no. E. & C.2006.

Language note: French

 Chabrier, Emmanuel and Maurice Le Boucher 9/15 <EMPH RENDER="italic">Capriccio</EMPH>. Paris: Costallat, 1914 Solo piano; score; 20 p.

Plate no. 1949.

 10/1-2 <EMPH RENDER="italic">Une education manquée</EMPH>. Paris: Enoch, n.d. Piano-vocal score; 68 p.

Plate no. E.P. & F.407.

BOX: 10/2 Copy 2 of the above. Contains inlaid copyist's manuscript material; original unpublished recitatives (by Darius Milhaud?), 46 p.; contains extensive annotations in pencil and in ink.

Language note: French

 10/3 <EMPH RENDER="italic">España</EMPH>. Paris: Enoch & Costallat, n.d. Full score; 61 p.

Plate no. E.F. & C.891.

 10/4 <EMPH RENDER="italic">España</EMPH>. Paris: Enoch & Costallat, n.d. Arranged by the composer for two pianos; parts; 15 p.; 15 p.

Plate no. 893 (1), 893 (2).

 10/5 <EMPH RENDER="italic">España</EMPH>. Paris: Enoch, 1911 Solo piano; score; 147 p.

Plate no. E. & C.7267.

 10/6 <EMPH RENDER="italic">L'étoile</EMPH>. Paris: Enoch, n.d. Piano-vocal score; 184 p.

Plate no. E.P. & F.258.

Contains annotations in pencil.

Language note: French

 10/7 <EMPH RENDER="italic">Feuillet d'album</EMPH>. Paris: Enoch, 1897 Solo piano; score; 4 p.

Plate no. E. & C.3298.

 10/8 <EMPH RENDER="italic">Habañera</EMPH>. Paris: Enoch & Costallat, n.d. Arranged for solo piano; score; 7 p.

Plate no. E.F. & C.1131.

2 copies

 10/9 <EMPH RENDER="italic">Impromptu</EMPH>. Paris: Enoch, n.d. Solo piano; score; 8 p.

Plate no. E. & C.7941.

 10/10 <EMPH RENDER="italic">L'invitation au voyage</EMPH>. Paris: Costallat, 1913 Voice and piano, with bassoon obbligato; piano score, bassoon part; 12 p.; 1 p.

Plate no. 1828.

Language note: French

 10/11 <EMPH RENDER="italic">Joyeuse marche</EMPH>. Paris: Enoch & Costallat, n.d. Arranged by E. Alder for solo piano; score; 9 p.

Plate no. E.F. & C.1731.

 10/12 <EMPH RENDER="italic">Larghetto</EMPH>. Paris: Costallat, 1913 Arranged for horn or cello and piano; cello part, piano score; 3p.; 12 p.

Plate no. 1824.

 10/13 <EMPH RENDER="italic">Pas redoublé</EMPH>. Paris: Costallat, 1913 Arranged by P. Lacome for solo piano; score; 7 p.

Plate no. 1880.

 11/1 <EMPH RENDER="italic">Pièces pittoresques</EMPH>. Paris: Enoch, n.d. Solo piano; score; 63 p.

Plate no. Litolff no. 1290.

Also published Brunswick: H. Litolff, n.d.

 11/2 [<EMPH RENDER="italic">Dix</EMPH>] <EMPH RENDER="italic">pièces pittoresques</EMPH>. Paris: Enoch, n.d. Solo piano; score; 60 p.

Plate no. E.F. & C. 2266, 2267, 2268, 2317, 1816, 2269, 2318, 2270, 2319, 6961.

 11/3 [<EMPH RENDER="italic">Dix</EMPH>] <EMPH RENDER="italic">pièces pittoresques</EMPH>: Menuet pompeux. Paris: Enoch & Costallat, n.d. Solo piano; score; 7 p.

Plate no. E.F. & C.2319.

 11/4 <EMPH RENDER="italic">Recueil de mélodies</EMPH>. Paris: Enoch, n.d. Voice/chorus and piano; score; 119 p.

Plate no. 5594 [-5595].

Language note: French

 11/5-6 <EMPH RENDER="italic">Le roi malgré lui</EMPH>. Paris: Enoch, n.d. Piano-vocal score; 423 p.

Plate no. E.F. & C.1348.

BOX: 11/6 Copy 2 of the above.

Language note: French

 12/1 <EMPH RENDER="italic">Le roi malgré lui</EMPH>. [Paris]: Enoch & Costallat, n.d. Piano-vocal score; 142 p.

Plate no. A.C.738.

Contains annotations in pencil.

missing p. 1-18

Language note: French

 12/2 <EMPH RENDER="italic">Ronde champêtre</EMPH>. Paris: Enoch, 1897 Solo piano; score; 8 p.

Plate no. E. & C.3301.

 12/3 <EMPH RENDER="italic">Ruy Blas</EMPH>. [Sérénade de Ruy Blas.] Paris: Costallat, 1913 Voice and piano; score; 5 p.

Plate no. 1834.

Language note: French

 12/4 <EMPH RENDER="italic">Souvenirs de Munich</EMPH>. Paris: Costallat, 1914 Piano, four hands; score; 11 p.

Plate no. 1948.

 12/5 <EMPH RENDER="italic">Suite de valses</EMPH>. Paris: Costallat, 1913 Solo piano; score; 11 p.

Plate no. 1864.

 12/6 <EMPH RENDER="italic">Tes yeux bleus</EMPH>. Paris: Costallat, 1913 Voice and piano; score; 7 p.

Plate no. 1826.

Language note: French

 12/7 <EMPH RENDER="italic">Trois valses romantiques</EMPH>. Paris: Enoch & Costallat, n.d. Two pianos; parts; 25 p.; 25 p.

Plate no. E.F. & C.401 (1), 401 (2), 402 (2), 403 (3).

 12/8 <EMPH RENDER="italic">Trois valses romantiques</EMPH>. Paris: Enoch, n.d. Arranged by A. Cortot for piano, four hands; score; 47 p.

Plate no. E. & C.3958.

 Charpentier, Marc Antoine 12/9 <EMPH RENDER="italic">Le malade imaginaire</EMPH>. Paris: A. Durand, n.d. Piano-vocal score; 48 p.

Plate no. D. & F.4723.

Language note: French

 Cherniavskiĭ, A. 12/10 <EMPH RENDER="italic">Vial'tseva-Kontsert</EMPH>. St. Petersburg: I.G. TSimmerman, n.d. Solo piano; score; 13 p.

Plate no. Z.7294.

 Chopin, Frédéric 12/11 [Works.] [S.l.]: [s.n.], n.d. solo piano; score; [36] p.

incomplete fragments from what appears to be the same or similar edition(s); works include: op. 64, no. 1 (p. 31 through 38); op. 30, nos. 2-4; op. 33, no. 1 (p. 47 through 58); op. 33, no. 4 (p. 65 through 72); op. 63, nos. 1-3; op. 67, nos. 1-2 (p. 127 through 138)

 12/12 <EMPH RENDER="italic">Études</EMPH>. Paris: A. Durand, 1915 Solo piano; score; 123 p.

Plate no. D. & F.9702.

 12/13-14 <EMPH RENDER="italic">Mazurkas</EMPH>. Paris: A. Durand, 1915 Solo piano; score; 159 p.

Plate no. D. & F.9703.

BOX: 12/14 Copy 2 of the above; incomplete: p. 1-44, 77-124, 141-159 (end) only.

 13/1 <EMPH RENDER="italic">Mazurke</EMPH>. [<EMPH RENDER="italic">Composizioni</EMPH>, v. 3: Mazurke.] Milan: G. Ricordi, n.d. Solo piano; score; 239 p.

incomplete: p. 209 through 216 missing

Plate no. 104394.

 Mazurkas. [Klavierwerke, v. 6: Mazurkas.] See: I.B. Collections, Box 2 (S/63), p. 67-68 S/43 <EMPH RENDER="italic">Mazurkas</EMPH>. [<EMPH RENDER="italic">Sämmtliche Pianoforte-Werke</EMPH>: Mazurkas.] Leipzig: C.F. Peters, n.d. Solo piano; score; 150 p.

Plate no. 6213.

 13/2 <EMPH RENDER="italic">Nocturnes</EMPH>. Paris: A. Durand, 1915 Solo piano; score; 100 p.

Plate no. D. & F.9704.

 13/3 <EMPH RENDER="italic">Polonaises</EMPH>. Paris: A. Choudens, 1928 Solo piano; score; 94 p.

Plate no. A.C.12624 through 12634.

 13/4 <EMPH RENDER="italic">Polonaise</EMPH>, op. 40, no. 1. Braunschweig: H. Litolff, n.d. Solo piano; score; 5 p.

Plate no. Band 1046 No. 4.

 13/5 <EMPH RENDER="italic">Préludes et rondos</EMPH>. Paris: A. Durand, 1915 Solo piano; score; 110 p.

Plate no. D. & F.9706.

 13/6 <EMPH RENDER="italic">Valses</EMPH>. Paris: A. Durand, 1915 Solo piano; score; 77 p.

Plate no. D. & F.9709.

incomplete: missing p. 1-10, 27-28, 31-38, 41-48, 61-72 (ends at p. 77)

 13/7 <EMPH RENDER="italic">Valse</EMPH>, op. 64, no. 2. Braunschweig: H. Litolff, n.d. Solo piano; score; 5 p.

Plate no. Band 1044 No. 7.

 13/8 <EMPH RENDER="italic">Waltzes</EMPH>. [<EMPH RENDER="italic">Complete works for the pianoforte</EMPH>, v. 1: Waltzes.] New York: G. Schirmer, 1915 Solo piano; score; 76 p.

Plate no. 25502.

p. 51-54 missing

 S/44 <EMPH RENDER="italic">Walzer</EMPH>. [<EMPH RENDER="italic">Sämmtliche Pianoforte-Werke</EMPH>: Walzer.] Leipzig: C.F. Peters, n.d. Solo piano; score; 79 p.

Plate no. 8946.

Bound and filed with: Offenbach, Jacques.Les contes d'Hoffmann: selections. Arranged for solo piano; score. Moscow: A. Gutheil, n.d., 87 p. Plate no. A.7585 G.

 Cimarosa, Domenico S/13-15 <EMPH RENDER="italic">Le astuzie femminili</EMPH>. Paris: L. Escudier, n.d. Piano-vocal score; 284 p.

Plate no. L.E.3332.

BOX: S/13 Copy 1 contains sparse annotations in pencil and inlaid manuscript material.

BOX: S/14 Copy 2 of the above; contains sparse annotations in pencil and inlaid manuscript material.

BOX: S/15 Copy 3 of the above; contains extensive annotations and inlaid manuscript material.

Language note: Italian

 13/9 <EMPH RENDER="italic">Le astuzie femminili</EMPH>. Milan: E. Sonzogno, n.d. Arranged for solo piano; score; 164 p.

Plate no. E.S.14.

 13/10 <EMPH RENDER="italic">Le astuzie femminili</EMPH>: Le ragazze che son di vent'anni (Act IV). Naples: T. Cottrau, n.d. Arranged for voice and piano; score; 11 p.

Plate no. 16284.

2 copies

Language note: Italian

 S/16 <EMPH RENDER="italic">Giannina e Bernardone</EMPH>. Milan: G. Ricordi, n.d. Piano-vocal score; 180 p.

Plate no. 42044.

Language note: Italian

 S/17 14/1 <EMPH RENDER="italic">Il matrimonio segreto</EMPH>. Milan: G. Ricordi, n.d. Piano-vocal score; 312 p.

Plate no. 41687.

BOX: 14/1 Copy 2 of the above.

Language note: Italian

 14/2 <EMPH RENDER="italic">Il matrimonio segreto</EMPH>. Milan: G. Ricordi, n.d. Piano-vocal score; 429 p.

Plate no. 29673 through 29694.

Contains sparse annotations in pencil.

Language note: Italian

 14/3 <EMPH RENDER="italic">Il matrimonio segreto</EMPH>: Sinfonia. Milan: G. Ricordi, n.d. Arranged for small orchestra by L. Jacob; parts for: piano (condensed score) (13 p.); harmonium (10 p.); vn I (A), vn I (B), vn II (5 p. each); vla (4 p.); vc/cb (8 p.); fl, cl I, cl II, hn I, hn II, tpt, tbn (3 p. each); perc (1 p.).

