Harmoniae miscellae cantionum sacrarum / [notated music]

Title

Harmoniae miscellae cantionum sacrarum ab exquisitissimis aetatis nostrae musicis cum quinque & sex vocibus concinnatae : pleraeque omnes novae : necdum in Germania typis scriptae. [print]

Names

Annibale, Padovano, 1527-1575;
Baccusi, Ippolito, ca. 1540-1609;
Ferrabosco, Alfonso, 1543-1588;
Flori, Giorgio, ca. 1558-ca. 1595;
Gabrieli, Andrea, ca. 1533-1585;
Gabrieli, Andrea, ca. 1533-1585;
Gosswin, Anton, ca. 1546-1597 or 8;
Gosswin, Anton, ca. 1546-1597 or 8;
Guami, Gioseffo, 1542-1611;
Infantas, Fernando de las, 1534-ca. 1610;
Ingegneri, Marc Antonio, 1535 or 6-1592;
Ingegneri, Marc Antonio, 1535 or 6-1592;
Lasso, Orlando di, 1532-1594;
Lasso, Orlando di, 1532-1594;
Lasso, Orlando di, 1532-1594;
Lassus, Ferdinand de, ca. 1560-1609;
Lassus, Ferdinand de, ca. 1560-1609;
Lassus, Ferdinand de, ca. 1560-1609;
Lechner, Leonhard, d. 1606;
Lechner, Leonhard, d. 1606;
Lechner, Leonhard, d. 1606;
Meloni, Annibale.;
Monte, Philippe de, 1521-1603;
Monte, Philippe de, 1521-1603;
Monte, Philippe de, 1521-1603;
Morari, Antonio, d.1597;
Morari, Antonio, d.1597;
Palestrina, Giovanni Pierluigi da, 1525?-1594;
Palestrina, Giovanni Pierluigi da, 1525?-1594;
Palestrina, Giovanni Pierluigi da, 1525?-1594;
Porta, Costanzo, 1528 or 9-1601;
Porta, Costanzo, 1528 or 9-1601;
Porta, Costanzo, 1528 or 9-1601;
Prevost, Guillaume, 16th cent;
Riccio, Teodoro, ca. 1540-ca. 1600;
Rore, Cipriano de, 1515 or 16-1565;
Rore, Cipriano de, 1515 or 16-1565;
Stabile, Annibale, 16th cent;
Wert, Giaches de, 1535-1596;
Wert, Giaches de, 1535-1596;
Wert, Giaches de, 1535-1596;

Dedicatee.

Dulner, Paul

Printer.(s)

Gerlach, Katharina, fl. 1578-1591

Katharina Gerlach (Firm)

Complier.

Lechner, Leonhard, d. 1606

Place of Publication/Creation

Noribergae

Type of Material

notated music

Published/Created

MDLXXXIII [1583]

Publisher

Typis Gerlachianis

Issuance

monographic

Languages

Latin

Latin words.

Form

print

Physical Description

6 part books ; 19 x 24 cm (obl. 4to)

Tables of Contents

Dilige solitudinem & silentium / Orlandus de Lasso -- Ad te levavi oculos meos (secunda pars: Adiutorium nostrum in nomine Domini) / Philippus de Monte -- Agimus tibi gratias, rex omnipotens Deus / Cyprianus de Rore -- Domine a lingua dolosa / Hannibal Paduano -- Fuit homo missus à Deo (secunda pars: Erat Johannes in deserto) / Johannes Petraloysius Praenestinus -- Veni Domine, & noli tardare / Orlandus de Lasso -- Amen amen dico vobis, quia plorabitis (Secunda pars: Mulier, cum parit, tristitiam) / Jacobus de Vvert -- Exaudi Deus orationem meam (secunda pars: Cor meum conturbatum est) / Andreas Gabrieli -- Domine non est exaltatum cor meum (secunda pars: Sicut ablactatus est) / Ferdinandus de Lasso -- Sperent in te omnes / Constantius Porta -- Factus est repente de coelo sonus / Marcus Antonius Ingegnerius -- Beata Dei genitrix (secunda pars: Beata quae credidit) / Constantius Porta -- Quam pulchrae sunt mammae tuae (secunda pars: Favus distillans labia tua sponsa) / Hannibal Stabilis -- Surrexit pastor bonus / Marcus Antonius Ingegnerius -- Miserere nostri Domine / Josephus Guami -- O lux beata trinitas / Andreas Gabrieli -- Beati qui habitant in domo / Philippus de Monte -- Si bona suscepimus de manu Domini / Ferdinandus de Lasso -- Quae sunt in corde hominium / Antonius Morari -- In voluntate tua, Domine / Incertus author -- Annus finit iter, finem da Christe malorum / Leonardus Lechnerus Athesinus -- Hodie Christus natus est / Cyprianus de Rore -- Deus meus, respice in me / Philippus de Monte -- Confirma hoc Deus quod operatus es in nobis / Orlandus de Lasso -- Auditam fac mihi mane misericordiam / Ferdinandus de Lasso --