Plate no. 110438.

 Cools, Eugène See: de Bozi, Harold and Cools, Eugène BOX: 18/8 Corelli, Arcangelo 15/1 <EMPH RENDER="italic">Sonatas</EMPH>, op. 5. [<EMPH RENDER="italic">"Opera quinta"</EMPH>] [S.l.]: [s.n.], n.d. Violin and continuo; score; 44 p.

Violin and continuo arranged on two staves.

 15/2 <EMPH RENDER="italic">Sonate</EMPH>, op. 5, no. 6: 1. Grave, 2. Allegro. Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 1 p.; 3 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R. et Cie 71.

 15/3 <EMPH RENDER="italic">Sonate</EMPH>, op. 5, no. 6: 3. Allegro, 4. Adagio, 5. Allegro. Paris: M. Senart, n.d. Violin and piano; violin part and piano score; 2 p.; 5 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R. et Cie 72.

 Cottrau, T. L'addio a Napoli See: I.B. Collections, Box 2 (S/63), p. 67-68 Couperin, François 15/4 <EMPH RENDER="italic">Concert en sol majeur</EMPH>. [<EMPH RENDER="italic">Les goûts réunis</EMPH>: Concert no. 8.] Paris: Éditions musicales transatlantiques, 1959 Arranged by F. Oubradous for orchestra; miniature score; 45 p.

Plate no. E.M.T. 522.

 15/5 <EMPH RENDER="italic">Pièces de clavecin</EMPH>: v. 1. Paris: A. Durand, n.d. Solo keyboard; score; 139 p.

Plate no. 6333.

Contains sparse annotations in pencil.

 15/6 <EMPH RENDER="italic">Pièces de clavecin</EMPH>: v. 2. Paris: A. Durand, n.d. Solo keyboard; score; 140 p.

Plate no. 6380.

 15/7 <EMPH RENDER="italic">Pièces de clavecin</EMPH>: v. 3. Paris: A. Durand, n.d. Solo keyboard; score; 115 p.

Plate no. 6457.

 15/8 <EMPH RENDER="italic">Pièces de clavecin</EMPH>: v. 4. Paris: A. Durand, n.d. Solo keyboard; score; 126 p.

Plate no. 6608.

 Crémieux, Octave 15/9 <EMPH RENDER="italic">Kogda umiraet liubov'</EMPH>. Moscow: IU.G. TSimmerman, n.d. Voice and piano; vocal part and piano score; 1 p.; 2 p.

Plate no. Z.7058.

Language note: Russian

Language note: French

 Csenki, Imre 15/10 <EMPH RENDER="italic">Gipsies</EMPH>. London: Hawkes, 1958 Full score; 77 p.

Plate no. B. & H.18321.

Contains photoreproduced typescript, 4 p., in French, of the ballet's synopsis.

 Cueva, Julio Ajonjoli See: Oréfiche, Armando. Puchunguita BOX: 40/5 Cui, César Feuille d'album See: I.B. Collections, Box 3 (S/64), p. 68-69 Dacquin, Louis Claude 16/1 [<EMPH RENDER="italic">Deux pièces</EMPH>:] <EMPH RENDER="italic">Rigaudon, Guitare</EMPH>. Paris: Costallat, n.d. Solo piano; score; 4 p.

Plate no. 8340.R.

 Darewski, Herman 16/2 <EMPH RENDER="italic">Whispering</EMPH>. London: H. Darewski, 1920 Solo piano; score; 3 p.

Plate no. H.D.M.P.Co.1004.

 Dargomyzhskiĭ, Aleksandr Sergeevich 16/3 <EMPH RENDER="italic">Au bal</EMPH>. Moscow: A. Gutkheĭl', n.d. Voice and piano; score; 9 p.

Plate no. 3835.

Language note: French

 16/4 <EMPH RENDER="italic">Baba IAga</EMPH>. St. Petersburg: W. Bessel, n.d. Arranged by the composer for two pianos; score; 25 p.

Plate no. 251.

 16/5 <EMPH RENDER="italic">Bez uma, bez razuma</EMPH>. Moscow: A. Gutkheĭl', 1885 Voice and piano; score; 3 p.

Plate no. K.2097 G.

Language note: Russian

 16/6 <EMPH RENDER="italic">Bezumno zhazhdat' tvoeĭ vstriechi</EMPH>. Moscow: P. IUrgenson, n.d. Two voices and piano; score; 2 p.

Plate no. 13.

Language note: Russian

 16/7 <EMPH RENDER="italic">Charuĭ menia, charuĭ!</EMPH> Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Plate no. 10361.

Language note: Russian

Language note: German

 16/8 <EMPH RENDER="italic">Chukhonskaia fantaziia</EMPH>. [=<EMPH RENDER="italic">Fantaisie sur des airs finlandais</EMPH>.] St. Petersburg: W. Bessel, n.d. Full score; 45 p.

Plate no. 247.

 16/9 <EMPH RENDER="italic">Chukhonskaia fantaziia</EMPH>. [=<EMPH RENDER="italic">Fantaisie finoise</EMPH>.] St. Petersburg: W. Bessel, n.d. Orchestral parts for: vn I (7 p.) [9 copies]; vn II, vla (6 p. each); vc/cb (11 p.); fl I, fl II/picc, ob I, ob II, cl I, cl II, bn I, bn II (4 p. each); hn I, hn II, hn III, hn IV, tpt I, tpt II, tenor tbn, bass tbn, ophicleide, timp (3 p. each); pc (2 p.).

Plate no. 252 (a) through 252 (w).

 16/10 <EMPH RENDER="italic">Dievitsy krasavitsy</EMPH>. Moscow: P. IUrgenson, n.d. Two voices and piano; score; 9 p.

Plate no. 10327.

Language note: Russian

Language note: German

 16/11 <EMPH RENDER="italic">Dushechka dievitsa</EMPH>. Moscow: P. IUrgenson, n.d. Voice and piano; score; 7 p.

Plate no. 10331.

Language note: Russian

Language note: German

 16/12 <EMPH RENDER="italic">IA pomniu, gluboko</EMPH>. Moscow: A. Gutkheĭl', n.d. Voice and piano; score; 5 p.

Plate no. A.5848 G.

Language note: Russian

 16/13 <EMPH RENDER="italic">IA vse eshchë ego liubliu!</EMPH> Moscow: A. Gutkheĭl', 1888 Voice and piano; score; 5 p.

Plate no. K.2096 G.

Language note: Russian

 16/14 <EMPH RENDER="italic">IA zatepliu sviechu</EMPH>. Moscow: A. Gutkheĭl', 1899 Voice and piano; score; 2 p.

Plate no. A.7784 G.

Language note: Russian

 16/15 <EMPH RENDER="italic">Jamais!</EMPH> Moscow: A. Gutkheĭl', 1885 Voice and piano; score; 5 p.

Plate no. 2408.

Language note: French

 16/16 <EMPH RENDER="italic">Kamen' tiazhelyĭ na serdtsie lezhit</EMPH>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923 Two voices and piano; score; 5 p.

Plate no. (3728) 10292.

Language note: Russian

Published in Moscow and Petrograd.

 16/17 <EMPH RENDER="italic">Kamennyĭ gost'</EMPH>. [=<EMPH RENDER="italic">The stone guest</EMPH>.] St. Petersburg: V. Bessel', 1872 Piano-vocal score; 126 p.

Plate no. 153.

Language note: Russian

 16/18 <EMPH RENDER="italic">Likhoradushka</EMPH>. Moscow: A. Gutkheĭl', 1885 Voice and piano; score; 3 p.

Plate no. K.2098 G.

Language note: Russian

 16/19 <EMPH RENDER="italic">Liubila, liubliu ia, viek budu liubit'</EMPH>. Moscow: A. Gutkheĭl', 1892 Voice and piano; score; 5 p.

Plate no. A.6300 G.

Language note: Russian

 16/20 <EMPH RENDER="italic">Malorossiĭskiĭ kozachëk</EMPH>. Moscow: P. IUrgenson, n.d. Arranged by the composer for piano, four hands; score; 15 p.

Plate no. 333.

 16/21 <EMPH RENDER="italic">Mel'nik</EMPH>. Moscow: A. Gutkheĭl', 1897 Voice and piano; score; 3 p.

Plate no. K.2100 G.

Language note: Russian

 16/22 <EMPH RENDER="italic">Mne grustno</EMPH>. Moscow: P. IUrgenson, n.d. Voice and piano; score; 5 p.

Plate no. 10324.

Language note: Russian

Language note: German

 17/1 <EMPH RENDER="italic">Ne skazhu nikomu</EMPH>. Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Plate no. 10329.

Language note: Russian

Language note: German

 17/2 <EMPH RENDER="italic">O dieva roza ia v okovakh</EMPH>. Moscow: A. Gutkheĭl', 1885 Voice and piano; score; 5 p.

Plate no. 2409.

Contains sparse annotations in pencil.

Language note: Russian

 17/3 <EMPH RENDER="italic">O ma charmante</EMPH>. Moscow: A. Gutkheĭl', 1885 Voice and piano; score; 7 p.

Plate no. 2398.

Language note: French

 17/4 <EMPH RENDER="italic">Oĭ vy ulany</EMPH>. Moscow: Proizvodstvennyĭ Podotdel, 1920 Two voices and piano; score; 5 p.

Plate no. 1176.

Language note: Russian

 17/5 <EMPH RENDER="italic">Potsieluĭ</EMPH>. Moscow: A. Gutkheĭl', 1885 Voice and piano; score; 5 p.

Plate no. K.2102 G.

Language note: Russian

 Le rêve de la Esméralda See: Glinka, Mikhaĭl. (editor) Sobranie muzykal'nykh pies, Box 66, Folder 9 17/6 <EMPH RENDER="italic">Roza l' ty rozochka</EMPH>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1924 Arranged by the composer for two voices and piano; score; 7 p.

Plate no. 10365.

Language note: Russian

 17/7-8 <EMPH RENDER="italic">Rusalka</EMPH>. Moscow: A. Gutkheĭl', 1885 Piano-vocal score; 321 p.

Plate no. A.2481 G.

BOX: 17/8 Copy 2 of the above.

Language note: Russian

 17/9 <EMPH RENDER="italic">Tituliarnyĭ sovietnik</EMPH>. Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Plate no. 10354.

Language note: Russian

 18/1 <EMPH RENDER="italic">Torzhestvo vakkha</EMPH>. St. Petersburg: M. Bernard, n.d. Piano-vocal score; 148 p.

Language note: Russian

 18/2 <EMPH RENDER="italic">Tuchki nebesnyia</EMPH>. Moscow: P. IUrgenson, 1896 Voice and piano; score; 7 p.

Plate no. 10318.

Language note: Russian

 18/3 <EMPH RENDER="italic">Ty khoroshen'kaia</EMPH>. Moscow: P. IUrgenson, 1885 Voice and piano; score; 3 p.

Plate no. 10294.

Language note: Russian

 18/4 <EMPH RENDER="italic">Ty skoro menia pozabudesh'</EMPH>. Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Plate no. 10321.

Language note: Russian

Language note: German

 18/5 <EMPH RENDER="italic">Van'ka-tan'ka</EMPH>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923 Two voices and piano; score; 5 p.

Plate no. G.M.1564 I.M.

Language note: Russian

 18/6 <EMPH RENDER="italic">Van'ka-tan'ka</EMPH>. Moscow: A. Gutkheĭl', 1885 Two voices and piano; score; 4 p.

Plate no. 2105.

Language note: Russian

 18/7 <EMPH RENDER="italic">Vliublen ia, dieva-krasota</EMPH>. Moscow: P. IUrgenson, 1909 Voice and piano; score; 3 p.

Plate no. 10307.

Language note: Russian

 Davidov, Karl IUlevich 18/8 <EMPH RENDER="italic">I noch', i liubov', i luna</EMPH>, op. 26, no. 1. Moscow: A. Gutkheĭl', 1890 Voice and piano; score; 7 p.

Plate no. A.5490a G.

Language note: Russian

 de Bozi, Harold and Eugène Cools 18/9 <EMPH RENDER="italic">Ballet nuptial</EMPH>. Paris: M. Eschig, 1934 Arranged for small orchestra; parts for: piano/conductor (19 p.); vn ("I")(11 p.), vc (8 p.), cb (3 p.).; 19 p.

Plate no. M.E.3925.

 de Curtis, G. B. Carmela See: I.B. Collections, Box 2 (S/63), p. 67-68 Debucquoy, T. 18/10 <EMPH RENDER="italic">Je t'aime toujours!</EMPH> Paris: Édition des bons auteurs, n.d. Voice and piano; score; 2 p.

Plate no. A.300 Z.

Language note: French

 Debussy, Claude Achille 18/11 <EMPH RENDER="italic">La boîte à joujoux</EMPH>. Paris: A. Durand, 1913 Solo piano; score; 48 p.

Plate no. D. & F.8935.

Contains color illustrations.

 18/12 <EMPH RENDER="italic">Danses</EMPH>. [<EMPH RENDER="italic">Danses sacrées et profanes</EMPH>.] Paris: A. Durand, 1907 Solo harp part arranged by J. Durand for solo piano; score; 12 p.

Plate no. D. & F.6964.

 18/13 <EMPH RENDER="italic">L'enfant prodigue</EMPH>: Cortège et air de danse. Paris: A. Durand, 1907 Arranged by J. Durand for solo piano; score; 7 p.

Plate no. D. & F.6908.

 18/14 <EMPH RENDER="italic">Estampes</EMPH>: La soirée dans Grenade. Paris: A. Durand, 1903 Solo piano; score; 6 p.

Plate no. D. & F.6326 (2).

 18/15 <EMPH RENDER="italic">Images pour orchestre</EMPH>: 1. Gigues. Paris: A. Durand, 1912 Arranged by A. Caplet for piano, four hands; score; 15 p.

Plate no. D. & F.8298.

 18/16 <EMPH RENDER="italic">Images pour orchestre</EMPH>: 2. Ibéria. Paris: A. Durand, 1910 Arranged by A. Caplet for piano, four hands; score; 41 p.

Plate no. D. & F.7705.

 18/17 <EMPH RENDER="italic">Images pour orchestre</EMPH>: 2. Ibéria. Paris: A. Durand, 1910 Arranged by A. Caplet for two pianos; score; 42 p.

Plate no. D. & F.7706.

 18/18 <EMPH RENDER="italic">Images pour orchestre</EMPH>: 3. Rondes de printemps. Paris: A. Durand, 1910 Arranged by A. Caplet for piano, four hands; score; 21 p.

Plate no. D. & F.7469.

 18/19 <EMPH RENDER="italic">Images pour piano, série 1</EMPH>: 3. Mouvement. Paris: A. Durand, 1905 Solo piano; score; 11 p.

Plate no. D. & F.6615 (3).

 18/20 <EMPH RENDER="italic">Images pour piano, série 2</EMPH>: 3. Poissons d'or. Paris: A. Durand, 1908 Solo piano; score; 13 p.

Plate no. D. & F.6994 (3).

 18/21 <EMPH RENDER="italic">L'isle joyeuse</EMPH>. Paris: A. Durand, 1904 Solo piano; score; 13 p.

Plate no. D. & F.6446.

Contains sparse annotations in pencil.

 18/22 <EMPH RENDER="italic">Marche écossaise sur un thème populaire</EMPH>. Paris: E. Fromont, n.d. Piano, four hands; score; 17 p.

Plate no. E.1407.F.

 18/23 <EMPH RENDER="italic">Masques</EMPH>. Paris: A. Durand, 1904 Solo piano; score; 12 p.

Plate no. D. & F.6443.

 19/1 <EMPH RENDER="italic">Petite Suite</EMPH>. Paris: A. Durand, 1906 Arranged by J. Durand for solo piano; score; 23 p.

Plate no. D. & F.6679, .6792, .6663, .6791.

 19/2 <EMPH RENDER="italic">La plus que lente</EMPH>. Paris: A. Durand, 1910 Solo piano; score; 7 p.

Plate no. D. & F.7817.

 19/3 <EMPH RENDER="italic">Préludes, v. 2</EMPH>: 5. Bruyères. Paris: A. Durand, 1913 Solo piano; score; 5 p

Plate no. D. & F.8701.

 19/4 <EMPH RENDER="italic">Préludes, v. 2:</EMPH> 7. La terrasse des audiences du clair de lune. Paris: A. Durand, 1913 Solo piano; score; 7 p.

Plate no. D. & F.8703.

 19/5 <EMPH RENDER="italic">Sonate</EMPH>. Paris: A. Durand, 1915 Cello and piano; cello part, piano score; 7 p.; 15 p.

Plate no. D. & F.9390.

 De Giosa, Nicola 19/6 <EMPH RENDER="italic">Napoli di carnovale</EMPH>. Milan: G. Ricordi, n.d. Piano-vocal score; 334 p.

Plate no. 88171 through 88203.

Language note: Italian

 Delibes, Léo 19/7 <EMPH RENDER="italic">La cour du roi Pétaud</EMPH>. Paris: J. Martin, n.d. Piano-vocal score; 231 p.

Plate no. J.M.205.

Language note: French

 19/8 <EMPH RENDER="italic">Deux vieilles gardes</EMPH>. Paris: G. Brandus & Dufour, n.d. Piano-vocal score; 50 p.

Plate no. B.et Cie 9722.

Language note: French

 19/9 <EMPH RENDER="italic">L'écossais de Chatou</EMPH>. Paris: G. Brandus & Dufour, n.d. Piano-vocal score; 88 p.

Plate no. B.et D.11521.

Language note: French

 20/1 <EMPH RENDER="italic">Le jardinier et son seigneur</EMPH>. Paris: Colombier, n.d. Piano-vocal score; 107 p.

Plate no. C.2853.

Language note: French

 20/2 <EMPH RENDER="italic">Jean de Nivelle</EMPH>. Paris: Heugel, n.d. Piano-vocal score; 353 p.

Plate no. H.5065.

Language note: French

 S/19 <EMPH RENDER="italic">Kassya</EMPH>. Paris: Heugel, 1893 Piano-vocal score; 371 p.

Plate no. H. & Cie.7148.

Language note: French

 20/3 <EMPH RENDER="italic">Kassya</EMPH>: Danse ruthène et Sumka. Paris: Heugel, 1893 Arranged for solo piano; score; 3 p.

Plate no. H.et Cie.9454 (11).

 20/4 <EMPH RENDER="italic">Kassya</EMPH>: Mazurka. Paris: Heugel, 1893 Arranged for solo piano; score; 5 p.

Plate no. H.et Cie.9444 (1).

 20/5 <EMPH RENDER="italic">Kassya</EMPH>: Trépack. Paris: Heugel, 1893 Arranged for solo piano; score; 7 p.

Plate no. H.et Cie.9455 (12).

 20/6 <EMPH RENDER="italic">Monsieur Griffard</EMPH>. Paris: L. Vieillot, n.d. Piano-vocal score; 106 p.

Plate no. L.V.1600.

Language note: French

 20/7 <EMPH RENDER="italic">L'omelette à la Follembûche</EMPH>. Paris: Heugel, n.d. Piano-vocal score; 76 p.

Plate no. H.et Cie.8384, .6917.

Language note: French

 20/8 <EMPH RENDER="italic">Pas de fleurs</EMPH>: Grande valse. [<EMPH RENDER="italic">Valse, ou Pas de fleurs</EMPH>(added to <EMPH RENDER="italic">Le Corsaire</EMPH>of A. Adam).] Paris: H. Heugel, n.d. Arranged for solo piano; score; 11 p.

Plate no. H.8198.

 20/9 <EMPH RENDER="italic">Rigaudon</EMPH>. Paris: H. Heugel, n.d. Solo piano; score; 5 p.

Plate no. H.8438.

 21/1 <EMPH RENDER="italic">Le roi l'a dit</EMPH>. (Three act version.) Paris: H. Heugel, n.d. Piano-vocal score; 323 p.

Plate no. 5947, 1348.

Contains annotations in pencil.

Language note: French

 21/2 <EMPH RENDER="italic">Le roi s'amuse</EMPH>: Scène du bal. Paris: Heugel, n.d. Arranged for solo piano; score; 23 p.

Plate no. H.7545.

 21/3 <EMPH RENDER="italic">Romances sans paroles</EMPH>: 1. Souvenir lointain. Paris: H. Heugel, n.d. Solo piano; score; 2 p.

Plate no. H.8570.

 21/4 <EMPH RENDER="italic">Romances sans paroles</EMPH>: 2. Romance hongroise. Paris: H. Heugel, n.d. Solo piano; score; 5 p.

Plate no. H.8571.

 21/5 <EMPH RENDER="italic">Six demoiselles à marier</EMPH>. Paris: Heugel, n.d. Piano-vocal score; 58 p.

Plate no. H.et Cie.1950.

Language note: French

 21/6 <EMPH RENDER="italic">Sylvia, ou La nymphe de Diane</EMPH>. Paris: Heugel, 1876 Arranged for solo piano; score; 147 p.

Plate no. H.6041.

Contains illustration, p. 3.

 Delmet, Paul Charme d'amour See: I.B. Collections, Box 3 (S/64), p. 68-69 L'étoile d'amour See: I.B. Collections, Box 2 (S/63), p. 67-68 De Sylva, B. G.; Lew Brown, and Ray Henderson 21/7 <EMPH RENDER="italic">You're the cream in my coffee</EMPH>. [from <EMPH RENDER="italic">Hold everything!</EMPH>] London: Chappell, 1928 Voice and piano; score; 3 p.

Plate no. 30056.

Language note: English

 Dixon, Mort and Allie Wrubel 21/8 <EMPH RENDER="italic">I see two lovers</EMPH>. ["Fox-trot du film Warner Bros. <EMPH RENDER="italic">Sweet Music</EMPH>."] Paris: Éditions Feldman, 1934 Arranged by F. Pearly for small orchestra; parts for: piano/conductor (includes vocal indications; English lyrics) (4 p.); vn I (3 p.); cb (2 p.); sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each).

Plate no. E.F.W.484.

On verso of each part: corresponding instrumental part for Fields, Buddy and Marks, Gerald, I'll be much obliged to you; see Fields, Buddy.

 Donizetti, Gaetano 22/1 <EMPH RENDER="italic">L'ajo nell'imbarazzo</EMPH>. Milan: G. Ricordi, n.d. Piano-vocal score; 271 p.

Plate no. 45735.

Language note: Italian

 S/20 <EMPH RENDER="italic">Don Pasquale</EMPH>. Milan: G. Ricordi, n.d. Piano-vocal score; 180 p.

Plate no. 42051.

Language note: Italian

 S/21 <EMPH RENDER="italic">L'elisir d'amore</EMPH>. Milan: G. Ricordi, n.d. Piano-vocal score; 252 p.

Plate no. 41688.

Language note: Italian

 Dorfman, E. M. 22/2 <EMPH RENDER="italic">Chat-noir</EMPH>. [S.l.]: E. M. Dorfman, 1925 Solo piano; score; 2 p. Dribinovitsch-Lenski, Henri 22/3 <EMPH RENDER="italic">Perdue!</EMPH> Constantinople: J. d'Andria, n.d. Solo piano; score; 5 p.

Plate no. 516.

 Drizo, L'v 22/4 <EMPH RENDER="italic">Liubov' ėto chary plienitel'noĭ skazki</EMPH>. Petrograd: K. Leopas, n.d. Voice and piano; score; 3 p.

Plate no. C.2186.L.

Language note: Russian

 Dunaevskiĭ, Isaak Osipovich 22/5 <EMPH RENDER="italic">Kak khorosho na svete zhit'</EMPH>. [S.l.]: [s.n.], 1935 Voice and piano; score; 3 p.

Language note: Russian

 Dzegelenok, Aleksandr Mikhaĭlovich 22/6 <EMPH RENDER="italic">Mazurka</EMPH>, op. 5, no. 2. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1924 Solo piano; score; 7 p.

Plate no. G.M.4978 I.M.