Quiescat vox tua à ploratu (secunda pars: Revertentur filii tui ad terminos suos) / Jacobus de Vvert -- Victimae paschali laudes (secunda pars: Credendum est magis soli Mariae) / Don Ferdinandus de las Infantas -- Excellit reliquas doctae (secunda pars: Ego tuas laudes nostrae celebrare) / Guilielmus Prevost -- Aspice Domine de sede sancta tua / Antonius Morari -- Susanna, ab improbis senibus (secunda pars: Postquàm autem falso eorum testimonio) / Johannes Petraloysius Praenestinus -- Ad te levavi oculos meos / Antonius Gossuvinus -- Viri Galilaei quid statis / Theodorus Riccius -- Oravi Dominum Deum meum dicens / Constantius Porta -- Gemma Carbunculi in ornamento auri / Georgius Florius -- Laetatus sum in his quae dicta sunt mihi / Antonius Gossvvinus -- Haec dies quam fecit Dominus / Johan. Petraloysius Praenestinus -- Ascendente Jesu in naviculam (Domine, salva nos, perimus) / Jacobus de Vvert -- O lux beata trinitas (secunda pars: Deo patri sit gloria) / Alfonsus Ferabosco -- Aspice Domine quia facta est (secunda pars: Plorans ploravit in nocte) / Hippolitus Baccusius -- In tenebris nostrae & densa caligine mentis / Hannibal Meloni -- Si bona suscepimus de manu Domini (secunda pars: Nudus egressus sum de utero matris meae) / Leonardus Lec. Athesinus -- Ne intres in judicium cum servo tuo (secunda pars: Delicta juventutis meae) / Leonardus Lec. Athesinus.

Notes

Collection of motets in five and six parts by various composers.

Motets 1-21 are for five voices and numbers 22-42 are for six voices.

Transcribed title page from tenor part book: Harmoniae miscellae / CANTIONVM SA- / CRARVM, AB EXQVISITISSIMIS / AETATIS NOSTRAE MVSICIS CVM QVINQVE / & Sex vocibus concinnatae, pleraeque omnes novae, necdum in Ger- / mania typis scriptae: nunc autem editae studio / LEONARDI LECHNERI ATHESINI. / Tenor. / Cum gratia & privilegio Caeareae Maiestatis &c. / NORIBERGAE, / TYPIS GERLACHIANIS. / M D LXXXIII.

Guami’s ‘Miserere nostri Domine’ is headed ‘ad aequales’ in all part books.

Lechner’s ‘Annus finit iter’ is headed in the Tenor part book: Julio Geudero. Amplißimo Prudentißimo[que] Noribergensin patritio ac Senatori, in felix huius M D LXXXIII ineuntis novi anni auspicium faciebat Leonardus Lechnerus Athesinus.

With table of contents.

Copy at A.249.c. Digitised score at http://purl.org/rism/BI/1583/2.

Copy at A.249.c. Cantus (38 leaves), Altus (38 leaves), Tenor (38 leaves), Basis (34 leaves), Quinta vox (38 leaves), Sexta vox (19 leaves); paper dimensions: 159 x 210 mm.

Reproduction

Copy at A.249.c. Electronic reproduction. London : British Library, 2011. (Early Music Online). Uk

Subjects

Motets

Germany--Nuremburg

Repositories

British Library MUSIC

British Library MUSIC

Digitised score

http://purl.org/rism/BI/1583/2

Shelf Locations

A.249.f.

A.249.c.

Last Updated: 05-03-2012