 Eberhard, G. IAkht-klub See: I.B. Collections, Box 3 (S/64), p. 68-69 Espinosa, L. 22/7 <EMPH RENDER="italic">Titi</EMPH>. Paris: Éditions espagnoles J. Garzón, n.d. Arranged for small orchestra; parts for: piano/accordion (3 p.); vn (2 p.); vc-cb, tpt-sax (alto), perc (1 p. each).

Plate no. 1780.

On verso of each part: corresponding instrumental part for Melfi, A. Mario, Pourquoi mentir. See: Melfi, A. Mario.

 Fall, Leo[pold] 22/8 <EMPH RENDER="italic">Razvedenaia zhena</EMPH>: Val's. [=<EMPH RENDER="italic">Die geschiedene Frau</EMPH>: Waltz.] Moscow: S.IA. IAmbor, n.d. Solo piano; score; 3 p. Falla, Manuel de 22/9 <EMPH RENDER="italic">Pièces espagnoles</EMPH>. Paris: A. Durand, 1909 Solo piano; score; 25 p.

Plate no. D. & F.7217.

 22/10 <EMPH RENDER="italic">Pièces espagnoles</EMPH>: 2. Cubana. Paris: A. Durand, 1909 Solo piano; score; 7 p.

Plate no. D. & F.7217.

 22/11 <EMPH RENDER="italic">El sombrero de tres picos</EMPH>. London: J. & W. Chester, 1921 Reduction for solo piano; score; 78 p.

Plate no. J. & W.C.9710.

Contains holograph inscription in ink on inside front cover: "Serge Lifar/1948."

 Farnaby, Giles 22/12 <EMPH RENDER="italic">Album of selected pieces</EMPH>. London: Novello, n.d. Arranged by G. Bantock for solo piano; score; 26 p.

Plate no. 13264.

 Fauchey, Paul Folie d'amour See: I.B. Collections, Box 3 (S/64), p. 68-69 Fauré, Gabriel Urbain 22/13 <EMPH RENDER="italic">Clair de lune</EMPH>, op. 46, no. 2. Paris: J. Hamelle, 1909 Arranged by A. Perilhou for solo piano; score; 6 p.

Plate no. J.6006 H.

 22/14 <EMPH RENDER="italic">Le papillon et la fleur</EMPH>, op. 1, no. 1. Paris: J. Hamelle, n.d. Arranged by F. Behr for solo piano; score; 5 p.

Plate no. J.4839 H.

 22/15 <EMPH RENDER="italic">Pavane</EMPH>, op. 50. Paris: J. Hamelle, n.d. Piano-vocal score; 9 p.

Plate no. J.3243.H.

Contains sparse annotations in pencil.

Language note: French

 22/16 <EMPH RENDER="italic">Pelléas et Mélisande</EMPH>, op. 80: 1. Prélude; 2. Fileuse; 3. (4.) Molto adagio. Paris: J. Hamelle, n.d. Arranged by J. Roger-Ducasse for piano, four hands; score; 19 p.

Plate no. J.5199 H.

 22/17 <EMPH RENDER="italic">Pelléas et Mélisande</EMPH>, op. 80: 3. Sicilienne. [=op. 78.] Paris: J. Hamelle, 1898 Arranged for solo piano; score; 7 p.

Plate no. J.4318.H.

 22/18 <EMPH RENDER="italic">Valse-caprice</EMPH>, no. 1, op. 30. Paris: J. Hamelle, n.d. Solo piano; score; 15 p.

Plate no. J.2010.H.

 22/19 <EMPH RENDER="italic">Valse-caprice</EMPH>, no. 2, op. 38. Paris: J. Hamelle, n.d. Solo piano; score; 15 p.

Plate no. J.2282.H.

 22/20 <EMPH RENDER="italic">Valse-caprice</EMPH>, no. 3, op. 59. Paris: J. Hamelle, n.d. Solo piano; score; 15 p.

Plate no. J.3666.H.

 22/21 <EMPH RENDER="italic">Valse-caprice</EMPH>, no. 4, op. 62. Paris: J. Hamelle, n.d. Solo piano; score; 15 p.

Plate no. J.3749.H.

 Ferroud, Pierre Octave 23/1 <EMPH RENDER="italic">Foules</EMPH>. Paris: A. Durand, 1925 Reduction by the composer for piano, four hands; score; 33 p.

Plate no. D. & F.10794.

Contains sparse annotations in pencil.

 Fields, Buddy and Gerald Marks 23/2 <EMPH RENDER="italic">I'll be much obliged to you</EMPH>. Paris: Éditions Feldman, 1934 Arranged by F. Pearly for small orchestra; parts for: piano/conductor (4 p.); vn I, cb, sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each).

Plate no. E.F.W.485.

piano/conductor contains vocal line indications; English lyrics

On verso of each part: corresponding instrumental part for Dixon, Mort and Wrubel, Allie, I see two lovers; see: Dixon, Mort.

Language note: English

 Fioravanti, Valentino 23/3 <EMPH RENDER="italic">Le cantatrici villane</EMPH>. Paris: Mme. V. Launer, n.d. Piano-vocal score; 161 p.

Plate no. Vve.L.3663.

Language note: Italian

 Fleck, Fritz 23/4 <EMPH RENDER="italic">Bathyllus</EMPH>. [S.l.]: [s.n.], n.d. Piano score; 38 p.

Laid in: 1 p. copyist's manuscript (p. 24A); 6 p. typed, photoreproduced copy of the ballet's synopsis; 1 p. typed, photorepro-duced synopsis/program notes; photograph of the stage set at the work's premiere in Cologne on 1927 Mar 16 affixed to page facing p. 1.

Contains numerous performance indications (German) in red and black ink, and in blue pencil.

 Flotow, Friedrich von 23/5 <EMPH RENDER="italic">Alessandro Stradella</EMPH>. Milan: G. Ricordi, n.d. Piano-vocal score; 227 p.

Plate no. 34206-34211; 35319-35321; 34213-34216; 35322-35324; 34218-34226.

Language note: Italian

 Fomin, G. 23/6 <EMPH RENDER="italic">Amerikantsy</EMPH>. Moscow: P. IUrgenson, 1893 Piano-vocal score; 155 p.

Plate no. 19693.

Includes libretto.

Language note: Russian

Composer also known by the name: Fomin, Evstigneĭ Ipatovich

 Fragson, Harry L'amour boiteux See: I.B. Collections, Box 3 (S/64), p. 68-69 Franck, César Auguste 23/7 <EMPH RENDER="italic">Danse lente</EMPH>. Paris: B. Roudanez, 1919 Solo piano; score; 2 p.

Plate no. B.R.728.

 23/8 <EMPH RENDER="italic">Les plaintes d'une poupée</EMPH>. Mainz: B. Schott's Söhne, 1906 Solo piano; score; 3 p.

Plate no. 28072.

 23/9 <EMPH RENDER="italic">Prélude, fugue et variation</EMPH>, op. 18. Paris: A. Durand, 1910 Arranged by H. Bauer for solo piano; score; 12 p.

Plate no. D. & F.7813.

 23/10 <EMPH RENDER="italic">Ruth</EMPH>. Paris: Heugel, n.d. Piano-vocal score; 117 p.

Plate no. G.H.306, H.et Cie 7430, H.C.306.

Language note: French

 Frescobaldi, Girolamo 23/11 <EMPH RENDER="italic">Canzone</EMPH>. Paris: M. Senart, n.d. Solo piano; score; 2 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R. & Cie 295.

 Galuppi, Baldassare S/22 <EMPH RENDER="italic">Il filosofo di campagna</EMPH>: selections. Milan: Instituto editoriale italiano, 1919 Arranged by G. F. Malipiero for voice and piano; scores; 31 p.; 27p.; 31 p.; 34 p.; 34 p.

Plate no. R.N.M.I.-A.-Q.54 through -Q.58.

Language note: Italian

Box contains five hard cover quaderni (volumes) issued as part of a series titled Raccolta nazionale delle musiche italiane. Reduction for voice and piano by G. F. Malipiero.

Contents as follows:

Volume 54: Canzonetta sopra il ravanello; Canzonetta sopra la cicoria; Canzonetta l'insalata; Di questa poverella; Compatite, Signor; Voltateri in là; Una ragazza che non è pazza. Volume 55: La mia ragione è questa; Taci, amor; Al lavoro. Volume 56: Vedo quell'albero; Nel quattro-cento; Son di tutti amico; Amor, se vuoi così. Volume 57: Misera, a tante pene; La pasto-rella al prato; Che più bramar poss'io?; Ogn'anno passa un anno. Volume 58: Se non è nata nobile; Guerrier, che valoroso; Da me non speri; Voi, che filosofo. 24/1 <EMPH RENDER="italic">Sonate</EMPH>: 1. Adagio, 2. Allegro. Paris: M. Senart, n.d. Solo piano; score; 7 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R. & Cie 296.

 Gambardella, S. O Marenariello See: I.B. Collections, Box 2 (S/63), p. 67-68 Gastaldon, Stanislao 24/2 <EMPH RENDER="italic">Musica proibita</EMPH>, op. 5. Milan: Carisch & Jänichen, n.d. Voice and piano; score; 7 p.

Plate no. C.1755 J.

Language note: Italian

 Gaubert, Philippe S/23 <EMPH RENDER="italic">Sonia</EMPH>. Paris: Enoch, 1912 Piano-vocal score; 184 p.

Plate no. E. & C.7483.

Language note: French

 Gay, Byron 24/3 <EMPH RENDER="italic">Le vamp</EMPH>. Constantinople: J. d'Andria, n.d. Solo piano; score; 4 p.

Plate no. 527.

 Gillet, Ernest La lettre de man[s]on See: I.B. Collections, Box 3 (S/64), p. 68-69 Glavatskiĭ, S. 24/4 <EMPH RENDER="italic">Grëzy bylogo</EMPH>, op. 40. St. Petersburg: IU.G. TSimmerman, n.d. Solo piano; score; 7 p.

Plate no. Z.7905.

 Glazunov, Aleksandr 24/5 <EMPH RENDER="italic">Symphony no. 5</EMPH>, op. 55, B-flat major. Leipzig: M.P. Belaïeff, 1896 Reduction by S. Taneev for piano, four hands; score; 79 p.

Plate no. 1334.

 24/6 <EMPH RENDER="italic">Symphony no. 6</EMPH>, op. 58, C minor. Leipzig: M.P. Belaïeff, 1897 Reduction by S. Rachmaninoff for piano, four hands; score; 67 p.

Plate no. 1594.

 24/7 <EMPH RENDER="italic">Symphony no. 7</EMPH>, op. 77, F major. Leipzig: M.P. Belaïeff, 1902 Reduction by the composer for piano, four hands; score; 79 p.

Plate no. 2403.

 Glinka, Mikhaĭl 24/8 <EMPH RENDER="italic">L'alouette</EMPH>. [=<EMPH RENDER="italic">Proshchanie s Peterburgom</EMPH>, no. 10: Zhavoronok.] Moscow: A. Gutheil, n.d. See also: Zhavoronok, Box 25, Folder 23. Arranged by M. Balakirev for solo piano; score; 7 p.

Plate no. A. 2937 G.

 24/9 <EMPH RENDER="italic">Le baiser</EMPH>. [=<EMPH RENDER="italic">IA liubliu! Ty mne tverdila</EMPH>.] Moscow: P. IUrgenson, n.d. Voice and piano; score; 4 p.

Plate no. 30201.

Language note: French

Language note: Russian

 24/10 <EMPH RENDER="italic">Capriccio brillante sur le thème de la jota aragonesa</EMPH>. Moscow: P. IUrgenson, n.d. See also: La jota aragonesa. BOX: 24/17 BOX: 24/17 Arranged by M. Balakirev for piano, four hands; score; 27 p.

Plate no. 4434.

 24/11 <EMPH RENDER="italic">Caprice brillant sur le thème de la jota aragonesa</EMPH>. Leipzig: M.P. Belaïeff, 1901 See also: La jota aragonesa. BOX: 24/17 BOX: 24/17 Miniature score; 80 p.

Plate no. 3002.

Contains sketch in pencil on cover page.

 24/12 <EMPH RENDER="italic">Il desiderio</EMPH>. St. Petersburg: F. Stellovskiĭ, 1861 Voice and piano; score; 5 p.

Plate no. 3798.

Language note: Italian

Language note: French

 24/13 <EMPH RENDER="italic">Dubrava shumit</EMPH>. Moscow: A. Gutkheĭl', n.d. Voice and piano; score; 11 p.

Plate no. A.8792 G.

Language note: Russian

Language note: German

 24/14 <EMPH RENDER="italic">Ho perduto, il mio tesoro</EMPH>. Moscow: P. IUrgenson, 1878 Voice (T) and piano; score; 5 p.

Plate no. 3240.

Language note: Italian

 IA liubliu! Ty mne tverdila See: Le baiser BOX: 24/9 24/15 <EMPH RENDER="italic">IA pomniu chudnoe mgnoven'e</EMPH>. Moscow: A. Gutkheĭl', n.d. Voice and piano; score; 7 p.

Plate no. A.8747 G.

Language note: Russian

Language note: German

 24/16 <EMPH RENDER="italic">IA pomniu chudnoe mgnoven'e</EMPH>. Moscow: P. IUrgenson, n.d. Voice and piano; voice part, piano score; 1 p.; 7 p.

Plate no. 26578.

Language note: French

Language note: German

Language note: Russian

 24/17 <EMPH RENDER="italic">La jota aragonesa</EMPH>. [=<EMPH RENDER="italic">Capriccio brillante</EMPH>.] Paris: Enoch, n.d. Arranged by M. Balakirev for solo piano; score; 17 p.

Plate no. E. & C.3043.

 24/18 <EMPH RENDER="italic">Kak sladko s toboiu mnie byt'</EMPH>. Moscow: A. Gutkheĭl', n.d. Voice and piano; voice part, piano score; 1 p.; 3 p.

Plate no. A. 8748 G.

Language note: Russian

Language note: German

 24/19 <EMPH RENDER="italic">Kniaz' Kholmskiĭ</EMPH>. [=<EMPH RENDER="italic">Prince Kholmskiĭ</EMPH>.] [S.l.]: F. Stellovskiĭ, n.d. Full score; 137 p.

Plate no. 4600.

Language note: Russian

 24/20 <EMPH RENDER="italic">Mi sento il cor traffigere</EMPH>. Moscow: P. IUrgenson, 1878 Voice and piano; score; 7 p.

Plate no. 3228.

Language note: Italian

 24/21 <EMPH RENDER="italic">Molitva</EMPH>: Bozhe sil, vo dni smiaten'ia. Moscow: P. IUrgenson, 1877 Mixed vocal trio (STB) and piano; score; 7 p.

Plate no. 3248.

Language note: Russian

 24/22 <EMPH RENDER="italic">Molitva</EMPH>: S nebesi uslyshi. Moscow: P. IUrgenson, 1878 Mixed vocal quartet (SATB) and piano; score; 9 p.

Plate no. 3236.

Language note: Russian

 25/1 <EMPH RENDER="italic">Ne iskushaĭ menia bez nuzhdy</EMPH>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1925 Voice and piano; score; 5 p.

Plate no. 30196.

Language note: Russian

Language note: German

 25/2 <EMPH RENDER="italic">Nochnoĭ smotr</EMPH>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923 Voice and piano; score; 9 p.

Plate no. G.M.1574 I.M.

Language note: Russian

Language note: German

 25/3 <EMPH RENDER="italic">Nocturne</EMPH>. Moscow: P. Jurgenson, n.d. Solo piano or harp; score; 7 p.

Plate no. 3230.

 25/4 <EMPH RENDER="italic">Pol'skiĭ</EMPH>. [=<EMPH RENDER="italic">Polonez</EMPH>; =<EMPH RENDER="italic">Polonaise</EMPH>, E-flat major.] Moscow: P. IUrgenson, 1878 Mixed chorus (SATB) and piano; piano-vocal score; 9 p.

Plate no. 3252.

Language note: Russian

 25/5 <EMPH RENDER="italic">Poputnaia piesnia</EMPH>. [<EMPH RENDER="italic">Proshchanie s Peterburgom</EMPH>, no. 6.] Moscow: P. Jurgenson, n.d. Voice and piano; score; 11 p.

Plate no. 30238.

Language note: Russian

Language note: German

 25/6 <EMPH RENDER="italic">Pour un moment</EMPH>. [=<EMPH RENDER="italic">Odin lish' mig</EMPH>.] Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Plate no. 30205.

Language note: French

Language note: Russian

 25/7 <EMPH RENDER="italic">Prière</EMPH>. St. Petersburg: T. [F.] Stellowsky, n.d. Solo piano; score; 11 p.

Plate no. S.No. 3664.

 25/8 <EMPH RENDER="italic">Proshchal'naia pesnia vospitannits Ekaterinenenskago instituta</EMPH>. [no. 1]. Moscow: P. IUrgenson, n.d. Mixed chorus (SSA) and piano; score; 9 p.

Plate no. 3231 (3091).

Language note: Russian

 25/9 <EMPH RENDER="italic">Proshchal'naia pesnia vospitannits Ekaterinenenskago instituta</EMPH>. [no. 2]. Moscow: P. IUrgenson, n.d. Mixed chorus (SSA) and piano; score; 14 p.

Plate no. 3250 (3091).

Language note: Russian

 Proshchanie s Peterburgom See: L'alouette, Box 24, Folder 8 See: Zhavoronok, Box 25, Folder 23 See: Poputnaia piesnia, Box 25, Folder 5 Ruslan i Liudmila See: Audran, Edmond BOX: S/10 Sobranie muzykal'nykh pies See: Box 66, Folder 9 25/10 <EMPH RENDER="italic">Souvenir d'une nuit d'été à Madrid</EMPH>. Moscow: P. IUrgenson, n.d. Arranged by M. Balakirev for piano, four hands; score; 21 p.

Plate no. 4435.

 25/11 <EMPH RENDER="italic">Tarantelle</EMPH>. St. Petersburg: M. Bernard, n.d. Solo piano; score; 2 p.

Plate no. N.11.A.No.12.

 25/12 <EMPH RENDER="italic">Thema con variationi</EMPH> Moscow: P. Jurgenson, n.d. Solo piano; score; 9 p.

Plate no. 3256.

 Thème de l'opéra Faniska de Cherubini See: Sobranie muzykal'nykh pies, Box 66, Folder 9 25/13 <EMPH RENDER="italic">Thème de Mozart</EMPH>. [=<EMPH RENDER="italic">Variations on a theme of Mozart</EMPH>.] Moscow: P. IUrgenson, n.d. See also: Variations sur un thème de Mozart, Box 25, Folder 21 Solo piano or harp; score; 7 p.

Plate no. 3222 (3221).

 25/14 <EMPH RENDER="italic">Toska</EMPH>. Moscow: P. IUrgenson, 1878 Voice (T) and piano; score; 7 p.

Plate no. 3229.

Language note: Russian

 25/15 <EMPH RENDER="italic">Trot de cavalerie, no. 1</EMPH>. Moscow: P. Jurgenson, n.d. Piano, four hands; score; 2 p.

Plate no. 3226.

 25/16 <EMPH RENDER="italic">Trot de cavalerie, no. 2</EMPH>. Moscow: P. Jurgenson, n.d. Piano, four hands; score; 3 p.

Plate no. 3226.

 25/17 <EMPH RENDER="italic">Tu sei figlia e lodo</EMPH>. Moscow: P. IUrgenson, 1878 Voice (S) and piano; score; 3 p.

Plate no. 3244.

Language note: Italian

 25/18 <EMPH RENDER="italic">Val's-Fantaziia</EMPH>. Moscow: A. Gutkheĭl', n.d. Arranged by B. Engelhardt for piano, four hands; 19 p.

Plate no. 2278.

 Valse See: Sobranie muzykal'nykh pies, Box 66, Folder 9 25/19 <EMPH RENDER="italic">Valse favorite</EMPH> [B-flat major]. St. Petersburg: F. Stellovskiĭ, n.d. Solo piano; score; 4 p.

Plate no. 876.

 25/20 <EMPH RENDER="italic">Valse mélodique</EMPH> [E-flat major]. St. Petersburg: F. Stellovskiĭ, n.d. Solo piano; score; 3 p.

Plate no. 873.

 25/21 <EMPH RENDER="italic">Variations sur un thème de Mozart</EMPH>. Moscow: P. Jurgenson, n.d. See also: Thème de Mozart, Box 25, Folder 13 Solo piano or harp; score; 9 p.

Plate no. 3221 (3222).

 25/22 <EMPH RENDER="italic">La vie pour le Tsar</EMPH>. [=<EMPH RENDER="italic">A Life for the Tsar</EMPH>.] Leipzig: M.P. Belaïeff, n.d. Piano-vocal score; 435 p.

Plate no. 3031.

Language note: Russian

Language note: French

Language note: German

 25/23 <EMPH RENDER="italic">Zhavoronok</EMPH>. [<EMPH RENDER="italic">Proshchanie s Peterburgom</EMPH>, no. 10; =<EMPH RENDER="italic">L'alouette</EMPH>.] Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923 See also: L'alouett, Box 24, Folder 8 Voice and piano; score; 5 p.

Plate no. 30242.

Language note: Russian

Language note: German

 Gluck, Christoph Willibald 25/24 <EMPH RENDER="italic">Orphée</EMPH>. Braunschweig: H. Litolff, n.d. Arranged by L. Köhler for solo piano; score; 60 p.

Plate no. 3768

 25/25 <EMPH RENDER="italic">Orpheus</EMPH>. Leipzig: C.F. Peters, n.d. Piano-vocal score; 142 p.

Plate no. 9902.

Language note: German

Language note: French

 Godard, Benjamin 26/1 <EMPH RENDER="italic">Air de ballet</EMPH>. Paris: L. Grus, n.d. Solo piano; score; 7 p.

Plate no. L.G.5093.No.1.

 26/2 <EMPH RENDER="italic">Aubade</EMPH>, op. 133. Paris: J. Hamelle, n.d. Violin and piano; violin part, piano score; 5 p.; 11 p.

Plate no. J.4572.H.

 26/3 <EMPH RENDER="italic">Berceuse d'enfant</EMPH>. Paris: A. Choudens, 1896 Voice and piano; score; 5 p.

Plate no. A.C.10172.

Language note: French

 26/4 <EMPH RENDER="italic">Bohémienne</EMPH>, op. 40. Paris: A. Durand, n.d. Solo piano; score; 6 p.

Plate no. D. & F.2469.

 26/5 <EMPH RENDER="italic">Brésilienne</EMPH>, op. 51. Paris: L. Grus, n.d. Solo piano; score; 7 p.

Plate no. L.G.3584.

 26/6 <EMPH RENDER="italic">Carillon</EMPH>. [Paris]: [L. Grus], n.d. Solo piano; score; 4 p.

Plate no. L.G.5093.No.2.

incomplete after p. 4

 26/7 <EMPH RENDER="italic">Les champs</EMPH>. Paris: L. Grus, n.d. Solo piano; score; 5 p.

Plate no. L.G.4604.

 26/8 <EMPH RENDER="italic">Chemin faisant</EMPH>: En courant, op. 53, no. 1. Paris: L. Grus, n.d. Solo piano; score; 11 p.

Plate no. L.G.3441.(No.1).

 26/9 <EMPH RENDER="italic">Chemin faisant</EMPH>: En pleurant, op. 53, no. 2. Paris: L. Grus, n.d. Solo piano; score; 7 p.

Plate no. L.G.3441.(No.2).

 26/10 <EMPH RENDER="italic">Chemin faisant</EMPH>: En chantant, op. 53, no. 3. Paris: L. Grus, n.d. Solo piano; score; 7 p.

Plate no. L.G.3441.(No.3).

 26/11 <EMPH RENDER="italic">Chemin faisant</EMPH>: En riant, op. 53, no. 5. Paris: L. Grus, n.d. Solo piano; score; 5 p.

Plate no. L.G.3441.(No.5).

 26/12 <EMPH RENDER="italic">Chemin faisant</EMPH>: En valsant, op. 53, no. 6. Paris: L. Grus, n.d. Solo piano; score; 13 p.

Plate no. 3441.(No.6).

 26/13 <EMPH RENDER="italic">Conte de fée</EMPH>, op. 62. Paris: A. Durand, n.d. Solo piano; score; 9 p.

Plate no. D. & F.2963, D.S. & Cie.2963.

 26/14 <EMPH RENDER="italic">Les contes de Perrault</EMPH>, op. 6. Paris: A. Durand, n.d. Solo piano; score; 51 p.

Plate no. D.S. & Cie.2415 (1) through (9).

Contains annotations in pencil, p. 47.

 26/15 <EMPH RENDER="italic">Contes de la veillée</EMPH>, op. 67. Paris: A. Durand, n.d. Piano, four hands; score; 49 p.

Plate no. D.S. & Cie.3038 through 3043.

 26/16 <EMPH RENDER="italic">Danse fantastique</EMPH>. Paris: A. Choudens, 1896 Solo piano; score; 5 p.

Plate no. A.C.10147.

 26/17 <EMPH RENDER="italic">Six fables de La Fontaine</EMPH>. Paris: Heugel, n.d. Voice and piano; score; 51 p.

Plate no. H. & Cie.6941 (1), 6943 (2), 6942 (3), 6944 (4), 6945 (5), 6946 (6).

Contains sparse annotations in pencil.

Language note: French

 26/18 <EMPH RENDER="italic">Une fête au village</EMPH>. Paris: A. Choudens, 1896 Solo piano; score; 7 p.

Plate no. A.C.10157.

Contains sparse annotations in pencil.

 26/19 <EMPH RENDER="italic">Impressions de campagne au printemps</EMPH>, op. 123. Paris: A. Choudens, 1892 Solo piano; 108 p.

Plate no. A.C.8311, .8361, .8779, .8780, .8781, .8835, .8836, .8837, .8842, .8844, .8868, .8869, .8870, .8843, .8871, .8881.

 26/20 <EMPH RENDER="italic">Kermesse</EMPH>, op. 51. Paris: L. Grus, n.d. Arranged by G. Pfeiffer for piano, four hands; score; 21 p.

Plate no. L.G.5622.

 26/21 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 50, no. 1: Boniment. Paris: L. Grus, n.d. Solo piano; score; 10 p.

Plate no. L.G.3565.

 26/22 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 50, no. 2: Pan. Paris: L. Grus, n.d. Solo piano; score; 6 p.

Plate no. L.G.3566.

 26/23 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 50, no. 3: Marquis et marquise. Paris: L. Grus, n.d. Solo piano; score; 3 p.

Plate no. L.G.3567.

 26/24 <EMPH RENDER="italic">La lanterne magigue</EMPH>, op. 50, no. 4: Trilby. Paris: L. Grus, n.d. Solo piano; score; 12 p.

Plate no. L.G.3568.

 27/1 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 55, no. 2: Poëte. Paris: L. Grus, n.d. Solo piano; score; 5 p.

Plate no. L.G.3440.(2).

 27/2 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 55, no. 4: Viennoise. Paris: L. Grus, n.d. Solo piano; score; 8 p.

Plate no. L.G.3440.(4).

two copies of p. 7

 27/3 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 55, no. 5: Mignon. Paris: L. Grus, n.d. Solo piano; score; 9 p.

Plate no. L.G.3440.(5).

 27/4 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 55, no. 6: Bergers et bergères. Paris: L. Grus, n.d. Solo piano; score; 6 p.

Plate no. L.G.3440.(6).

 27/5 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 66, no. 4: Lansquenets. Paris: L. Grus, n.d. Solo piano; score; 5 p.

Plate no. L.G.3761.(4).

 27/6 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 66, no. 5: Esméralda. Paris: L. Grus, n.d. Solo piano; score; 9 p.

Plate no. L.G.3762.(5).

 27/7 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 66, no. 6: Marcel le Huguenot. Paris: L. Grus, n.d. Solo piano; score; 5 p.

Plate no. L.G.3763.(6).

 27/8 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 110, no. 2: Vénitienne. Paris: L. Grus, n.d. Solo piano; score; 7 p.

Plate no. L.G.4512.(No. 2).

 27/9 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 110, no. 3: Espagnole. Paris: L. Grus, n.d. Solo piano; score; 11 p.

Plate no. L.G.4512.(No. 3).

 27/10 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 110, no. 5: Saxonne. Paris: L. Grus, n.d. Solo piano; score; 11 p.

Plate no. L.G.4512.(No. 5).

 27/11 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 115, no. 1: Norvégienne. Paris: L. Grus, 1892 Solo piano; score; 7 p.

Plate no. L.G.4548.(No. 1).

 27/12 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 115, no. 2: Russe. Paris: L. Grus, 1892 Solo piano; score; 7 p.

Plate no. L.G.4548.(No. 2).

 27/13 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 115, no. 4: Anglaise. Paris: L. Grus, 1892 Solo piano; score; 9 p.

Plate no. L.G.4548.(4).

 27/14 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 115, no. 5: Orientale. Paris: L. Grus, 1892 Solo piano; score; 3 p.

Plate no. L.G.4712.(5).

 27/15 <EMPH RENDER="italic">La lanterne magique</EMPH>, op. 115, no. 6: Styrienne. Paris: L. Grus, 1892 Solo piano; score; 11 p.

Plate no. L.G.4548.(No. 6).

 27/16 <EMPH RENDER="italic">Menuet-Andante-Gavotte</EMPH>, op. 16. Paris: A. Durand, n.d. Solo piano; score; 9 p.

Plate no. D.S. et Cie.1716.(1) through (3).

 27/17 <EMPH RENDER="italic">Trois morceaux</EMPH>, op. 27. Paris: A. Durand, n.d. Solo piano; score; 13 p.

Plate no. D.S. et Cie. 2151 (1) through (3).

 27/18 <EMPH RENDER="italic">Novellozza</EMPH>, op. 47. Paris: A. Durand, n.d. Solo piano; score; 5 p.

Plate no. D. & F.2962., D.S. & Cie.2962.

 27/19 <EMPH RENDER="italic">Redowa</EMPH>, op. 141. Paris: H. Tellier, 1893 Solo piano; score; 7 p.

Plate no. H.T.1101.

 27/20 <EMPH RENDER="italic">Romance sans paroles</EMPH>, no. 2, op. 120. Paris: J. Hamelle, n.d. Solo piano; score; 7 p.

Plate no. J.3117.H.

 27/21 <EMPH RENDER="italic">Scènes italiennes</EMPH>, op. 126. Paris: A. Durand, n.d. Solo piano; score; 24 p.

Plate no. D.S.4354 through 4356.

 27/22 <EMPH RENDER="italic">Scènes poétiques</EMPH>, op. 46, no. 1: Dans les bois. Paris: C. Joubert, n.d. Arranged by G. Pfeiffer for solo piano; score; 9 p.

Plate no. B.et Cie.12562.(1).

 27/23 <EMPH RENDER="italic">Scènes poétiques</EMPH>, op. 46, no. 2: Dans les champs. Paris: C. Joubert, n.d. Arranged by G. Pfeiffer for solo piano; score; 5 p.

Plate no. B.et Cie.12562.(2).

 27/24 <EMPH RENDER="italic">Scènes poétiques</EMPH>, op. 46, no. 3: Sur la montagne. Paris: Brandus, n.d. Arranged for piano, four hands; score; 9 p.

Plate no. B.et Cie.12506.(3).

 27/25 <EMPH RENDER="italic">Scènes poétiques</EMPH>, op. 46, no. 4: Au village. Paris: C. Joubert, n.d. Arranged by G. Pfeiffer for solo piano; score; 9 p.

Plate no. B.et Cie.12562.(4).

 27/26 <EMPH RENDER="italic">Scherzetto</EMPH>, no. 2, op. 108. Paris: A. Durand, n.d. Solo piano; score; 7 p.

Plate no. D.S.4297.

 27/27 <EMPH RENDER="italic">Sérénade</EMPH>. Paris: J. Hamelle, n.d. Solo piano; score; 12 p.

Plate no. J.4434.H.

 27/28 <EMPH RENDER="italic">Sérénade à Mabel</EMPH>, op. 138, no. 2. Paris: J. Hamelle, 1892 Solo piano; score; 4 p.

Plate no. J.3527 H.

 27/29 <EMPH RENDER="italic">Sérénade aux étoiles</EMPH>. Paris: A. Choudens, 1896 Solo piano; score; 5 p.

Plate no. A.C.10143.

 27/30 <EMPH RENDER="italic">Sonate fantastique</EMPH>, op. 63, no. 2: Les farfadets. Paris: J. Hamelle, n.d. Solo piano; score; 7 p.

Plate no. J.1917.2.H.

 27/31 <EMPH RENDER="italic">Sonate fantastique</EMPH>, op. 63, no. 3: La fée d'amour. Paris: J. Hamelle, 1897 Solo piano; score; 8 p.

Plate no. J.1918.3.H.

 27/32 <EMPH RENDER="italic">Suite de danses anciennes et modernes</EMPH>, op. 103, nos. 1-3. Paris: C. Joubert, n.d. Solo piano; score; 14 p.

Plate no. B.et Cie.13155.(1) through (3).

Contents:

1. Minuet 2. Rigodon 3. Gigue 27/33 <EMPH RENDER="italic">Suite de danses anciennes et modernes</EMPH>, op. 103, nos. 4-6. Paris: C. Joubert, n.d. Solo piano; score; 28 p.

Plate no. B.et Cie.13155.(4) through (6).

Contents:

4. Mazurk, no. 4 5. Polka, no. 1 6. Valse, no. 8. 27/34 <EMPH RENDER="italic">Suite de trois morceaux</EMPH>, op. 116. Paris: A. Durand, n.d. Flute and piano; flute part, piano score; 10 p.; 19 p.

Plate no. D.S.4144 (1) through (3).

 28/1 <EMPH RENDER="italic">Symphonie-Ballet</EMPH>, op. 60, no. 1: Ouverture. Paris: L. Grus, n.d. Arranged for solo piano; score; 11 p.

Plate no. L.G.3655.(No. 1).

 28/2 <EMPH RENDER="italic">Symphonie-Ballet</EMPH>, op. 60, no. 2: La cerrito. Paris: L. Grus, n.d. Arranged for solo piano; score; 7 p.

Plate no. L.G.3656.(No. 2).

 28/3 <EMPH RENDER="italic">Symphonie-Ballet</EMPH>, op. 60, no. 3: Pantomime sentimentale. Paris: L. Grus, n.d. Arranged for solo piano; score; 5 p.

Plate no. L.G.3657.(No. 3).

 28/4 <EMPH RENDER="italic">Symphonie-Ballet</EMPH>, op. 60, no. 4: Danse d'almées. Paris: L. Grus, n.d. Arranged for solo piano; score; 5 p.

Plate no. 3658.(No. 4).

 28/5 <EMPH RENDER="italic">Symphonie-Ballet</EMPH>, op. 60, no. 5: Final-valse. Paris: L. Grus, n.d. Arranged for solo piano; score; 15 p.

Plate no. 3659.(No. 5).

 28/6 <EMPH RENDER="italic">Le tasse</EMPH>, op. 39: Danse des bohémiens. Paris: Heugel, n.d. Arranged for solo piano; score; 7 p.

Plate no. H.et Cie.9304.

 28/7 <EMPH RENDER="italic">Le tasse</EMPH>, op. 39: La fête chez le duc d'Este. Paris: G. Hartmann, n.d. Arranged for piano, four hands; score; 17 p.

Plate no. G.1167 H.

 28/8 <EMPH RENDER="italic">Le tasse</EMPH>, op. 39: Pastorale. Paris: G. Hartmann, n.d. Arranged for solo piano; score; 7 p.

Plate no. G.H.1343.

 28/9 <EMPH RENDER="italic">Trio</EMPH>, no. 2, op. 72: Scherzo. Paris: Durand & Schoenewerk, 1888 Arranged by I. Philipp for solo piano; score; 9 p.

Plate no. D.S.3949.

 28/10 <EMPH RENDER="italic">Tziganka</EMPH>, op. 134. Paris: J. Hamelle, 1895 Solo piano; score; 14 p.

Plate no. J.3493 H.

 28/11 <EMPH RENDER="italic">Valse</EMPH>, no. 2, op. 56. Paris: A. Durand, 1910 Solo piano; score; 7 p.

Plate no. D. & F.2846.

 28/12 <EMPH RENDER="italic">Valse</EMPH>, no. 3 (<EMPH RENDER="italic">Valse-sérénade</EMPH>), op. 71. Paris: A. Durand, n.d. Solo piano; score; 9 p.

Plate no. D.S. & Cie.3105.

Contains sparse annotations in pencil.

 Goossens, Eugène 28/13 <EMPH RENDER="italic">Four conceits</EMPH>, op. 20. London: J. & W. Chester, 1918 Solo piano; score; 12 p.

Plate no. J. & W.C.2028.1 through .4.

 28/14 <EMPH RENDER="italic">Epigram</EMPH>, op. 19. London: J. & W. Chester, 1918 Voice and piano; score; 3 p.

Plate no. J. & W.C.3766.

Language note: English

Language note: French

 28/15 <EMPH RENDER="italic">Kaleidoscope</EMPH>, op. 18. London: J. & W. Chester, 1918 Solo piano; score; 25 p.

Plate no. J. & W.C.2027.1 through .12.

 28/16 <EMPH RENDER="italic">Deux proses lyriques</EMPH>, op. 16. London: J. & W. Chester, 1917 Voice and piano; score; 15 p.

Plate no. J.W.C.3731.

Language note: French

 28/17 <EMPH RENDER="italic">Two songs</EMPH>, op. 10. London: J. & W. Chester, 1917 Voice and piano; score; 8 p.

Plate no. J. & W.C.3733.

Contains annotations in pencil on inside back cover.

Language note: French

Language note: English

 Gounod, Charles François 28/18 <EMPH RENDER="italic">L'Angelus</EMPH>. Paris: A. Leduc, n.d. Arranged by A. Le Beau for solo piano; score; 3 p.

Plate no. A.L.12070.

 28/19 <EMPH RENDER="italic">Le bal d'enfants</EMPH>. Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Plate no. A.L.11791.

 28/20 <EMPH RENDER="italic">Chanson printanière</EMPH>. Paris: A. Choudens, 1895 Solo piano; score; 5 p.

Plate no. A.C.10081.

 28/21 <EMPH RENDER="italic">Choral et musette</EMPH>. Paris: A. Choudens, n.d. Solo piano; score; 5 p.

Plate no. A.C.2697.

 28/22 <EMPH RENDER="italic">Cinq Mars</EMPH>: Ballet Louis XIII. Paris: L. Grus, n.d. Arranged for solo piano; score; 15 p.

Plate no. L.G.3455.

 28/23 <EMPH RENDER="italic">Cinq Mars</EMPH>: Sarabande. Paris: L. Grus, n.d. Arranged for solo piano; score; 7 p.

Plate no. L.G.3387.

 28/24-26 29/1-2 <EMPH RENDER="italic">La colombe</EMPH>. Paris: A. Choudens, n.d. Piano-vocal score; 142 p.

Plate no. A.C.758.

Contents:

BOX: 28/24 Copy 1: contains sparse annotations in pencil. BOX: 28/25 Copy 2 of the above. BOX: 28/25 Laid in: copyist's manuscripts, 31 p.; 1 p. annotations in the hands of both Diaghilev and Lifar. Printed score also contains extensive emendations and anno-tations in pencil and in ink, in the hands of both Diaghilev and Lifar. BOX: 28/26 Copy 3 of the above. BOX: 29/1 Copy 4 of the above. BOX: 29/2 Copy 5 of the above: incomplete, contains only p. 2 through 18.

Language note: French

 29/3 <EMPH RENDER="italic">Dodelinette</EMPH>. Paris: H. Lemoine, n.d. Solo piano; score; 5 p.

Plate no. 7780.HL.

 29/4 <EMPH RENDER="italic">Filemon e Bauci</EMPH>. [=<EMPH RENDER="italic">Philémon et Baucis</EMPH>.] Paris: A. Choudens, n.d. See also: Philémon et Baucis Box 29, Folder 13 See also: Philémon et Baucis Box 30, Folder 1 See also: Philémon et Baucis Shelved item 24 BOX: S/24 Piano-vocal score; 171 p.

Plate no. A.C.5563.

Language note: Italian

 29/5 <EMPH RENDER="italic">Gavotte</EMPH>. Paris: A. Choudens, 1895 Solo piano; score; 7 p.

Plate no. A.C.9799.

 29/6 <EMPH RENDER="italic">Impromptu</EMPH>. Paris: H. Lemoine, 1888 Solo piano; score; 3 p.

Plate no. 9510.HL.

 29/7 <EMPH RENDER="italic">Jeanne d'Arc</EMPH>: Danse bohémienne. Paris: A. Choudens, n.d. Arranged for solo piano; score; 11 p.

Plate no. 18 (C).

 29/8 <EMPH RENDER="italic">Marche funèbre d'une marionette</EMPH>. Paris: H. Lemoine, n.d. Solo piano; score; 7 p.

Plate no. 7523.HL.

 29/9 <EMPH RENDER="italic">Matinée de mai</EMPH>. Paris: A. Choudens, 1896 Solo piano; score; 3 p.

Plate no. A.C.10186.

 29/10 <EMPH RENDER="italic">Le médecin malgré lui</EMPH>. Paris: E. Gallet, n.d. Piano-vocal score; 190 p.

Plate no. 2097.

Laid in: copyist's manuscripts, 90 p. Printed score also contains extensive emendations and annotations in pencil and in ink.

Language note: French

 29/11 <EMPH RENDER="italic">Le médecin malgré lui</EMPH>. [Paris]: [A. Choudens], n.d. Piano-vocal score; [18] p.

Plate no. A.C.2097.

incomplete: p. 57-72, 187-190 only

Contains annotations in pencil and in ink.

Language note: French

 S/45 <EMPH RENDER="italic">Mireille</EMPH>. Paris: A. Choudens, n.d. Piano-vocal score; 213 p.

Plate no. A.C.1005.

Contains sparse annotations in pencil.

Language note: French

 29/12 <EMPH RENDER="italic">Petite étude-scherzo</EMPH>. Paris: H. Lemoine, n.d. Arranged for solo piano; score; 3 p.

Plate no. 9314.HL.

 29/13 30/1 <EMPH RENDER="italic">Philémon et Baucis</EMPH>. Paris: A. Choudens, n.d. See also: Filemon e Bauci, Box 29, Folder 4 Piano-vocal score; 189 p.

Plate no. A.C.703.

Contenst:

BOX: 29/13 Copy 1: contains annotations in pencil. BOX: 30/1 Copy 2 of the above. Cover page missing.

Language note: French

 S/24 <EMPH RENDER="italic">Philémon et Baucis</EMPH>. Paris: A. Choudens, n.d. Piano-vocal score; 178 p.

Plate no. A.C.703, 702.

Contains sparse annotations in pencil.

Language note: French

 30/2 <EMPH RENDER="italic">Préludes et fugues pour l'étude préparatoire au Clavecin bien tempéré de Jean Sébastien Bach</EMPH>. Paris: A. Choudens, 1895 Solo piano; score; 52 p.

Plate no. A.C.9800 through 9805.

 30/3 <EMPH RENDER="italic">Quatuor no. 3</EMPH>. Paris: A. Choudens, 1895 See also: Scherzo, Box 30, Folder 6 Strings; parts for: vn I, vn II, vla, vc (9 p. each).

Plate no. A.C.9809.

 30/4 <EMPH RENDER="italic">La reine de Saba</EMPH>: Ballet et Marche. Paris: A. Choudens, n.d. Arranged for solo piano; score; 21 p.

Plate no. A.C. 2743.

 30/5 <EMPH RENDER="italic">Royal-Menuet</EMPH>. Paris: Le Beau, n.d. Solo piano; score; 5 p.

Plate no. N.L.342.

 30/6 <EMPH RENDER="italic">Scherzo</EMPH>. [<EMPH RENDER="italic">Quartet</EMPH>, strings, no. 3, A minor: Scherzo.] Paris: A. Choudens, 1895 See also: Quatuor no. 3, Box 30, Folder 3 Arranged by H. Büsser for solo piano; score; 7 p.

Plate no. A.C.10037.

 30/7 <EMPH RENDER="italic">Sérénade</EMPH>. Paris: A. Leduc, n.d. Arranged for solo piano; score; 2 p.

Plate no. A.L.11926.

 30/8 <EMPH RENDER="italic">Souvenir d'un bal</EMPH>. Paris: A. Choudens, 1895 Solo piano; score; 5 p.

Plate no. A.C.9944.

 30/9 <EMPH RENDER="italic">Sylvie</EMPH>. Paris: A. Choudens, n.d. Voice and piano; score; 3 p.

Plate no. A.C.3953.

Language note: French

 30/10 <EMPH RENDER="italic">Symphony no. 2</EMPH>, E-flat major: 1. Adagio-allegro agitato. Paris: A. Choudens, n.d. Arranged for piano, four hands; score; 25 p.

Plate no. A.C.1204.(1).

 30/11 <EMPH RENDER="italic">Symphony no. 2</EMPH>, E-flat major: 2. Larghetto; 3. Scherzo; 4. Final. Paris: A. Choudens, n.d. Arranged for piano, four hands; score; [41] p.

Plate no. A.C.1204.(2) through (4).

complete in 51 p. pages 26-77 only

 30/12 <EMPH RENDER="italic">Le tribut de Zamora</EMPH>: excerpts. Paris: A. Choudens, n.d. Piano-vocal score; 56 p.

Plate no. A.C.5242.

Language note: French

 30/13 <EMPH RENDER="italic">Ulysse</EMPH>. Paris: A. Choudens, n.d. Piano-vocal score; 112 p.

Plate no. A.C.1299.

Language note: French

 30/14 <EMPH RENDER="italic">La valse des sylphes</EMPH>. Paris: H. Lemoine, n.d. Solo piano; score; 7 p.

Plate no. 7794.HL.

 Grainger, Percy Aldridge 30/15 <EMPH RENDER="italic">British folk-music settings</EMPH>: Irish tune from County Derry (no. 6). London: Schott, 1911 Solo piano; score; 7 p. 30/16-17 <EMPH RENDER="italic">British folk-music settings</EMPH>: Shepherd's hey (no. 4). London: Schott, 1911 Solo piano; score; 10 p.

BOX: 30/17 Copy 2 of the above.

 30/18 <EMPH RENDER="italic">British folk-music settings</EMPH>: The Sussex Mummers' Christmas carol (no. 2). London: Schott, 1911 Solo piano; score; 7 p. 30/19 <EMPH RENDER="italic">Room music tit-bits</EMPH>: Mock Morris (no. 1). ["Concert version."] London: Schott, 1912 Solo piano; score; 12 p.

Plate no. 3128.

Contains annotations in pencil on verso of title page.

 30/20 <EMPH RENDER="italic">Room music tit-bits</EMPH>: Mock Morris (no. 1). ["Popular version."] London: Schott, 1912 Solo piano; score; 10 p.

Plate no. 45.

Published 1912/1913

 30/21 <EMPH RENDER="italic">Room-music tit-bits</EMPH>: Walking tune (no. 3). London: Schott, 1912 Solo piano; score; 10 p.

Plate no. 3137.

2 copies

 30/22 <EMPH RENDER="italic">Sentimentals</EMPH>: Colonial song (no. 1). London: Schott, 1913 Voice and piano or solo piano; score; 11 p.

Published 1913/1914

no lyrics

 30/23 <EMPH RENDER="italic">Settings of songs and tunes from William Chappell's</EMPH>Old English popular music: My robin is to the greenwood gone (no. 2). London: Schott, 1912 Solo piano; score; 10 p. Grechaninov, Aleksandr Tikhonovich 31/1 <EMPH RENDER="italic">Quatre mélodies</EMPH>, op. 20, no. 4: Le captif. Leipzig: M.P. Belaïeff, 1912 Voice and piano; score; 5 p.

Plate no. 1966 1970.

Language note: Russian

Language note: French

Language note: German

 Grosz, Wilhelm 31/2 <EMPH RENDER="italic">Baby in der Bar</EMPH>, op. 23. Vienna: Universal, 1927 Arranged by the composer for solo piano; score; 43 p.

Plate no. U.E.7523.

 Gurilev, Aleksandr L'vovich 31/3 <EMPH RENDER="italic">Ne shumi ty, rozh', spelym kolosom</EMPH>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923 Two voices and piano; score; 7 p.

Plate no. 10065.

Language note: Russian

Language note: German

 Haberbier, E. Valse See: Glinka, Mikhaĭl. Sobranie muzykal'nykh pies, Box 66, Folder 9 Hahn, Reynaldo 31/4 <EMPH RENDER="italic">Le bal de Béatrice d'Este</EMPH>. Paris: Heugel, 1911 Arranged by A. Gédalge for piano, four hands; score; 25 p.

Plate no. H. & Cie.24960.

 31/5 <EMPH RENDER="italic">Ciboulette</EMPH>: selections. Paris: F. Salabert, 1923 Arranged by F. Salabert for solo piano; score; 8 p.

Plate no. E.A.S.2731.

 Haydn, Joseph 31/6 <EMPH RENDER="italic">Symphonie d'enfants</EMPH>. Paris: Costallat, n.d. Condensed score; 5 p.

Plate no. 16906.R.

2 copies

 31/7 <EMPH RENDER="italic">Symphonie d'enfants</EMPH>. Paris: [s.n.], n.d. Parts for: vn I, vn II (2 p. each); cb (1 p.); perc (2 copies, 1 p.).

Plate no. R.11759.

2 copies

 Henderson, Ray See: De Sylva, B. G. BOX: 21/7 BOX: 21/7 Hindemith, Paul 31/8 <EMPH RENDER="italic">Der Dämon</EMPH>, op. 28. Mainz: B. Schott's Söhne, 1924 Reduction by H. Uhticke for solo piano; score; 27 p.

Plate no. 31096.

 31/9 <EMPH RENDER="italic">Hin und zurück</EMPH>, op. 45a. Mainz: B. Schott's Söhne, 1927 Piano-vocal score; 23 p.

Plate no. 31960.

Language note: German

 31/10 <EMPH RENDER="italic">Tanzstücke</EMPH>, op. 19. Mainz: B. Schott's Söhne, 1928 Solo piano; score; 22 p.

Plate no. 32189.

 Holländer, Friedrich 31/11 <EMPH RENDER="italic">Loin de toi</EMPH>. [=<EMPH RENDER="italic">Wie hab'ich nur leben können Dich?</EMPH>] Paris: F. Salabert, 1933 Parts for: piano/conductor (4 p.); vn I/conductor (reduced score) (3 p.) (2 copies); vn II, vla, vc, cb, fl, ob, cl I, sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each)

Plate no. E.A.S.8642.

parts contain vocal line indications

"Valse anglaise du film Moi et l'Impératrice."

Language note: French

 31/12 <EMPH RENDER="italic">Qui j'aime</EMPH>. [=<EMPH RENDER="italic">Ich weiss nicht zu wem ich gehöre</EMPH>.] Paris: F. Salabert, 1932 Parts for: piano/conductor (4 p.); vn I/ conductor (2 p.) (2 copies); vn II, vla, vc, cb, fl, ob, cl I, sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each)

Plate no. E.A.S.7350.

Language note: French

parts contain vocal line indications

"Valse anglaise du film Tumultes."

 Howard, Samuel The Amorous Goddess See: I.B. Collections, Box 1 (S/62), p. 67 d'Indy, Vincent 31/13 <EMPH RENDER="italic">Attendez-moi sous l'Orme</EMPH>. Paris: Enoch, n.d. Piano-vocal score; 106 p.

Plate no. E. & C.807.

Contains annotations in pencil on front cover.

Language note: French

 Inghelbrecht, Désiré Émile 31/14 <EMPH RENDER="italic">Le diable dans le beffroi</EMPH>. Paris: Heugel, 1927 Reduction for solo piano; score; 76 p.

Plate no. 29551.

 Kalinnikov, Vasiliĭ Sergeevich 31/15 <EMPH RENDER="italic">Chanson triste</EMPH>. Moscow: P. Jurgenson, n.d. Solo piano; score; 3 p.

Plate no. 26077.

 Kéler, Béla 31/16 <EMPH RENDER="italic">Lustspiel-Ouverture</EMPH>, op. 73. Berlin: Edition Europa, n.d. Arranged for solo piano; score; 7 p.

Plate no. Ed.771 Er.

Composer also known by the name: Keler, Albert von

 Kool, Jaap 31/17 <EMPH RENDER="italic">Der Leierkasten</EMPH>. Vienna: Universal, 1925 Reduction by K. Mengelberg for solo piano; score; 44 p.

Plate no. U.E.8295.

 Kuzmin, Mikhaĭl 31/18 <EMPH RENDER="italic">Aleksandriĭskie pesni, v. 1</EMPH>. Moscow: Gosudarstvennoe muzykal'noe izdatel'stvo, 1921 Voice and piano; score; 23 p.

Plate no. G.M.776 (477, 778 through 781) I.M.

Language note: Russian

 Labadie, H. Mia cara See: I.B. Collections, Box 3 (S/64), p. 68-69 Lalo, Édouard 31/19 <EMPH RENDER="italic">Divertissement</EMPH>. Paris: Heugel, n.d. Arranged for solo piano; score; 23 p.

Plate no. H.et Cie.20223.

 31/20 <EMPH RENDER="italic">Pastorale et scherzo alla Pulcinella</EMPH>, op. 8. Paris: Costallat, n.d. Violin and piano; violin part, piano score; 3 p.; 10 p.

Plate no. R.10667.

 32/1 <EMPH RENDER="italic">Il re d'Ys</EMPH>. [=<EMPH RENDER="italic">Le roi d'Ys</EMPH>.] Milan: E. Sonzogno, 1890 Piano-vocal score; 231 p.

Plate no. G.H. & Cie.1745, .1939.

Published also by: G. Hartmann in Paris, 1890

Language note: Italian

 Lama, Gaetano 32/2 <EMPH RENDER="italic">Pallida mimosa</EMPH>. Naples: F. Feola, 1921 Voice and piano; score; 3 p.

Plate no. 1745.

Language note: Italian

 Laskowsky, J. Valse See: Glinka, Mikhaĭl. Sobranie muzykal'nykh pies, Box 66, Folder 9 Lassen, Eduard 32/3 <EMPH RENDER="italic">Pominal'nyĭ den'</EMPH>, op. 85, no. 3. Moscow: A. Gutkheĭl', 1891 Voice and piano; score; 5 p.

Plate no. A.5803 G.

Language note: Russian

Language note: German

 Le Borne, Fernand 32/4 <EMPH RENDER="italic">Judith</EMPH>, op. 71. Paris: Deiss & Crépin, 1922 Full score; 103 p.

Plate no. D. & C.5625.

 Lecocq, [Alexandre] Charles 32/5 <EMPH RENDER="italic">Le cygne</EMPH>. Paris: Heugel, 1899 Reduction for solo piano; score; 87 p.

Plate no. H. & Cie.19760.

 Lehár, Franz 32/6 <EMPH RENDER="italic">Tsyganskaia liubov'</EMPH> [=<EMPH RENDER="italic">Gypsy Love</EMPH>]: Waltz. Moscow: S.IA. IAmbor, n.d. Arranged for solo piano; score; 4 p.

Composer also known by the name: Legar, F.

 32/7 <EMPH RENDER="italic">Veselaia vdova</EMPH> [=<EMPH RENDER="italic">The Merry Widow</EMPH>.]: Waltz. Moscow: S.IA. IAmbor, n.d. Arranged for solo piano; score; 4 p.

Composer also known by the name: Legar, F.

 Liadov, Anatoliĭ Konstantinovich 32/8 <EMPH RENDER="italic">Arabesques</EMPH>, op. 4, no. 1. Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Plate no. A.L.13698.

 32/9 <EMPH RENDER="italic">Arabesques</EMPH>, op. 4, no. 2. Paris: A. Leduc, n.d. Solo piano; score; 7 p.

Plate no. A.L.13699.

 32/10 <EMPH RENDER="italic">Arabesques</EMPH>, op. 4, no. 3. Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Plate no. A.L.13700.

 32/11 <EMPH RENDER="italic">Arabesques</EMPH>, op. 4, no. 4. Paris: A. Leduc, n.d. Solo piano; score; 7 p.

Plate no. A.L.13701.

 32/12 <EMPH RENDER="italic">Bagatelle</EMPH>, op. 30. Leipzig: M.P. Belaïeff, 1892 Solo piano; score; 3 p.

Plate no. 524.

 32/13 <EMPH RENDER="italic">Trois bagatelles</EMPH>, op. 53. Leipzig: M.P. Belaïeff, 1903 Solo piano; score; 5 p.

Plate no. 2415.

 32/14 <EMPH RENDER="italic">Biroulki</EMPH>, op. 2. Paris: A. Leduc, n.d. Solo piano; score; 27 p.

Plate no. A.L.8756.

 32/15 <EMPH RENDER="italic">Trois canons</EMPH>, op. 34. Leipzig: M.P. Belaïeff, 1894 Solo piano; score; 5 p.

Plate no. 935.

 32/16 <EMPH RENDER="italic">Etiud i kantsonetta</EMPH>, op. 48. Leipzig: M.P. Belaïeff, 1899 Solo piano; score; 10 p.

Plate no. 2074 through 2076.

 32/17 <EMPH RENDER="italic">Etiud i 3 preliudii</EMPH>, op. 40. Leipzig: M.P. Belaïeff, 1897 Solo piano; score; 11 p.

Plate no. 1455 through 1457.

 32/18 <EMPH RENDER="italic">Fantaziia na russkuiu piesniu</EMPH>Vozlie riechki, vozlie mostu. Moscow: A. Gutkheĭl', n.d. Arranged for piano, four hands; score; 17 p.

Plate no. A.2162 G.

 32/19 <EMPH RENDER="italic">Idilliia</EMPH>, op. 25. Leipzig: M.P. Belaïeff, 1891 Solo piano; score; 10 p.

Plate no. 413.

 32/20 <EMPH RENDER="italic">Le lac enchanté</EMPH>, op. 62. [=<EMPH RENDER="italic">Volshebnoe ozero</EMPH>.] Leipzig: M.P. Belaïeff, 1909 Arranged by B. Kalafati for piano, four hands; 11 p.

Plate no. 2849.

 32/21 <EMPH RENDER="italic">Mazurka</EMPH>, op. 38. Leipzig: M.P. Belaïeff, 1896 Solo piano; score; 7 p.

Plate no. 1350.

 32/22 <EMPH RENDER="italic">Deux mazurkas</EMPH>, op. 15. Paris: J. Hamelle, n.d. Solo piano; score; 5 p.

Plate no. J.2745 H.

 32/23 <EMPH RENDER="italic">2 morceaux</EMPH>, op. 24. [=<EMPH RENDER="italic">2 p'esy</EMPH>.] Leipzig: M.P. Belaïeff, 1890 Solo piano; score; 19 p.

Plate no. 295.339 through 295.340.

 32/24 <EMPH RENDER="italic">Deux morceaux</EMPH>, op. 31. [=<EMPH RENDER="italic">2 p'esy</EMPH>.] Leipzig: M.P. Belaïeff, 1893 Solo piano; score; 13 p.

Plate no. 773.774, 773.775.

 32/25 <EMPH RENDER="italic">Trois morceaux</EMPH>, op. 10, no. 1: Prélude. Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Plate no. A.L.13520.

 32/26 <EMPH RENDER="italic">Trois morceaux</EMPH>, op. 10, no. 2: Mazurka, C major. Paris: A. Leduc, n.d. Solo piano; score; 4 p.

Plate no. A.L.13521.

 32/27 <EMPH RENDER="italic">Trois morceaux</EMPH>, op. 10, no. 3: Mazurka, D major. Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Plate no. A.L.13522.

 33/1 <EMPH RENDER="italic">Trois morceaux</EMPH>, op. 57. [=<EMPH RENDER="italic">Tri p'esy</EMPH>.] Leipzig: M.P. Belaïeff, 1906 Solo piano; score; 11 p.

Plate no. 2596.2597 through 2596.2599.

 33/2 <EMPH RENDER="italic">Quatre morceaux</EMPH>, op. 64. Leipzig: M.P. Belaïeff, 1910 Solo piano; score; 7 p.

Plate no. 2797.